Prophecy (Vol. 9 No. 1)

Page 15

ENGLISH dramatic solution he proposes. The catastrophic ending of the novel might also be defined prophetic, as it foretells the invention of the atomic weapon, or the more dystopian doomsday device.

Zeno’s Conscience translated by Francesca Corsetti

Life looks like sickness as it proceeds by crises and lysis, and has daily improvements and worsenings. Unlike other diseases, life is always fatal. It cannot bear treatments. It would be like filling the holes we have in the body, believing them to be wounds. We would die strangled the moment we are healed. The present life is corrupt from its roots. Man has put himself in place of trees and beasts and has polluted the air, and impeded free space. Worse it might be. The wretched but active animal might discover other forces and put them at his own service. There is a threat of this kind in the air. A great wealth will follow‌in the number of men. Each square metre will be filled by men. Who will heal us from the lack of air and space? The mere thought makes me suffocate! But it is not this, not merely this. Any effort to give us health is vain. This cannot belong but to the beast that knows only one progress: the one of its organism. Once the swallow realised that there was no other way out than migration, it developed the muscle that moves its wings, and which became the most sizable part of its body. The mole buried itself, and the whole of its body adapted to its need. The horse enlarged itself and modified its foot. Some animals’ progress is unknown, but there must have been one which has not damaged their health. Yet, the bespectacled man devises contraptions out of his body and if there was any health or nobleness in those who invented them, it is almost always missing in those who use them. Those devices can be bought, sold, and stolen, and man becomes increasingly cunning and weak. Actually, you can tell that their shrewdness grows proportionately to their weakness.

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Nightmare prophecy in white artwork by Ellecia Vaughan

1min
page 70

English-Polish translation by Magdalena Kleszczewska

1min
pages 70-71

English-Irish translation by Tadhg Mc Tiernan

1min
pages 66-69

El Porvenir artwork by Andres Murillo

1min
page 58

French-English translation by Rebecca Notari

1min
pages 56-57

Italian-English translation by Andrea Bergantino

1min
pages 48-49

Reverie artwork by Evvie Kyrozi

1min
page 32

Finding my way photograph by Alexander Fay

1min
page 9

Divination photograph by Alexander Fay

1min
page 9

Cassandra is dreaming artwork by Afric Doherty

1min
page 8

The Harbinger photograph by Alexander Fay

1min
page 7

Notes on Contributors (in order of appearance)

3min
pages 72-74

Le Cannet's Head artwork by Penny Stuart

1min
pages 69-70

Russian-English translation by Dana Bagirova

10min
pages 60-65

Nightmare prophecy in red artwork by Ellecia Vaughan

1min
page 71

Portuguese-English translation by Michael McCaffrey

5min
pages 44-47

Molly's Window artwork by Penny Stuart

1min
page 59

English-Irish translation by Aislinn Ní Dhomhnaill

8min
pages 51-56

Cassandra is screaming artwork by Aifric Doherty

2min
page 42

Spanish-English translation by Christian Cowper

1min
pages 41-42

English-Arabic translation by Maeve Lane and Dr. Tylor Brand

1min
page 39

Old Norse-English translation by Ioannis Stavroulakis

2min
pages 35-38

Pen-Soeur artwork by Penny Stuart

1min
page 39

French-English translation by Holly Ronayne

2min
pages 26-27

Fear and Loathing under lockdown (Ralph Steadman knew) artwork by Aifric Doherty

1min
page 33

Czech-English translation by Štěpán Krejčí 

3min
pages 28-31

English-Mandarin translation by Bowen Wang

4min
pages 20-25

English-Irish translation by Áine Mills

1min
pages 18-19

Ancient Greek-English translation by Matthew Wainwright

1min
pages 11-12

Italian-English translation by Francesca Corsetti

3min
pages 15-17

Cassandra POV Edvard Munch artwork by Afric Doherty

2min
pages 13-14

I Will Be a Sky photograph by Alexander Fay

1min
page 17
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