BACKED BY LOCAL AUDIENCES
Müge Akar, Sales Director at ATV Distribution _20
GLOBO’S NEXT BIG STORY
Paulo Marinho, CEO at Globo _24
UNIVERSAL EMOTIONS AND THEMES
Carlos Garde, General Director of Onza Distribution _44
STORIES THAT INSPIRE AND TRANSFORM
Edson Pfutzenreiter Mendes, Commercial Director at Seriella Productions _54
REALISTIC AND ENGAGING STORIES
Delmar Andrade, International Sales Director at Record TV _78
SUCCESSFUL DRAMAS IN EVERY LANGUAGE
Elif Tatoğlu, Director of Distribution Strategy at Kanal D International _28
THE PERFECT BALANCE
Jesica Stescobich, Director of Distribution and Strategic Alliances at TV Azteca Internacional _30
THE HOUSE OF REALITIES GETS A REFRESH FOR 2025
Alexis Zamora, Content Manager at Canal 13 Chile _34
THE GREAT APPEAL OF CAPTIVATING STORIES
Goryana Vasileva, Director of Content Sales at Calinos Entertainment _48
HIGH EXPECTATIONS FOR ‘BROKEN PROMISE’
Carlota Vieira, Deputy Director of Content Sales at SIC International Distribution _72
A CONSTELLATION OF STARS
Tomas Darcyl, Co-President of Grupo Telefilms _86
EXPANDING MULTIPLATFORM STRATEGY
Ronald Day, President of Entertainment and Content Director at NBCUniversal Telemundo Enterprises _102
68
16
CDC UNITED NETWORK A CATALOGUE OF MASTERPIECES _16
OGM UNIVERSE QUALITY GUARANTEED _36
SCREENBRIGHT MEDIA CONTENT FOR GLOBAL AUDIENCES _38
DORI MEDIA GROUP ‘AMIA’ IS READY TO WIN OVER THE AUDIENCE _40
THE CHILDREN’S KINGDOM A FAST CHANNEL AS A KEY TO EXPANSION _46
INTER MEDYA STRONG EMOTIONS IN BEAUTIFUL CAPPADOCIA _68
PANEA CONTENT CONSUMPTION TRANSFORMED INTO ACTION _70
MEGAMEDIA CHILEAN CONTENT FACTORY FOR THE WORLD _76
CONDISTA LEARNING TO ADAPT IS KEY _82
MEDITERRÁNEO WITH MAJOR PREMIERES UP ITS SLEEVE _104
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Jacques Audiard’s film took home four awards, including Best Film, Musical or Comedy, and Best Film in a Non-English Language. Globo celebrated a win for Fernanda Torres for ‘I’m Still Here’.
Sunday, January 5, marked a new edition of the Golden Globes, the prestigious ceremony that functions, to a large extent, as a relaxed prelude to the Oscars, whose gala will be held on March 2. The awards organized by the Hollywood Foreign Press Association gave out awards in 27 film and television categories.
In the film category, the big winner of the night was ‘Emilia Pérez’, which led with four awards, including Best Film, Musical or Comedy; and Best Film in a Non-English Language. Distributed in Latin America by CDC United Network, the film also took home the
award for Best Supporting Actress for Zoe Zaldaña and Best Original Song for ‘El mal’.
Also on the big screen, ‘The Brutalist’ was awarded Best Drama Film, while Brady Corbet took home the award for Best Director and Adrien Brody the award for Best Leading Actor. ’Flow’ won Best Animated Film and ’Wicked’ won the award for Cinematic and Box Office Achievement.
The big news for Latin America was the triumph of Brazilian actress Fernanda Torres, who won Best Lead Actress in a Drama for her role in ’I’m Still Here’, a Globoplay Original. It is the first Golden Globe won by Brazil in the category.
Completing the individual film performances, Demi Moore won Best Actress in a Comedy or Musical for ’The Substance’, Sebastian Stan won Best Actor in a Comedy or Musical for ’A Different Man’, and Kieran Culkin won Best Supporting Actor for ’A Real Pain’.
‘Conclave’, the film distributed in Latin America by Telefilms, won the award for Best Screenplay, received by Peter Straughan. Trent Reznor and Atticus Ross won the award for Best Original Score for ‘Challengers’.
In the television categories, ‘Shogun’, the FX series, was crowned Best Drama, with its stars Anna Sawai, Hiroyuki Sanada and Tadanobu Asano taking home the awards for Best Actress, Best Actor and Best Supporting Actor, respectively. ‘Hacks’ was named Best Television Series, Musical or Comedy, with Jean Smart winning as Best Comedy Actress.
‘Baby Reindeer’, from Netflix, was the winner in the category of Best Limited Series, Anthology Series or TV Movie, while Jessica Gunning won the award for Best Supporting Actress. Jeremy Allen White won best comedy actor for ‘The Bear’, his third consecutive win, while Colin Farrell won best limited series actor for ‘The Penguin’, and Ali Wong won best stand-up comedy performance.
CDC United Network is landing in Miami with two spectacular feature films at the top of its offering, the award-winning ‘Emilia Pérez’ and the new version of ‘The Count of Monte Cristo’, while continuing to grow in its role as co-producer in Latin America.
By
lcabrera@todotv.tv @luis_cabreram
Betting on a story like that of ‘Emilia Perez’, a film –a musical comedy!– about a feared cartel boss who decides to leave their criminal life behind and disappear, finally fulfilling their dream of transitioning to a woman, cannot have been as easy as today, when the film is being praised and awarded, makes it seem.
However, CDC United Network, which owns the distribution rights to the four-time Golden Globe-winning 2025 feature film, always believed in the quality of the work it added to its catalog: “It’s not often that one has the opportunity to participate in a film that is so spectacular and beautiful on every level,” said Erik Jensen, CEO and partner of CDC United Network. “I haven’t been this proud of a film we’ve handled since ‘12 Years a Slave,’ ten years ago.”
The film directed by Jacques Audiard gained traction from its cast -led by Karla Sofía Gascón, along with Adriana Paz, Selena Gomez and Zoe Saldaña, who also won a Golden Globe for supporting actressand was gaining more and more followers during 2024 in its passage through the different festivals, starting with the premiere in Cannes, where it won the Jury Prize and its female cast was awarded, together, as Best Actress.
“It is a great honor to be associated with this film. It is what makes being in this industry so rewarding,” said Jensen.
At the recent Golden Globes 2025, ‘Emilia Pérez’ won four awards: Best comedy or musical, Best foreign language film, Best original song (‘El Mal’) and Best supporting actress (Saldaña).
And in late January, the film was nominated in an incredible 13 categories for the Oscars, including Best Film, Best Leading Actress and Best Director. “It will be a very interesting awards season”, said Jensen.
A DUMAS CLASSIC. Another highlight from CDC’s catalogue is the most recent film adaptation of Alexandre Dumas’ classic, ‘The Count of Monte Cristo’. This popular revenge story returned to the big screen by the French company Pathé, in association with other producers. Its premiere at the Cannes Film Festival closed with an eleven-minute standing ovation, demonstrating the quality of a film that has accumulated 95% positive reviews on the Rotten Tomatoes website.
“It’s another beautiful masterpiece that I couldn’t be more proud of,” said Jensen. “It’s one of those well-known IPs that is timeless. This is another film that I want as many people as possible to see because it’s just beautiful. It’s for a wide range of audienc-
Erik Jensen, General Director and Partner at CDC United Network
“It’s not often that you get the opportunity to be involved in a film that is so spectacular and beautiful on every level.”
“I haven’t been this proud of a film we handled since ‘12 Years a Slave,’ ten years ago.”
es. It’s epic, it’s historical, but it’s also a very commercial revenge thriller full of action, intrigue and betrayal.”
CDC’s slate also includes the thriller ‘Strange Darling,’ about a late-night encounter that ends in a deadly game of cat and mouse, and the family-friendly animation ‘Panda Bear in Africa,’ about a Chinese bear who has all kinds of adventures on a new continent.
The positive experience of its first co-production in Latin America, the Mexican film ‘Todas menos tú’, has CDC United Network excited about what will come next, starting with a second part of the aforementioned comedy. “It was our first production and it went very well,” said Jensen. “We got an excellent film that Max later acquired for its premium
window, and it also had an excellent performance on the platform. Based on that, we decided to make a sequel. We are working on the script; we already have the first drafts.” Although they have not yet signed all the contracts, there is a lot of enthusiasm to reunite the same team from the first film. “We hope to be able to reunite them, as well as the
“The Count of Monte Cristo is epic, it is historical, but it is also a very commercial revenge thriller full of action, intrigue and betrayal”
team of partners that were Cinépolis, Zima and CDC. We hope to begin this production in mid-2025, with the same production company (No idea Entertainment) and the same production team,” said the executive, who shared that he would like to be producing between two or three films per year, even leaving Mexico to include Argentina, Chile, Colombia or Peru.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
The success of ‘The Nightfall’ in Turkey sets the stage for what is expected to be a fantastic 2025 for ATV Distribution, which is following the ratings-leading drama with other powerful narratives such as ‘Safir’ and the recently released ‘Hidden City’.
What was an outstanding 2024 for ATV Distribution, with hits such as ‘The Nightfall’ doing well on the local screen, and ‘Safir’, which has had a long run and was nominated for an International Emmy for Best Telenovela, sowed what is anticipated to be an exceptional harvest during this new year.
Head of
Saless at ATV Distribution
“We are very pleased to present ‘Hidden Destiny’, ATV’s latest drama, which premiered in December in Turkey” Müge Akar,
Since its debut in September last year - and with spectacular growth in its second episode - ‘The Nightfall’, the drama starring Burak Deniz and Su Burcu Yazgı Coskun has been at the top of the total ratings in Turkey, on a very competitive day. Together with ‘Safir’, they make up the vanguard of ATV Distribution’s catalogue for this beginning of the year, to which its new release for December, ‘Hidden City’, has been added.
“These three series, each with their own appeal, prove ATV’s commitment to producing high-quality, emotionally engaging content that resonates with viewers around the world,” said Müge Akar, Sales Director at ATV Distribution.
‘The Nightfall’ continues to lead the local total ratings, despite tough competition on Tuesdays. What elements do you think have made it so successful with local audiences? The success of ‘The Nightfall’ can be attributed to its compelling narrative,
strong characters, and the emotional depth of its storyline, which deeply resonates with viewers. The themes of love, betrayal, duty, and desire are universally relatable, while the performances of Burak Deniz and Su Burcu Yazgı Coşkun bring these elements to life with remarkable sincerity. Additionally, the show’s unique setting and production quality have helped it stand out in the competitive television market.
What do you expect from the title internationally in 2025? In 2025, ‘The Nightfall’ is expected to expand its global reach significantly, driven by its strong local performance. Given the strong performance it has shown in Turkey, the show is well-positioned to appeal to audiences all around the world. The complex characters of ‘The Nightfall’, especially the internal conflicts they face, create a compelling dynamic that will resonate with audiences across various cultures, as the global appetite for high-quality Turkish drama continues to rise.
‘Safir’ kept adding territories during 2024. How many territories have the show reached? What deals would you highlight? ‘Safir’ is a compelling drama set in the picturesque landscape of Cappadocia, centering on Feraye, a young woman torn between her love for Yaman, a wealthy heir, and the hidden secrets of his family. As the story unfolds, she faces the challenge of navigating deep emotional conflicts, including betrayal and love triangle between Yaman and his brother Ates. The series has expanded into over 15 territories recently, with notable success, including its acquisition by one of the major platforms in the Czech Republic. ‘Safir’s combination of tension, romance, and exceptional production quality continues to captivate audiences worldwide, reinforcing its global reach and highlighting the strength of Turkish content in the international market.
What other content would you highlight during Natpe Miami?
At Natpe Miami, in addition to showcasing our flagship series, ‘The Nightfall’, we are excited to introduce ‘Hidden Destiny’, ATV’s latest drama, which premiered in December in Turkey. ‘Hidden Destiny’ tells the story of Mehmet, a successful lawyer who, after the death of his mother,
“We expect ‘The Nightfall’ to significantly expand its global reach during 2025, driven by its strong local performance”
attempts to rebuild his relationship with his daughter, Doga, while unraveling deep family secrets. The series explores themes of betrayal, love, and the complexities of family dynamics.
Along with ‘Hidden Destiny’ and ‘The Nightfall’, we will also be highlighting ‘Safir’, a powerful drama that continues to captivate global audiences with its plot and richly developed
characters, further strengthening ATV’s growing international presence. These three series, each with their own unique appeal, demonstrate ATV’s commitment to producing high-quality, emotionally engaging content that resonates with viewers worldwide.
How would you describe your main goals for 2025 in Latin America and US Hispanic? Our primary objective for 2025 in Latin
America and the US Hispanic market is to further solidify our presence by expanding the reach of our most successful titles, including ‘The Nightfall’ and ‘Hidden Destiny’. We aim to strengthen partnerships with key local broadcasters and platforms, ensuring that our content resonates deeply with audiences in these regions. Furthermore, we plan to focus on increasing our sales efforts by targeting new distribution opportunities and securing additional deals with top-tier networks.
“‘Safir’s’ combination of tension, romance and exceptional product ion quality continues to captivate audiences around the world”
The Brazilian giant is celebrating its 100th anniversary as a group in 2025, as it also celebrates two other important milestones -60 years of TV Globo and 10 years of Globoplay-, staying at the forefront thanks to a continuous transformation process, guided by a clear vision of its role in Brazilian society and its love of telling great stories.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
One hundred years ago, journalist Irineu Marinho began an incredible journey. After years in his profession, Ireneu founded the newspaper O Globo, with July 29 being the date of its first edition.
Tragedy - a heart attack - took Ireneu just a month later, so he was unable to see what would grow from the seed he had planted. A hundred years later, and thanks to the work of many other visionaries - especially his son Roberto - Globo is now the largest media group in Brazil.
In 2025, the group celebrates multiple anniversaries that also include the 60th anniversary of TV Globo and the 10th anniversary of its platform, Globoplay.
To understand what this giant means for the global audiovisual industry, the responsibility it assumes at a local level and the challenges it sets for itself at an international level, ttv had the opportunity to interview Paulo Marinho, Roberto’s grandson and current CEO of Globo.
Roberto Marinho was quoted saying: “Our work begins again each day, and the Brazil we dreamed of and for which this newspaper was founded has not yet become a reality”. Does this have a correlation on the TV side of the business? How has the vision of the group evolved in the past six decades? The commitment to Brazil and the passion for communication are part of the essence of Grupo Globo and, therefore, of Globo, the company I lead. We work every day committed to the future and the development of the country. We are celebrating 100 years of Globo thinking about the future, about the next story we want to tell. Our content reaches 98% of the Brazilian population. TV Globo, our free-to-air TV channel, in particular, leads the national audience, reaching over 120 million people every week. In a world of such fragmented consumption, talking to so many people at the same time brings a great responsibility. We offer high-quality, free programming that connects millions of Brazilians and promotes Brazil’s cultural identity. Television works contrary to the logic of individualized consumption. It is for everyone. And it tells stories that embrace the values shared by society and that promote unity, culture and democracy. TV Globo is a collective space for respecting others and that is proud to have Brazil as a source of inspiration.
If we focus on the international footprint of the group and the TV business, how do you analyze that evolution and what is the vision you have for the company on that regard? Our vision is to always be connected to the most innovative things there
“We are the largest producers of audiovisual content in Portuguese, but, above all, we are great storytellers”
are. Not just in the media industry. While we develop new technologies and new creative languages internally, we are always paying attention at the most innovative things on the global market. We look at our industry and also at others, looking for new solutions that can be implemented in our media segment. There is always a search to improve.
Besides the huge role Globo plays in the life of the Brazilian people, for international audiences, is also a huge window into the country’s life and culture. What does it mean to the company to play this role of “ambassadors”? Globo is one of the main promoters of Brazilian culture. We already have exported over 3,000 productions to around 160 territories, translated into 70 languages. That means over 19 thousand hours of content distributed per year. We received over 90 nominations for the International Emmy, always with Brazilian productions. Our first Globoplay original film, ‘I’m Still Here’, is on a beautiful trajectory. It won an award in Venice, received nominations for the Goya and the Golden Globe, and is on the Oscar shortlist. It is a great source of pride for us at Globo to be driving this recognition, which places Brazil among the best in the world. It is a reflection of the very high-quality work of actors, directors, producers, scriptwriters, set designers, photographers, technicians, executives, and so
many other talents that make Brazil an audiovisual powerhouse.
Globoplay has become a fantastic platform to share creative and powerful new stories that are traveling around the world. How do you see the platform expanding in the future? In 2025, Globoplay will complete 10 years as the largest Brazilian streaming platform, with a very competitive performance in Brazil against the largest global players. Our productions’ consumption grows every year. We recorded 4 billion hours watched in 2024 and had a 38% growth in the subscriber base. Globoplay’s original productions are crossing borders, and this is why we see the future of the platform in the international market. As I mentioned before, the film ‘I’m Still Here’ has been nominated for the main international film competitions; the series ‘Justice: Misconduct 2’ won the Grand Prize at the Seoul Drama Awards; ‘Justice: Misconduct 1’ was nominated for the International Emmy; the series ‘Living on a Razor’s Edge’ was a highlight at the Berlinale and at Canneseries, and competed for best actor at the International Emmy; ‘The Others’ was nominated for the Venice TV Awards. They are all original Globoplay productions, which started opening doors and taking the Brazilian talent to the world. It is also an important meeting point for Brazilian consumers around the world.
“Globo remains a place for Brazilian talent, with investments aimed at combining excellent content with the best experience for the public”
Talking about international TV business, Globo has taken a very clear stand to embrace new business models, looking to sell more formats (scripted and unscripted) and working with partners in more international co-productions. How do you evaluate the current state of your international TV business and what is the potential that you see in that side of the industry? Partnerships are the best way to strengthen ourselves in the global industry. We are the biggest producers of audiovisual content in Portuguese, but, before that, we are great storytellers. Exciting stories, that connect with large audiences, with universal themes. It is important that we understand the best combination between our catalog and market trends, with flexible business models that prioritize customer needs. The sale of scripted formats meets this demand. It’s a way of adapting our stories to new audiences, in productions that will reflect the clients’ culture. ‘Leyla’ was the first international adaptation of ‘Brazil Avenue’, one of our greatest hits. It is being broadcasted in Turkey and already being negotiated for other countries. ‘The Others’ and ‘Justice:
Misconduct’ will also gain international adaptations in Greece and German-speaking territories. In coproduction agreements, we use our production expertise to enrich our own platforms in Brazil with premium productions, in addition to taking our stories to the international market in distribution agreements. We recently announced two deals with Fremantle and Beta Film, and we are coproducing the film ‘Na Linha do Fogo’ with Disney.
Globo has been fostering talent in all areas of the business during these 60 years. What is your read of the strengths and weakness today of Brazilian audiovisual scene? What changes, if any, would you like to see in the scene (regarding regulations, for example) moving forward? We live in a much broader competitive environment, which presents us with the challenge of staying relevant in a disruptive scenario, in which the main competitors are large technology platforms with global resources and less regulation. What we advocate are clear rules and that everyone is committed to discussing transparency, accountability, parameters, and metrics. All of this is important for business, but also for Brazilian society. Although greater today, competition is nothing new to Globo. We have always had strong competitors. Some players change, but Globo remains as a place for Brazilian talent, with investments aimed at combining excellent content with the best experience for the public. We produce over 33 thousand hours of new content per year and we are the largest promoter of the Brazilian independent audiovisual market, with an open and collaborative dialogue with over 170 production companies of all sizes.
What can you share about the latest news coming from the audiovisual side, like the new studio (the biggest one in the region) and other meaningful deals? In fact, at the end of last year we opened the largest Virtual Production studio in Latin America. With 1500 m2, the studio opens up a huge path of possibilities for our creative teams. For example, we’re going to shoot a movie that’s all set in Antarctica. We are also paying attention to the use of artificial intelligence in the production of original content, and how this has been impacting the value chain. We have invested not only in technology, but also in training our teams so that we can test, use, and recognize the earnings we can extract from it. We have over 30 generative AI use cases underway at Globo, in all areas. And, as part of our vision for the future, of business diversification, we acquired corpo-
rate control of Eletromidia, the largest Out of Home Brazilian media company, which will enable us to expand our presence in the Brazilian consumer’s life journey.
You shared that TV 3.0 will “transform” the Free TV in Brazil. How is Globo preparing for that? In Brazil, we have one of the strongest free-to-air TV channels in the world, responsible for over half of the video consumption at home in the country. Free high-quality TV. Putting it into the digital world will be truly transformative. It changes the entire experience for the consumer, who will now have much more quality, with 4K signal, HDR, immersive and customizable audio, in addition to a much richer involvement due to the benefits of connectivity, such as interactivity and direct engagement with the content. From a business perspective, it opens up the possibility of offering our advertisers the complete path, from brand building to direct purchase conversion, based on all the knowledge we currently have about Brazil and Brazilians, in a completely safe environment. We have already carried out some experiments in Rio de Janeiro and São Paulo. Now, in 2025, we will open the first 3.0 TV station in Rio de Janeiro. The Brazilian government expects that the new technology will be commercially available for the 2026 World Cup.
After so many years as a leading group in the country and the world, what steps does the company have to keep taking to avoid falling into the trap of complacency? My grandfather Roberto Marinho used to say that a company is never fully built. This restlessness is part of who we are today, and it is present in all Grupo Globo companies. Whether on the newspaper, on the radio, on TV, on streaming, or digitally. At Globo, we don’t become relaxed with our leadership. We are committed to the process of continuous transformation, in which innovation is one of the keys to maintaining relevance. Our ambition is to continue bringing our stories to more and more people, wherever they are and however they want to consume them. Our purpose of delivering information, culture, and entertainment to Brazil, and working to strengthen education has been constantly expanded and improved, with the compass always pointing towards the future. Our actions take into account the development of the country and of new generations. And, for this reason, we structured the six commitments that guide our ESG 2030 Agenda, contributing, through content and behind the scenes, to a society that will be fairer and more sustainable.
In addition to the international reach of the main dramas in its catalogue, such as ‘Secret of Pearls’ or ‘The Family Burden’, Kanal D International has added a successful collection of international adaptations of its titles, which will now include the Mexican version of ‘A Father’s Promise’.
By Luis Cabrera lcabrera@todotv.tv
@luis_cabreram
Elif Tatoğlu, Director of Distribution Strategy at Kanal D International
“The sale of ‘A Father’s Promise’ to Mexico for its adaptation is proof of the universal appeal of the Turkish narrative”
The Portuguese adaptation of ‘Broken Promise’, titled ‘A Promessa’, competed at the 2025 Latin Rose D’or Awards in the Best Telenovela category, a well-deserved recognition for a title that is having a very good moment on the SIC screen and a demonstration of the impact that Kanal D International (KDI) is having with the sale of its scripted formats.
Earlier this year, Sangerim Zhakhina was appointed by KDI as the new Director of Sales for the Russia and CIS regions. With over 10 years of media experience,
The success of the adaptation of ‘Broken Promise’, as well as the previous success achieved by ‘Fatmagül ’ in Spain (a version titled ‘Alba ’), have marked a path that now also includes the Ukrainian adaptation of ‘Price of Passion’ and the recent news of the sale of the rights of ‘A Father’s Promise’ to Mexico.
“Scripted formats sales continues to be an important growth area for us,” explains Elif Tatoğlu, KDI’s Director of Distribution Strategy. “The sale of ‘A Father’s Promise’ to Mexico for its adaptation demonstrates the universal appeal of the Turkish narrative.”
In its original version, set in 1980, ‘A Father’s Promise’ follows the story of Mustafa, a struggling factory worker who faces extreme financial circumstances in his quest to save his wife’s life through a crucial operation. Separated from his daughter, he returns years later to reunite with her.
“We are currently in talks with several partners in the Middle East, North Africa, Europe and Latin America to expand our presence in this space, further consolidating our position as a leader in sales of scripted formats,” added the executive.
KDI’s vast catalogue of titles with universal themes and versatile narratives, and proven hit content such as ‘Kuzey Güney’, ‘Fatmagul’, ‘Price of Passion’, ‘For My Son’, and ‘Forbidden Love’, as well as the most recent ‘Secret of Pearls’, among others, make this task easier.
“These are highly versatile titles that can easily be adapted into long-form formats for free-to-air television, or into shorter, high-impact miniseries tailored for digital platforms,” Tatoğlu explained. “This flexibility ensures that they meet the needs of various broadcasters and streaming services, offering the perfect balance of depth and audience engagement based on different viewing preferences.”
COMPELLING STORYTELLING. In terms of international distribution of its dramas, KDI continues to enjoy the excellent run of ‘Secret of Pearls’, which stands at the top of the daily ratings race in the AB and ABC1 categories in Turkey, and has already been acquired by 15 territories, including Algeria, Saudi Arabia, the United Arab Emirates and multiple countries in Central and Eastern Europe.
“The exceptional performance of ‘Secret of Pearls’ can be attributed to its emotionally compelling storytelling, relatable characters and high production quality,” said Tatoğlu. “Winning the Best Series award at the 50th Pantene Altın Kelebek Awards, Turkey’s most prestigious awards ceremony, underlines its critical and public success.”
Joining ‘Secret of Pearls’ is ‘The Family Burden’, a 2023 title that, with its elements of classic Turkish drama, had a “warm reception from buyers” present at Mipcom Cannes 2024.
The aforementioned ‘A Father’s Promise’, directed by Salih Bademci, Hazal Subaşı and Ozan Dolunay, also puts the family at the center with a powerful narrative, full of secrets and passions. In a similar vein , ‘Three Sisters’, a title that has already been successful outside of Turkey, “continues to captivate audiences with its moving exploration of sisterly relationships, hidden truths and the enduring challenges of loyalty and forgiveness within a family,” explained the executive.
In terms of production, the development of the D Media production company, both in series and feature films (the comedy ‘Sıcak Büfe’ will be released in April), provides even more fuel to the work that KDI does outside its borders: “D Media continues to prioritize the creation of innovative and high-quality series that fit local and global trends,” Tatoğlu said. “This complements Kanal D International’s mission of bringing the best Turkish dramas to a global audience.”
Sangerim brings “extensive experience” in content acquisition, television programming, production and sales, gained through her work with leading television channels in Kazakhstan. Her multilingual skills in English, Kazakh, Russian and Turkish make her “an invaluable asset in fostering strong relationships in the region,” the distributor
explained in a statement. “We look forward to the success and growth that Sangerim will bring to Kanal D International as we continue to expand our global reach.”
“We are in talks with several partners in the Middle East, Africa, Europe and Latin America, further consolidating our position as a leader in sales of scripted formats”
With a production arm capable of executing top-tier content, whether scripted or unscripted, TV Azteca Internacional embraces the challenge of supplying titles for an increasingly demanding audience, using technology as an ally.
By Luis Cabrera lcabrera@todotv.tv
@luis_cabreram
TV Azteca Internacional’s strategy for this year covers multiple business areas, with quality scripted and non-scripted content, new releases, and the effort that the Mexican company has made to remaster and remusicalize the most memorable telenovelas from its vast library.
All this, in addition to a number of hours of quality production from the new seasons of its recent fictions, such as ‘Dra. Lucía ’ and ‘Lotería del Crimen’, without leaving aside the rest of a catalog that includes titles such as ‘Mirada de mujer’, ‘Cada quien su santo’, ‘Lo que callamos las mujeres’, ‘Lo que la gente cuenta’, among others.
The big highlight is ‘Cautiva por amor’, the new telenovela that will premiere in the second quarter of 2025 and whose plot focuses on a woman who seeks revenge and justice after being kidnapped and involved in a human trafficking network. To achieve her goal, she returns twelve years later and falls in love with the son of the man who kidnapped her, seeking to destroy the family from within. However, the love for a farmhand with a dark past gives an unexpected twist to her plan.
“This is a production through which we will pamper its story’s followers, featuring Litzy, Plutarco Haza, Daniela Castro and a great cast,” said Jesica Stescobich, director of Distribution and Strategic Alliances at TV Azteca Internacional.
Stescobich shared that, in addition to these titles, new projects are being developed from Azteca’s international production area: “Among the original productions, podcasts stand out, in video and audio format, with content such as technology, sports and fiction. In addition to our already well-known programs such as ‘Azteca Fit’.”
In terms of releases, the Mexican giant is adapting the documentaries produced by ‘Fuerza Informativa Azteca’ (FIA) for international platforms. “We also achieved a synergy with ‘Art & Culture’, a program from the Ricardo B. Salinas Pliego Center that seeks to
Jesica Stescobich, Director of Distribution and Strategic Alliances at TV Azteca Internacional
“‘Cautiva por amor’ is a production through which we will pamper its story’s followers, featuring Litzy, Plutarco Haza, Daniela Castro and a great cast”
promote and spread artistic creativity, aesthetic appreciation, preservation of cultural heritage and critical thinking as fundamental values,” added the executive.
All of this production, along with sports content, adds to what the brand does on its six FAST channels: Azteca Internacional, Azteca Deportes Network, Clic, Corazón, Delays -1 and ADN40.
In terms of unscripted content, a brand of the house with hits like ‘La Academia’, a new season of ‘MasterChef Celebrity: the battle of generations’ will arrive this year.
“We work to find the perfect balance between fiction and entertainment so that our audience has access to a wide range of programming on all of our channels and platforms, using technology as the main ally,” stressed Stescobich.
By Luis Cabrera
lcabrera@todotv.tv
@luis_cabreram
A renewed catalogue, with powerful titles from its alliance with Ananey Studios, films of enormous appeal and promising codevelopments of nonscripted content, make Glowstar Media an ideal partner within the audiovisual market.
Silvana D’Angelo, CEO of Glowstar Media
“One of the projects we are co-developing is called ‘Next in Comedy’ and revolves around laughter as a universal language.”
Arestless company, always looking for new businesses, is a good way to illustrate Glowstar Media, which arrives in Miami with multiple new products within its rich catalog, boasting titles and genres for all audiences.
The last big boost to the distribution area came with the agreement closed with Ananey Studios, which makes Glowstar the exclusive distributor of the Israeli production company’s main contents in Latin America, the United States and Spain.
Silvana D’Angelo, CEO of Glowstar, highlighted the “exceptional quality” of Ananey’s content: “Israeli productions are characterized by their solid scripts, their moving stories and their ability to resonate with international audiences.”
Among the titles to highlight is the series ‘Cramel’. “It already has four seasons produced and a fifth commissioned,” D’Angelo explained. “It is content that we believe can work excellently thanks to its humor, and its fantastic and mysterious elements that captivate children.”
For younger audiences, there’s also ‘Ronnie and Tom’ and ‘Rescue Team’, while among the youth series, ‘Full Speed’ stands out, which with its motorcycle racing theme was the most watched among its target audience in Israel in 2024; and ‘Rising’, set in 1946 and with two brothers who survived the Holocaust as protagonists.
“For the adult audience, the highlight is the first season of the supernatural thriller ‘La novia’, in English ‘The Malevolent Bride’, written by Noah Stollman,” said D’Angelo.
NECESSARY TOPICS. Among the feature films in Glowstar’s catalogue is the recently released Who film ‘No Way Out’, a film that D’Angelo defined as “necessary for society” due to its theme: human trafficking. “It is a raw, high-tension thriller that has the ability to move and disturb audiences,” said the executive.
Other notable films are ‘The Bail Bond’, about a mother and daughter who are taken hostage; and the documentary ‘Ayahuasca Now’, which focuses on a group of veterans of the Vietnam, Iraq and Afghanistan wars and features music by Gustavo Santaolalla.
In terms of unscripted content, Glowstar is preparing important new developments for 2025. “One of the projects we are co-developing is an entertainment original with Tate Sanguine, ex-Gato Grande,” shared D’Angelo. “This project is called ‘Next in Comedy’ and revolves around laughter as a universal language.”
Another project is a factual title based on the story of the character who inspired the famous Carnival of Gualeguaychú.
“And there is still more, but we will save it to surprise buyers in the market,” D’Angelo promised.
Recognized for its offer of unscripted formats and competition reality shows, Canal 13 began a new year with big bets on the genre, in addition to fiction projects, biopics and co-productions that further expand its catalog for the Chilean public.
By Carolina Mussio cmussio@todotv.tv @carolinamussio
Thanks to a varied offering of highly successful formats among local audiences, Canal 13 solidified its position as “the house of formats” in Chile in 2024 and strengthened the channel’s strategy as a winning one.
Thus, in 2025, the Chilean network plans to double down on its commitment to the genre, seeking to entertain broadcast TV audiences with a varied catalog of unscripted
content that includes reality, competition, entertainment, talk shows or travel formats, and which are complemented by potential co-production projects for fiction series, biopics and more.
“We are the go-to channel for reality in Chile and we want to produce more,” summarized Alexis Zamora, Content Manager at Canal 13 in Chile, who spoke to ttv about the achievements made in 2024 and what the channel is preparing for this new year that began.
How has Canal 13’s programming stategy evolved in recent months and what new spaces have been created? Last year we continued down the same line as in 2023, boosting our prime time slot with competition reality shows, moving from ‘Tierra Brava’ to ‘¿Ganar o servir?’, and from there to ‘Palabra de honor’. But we also decided to inaugurate the afternoon slot with a new project. Understanding that, given the return of the reality shows that we helped to promote in the prime slot, there was content that was being generated with the participants inside and outside the confinement, and that is how we were pioneers in the return of entertainment programs to Chilean television with ‘Hay que decir’, a move which ultimately all other channels have followed. In 2024, we also launched a new product for the second prime time slot, which was the telenovela ‘Secretos de
Alexis Zamora, Content Manager at Canal 13 Chile
familia’, with which we achieved very good ratings and critical results. And we created a slot in the time right after the morning show, which is commercially very attractive, which came from the commercial area and which we made independent as a separate block under the name ‘Atrévete’, which created an extra slot, with the same product and the same advertisers, but in the form of a more solid program.
Series or telenovels like ‘Secretos de familia’ are an important part of the success of the channel’s programming. In the future, do you want to go for the development of original content or do you plan to make room for adaptations of successful international titles? We are always willing to have series or telenovelas, but in general it is difficult, without a permanent fiction team, to produce an original adaptation. However, we are thinking about the option of reaching an agreement to create a TV series with a production company, as we did with ‘Secretos de Familia’. Personally, I feel that it is easier to put a product around a more well-known person, because it deals with people who do not need an introduction; that is why I would really like to have a fiction in biopic format, like the series we bought about Gloria Trevi or Celia Cruz, but made internally and about a Chilean character. That is a format that is currently in vogue with productions like the Ayrton Senna series, which we could try to replicate here.
‘Tierra Brava’ and ‘¿Ganar o servir?’ have left a very positive streak for Canal 13. How do you see the future of non-scripted in Chile? We want reality TV to continue being an important part of Canal 13’s commitment. We want to continue making reality shows, at least for the next year, because
“We want reality TV to continue to be an important part of Canal 13’s
commitment”
it is a format that has the great advantage that with them we program something that is serial, very attractive for sponsors, where the public watches us from Monday to Friday, and where we can incorporate brands organically in their content, which attracts the viewer more. We are the reality channel in Chile and we are willing to produce more reality shows, and for that we can even look for brands that were successful before. We are evaluating our next proposal for now, and there is always the option of making a format of our own that has been a success. It has been proven that we are capable of bringing back old brands, as was the case with ‘Vértigo’, which had ended in 2008, and we continued it in 2012. So, we believe that people are willing to see formats that have greater recall.
As far as co-production alliances are concerned, do you have any projects in the works that you can share? We have several co-productions in mind. Among them, a new conversation program with couples that we will do with La Industria, which will be hosted by Martín Cárcamo. Also another one with the production company MKZ that is like a continuation of ‘Socios de la parrilla’, who will pack their bags to tour Chile. And with Cooking, in addition to the reality projects, we are looking at options that involve the winner of ‘¿Ganar o servir?’, which we hope will materialize.
How do you plan Canal 13’s content strategy for 2025? And what do you think Chilean viewers are currently looking for? In addition to alliances with producers, we hope to continue with reality shows. And we want to do this because we believe that the public continues to look for stories to follow, get involved in and immerse themselves in. That’s why the series format works so well on platforms. For us, the stories we want to continue producing can be a nighttime reality show, a good cultural program or a ‘Socios’-type show. Because in that logic, if we see that the public is looking for good
stories, we as a company have to offer them. Stories that are innovative, that are close, that make them see themselves reflected in one way or another. In addition, the public is also eager to turn on broadcast television when there are events or issues that involve us all, with a sense of immediacy, when they need to be informed because something important is happening like an earthquake, or when it’s the Telethon, an awards gala or the Miss Universe pageant. For this reason, we believe it is important to include events in our programming that will reach the entire audience and which cannot be left out of the topic of conversation.
With the rise of streaming platforms, do you think there is still an audience eager to watch fiction on broadcast TV? I think it is proven that streaming does not affect the captive audience of a fiction product such as series or telenovela. ‘Secretos de Familia’ is the best example, because it was shown on the Amazon Prime platform with the episodes in advance, and people still watched
it on broadcast TV, winning its slot. There are people who prefer to watch series the old-fashioned way, there are people who prefer to watch them in advance, and there are probably people who do both. When there are good stories to tell, the public accepts the different ways of consuming them.
At Canal 13, our purpose is to transform and enrich people’s lives through content and platforms that inform, entertain and excite responsibly. And that is why we are at a point in time when, as a company, we are no longer a television channel but rather a content generator, regardless of where it is watched, whether on open screen, on cable, digitally, on social networks or on YouTube. We are interested in being important to people regardless of where they are watching us, whether with their family in front of the TV, or on their cell phone on public transport. Therefore, the goal is to continue making more content to satisfy the demands of that public.
In the second half of 2024, Cadem awarded you first place in the industry for positive presence. What does this achievement mean for Canal 13 and what actions do you think have brought you to this place? We appreciate the recognition that the channel has received, both from Cadem and from awards such as the Martín Fierro Latinos. And in all these cases, I feel that the key is to reconnect with the public, and the best way to achieve this is by putting the content first and getting involved in the viewer’s life, accompanying them all day. Since the morning show, the afternoon slot and the reality show began to be successful, this began to generate the feeling that we are with the viewer all day long, and that makes them get to know us better and want us present in their lives. That is why we want to be with the viewers in moments where the family gets together, such as Christmas and New Year, and become another member of that family, accompanying them with content.
The popularity of ‘Six of Us’, the recent release of ‘Shahrzad: Tears of Istanbul’ and the production of the highly anticipated ‘Kral Kaybederse’, generate high expectations about what OGM Universe will achieve this year on an international level.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
Since its debut last November, ‘Six of Us’ has connected with Turkish audiences. The OGM Pictures drama, broadcast locally on Wednesdays by Star TV and distributed internationally by OGM Universe, won over viewers for its production values and moving narrative.
‘Six of Us’ is a heartbreaking story of six siblings who are orphaned and have to nav-
igate the tough streets of Istanbul, facing threats from both authorities and criminals, while desperately searching for a safe place.
“‘Six of Us’ has made a huge impact, resonating deeply with local audiences thanks to its emotional storyline and endearing characters,” shared Ekin Koyuncu, director of Global Distribution and Partnerships at OGM Universe. “The powerful performances of the young cast, combined with Cem Karcı’s
brilliant direction, have brought the story to life, forging a strong emotional connection with viewers.”
“Internationally, the series is generating increasing expectations, and talks about its global distribution are well advanced,” the executive added.
The distributor is also presenting ‘Shahrzad: Tears of Istanbul’ (‘Sen Ağlama İstanbul’), a
Turkish remake of the famous Iranian television series, ‘Shahrzad ’. The story revolves around a young woman who is forced to marry the son of a powerful political leader, while she is in love with someone else.
“This is a remake of the iconic 2015 Iranian series, paying homage to the original and incorporating a uniquely Turkish perspective, allowing it to resonate with audiences around the world,” Kuyuncu explained. “With stunning cinematography and the vibrant backdrop of Istanbul, the series masterfully blends drama, cultural richness and
exceptional acting.” The cast is led by İsmail Hacıoğlu, Simay Barlas, Aytaç Şaşmaz, Burcu Cavrar, Mehmet Çevik and Ayşegül Ünsal, among others.
‘Shahrzad: Tears of Istanbul ’ premiered on Star TV on December 10 and, at the time of going to press, was about to air its fifth episode, after presenting excellent numbers in its fourth one. Of course, the OGM Universe catalogue continues to offer other wide-ranging dramas, such as ‘Lost in Love’, as well as gripping miniseries, such as ‘Dilemma’, the title that made history as the
Production company OGM Pictures, the company from which OGM Universe emerged, is preparing one of the most anticipated titles on Turkish television in 2025: ‘Kral Kaybederse’. The series, a new adaptation of a work by author and psychiatrist Gülseren Budayıcıoğlu, has a powerful cast led by one of the most recognizable faces on Turkish TV: Halit Ergenç (‘1001 Nights’). The famous actor is joined by talents such as Merve Dizdar, Aslıhan Gürbüz, Nilperi Şahinkaya, Ferhat Yılmaz and Murat Garipağaoğlu, among others.
“‘Kral Kaybederse’ is undoubtedly one of the most anticipated productions of the season. Its title evokes themes such as power, vulnerability and the complexities of the human
condition, offering a thought-provoking narrative that promises to captivate the audience,” shared Kuyuncu. “The series owes much of its buzz to its remarkable cast, but it also boasts a top-notch production team, a meticulously crafted
Ekin Koyuncu, Director of Global Distribution and Partnerships at OGM Universe
“‘Six of Us’ has made a huge impact, resonating deeply with local audiences thanks to its emotional storyline and endearing characters”
first Turkish series for Amazon Prime, marking an important milestone in the international expansion of OGM Pictures.
“OGM Pictures has been expanding its portfolio to include diverse genres, as seen with ‘Dilemma ’,” said the executive. “This strategic diversification has allowed OGM Universe to connect with a broader audience, showing the company’s versatility when it comes to telling stories.”
script and stunning visual effects, all of which work in harmony to create a truly immersive experience.”
The story revolves around Kenan, a character who embodies the duality of narcissism and deep vulnerability. The narrative delves into the psychological underpinnings of Kenan’s personality, exploring how his past traumas shape his behavior and relationships. “This intricate character study required significant preparation, including both physical transformations and emotional depth, making the series not only a compelling portrait of one man’s struggles, but also a universal exploration of the human psyche,” Koyuncu said. “‘Kral Kaybederse’ is set to leave a lasting impact on audiences in Turkey and around the world.”
“‘Kral Kaybederse’ is set to leave a lasting impact on audiences in Turkey and around the world”
From heart-warming dramas to action-packed thrillers, Screenbright’s portfolio ensures an entertainment offering that deeply connects with a wide range of audiences.
By
In a market where options abound, Screenbright Media is making its way as a distributor of high-quality content, specializing in stories that resonate with the emotions and experiences of audiences in Latin America and the US Hispanic market. Its portfolio offers a rich diversity of genres and captivating narratives that invite audiences to reflect, get excited, and enjoy unique film and television experiences.
From moving dramas to action-packed thrillers, its catalog guarantees an entertainment offering that deeply connects with a very diverse audience.
Screenbright Media continues to invest in expanding its catalog and strengthening its position in the industry. Its participation in international markets seeks to give a global character to its titles and reach audiences around the world.
In 2025, they will open the catalog by presenting to international markets the Turkish drama ‘Avlu’ (‘The Yard’), a series that shows the story of an unjustly imprisoned mother, who will do everything possible to survive and reunite with her daughter. After a fateful domestic quarrel, a devoted mother, Deniz Demir (Demet Evgar), finds herself in prison and struggling to survive in hopes of reuniting with her daughter.
Another attractive addition to the portfolio is ‘Bleeding Love’, a 2023 American drama film, starring Ewan McGregor and his daughter, actress Clara McGregor. Directed by Emma Westenberg in her feature debut, ‘Bleeding Love’ tells the story of a young woman (Clara) who, following a drastic incident in her life, embarks on an impromptu road trip with her estranged father (Ewan). En route to their destination, Santa Fe, New Mexico, the two are forced to confront the issues from their past that have caused their fragile relationship, in order to become closer again, and they encounter a variety of eccentric characters along the way.
ACTION AND TERROR. ‘Bang Bang’ is another Screenbright Media bet, which brings the story of boxing giant Bernard “Bang Bang” Rozyski in his glory days. A beloved boxer who enjoyed his success. Today he is angry and closed off, and lives in a working-class neighborhood of Detroit. When his estranged daughter unexpectedly leaves his troubled teenage son on his doorstep, he gives the old man a chance at personal redemption as he trains the talented child, loaded with potential in the ring. Problems arise when the demons of the former champion’s past have other plans, forcing “Bang Bang” to confront everything he has tried so hard to repress.
To complete the action offer, the company is presenting the film ‘Agents’. When a priceless artifact called “The Jade” is stolen, the agent responsible for its custody must work with an agent from China to locate it. The criminal behind the theft has a small army at his disposal, moles within the force and seemingly endless resources. Despite having everything against them, the protagonists will stop at nothing to recover “The Jade.”
For horror fans, Screenbright Media has the miniseries ‘Room 207’. This production of 10 50-minute episodes tells the story of Gamal, who begins his job as a hotel receptionist, where he hears rumors about the mysterious room 207 and becomes obsessed with discovering the truth.
“‘Bleeding Love’ is an American drama film starring Ewan McGregor and his daughter, actress Clara McGregor”
By Luis Cabrera / lcabrera@todotv.tv
The highly anticipated eightepisode miniseries premieres on February 6 on the Israeli channel Reshet 13, while Dori Media Group prepares its international distribution strategy and continues to enjoy the success of ‘In Treatment’, ‘Power Couple’, ‘El buscador’ and ‘Smart Face’.
One of the most anticipated miniseries of recent years, ‘AMIA’ is about to make its debut on primetime on Israel’s Reshet 13 channel on February 6. Produced by Dori Media Group (DMG) and Yair Dori Holdings Ltd., the eight-episode series is inspired by the 1992 and 1994 terrorist attacks in Buenos Aires against the Israeli embassy and the Jewish community.
Filmed in Argentina and Uruguay, ‘AMIA’ follows a Mossad agent whose sister was killed in the 1992 embassy attack and teams up with an Argentine journalist to find those responsible. The first season follows the period between the first and second attacks.
A title with such a relevant theme has sparked a lot of interest in the market and DMG is evaluating offers to define its distribution strategy: “We are currently studying the possibility of licensing the series to a global streaming platform or distributing it territory by territory,” shared Maria Perez Campi, Sales Director for Latin America, US Hispanic and Asia. “We are confident that the series will be a great success both in Israel and internationally.”
Buyers have already been able to access the first six episodes, while the remaining two were completing their post-production. “The comments have been excellent and it is clear that its production value stands out,” said Campi.
Among the DMG titles that are already on the air, and with multiple seasons, stands out ‘Sessão de Terapia’ (‘In Treatment’), which will return for a sixth installment on Globoplay: “It is a great success, both as a prestigious series and in terms of audience,” said Campi. “This program resonates strongly in the difficult times we are living in. After the pandemic and amid global uncertainty, there is a growing demand for content that addresses mental health and this series addresses the topic with great sensitivity and authenticity, making it very close.”
In terms of formats, DMG’s catalog has a wide variety of offerings that includes ‘El buscador ’, which has already been produced in countries such as Argentina (two seasons on TV Pública), Chile (Chilevisión), Ecuador (fifth season confirmed on Teleamazonas) and Costa Rica (Teletica). “Although television interviews are a familiar concept, this format stands out for making them truly unique and exceptional,” said Campi.
Another format that needs no introduction is ‘Power Couple’, with more than 20 versions
around the world and whose potential in Latin America has led DMG to explore the possibility of creating a hub for its production in the region: “Although many networks appreciate the format, the current climate poses challenges for production. Reducing production costs is crucial for the format to be accessible to all countries,” said the executive.
Along the same lines are ‘Lo sabe no lo sabe’ (‘Smart Face’), a street game show that has more than 2,000 episodes produced and is returning to Mediaset’s Canal 4 screen in Spain; and ‘Yum Factor’, a revolutionary cooking contest that redefines culinary competitions by putting the spotlight on “everyday culinary masters.”
Lastly, ‘Love at Third Sight’ also innovates as a docu-reality format that focuses on the elderly. “In this touching reality series, vibrant men and women in their golden years spend 14 days in a luxury resort looking for love through tailored activities, romantic outings and deep conversations,” explained Campi.
“The feedback on ‘AMIA’ has been excellent and it is clear that it stands out for its production value”
High-quality original content and strategic alliances are key to the strategy that Caracol Televisión is pursuing to consolidate itself as a content production and distribution machine, with a high international projection.
By Rosa Fuentes rfuentes@todotv.tv
Laracol Television’s distribution arm seeks to maintain its streak as an gobal hit machine, which brings together its original content and content acquired through alliances with other production companies. This strategy seeks to guarantee a varied catalogue, capable of offering a solution to any client in the world.
Caracol TV has several titles in its catalogue that have had global success, such as the long-awaited sequel to ‘Peter the Great, Greater than Ever’; the Netflix hit, ‘Klass 95’; the moving story of forbidden love, ‘Devuélveme la vida’ and the outstanding series that was recorded on the Colombian coast, ‘Escupiré sobre sus tumbas’.
But beyond its original content, the executives at the Colombian giant have been in charge of boosting its offer to the maximum, with alliances such as the one established with Hemisphere Media Group, which allows them to distribute 22 of the company’s productions.
Among the titles are the films ‘Cazadoras de millonarios’, ‘Amor a fuego lento’ and ‘Peligro en tu mirada’. And they’ve also secured several Turkish series such as ‘Melissa’ and ‘Destan’.
Regarding these alliances, Lisette Osorio, VP of International Business at Caracol TV,
said: “We are very pleased to join forces with Hemisphere, to bring our clients a robust catalog, with products of high commercial value for the international market. Together, we will continue to create new opportunities to create value for our buyers.”
A CATALOG FOR EVERYONE. Caracol’s catalog of originals has titles that don’t need much introduction because they are globally known, such as ‘Peter the Great, Greater than Ever’, the long-awaited sequel co-produced with Disney+, which after twenty years, brings the story of Pedro’s return to his homeland to find a completely different reality than the one he left when he was forced to seek new horizons.
On the other hand, there is ‘Klass 95’, the series that stole hearts in Colombia and on
Caracol Televisión and Miracol, the production company renowned for its excellence in premium fiction, entertainment and documentary content, have announced a strategic alliance that promises to stimulate narratives from the region and take them to the global stage. Dago García, Vice President of Content Production at Caracol Televisión, and also an author and director, said: “Within Caracol Televisión’s goal of continuing to be an important player in the content industry, alliances with production companies with the experience and talent of Miracol are key. I am sure that only good things can come out of this.”
global platforms such as Netflix. It is the story of Shaio Domínguez, who in the 90s in Colombia founded the first international modeling agency, through which he discovered the power of beauty. Edgar Trejos, a front man for mobsters, sees in Shaio and his agency the opportunity to clean up his image and will do everything possible to infiltrate them. An impossible love, beautiful women, many dreams to fulfill and a situation that gets out of control.
And, on the side of moving dramas, there is ‘Devuélveme la vida’, a production that transcends romance and addresses issues such as racial discrimination to tell an epic legend of forbidden love. Thus a classic story of power, betrayal and revenge is born.
To close out 2024, Caracol TV presented ‘Escupiré sobre sus tumbas’, a story loosely inspired by Boris Vian’s book ‘Escupiré sobre nuestras tumbas’, which combines love, revenge and passion. The plot follows Brian O’Connor, who seeks to avenge the death of his brother Sonny O’Connor. The series is set in Ciudad Caribe, a fictional town created for the screen with recordings in modern areas of Cartagena, Barranquilla, Puerto Colombia and its surroundings.
For 2025, Caracol is preparing the launches of ‘Nuevo rico, Nuevo pobre’, ‘María la Caprichosa’, ‘La mujer prohíbida’, among others. Lina Tejeiro, Variel Sánchez, Carolina Gómez, Marlon Moreno, and more, will be the protagonists of the fictions that were revealed during the company’s 2025 Upfront.
By Luis Cabrera lcabrera@todotv.tv
The excellent 2024 that Portuguese fiction ‘Cacao’ had translated into fantastic results for Onza Distribution, which renewed its commitment with ‘The Color of Love’, while continuing to take ‘El hormiguero’ to different territories.
The reach of Portuguese content - particularly telenovelas - in the local and international market has been one of the big bets made by Onza Distribution, which has just enjoyed a fantastic 2024 with ‘Cacao’ and is preparing to extend the great moment with the content that replaced it on the TVI screen, ‘The Color of Love’ (‘La hacienda’).
These titles are part of a catalog that has other important successes, such as ‘Perverso’ or ‘Los mil días de Allende’, which has allowed the distributor to reach all corners of the planet. “There are two pillars of our titles that allow us to sell them all over the world: the universality of the stories and the quality of the production,” explains Carlos Garde, general director of Onza Distribution.
“We look for stories that connect with emotions and universal themes, from impossible love in stories like ‘The Color of Love’ or something that seems as common as the frustration of being in a ‘Atasco’ day after day,” added the executive. “These emotions transcend cultural barriers and attract wide audiences.”
Carlos Garde, General Director at Onza Distribution
“‘Cacao’ stands out for its high production quality and the impressive landscapes of Brazil and Portugal”
‘Cacao’ was the big hit of the season in Portugal and has already been acquired in several other territories. What news can you share about the series’ international journey? ‘Cacao’ has demonstrated its great potential over these months and has established itself as an international success after
being sold in more than 72 countries. The telenovela stands out for its high production quality and the impressive landscapes of Brazil and Portugal. Special care has been taken with the photography to enhance the beauty of the landscapes in which the story takes place. The protagonists, masterfully played by Matilde Reymão and José Condessa, bring exceptional chemistry on screen. Their characters, Cacao and Tiago, embark on an emotional journey full of obstacles, where love blossoms amid family conflicts and revelations from the past. All this makes ‘Cacao’ a production of universal reach.
‘The Color of Love’ is leading in audiences in a very competitive time slot in Portugal. What makes this title so attractive? ‘The Color of Love’ is following in the footsteps of ‘Cacao’. Portuguese telenovelas are gaining more and more strength worldwide, which makes us continue betting on this content. ‘La Hacienda’ continues to lead prime time on television every night in Portugal and will soon do so in other countries. This great production presents us with the forbidden love between Eva and Talu, both on opposite sides of the dispute over a valuable inheritance. In addition, this conflict takes place in a captivating setting: the impressive and exotic landscapes of Angola. The title was very well received at Mip Cancun. We hope to be able to announce sales soon.
What does the success of a production like ‘Perverso’ mean to Onza? We have a special affection for ‘Perverso’. It is a production that we have created internally from the Onza content team. Being able to see the great success it has had on Prime Video, ranking among the top 3 from the first week, has confirmed the potential of this thriller for international sales.
In terms of non-fiction, we have talked about ‘El hormiguero’, with its sale to Estrella TV and its adaptation in Italy. We were also told that you were close to announcing more sales for the format. Can you tell us anything else about that? Our most recent sale of ‘El hormiguero’ is to the new Argentine streaming channel Olga, one
Onza Distribution also acquired the international distribution rights to ‘Mamen Mayo’ (8x30’), making it available outside of SkyShowtime’s 20+ European markets. The SkyShowtime Original, which premiered in Spain on November 18, is a new Spanish series that mixes comedy with family drama and follows its protagonist, Mamen Mayo (Sílvia Abril), an extremely intelligent inheritance mediator. Her and her team are dedicated to resolving the conflicts that often arise in those families that, by luck or misfortune, receive an inheritance.
“We are sure that ‘Mamen Mayo’ has all the elements to connect with an international audience: humor, endearing yet funny characters and situations that resonate in any culture,” said Garde. “Who hasn’t heard stories of families who, when it comes time to divide up an inheritance, bring out the worst in themselves? Now we will be able to see those situations, but with a touch of humor and always with an optimistic and fresh tone.” The series is produced by Nostromo Pictures, in association with SkyShowtime, and has been created by Eduard Sola, who is also showrunner alongside Miguel Ángel Faura.
“We have plans to continue investing in English-language production in the US. We
already have a series developed
that we are actively presenting to various clients and that we hope to produce by the end of the year”
of the most watched channels by young people. They will adapt this format with an Argentine presenter in their studios in Buenos Aires. We are very excited, because it is not only a sale by Onza Distribution; at Onza Américas we are collaborating so that this format is a success in Argentina and we can soon take it to other countries.
One of Onza’s objectives is to grow its footprint in the US, with productions in English. What can you share with us about your plans in this regard? This has been a very good year for Onza Américas. We have finished post-production on the second season of our series ‘Isla brava’, whose first season was a huge success on ViX, placing it among the most watched series on the platform. On the other hand, we have finished filming the series ‘Papa soltero’ and are now in full post-production. We have also entered into co-production of a film in English with great actors and we will announce it very soon.
We have plans to continue investing in English-language production in the US. We already have a developed series that we are actively presenting to several clients and that we hope to produce by the end of the year. For this year 2025 we also have several non-fiction projects with different platforms that we will announce in the coming months.
In 2024, The Children’s Kingdom strengthened its leadership on YouTube, where it reached 250 million subscribers, expanded its reach with the launch of its FAST channel and diversified its offering with licenses, live shows and strategic alliances.
By Rosa Fuentes rfuentes@todotv.tv
The Children’s Kingdom has consolidated its position as the most-watched Spanish-language children’s channel in the world and one of the leading channels globally on YouTube, with leadership that transcends platforms. In 2024, the expan -
sion was notable thanks to the launch of its FAST channel, supported by advertising and designed to offer educational and safe content for families around the world.
The diversification of the brand has also been key, with live shows, mobile apps, and strategic alliances that drove new avenues of monetization. This approach allowed it to significantly increase the international reach of its intellectual properties, reaffirming its position as a leader in children’s entertainment.
“A notable milestone this year has been the launch of our FAST channel, which is the result of our vision to continue innovating and adapting to new platforms,” said Roberto “Kuky” Pumar, CEO of The Children’s Kingdom. “This expansion has allowed us to reach new international audiences and further strengthen our presence in key markets.”
According to the executive, one of the main pillars of its expansion is the aforementioned FAST channel: “We are committed to maximizing our distribution on the most relevant platforms, such as Pluto TV, Roku Channel, Samsung TV Plus, and other plat-
Zenon’s Farm Animanted Series
forms such as Tubi, Xumo and Amazon Freevee, which will allow us to consolidate our global presence.”
SUCCESS IN NUMBERS. With more than 250 million subscribers, 180 million daily visits and 65 channels in 10 languages, The Children’s Kingdom has reached an unparalleled global scale. “The success of our IPs, such as ‘La Granja de Zenón’, ‘Bichi Kids’, ‘Familia Blu’, ‘Safari Buddies’, ‘Paco el Marinero’ and ‘Super Gero’, is reflected in the collaborations and licenses we have established, which have allowed us to expand the reach of our characters beyond YouTube. Today we have formed a team of licensees that produce more than 700 items that we have for sale in different countries,” said Pumar.
In addition, its presence on platforms such as Netflix, Amazon Prime, and Max reflects its ability to transcend YouTube, bringing its content to broader audiences in different formats.
For the executive of The Children’s Kingdom, success on YouTube is just the starting point. “The numbers, such as views and subscriber growth, give us an accurate x-ray of when is the right time to expand our presence to other areas, such as licensed products, live shows, and paid platforms such as Netflix, Amazon Video, Max,” said Pumar.
In 2025, the brand will continue to expand in the US, Latin America, and European markets, through its stories and characters that promote values such as friendship, teamwork, caring for the environment, and a life in contact with nature.
Bartolito, the beloved character from The Children’s Kingdom, was one of the main stars in TVE’s 2025 Cabalgata de Reyes -the country’s most prominent and popular Three Kings Parade- which went through the streets of Madrid last Sunday, January 5. Thanks to the remarkable success of ‘Zenon the Farmer’ and ‘Bichikids’ on the Clan
TV channel, Bartolito, the beloved character from The Children’s Kingdom, made an appearance at this eagerly anticipated event, awaited by children and families alike. This marks his second participation in this iconic celebration. The Cabalgata de Reyes, or Three Kings Parade, is one of Madrid’s most beloved Christmas traditions.
With titles like ‘Love with Lavender Scent’, one of Calinos Entertainment’s Romanian ventures, and proven Turkish hits like ‘Farah’, which is a success in Panama, the distributor is betting on having an excellent start to the year.
By Luis Cabrera
lcabrera@todotv.tv @luis_cabreram
The success of ‘Farah’ in Panama, where the drama has been broadcast on TVN since October of last year, has raised many expectations for Calinos Entertainment about what the title can achieve in the rest of the region during 2025.
“We are incredibly excited about what this year holds for ‘Farah’,” shared Goryana Vasileva, Content Sales Director for the Turkish distributor. “The audience and ratings in Panama have truly exceeded our expectations. With each episode, we have witnessed a steady increase in ratings, even surpassing another Turkish series broadcast on a competing channel in terms of audience numbers.”
Produced by O3 Medya, the drama follows the story of an Iranian refugee woman, who finds herself in the middle of the war between the mafia, the police and in an un-
predictable love affair with her hunter. The series has already been acquired by more than 30 territories, including Spain and Panama.
“Latin American audiences continue to embrace Turkish dramas with growing enthusiasm, drawn by their emotional richness, well-crafted characters and universal themes that transcend borders,” she added.
“‘Farah’ perfectly embodies all of these elements. The interest from our regional partners has been overwhelming and we are committed to ensuring that audiences across Latin America have the opportunity to experience this captivating story in 2025.”
ROMANIAN CHARM. While Turkish content continues to gain ground, many are trying to anticipate where the next international drama boom will come from. For Calinos, the answer lies in Romania, from where it has acquired titles such as ‘Love with Lavender Scent’ and ‘Ana’, both produced by Dream Film Productions for the Antena 1 channel.
Goryana Vasileva, Director of Content Sales at Calinos Entertainment
“The
interest from our regional partners in ‘Farah’ has been overwhelming and we are committed
to
ensuring
that
all of Latin America has the opportunity to experience this captivating story”
“‘Love with Lavender Scent’ is a captivating romantic drama that perfectly combines traditional Romanian values, sincere emotions and a compelling narrative,” said Vasileva. “The series, which is set in the stunning Romanian rural landscape, combines romance, intricate family dynamics and rich cultural customs, and manages
to captivate both local and international audiences.”
In the drama, a young woman seeks to achieve the “delicate balance” of love, personal growth and the weight of family secrets, all without losing the foundations of her cultural heritage.
“The series not only showcases the vibrant traditions, evocative music and stunning landscapes of Romania, but also explores universal themes such as love, heartbreak, family loyalty and overcoming personal struggles,” shared the executive. “These
timeless elements make ‘Love with Lavender Scent’ a story that transcends borders and resonates with viewers around the world.”
Even with a constantly renewed catalog, Calinos Entertainment does not stop at selling finished content, but is growing more and more every day in terms of scripted formats and looking for new opportunities for co-production: “We are actively taking advantage of co-production opportunities, reinforcing our commitment to creating impactful and localized content that resonates deeply with diverse audiences,” said Vasileva.
In August last year, ‘The Girl Named Feriha’, one of the most successful titles in Calinos Entertainment’s catalogue, debuted in Brazil on the screen of Brazilian giant Globo’s Viva channel. Produced by Medyapim, ‘Feriha’ follows the story of a girl who comes from a poor background, but lies about her past to move her career forward. The drama stars Hazal Kaya, in the role that made her a global star. The first episode of the hit drama aired on August 12 and was still airing at the time of writing. “The broadcast of ‘The Girl Named Feriha’,
“The broadcasts of ‘Feriha’ and ‘Woman’ demonstrate the growing engagement among Brazilian audiences with Turkish stories”
on a prestigious network, known for its successful international content, underlines the growing importance of Turkish dramas in the mainstream television landscape in Brazil,” Vasileva commented. “Similarly, the broadcast of ‘Woman’ on Record TV, one of the main channels in Brazil, further consolidates the potential of Turkish series to become the next big entertainment trend in the region.” For the executive, these broadcasts highlight a “growing engagement among Brazilian audiences with Turkish stories, revealing an untapped market ripe for expansion.”
“‘Love with Lavender Scent’ is a captivating romantic drama that perfectly blends traditional Romanian values, heartfelt emotions and an engaging narrative”
With the numbers showing growing audience interest, Lumexx media, distributors of Latin American content and focused on U.S. Hispanic platforms, foresees great opportunities in 2025.
By Luis Cabrera
lcabrera@todotv.tv
@luis_cabreram
Marcos Medina, CEO of Lumexx Media
“My goal is to bring together Latin American culture and U.S. platforms, taking advantage of the different relationships we have”
It was a change of focus, as explained by Marcos Medina, CEO of Lumexx Media, a company that was born with one foot in the universe of FAST channels, but quickly changed its focus to VOD platforms and is currently preparing for another big step, which is international production.
Located in Atlanta, Georgia, where tax incentives are very good, Lumexx hopes to participate in productions of all dimensions, but with a focus on independent content. “I focus on independent content, so that when the platforms see the numbers, they will want to invest in those companies again,” assured Medina, interviewed during the recent edition of Content Americas 2025. “My goal is to bring together Latin American culture and U.S. platforms, taking advantage of the different relationships we have.
In terms of distribution, Lumexx has focused its catalog on the aforementioned VOD platforms, this after reading the numbers and the needs of U.S. streamers: “At one point the platforms asked me for more content in Spanish, but they knew that I sold content in English,” he recalled about the company’s beginnings.
After the pandemic, the entry of the big players into the platform market - Disney, for ex-
ample - made Medina realize that it was time to invest in Latin content: “That’s when I knew that the Latin market was going to have its moment,” he said, although he admits that “the commercials still need time” to join this movement and the market “has yet to adjust”.
“Last year was a difficult year to sell content, because in the U.S. they asked for everything to share profits. And that is difficult, because the market is not there yet. But it was a lesson, because the commercials that did pay, paid well,” he said.
As Medina explains, the key is to find the platform that gives you the best opportunity for your content: “Today we can see all the information: how the viewer watches the product, where and at what time,” he said. “That helps a lot when it comes to acquiring content, although it’s also detrimental, because you lose a bit of the value you used to acquire it with before”.
“We have seen that our growth is in VOD and in the relationships we generate in that space,” he said. “For large companies, such as Amazon or Apple, the numbers are important and Latin content continues to grow in terms of viewership and quality. Therefore, it is more difficult for them to ignore us and easier for them to pay what they have to pay”.
ACCORDING TO NETFLIX DATA, the production project for the original series of ‘One Hundred Years of Solitude’ has contributed more than 225 billion Colombian pesos to the country’s economy. This is a measure of the impact on GDP, which includes both direct spending on production and that produced in the supply chain. Recorded entirely in Colombia and produced by Dynamo, the series had a production team made up of more than 900 people, mostly Colombian. In Alvarado, Tolima, the Netflix Macondo was built on a plot of more than 540,000 m². Around 150 artisans from all corners of the country joined this project, who, with the collaboration of more than 850 local suppliers, gave life to all the constructions that would make this mythical town tangible.
STREAMING PLATFORM FLIXXO released its first original microseries made with artificial intelligence. It is ‘Insomnia’, a story of three short episodes that combines the innovation of AI with the creativity of a great work team. ‘Insomnia’ arises with the aim of telling a story and exploring what new tools and technologies can offer to the audiovisual industry and, above all, to independent creators. Starring Natalia Santiago and Juan Pablo Sierra, the series follows Natalia, who struggles with severe insomnia and undergoes hypnosis sessions to find peace. In each trance, she faces her greatest fears: death, the possibility of making mistakes, loneliness and love. A dangerous mental journey where each revelation could free her or destroy her.
PRIME VIDEO ANNOUNCED that it will premiere on February 27 the original series ‘Su Majestad’, a satirical comedy created by Borja Cobeaga and Diego San José, produced by 100 Balas (The Mediapro Studio) and Sayaka Producciones. Filmmaker Ginesta Guindal directs the series with Cobeaga. The executive producers are Laura Fdez Espeso, Alejandro Flórez, Javier Méndez and Diego San José from The Mediapro Studio, and Nahikari Ipiña and Borja Cobeaga from Sayaka Producciones. In the series, Pilar is a young princess and future queen of Spain who, suddenly and hastily, is forced to remain at the head of the institution after a scandal that splashes her father, King Alfonso XIV. Pilar must prove to the country that she is not the irresponsible, insolent, lazy and useless that everyone believes. ‘Su Majestad’ stars Anna Castillo and Ernesto Alterio.
ZETA STUDIOS OPENED ITS OFFICE IN MEXICO a little over a year ago, with Marcelo Tamburri at the helm. With the signing of this new collaboration agreement with La Granja, they strengthen their presence in Latin America and their interest in also producing high-quality content for the Spanish-speaking market, in their international expansion. Writer Carolina Rivera, director and producer Fernando Sariñana and executive producer Fernando Sariñana JR are the soul of La Granja TV, the independent company from which they have launched successful projects. As producers and showrunners, Fernando and Carolina have more than 35 years of experience between them creating successful content, such as the series ‘Jane the Virgin’, ‘El niñero’ and ‘Madre solo hay dos’. Both have worked on productions in Mexico and the US.
With this motto as its guiding light, Seriella Productions has solidified its position as the leaders of the biblical genre, releasing mega-productions last year that transcended both territorial and platform borders, and they are set to continue leaving their mark with more stories and new destinations in 2025.
Edson Pfutzenreiter Mendes, Commercial Director at Seriella Productions
“Seriella experiences this continued popularity of the biblical genre with a deep sense of responsibility and pride”
In the words of Edson Pfutzenreiter Mendes, Commercial Director of Seriella Productions, in 2024, the distributor brought its productions “to audiences in more countries than ever before, opening paths in emerging markets and consolidating our presence in key territories.”
This is how the executive sums up what was a very successful year for the Brazilian giant, when, with the help of its biblical productions, it managed not only to consolidate its position in the local market, but also to bring its biblical stamp to more international destinations. Along this same path, Seriella intends to grow even more in this new year, with the help of new stories and productions “that make a difference and respond to the true expectations of consumers.”
In the following interview with ttv, Pfutzenreiter Mendes shares details of what 2024 left in terms of growth and learning, new productions, and how the group is preparing “an even brighter path for 2025.”
How would you assess the past year in terms of business and growth? 2024 was a challenging year, marked by global economic uncertainties and profound transformations in the audiovisual industry. Seriella Productions managed to stand out with an extremely positive balance in the area of business and international growth.
This is the result of a carefully designed strategy that combines quality, relevance and a clear market vision. In the midst of a global crisis, our biblical content emerged as a beacon of hope and values, capturing the attention of not only local but also international audiences.
By Carolina Mussio / cmussio@todotv.tv / @carolinamussio
Beyond being stories, they have become tools for emotional and spiritual connection. Seriella’s content, faithful to authenticity and the Bible, not only occupied a relevant place on screens, but also strengthened catalogs of platforms and channels, standing out as proposals that transcend the temporal. This balance is not only a reflection of financial success, but also of the cultural and moral impact that our stories generate these days.
Thus, Seriella Productions closed the year with the conviction of marking a new era in the Christian content industry, preparing an even brighter path for 2025. Seriella not only produces, Seriella inspires and transforms.
Seriella has consolidated itself for another year as the undisputed kings of the biblical genre. How do you experience the continued popularity of the genre internationally? With a deep sense of responsibility and pride. Consolidating ourselves as the undisputed leaders of the genre not only reaffirms the relevance of our stories, but also the power they have to connect with audiences around the world, transcending cultural, geographical and technological borders.
This success has driven us to explore new frontiers, both in terms of territorial reach and innovation in media. In 2024 we are bringing our productions to audiences in more countries than ever, breaking new ground in emerging markets and consolidating our presence in key territories.
At the same time, we have adopted new technologies and platforms that are revolutionizing the industry, ensuring that our stories reach where modern audiences are consuming content. This includes everything from partnerships with streaming platforms to the integration of immersive formats that enrich the viewer experience.
The popularity of the biblical genre is not just a trend; it is a manifestation of the human desire for stories that inspire, teach and connect with universal values. For Seriella, this mission goes beyond entertainment: it is a way to transform the global audiovisual landscape and to continue leading with integrity, excellence and authenticity.
Which will be the stars of your catalogue for the first markets of the year? Seriella Productions will be presenting a carefully curated selection of productions that reflect the quality and scope of our work. Among the great protagonists of our catalogue is the season finale of ‘Kings ’, one of our most emblematic productions within the biblical genre. This work has conquered audiences in multiple regions and promises to close its narrative with an even greater impact, con-
solidating its position as one of the favorites of the international public.
Additionally, we will highlight the series ‘Hasta donde ella llega’, a national production of ten episodes that has generated a strong echo in Brazil. This secular drama, based on real events, has captured the attention of critics and audiences for its narrative depth and innovative approach. Its local success anticipates a great acceptance in international markets, making it a strategic bet for content buyers.
These productions are an example of the balance we seek between high-quality stories of faith and secular narratives, reaffirming Seriella’s commitment to offering diverse, relevant and universal content. We look forward to sharing these works with our partners and opening new doors in the global audiovisual landscape.
What are your goals and expectations for these events? Expectations are huge, and with good reason. Seriella is arriving in Miami with a robust agenda of meetings already scheduled with new players in the industry, interested in exploring the potential of our productions. This is a direct reflection of the innovation we have applied to our licensing models, adapting to the demands of an audiovisual market in constant transformation.
Our main objective is to expand the boundaries of our commercial alliances, bringing Seriella’s stories to more screens and consolidating our position as leaders in the biblical genre and impactful narratives. We also seek to explore new opportunities, forge
long-term relationships and discover synergies with partners who share our vision of offering relevant, inspiring and high-quality content.
What can you tell us about the new releases in your catalogue for this year? 2025 promises to be an exciting and transformative year for Seriella Productions, marking a new chapter in our success story. Among the most notable new releases, we will be launching the mega production ‘The Queen of Persia’ in the international market. This project, which has already demonstrated an impressive performance with a 30% growth in ratings during its debut on open television in Brazil, is one of the most spectacular and ambitious titles we have produced at the level of ‘The Ten Commandments’. Its combination of immersive narrative, values and production quality positions it as a key piece in our global catalogue.
In addition, we are working intensively on new projects that are currently in production, designed to bring the best of audiovisual content to the world. These initiatives not only reinforce our commitment to excellence, but also highlight our ability to innovate and adapt to the changing needs of international audiences.
2025 will be a year in which Seriella will not only reaffirm its leadership in the biblical genre, but will also explore new creative and commercial horizons, bringing stories that inspire and excite to more screens around the world and also highlighting our ability to innovate and adapt to the changing needs of international audiences.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
A very active past year for The Mediapro Studio looks set to repeat itself in 2025, with a significant number of projects completed or in production ready to jump into the international market.
With major titles in a wide variety of genres, The Mediapro Studio is looking for 2025 to maintain the spectacular momentum it gained over the past year, with major partnership announcements and important productions on the way.
“Last year was excellent for The Mediapro Studio in Latin America,” said Javier Esteban, Director of International at The Mediapro Studio. “In the series section, three of our main productions have released second seasons: ‘Iosi, el espía arrepentido’, original for Prime Video created and directed by Daniel Burman, released worldwide; ‘Consuelo ’, co-production with ViX, which has triumphed on this platform with a proposal to update the melodrama; and the sitcom ‘Primate ’, created and starring Colombian actor Christian Tappan, on Prime Video.”
The executive also highlighted the work on feature films such as ‘Intercambiadas ’, and ‘Mesa de regalos’, the co-production with Pampa Films that just premiered in Mexican theaters and will soon arrive on Disney+.
He also highlighted the work of Uruguayan production company Cimarrón, part of the Studio since 2023, on ‘The Kiss of the Spider Woman,’ the film produced by Artists Equity, and ‘Barrabrava,’ the Prime Video title, winner of the Platinum Award for Best Drama Series in 2024.
“During 2024, shooting and post-production has also taken place for premieres that we will see in 2025 such as ‘Cometierra ’, the series adaptation of the novel by Dolores Reyes, adapted by Daniel Burman for Prime Video, or ‘Las Maldiciones’, series also by Burman for Netflix,” Esteban added.
“Excellent quality fiction is being made in Latin America and we are proud to contribute to this with series that have achieved great international impact,” he assured.
Another of its outstanding titles is ‘Celeste ’, a co-production with Movistar Plus+, that premiered on the platform to great critical acclaim. Created by Diego San José and starring Carmen Machi, the series follows a tax inspector who takes on the most important case of her life: the tax evasion of the famous Latin artist Celeste.
“The series is going down very well with all the clients we are presenting it to,” Esteban shared. “It has many elements to like, because it poses an intrigue. Here the heroine is a tax inspector on the verge of retirement, but she reveals herself as a relentless investigator, who will not hesitate to use her badge (and other means), to achieve her goal.”
“Carmen Machi gives a superlative interpretation of this character, supported by the brilliant writing of Diego San José, creator of the series,” said the executive.
New fiction releases also include ‘El mal invisible’, an eight-episode thriller soon to premiere on Disney+. Lluis Arcarazo is the creator of this fiction set in Barcelona that tells the story of an investigation to find a serial killer who has chosen as victims the weakest link in society: the homeless.
Also traveling to Miami will be the end of the trilogy of ‘The Head’, the Studio’s international franchise that ends with its third installment; and the horror thriller ‘Tales From the Void’, a six-episode American horror miniseries, in anthology format, with each chapter based on one of the most viral stories from Reddit’s r/NoSleep community.
As for non-fiction content, Esteban highlighted the documentary series ‘Real Madrid: como no te voy a querer’, “a look inside one of the most important soccer clubs in the world”.
One of the great hits of 2024, the adaptation for Max of ‘Como agua para chocolate’, confirmed its second season at the beginning of December, with its producers promising to keep the audience captivated and complete this story that’s so loved around the world.
By Carolina Mussio cmussio@todotv.tv @carolinamussio
From the moment Endemol Shine Boomdog produced the first six episodes of the new adaptation of ‘Como agua para chocolate’, the famous novel by Laura Esquivel, the production company had enormous confidence in being able to complete the story with a second season. The resounding success of the title on the Max platform proved that there were more than enough reasons to believe in the content.
The production by Warner Bros. Discovery, Ventanarosa Productions, Endemol Shine North America and Endemol Shine Boomdog premiered globally on Max, becoming the most watched Latin American content on the platform worldwide.
The great love story of Tita de la Garza and Pedro Múzquiz, and the flavor of Mexican culture captivated audiences around the world to the point that even before the last episode of the first season was broadcast, which aired on December 8, a second installment had already been confirmed.
“The news of the renewal was something that made us very happy, but it didn’t surprise us,” said Clara Machado, executive director of Development and Actualization at Endemol Shine Boomdog. “This was not really a project that was envisioned in parts, but from the beginning we thought of telling a story in twelve episodes.”
“It is always a gamble and, like everything in life, there is an element of uncertainty, but there are stories that have to do with what people want to be told, which are love stories that make you dream. And we worked on the quality of the production and we saw it from the first moment,” she explained.
For Jerry Rodríguez, SVP and head of Scripted at Endemol Shine Boomdog, it was very valuable to have met the expectations that the public had for this adaptation: “It is a very beloved novel that conquered readers from all over the world and, if this were not enough, there is also the film that had great
international success at the beginning of the nineties,” he commented. “The fact that fans have embraced our series tells us that all the effort and love that we put into it was worth it.”
To achieve this success, Machado and Rodríguez agree that, in addition to the quality of the original work, the production reached very high values in all its areas: “The cast, the photography, the selection of locations, the production design, the costumes, the composition and musical selection, and a long etcetera, were the elements that allowed us to successfully retell this story,” said Rodríguez.
“The key in these projects is teamwork,” stressed Machado. “From those who come together to find and secure a recognized and prestigious IP, to the cast and all the people who make it possible for a series to come out on time and in form.”
“Knowing how to listen and understand audiences is also very important,” added the executive.
Given this background, expectations are high for the second season: “We are working hard to make this second season as endearing or more so than the first,” said Rodriguez. “It is a second half, where our characters have matured and their relationships are increasingly complex.”
The new season, which does not yet have a release date, is already in pre-production. It is executive produced by Salma Hayek Pinault, José Tamez and Siobhan Flynn for Ventanarosa Productions; Sharon Levy, Lisa
Jerry
Rodríguez, SVP and Head of Scripted at Endemol Shine Boomdog
“The fact that fans of the novel or the film have embraced our series indicates that all the effort and love we put into it was worth it”
Clara Machado, Executive Director of Development and Actualization at Endemol Shine Boomdog
“This was not really a project that was envisioned in parts, but from the beginning we thought of telling a story in twelve episodes”
Fahrenholt and Flavio Morales for Endemol Shine North America; Alejandro Rincón, Clara Machado and Jerry Rodríguez for Endemol Shine Boomdog; and Mariano Cesar, Vanessa Miranda and Anouk Aarón for Warner Bros. Discovery.
Regarding what will happen in the second season, during which Rodriguez promised some “surprises,” Machado was more reserved: “I can’t reveal much because it takes away from the excitement,” said the executive. “What I can say is that you won’t be able to stop watching it, just like you did with the first season.”
“The fact that fans have embraced our series tells us that all the effort and love that we put into it was worth it.”
By Luis Cabrera
lcabrera@todotv.tv @luis_cabreram
Mediacrest experienced a very important transformative year in 2024, and now intends to move forward with new content strategies and a team of specialists with extensive experience in the industry.
For Cristian Liarte, Director of Global Business Development, Acquisitions and Partners at Mediacrest Entertainment, the great achievement of last year has been putting together a team of executives that he considers “one of the best in the industry.”
“During 2024 we were able to design and incorporate key pieces to improve and be more competitive in different verticals of the industry,” explained Liarte. “Specialists such as Fernando Jerez, Gustavo Ferrada, Israel López and Denis Pedregosa, among others.”
This renewed and strengthened team has taken on the challenge of deepening the strategy of expanding Mediacrest’s product offering and business areas. Pedregosa, for example, is in charge of Mediacrest’s brand new Global Production & Services division.
In terms of content, ‘Asuntos Internos’, a police thriller set in the late seventies, generates a lot of expectation. “It’s a spectacular series; a wonderful work by the two directors, María Togores and Samantha López Speranza, and a cast of actresses and actors who excel at it,” Liarte explained.
The Spanish company is also presenting two other titles, ‘El espejo ’ and ‘Aquello que fuiste ’, the product of the agreement with the writer Aurora Guerra, and the feature film ‘Daniela Forever ’, by Nacho Vigalondo, which will be released in February.
“We are working on two large-scale documentaries for this year and on several entertainment formats that are a gem, but I cannot reveal much because we are in advanced negotiations,” said the executive.
INTERNATIONAL VOCATION. In a world of alliances and co-productions, Mediacrest’s expertise has become even more relevant. “We have always sought alliances beyond the borders of Spain for two reasons: we believe that stories can travel and in our DNA there is a vocation for developing international stories, with a view to exporting our own national talent,” said Liarte. “We have reached agreements in Latin America and the US to develop and acquire series that have not yet been produced in Spain.”
Liarte explains that today the priority is on projects from consolidated IPs, with their own community or followers; projects from consolidated talents; or “very specific or very local niche projects, which allow an element of local identification.”
The executive shared that agreements have been reached to produce and develop own projects in Canada, and agreements are being closed for productions and co-productions in the US and Mexico. “We are always open to weaving alliances that allow us to grow, especially in America and to bring all kinds of filming to Spain,” he said.
Cristian Liarte, Director of Global Business Development, Acquisitions and Partners at Mediacrest Entertainment
“At Mediacrest we believe that stories can travel and in our DNA we find a vocation for developing international stories”
The success of Atresmedia series, both in Spain and abroad, has brought great value to Spanish fiction, which remains on the rise and in high demand in such important markets as the US and Latin America.
By Rosa Fuentes rfuentes@todotv.tv
Spanish fiction, and especially the series produced by Atresmedia, have managed to overcome the challenges of the global audiovisual industry, becoming a product with constant demand from TV networks and platforms around the world. All this guided by the audacity of a team that adapts and produces genres as varied as there are audiences.
Atresmedia’s stories have crossed the ocean and found a home in the US and Latin America, with an increasingly interesting reception. The combination of good themes and specialized teams has given the kick-off to internationalize its productions.
The association with talented producers and the search for experienced teams according to the theme are part of its success. Recognized names such as Alex de la Iglesia, who is behind the production of ‘Santuario’ and
Daniel Écija, in the production of ‘Eva & Nicole’, shape a team that seeks to turn the Spanish audiovisual industry into a solid bastion of content export.
Miguel García, Head of International Sales at Atresmedia Sales, spoke to ttv about the plans they have in store for 2025 for their most powerful titles, as well as the expectations regarding the most important markets in the US and Latin America.
‘Santuario’ has several attractive points, such as being an adaptation of a podcast and being a science fiction thriller. How do you value the combination of these and other elements of the production for its international potential? Podcasts are undoubtedly a great source of stories, the rhythm and the same tone that the series broadcast through podcasts have, makes them very similar to the stories in audiovisual media. We have found great gems like ‘Santuario’, which we have then been able to transform into a television series. In addition, ‘Santuario’ is a science fiction series, a genre that we had not yet explored, but which, however, a large part of the audience
Miguel García, Head of International Sales at Atresmedia Sales
“We are very happy with the result and even more so when we have had the production of Alex de la Iglesia, an expert in this type of subject matter”
travel to different territories and we are sure that in 2025 it will reach Latin America and the USA.
What are the main challenges to increase Atresmedia’s penetration in emerging markets within Latin America? Adapting to the needs and finding opportunities in all types of clients has been one of Atresmedia’s characteristics for years. The large catalogue we have allows us to license content, both for broadcast television channels, payTV channels or platforms, larger or smaller channels, in countries with a larger population or countries with a smaller budget.
We have all kinds of genres and this helps us to always be able to offer different opportunities to our clients. Without a doubt, the international success of our productions, and even more so in Latin America, has helped us position Atresmedia series as one of the
“We have all kinds of genres and this helps us to always be able to offer different opportunities to our clients”
demanded. We are very happy with the result and even more so when we have had the production of Alex de la Iglesia, an expert in this type of subject.
This title, along with others in your catalogue, touches on very important topics today, in this case the climate disaster, the role of women and, in other fictions, the history of different minorities. What attracts Atresmedia to these topics? At Atresmedia we love to tell great stories, especially when they have such current and controversial themes as those raised by ‘Santuario’. This makes this series more attractive, for both national and international markets. We believe that in the end it has become a very powerful series, which talks about topics that the audience is demanding and that they are also waiting to see in fiction series.
How has the reception been for the recently released ‘La sombra de la Tierra’? ‘La sombra de la Tierra’ has surprised us: it has been one of the best premieres of this season. It has been a series with great success, both with the public and critics. We are presenting it in these first markets of 2025; so we are very hopeful of finding a great home for this Atresmedia production.
The unique historical setting of ‘Beguinas’ has received many praises. How has its performance been on Antena 3? From the first moment the public has approached and loved the story that ‘Beguinas’ tells. The
audience always greatly appreciates that we tell stories that, perhaps, have not been told before or that have been forgotten, such as the beguinages, those communities of self-managed women on which this story focuses. It is a series that we hope will soon reach the screens of players and televisions throughout Latin America and the United States.
Another series with a praised period setting is ‘Eva & Nicole’, which also features a top-notch cast. Viewers have praised the moments of tension that the drama presents, with a lot of thriller. How would you define its genre and themes? ‘Eva & Nicole’ is a series that returns to the style of series that mix different genres and that have been successful for several decades. It is a series that has hooked the public from the beginning, which also has as its creator Daniel Écija who is an expert in this field, in mixing dramas, but with a touch of comedy, thriller and action, which makes the series much more attractive for international markets.
‘Sueños de Libertad’ has had incredible success on Antena 3. How do you think the title will be positioned in Latin America during 2025? We are very happy with ‘Sueños de Libertad’, it is the most watched daily fiction on television in Spain, since March and we have more than 200 episodes, which further consolidates its success on the Antena 3 screen. It has already begun to
most remarkable values of fiction in Spain and in Spanish throughout the world.
The sale of ‘A muerte’ to Apple TV+ was recently announced. How is the moment for the distribution of lighter or more comedic series? We have seen that there is a great appetite for series that talk about life, about everyday life, about the problems that we can all have and this is what makes us feel most identified with ‘A muerte’. The series tells the story of a man in his 30s whose life changes when he is diagnosed with heart cancer. ‘A muerte’ is nothing more than a romantic comedy, which in the end has a somewhat dramatic plot, with a certain hope but with a melodramatic tone. This is like life in the end and it is what makes the audience of our series hooked.
How do you perceive the evolution of the demand for Spanish content in English-speaking markets? There are more and more Spanish speakers in the US, so there continues to be a continuous and very large demand for Spanish content. It is true that the North American industry has not gone through its best moment in recent years, but it has not affected us as much, because the demand for Spanish content has remained fairly constant. We have continued to make great sales in this territory, of such important and recognized titles as ‘No se lo digas a nadie’, ‘La cocinera Castamar’ and ‘El tiempo entre costuras’, one of our great successes that returned to the US after years, in 2024.
MAX PRESENTS A PREVIEW OF CÓYOTL, HÉROE Y BESTIA, PRODUCED WITH DOPAMINE
MAX PRESENTED AN EXCLUSIVE PREVIEW of ‘Cóyotl, Héroe y Bestia’, its new original series that combines action, horror and fantasy, offering a unique proposal in Latin American productions and that will arrive on the platform in 2025. With an outstanding cast led by Alejandro Speitzer, Paulina Gaitán and Horacio García Rojas, ‘Cóyotl, Héroe y Bestia’ tells the story of a Mexican hero who will fight to defend his own and become the guardian that his people need. Behind the scenes, the series is directed by renowned Mexican filmmakers Batán Silva (‘The Boys’) and Julián de Tavira (‘Como agua para chocolate’) and Genaro Quiroga (‘Búnker’) as creator, showrunner and screenwriter. Executive produced by Mariano Cesar and Anouk Aaron for Warner Bros. Discovery, as well as Fidela Navarro, Batán Silva, Natalie Osman and Genaro Quiroga for Dopamine.
DISNEY PREMIERED THE SPANISH ORIGINAL SERIES ‘Custodia repartida’, the first series directed by film director Javier Fesser (‘Campeones’), exclusively on January 24. Produced in collaboration with the group The Immigrant, it is an 8-episode dramatic comedy about what separation with children is like in today’s modern society. Starring Lorena López and Ricard Farré, the series follows Cris and Diego, who have just separated by mutual agreement. Their intention is to behave like mature and responsible adults, and be friends for the sake of their 5-year-old daughter. But neither of them can afford to live alone and take care of her. What started as a friendly separation soon takes a turn when they come face to face with harsh reality.
FLORESTA, SONY PICTURES TELEVISION’S PRODUCER IN BRAZIL, announced the production of its first TV movie, ‘Quarto do Pânico’. It is a local adaptation of David Fincher’s thriller ‘Panic Room’ (2002), starring Jodie Foster. The new version will star Isis Valverde and will be directed by Gabriela Amaral Almeida, with a script adapted by Fábio Mendes. In Floresta’s adaptation, a woman who has just lost her husband is forced to take refuge with her pre-teen daughter in the secret room of the house where they live. This happens after the thieves broke into the place to steal something that is right where the two are hiding. “In addition to an extremely current plot, we developed an electrifying thriller that, above all, brings an important ethical discussion,” said Thiago Teitelroit, artistic director of fiction at Floresta.
PRIME VIDEO IS PREPARING ITS NEW PRODUCTION WITH ARGENTINE TALENT, ‘Amor Animal’ a drama series directed by Sebastián Ortega that has already been officially presented. Although it still does not have a release date, the official cast has already been confirmed, as well as the plot with which it will tell the story. ‘Amor Animal’ was created by Ortega and produced by Underground. It was written by Silvina Frejdkes and Alejandro Quesada. Pablo Culell and Sebastián Ortega are the executive producers. In this drama, Kaia, a trap artist from the outskirts of the city, meets Nico, an upper-class young man who is going through an existential crisis. The cast includes Franco Masin, Tatiana Glikman, Santiago Achaga, Valentina Zenere, Olivia Nuss, Toto Rovito, Ines Estevez, Antonio Birabent, Juan Sorini and Evitta Luna, among others.
ON JANUARY 12, Max premiered ‘Aventura en pelotas: España’, the first Spanish adaptation of the well-established international format of extreme adventure and survival from Discovery in which ten people, six men and four women, will try to survive for three weeks in the middle of the Colombian jungle without water, without food, without clothes, with only one tool and an object of their choice. Produced by Warner Bros. ITVP Spain for Max, Pablo Abelenda is the executive producer on behalf of WBITVP, with Melisa Moya as the director of the program, and Zaida Serrano Piedecasas and María Rubio as the producers for Max.
NETFLIX AND SKYDANCE SPORTS have teamed up to produce a documentary series about the life and career of Spanish athlete and tennis icon Rafael Nadal. The series will include unprecedented access to Nadal as he returns to competition in 2024 after being sidelined for much of 2023 due to injury. The docuseries will focus on Nadal’s stellar career as well as his life off the court, showcasing never-before-seen footage from his personal archive and providing unprecedented access to the tennis star, his family and his inner circle. Considered one of the most important tennis players in history, winner of 22 Grand Slams, Nadal began playing tennis at just three years old and turned professional at fifteen. Oscar nominee and Emmy winner Zach Heinzerling directs the untitled docuseries produced by David Ellison, Jesse Sisgold, Jason Reed and Jon Weinbach for Skydance Sports.
Víctor García-Morato, Head Of Strategy And Business at Isla Audiovisual
SPANISH INDEPENDENT
PRODUCTION COMPANY ISLA
AUDIOVISUAL announced the addition of Victor Garcia-Morato as Head of Strategy and Business. Garcia-Morato has extensive experience in strategy and content in the television industry. He was part of the founding team at laSexta, where he was Programming Manager for laSexta, Xplora and laSexta3. He subsequently led the relaunch of the six-channel portfolio at FOX Networks Group Portugal as Head of Editorial and Content. Back in Spain, he took over the direction of the Programming, Acquisitions and Audiences departments at FOX and FOX Life, positioning FOX as a leading pay TV channel and introducing in-house production with successes such as the return of ‘Vis a Vis’. In his last stage at Disney+ Spain, he held the position of Director of Content, Acquisitions and National Pre-purchases.
TIS STUDIOS ANNOUNCED that it has joined as distributor for ‘Futuro desierto’, the new fiction from Gaumont. It is a psychological thriller and family drama of six episodes, directed by Lucía Puenzo and Nicolás Puenzo, which explores big questions raised by Artificial Intelligence. Produced by Gaumont USA for Paramount Television International Studios (PTIS), it stars José María Yazpik, Àstrid Bergès-Frisbey, Andrés Parra, Karla Souza, Ilse Salas, Flavio Medina, Natasha Dupeyrón, Natalia Solián, Horacio García Rojas, Vincent Webb, Isabella Arroyo, Matías Coronado. ‘Futuro Desierto’ is a thriller set in the near future that follows Alex, a psychiatrist who is transferred with his family from Silicon Valley to a remote town in Chiapas to test the first androids in human environments, unaware that he is part of a complex scheme orchestrated by the technology company he works for.
By Luis Cabrera lcabrera@todotv.tv
@luis_cabreram
The success of ‘Valley of Hearts’ in Turkey has revalidated the credentials of the partnership between Inter Medya and TIMS&B Productions, which seek to position the series as the drama to watch during 2025.
Two siblings abandoned at birth try to reestablish their relationship with their mother, but when she rejects them, now a rich woman with a new family, they swear revenge, infiltrating her life with unexpected consequences.
Buyers present at the last edition of MipCancun were able to enjoy a captivating summary of the first part of the inaugural season of ‘Valley of Hearts’, the drama, produced by TIMS&B Productions and distributed internationally by Inter Medya, which has captured Turkish audiences.
“‘Valley of Hearts’ is one of the hits of the moment in Turkey,” said Beatriz Cea Okan, VP and Director of Sales and Acquisitions at Inter Medya. “The acceptance of this title has been incredible, it has been very popular and we hope to close many deals in Latin America.”
In Cancun, the first window of the title in Latin America was announced as part of its agreement with TVN Panama (see highlight below).
The drama had already been presented at Mipcom Cannes, then with the participation of Timur Savcı and Burak Sağyaşar, founders and directors of the Turkish production company.
“I think the central element, as always, is love,” explained Savcı in an interview with ttv. “One of the biggest differences in ‘Valley of Hearts’ is that there are two main love arcs. In other words, the story is not built only around one couple.”
“And most importantly, we are filming in a world-class and captivating place like Cappadocia, which offers an incredible atmosphere,” added the executive.
In addition to its beautiful location, the cast is another strong point of the drama with actors of the stature of Ece Uslu, Aras Aydın, Hafsanur Sancaktutan, Leyla Tanlar, Burak Tozkoparan and Esra Dermancıoğlu, among others.
Another notable title in Inter Medya’s catalogue is the family drama ‘Heartstrings ’, developed by its production arm and featuring a cast led by Ergül Miray Şahin, Ali Yağız Durmuş, Lena Balcıoğlu, İkra Köse, Hakan Dinçkol, Azra Aslan and Erdem Yılmaz, among others.
The 120-episode drama follows the lives of Mahinur Aydın and Aras Yılmazer, which are intertwined by a dramatic hospital error years ago, when their daughters were switched at birth. Mahinur, trapped in a difficult marriage with her controlling husband Kenan, struggles to care for her sick
daughter, Bade. When Bade’s condition worsens, Mahinur turns to Aras for help and the two uncover the truth through DNA testing. This revelation causes conflict, especially with Kenan, who accuses Aras of stealing his daughter. Despite the tension, Mahinur and Aras join forces to find a way to save Bade, delving deeper into their emotional journey as parents while facing painful truths.
‘Heartstrings ’ is the result of Inter Medya’s constant development as a distributor, which includes several miniseries as well as top-notch partnerships, leading to international co-productions such as ‘Love and Pride’, co-produced with MGE.
Directed by Murat Şenoy, ‘Love and Pride’ features a young cast and its story revolves around a gripping tale of love triangles and internal family conflicts.
During MipCancun 2024, Inter Medya announced that it has closed a major content licensing deal with TVN Panama, which includes a diverse selection of titles. As part of this deal, ‘Valley of Hearts’ has been licensed to the channel, along with hit Turkish drama ‘Tuzak’, starring Bensu Soral and Akın Akınözü. The deal also includes the licensing of 14 feature films, including ‘Eternal Love’, ‘The Way We Are’, ‘Love Like You’ and ‘For Both Of Us’.
Beatriz Cea Okan,
VP and Director of Sales and Acquisitions at
Inter Medya
“The acceptance of ‘Valley of Hearts’ has been incredible, it has been very popular and we hope to close many deals in Latin America”
Filmed in the captivating atmosphere of Cappadocia, ‘Valley of Hearts’ has been one of the great hits of the season in Turkey
Panea was officially launched in December 2024 as a platform that prioritizes connecting with the Spanishspeaking audience by offering content that combines entertainment, learning and motivation.
By Luis Cabrera
lcabrera@todotv.tv @luis_cabreram
Sebastián Choy, Founder and CEO of Panea
“One of our goals is to develop exclusive content that reflects the cultural richness of Spanish-speaking communities”
Building a deep bond with Spanish-speaking audiences in Latin America, Spain, and the US is the central objective of Panea, the new streaming platform officially launched in December of 2024.
With several content agreements already in place -and the goal of developing its own originals- the platform led by Sebastián Choy offers users the opportunity to enjoy entertainment and leisure, but also to go further with educational tools and opportunities to improve their quality of life.
“Panea is designed for those people who want to transform their leisure time into
something productive, whether it is learning new skills, finding motivation, or promoting their own projects,” explains Choy, founder and CEO of the platform. “This approach allows us to build a deeper and more meaningful relationship with our audience.”
The platform’s model follows the logic of advertising, but with the upcoming launch of its marketplace, Panea plans to share its profits with users: “Our model allows them to invest in their own projects, promoting a positive and sustainable impact on their lives and communities,” says the executive.
“What sets us apart is our focus on transforming content consumption into action,” he adds. “Thanks to our technology, we can also create and offer FAST channels, which expand our distribution and accessibility options. Together with our revenue share model and the development of a marketplace, we seek for our audience to not only consume content, but to use it as a tool to improve their lives.”
After its Beta stage, which began in November 2023, the official launch propels Panea fully towards building its community and
communicating its value proposition: “The market is challenging, but we are confident that our approach will help us stand out,” says Choy. “By sharing revenue with users, offering a marketplace, and empowering people to invest in their projects, we aim to build a loyal community that sees Panea as a transformative platform.”
“In the short term, we want to consolidate our user base and launch the marketplace,” explains Choy about his current objectives. “In the long term, our goal is to expand into more markets, strengthen strategic alliances, and continue to generate a positive and sustainable impact on the lives of our audience.”
SIC’s drama, the Portuguese adaptation of ‘Ruthless City’, is a hit on local screens and is ready to replicate the success of Turkish content in regions such as Latin America on the international market.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
Nominated for a Rose D’Or 2025 and a leader on the local screen, ‘Broken Promise’ (‘A Promessa’) leads the SIC International Distribution catalogue for these first months of the year and, as an adaptation of a renowned Turkish drama (‘Ruthless City’ by Kanal D), the interest and expectation that its journey beyond borders arouses are very high.
“We hope that ‘Broken Promise’ will obtain results that are just as impressive in the international market as those obtained by Turkish dramas,” said Carlota Vieira, Deputy Director of Content Sales at SIC International Distribution. “The combination of an attractive global narrative, well-developed characters and the creative vision of our scriptwriters and director are great drivers for international acceptance and interest.”
The series has already received excellent comments from the international market, in
addition to the endorsement of the Portuguese audience who have been captivated by a “compelling story, full of plot twists that keep the audience hooked.”
Carlota
“We
hope that ‘Broken Promise’ will achieve equally impressive results in the international market as the Turkish dramas have achieved”
“The plot deals with universal themes such as love, betrayal, redemption and overcoming, common to everyone,” Vieira explained. “In addition, we have a luxury cast, recog-
nized for their national and international work, such as Vitória Guerra (‘The Worst Man in London’), Joana Ribeiro (‘The Man Who Killed D. Quixote’) and Joana Santos (‘On Falling’), accustomed to bringing depth and authenticity to their characters.”
With its impressive sets and exteriors, and with the historic and magical town of Sintra as a backdrop, ‘Broken Promise’ aims high in 2025.
Another outstanding telenovela in the distributor’s catalog is ‘Timeless Love’ (‘Flor Sem Tempo’), a powerful and exciting story, entangled in family secrets, revenge, a struggle for power, a succession crisis and a forbidden love that will be challenged in every possible way.
“This is a critically acclaimed title, which has received the Gold Medal at the World Media Festivals, which confirms its narrative
and production quality,” said the executive. ‘Timeless Love’ is currently airing in Canada and is about to debut in Georgia and Israel.
OPTO MINISERIES. Complementing the over-the-air channel’s offering, the Opto platform expands SIC International Distribution’s catalogue with titles designed for different audiences.
This is the case of the award-winning drama ‘Lucia of Fatima’, about the prophet of Fatima who lived a long life - from 1907 to 2005 - and which is available for purchase as a miniseries or film, both options in Spanish.
“The most sought-after series is ‘The Good Girls Club’, whose sixth season has just debuted on Opto and will soon arrive on Prime Video,” Vieira shared. “This ‘edgy’ and exciting series has already been sold to more than 20 countries and continues to conquer new territories.”
‘Azul’, a fiction about a dystopian future is about to be released after its premiere at the Tribeca Festival in Lisbon, while the romantic comedy ‘Could Have Waited For August’, a film by comedian César Mourão, with Kevin Dias (‘Emily in Paris’) was released in theaters last summer.
Demonstrating Opto’s breadth of genres, there is also the true-crime documentary ‘George’, about the American who escaped from prison and spent 40 years on the run from the FBI until he was found in Portugal.
“For us, Portuguesespeaking territories are like our family and therefore very important”
SIC is working to reach the entire Portuguese diaspora around the world, taking advantage, for example, of the distribution of the Opto platform, which complements the international version of its free-to-air channel. “For us, the Portuguese-speaking territories are like
our family and, therefore, very important,” said Vieira. “From Macao and East Timor to the five African countries, plus Brazil, we try to broadcast content in all of them every year to maintain proximity.” The executive, however, shared that, in terms of distribution, they face a challenge similar
to that of Castilian and neutral Spanish, since Portuguese also has different accents: European, Brazilian and Angolan. “Sometimes, for Brazil, content has to be dubbed into local Portuguese,” as in the case of ‘Nazaré’ with Bandeirantes and now ‘Sangue Oculto’ with TV Brasil.
“The plot of ‘Broken Promise’ deals with universal themes such as love, betrayal, redemption and growth, which are common to everyone”
By Luis Cabrera lcabrera@todotv.tv
Narratives centered on children and families have been a highly successful formula for Haciyatmaz Group and Yeşil Yapım, who are working on many projects at the moment, while looking for new partners to learn from, share their experience and create even better content.
Tayfur Sonkaya, Founder of Haciyatmaz Group
Ozkan Ipek, Founder of Yeşil Yapim
The experience that Haciyatmaz Group and its production arm, Yeşil Yapım, have gained from producing many of the most successful Turkish dramas in recent years gives them a unique understanding of industry trends and their future potential. Armed with this knowledge, they seek to create partnerships with like-minded companies to move forward and create even better content.
“We want to work with partners who share our experience, vision and outlook on the television industry,” says Tayfur Sonkaya, founder of Hacıyatmaz Group.
“Partners from whom we can also learn new things throughout the partnership, who push us to work harder and create something even better. And of course, financial support is always welcome.”
To understand what Haciyatmaz and Yeşil Yapım bring to the table, one need only look at their track record, which includes titles such as ‘The Girl from the Green Valley’, ‘Love and Pride’ and ‘Melissa’.
“We are currently working on stories focused on children and families, which we believe will be as successful as ‘Elif’ and ‘Melissa,’” explains Ozkan Ipek, founder of Yeşil Yapim. “We are also working on two adaptations of books that we have recently licensed: ‘Little Lord’ and ‘Little Princess,’ by Frances Hodgson Burnett.”
“In addition, we have reached an agreement with our world-famous writer and musician Zülfü Livaneli to adapt ‘The House of Leyla’ into a miniseries,” adds the producer.
All these titles are complemented by a feature-length project that “tells the tragic story of a mother and her daughter.” Yeşil Yapim is behind well-known actors, because its goal is to produce a “top-notch film.”
The company is also producing formats and delving into miniseries, a genre that it believes “will become more popular in the near future.”
“Turkish miniseries already have international potential, and we are focusing on this area as well. You will hear more from us very soon,” Sonkaya adds.
Meanwhile, their project ‘Narin’ continues to move forward – with its script in development at the time of writing this article – with the aim of starting filming in May of this year.
The new filming date is a result of the current economic situation in Turkey. “With this in mind, we made a change in our production method,” Ipek shared. “In our country, shooting usually starts only when the scripts for all 20 episodes of a daily series are ready. However, for the first time, we plan to write the scripts for all 120 episodes before starting production. This approach will minimize financial losses and ensure a more efficient and higher-quality result. We are confident that we will deliver an excellent production.”
“We want to work with partners who share our experience, vision and perspective of the television sector”
The production of the Viña del Mar Festival is a new step in Megamedia’s internationalization, which in 2025 plans to launch a production company focused on fiction and entertainment content for international markets.
By Rosa Fuentes rfuentes@todotv.tv
Javier Villanueva, CEO of Megamedia
“This year we plan to have a production company in operation whose focus will be the creation of fiction and entertainment content to find its place in the international market.”
Megamedia, one of the main content production houses in Chile, has taken a transcendental step by assuming the production and broadcasting of the Viña del Mar International Song Festival. This strategic movement responds to two fundamental goals:
the plan to project itself internationally as a content factory and the intention to produce the most relevant events in the country.
The alliance with Bizarro Live Entertainment, leader in the entertainment industry in Chile, reinforces this commitment and promises to raise production and broadcasting standards, opening doors in other international markets.
In this regard, Javier Villanueva, CEO of Megamedia, commented that for a couple of years they have been projecting themselves internationally as a content factory. “Today we produce telenovelas outside of Chile and we are very happy with the reception that ‘Al sur del corazón’ had on Netflix. On the other hand, we want to move forward in having the most important events for Chileans, and the Viña Festival is the heritage of all Chileans.”
The goal of covering new international markets led Megamedia to join the most relevant musical and cultural event in Latin America. “The level of production and the excellence of broadcasting that an event like this requires will certainly open important doors for us. We are taking on this challenge with the production company Bizarro Live Entertainment in an alliance that unites the leaders of the communications and entertainment industries in Chile,” said Villanueva.
The CEO of Megamedia highlighted that the seal that characterizes them is excellence in television and multiplatform production and broadcasting. “We will now put that recognition that we have earned in Viña 2025 with a staging that will truly surprise.”
The public, both on the Quinta Vergara stage and in their homes, will live an experience like never before. Villanueva announced that innovations will be incorporated such as immersive environments through augmented reality with special cameras and the use of drones; more than 25 studio and cinematography cameras working in HDR format; a technical orchestration system that synchronizes cameras, lighting and graphics; and special and exclusive cameras that will be available simultaneously through MegaGo.
STRATEGIC PARTNERS. The 2025 Viña Festival will feature Disney+, one of the largest streaming platforms in the world, as an international partner. According to Villanueva, this agreement includes collaboration with its network of radio stations throughout Latin America, ensuring unprecedented coverage. In addition, in July of last year an agreement was announced between the Viña del Mar Festival and the Benidorm Fest, a key event for Eurovision.
The executive highlighted that the event will be led by Karen Doggenweiler, iconic Chilean presenter, and Rafael Araneda, recognized for his work on Univisión. This powerful team is joined by top-level artists from Latin America such as Marc Anthony, Myriam Hernández, Carlos Vives, Incubus and Duki, among others.
The international momentum generated by the Viña Festival will be a springboard for Megamedia’s future plans. Villanueva assured that they are determined to strengthen internationalization as a company. “By 2025 we plan to have a production company in operation that will focus on generating fiction and entertainment content to find its place in international markets. A project that is in full development and that will undoubtedly strengthen Megamedia’s presence in Latin America and the world.”
Two key thematic axes - powerful Brazilian telenovelas and award-winning investigative documentaries - are the basis of Record TV’s offering, through which the company aims to extend its international footprint.
By Luis Cabrera
lcabrera@todotv.tv
@luis_cabreram
Behind the power of Brazilian telenovelas and the exemplary work in investigative documentaries is a decades-long effort that Record TV has perfected locally and promoted beyond its borders with its International Sales team.
“For this year, the strategy in terms of international sales must focus on expanding our presence in key markets, taking advantage of the success of our productions, especially telenovelas,” shared Delmar Andrade, Record TV’s International Sales Director.
The focus will also be on its production of factual content, a tradition for the company that has yielded fruits of enormous value such as ‘La Bestia’ or the more recent ‘DOC Investigación’ and ‘El hospital’. “Record has always been a reference in Brazilian journalism and has invested heavily in the production of documentaries, recognizing the
impact they can have by telling relevant and intriguing stories,” Andrade stressed.
‘Doc Investigación’ is one of Record TV’s most promising recent documentaries. What expectations do you have for sales of this production to other territories in 2025? The investigative themes and the way the series addresses relevant issues can really captivate audiences, especially in regions looking for content that informs and provokes reflection. Sales expectations for the series for this year are quite positive. The series has great potential to attract the interest of streaming platforms and television networks around the world. In addition, our participation in international events and a good investment in marketing campaigns to promote it can also make a big difference. We are confident that this production can stand out and conquer new territories in 2025.
You have highlighted the importance that Record has given to the production of documentaries and the achievements of titles such as ‘La Bestia’. What projects do you have in the near future and what themes do you seek to focus on? Record has always been a reference in Brazilian
Delmar Andrade, Director of International Sales at Record TV
“The way ‘DOC Investigation’ addresses relevant issues can captivate audiences, especially in regions that seek content that informs and provokes reflection”
journalism and has invested heavily in the production of documentaries, recognizing the impact they can have by telling relevant and intriguing stories. ‘La Bestia’ was a great example of this. Winner of the Best Documentary award at Spain’s Premio Rey, the production shows the saga of immigrants leaving Guatemala, crossing Mexico with the dream of entering the US. A complex subject, presented in a realistic and immersive way, that captures the viewer’s attention. In upcoming projects, Record intends to explore themes that address social and
“Record has always been a reference in Brazilian journalism and has invested heavily in the production of documentaries”
cultural issues, with a special focus on stories that give voice to the underrepresented. The idea is to open space for narratives that often remain on the sidelines, ensuring that these important stories are finally told.
How do you see the telenovela market in Brazil, both in national and imported productions? The telenovela market in Brazil remains one of the pillars of television programming, with a strong tradition that attracts a loyal audience. National productions have stood out for their ability to address pertinent and contemporary issues, reflecting the diversity and complexities of Brazilian society. As for imported telenovelas, such as Turkish ones, the growing interest is an indication that the public is open to new narratives and styles. These productions bring captivating plots and a differentiated aesthetic, which can complement the national offer. The combination of Brazilian and imported telenovelas can enrich programming, offering the public a greater variety of stories and formats.
What do you think will be the main challenge for the Brazilian television industry in an environment increasingly dominated by streaming? With the growing popularity of streaming platforms, traditional broadcasters need to find ways to reinvent themselves to maintain relevance and engage audiences. This includes not only the creation of original content that attracts the public, but also the exploration of more flexible and interactive formats, which align with the expectations of modern viewers. In addition, competition with the vast catalog
of series and films available on streaming platforms requires that soap operas and other traditional formats stand out for their quality and innovation.
Another challenge is the need to integrate multiplatform distribution strategies, ensuring that content is accessible in different formats and devices. The industry will also need to consider the personalization of the user experience, offering recommendations and content that align with individual interests, something that streaming does very well.
What are Record TV’s priorities for 2025 in terms of international sales? For 2025, strategies in terms of international sales must focus on expanding our presence in key markets, taking advantage of the success of our productions, especially soap operas. We will also seek to strengthen partnerships with streaming platforms and television networks in countries where there is a growing demand for Brazilian content, such as in Latin America, Europe and, possibly, Asia. In addition, this year we will intensify our efforts in the dissemination of our documentaries, positioning Record in the international market as a major producer of this type of content.
Cindie
Cindie is not just a streaming service; it is a bridge to the extraordinary, where every story counts and every viewer finds their special moment.
By Rosa Fuentes rfuentes@todotv.tv
Streaming service Cindie is revolutionizing the way we consume content by focusing on independent cinema and offering an accessible, fresh and memorable entertainment experience. With a carefully curated offering and innovative strategies, Cindie seeks to conquer the hearts of movie and series lovers. From its focus on authentic stories to its flexible monetization model, it shows that there’s room for the extraordinary in the world of streaming.
Maurice Van Sabben, CEO of Cindie, together with Miguel Islas, representative of Affiliate Relations, revealed how Cindie stands out in a competitive market and its plans for the future.
Regarding the programming that the platform manages, Van Sabben commented that they seek to make it easy for the audience to become familiar with their available titles. “This way, on Saturdays we premiere a new film, on Sundays we premiere our most
shocking series, and on Mondays we have thriller-themed series,” he said.
SELECTION AND EXCLUSIVITY. Cindie stands out for its content curation, focusing on independent cinema and exclusive European series with one or two seasons. “We focus mainly on independent content, rescuing gems from international cinematography and adding new projects from film studios that seek to tell new stories in a different way,” said Van Sabben.
This approach not only makes it easier for viewers to enjoy compact, quality stories, but also transforms entertainment into an accessible and different experience. “Our series are mainly European, with one or two seasons at most, making the audience more accepting of them by not having to spend so much time to watch them in full. Additionally, these series are exclusive to Cindie,” said the CEO of Cindie.
AN ECOSYSTEM ADAPTED TO THE USER. Meanwhile, Islas explained that Cindie’s exclusive series are designed to captivate a modern audience that values time and quality. “Cindie is not just a platform; it is a space to discover the extraordinary. This is how we transform entertainment into an accessible, fresh and always memorable experience,” he said.
Islas mentioned that Cindie is a comprehensive entertainment ecosystem that includes four services, available in Spanish and Brazilian Portuguese, designed to adapt to the preferences and needs of its users: Cindie TV
is a free linear channel with varied weekly programming and daily thematic premieres, such as thrillers on Mondays and horror on Thursdays: Cindie On Demand its a classic AVOD, ideal for those looking for flexible options; Cindie Premiere offers a movie rental option, for 24 or 48 hours, aimed a those who want exclusive access without commitments; and Cindie (SVOD) has over 400 movies and 400 hours of premium series with constant rotation for an affordable monthly subscription.
Currently present throughout Latin America, Cindie plans to expand into the US Hispanic market and explore collaborations on bundles that include complementary services, such as cloud gaming. Its distribution models allow for strategic alliances with ISPs and MVNOs, expanding its reach in competitive markets. “Our goal is clear: to bring the entire Cindie brand ecosystem to every corner, allowing consumers to choose how to participate in the Cindie universe, whether through subscriptions, free content with advertising, exclusive rentals or any other modality that fits their needs,” said Islas.
Condista Labs’ technological solutions are the future for the renowned company, which is looking for new projects related to video processing services.
By Rosa Fuentes rfuentes@todotv.tv
Pablo Mancuso, Director of International Distribution at Condista
“We are introducing our FAST channel, RCN Noticias, which previously had exclusivity with a leader and will now have the opportunity to expand its distribution”
Mancuso highlighted the fact that the alliance with Frida Media has been an important step to consolidate its presence in the region. “We can share that ‘Plim Plim’ and ‘Love Nature’ are being launched on Totalplay Mexico, the result of the joint work of Condista and Frida Media,” shared the executive. “This is El canal de Plim Plim’s debut on pay television in Mexico, which generates great expectations for expansion. Plim Plim is already a recognized and indemand intellectual property in the country, and it has all the potential to become a massive success.”
The market is realigning, companies are reinventing themselves, and the power to adapt is key for Condista, a leading company in the marketing of networks in Latin America, which is expanding throughout the territory with a flexible mentality in the face of changes in an industry that is transforming, but which is opening up new business models that are shaping the new scenario.
“Last year taught us that the ability to adapt is essential,” stressed Pablo Mancuso, director of International Distribution at Condista. “Both companies and industry leaders must be more flexible than ever. The pay TV ecosystem maintains its core values, but continues (and will continue) to be in a process of transformation. Although the value offer is no longer the same as it was 10 years ago, in Latin America we do not expect a cord-cutting phenomenon as pronounced as that of the US. However, operators must make adjustments.”
Condista believes it is essential to protect the content that remains exclusive to this ecosystem and to make the most of users loyal to pay TV. “By 2025, Mexico, Brazil,
Colombia and Chile will continue to be key markets due to their relevance in the region and their advanced digital ecosystems. In addition, we see great potential in Peru and Central America, especially in territories where the growth of connectivity allows for the expansion of multiplatform content,” he said.
Among the projects that the company hopes to strengthen this year is Condista Labs, with the search for new projects related to video processing services. “We have the technical-commercial capacity to support any content or platform provider that requires assistance at any level of its video solution,” said Mancuso.
RCN NOTICIAS ON FAST. Condista knows that FAST channels are an important part of the future of the industry and that it is emerging as a robust business opportunity in Latin America, although it is not yet as strong as it is in the US.
Looking to markets such as Content Americas and Natpe, the company continues to add valuable products and projects. “We are presenting our FAST channel RCN Noticias, which previously had exclusivity with a leader and will now have the opportunity to expand its distribution,” said Mancuso. “Finally, we are evaluating projects to create our own platform with a base offer of FAST channels and an AVOD catalog.”
“During 2024, various tests were carried out, and today we have more information so that 2025 will be a year of consolidation, at least in key markets such as Mexico and Brazil. The main platforms are making adjustments, marketing teams better understand the value of the CTV ecosystem, and users are more attracted to the proposition of watching free TV with ads. All of this should eventually translate into more attractive revenues for all actors in the value chain,” the executive concluded.
NETFLIX ANNOUNCED the premiere date for the fourth and final season of ‘Valeria’. The series, produced by Plano a Plano and based on the novels by Elísabet Benavent, will have six episodes and will premiere on February 14. In this last season, Valeria (Diana Gómez) will have to make a key decision both for her love life, choosing between Víctor (Maxi Iglesias) and Bruno (Federico Aguado), and for her professional career; Carmen (Paula Malia) will have to face motherhood with Borja (Juanlu González) and all the changes that a baby brings. Nerea (Teresa Riott) will seek balance between her professional life as a freelancer and stability with Georgina (Mima Riera); and Lola (Silma López) will try to overcome a new life crisis: everything that changes when you reach 30, especially when your partner, Rai (José Pastor), is at a very different point than you.
ATRESPLAYER INTERNACIONAL PREMIERED ’La novia gitana’ on Sunday, January 12. The series of eight 50-minute episodes is directed by Paco Cabezas. It is an adaptation of the novel of the same name by Carmen Mola, pseudonym of the writers Jorge Díaz, Agustín Martínez and Antonio Mercero. This series from VIS, an international studio of Paramount, Diagonal (Banijay Iberia) and Atresmedia, can now be seen outside of Spain. Actress Nerea Barros plays Elena Blanco, a veteran homicide inspector of the Case Analysis Brigade. Blanco is an intelligent woman obsessed with solving her own horror and who, in the pain of the Macaya family, parents of two young girls murdered six years apart, sees herself sadly reflected.
DISNEY BRANDED TELEVISION scores a goal with the acquisition of ‘Messi and the Giants’, an animated science fiction series inspired by the global soccer sensation Lionel Messi from Sony Music Vision and Sony Pictures Television – Kids. The series, which is set in an epic saga in which a boy named Leo is transported from his home in Argentina to a fantastical alternative universe, will premiere on Disney Channel, followed by Disney Channel On Demand and globally on Disney+. “I always dreamed of participating in a project that shared the values of sport, the same values that have been so important in my career, with younger generations. Nothing is impossible with teamwork, perseverance, discipline and effort,” said Lionel Messi. “I am looking forward to sharing this series with children around the world.”
APPLE TV+ acquired the seven-episode Spanish romantic comedy ‘A muerte’, from Atresmedia TV, created by Dani de la Orden. The series, starring Verónica Echegui and Joan Amargós, premiered worldwide on Apple TV+ on Wednesday, February 5 with the first two episodes, followed by a new installment every Wednesday until March 12. ‘A muerte’ tells the story of the cautious Raúl (Amargós), who after his heart cancer diagnosis reunites with Marta (Echegui), free-spirited and recently pregnant. The two rekindle a friendship that began in childhood, and this fateful relationship begins to test their beliefs about love. Can commitment-phobic Marta fall in love? And will Raúl be able to meet the love of his life?
The Telefilms catalog once again features many of the top titles of this awards season, such as ‘Conclave’ and ‘Babygirl’, while it continues to produce quality Brazilian films and anticipate a great year for the “Chespirito” universe.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
Tomas Darcyl, Co-President of Grupo Telefilms
“This year we are doing very well, with varied films, with successful titles. We are very happy”
Accustomed to celebrating in style during the American film awards season, Grupo Telefilms could not have been surprised to already have a Golden Globe in its ranks just as 2025 began. The triumph of ‘Cónclave ’ in the Best Screenplay category only anticipates even more good news for the Oscars.
“‘Conclave ’ will be nominated for Best Film at the Oscars,” said Tomás Darcyl, co-president of Grupo Telefilms, and his prediction proved to be true.. “When we bought it, two years ago, we could not have known that it would win or be nominated, but as a distributor we have an impressive track record, with many films nominated and winning at the Oscars.”
‘Cónclave ’, the thriller based on the novel by Robert Harris and starring Ralph Fiennes, Stanley Tucci and Isabella Rossellini, among others, hopes to maintain the company’s streak of always winning or being in competition among the best films of the year. In 2024, it did so twice, with ‘Anatomy of a Fall’ and ‘Zone of Interest’. In 2023, with ‘Ev-
erything Everywhere All at Once’, and in 2022, with ‘Coda ’, it celebrated having the Oscar winner in its catalogue.
“This year we are doing very well, with varied films, with successful titles. We are very happy and we hope to start strong this 2025,” said the executive.
“We are creating products in Brazil that are very different from each other, but that share a lot of quality and on a commercial level”
“One of our goals is to expand the IP of Roberto Gómez Bolaños because it has a very high impact”
In addition to ‘Cónclave ’, Telefilms is presenting the praised ‘Babygirl ’, starring Nicole Kidman, who plays a CEO in a torrid romance with a young man, played by Harris Dickinson. Antonio Banderas plays the role of her husband. Recently released, the film has broken box office records for the renowned production company A24.
Another film that could compete in different categories is ‘Better Man’, the creative biopic of the British singer Robbie Williams, who narrates the film, but whose role is played by a chimpanzee.
The distributor also represents titles such as ‘María Callas’, with Angelina Jolie, and ‘Den of Thieves’, starring Gerard Butler.
Even with this constellation of stars in its catalog, Darcyl considers that the context of the industry makes everything very unpredictable: “It is one thing to have information about cinema and another to know about cinema; that is very difficult. It is the frontier of entertainment: if I have a success in cinema, I know that it will work elsewhere. The difficult thing is to predict success in cinema,” he commented.
The truth is that Telefilms has just enjoyed a very good 2024 thanks to titles such as ‘Civil War’, ‘Longlegs’, ‘The Beekeper’ and ‘Terrifier 3’, among others. “What I can say for 2025 is that we have a very good set of films,” he said.
THE BRAZILIAN BET. In terms of production, Darcyl highlighted the work that Galeria Distribuidora continues to do in Brazil, which includes titles such as ‘Fé para o impossível’, to be released in February; ‘Provocadora ’, an erotic thriller inspired by a novel by Nana Pauvolih; and the drama ‘A melhor mãe do mundo’, to be released in June.
“‘A melhor mãe do mundo’ is an excellent film and we want to push it in the festivals to see if it can represent Brazil at the Oscars,” said Darcyl, who highlighted the work being done by the Galeria production team, led by Clara Ramos: “We are putting together products that are very different from each other, but they all share a lot of quality and commercial level.”
In terms of distribution, this year will be a milestone for Telefilms, as it will premiere its first film in Africa: “We are working in Latin America, Spain and Portugal, but an opportunity opened up for us in the English-speaking market in Africa and we took
The Chespirito Media Universe, the ambitious initiative announced by Grupo Chespirito, Thr3 Media Group and Grupo Telefilms more than five years ago, will take definitive shape in 2025, when ‘Sin querer queriendo’, the biographical series about Roberto Gómez Bolaños, is released on Max. “It’s a wonderful series,” said Tomás Darcyl. The Warner
Bros. Discovery platform has not yet announced the
release date for the biopic, starring Pablo Cruz and Paulina Dávlia.
This year we could also see the premiere of ‘Los Colorado’, the animation for the whole family that reimagines Chapulín Colorado as a family man, but who still maintains his heroic attitude, as well as the incredible situations in which he is involved.
This animation, whose first episode was presented at Mipcom Cannes 2024, will consist of a first season of 20 episodes, ten of which are already produced by the team led by the Riva-Palacio brothers, from Huevocartoon. Max has the first window option for the title. “One of our goals is to expand this IP because it is very it,” said Darcyl. “All the producers are happy that we are entering there because they know that we deliver.”
“The audiovisual market is not easy, but we continue to work day by day to live up to the history of Telefilms,” he said.
high-impact,” Darcyl commented. “We need a lot of diffusion and marketing; it is worth it since the product deserves it.” Darcyl said that we could also have news about other IP projects, which may perhaps align with those previously announced by Bruce Boren, CEO of Thr3 Media: the animation ‘La vecindad del Chavo’ and the series about Don Ramón.
The nominations for the 97th edition of the Academy Awards have been announced and the Brazilian production is competing for Best International Film, the first time in over 25 years for Brazil; Best Film, where the country scored its first-ever nomination; and Best Actress for its leading lady, Fernanda Torres.
On Thursday, January 23rd, the Academy of Motion Picture Arts and Sciences announced the complete list of nominees for the 97th edition of the Academy Awards. And Latin America has reason to celebrate: ‘I’m Still Here’, the first Globoplay Original film, is among the nominees for Best Picture, marking the first time that Brazil is participating in this category.
The film is also competing in the categories of Best International Film, where Brazil hasn’t been nominated in over 25 years; and Best Leading Actress thanks to Fernanda Torres, who follows in her mother’s footsteps, Fernanda Montenegro, the only other Brazilian actress to have ever been nominated in this category.
“What a great moment this Oscar nomination is in the exciting trajectory of ‘I’m Still Here’. It is a source of immense pride to see our first original film compete for the biggest movie award in the world, praising national cinema and talent. This recognition reaffirms Globoplay’s mission, as a Brazilian platform, to tell great stories with quality that reflect Brazil, our culture, society and history. This
is especially significant in a year in which Globoplay celebrates its 10th anniversary and Globo celebrates its centenary of bringing excitement and excellent content to the public”, said Manuel Belmar, Globo’s Director of Digital Products, Finance, Legal and Infrastructure.
So far, the film ‘I’m Still Here’ has attracted more than 3 million spectators to Brazilian cinemas, winning over both the public and critics. On January 5, Fernanda Torres made history by becoming the first Brazilian actress to win the Golden Globe for Best Actress, competing against Hollywood greats such as Angelina Jolie, Kate Winslet, Nicole Kidman, Pamela Anderson and Tilda Swinton.
The film had its world premiere at the 81st Venice Film Festival, where it won the award for best screenplay, and was shown at festivals such as Toronto, New York, London, San Sebastian and many others. At the 48th São Paulo International Film Festival, it won the audience award for best fiction film. It was nominated for the Critics’ Choice 2025 for Best International Film and selected by the British Academy of Film and Television Arts to compete for a place among the five finalists at BAFTA, whose awards ceremony will take place on February 16.
Based on the book of the same name by Marcelo Rubens Paiva, ‘I’m Still Here’ tells the moving saga of Eunice Paiva’s search for her husband, Rubens Paiva, a former member of parliament who disappeared during the military regime. The production was praised by critics around the world for the sensitivity of its narrative and the performances of the cast, especially Fernanda Torres in the role of Eunice.
Co-produced between Brazil and France, the cast includes big names such as Selton Mello, Fernanda Montenegro, Marjorie Estiano, Antônio Saboia, Maeve Jinkings, Humberto Carrão and Dan Stulbach. The production is by VideoFilmes, RT Features and Mact Productions, in co-production with Globoplay, ARTE France, and Conspiração, with distribution in Brazil by Sony Pictures.
‘EMILIA PEREZ’ LEADS THE RACE WITH 13 NOMINATIONS. Meanwhile, ‘Emilia Pérez’ continues to sweep this awards season and leads the nominations for these Oscars with a total of 13, a record for a non-English-speaking film, including Best Film, Best Actress, Best Director and Best Supporting Actress.
The film -which is distributed in Latin America by CDC United Network- is followed by ‘The Brutalist’ and ‘Wicked’ with 10 each, ‘Conclave’ and ‘A Complete Unknown’ with eight, ‘Anora’ and ‘Dune: Part 2’ with six, and ‘The Substance’ with 5, all of them also competing in the Best Film category, which is completed by ‘Nickel Boys’.
In the individual categories, Adrien Brody (‘The Brutalist’), Timothee Chalamet (‘A Complete Unknown’), Colman Domingo (‘Sing Sing’), Ralph Fiennes (‘Conclave’) and Sebastian Stan (‘The Apprentice’) are competing for Best Actor; Cynthia Erivo (‘Wicked’), Karla Sofia Gascón (‘Emilia Perez’), Mikey Madison (‘Anora’), Demi Moore (‘The Substance’) and Fernanda Torres (‘I’m Still Here’) are competing for Best Actress.
Jaques Audiard (‘Emilia Perez’), Sean Baker (‘Anora’), Brady Corbet (‘The Brutalist’), Coralie Fargeat (‘The Substance’) and James Mangold (‘A Complete Unknown’) are up for Best Director.
The Oscars will be held on Sunday, March 2, hosted by comedian Conan O’Brien.
Fernanda Torres is nominated for Best Leading Actress, following in her mother’s footsteps, Fernanda Montenegro, the only other Brazilian actress to ever compete in this category.
The day the Oscars nominations were announced, the team from Globo was present in Content Americas to celebrate the company’s 100 years and added the surprising news to the celebrations.
“It’s a very big day. It’s a big day for Globoplay and Globo, but more so for Brazil”, Angela Colla, director of International Business and Co-Productions at Globo, said to ttv at the event.
“We were all together this morning, celebrating. We were very optimistic about it, we knew there was a chance to be nominated, but we were surprised about the Best Film nomination. We are extremely happy. We heard people in Brazil were shouting out the windows, so it’s a big day for the Brazilian production industry”.
“It’s a historic moment, not only for us, but for Brazilian cinema in general. It’s been more than 25 years since Brazil had a nomination for Best International Film and this is the first time it has been nominated for Best Film,” added Alex Medeiros, director of Drama, Documentaries and Films for Globoplay. “It’s a very special moment for us and for Brazilian cinema. The film is also a commercial success, the highest grossing in Brazil.”
“And I must also highlight Fernanda Torres’ nomination. It adds to her historic victory at the Golden Globes that filled us with pride.”
Angela Colla, Director of International Business and Co-Productions at Globo
Alex Medeiros, Director of Drama, Documentaries and Films for Globoplay
Irresistible: Why We Can’t Stop Eating
Berkshire House 168-173 High Holborn. London, WC1V 7AA, UK international@all3media.com
+44 (0) 20 7845 4350
TOP EXECUTIVE
Yari Torres, VP, Latam and US Hispanic
IRRESISTIBLE: WHY WE CAN’T STOP EATING
‘Irresistible: Why We Can’t Stop Eating’ is a feature length documentary that reveals the shocking secrets behind what makes ultra-processed foods so irresistible and how they have come to dominate our food culture.
BAD BOYFRIENDS (Format)
Expect the unexpected in this hilarious and heartfelt new format as unsuspecting bad boyfriends are flown to a paradise destination, only to find that the real purpose of their trip is to whip them into better boyfriend shape – at the behest of their long-suffering girlfriends. The original 12 part versions, hosted by Olivia Attwood, is also available.
DEAD AND BURIED
(Thriller, 4 x 60’)
An addictive, darkly comic psychological thriller. ‘The Split’s Annabel Scholey stars as Cathy, whose brief encounter with Michael (Colin Morgan), the man convicted of the brutal murder of her brother 20 years earlier, reignites her thirst for retribution.
Av. Isla Graciosa, 13, 28703 San Sebastián de los Reyes, Madrid sales@atresmediatv.com international-sales-atresmedia.com
EXECUTIVE
Jose Antonio Salso, Head of Acquisitions and Sales
(Drama, 8 x 50’)
TOP EXECUTIVE
Miguel García Sánchez, Sales Director
+32 2 502 6640 silvia@cdcun.com www.cdcun.com
EXECUTIVE
Jimmy van der Heyden, Sales Manager
TOP EXECUTIVE
Erik Jensen, Managing Partner
2 Raul Wallenberg st. Tel Aviv 6971901, Israel +972 3 647 8185 info@dorimedia.com dorimedia.com
EXECUTIVE
MarÍa Pérez Campi, Director of Sales in Latam and Hispanic US
TOP EXECUTIVE
Nadav Palti, CEO & President
In the future, after the climate disaster, women spend their pregnancies in the Sanctuary, a massive dome designed to prevent air pollution from affecting gestation. There, they live in peace, cared for and relaxed, away from their families and the rest of society. Or at least, that’s what they’ve always been told. Pilar’s arrival at this facility will uncover the truth hidden by the Sanctuary.
THE SHADOW OF THE LAND (Drama, 4 x 50’)
1896. Garibalda is a widowed and ill woman who rules the town with an iron fist, imposing taxes that lead the entire population into misery. Atilana, her rival, aspires to attain that power, and they have been competing for years. The main victims of this dispute are their own children, who endure continuous physical and psychological abuse. Misfortune and hatred accompany both sides, and the thirst for revenge keeps a small population in suspense, unsure of which side to join to try and improve their chances of survival.
(Crime, Musical, 130’)
In Mexico, a lawyer receives an unexpected offer to help a feared cartel boss retire from his business and disappear forever by becoming the woman he’s always dreamed of being. An audacious fever dream that defies genres and expectations.
THE COUNT OF MONTE-CRISTO (Drama, 173’)
After escaping from an island prison where he spent 14 years for being wrongly accused of state treason, Edmond Dantès returns as the Count of Monte Cristo to exact revenge on the men who betrayed him.
STRANGE DARLING (Horror, Thriller)
Nothing is what it seems when a twisted onenight stand spirals into a serial killer’s vicious murder spree.
PANDA BEAR IN AFRICA (Animation, Family)
A panda travels from China to Africa, facing hippos, hyenas, gorillas. He rescues his kidnapped dragon friend, makes new friends, and protects their jungle home.
AMIA (Political Drama, 8 x 45’)
A Mossad agent hooks up with a local Argentinean journalist to find those responsible for a terrorist attack. Their journey draws them into a world of espionage, intelligence agencies and arms dealers.
LOVE AT THIRD SIGHT (Formato, Docu-reality)
In this heartwarming reality series, vibrant men and women in their golden years spend 14 days at a luxurious resort seeking love through tailored activities, romantic outings, and deep conversations.
INDAL
(Drama, 8 x 45’)
A group of Ethiopian Israeli youth decide to kidnap the police officer who peppered their adolescence with abuse and eventually murdered their closest friend, resulting into a massive national protest movement against police violence and for equality.
POWER COUPLE (Reality Format)
An international and successful prime time reality format that puts love to the test like you’ve never seen before! 8 couples face extreme challenges that will test how well they really know each other.
México-Huixquilucan No.123, Col. San Bartolomé Coatepec, Huixquilucan, Estado de México, CP 52770 (+52) 55 5254 0880
Adrian.Saenz@endemolshinebd.com endemolshinebd.com
EXECUTIVES
Frank Scheuermann, Unscripted Chief Content Officer
Clara Machado, Directora ejecutiva de Desarrollo y Guiones Actuales
Marie Leguizamo, Managing Director, Banijay Mexico & U.S. Hispanic
COMO AGUA PARA CHOCOLATE (Drama, 50 x 45’)
Laura Esquivel’s acclaimed novel came to Max alongside HBO. Tita and Pedro love each other, but she is condemned to remain single by her mother’s decision. In a time marked by oppression and mandates, they will undertake their fight against everything that prevents them from being together. For Tita, her magical connection with cooking will be her active resistance. She will manage to pour her deepest desires and passions into her recipes, transforming those who try them. A story, set in the middle of the Mexican Revolution, that comes to remind us that courage, passion and a good mole can make the impossible a reality.
sales@glowstar-media.com www.glowstar-media.com
EXECUTIVE
Agustín Fábregues, Director
(Thriller, 94’)
TOP EXECUTIVE
Silvana D’Angelo, CEO
C/ Ausias Marc 37, 08010 Barcelona (España) 93 558 90 00 info@mediacrest.com comercial@mediacrest.com www.mediacrest.com
Mónica Guerrero, Production Executive Israel López, Head of Documentaries
After her daughter’s birthday, Ana receives Walter, a man who asks for her husband. She quickly discovers the real reason for this visit: to hold her and her daughter as bail while her husband negotiates with a dangerous organization. Directed by Gonzalo Perdomo-Tafur and starring Juana Acosta (‘Velvet’, ‘Perfectos Desconocidos’), Julián Román (‘El Cartel de los Sapos’, ‘Los Reyes’, ‘Narcos’) and Israel Elejalde (‘La Peste’).
LA NOVIA
(Thriller, 8 x 45´)
Created by Noah Stollman (‘Fauda’), ‘The Bride’ is a supernatural thriller series set in contemporary Jerusalem, telling the story of a vengeful spirit terrorizing a community. The plot follows two unconventional demon hunters - a Hasidic psychologist and an agnostic physicist – who must uncover the source of this malevolent entity. Their investigation challenges both their faith and beliefs, leading them into the heart of the occult and pitting them against an unimaginable evil force. The series blends thriller, horror and drama, exploring deep themes.
Cristian Liarte, Director of Global Business Development, Acquisitions and partners
A famous actress kills her daughter’s boyfriend to defend her from rape; but this act only conceals the daughter’s irrepressible desire to surpass her mother and her determination to regain her lost fame. To recover what was once.
EL ESPEJO
Spain, 1962. Carmen works at the Labarta Hotels, a hotel empire full of shadows. A few years earlier, after discovering her husband’s infidelity at her own wedding, she suffers an accident that will reveal to her that she is not the daughter of who she thought she was. Her search for the truth takes her to the Labarta family. There she will do everything in her power to discover her true origins... if she survives.
Ctra. Fuencarral, Alcobendas, nº 4. CP 28049 91 395 9200 infosales@mediaset.es sales.mediaset.es
Silvia Cotino Estornell, Deputy Director Sales & Business Development
LA FAVORITA 1922
(Period Drama, 8 x 70’)
Seville in 1922, Marquise Elena de Valmonte feels trapped in an unhappy marriage. One night, Elena and her maid Cecilia are involved in an unfortunate incident that forces them to flee to Madrid. There, they decide to open a restaurant and start looking for a team among the best cooks and maids in the country. Excited about the new opportunity that life offers them, the five women reopen the restaurant where, among stews and recipes, they’ll give the best of themselves, share secrets, meet love and discover that it takes much more than talent and desire to keep the restaurant afloat.
(Drama, Thriller, 8 x 70’)
The series follows the chronicles of Romi, a thirty-year-old private investigator with an innate gift for investigation: she is deaf, which has led to her exceptional acuity and ability to connect information and carry out her best task: solving mysteries as a detective. Romi’s hasty nature and her penchant for breaking the rules clash with Bilbao’s head of criminal investigation and his mother, Alaia. The plot becomes complicated when their professional lives become intertwined by a case that uncovers a buried family secret.
340 SE 3rd Street, Suite 3711, Miami FL 33131 +1-786-546-5338 screenbright.net
AVLU (THE YARD)
EJECUTIVO
TOP
Andres Santos, Founder
(Crime, Drama, 144 x 45’)
After a fateful domestic dispute, a devoted mother, Deniz Demir (Demet Evgar), finds herself in prison and struggling to survive in the hope of reuniting with her daughter.
BLEEDING LOVE
(Drama, 96’)
A father (Ewan McGregor) takes his rocky daughter (Clara McGregor) on a road trip in an effort to get her out of trouble. Along the way they encounter all sorts of characters as their strained relationship is put to the test.
BANG BANG
(Thriller, 103’)
In his glory days, Bernard “Bang Bang” Rozyski was a beloved boxer who basked in his success. Today he’s angry and closed off, living in a working-class Detroit neighborhood. When his estranged daughter unexpectedly drops off her troubled teenage son on his doorstep, she gives the old man a chance at personal redemption as he trains the kid loaded with ring potential.
Est dos Bandeirantes, N° 23505. Rio de Janeiro, Brazil. Postal Code: 22785-091. (+55) 11 97504 4022 edson.mendes@seriella.com
(Biblical, 257 × 45’)
EJECUTIVO
TOP Edson Pfutzenreiter Mendes, Commercial Director
This narrative centers on King David, delving into the events that precede his reign and the early stages of political organization before Israel was established as a kingdom. It also highlights David’s passionate struggles and romances, spanning from his youth to his final days.
ATE ONDE ELA VAI
(Drama, 10 x 45’)
This mini-series tells the story of Barbara, who had a happy childhood in a loving home, until she began to experience paranormal phenomena. As the years go by, Barbara becomes a stunning and independent woman, but she keeps an important secret that haunts her and affects her choices. The series explores how these experiences have left a mark on her life over time.
MOSES AND THE TEN COMMANDMENTS
(Biblical, 242 x 45’)
This telenovela narrates the life of Moses, chronicling his journey from birth to his divine encounter in the Sinai desert, where he is called to confront the mighty Pharaoh and fight for his people’s freedom. Breathtaking special effects illustrate the ten plagues that afflicted Egypt, culminating in the astonishing event of crossing the Red Sea on dry land.
+ 54 9 5032 6001 telefilms@telefilms.com.ar telefilmsgroup.com
EXECUTIVES
Ricardo Costianovsky, Co-Chairman
Alejandro Carballo, Sales Manager
Humberto Delmás, Sales Manager
Marcelo Bombau, Board Member
Bruce Boren, CEO Thr3 Media Group
Gonzalo Claiman-Versini, Diamond Films
Spain Director
BABYGIRL (Thriller, 1h54m)
Tomás Darcyl, Co-Chairman
Romy (Nicole Kidman) is a successful manager who begins a secret romance with her young intern behind her husband’s (Antonio Banderas) back. This inappropriate relationship will make Romy question if it is worth facing such prejudice and risk losing her job.
BETTER MAN (Bio, 2h11m)
Based on the life story of Robbie Williams, this movie takes us on a journey through his childhood, his early rise to fame, his dramatic downfall and his remarkable comeback in the world of entertainment.
CONCLAVE (Thriller, 2h)
This film follows one of the world’s most secretive and ancient events – selecting the new Pope. Cardinal Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church’s most powerful leaders have gathered from around the world and are locked together in the Vatican halls, Lawrence finds himself at the center of a conspiracy and discovers a secret that could shake the very foundation of the Church.
Ctra. Fuencarral a Alcobendas, 24 28049 Madrid +34 91 728 57 38 | +34 91 728 57 39 themediaprostudio@mediapro.tv
Fernando Méndez, Sales Manager
(Dramedy, 6 x 40’)
In this Movistar Plus+ original in co-production with 100 Balas, Carmen Machi plays Sara, a government tax inspector who, while only days away from retirement, takes on the most important case of her career: to prove that Celeste, the huge Latin star, lives in Spain and as such is obligated to pay her taxes there. A mission on which twenty million euros depend for the Spanish coffers. To do this, Sara will have to put her life on hold to explore that of Celeste and prove that she spent 184 days in Spain. Half a year plus one day.
(Thriller, 8 x 50’)
Created by Lluís Arcarazo, ‘ Quiet ’ is an 8 episodes series thriller filmed this year in Barcelona, under the direction of Marta Pahissa. Set in April 2020, the streets of Barcelona are empty. You can only find police, deliverymen, and ambulances outside. And a homeless man is murdered on these deserted streets in his sleep. The first in a series of crimes that all follow the same pattern: always homeless, always while sleeping, always with extreme brutality.
(Horror, 6 x 32’)
An episodic horror anthology series based on the most viral and haunting stories from the r/NoSleep community
The South Korean agency seeks to expand its country’s culture throughout Latin America and has already set up a business center in Argentina, a territory where they plan to integrate companies from both countries through events and collaborations.
By Rosa Fuentes rfuentes@todotv.tv
The arrival in Argentina of the Korean Creative Content Agency (Kocca), the government entity that seeks to expand the footprint of South Korean culture in the world, is the definitive step for the expansion of audiovisual content from the Asian country in South America. The agency will be in charge of serving as an intermediary between Korean and Argentine content creators, initially in events that are already taking place in the country such as Comic Con and, later, with the creation of new B2C events where companies from both countries can be present.
The phenomenon of K-dramas and K-content in general have taken great steps towards their globalization and have an enormous presence in territories such as the US and on platforms such as Netflix. But the vision is to achieve an even greater global positioning, which includes Latin America. For this reason, Kocca is beginning to make its way with the inauguration of its business center in Argentina, the third in the region after Mexico and Brazil.
The director of the Business Center in Argentina, Park Seung Joon, said to ttv: “We decided to open our branch in Buenos Aires because, from our point of view, Argentina has a more extensive culture compared to other Latin American countries and we believe it will be an open territory to expand the culture of Korea.”
Regarding future expansions, he added: “We have branches in Mexico, Brazil and opening another one in Chile is being considered.”
According to Seung Joon, until now there has not been much rapprochement between the cultural content of South Korea and Argentina. “The first step we are considering is to generate some event that favors the connection between the production companies of Argentina and Korea. The idea is to generate connections between companies from both countries, global companies that are related to the development of content,” he said.
The agency’s plan begins with inviting Argentine companies to Korean events so that they can “get to know Korean culture better”: “We are thinking of inviting large Korean content companies to large events in Argentina such as Comic Con and other events that are already taking place. Our role is to form connections between content companies from both countries, so that they can generate partnerships and then provide subsequent support for joint work,” he said.
The Korean business center in Argentina is also planning to open new events to give visibility to content production companies from both countries. “We are considering opening some B2C business exhibitions to integrate both companies. Although the first alliances have not yet been established in Argentina, we are in the phase of establishing contacts and brand recognition,” said Seung.
K-content emerged in South Korea, but has become widespread globally and is very popular in territories such as North America. Also, the adaptation of its dramatic content can be seen in multiple parts of the world, something that also occurs with its powerful production of new entertainment formats.
“The collaboration with Argentine culture seeks to achieve the globalization of content in Latin America,” said the Kocca executive. “We aspire to do this by incorporating aspects of Latin American culture in the new content.”
“The goal is to generate connections between companies from both countries, global companies that are related to content development”
With two new standout initiatives -Cycle TV and Cycle TV Kidsset to launch in the upcoming months, Triskelion to work towards its goal of growing in the OTT space, while also focusing its efforts in the field of original production.
By Carolina Mussio cmussio@todotv.tv @carolinamussio
Ric Acevedo, Executive Producer at Triskelion Productions
“We expect to provide an alternative and a platform that’s easier to navigate”
Already established as the main source of entertainment for most audiences worldwide, streaming platforms and SVOD services continue to evolve and grow, providing viewers with countless options for content.
With their own take on the model and seeking to offer something “unique”, last year Triskelion Productions announced the launch of Cycle TV, an AVOD platform “with a bit of a different twist” and a content offer composed of 3000+ hours of titles spanning multiple genres.
“We expect to provide an alternative and a platform that’s easier to navigate,” said Ric Acevedo, executive producer at Triskelion Productions. “The preparations have been good, our market initiative this year is geared to start securing content and partnerships for the platform”
In regards to potential launch dates, the executive explained they are working towards a mid-year launch, “hoping to be ready by June/July at the very earliest”, he said.
“My
And to further expand into the world of streaming, Triskelion is also working on launching a FAST channel aimed at a younger audience. “We are working on our FAST channel, Cycle TV Kids”, he revealed. “We have already secured the content and are working with a great compa -
“We are working on our FAST channel, Cycle TV Kids”
ny, putting together all key tech aspects. We should be rolling out Cycle Kids by May,” he added.
“My outlook for 2025 is that there will be a lot more content produced and new platforms to place it in. I do believe, wholeheartedly, that more live streaming of events and key programing in major platforms will take hold and move the industry in a new direction”, he explained.
Ahead of both launches, the company will be travelling to Miami for a new edition of Content Americas, where they hope to find new partnerships to further expand the new initiatives’ potential.
“Our goals are to secure content partnerships for the Cycle TV platform”, he explained. “And we are also looking at possible co-production opportunities.”
In regards to this last point, Triskelion continues to work on original productions and is currently focusing on a very special project from Japan: “We are hoping to advance with ‘Rise of Kaiju’, a docuseries about the popularity and importance of Japanese monster films,” Acevedo concluded.
outlook for 2025 is that there will be a lot more content produced and new platforms to place it in”
Adapting to new trends has been the key to success for Telemundo, the leading Hispanic network in the US, as it has managed to consolidate more and more channels to distribute its content, which is not limited to its traditional channel.
By Rosa Fuentes rfuentes@todotv.tv
2024 was a key year for Telemundo, the Spanish-language network that is the leader in its category in the US, as a result of a multi-platform strategy that has allowed it to consolidate its leadership in the industry of production and distribution of high-quality Spanish-language content, created to connect with the Hispanic audience.
With an eye on new trends, the network began 2025 with a fertile path on social media, FAST channels and its own app, along with a solid line of exciting original content, including new reality shows, scripted dramas and live events.
As explained to ttv by Ronald Day, President of Entertainment and Director of Content for NBCUniversal Telemundo Enterprises: “For several years, we have identified that Latinos are looking for content that is created by them and for them, so we focus on offering content that really speaks to Latinos in the US. At Telemundo there is a diverse selection
Major launches like ‘Wicked’ and its success on the big screen attest to the power of Telemundo’s multi-platform strategy. Day noted that on this occasion they strategically integrated high-profile properties across multiple platforms to maximize reach. “Through custom segments with key talent like Ariana Grande and Cynthia Erivo, and during important events like the Billboard Awards or promotions on our daytime
shows like ‘Al Rojo Vivo,’ we ensured that ‘Wicked’ remained in audiences’ minds,” he detailed. “In addition, with takeovers in our reality and daytime programming, along with exclusive behind-the-scenes content, we have expanded visibility and engagement with the film. These initiatives highlight our ability to leverage multiplatform distribution and increase audience connection and extend the cultural impact of major releases like ‘Wicked.’”
Ronald Day, President of Entertainment and Director of Content at NBCUniversal Telemundo Enterprises
“Telemundo’s impressive achievements in 2024 demonstrate the network’s strong commitment to connecting with audiences wherever they consume content”
of content that covers multiple genres and connects with viewers wherever they are.”
From the captivating drama ‘El Conde: Amor y Honor’ to its most popular reality show ‘La Casa de los Famosos’, Telemundo doesn’t just seek to have a hit show, but to create a comprehensive experience that captivates viewers across linear television, digital platforms and social media. “This approach has yielded immense results. We saw significant growth in both traditional television viewership and digital engagement. Our YouTube channel, for example, grew 29%, reaching more than 1.2 billion video views, and our live events, such as the Billboard Latin Music Awards and Miss Universe, generated millions of interactions on social media, further amplifying our connection with the audience,” Day said.
“By meeting viewers where they are, whether through television or on-demand streaming, we have strengthened our bond with both traditional audiences and a new generation of tech-savvy viewers. This holistic approach has solidified Telemundo’s position as the leading Spanish-language network in the US in 2024, and we are just getting started,” said the executive.
A GLOBAL PHENOMENON. One of the series with the greatest potential is the popular ‘The Lord of the Skies’. According to Day, this super series has become a true global phenomenon, captivating audiences not only in the US and Latin America, but also internationally.
“In the US, the premiere of its ninth season was a turning point for Telemundo, taking the network to the top of Spanish-language primetime with more than 1.3 million total viewers. The show’s captivating narrative has resonated deeply with viewers, creating a sustained wave of excitement and engagement that spans multiple platforms.”
The executive believes the opportunities to expand the reach of ‘The Lord of the Skies’ are limitless: “By taking advantage of digital distribution through platforms like Peacock, we have been able to introduce this iconic series to an even broader global audience. This is just the beginning. By exploring remakes, localized content and forming strategic alliances, we will continue to elevate ‘The Lord of the Skies’ and ensure its success for years to come.”
Telenovelas and super series, a trademark of Telemundo, remain in high demand from Latin American audiences. “Titles like ‘The Lord of the Skies’ and ‘El Conde: amor y honor’ offer captivating stories set in the context of crimes and power struggles. These series resonate deeply with both local and global audiences thanks to their intense plots and compelling characters,” Day explained.
“Our portfolio is strategically designed to meet this demand, with a strong focus on delivering top-tier telenovelas and drama series that blend traditional narratives with contemporary themes,” he added.
Telemundo will continue to push the boundaries of entertainment with the highly anticipated return of ‘La casa de los famosos All-Stars’ and the premiere of the new super series, ‘La Jefa,’ both set to debut in February. Day said that ‘La casa de los famosos All-Stars’ will return for its fifth season with an unprecedented cast, bringing back fan favorites to elevate the excitement to new levels. Telemundo is also preparing to capitalize on the growing influence of social media and digital platforms. The network is seeing huge success on platforms like YouTube (+29%), FAST channels (+110%), and its own Telemundo app, and will continue to amplify this success by leveraging the power of influencers and expanding its social media strategy.
“Our portfolio is strategically designed to deliver top-tier telenovelas and drama series that blend traditional narratives with contemporary themes”
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
As ‘El Marqués’ continues to travel around the world, Mediterráneo (Mediaset España) anticipates the impact of the upcoming local premieres of ‘La Favorita 1922’ and ‘Detective Romi’, two titles that are already generating great interest in the international market.
The anticipated premieres of ‘La Favorita 1922’ and ‘Detective Romi’ place Mediterráneo, a Mediaset España company, in an excellent position for the beginning of 2025, where they are still reaping the fruits of the international impact of ‘El Marqués’, the company’s big bet in 2024.
Produced together with Bambú Producciones, the expectation is very high for the premiere of ‘La Favorita 1922’ by Telecinco. The period drama follows a marchioness who, together with her faithful maid, is involved in an unfortunate incident that will change their lives. Allied with three other women, they will reopen a restaurant for which they will give everything.
“‘La Favorita 1922’ stands out for its high production values and its detailed historical recreation,” said Silvia Cotino, deputy director of Sales and Business Development at Mediterráneo. “The series has already sparked interest among international buyers, positioning itself as a strong candidate for success beyond Spain.”
Produced by Mandarina, ‘Detective Romi’, or simply ‘Romi ’, follows the chronicles of a thirty-year-old private investigator with an innate gift for investigation. She is deaf, which has led to an exceptional sharpness and ability to connect information and carry out her best task: solving mysteries as a detective.
“‘Romi ’ gives a different perspective to the classic detective series; the series is not lim -
ited to solving cases but offers a unique twist to the investigation genre, with a female main character who has enormous potential since, being a deaf detective, she has a very peculiar way of solving cases,” shared Cotino.
The executive shared that they have already received offers for both titles and hope to share news soon.
Looking further ahead in time, Mediaset España is developing titles such as ‘Ella, maldita alma’, a fiction project created together with Plano a Plano, based on the work of the writer Manuel Rivas. Another new project is ‘La agencia’, an adaptation of the acclaimed
French series ‘Call My Agent’, in collaboration with Good Mood.
“We are very excited about these projects, as they add additional value to the Mediterráneo catalogue, complementing the wide range of content we already have,” added the executive.
If we focus on the titles that have already seen the light, ‘El Marqués’ continues its international journey, after collecting good audience numbers on Telecinco and on the Prime Video platform. “Currently, the series is sold in 16 territories and very soon Flow subscribers will be able to enjoy it in Argentina, Paraguay and Uruguay,” Cotino explained.
Deputy Director of Sales and Business Development at Mediterráneo
“‘La Favorita 1922’ stands out for its high production values and its detailed historical recreation”
Irresistible: Why We Can’t Stop Eating
Berkshire House 168-173 High Holborn. London, WC1V 7AA, UK international@all3media.com
+44 (0) 20 7845 4350
Yari Torres, VP, Latam and US Hispanic
IRRESISTIBLE: WHY WE CAN’T STOP EATING
‘Irresistible: Why We Can’t Stop Eating’ is a feature length documentary that reveals the shocking secrets behind what makes ultra-processed foods so irresistible and how they have come to dominate our food culture.
BAD BOYFRIENDS (Format)
Expect the unexpected in this hilarious and heartfelt new format as unsuspecting bad boyfriends are flown to a paradise destination, only to find that the real purpose of their trip is to whip them into better boyfriend shape – at the behest of their long-suffering girlfriends. The original 12 part versions, hosted by Olivia Attwood, is also available.
DEAD AND BURIED
(Thriller, 4 x 60’)
An addictive, darkly comic psychological thriller. ‘The Split’s Annabel Scholey stars as Cathy, whose brief encounter with Michael (Colin Morgan), the man convicted of the brutal murder of her brother 20 years earlier, reignites her thirst for retribution.
Av. Isla Graciosa, 13, 28703 San Sebastián de los Reyes, Madrid sales@atresmediatv.com international-sales-atresmedia.com
EXECUTIVE
Jose Antonio Salso, Head of Acquisitions and Sales
Miguel García Sánchez, Sales Director
Instagram: @atvdistribution
Twitter: @atvdistribution
Cristina Duffy, Sales Manager (Latam) +90
Müge Akar, Sales Director
THE NIGHTFALL (Drama, 45’, In Production)
SANCTUARY (Drama, 8 x 50’)
In the future, after the climate disaster, women spend their pregnancies in the Sanctuary, a massive dome designed to prevent air pollution from affecting gestation. There, they live in peace, cared for and relaxed, away from their families and the rest of society. Or at least, that’s what they’ve always been told. Pilar’s arrival at this facility will uncover the truth hidden by the Sanctuary.
THE SHADOW OF THE LAND (Drama, 4 x 50’)
1896. Garibalda is a widowed and ill woman who rules the town with an iron fist, imposing taxes that lead the entire population into misery. Atilana, her rival, aspires to attain that power, and they have been competing for years. The main victims of this dispute are their own children, who endure continuous physical and psychological abuse. Misfortune and hatred accompany both sides, and the thirst for revenge keeps a small population in suspense, unsure of which side to join to try and improve their chances of survival.
Mahir, whose father was assassinated in the city of Denizli by Kürşat Kilimci, returns twenty years later as a police inspector, determined to avenge his father’s death. On his first day back, he has a fateful encounter with a mesmerizing girl named Canfeza, the daughter of Kürşat, and instantly falls in love. As Mahir searches for this mysterious woman, he also keeps a close watch on Kürşat, waiting for him to slip up. Mahir realizes his chance will come at the wedding of Kürşat’s daughter. But what he doesn’t know is that this event will change his life forever, marking the beginning of a night filled with unexpected twists
SNOWDROPS
(Drama, 45’’, In Production)
Hicran and Arif have been married for 50 years, dedicating their lives to raising their five children. Despite their love and sacrifices, the family is torn apart by betrayal and tragedy. A reunion with their estranged son Onur ends in a car accident, claiming Onur and his wife’s lives and leaving Arif in a coma. Hicran is left in a nursing home, while her youngest son Çınar and her grandchildren struggle with poverty. Through hardship, Hicran and Arif’s love and strength become the foundation for reuniting their broken family.
(+90) 216 999 49 99 info@calinosentertainment.com asli.serim@calinos.com www.calinosentertainment.com
EXECUTIVES
Goryana Vasileva, Sales Manager (USA, Latam, Western Europe)
Asli Serim, Head of Sales
FARAH (Drama, 89h)
Adapted from the award-winning Argentinian series ‘The Girl Who Cleans’, ‘Farah’ is the story of an Iranian woman who had to flee her country and struggles to make ends meet in Istanbul, working as a cleaner to support her son’s treatment. Farah was one of the brightest students at one of Iran’s top medical schools, until months before she had to flee.
(Drama, 166h)
I was very happy, and felt very happy when I was young. I was very happy and had a good time. I also had a very good mood and was very happy with my family. For Stefan, who was a good friend of family and had a good understanding of the family, he was in his house and also tried his best to travel to his hometown. As a friend, Stefan was in his house and was very happy.
EGO (Drama, 40h)
The family is one of the most common people in the tourism industry in Turkey. Sibel and Tuncay were both introduced to the familiar. For this reason, the Turkish people also had a family of traditional media, like Burhan the father, and they were very happy. I have always loved these guys, too, because I was Elif and I was Arda. I was also a friend of Erhan, a great friend and a great friend in the financial services department of the Koraslan family.
150 Alhambra Circle. Suite #1250. Miami, Fl, 33134 EEUU / Bogotá, Colombia.
Calle 103 # 69B -43 / Madrid, España. Ctra. Fuencarral-Alcobendas, Km 12.450 28049
+1 305-960-2018
+571 – 6430-430
+34 670 21 4935
Suite: 3311
Lisette Osorio, VP of International Sales
+32 2 502 6640 silvia@cdcun.com www.cdcun.com
EXECUTIVE
Jimmy van der Heyden, Sales Manager
Erik Jensen, Managing Partner
2 Raul Wallenberg st. Tel Aviv 6971901, Israel +972 3 647 8185 info@dorimedia.com dorimedia.com
EXECUTIVE
MarÍa Pérez Campi, Director of Sales in Latam and Hispanic US
Nadav Palti, CEO & President
EMILIA
(Crime, Musical, 130’)
NUEVO RICO, NUEVO POBRE (Series)
A new version of the story of Andrés Ferreira and Brayan Galindo Romero, who are exchanged at birth in a hospital in a town called San Francisco due to a mistake by the nurse who showed up to work drunk. 30 years later the truth is discovered, triggering funny situations.
ESCUPIRÉ SOBRE SUS TUMBAS (Series)
This story begins with Sonny O’Connor, who, after proposing to one of the richest women on the Colombian Caribbean coast, is found dead. His brother Vinicio, imprisoned in Africa for extortion, is released and decides to avenge his death and for this, he draws up a plan where he will seduce his brother’s fiancée and all the women who in one way or another may be linked to the case, in order to discover who was the culprit of Sonny’s death and take justice into his own hands. His strategy for revenge will be seduction and manipulation, not only of these women, but of the entire Obregón family, the “owners of the city” and his friends, all very powerful enemies, but on his way everything will take an unexpected turn because in the middle of revenge he will find love. So his destiny will be debated between revenge or following the impulse of his loving heart.
In Mexico, a lawyer receives an unexpected offer to help a feared cartel boss retire from his business and disappear forever by becoming the woman he’s always dreamed of being. An audacious fever dream that defies genres and expectations.
THE COUNT OF MONTE-CRISTO
(Drama, 173’)
After escaping from an island prison where he spent 14 years for being wrongly accused of state treason, Edmond Dantès returns as the Count of Monte Cristo to exact revenge on the men who betrayed him.
STRANGE DARLING
(Horror, Thriller)
Nothing is what it seems when a twisted onenight stand spirals into a serial killer’s vicious murder spree.
PANDA BEAR IN AFRICA
(Animation, Family)
A panda travels from China to Africa, facing hippos, hyenas, gorillas. He rescues his kidnapped dragon friend, makes new friends, and protects their jungle home.
AMIA (Political Drama, 8 x 45’)
A Mossad agent hooks up with a local Argentinean journalist to find those responsible for a terrorist attack. Their journey draws them into a world of espionage, intelligence agencies and arms dealers.
LOVE AT THIRD SIGHT
(Formato, Docu-reality)
In this heartwarming reality series, vibrant men and women in their golden years spend 14 days at a luxurious resort seeking love through tailored activities, romantic outings, and deep conversations.
INDAL
(Drama, 8 x 45’)
A group of Ethiopian Israeli youth decide to kidnap the police officer who peppered their adolescence with abuse and eventually murdered their closest friend, resulting into a massive national protest movement against police violence and for equality.
POWER COUPLE
(Reality Format)
www.youtube.com/@ElReinoInfantil partners.elreinoinfantil.com
Roberto Pumar, CEO
LA GRANJA DE ZENON (Animation, Preschool)
It is an interactive CG series for preschoolers where music, songs and adventures are a delight for the little ones and the whole family. Farmer Zeno is accompanied by his beloved animals and family. Zenon’s Farm’ represents life in a simple and fun way; the customs of the countryside, the love of animals and the good care of the land. Values such as friendship, love, luck, clumsiness, optimism, jokes and many adventures are the main axes of this series.
BICHIKIDS (Animation, Preschool)
A universe full of cute little critters, all very curious, happy and eager to have fun! In each episode, the ‘Bichikids’ discover, little by little and in a fun way: textures, fragrances, food, sounds, music, dance and, of course, friendship. In this way they learn to interact with the world around them.
CANCIONES DEL ZOO (Musical videos)
‘Songs of the Zoo’ takes place in a zoo where a man named Mario works as a veterinarian there, although he is not alone, as he is accompanied by his son Pedro, his niece Mia and his nephew Teo, as they like to play with all the other animals in the zoo.
FAMILIA BLU
The Blu family songs convey love and joy in every video. Along with colorful animations and beautiful melodies, you will get to know each member of the family. TOP EXECUTIVE
An international and successful prime time reality format that puts love to the test like you’ve never seen before! 8 couples face extreme challenges that will test how well they really know each other.
México-Huixquilucan No.123, Col. San Bartolomé Coatepec, Huixquilucan, Estado de México, CP 52770 (+52) 55 5254 0880
Adrian.Saenz@endemolshinebd.com endemolshinebd.com
EXECUTIVES
Frank Scheuermann, Unscripted Chief Content Officer
Clara Machado, Directora ejecutiva de Desarrollo y Guiones Actuales
TOP EXECUTIVE
Marie Leguizamo, Managing Director, Banijay Mexico & U.S. Hispanic
COMO AGUA PARA CHOCOLATE (Drama, 50 x 45’)
Laura Esquivel’s acclaimed novel came to Max alongside HBO. Tita and Pedro love each other, but she is condemned to remain single by her mother’s decision. In a time marked by oppression and mandates, they will undertake their fight against everything that prevents them from being together. For Tita, her magical connection with cooking will be her active resistance. She will manage to pour her deepest desires and passions into her recipes, transforming those who try them. A story, set in the middle of the Mexican Revolution, that comes to remind us that courage, passion and a good mole can make the impossible a reality.
sales@glowstar-media.com www.glowstar-media.com
EXECUTIVE
Agustín Fábregues, Director
(Thriller, 94’)
TOP EXECUTIVE
Silvana D’Angelo, CEO
After her daughter’s birthday, Ana receives Walter, a man who asks for her husband. She quickly discovers the real reason for this visit: to hold her and her daughter as bail while her husband negotiates with a dangerous organization. Directed by Gonzalo Perdomo-Tafur and starring Juana Acosta (‘Velvet’, ‘Perfectos Desconocidos’), Julián Román (‘El Cartel de los Sapos’, ‘Los Reyes’, ‘Narcos’) and Israel Elejalde (‘La Peste’).
(Thriller, 8 x 45´)
Created by Noah Stollman (‘Fauda’), ‘The Bride’ is a supernatural thriller series set in contemporary Jerusalem, telling the story of a vengeful spirit terrorizing a community. The plot follows two unconventional demon hunters - a Hasidic psychologist and an agnostic physicist – who must uncover the source of this malevolent entity. Their investigation challenges both their faith and beliefs, leading them into the heart of the occult and pitting them against an unimaginable evil force. The series blends thriller, horror and drama, exploring deep themes.
+90 (212) 231 0102 info@intermedya.tv intermedya.tv
EXECUTIVE
Beatriz Cea Okan, VP and Head of Sales and Acquisitions
TOP EXECUTIVE
Can Okan, Founder & CEO
(Drama, TBA)
Sumru, a woman who abandoned her twins, now lives a wealthy life in Cappadocia. When her twins, Nuh and Melek, discover her identity, they confront her and seek retribution. Meanwhile, the Şansalans’ mansion is rife with family drama, including a forced marriage, hidden agendas, and a looming threat from a past enemy. As love blossoms between the twins and the Şansalans’ children, Sumru must face her past and decide whether love can overcome revenge.
(Family Drama, 120 x 45’)
The lives of Mahinur Aydın and Aras Yılmazer become intertwined by a dramatic hospital error that occurred years ago, where their daughters were switched at birth. Mahinur, trapped in a difficult marriage with her controlling husband Kenan, is struggling to care for her sick daughter, Bade. As Bade’s condition worsens, Mahinur turns to Aras for help, and they discover the truth through DNA tests. This revelation sparks conflicts, especially with Kenan, who accuses Aras of stealing his child. Despite the tension, Mahinur and Aras join forces to find a way to save Bade, deepening their emotional journey as parents while confronting painful truths.
kdisales@kanald.com.tr kanald.international
EXECUTIVE
Duda Rodrigues, Sales Manager for Latam, North America, and Portuguese-speaking territories
TOP EXECUTIVE
Elif Tatoğlu, Distribution Strategy Director
THE FAMILY BURDEN (Drama, 44’)
Melike, wrongfully imprisoned for twenty years, dreams of reuniting with her daughter, Hazal. Upon release, she faces a new prison of lies and betrayal. As she uncovers the truth and searches for her husband’s real killer, Melike must confront the complexities of her daughter’s life, who has known another woman as her mother.
SECRET OF PEARLS (Drama, 44’)
Azem’s life shatters when he takes the blame for his wife’s death to protect his daughter. After prison, he seeks his adopted children, navigating complex relationships, but time has taken its toll.
A FATHER’S PROMISE (Drama, 67 x 44’)
In 1980’s political turmoil, Mustafa sacrifices to save his wife, leaving his daughter with the wealthy Ronas. A poignant tale unfolds as he reunites, facing dangers and love’s resilience.
708 Church St, Decatur GA 30030 4049034883 contact@lumexxmedia.com www.lumexxmedia.com
ESCLAVA
EXECUTIVE
Marcos Medina, CEO
(Drama, romance, 12 x 27’)
Salma and her family flee to Colombia, unaware that there they will find more danger than they are fleeing.
SÍ FUE GOL DE YEPES
(Comedia, 12 x 24’)
In seeking to fulfill his grandfather’s dream, Bernardo embarks on a fun and unpredictable adventure.
MÁS ALLÁ DE LA LLUVIA
(Drama, 6 x 30’)
If justice won’t come to you, you’ll have to go for it.
EL VISITANTE
(Drama, 86’)
An ex-convict father disputes custody of his only daughter with an influential evangelical pastor.
¿CUÁNDO VOLVERÁS?
(Drama, 70’)
Inhabitants of the Sierra Gorda in Queretaro deal with the disappearance of family members on their way to the United States.
Esentepe, Kore Şehitleri Caddesi, No.5/3 Şişli/ Istanbul 34394, Turkey +90 212 273 24 34 info@madd.tv www.madd.tv
EXECUTIVE
Özlem Özsümbül, Head of Sales
Ateş Ince, Managing Director
C/ Ausias Marc 37, 08010 Barcelona (Spain) 93 558 90 00 info@mediacrest.com comercial@mediacrest.com www.mediacrest.com
EXECUTIVES
Mónica Guerrero, Production Executive Israel López, Head of Documentaries
LEYLA (Drama)
Young Leyla’s life is thrown into disarray when her father, Hilmi, marries Nur, the beautiful young woman who once cared for Leyla’s late mother. Blinded by love, Hilmi fails to see the torment Leyla’s new stepmother inflicts on her, turning her home into a living nightmare. Tragically, Hilmi realizes too late that Nur is not who she seems, and pays for her mistake with her life. Homeless and alone, Leyla vows revenge on the woman who destroyed her family and stole her life.
FAR AWAY (Drama)
This is the story of Alya Albora, who arrives in the border town of Albora, a small village on the Syrian border of Mardin. She has come from Canada with her son, Deniz, to bury her husband, and it is then that she meets his family for the first time. She soon realises that it will not be so easy to leave. The Albora family, who gave their name to the village, is surrounded by several enemies driven by revenge and ambition.
Cristian Liarte, Director of Global Business Development, Acquisitions and partners
AQUELLO QUE FUISTE
A famous actress kills her daughter’s boyfriend to defend her from rape; but this act only conceals the daughter’s irrepressible desire to surpass her mother and her determination to regain her lost fame. To recover what was once.
EL ESPEJO
Spain, 1962. Carmen works at the Labarta Hotels, a hotel empire full of shadows. A few years earlier, after discovering her husband’s infidelity at her own wedding, she suffers an accident that will reveal to her that she is not the daughter of who she thought she was. Her search for the truth takes her to the Labarta family. There she will do everything in her power to discover her true origins... if she survives.
(+90) 216 695 1300
Barbaros Mah. Fikret Mualla Sok. No:13 Fidem Prestij Blokları B Blok D:21 34664 Uskudar, Istanbul. Turkey www.mistco.tv
EXECUTIVE
Maria Fernanda Espino, Sales Manager for Latam & Iberia
Aysegul Tuzun, Managing Director
COME WHAT MAY (Romantic Drama, 89 x 45’)
On the day Alize was born, her mother passed away. Although her father Nurettin tries to make her happy, Alize has turned into an aggressive, selfish, conflicting character. When Alize crashes into a repairman’s car and runs away, Nurettin decides to teach her daughter things she couldn’t teach her when she was younger, before it’s too late. For this reason, he proposes to his girlfriend Sinem, whom he has loved for years, but could not step into marriage so that Alize would not be upset. Alize, who is not behind her father in terms of stubbornness, decides to marry the repairman to make up for her mistake.
BAHAR
(Drama, 114 x 45’)
‘ Bahar’ is the story of a young girl who is struggling to keep the goodness inside despite all darkness around. After witnessing the murder of her father, she is trying to prove that Aysun (her stepmother) committed the murder. On the other hand, the love between Bahar and Demir who met just days before the murder grows day by day but becomes even more impossible since Aysun is obsessively attached to Demir and determined to win Demir at any cost.
NBCUNIVERSAL GLOBAL TV DISTRIBUTION/ TELEMUNDO
Olimpia.DelBoccio@nbcuni.com 305-213-4155
LA JEFA
(Action drama, 95 x 60’)
TOP EXECUTIVE
Ronald Day, President, Entertainment & Chief Content Office
Tomtom Mah. İstiklal Cad. Mısır Apt. No:163/17 Beyoğlu/ Estambul mustafakeyvan@ogmuniverse.com Nesrineyupoglu@ogmunivers.com www.ogmuniverse.com
(Drama)
Led by Fabiola Guajardo and Iván Arana, and a special participation from Cristián de la Fuente, La Jefa tells the survival story of Gloria Guzman – an innocent naïve young woman who thought she lived the perfect life. On her wedding day, her most joyful moment turns into an absolute nightmare as tragedy strikes, killing her husband and leaving her with nothing but despair. Forced to go on the run, Gloria focuses on keeping her son safe, slowly transforming from being hunted to being the huntress.
LOCKERBIE: A SEARCH FOR TRUTH
(Miniserie, 5 x 60’)
On 21st December 1988, 259 passengers and crew were killed when Pan-Am Flight 103 exploded over the Scottish village of Lockerbie, with a further 11residents losing their life as the plane crashed down. In the wake of the disaster and his daughter Flora’s death, Dr. Jim Swire (Colin Firth), is nominated spokesperson for the UK victims’ families. Travelling across continents and political divides, Jim embarks on a relentless quest for answers. His persistent journey is a deeply moving and compelling testament to a father’s pursuit of justice for his daughter.
TOP EXECUTIVE
Ekin Koyuncu Karaman, Global Distribution & Partnership Director
C/ Suero de Quiñones 38, 1o 28002 Madrid +34 91 562 0671 onza@onzadistribution.com www.onzadistribution.com
Carlos Garde, Managing Director
THE COLOR OF LOVE
(Telenovela, 120 x 60’)
An emotional and gripping drama about six siblings who lose their parents in a tragic night and must rely on each other to survive. Fleeing from their past in a small village, they embark on a perilous journey to Istanbul, where the harsh realities of the city test their strength and unity. The story revolves around their parents’ epic, forbidden love, leading to their tragic fate. It’s a tale of resilience, family bonds, and the fight to stay together against all odds.
(Drama, Thriller, 8 x 45’)
A gripping drama about Neslihan Turhan, a renowned journalist known for her honesty, who faces the most difficult choice of her life when her son is accused of murder. Torn between her dedication to the truth and her instinct to protect her child, Neslihan’s values are tested as her world unravels. Will she risk everything, even her son’s freedom, to pursue justice? This emotionally charged series explores the limits of morality, truth, and motherhood in the face of unimaginable conflict.
(3 Seasons, 23 x 45’)
A compelling drama set in the heart of Istanbul, following Peyami, a famous tailor, as he begins to craft a wedding dress for his childhood friend’s fiancée, Esvet. Unbeknownst to him, Esvet’s life is tangled in dark secrets that threaten to unravel everything. As hidden truths emerge, Peyami is drawn into a complex web of love, betrayal, and past traumas that will challenge his relationships and reshape their futures. This series explores the delicate balance between loyalty, truthfulness, and redemption.
When Gaspar, a Portuguese businessman based in Angola, dies of a sudden illness, he leaves all his assets to three Portuguese girls. Eva and her sisters, who had been struggling to make ends meet, find themselves, overnight, the owners of a fortune that includes one of the largest agricultural properties in Angola. Talu, a young Angolan engineer and Gaspar’s protégé, was cut out of the will in favour of Eva and her sisters. Although they are on opposite sides of the conflict, Eva and Talu cannot help the attraction they have felt since they met. And both find themselves at the centre of the dispute over the inheritance.
(Telenovela, 220 x 50’)
Cacao is a young woman of Portuguese origin who makes chocolates on a cocoa farm in Itacaré, Brazil. Her dream is to go abroad and study pastry making, but she doesn’t have the money to pay for it. Everything changes when it is revealed that her real father is Justino, the wealthy owner of the farm. This revelation triggers a series of intrigues and conflicts that endanger the family’s assets. Cacao’s life is in danger but Tiago, an attractive young man with whom she falls in love, will do everything possible to protect Cacao from her enemies.
240, Varzea St, Barra Funda São Paulo / SPBrasil 01140-080 - São Paulo - SP, Brasil +55 11 3300-4022 tbcastro@recordtv.com.br www.recordtvnetwork.com
EXECUTIVE
Thiago Castro, International Sales Executive
TOPÍSSIMA
(Telenovela, 145 x 45’)
TOP EXECUTIVE
Delmar Andrade, International Sales Director
A telenovela that delves into the feminine universe and brings to light the conflicts of modern women: work versus love life; independence versus loneliness; motherhood versus career; aging versus aesthetics; illegality of abortion versus death, among others. In addition to the issues inherent to the female universe, we will have in parallel a police investigation full of twists and turns involving the protagonists. The plot is built on four pillars: romance, police investigation, drama and humor.
(Telenovela, 148 x 45’)
We would all like to live - or have ever imagined living - a love story capable of overcoming any difference, prejudice or obstacle imaginable. This feeling often arises in the most unexpected places and from the most unlikely people. But when love turns out to be true, nothing can stop it from uniting two lovers.
(Period Telenovela, 167 x 45’)
A Brazilian telenovela, successful in over 80 countries worldwide. Based on the 1875 novel by Bernardo Guimarães. The telenovela shows a love story, amid the theme of slavery. Isaura is the daughter of the slave Juliana and the farm manager, Miguel. Juliana dies, and Isaura is raised and educated by the Commander’s family. Despite having an excellent education and having fair skin, Isaura is a slave of the Comendador, for being born the daughter of his slave, in the midst of suffering for her freedom, she lives a beautiful love story. TOP EXECUTIVE
sales@sic.pt internationaldistribution.sic.pt
EXECUTIVE
André Santos Silva, Sales Executive
(Telenovela, 140 x 45’)
TOP EXECUTIVE
Carlota Vieira, Manager
+ 54 9 5032 6001 telefilms@telefilms.com.ar telefilmsgroup.com
EXECUTIVES
Ricardo Costianovsky, Co-Chairman
Alejandro Carballo, Sales Manager
Humberto Delmás, Sales Manager
Marcelo Bombau, Board Member
Bruce Boren, CEO Thr3 Media Group
Gonzalo Claiman-Versini, Diamond Films Spain Director
TOP EXECUTIVE
Tomás Darcyl, Co-Chairman
Ctra. Fuencarral a Alcobendas, 24 28049 Madrid +34 91 728 57 38 | +34 91 728 57 39 themediaprostudio@mediapro.tv
CELESTE
(Dramedy, 6 x 40’)
TOP EXECUTIVE
Fernando Méndez, Sales Manager
Based on a Turkish script from Kanal D, the story focuses on the relationship between two families who end up involved in a secret deal, giving rise to conflicts, but also forbidden passions tangled up in a complicated plot. Two sisters in conflict, two cousins with a score to settle and a lot of feelings running high. Betrayals and conspiracies will unfold around it and bring to light the best-kept family dirty secrets.
TIMELESS LOVE
(Telenovela, 110 x 45’)
Catarina is a humble girl desperately searching for her missing mother. Seeking the truth, she infiltrates into the mansion of the powerful Torres family, but what she finds is a family trapped in a complicated succession crisis... and a man she will fall in love with. A story about love, justice, and fight for power awarded with Gold in Entertainment -Telenovelas category at the 25º World Media Festivals.
BABYGIRL
(Thriller, 1h54m)
Romy (Nicole Kidman) is a successful manager who begins a secret romance with her young intern behind her husband’s (Antonio Banderas) back. This inappropriate relationship will make Romy question if it is worth facing such prejudice and risk losing her job.
BETTER MAN (Bio, 2h11m)
Based on the life story of Robbie Williams, this movie takes us on a journey through his childhood, his early rise to fame, his dramatic downfall and his remarkable comeback in the world of entertainment.
CONCLAVE (Thriller, 2h)
This film follows one of the world’s most secretive and ancient events – selecting the new Pope. Cardinal Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church’s most powerful leaders have gathered from around the world and are locked together in the Vatican halls, Lawrence finds himself at the center of a conspiracy and discovers a secret that could shake the very foundation of the Church.
In this Movistar Plus+ original in co-production with 100 Balas, Carmen Machi plays Sara, a government tax inspector who, while only days away from retirement, takes on the most important case of her career: to prove that Celeste, the huge Latin star, lives in Spain and as such is obligated to pay her taxes there. A mission on which twenty million euros depend for the Spanish coffers. To do this, Sara will have to put her life on hold to explore that of Celeste and prove that she spent 184 days in Spain. Half a year plus one day.
(Thriller, 8 x 50’)
Created by Lluís Arcarazo, ‘ Quiet ’ is an 8 episodes series thriller filmed this year in Barcelona, under the direction of Marta Pahissa. Set in April 2020, the streets of Barcelona are empty. You can only find police, deliverymen, and ambulances outside. And a homeless man is murdered on these deserted streets in his sleep. The first in a series of crimes that all follow the same pattern: always homeless, always while sleeping, always with extreme brutality.
TALES
(Horror, 6 x 32’)
An episodic horror anthology series based on the most viral and haunting stories from the r/NoSleep community
Periférico Sur 4121, Col. Fuentes del Pedregal, C.P. 14140, México, CDMX tvaztecainternacional.com
EXECUTIVES
Dulce Ávila, Director of International Content Distribution, FAST Channels and Advertising Sales
Melissa Pillow, Sales Representative for Europe, CIS, USA and Africa
Paola Salinas, FAST Sales and Strategy Manager
Amanda Puente, Marketing, TV Azteca International
(Drama, 50 x 45’)
TOP EXECUTIVE
Jesica Stescobich, Director of Distribution and Strategic Alliances
Before the accident, Lucía was competing with Mariana for the position as head of the Emergency Department, after the accident everything changed and Mariana was promoted instead of her. Mariana, with the help of her influences in the hospital, orders her ex-boyfriend, Enrique Jimenez, to be transferred, but the plan goes wrong, since he immediately feels attracted to Lucia, who will have to deal with her personal situations, in parallel to having to save the lives of those who arrive at the Central Hospital.
(Unitarios, 60 x 45’)
Women do not remain silent even about the smallest problems. Although reality is always shown, the images and language are carefully chosen to reach a larger audience. Under these guidelines, the program has been able to expose issues such as aggression, abuse and sexual discrimination, among others, towards women.
3.486.843 total average anual reach across all our digital media platform
19.8 billion dollars were generated by Japanese anime worldwide in 2023, according to Parrot Analytics.
300 seasons of TV series are available to buy thanks to the expansion of the Prime Video offer in Spain.
34.8 million subscribers joined El Canal de Plim Plim on YouTube, owned by Smilehood.
6% is how much fiction production in Europe fell in 2023, according to data from the OAE.
78.8 millon hours were watched on Telemundo in 2024, an increase of +8% compared to 2023.
30.5 billon dollars is what the international box office is expected to reach in 2024, 10% less than in 2023.
CONECTA FICTION & ENTERTAINMENT announced that its 2025 edition will travel to the city of Cuenca, Castilla-La Mancha. The ninth edition of the event, which will take place from June 16 to 19 of next year, will be held in a city renowned for its old town, declared a World Heritage Site by UNESCO, in a commitment to local culture and tourism. Since its creation in 2017, Conecta Fiction has served as an essential bridge between professionals in the audiovisual industry, facilitating co-production, distribution and project development agreements. Each edition brings together producers, screenwriters, directors and distributors in a space where networking and creativity are encouraged. The new location, a World Heritage Site for 25 years, offers a unique environment; an emblematic place to host an event of this magnitude.
THE SERIES MANIA ORGANIZATION announced the opening of submissions for the new edition of its Buyers Upfront, which will take place at the Chamber of Commerce in Lille on Monday, March 24, prior to the start of the Series Mania Forum. The Series Mania Buyers Upfront is an invitation-only event for buyers, which, following a brunch sponsored by Beta, will showcase exclusive excerpts from 12 series with great global appeal. Titles can be submitted until January 30, 2025. The event’s artistic team will select series with potential, which are about to premiere or in post-production. The winner will be announced during the Series Mania Forum welcome cocktail that evening, followed by a screening on the red carpet.
ATVC (ARGENTINE ASSOCIATION OF ICT, VIDEO AND CONNECTIVITY) AND CAPPSA (CHAMBER OF PRODUCERS AND PROGRAMMERS OF AUDIOVISUAL CHANNELS) have set the date for the 35th edition of Jornadas Internacionales, the main meeting of the ICT and Content industry in Latin America. The event will be held again at the Hilton Hotel in CABA on October 7 and 8, 2025, to discuss the challenges and opportunities of the evolution of the digital and technological ecosystem, the development of new businesses for different sectors and services, the regulatory agenda and new entertainment and content proposals. Jornadas Internacionales brings together the protagonists of the ICT, content and connectivity ecosystem to present the latest developments in the sector, discuss opportunities, challenges and the highlights of technological innovation and cutting-edge technology.
