TWO #03

Issue #03 December 2012

A

U REVOIR

+

A LEX BA BSKY GEORGINA GRAHAM NEI L MOODIE

Z H A NG Z I Y I JE FF VE S PA

P H O TO

Photography by Keith Clouston

DANIEL SANDLER PROFESSIONAL FINISH MAKEUP

WWW.DANIELSANDLER.COM TAX FREE SHOPPING TO USA & CANADA 20% DISCOUNT FOR PRO MAKEUP ARTISTS t:@DSandlerMakeup f:Daniel Sandler Cosmetics

W W W. I L L A M A S Q UA . C O M

#ImDreamingOf

// E D I T O R I A L //

S E D I T OR S

eason’s greetings! It’s been another crazy few weeks here at TWO. We’re glad that so many of you are reading the magazine and thank you for all your wonderful feedback on the social media wires. Keep it coming, we really love to hear you thoughts.

This month is our special festive bumper issue. We’ve

Sam Chapman Nicola Haste C O N T E N T

Daniel Crawford Steve Shipley W O R D S

Kate Gowing Asher Coleman Lisa Kirwan Stacey Oakes

P RO OF I N G

Corinna Harrod ADVERTISING

Dom Smales

T 020 3040 2959

T W O MAGA Z I N E 12 D R Y D E N S TR E E T LONDON, WC2E 9NA UNI T E D K I N G DO M

D E S I G N

A P P P RODUC T I ON

Anorak.co

got interviews with leading industry figures coming out of our ears! We were privileged to catch up with legendary celebrity snapper Jeff Vespa. It’s amazing that he took time out to speak to us.

There’s words of insight and inspiration from make-up maestros Alex Babsky and Georgina Graham, as well as innovative hair stylist Neil Moodie.

This month we are also delighted to welcome the latest member of the TWO team as Liz Martins gives us the first of her regular features. Phew, it’s all going on!

If you would like to submit work for possible inclusion in TWO please email submissions@two-magazine.com Happy holidays!

M A K I N G E Y E S SINCE 1999 ™

www.eyeko.com

LIZ MARTINS

Salon System have teamed up with top make-up artist Liz Martins; whose work includes shoots for Vogue, Elle, Tatler and celebrities Girls Aloud, Cheryl Cole and Shakira.

Known as the Lash Queen, Liz has designed lashes for the Girls Aloud Tours and was brought in to revamp the make-up looks on the X Factor in 2010.

Now she has brought her expertise to the launch of her very own lash collection – Liz Martins Lash Enhance, exclusively for Salon System.

DESIGN Explore your creativity, apply individually or layer lashes together in any number of variations for a totally unique and individual style.

SELECT Add volume and length to enhance and define. Natural and intense individual lashes.

THE COLLECTION...

ELEVATION Dramatic lash that draws attention to the centre of the eye.

ENHANCE Combines depth and length to enhance and open the eye.

DEFINE Adds volume and definition to lower lashes.

INSPIRE Classic inspired lash with a touch of light.

TWO

CON T R I B U T O R S L I Z

M A R T INS

Liz is a make-up maverick with a passion for fashion and music – innovation and creation are at the forefront of her work!

STA C E Y

O A K E S

Make-up artist, Pixiwoo course co-ordinator, blogger for Pixiwoo.com, PR and your contact to the Pixiwoos

KA T E

G O W I N G

TWO Magazine fashion insider, beauty reporter, photographer and lover of all things art.

L I S A

K I R W A N

Professional make-up artist, writer, lover of art, words, music and all things British!

A S H E R

C O L E M A N

Make-Up Artist, Nail Tech, Fashion Graduate and full-time Dork!

C O R I N N A H A R R O D

Professional make-up artist and beauty blogger who worked for seven years in non-fiction publishing at HarperCollins

Live Twitter Feed

// C O N T E N T S //

12 MOST WANTED

22

12 gifts of Christmas: Simple gift suggestions from the TWO team

22 5 MINUTES WITH Georgina Graham – one of the most in-demand make-up artists in the industry

44 BEST OF…

76

Our Top 5 products of 2012

46 FROM THE CHAIR Our new columnist is none other than top make-up artist, Liz Martins!

4

52 ICONS Adele: The gifted, unpretentious London girl whose become an inspiration and modern icon

58 BEAUTY PT.1 Keith Clouston & Lucy McKeown

66 THE MOMENT Your behind-the-scenes moments 10

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46

68 BEAUTY PT.2 Martin Higgs & Shonagh Scott

76 HAIR PROFILE Neil Moodie, one of the most respected hair stylists on the block talks to TWO Magazine

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86 TRENDS Christmas Dark Eye – a perfect look for the upcoming party season

88 WHAT THE PRO’S CARRY The incredibly talented Alex Babsky chats and shares his basic kit essentials

100 IN FOCUS The intriguing Jeff Vespa takes time out of his heavy A-List schedule to speak to TWO Magazine

112 FEATURE Rachel Wood tells us about the bond that can often grow between the talent and MUA W W W .T WO -- M AGA ZI N E. CO M

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02 TR AVEL

12 gifts OF

CHRISTMAS Twelve days of quirky gifts and beauty essentials as chosen by the TWO magazine team

01 WI N TER SP O RT

KIEHLS ALL SPORT FACE PROTECTOR If you’re hitting the piste this winter this wax-based, water-resistant protector guards against the extreme weather conditions your face will encounter.

MORE INFO

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REAL TECHN

Whether travelin or jetting off to e this brush kit pro to create a flawl MORE INFO

NIQ UES TR AVEL BRUSHES

ng to visit friends and relatives escape the Christmas madness ovides everything you need less look on the move.

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03 FR AG R A N CE

JO M ALONE COLOGNE Discover your frangrance of the season. From fruity Lime Basil & Mandarin to the spicy Black Vetyver CafĂŠ.

Then check out the wondeful range of body products.

MORE INFO

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04 G I F T FO R H I M

M ERKUR FUTUR SAFET Y R A ZOR Looking sharp! This beautifully crafted double edged razor gives a far superior quality of shave to any regular ol’ cartridge razor.

MORE INFO

05 H A I R CA RE

BUM BLE & BUM BLE INVISIBLE OIL This professional quality oil nourishes the hair leaving a smooth feather-soft feel with a trace of shine. Also use to reduce frizz, tame fly aways, detangle and strengthen the hair against breakage.

MORE INFO

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0 6 N A I LS

DEBOR AH LIPPM ANN Will you go for SJP’s sexy pink, Renee’s black cherry, Mary J’s sultry gold or Cher’s shimmering beige?

Choose your celeb and rock this town!

MORE INFO

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07 FLI RT Y EYES

SHU UEMUR A

Transform your eyes with fabulous flirty false lashes from Shu Uemura.

It’s party season, so be creative and discover your next dramatic look.

MORE INFO

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08 TH E STO CK I N G FI LLER

NINJA RUSSIAN DOLLS Wouldn’t you love to find these in your stocking!

These Matryoshka Nesting Dolls not only look great assembling and disassembling them can be seriously addictive.

MORE INFO

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0 9 WI N TER WA R M ER

LUM IE BODYCLOCK STARTER 30

A great little wake up light that brightens gradually like a sunrise so you wake naturally, feel refreshed, alert and energised all day.

MORE INFO

10 CH RISTM AS SU N

NARS TINTED MOISTURISER

For a natural glow that counteracts the long, dark winter days. This lightweight moisturiser gives a fresh and dewy finish and is not greasy.

It has a vitamic C derivative that helps protects against free-radical damage and SPF protection.

MORE INFO

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11 DA N CI N G FEE T

AVEDA FOOT RELIEF OK, so you had a bit of a boogie and now your feet are paying the price. It’s time to treat them to an invigorating creme blended with active herbs, exfoliating fruit acids and plant derived oils. Perfect, now they should just recover in time for New Year.

MORE INFO

12 PA RT Y RECOVERY

CLINIQ UE WASH -AWAY GEL CLEANSER Remove last nights eye lash glue, eyeliner, mascara and shadow all in one. This cooling gel gently removes makeup and leaves you feeling refreshed. It’s long lasting and the botanical extracts calm the skin.

MORE INFO

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13 TH E E M ERG EN CY G I F T

THE DANGEROUS BOOK FOR BOYS & THE DARING BOOK FOR GIRLS It’s great when unexpected guests appear on your doorstep.

Even better if they come bearing gifts. But what if you have nothing to give in return? Awkward much! Well, these fabulous books make ideal gifts for boys and girls aged from eight years-old to eighty – and if your visitors don’t turn up, you can keep them for yourself!

MORE INFO

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// A R T I S T P R O F I L E //

5

MINUTES WITH

WITH HER SIGNATURE CINEMATIC STYLE GEO RGINA GR AHA M HAS E ARN ED A REPUTATION AS ONE OF THE BIGGEST TALENTS IN TH E IN DUSTRY

R EPR ES EN T ED BY M A N AG E M EN TA RT ISTS

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// A R T I S T P R O F I L E //

When did you decide that you wanted to become a make-up artist… what made you think ‘That’s what I want to do’?

The point that I decided that I really wanted to become a make-up artist specialising in fashion and beauty was at LFW September 2000 backstage at an Alexander McQueen Show SS01 (the one with a Rubenesque model reclining and breathing through a tube in a cube that was lit up and became a padded cell with all the supermodels) I saw the key make-up artist talking to the team.

I had my eureka moment and thought to myself

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PHO T O

LUCIANA VA L

A ND

FR A NCO MU S S O

O

“I want this. I’ve got to give

What’s your make-up

it my best shot from here

style? Is there a particular

and try to make it happen.”

period that has influenced you the most?

Are you self taught or did

I think that I have started

you train somewhere?

to make a name for myself

I am from London and

in the industry for my

started working for

modern take on Golden

a cosmetics brand whilst

Age Hollywood. I am

at University in

so inspired by classic

Manchester. I was a total

cinematic beauty from

club kid at that time and

all decades and genres…

suddenly this huge passion

I always try to make the

for make-up and what you beauty feel modern, fresh could do with it sort of

or quirky but with a real

just struck me and it is

and wearable element.

one of the few things in

I am happy to work in

my life that I have never

both in a minimal way or

been bored by or lost

a strong and bold way as

interest in. I am constantly

long as the woman always

wanting to learn more,

looks beautiful.

know more, experience more and improve through hard work and dedication.

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// A R T I S T P R O F I L E //

The dust has just settled

with brows brushed

on Fashion Week, overall,

upwards and with the

what was your favourite

focus on a stained lip

look for S/S13?

which was much deeper

This SS13 I worked with

in the centre to make it

so many amazing designers look like the models had at all the fashion weeks but

just gorged themselves

one of my favourite looks

on berries. Here is

that I designed was for

a cinematic reference for

Francesco Scognamiglio’s

you that was in my mind

show in Milan. I designed

the scene in Witches of

the make-up really quickly

Eastwick where the three

at the test (20 mins!) and

women stay up all night

after speaking to Francesco talking and eating and his team as well as

cherries... How’s that ?!

seeing the incredible

Please see the show

collection being modelled

images at www.style.com

at the fitting by gorgeous

and the Witches of

Constance Jablonski

Eastwick trailer here

I came up with the idea of www.youtube.com really fresh skin, almost shower fresh, so slightly damp and warm looking

P H O TO

T O P DA V ID DU NA N LEF T M A TT I R W I N R IGHT

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DA V ID DU NA N

Do you prefer working backstage at shows or on location shoots? They are totally different animals!

I love the collaborative experience of the shows from seeing what the designer, stylist and team have worked on and have in mind to working with my assistants and make-up sponsor, hair stylists and manicurists. It’s a theatrical adrenalin-fuelled, sleepdeprived, creative and social time that lasts across an entire month in 4 different countries and I find it utterly magical. Editorial work in studios or locations is a special relationship between the photographer, stylist, model and glam

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// A R T I S T P R O F I L E //

team where you have longer Beauty editorials are to work out what you are

more indulgent when

doing and what message

the make-up is the focus,

you want to get accross

I sometimes feel like

and how best you can do

August Gloop falling in

it. I also love getting the

the chocolate river and

opportunity to research

just losing myself in

and study before a shoot

something I love. Did

and get inspired creatively

I take that analogy

and start that dialogue with too far?! the team I am working with.

This week I did a Vogue

Which one product would

shoot and cover with

you advise someone to

gorgeous Daria Werbowy

never leave home without?

who is always just a dream

I really would like to say

to work with but what

something clever witty or

I really liked was how the

chic in a a Dorothy Parker

entire team came up with

or Mae West style quip

a concept, worked together

but all I can think of that

and actually we worked

I want the most on a day or

really fast because the

night out is lip balm. I like

trust was there because

to use it on the top of my

everyone was confident and had experience.

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P H O TO

DA VI D DU NA N

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// A R T I S T P R O F I L E //

cheekbones for a dewy highlight and later on myeyelids too over the eye make-up (shadow/smudgy black liner) that is normally fading by now and this gives it a little greasy little sexy night time look. The way to do it is use a finger to pat it on the lid and the rather un-technical term that I like is wait for it all to ‘smush’ together!

I use a little tin of Vaseline which works for everyone on any budget.

Which other make-up artist has helped you along the way in your career?

The two make-up artists that have helped me are the brilliant Mr Terry Barber and Mr David Horne.

They are the two people 30

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“ I AM SO INSPIRED BY CLASSIC CINEM ATIC BEAUTY FROM ALL DECADES AND GENRES AND I ALWAYS TRY TO M AKE THE BEAUT Y FEEL MODERN, FRESH OR QUIRKY BUT WITH A REAL AND WEARABLE ELEMENT ”

P H O TO

L E FT

KA T JA R A H L W E S

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// A R T I S T P R O F I L E //

that I call/email to discuss ideas or ask for technical advice on technique or product and they are two of the best people I know.

They are talented in ways that I don’t have time here to discuss in a five minute interview. I owe them a lot and thank them for their continued support and friendship. I look up to them. Without sounding all hip hop about it but I feel blessed knowing them and having them in my life.

Mentioning no names of course, tell us a funny industry-related story.

I was on a shoot with Nick Knight styled by Simon Foxton for Arena Homme Plus. It was street cast

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PHO T O

CA RLO T T A MA NA I GO

with young strong men

the tattoos they all looked

that looked tough. I was

really hard and tough,

doing tattoos on them, all

which they of course

over – a bit like in the film

liked. At one point in the

Sin Nombre. All the men

shoot we were all eating

had no idea who Nick or

our dinner and all the

Simon were as they were

men were just sitting or

not in the industry. The

standing with their

clothes that they had to

Thai takeout boxes and

wear were full on outfits

chopsticks eating and

that had just arrived from doing twirls in their China that Simon had

dresses. It was hilarious

ordered after seeing

and surreal.

a documentary about men who dress in doll clothes.

Do you feel the industry

Yup… doll clothes! These

has changed since you first

men had to wear big silk

started? Yes and mostly

frilly dresses with matching for the good because of all bloomers! They hated it at the advances with the web, first and all that macho

access to information,

“I’m not wearing that”

people and the cosmetic

crap came out but finally

brands. I think it is harder

they agreed and with the

now to become a make-up

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// A R T I S T P R O F I L E //

artist and succeed. When

internet shows and short

I started I could walk in

films this season for

to a magazine and beg to

brands such as: MM6

shoot front section. Now

Maison Martin Margiela,

that is not really that

See by Chloe and The

possible as even people

Nowness. I think we

working on front section

should all embrace new

have agents etc. I didn’t

ways and the future whilst

assist anyone but I think

respecting the original

that you really have to

way by having a knowledge

assist now in order to get

and understanding of it.

to the sets/shows to learn, I am a huge fan of social gain experience and meet media and think that other assistants. There’s so

perhaps individuals can

much online digital work

connect directly now

the newbies are more likely

without necessarily having

to have the opportunity to

to go straight to agents

work on online mags/look

for example, I have a lot of

books etc so actual physical people reaching out to me print and magazines are

via twitter or my artist

becoming more exclusive

facebook page and it is so

luxury items. I like to work

nice to communicate with

online too and did a few

established and new talent.

I love watching the Pixiwoo

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channel on YouTube or Lisa Eldridge on her site or Kay Montano on Because as they are all genuine talented experts which also gives gravitas and authenticity to what they do. The only thing that astounds me is the number of amateurs that post YouTube make-up tutorials with such authority and a huge following and I think “Goodness that really doesn’t look great.” I think that there are some really talented people out there who I have happily discovered but also we are saturated with people that just take other make-up artist’s ideas and plagiarise it. It is one thing to be

PHO T O

M A T T IRWIN

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// A R T I S T P R O F I L E //

inspired and influenced

about it. My beauty icons

and quite another to

are women like Angelica

“borrow’ someone else’s

Huston, Isabella Rossellini

intellectual property.

and Michelle Pfeiffer (all then and now) I adore

Which person (or thing)

models who need no last

defines beauty for you?

names like like Kate,

That’s a hard question

Daria and Raquel. From

because every season

some newer gals I love

I have a different muse or

Nadja Bender, Lindsey

reference be it a model or

Wixon and Fei Fei Sun.

actress not to mention the

From young Hollywood

mood or other inspiration

I love Elle Fanning, Chloe

that is found in the all the

Moretz and look out for

arts/urban life/nature and

major new talent Sophie

people. What I can tell

Kennedy Clarke.

you is that I love strong women and I love flaws

Your work and travel

in women because I don’t

schedule looks punishing,

think that beauty is

what are your tips for

perfect. When everything

coping with jet lag and

is perfect I am a bit meh

keeping healthy?

The travel is punishing with a lot of flights and

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“ I LOVE STRONG WOMEN BECAUSE I DON’T THINK THAT BEAUTY IS PERFECT.WHEN EVERYTHING IS PERFECT I A M A BIT ‘MEH’ ABOUT IT ”

PHO T O

CH R I S T OPH S T I E B E R

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// A R T I S T P R O F I L E //

time zones. It’s important to try to eat well. These are my rules: lots of protein, not too much red meat and only good quality meat or fish, no processed foods.

I go easy on the carbs in the evenings, I try to avoid sugar (but I like a little chocolate and red wine!)

I try to eat lots of fresh veggies and salad. My fave thing is fresh juices and smoothies. When home I cook fresh food (cooking is a passion) I try to sleep well and exercise whether it is dancing/walking in the park or street/tennis or swimming. I hate the gym it bores me and I don’t really like working out

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with other people. My

www.brookstone.com

ideal would be to have

How do you like to relax

a personal trainer and an

and do you have any plans

empty gym with music

over the Christmas break?

that I like.

I like to read and I just got

I want to take up pilates

a kindle over the summer

in the new year. I take

which meant I could read

melatonin to help my body

a ton of books on my vaccay

readjust with jet lag. I try

without having to pack

to take multi vitamins

them all in a heavy case.

when I remember. My top

Obviously I prefer an actual

tip which everyone knows

real book to read at home

is avoid caffeine in the

as I like to hold it, see the

evening and drink lots of

art work, flick backwards

water. I try to sleep well and if I want to and sniff the

PH O T O

DAVID DUNAN

the mattress and pillows

paper. I love galleries and

makes all the difference.

museums but not on

Like some strange crypt

weekends (I hate crowds)

keeper I like to sleep in

I like to go to the cinema

pitch black so I use an eye

at odd hours when noone

mask. The best one I ever

else is there eating popcorn

used is this one from

loudly. Spending time with

Brookstone which I buy each time I am in the states.

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// A R T I S T P R O F I L E //

PHOTO

40

HAN S FEURER

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“ I HAVE A LOT OF PEOPLE REA OUT TO ME VIA TWITTER OR M FACEBOOK PAGE AND IT IS S TO COMMUNICATE WITH EST AND NEW TALENT ”

ACHING MY ARTIST SO NICE TABLISHED

my loved ones good food

YOUR DREAM SHOOT…

and walks in parks. I love

Location:

music and dancing.

Kyoto, Japan during

Recently I went to a party

Spring underneath all

where everyone had to

the cherry blossoms

come as a clown, there

Photographer:

was a clown face code.

Helmut Newton

Was so funny dancing and

Model:

looking around at all the

Jerry Hall and Angelica

clowns busting out moves

Huston circa 1977

on the dance floor.

Stylist:

This Christmas I am

Diana Vreeland

going to Ireland to see

Hair:

the fella’s family and then

Warren Beaty in Shampoo

we (just him and me!) are off to Mexico. We’re going How’s that for diplomatic to Mexico City and then

and fantasy?!

to Tulum – travelling and experiencing the Yucatan. ¡Arriba Arriba!

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Intensive 5-day make-up courses For more information and course dates please email: stacey.pixiwoo@gmail.com

// B / B E S T O F ‌ / //

1. ANASTASIA BEVERLY HILLS BROW WIZ

12 3

Reason: Ultra fine tip, excellent colour pay off and fantastic longevity.

Skin Type: All skin types with hair colour from light blonde through to black.

Result: Hairs are mimicked and a natural shaped brow is formed that blends seamlessly.

2. HOURGL ASS OPAQ UE ROUGE LIQ UID LIPSTICK Reason: Amazing staying power that will not dry out the lips whilst being highly pigmented.

Skin Type: All skin types.

Result: An intense lip with colours to take you from day to night with no retouch in between.

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12 4

3. CHUBBY STICK INTENSE Reason: Convenient twist up intensely moisturising lip colour.

Skin Type: All skin types.

Result: A bold lip that still has the payoff of a lipstick but the slickness of a gloss.

4. REAL TECHNIQ UES EXPERT FACE BRUSH Reason: Firm enough to achieve maximum coverage but soft enough to blend products effortlessly.

Skin Type: All skin types including sensitive skins.

Result: A perfect flawless skin even in harsh lighting.

5. A M A ZING SHINE L ASHES Reason: Fantastic quality human hair and easy application whilst being incredibly cheap to buy.

Skin Type: All skin types.

Result: A natural to dramatic eye that blend with the natural lashes. Lashes hold their shape well for several uses.

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// L I Z M A R T I N S //

Tales From

THE CHAIR Liz Martins brings you INSIDER TIPS and

tales

IN

HER exclusive

COLUMN

E ACH IS SU E

The and b Gior

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Helmut Newton inspired look below, Liz’s product of the month rgio Armani Lip Maestro

I

t’s been a marathon of video and editorial shoots this month and what

was trending over and over was red lips!!!

Can’t get enough of them at the moment.

I did a shoot for a new band called Lizzie And The Yes Men. The gorgeous Lizzie wanted three very strong looks and one of them was inspired by Helmut Newton – very powerful and strong. I’m always on the look out for the perfect red and new textures. Lucky for me Giorgio Armani has just launched Lip Maestro.

This is my product of the month the colour is super vibrant with a lush velvet texture.

It’s the perfect matte and does not budge, no bleeding or feathering and I hardly needed to touch up throughout the day.

In a myriad of gorgeous colours this is just perfect for the party season… you won’t be reapplying all night with this baby!!!

On a shoot for a jewellery campaign that I did this month, the brief was to keep the model looking sculpted and tonal. We didn’t want the make-up to distract from W W W .T WO -- M AGA ZI N E. CO M

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47

// L I Z M A R T I N S //

the jewellery so I used a lot of mushroomy and taupey tones. My absolute all-time favourite colour for contouring was MAC’s taupe. It’s now discontinued (thankfully I stockpiled a few) but my new favourite is Chanel’s Ombre Contraste Sculpting Veil for eyes and cheeks in Notorious. It has a little sheen to it so as you build up the colour it doesn’t look flat. Another favourite is Tom Ford’s Shade & Illuminate. I can’t get enough of this product, it gives the skin a gorgeous sheen without it looking

Liz used mushroom and taupe tones for this sculpted and tonal look

like shimmer. I tend to use fan brushes when doing a contour as I find I don’t get that stripey effect and can control the colour better. Shu Uemura’s Badger 7.5EX is my favourite. I have ten in my kit – that’s how much I love them!

I have worked with the beautiful and effervescent Dannii Minogue since the early noughties and had the pleasure of working with her again this month for a tv

48

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The gorgeous Dannii Minogue introduced Liz to Latonas pressed powder (Right)

“ i tend to use fan BRUSHES

when

doing A CONTOUR

as I FIND I don’t get that STRIPEY EFFECT

and

can CONTROL the colour better.

”

appearance. She is such a product queen and really knows her stuff. She brought with her Model Co fibre lash mascara to show me – its bascially false lashes in a tube. I was a little bit skeptical as I’ve tried a lot of fibre mascaras in the past and they always seem to make the lashes clump and look askew. Well, this mascara is a revelation. It gives beautiful full thick lashes with plenty of lift. I added a few individual lashes from my own range for extra glamour. Needless to say she didn’t get it back!!! Another product Dannii introduced me to, and I was completely blown away with, was a pressed powder from a company called Latonas. It’s called Invisible Blotting Powder and OMG it’s so finely milled it doesn’t read at all on the face. You can literally keep applying this all day and it will never cake! It is the perfect product for male grooming too. It’s designed

by Australian make-up artists Abigail

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49

// L I Z M A R T I N S //

Johnston available

their ama

leave wit

too. I intr

Creme. A

want to u

even out

of her sk

of HD TV

and thes

needs an

conceale

all you ne

Finally Rankin’s

called Lo

Lois Wins Lois Winstone’s fierce look uses MAC Paint Pot in Blackground

Ray Wins

powerful

– who a

MAC’s Pa

black wit

creating d 50

W W W .T WO -- M AGA ZI N E. CO M

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n and Corinne Rees and is

that blends really easily so I don’t have

online. I can’t wait to try more of

the hassle of shadow fall on the face. I used

azing products! Dannii didn’t

a little of Tom Ford’s Titanium Smoke

thout learning about new things

eyeshadow palette over the top to add

roduced her to Estee Lauder’s BB

extra dimension. I love the texture of these

As Dannii has flawless skin I didn’t

rich palettes. I used the silvery grey to give

use a base, just a veil of colour to

the eyes brilliance as it has glittery particles

t her skin tone so the luminosity

in it that really shine. A lick of DiorShow

kin shines through. Since the dawn Mascara and a strong brow completed

V I hate using anything too heavy

se are just perfect. If a client

the look.

I absolutley adore HD Brows brow

ny extra coverage I will use a little

palettes for creating beautiful brows.

er but otherwise the BB Creme is

There’s a palette for every hair colour and

eed for fresh looking skin!

my brow queen at the moment is the

y I did a shoot for photographer

gorgeous Cara Delevingne. For those who

Hunger magazine with a band

ois And The Love. Front woman

have over-plucked, get your brows in shape by using RapidBrow Eyebrow Enhancing

stone (yes, legendary British actor Serum. This miracle product will give you

stone’s little girl!) is a very

more brow density for fuller and thicker

l character and wanted fierce eyes brows in 60 days!

am to argue with that?! I used

aint Pot in Blackground. A grey/

Have a great Christmas make-up mavens, see you in the New Year!

th multicolour that is perfect for

dramatic eyes. It’s a cream format W W W .T WO -- M AGA ZI N E. CO M

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51

// I C O N S //

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WITH A VOICE SO SWEET IT MADE JAMES BOND WEEP, ADELE’S RAPID RISE TO STARDOM HAS SEEN HER BECOME ONE OF THE MOST SUCCESSFUL ARTISTS IN THE WORLD AND A RELUCTANT STYLE ICON FOR HER GENERATION P H O TO S

L A U R E N DU KO FF

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53

// I C O N S //

“I like HAVING MY HAIR FACE DONE , BUT I’M N GOING TO LOSE WEIGHT

TELLS ME I MAKE MUSIC TO MUSICIAN not TO

someone

A

THE

54

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cover

OF

PLAYBO

R AND NOT

“I cried.” James Bond actor Daniel Craig’s reaction to first hearing Adele’s theme

because

song for the Bond movie Skyfall. It goes to

TO.

show that even Hollywood action heroes

E

O BE

are reduced to blubbering wrecks when

O BE ON

Adele takes the mic!

OY.”

Adele Laurie Blue Adkins was born in Tottenham, north London and quickly developed a passion for music. At the age of 15 she discovered a collection of Etta James and Ella Fitzgerald records at a local junk shop. “When I listened to the Ettas and the Ellas, it sounds so cheesy, but it was like an awakening. I was like, oh, right, some people have proper longevity and are legends”.

In 2006, Adele’s three track demo for a school project was posted on social media site Myspace. Independent label XL Recordings offered her a contract “I never, ever thought I’d get signed. The A&R guy emailed me and I was ignoring it… I didn’t realise they (XL) did all these amazing names…”.

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55

// I C O N S //

Her debut album, 19 was a success and received two Grammy Awards. Her second album, 21, broke records around the globe. It also brought Adele more awards, including a further six Grammys.

Having conquered the world Adele announced that she and partner Simon Konecki were expecting a baby and their son was born in October 2012.

Adele’s epic voice and heart-felt lyrics have established her as one of the most success musicians in the world. Her look is also one of the most distinctive. Whether it’s a 60s beehive or soulful curls, she is never seen without her statement lashes and of course those fabulous cheekbones.

We love her voice and we love her style. Adele truly is a modem icon.

PRODUCTS USED OILATUM NATURAL REPAIR FACE CREAM MORE INFO

56

ILLAMASQUA SKIN BASE FOUNDATION 07 MORE INFO

REAL TECHNIQUES CHANEL BRONZER CLINIQUE LINE BUFFING BRUSH MORE INFO SMOOTHING MORE INFO CONCEALER 03 REAL TECHNIQUES MORE INFO DOMED SHADOW BRUSH SLEEK MAKE UP MORE INFO CONTOUR KIT MORE INFO

W W W .T WO -- M AGA ZI N E. CO M

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SLEEK MAKE UP LUMINOUS PRESSED POWDER MORE INFO

MAC NUMBER 7 LASHES MORE INFO

AVON SUPER MAC STRIPDOWN MAC SHOCK LINER CLINIQUE HIGH LIPLINER EYESHADOWS MORE INFO IMPACT MASCARA MORE INFO MORE INFO MORE INFO DUO GLUE MORE INFO

MAC SHY GIRL LIPSTICK MORE INFO

CLINIQUE BRUSH ON LINER MORE INFO

W W W .T WO -- M AGA ZI N E. CO M

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57

// B E A U T Y //

PHO T O GRAPH ER

KE ITH CL OUST ON MAKE-UP ART IST

L UCY MCKEOWN MO D EL

S KYE VICTORIA WWW.KEIT H CLO U ST O N . CO M TWIT T ER: @KEIT HCLO U ST O N WWW.LUCY MC- M AK EU P. W EEBLY. CO M TWIT T ER: @LUCY F ER R R

B EA U T Y E YES

ILL A M ASQ UA N EUTR AL PALE T TE: STE ALTH ALL OVER LID TO EYEBROW WO LF LIG HTLY BLEN D ED INTO CRE ASE ILL A M AQ UA M ASQ UAR A IN R AVEN LIPS

ILL A M ASQ UA M ED I U M PEN CIL IN THR ASH ALL OVER THE LIP ILL A M ASQ UA SHEER GLOSS IN EN CHANT ALL OVER ILL A M ASQ UA PIGM ENT IN IN CITE DABBED INTO THE CENTRE AN D BLEN D ED O UT

58

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Y W W W .T WO -- M AGA ZI N E. CO M

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59

// B E A U T Y //

60

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EYES

ILL A M ASQ UA N EUTR AL PALE T TE: STE ALTH ALL OVER LID TO EYEBROW WO LF LIGHTLY BLEN D ED INTO CRE ASE ILL A M AQ UA M ASQ UAR A IN R AVEN BR O W S

M U FE WATERPRO O F EYEBROW CO RRECTO R IN #0 VASELIN E TO SMO OTH INTO SHAPE CHEEK S

VERY LIGHT SWEEP O F ILL A MSQ UA “K ATIE” POWD ER BLUSH LIPS

O CC LIP TAR IN R AD IATE LIN ED WITH BEN NYE LIP PEN CIL IN RED

W W W .T WO -- M AGA ZI N E. CO M

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61

// B E A U T Y //

E YES

ILL A M ASQ UA N E UTR AL PALE T TE: STE ALTH ALL OVER LID TO EYEBROW WO LF LIG HTLY BLEN D ED INTO CRE ASE ILL A M AQ UA M ASQ UAR A IN R AVEN C H EEKS

SLEEK “BLUSH BY 3” IN L ACE ARO U N D TE M PLE AN D CHEEK BO N E LIPS

BARRY M LIP PAINT IN LP129 PALEST L AVEN D ER

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63

// B E A U T Y //

64

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EYES

ILL A M ASQ UA N EUTR AL PALE T TE: STE ALTH ALL OVER LID TO EYEBROW WO LF LIGHTLY BLEN D ED INTO CRE ASE ILL A M AQ UA M ASQ UAR A IN R AVEN CHEEK S

SO F T SWEEP O F ILL A M ASQ UA POWD ER BLUSH IN K ATIE LIPS

NYC (N EW YO RK CO LO U R) 16 H O U R SMO O CH PRO O F LIP STAIN IN BERRY LO N G TI M E

W W W .T WO -- M AGA ZI N E. CO M

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65

// T H E M O M E N T //

# themoment Tweet your ‘behind the scenes’ pics to @TWOmagazine (CLICK NAMES FOR T WIT TER , FA C E B O O K O R W E B L I N K )

Photo: Krystall https://twitter.com/KateGowing LFW, amazing, Jeffery Michaels, fashion and experience.

Photo:https://twitter.com/lotstar Francesca Perren Jarlo Clothing Beauty Natural, Summer Lookbook 66

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https://twitter.com/rachelmakeup73

Diane Hamilton MUA Baroque Inspired Photoshoot

https://twitter.com

Photo: Rachel Wo Heading home afte

https://twitter.com/KateGowing

Photo: Amanda Bowen https://twitter.com/KateGowing

www.twitter.com Kendrick Lamar shoot at Red a Studios London

m/rachelmakeup73

ood er a long shoot

m/amandahbowen

www.twitter.com/KateGowing

https://twitter.com/AlexisM_MUA

Photo: Victoria Doncel_ www.twitter.com/KateGowing

Photo: Victoria Doncel_ www.twitter.com/leepycroft

https://twitter.com/lotstar

Photo: Francesca Perren Jarlohttps://twitter.com/athenaskouvakis Clothing Beauty Natural, Summer Lookbook W W W .T WO -- M AGA ZI N E. CO M

I S S U E 02 // N OV E M B ER 2012

67

// B E A U T Y //

PHOTO GRAP H ER

MAR TIN HIG GS MAK E-UP ART IST

S H ON AG H S CO T T ( ShowMe MakeUp ) MODEL

K A TE E R R IN GTON

WWW.MART INH IGGS. CO . U K WWW.SH O WME-MAK EU P. CO . U K TW ITTER @SH O WME M A K EU P

BEA UT 68

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TY W W W .T WO -- M AGA ZI N E. CO M

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69

// B E A U T Y //

PHOTO GRAP H ER

MAR TIN HIG GS MAK E-UP ART IST

S H ON AG H S CO T T ( ShowMe MakeUp ) MODEL

K A TE E R R IN GTON

70

71

// B E A U T Y //

PHOTO GRAP H ER

MAR TIN HIG GS MAK E-UP ART IST

S H ON AG H S CO T T ( ShowMe MakeUp ) MODEL

AL ICE CHR IS TIA N

BEA UTY 72

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73

// B E A U T Y //

P H O TOG R A PH ER

M AR TIN HIGG S M A K E -UP ART IST

S H O NAGH S COTT M O DE L

A L IC E C HR IS TIAN

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75

// A R T I S T P R O F I L E //

NM

E

IT WAS ALWA ‘WINNER OF SCHOOL, BU IN STONE AS RECEIVED NU NA MES IN FA LINE. PASSIO P H O TO

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T H OMA S S

EIL

M

OODIE

AYS GOING TO BE TOUGH LIVING UP TO THE TITLE OF THE BEST HANDWRITING COMPETITION’ AT INFANT T NEIL MOODIE HAS M ANAGED TO CARVE HIS NA ME S A HAIR STYLIST AT THE TOP OF HIS GA ME. NEIL HAS UMEROUS ACCOL ADES WORKING WITH THE BIGGEST ASHION AS WELL AS CREATING HIS OWN PRODUCT N FIRMLY UNDERLINES HIS WORK ETHIC AND TALENT

S ILVER MAN

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77

// A R T I S T P R O F I L E //

When and why did you

around with my hair and

decide that you wanted

other friends’ hair, colouring

to become a hair stylist?

it and cutting it into

When I was at school

different styles all the time

I really wanted to be

so I just thought one day,

a journalist but my English

OK, I’m going to become

teacher and I didn’t exactly

a hairdresser.

see eye to eye so she didn’t Are you self taught or did

“I WAS always

you have formal training?

I was amazed at how he revolutionised THE WORLD of hairdressing

under the then new YTS

a VIDAL SASSOON FAN.

in a away THAT WILL probably NEVER

happen again.”

I did a 3-year apprenticeship Scheme in England. I grew up in Birmingham and began at a salon in the centre of the city, which had a mix of ex-Vidal Sassoon stylists and

really support it as an

ex-Raymond (Teasy Weasy)

idea with my careers advisor stylists. So I had the best so I was stuck for something of both worlds being taught to do. Because it was the

Sassoon haircutting

80s I was always messing

techniques and Raymond Hairdressing/styling skills.

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VOGU E CH I NA P H O TO PA WA L PS H A I R NE I L MOO D M A KE - U P E B A R A M O D E L JI A JI NG

S YZ DIE

Did you ever look up to or aspire to be like any other hair stylist?

I was always a Vidal Sassoon fan. I was amazed at how he revolutionised the world of hairdressing in a way that will probably never happen again. Well, not in my lifetime anyway.

Who or what has been the biggest influence on your career?

Many things and people have had influences on my career. Miriam Glynn, the stylist who first trained me, was always a huge encouragement and also inspired me to move to London. Glynn sadly died of cancer. Stuart, who W W W .T WO -- M AGA ZI N E. CO M

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79

// A R T I S T P R O F I L E //

V OGUE T URK E Y JEM M IT CH E L L HAIR NEIL M OO DI E PHO T O

KA Y MONT A N KA R L I NA CA U N

M A KE - U P MODEL

also trained me, was a great influence (I don’t remember his last name).

My other huge influence was the late photographer Corinne Day, who gave me my break into the fashion industry. She taught me what to look for in a picture and taught me about the small attentions to detail.

Do you think hair and make-up influence each other regarding trends or are quite diverse of one another?

It really depends. Sometimes they influence each other, then other times when they juxtapose each other that can work well too.

Either way they have to

80

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PA T RIC K D E MA R CH E L I E R HAIR NE I L MO O DI E M A K E-U P HA N NA H MU R R A Y M O DEL A R I Z ONA MU S E

PHO T O

PHO

NO NE

OTO

somehow compliment

people (with more in the

each other.

pipeline) and I don’t think I could have done that so

You blog quite regularly

easily had I not known

including in-depth

them professionally, but

interviews with various

I have done those purely

industry people, do you

because I have wanted to

view this as an integral

and not necessarily for any

aspect of what you do

professional gain.

professionally or is it something you enjoy as

In addition to your blog,

a side project?

there’s also the Windle &

My work as a session

Moodie YouTube channel…

stylist is rewarding a lot of

What do you think are the

the time but can also be

key areas of importance

restricting so I started my with social media regarding blog as a side project that

the fashion/hair/make-

would give me a platform to up industry? do exactly what I wanted

The fashion industry –

to do creatively without

including hair and make-up

any restrictions.

– has so much exposure in

I’ve been lucky enough N I CK D OR E Y

the media these days that

to do in-depth interviews with some big industry W W W .T WO -- M AGA ZI N E. CO M

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81

// A R T I S T P R O F I L E //

in a weird way it lost

Like all the best ideas,

some of its elitism, as it

was the plan for WAM

was always such an

tools conceived in a pub

untouchable industry, so

over a few beers?

I think it’s important for

WAM started out as

people like myself to now

a simple question to Paul

have an outlet where I can

Windle one day, which

post my own videos with

was me enquiring about

professional tips and

why he didn’t expand the

insights into trends that

Windle electrical range

are actually coming from

which consisted of just

somebody who’s already

a ceramic straightening

very well established in

iron at the time. Paul

the industry, rather than

basically said he was too

from some random person

bogged down with other

in their bedroom just

projects to focus on that

making stuff up. As

too so I offered to help

a hairdresser within the

him if he was interested

fashion industry, I think

as I felt there was a lot

its important to claim

of bad electrical tools

some of our professional

available in the UK at the

territory back.

time. Since the launch of WAM I think this

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has improved but I don’t necessarily think it’s because of WAM, or maybe it has had a small influence, who knows?

Do you feel the industry has changed since you first started?

Yes massively. As I said before I don’t think it feels as elitist as it used to be because it’s become a little like the X Factor where anyone can have a go, and why not. However, I strongly believe that it sorts out the men from the boys pretty quickly because you don’t last that long if you’re crap!

FIRST SHOOT F OR THE FA C E M A GA Z INE PHO T O CORINNE DA Y W W W .T WO -- M AGA ZI N E. CO M

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// A R T I S T P R O F I L E //

You need to know your craft and I think the problem with a lot of young people these days is that they want the fame much more than wanting to just be great at their job.

There’s Windle & Moodie, the salon, fashion shoots, Iconic Heads, Bumble and Bumble, your blog…

You seem so busy with so many things going on, what do you switch off and recharge the batteries?

Ha ha! Yes, I’ve made myself pretty busy with all these projects on the

“ I think it’s

people LIKE myself TO

IMPORTANT for

NOW HAVE an outlet

WHERE I

can

post

my OWN videos with PROFESSIONAL

TIPS

and INSIGHTS INTO

trends ”

go and sometimes I have to remember to take a deep breath.

I try to do Ashtanga Yoga as much as possible and I’ve taken up tennis lessons and Squash in the last year as I hate going to the gym but exercise is good for the mind as well as the body so I needed to find something to do

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that was sporty. I’m loving doing both at the moment.

I also love to walk my dog to help clear my mind.

Sometimes I run with him around the park and other times I just walk very slowly and have a good old fashioned think.

V O GU E GE R MA NY PH O TO DA NI E L JA CKS ON HA I R NE I L MOO DI E M A KE - U P Y A DI M M OD E L S A S KI A DE B R A U W

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85

// T R E N D S //

H

ST RI

MAS 2 01

C

2

J Dark

INGLE BELLS, JINGLE BELLS..

Can you hear the festive season

Eye Tr e n d s

sneaking up on us?

Christmas is our favourite time

of year. Not only do all the family

come together to celebrate but we

also get to wear much more make up and in strong bold colours...

+BL AST FROM T H E PA S T EASY PINK M AKEUP WI T H G L I T T ER!

And don’t forget plenty of GLITTER

In this exclusive video we show

you how to create a fabulous festive dark eye. Enjoy! Nic XX

PRODUCTS USED DIOR FOUNDATION NUDE 020 MORE INFO

86

MAC STUDIO FINISH CONCEALER MORE INFO

MAC 217 MAC 211 MAC 239 REAL TECHNIQUES REAL TECHNIQUES DOMED SHADOW BRUSH BRUSH BRUSH MULTI TASK BUSH BRUSH MORE INFO MORE INFO MORE IN MORE INFO MORE INFO MAC 266 M REAL TECHNIQUES BRUSH B TOPSHOP BUFFING BRUSH MORE INFO M GEL LINER INK MORE INFO MORE INFO

W W W .T WO -- M AGA ZI N E. CO M

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..

n

e

e

R!

w

e

9

NFO

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ILLAMASQUA INTIMICY LIPGLOSS MORE INFO W W W .T WO -- M AGA ZI N E. CO M

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87

// P R O A R T I S T S //

PHOTO

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JOH

WHAT THE PROS CARRY A L EX B AB SK Y

Basic Kit Essentials

What inspired you to get into make-up and did you immediately know that’s what you wanted to do?

I completely fell into make-up – it wasn’t what I planned to do at all. I studied fashion at St. Martin’s College of Art. As students, once we’d designed and made garments, we’d have them photographed on a model so that we could include them in our portfolios. I started to make my models up the way I wanted them to look in my photos and before long other students were asking me to do the same for them. I took to make-up pretty immediately and I liked it for the same reasons that I’d wanted to study fashion in the first place – I could make people look how I wanted them to – but I loved

HN-PAUL PIETRUS W W W .T WO -- M AGA ZI N E. CO M

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89

// P R O A R T I S T S //

how much more immediate people’s faces felt pretty changing someone’s look

natural to me. I guess I had

with make-up was than

pretty much of a natural

designing clothes for them.. aptitude for it and by the mid-nineties I was

90

“ I remember on years ago,fin a model’s make at a Versace where I was as Pat,and her s “That’s great make it more.

Where did you train or are

making up friends to go

you self taught? I learned

clubbing several times

pretty much on-the-job.

a week – I’d generally do

As I said, I started out

something pretty extreme

stylist introduced m

by just daubing make-up

that would take hours,

The closest thing

onto my models at

but at that age the ‘getting-

to any proper trai

fashion college. I paid

ready’ was the best part of

was a while later w

close attention to fashion

the evening. One evening

I had the incredibl

magazines at the time

out, a photographer who

fortune to start ass

and had a pretty good

was just starting out

Pat McGrath (who

feel for what was current

asked one of my friends

is self-taught). A f

and what I liked make-

who’d done her make-up,

of a friend at colleg

up-wise, but I certainly

so we got chatting and

trying to put toget

had no experience or

I started working on little

a fashion show wit

education in applying

jobs here and there with

money and asked

make-up. I had always

him, and then later

I would come and

been interested in Art and

with a stylist he worked

her make-up artist

had always drawn and

with, and in turn other

who was at that p

painted, so drawing on

photographers that the

pretty much at the

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nce, nishing ke-up show ssisting saying t – but .”

me to.

I had

ining

when

le good

sisting herself,

friend

ge was

ther

th no if

d help

t, Pat,

point

e start

PHOTO

LOWE SEGER

FOR

DANSK MAGAZINE

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// P R O A R T I S T S //

of her career and mostly

world alight and her career

shooting i-D. It went well

went stratospheric. I

and I was really excited

continued assisting her for

when Pat asked me if I’d

shows and I’m so grateful

do the rest of her shows

to her for providing the

that fashion week with

closest thing to any real

her. I agreed, of course,

make-up training that

but the whole thing still

I received. It was so inspiring

felt like nothing more

and exhilarating watching

than an enjoyable hobby,

her come up with the most

I certainly hadn’t started

amazing make-up on the

thinking that make-up

best models in the world at

could be my career at that the most breathtaking shows point. I didn’t really think season after season. I really much more about it until

couldn’t have had a more

the following season when privileged introduction to I got a call out of the blue

make-up and I’m forever

from Pat’s agent saying

in her debt. Later on

“Pat’s got the Prada show

I also assisted Lisa Butler

in Milan next week and

and Linda Cantello who

you need to go as part of

both do the most

her team.” From then on

exquisitely beautiful

Pat’s genius set the fashion

make-up and whose work continues to inspire me.

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What’s the best bit of advice a fellow professional has ever given you?

I remember once, years ago, finishing a model’s make-up at a Versace show where I was assisting Pat, and her saying “That’s great – but make it more.” It really stuck with me. She didn’t mean more make-up, she meant make the ‘idea,’ the ‘statement,’ the ‘gesture’ of the make-up, more.

Often I get to the point where I’m happy with a model’s make-up as I’m looking at her face, but once it enters into the magical two-dimensional world of a photograph, it becomes ‘normalised’ and less remarkable, so

PHOTO

KATE BELLM

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// P R O A R T I S T S //

you need to make the idea test shoots I did when of what you were trying

I was just starting out out,

to achieve a little more

there was so much going

extreme: if the statement

on, I was overflowing

of the make-up you’re doing with ideas; there’d be is eyeliner, make the line

a statement eye, and a lip,

longer, if you’re trying

and some contour, blush,

to make an impact with

probably lashes - the works.

a velvety mouth, make it

Over time, the impact that

more matte - this is the

I want to create with

‘more’ that Pat meant.

make-up hasn’t lessened, but the means by which

How do you think your

I want to achieve it has.

work has evolved since

When I began, I wanted

you first began working

to get my idea across as

PHOTO

EMMA TEMP

PHOTO

DIANA GOM

professionally? I think this boldly as I could, but now is pretty much true for all

I want to distil the idea

make-up artists; over time

down to create a much

what evolves at least as

simpler statement, and

much as your skill is your

I think this is how my

eye. When I look back at

work has evolved over time; my eye has become more discerning.

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PEST

MEZ

Which one product do you wish you could have (or create) to make your life easier? I can’t imagine how it could ever be possible, but I’d love it if someone could invent the

“ When I began, I wanted to get my idea across as boldly as I could, but now I want to distil the idea to create a much simpler statement.”

equivalent of a nail polish for the lips: A super-glossy

for air travel that prohibit

finish that could set and

carrying creams and

wouldn’t drip and which

pastes onboard a flight I’ve

hair wouldn’t get caught in.

given up. Now I just have to risk putting my whole

FOR

VOGUE

How do you carry your

kit in the hold. A couple

kit when you’re flying… do

of times I’ve fallen foul of

you put it in the hold, take

sloppy baggage handling

it as hand luggage or split

and have had to make a mad

it between both? I used to

dash around the beauty halls

take a mini-kit in my hand of an unfamiliar store in luggage with just the most

a foreign country when my

essential things I’d need

luggage hasn’t arrived on

to do a make-up when

the same flight as me.

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PHOTO

JOHN-PAUL PIETRUS

When you’re creating a new

kind of scenario I usually

look, what is your creative

begin the make-up with

process… Where do you

just the vaguest feeling

find your inspiration?

of the direction I’d like

It really varies depending

it to take, and somewhere

on the job. Often I don’t

between starting the

have much of an idea of

make-up and putting down

what kind of thing I’ll be

the brushes, the idea has

shooting until I arrive at

somehow solidified into

the job and have to come

a definite look. I’m still

up with something pretty

not quite sure exactly how

much on the spot. In this

this happens – it’s like a magical development

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between what I want to

we can proceed pretty

achieve, and how the

confidently with the look.

model’s features

When I’m working with

reinterpret it. Whenever

a celebrity and want to

possible though, I prefer

move their make-up look

to work with as much of

forward into territory that

an idea of what I’ll be

may be slightly out of

shooting beforehand,

their comfort zone, I like

that way I can get together

to make sketches to show

suitable references and

them how they’ll look

ideas in my sketchbook.

with the make-up I’m

These can come from

proposing – this way I can

anywhere: movies, books,

be sure they’re getting an

exhibitions, anything

accurate visual idea of

visual really – sometimes

how they’ll look in a way

it can be as simple as the

they wouldn’t if I simply

combinations of colours

explained it, and this usually

in a passer-by’s outfit.

reassures them that they

By preparing references

can have confidence in

beforehand like this, I can

what I’m suggesting.

be sure I’m on the same page, visually, as the stylist, hairdresser and

T W IT TE R : @ B A B S KY M A KE - U P

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Basic Kit Essentials

Your phone rings, it’s oot a brief for a dream sh of the but you have to be out the door and on your way to tes… airport within 15 minu What do you pack

ALE X BABSKY

27 20

18

21

19 16

24

17

22

23 25

14 15

01) Cl 02) M 03) M 04) Bo 05) L a W

13 12

08

26 10

11

09 07

06 03 05

35 04

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02

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01

3

larins Kohl eye pencil MAC “Boldly Bare” lip pencil MAC Eye Brows obbi Brown Long-Wear Gel Liner ancome “Hypnose” Waterproof Mascara 28

29

31

30

32

33

06) Lancome “L’Extreme” Mascara 07) Shu Uemura Eyelash Curlers 08) Shu Uemura blush palette 09) Givenchy Magic Kajal pencil 10) MAC “Wedge” eyeshadow 11) MAC “Carbon” eyeshadow 12) Bobbi Brown “Mahogany” eyeshadow 13) Tom Ford Cream Eyeshadows 14) Lancome “Rouge In Love” Lipsticks 15) Sketchbook 16) Make-up Forever 12 Flash Colour Case 17) Lip palettes (filled with various brands) 18) YSL Rouge Pur Couture lipsticks 19) MAC Lipglass 20) DUO Adhesive 21) Ardell & Eyelure False lashes 22) Shu Uemura Loose Powder 23) Giorgio Armani Luminous Silk Foundation 24) Embryolisse Lait-Creme Concentré 25) Laura Mercier Secret Camouflage 26) YSL Touche Éclat 1 & 3 27) Lancome Eau Micellaire Douceur 28) Lancome Tonique Douceur 29) Lancome Galatée Confort 30) Giorgio Armani Fluid Sheer 31) Biotherm Baume Corps 32) Bobbi Brown BBU Face Palette 33) MAC & Shu Uemura Brushes 34) Tweezerman tweezers 35) Dermacolor Camouflage Cream

(put into palette)

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// I N F O C U S //

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Jeff Vespa W W W .T WO -- M AGA ZI N E. CO M

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Just reading about Jeff Vespa is exhausting.

‘Celebrity photographer’ is probably what Jeff is best known as but this merely scratches the surface. Like other high-profile photographers such as Rankin, Jeff seems to fearlessly switch between different creative disciplines with great success JEFF VESPA PHOTOGRAPHS ASHLEY BENSON AT THE 2012 TORONTO INTERNATIONAL FILM FESTIVAL PHOTO CHARLES LEONIO/ GETTY IMAGES

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// I N F O C U S //

A MB E R H E A R D

S

nogging Penny Pingleton whilst appearing as a character actor in the movie Hairspray at the age of 16 is surely a sign that you’re not destined to lead an ordinary life in Baltimore.

Creativity was obviously coursing through Jeff’s veins and he was an active member of the local graffiti scene. Born Jeff Meyer, Vespa was his grafitti tag and the name stuck. Jeff eventually made his way to LA where he studied at the American Film Institute.

An interest in photography saw 15 yearold Jeff borrow his Mother’s camera to document his friends, but it was years later that Jeff’s first proper assignment came after seeing an online ad that was ‘Looking for a photographer for red carpet events.’

He was sent out hours after calling and armed only with a 50mm lens managed to land some solid images of the Bulworth premiere that starred Warren Beatty. The agency was so impressed that they hired him. From then on, Jeff’s celebrity portfolio grew and he would eventually set up his

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J AV IE R B AR D EM

J AS O N B ATE MAN 104

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own online photo agency. WireImage would follow a couple of years later with the involvement of eight other partners.

Jeff is credited with being the founder of the image library grid system that would become the industry standard. In 2007, the founding partners sold WireImage (Media Vast) to Getty Images for $207m.

Jeff has spent more than a decade as a photography powerhouse. The official photographer of the Sundance Film Festival and the Toronto International Film Festival, celebrity book collaborations and a stint as the Editor-at-Large of LIFE.com up until earlier this year.

Do you ever feel there’s a time when the page is turned and you have to move on and try something new and challenging?

“I am always challenging myself, every project I do is self generated. No one is telling me what to do, so every morning when I wake up it is a challenge to figure out what I am going to do next.”

Jeff has professed a love of filmmaking and in 2008 wrote, produced and directed ZHAN G Z IYI W W W .T WO -- M AGA ZI N E. CO M

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// I N F O C U S //

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DA V ID A RQUETT E

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// I N F O C U S //

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Nosebleed, a short film starring David Arquette. “I’ve found that moviemaking, more than the photography, is that place where I can express myself the most.”

Jeff’s most recent venture is Verge, an online magazine dedicated to discovering new talent. www.ver-ge.com launched last month featuring video content along with his trademark photography. Do you see the content being more film driven given that you find this so creatively satisfying?

“Verge is the place that I can feel like one person, instead of a photographer on one side and a filmmaker on the other.

It allows me not to have to explain to people what I do. It is really satisfying to be shooting and directing every week.”

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CELEBRITY M AKE-UP ARTIST, RACHEL WOOD TELLS US ABOUT THE CLOSE FREINDSHIPS THAT CAN DEVELOP BETWEEN THE TALENT AND MUA It warmed my heart watching Meryl Streep give her Best Actress (for The Iron Lady) speech at the the 2012 Oscars, dedicating it to her make-up artist Roy Helland. Helland also won an Oscar for his make-up in The Iron Lady. The two have worked so closely for so many years and there’s an amazing bond between them.

An MUA’s attitude, personality and the way they get along with the talent can impact a career as much as their artistic skill. If a job involves long days of filming or travelling, people want someone who not only makes them look and feel good but someone they are comfortable to be around too.

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Film M

It also got me thinking

R ACH EL ON LOU I SE :

about how blessed I was

We met backstage years

in my career to have such

ago at the Clothes Show.

a lovely connection of my

I ran the make-up team for

own working with TV

the fashion theatre and she

presenter and fashion

was hosting. We clicked the

journalist, Louise Roe.

moment we met. Louise has model features to work on and the most amazing

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“IT was A L to be ON

and there WE

exhau HOME SICK WHEN

TAKE

HO

LOUISE

so UNDERS and SUPP

ming Plain Jane in Marrakech, Morocco

skin! Though she lives in LA supportive. I’m so grateful and I live in NYC, not much to her for the opportunities time passes by until we’re

she’s given me. She has

working together again. It

become a part of my life

began with her coming to

like family. As the show has

NYC for fashion week and

grown, Louise has also been

to work on MTVs The City.

very generous in letting me

Louise told me about a show have creative involvement in the works called Plain

regarding the makeovers.

Jane and would I come out I now appear as the to work on it? I did and have on-camera MUA working been living out of suitcases

on all the ‘Janes’. Also my

since! We recently wrapped experimentation of make-up a five-month filming schedule looks on Louise has grown.

LONG TIME

the ROAD

ERE TIMES

ustion AND KNESS would

OLD but was JUST

STANDING

PORTIVE.”

of series 3, shown in over

She’ll often tear out

66 countries on MTV. We

references and show me

took over 40 flights in that

photos of ideas. It’s such

time and it was a test of

a blast to work with her.

my human strength. It was

There are some parts to

a long time to be on the

her everyday look that she

road and there were times

likes to keep consistent like

when exhaustion and

her brows which are

homesickness would take

groomed in a certain way

hold but Louise was just so understanding and W W W .T WO -- M AGA ZI N E. CO M

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115

w

sort of Audrey Hepburn-

I’m currently writing this

her glam team. Jess

esque (Benefit Brow Zing

from Hollywood where we

so sweet and her tea

kit in Dark and 266 MAC

are just finishing the second hilarious! Creatively

brush) and I almost always

season of NBCs TV show

been very exciting

do some sort of top black

Fashion Star with Nicole

part of and we’ve spe

cream liner (MAC Black Trax

Ritchie, Jessica Simpson

of time together w

with a super thin brush) and a pair of 117 Ardell Lashes but the make-up looks vary depending on her outfits and hair style.

With Louise being Fashion Editor at Large for USA Glamour, I’ve picked up an incredible amount about fashion from her. Like most

on ideas to complim

“SOMETIMES she’ll

“I COULDN’T sleep LAST night

outfits for the show

SAY

important to me th

BECAUSE I came UP

just to see Louise’s

try!”

LOUISE ON R AC

with NEW ideas FOR us TO

WE

experiment A lot.”

week that people tu

Rach is my sister fr another mister and

her! Working togeth

5am on 13-hour day

make-up artists, I used to wear a lot of black but now

and John Varvatos (who

five months straight

I branch out a lot more into

were all so nice and lovely

Jane), you get prett

colour and print. Recently

to work with). Louise has

She always keeps m

we filmed a series of beauty

taken over the host role

smiling and laughing

school type web videos in

from Elle McPherson. We

met at the Clothes S

NY for You Tube: Look TV.

shared a make-up room

in the UK years ago

[ CLICK HERE TO WATCH ]

with Jessica Simpson and

I immediately liked h

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sica is

Filming Plain Jane Arctic circle, Kirkenes, Norway

am were

y it has to be

ent a lot

working

ment her

w. It was

hat each

uned in look.

CHEL:

rom I adore

her at

ys for

t (Plain

ty close!

me

g. We

Show

o and

her.

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Rachel’s quick, has the

Because of her, I can now

amazing ability to do hair as

glue my own lashes (Ardell),

well as make-up (a rarity)

I know the difference

and with my make-up,

between pink-based and

she always makes me feel

yellow-based concealers

elegant and chic. Not like

(I love MAC), I can attempt

I’m overloaded with thick

a contour (Chanel) and

foundation and too much

a peachy cheek (Benefit’s

mascara, but like a cuter

Coralista) and I do a pretty

version of myself, which

awful but quite entertaining

gives me lots of confidence!

New York accent!

I also love her passion for what she does. Sometimes

R A CHE L :

she’ll say “I couldn’t sleep

Oh and for the record her

last night because I came

NY accent ain’t half bad!

up with new ideas for us to try!” We experiment a lot, for example on Fashion Star, we’ve come up with a new hair and make-up look for every single episode, to compliment my outfits.

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W W W.LO U IS ERO E.CO M T W I T T ER:@ LO U IS ERO E W W W.R ACH EL M A K E- U P.CO M T W I T T ER: @ R ACH EL M A K EUP73

TOP PRODUCTS I USE ON LOUISE Filming Plain Jane in Madrid, Spain

MAC: FACE AND BODY C3, BLACK TRAX GEL EYELINER, PINK GLOW BLUSHER, MAC MED BLOT, FASCINATING PENCIL, REFLEX GLITTER IN GOLD ARDELL: 117 LASHES DUO GLUE BENEFIT: ERASE PASTE 2, BAD GAL LASH MASCARA, CORALISTA, STAY DON’T STRAY PRIMER, BROW ZINGS KIT IN DARK NARS: GINA BLUSHER, BRONZING OIL CHANEL: SOIEL TAN BRONZING CREAM ST TROPEZ SPRAY TAN JESSICA COSMETICS GELERATION NAILS MII LIPGLOSS IN FLOW L’OREAL LIPSTICK COLOR RICHE 401 KRYOLAN: NATURAL PALETTE EYE SHADOWS, SHIMMER PALETTE EYE SHADOWS MAKE-UP FOREVER: HD PRIMER, GLITTER GIVENCHY MATTIFY CREAM MARK COSMETICS BLOTTING PAPER RIMMEL BROWN EYE PENCIL PHILOSOPHY HOPE IN A JAR BOBBI BROWN MATTE EYESHADOWS: NUDES, BROWNS AND BLACK TOM FORD LIPSTICKS, CORAL, RED, BABY PINK LOUISE HAS GIVEN ME A FEW MAKE-UP TIPS OVER THE YEARS, MY FAVOURITE IS USING GIVENCHYS PHENOM EYES MASCARA IN WATERPROOF FOR THE BOTTOM LASHES – THE BALL SHAPE BRUSH MAKES IT GREAT TO APPLY & NO SMUDGING W W W .T WO -- M AGA ZI N E. CO M

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// F R O M T H E V A U L T //

…B E C AU S E S O M E T H I N G S A R E WO RT H WATC H I N G AGA I N

ABSOLUTELY FABULOUS TV SITCOM 1992 – 2012 SAUNDERS & FRENCH PRODUCTIONS BRITISH BROADCASTING CORPORATION WWW.BBC.CO.UK/ PROGRAMMES/B00JM3MS

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To get you in the holiday mood we thought we would drop in on our old friends Eddy and Patsy. It’s over twenty years since Ab Fab first appeared on TV here in the UK and Christmas wouldn’t be the same without a dose of festive fun courtesy of the fabulous inhabitants of the Monsoon household.

It’s Christmas sweetie!

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