Issue #03 December 2012
A
U REVOIR
+
A LEX BA BSKY GEORGINA GRAHAM NEI L MOODIE
Z H A NG Z I Y I JE FF VE S PA
P H O TO
Photography by Keith Clouston
DANIEL SANDLER PROFESSIONAL FINISH MAKEUP
WWW.DANIELSANDLER.COM TAX FREE SHOPPING TO USA & CANADA 20% DISCOUNT FOR PRO MAKEUP ARTISTS t:@DSandlerMakeup f:Daniel Sandler Cosmetics
W W W. I L L A M A S Q UA . C O M
#ImDreamingOf
// E D I T O R I A L //
S E D I T OR S
eason’s greetings! It’s been another crazy few weeks here at TWO. We’re glad that so many of you are reading the magazine and thank you for all your wonderful feedback on the social media wires. Keep it coming, we really love to hear you thoughts. This month is our special festive bumper issue. We’ve
Sam Chapman Nicola Haste C O N T E N T
Daniel Crawford Steve Shipley W O R D S
Kate Gowing Asher Coleman Lisa Kirwan Stacey Oakes
P RO OF I N G
Corinna Harrod ADVERTISING
Dom Smales
T 020 3040 2959 T W O MAGA Z I N E 12 D R Y D E N S TR E E T LONDON, WC2E 9NA UNI T E D K I N G DO M
D E S I G N
A P P P RODUC T I ON
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got interviews with leading industry figures coming out of our ears! We were privileged to catch up with legendary celebrity snapper Jeff Vespa. It’s amazing that he took time out to speak to us. There’s words of insight and inspiration from make-up maestros Alex Babsky and Georgina Graham, as well as innovative hair stylist Neil Moodie. This month we are also delighted to welcome the latest member of the TWO team as Liz Martins gives us the first of her regular features. Phew, it’s all going on! If you would like to submit work for possible inclusion in TWO please email submissions@two-magazine.com Happy holidays!
M A K I N G E Y E S SINCE 1999 ™
www.eyeko.com
LIZ MARTINS
Salon System have teamed up with top make-up artist Liz Martins; whose work includes shoots for Vogue, Elle, Tatler and celebrities Girls Aloud, Cheryl Cole and Shakira. Known as the Lash Queen, Liz has designed lashes for the Girls Aloud Tours and was brought in to revamp the make-up looks on the X Factor in 2010. Now she has brought her expertise to the launch of her very own lash collection – Liz Martins Lash Enhance, exclusively for Salon System.
DESIGN Explore your creativity, apply individually or layer lashes together in any number of variations for a totally unique and individual style.
SELECT Add volume and length to enhance and define. Natural and intense individual lashes.
THE COLLECTION... ELEVATION Dramatic lash that draws attention to the centre of the eye.
ENHANCE Combines depth and length to enhance and open the eye.
DEFINE Adds volume and definition to lower lashes.
INSPIRE Classic inspired lash with a touch of light.
TWO
CON T R I B U T O R S L I Z
M A R T INS
Liz is a make-up maverick with a passion for fashion and music – innovation and creation are at the forefront of her work! STA C E Y
O A K E S
Make-up artist, Pixiwoo course co-ordinator, blogger for Pixiwoo.com, PR and your contact to the Pixiwoos
KA T E
G O W I N G
TWO Magazine fashion insider, beauty reporter, photographer and lover of all things art. L I S A
K I R W A N
Professional make-up artist, writer, lover of art, words, music and all things British!
A S H E R
C O L E M A N
Make-Up Artist, Nail Tech, Fashion Graduate and full-time Dork! C O R I N N A H A R R O D
Professional make-up artist and beauty blogger who worked for seven years in non-fiction publishing at HarperCollins
Live Twitter Feed
// C O N T E N T S //
12 MOST WANTED
22
12 gifts of Christmas: Simple gift suggestions from the TWO team
22 5 MINUTES WITH Georgina Graham – one of the most in-demand make-up artists in the industry
44 BEST OF…
76
Our Top 5 products of 2012
46 FROM THE CHAIR Our new columnist is none other than top make-up artist, Liz Martins!
4
52 ICONS Adele: The gifted, unpretentious London girl whose become an inspiration and modern icon
58 BEAUTY PT.1 Keith Clouston & Lucy McKeown
66 THE MOMENT Your behind-the-scenes moments 10
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66
46
68 BEAUTY PT.2 Martin Higgs & Shonagh Scott
76 HAIR PROFILE Neil Moodie, one of the most respected hair stylists on the block talks to TWO Magazine
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86 TRENDS Christmas Dark Eye – a perfect look for the upcoming party season
88 WHAT THE PRO’S CARRY The incredibly talented Alex Babsky chats and shares his basic kit essentials
100 IN FOCUS The intriguing Jeff Vespa takes time out of his heavy A-List schedule to speak to TWO Magazine
112 FEATURE Rachel Wood tells us about the bond that can often grow between the talent and MUA W W W .T WO -- M AGA ZI N E. CO M
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02 TR AVEL
12 gifts OF
CHRISTMAS Twelve days of quirky gifts and beauty essentials as chosen by the TWO magazine team
01 WI N TER SP O RT
KIEHLS ALL SPORT FACE PROTECTOR If you’re hitting the piste this winter this wax-based, water-resistant protector guards against the extreme weather conditions your face will encounter. MORE INFO
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REAL TECHN
Whether travelin or jetting off to e this brush kit pro to create a flawl MORE INFO
NIQ UES TR AVEL BRUSHES
ng to visit friends and relatives escape the Christmas madness ovides everything you need less look on the move.
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03 FR AG R A N CE
JO M ALONE COLOGNE Discover your frangrance of the season. From fruity Lime Basil & Mandarin to the spicy Black Vetyver CafĂŠ. Then check out the wondeful range of body products. MORE INFO
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04 G I F T FO R H I M
M ERKUR FUTUR SAFET Y R A ZOR Looking sharp! This beautifully crafted double edged razor gives a far superior quality of shave to any regular ol’ cartridge razor. MORE INFO
05 H A I R CA RE
BUM BLE & BUM BLE INVISIBLE OIL This professional quality oil nourishes the hair leaving a smooth feather-soft feel with a trace of shine. Also use to reduce frizz, tame fly aways, detangle and strengthen the hair against breakage. MORE INFO
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0 6 N A I LS
DEBOR AH LIPPM ANN Will you go for SJP’s sexy pink, Renee’s black cherry, Mary J’s sultry gold or Cher’s shimmering beige? Choose your celeb and rock this town! MORE INFO
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07 FLI RT Y EYES
SHU UEMUR A
Transform your eyes with fabulous flirty false lashes from Shu Uemura. It’s party season, so be creative and discover your next dramatic look. MORE INFO
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08 TH E STO CK I N G FI LLER
NINJA RUSSIAN DOLLS Wouldn’t you love to find these in your stocking! These Matryoshka Nesting Dolls not only look great assembling and disassembling them can be seriously addictive. MORE INFO
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0 9 WI N TER WA R M ER
LUM IE BODYCLOCK STARTER 30
A great little wake up light that brightens gradually like a sunrise so you wake naturally, feel refreshed, alert and energised all day. MORE INFO
10 CH RISTM AS SU N
NARS TINTED MOISTURISER
For a natural glow that counteracts the long, dark winter days. This lightweight moisturiser gives a fresh and dewy finish and is not greasy. It has a vitamic C derivative that helps protects against free-radical damage and SPF protection. MORE INFO
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11 DA N CI N G FEE T
AVEDA FOOT RELIEF OK, so you had a bit of a boogie and now your feet are paying the price. It’s time to treat them to an invigorating creme blended with active herbs, exfoliating fruit acids and plant derived oils. Perfect, now they should just recover in time for New Year. MORE INFO
12 PA RT Y RECOVERY
CLINIQ UE WASH -AWAY GEL CLEANSER Remove last nights eye lash glue, eyeliner, mascara and shadow all in one. This cooling gel gently removes makeup and leaves you feeling refreshed. It’s long lasting and the botanical extracts calm the skin. MORE INFO
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13 TH E E M ERG EN CY G I F T
THE DANGEROUS BOOK FOR BOYS & THE DARING BOOK FOR GIRLS It’s great when unexpected guests appear on your doorstep. Even better if they come bearing gifts. But what if you have nothing to give in return? Awkward much! Well, these fabulous books make ideal gifts for boys and girls aged from eight years-old to eighty – and if your visitors don’t turn up, you can keep them for yourself! MORE INFO
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// A R T I S T P R O F I L E //
5
MINUTES WITH
WITH HER SIGNATURE CINEMATIC STYLE GEO RGINA GR AHA M HAS E ARN ED A REPUTATION AS ONE OF THE BIGGEST TALENTS IN TH E IN DUSTRY
R EPR ES EN T ED BY M A N AG E M EN TA RT ISTS
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// A R T I S T P R O F I L E //
When did you decide that you wanted to become a make-up artist… what made you think ‘That’s what I want to do’? The point that I decided that I really wanted to become a make-up artist specialising in fashion and beauty was at LFW September 2000 backstage at an Alexander McQueen Show SS01 (the one with a Rubenesque model reclining and breathing through a tube in a cube that was lit up and became a padded cell with all the supermodels) I saw the key make-up artist talking to the team. I had my eureka moment and thought to myself
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PHO T O
LUCIANA VA L
A ND
FR A NCO MU S S O
O
“I want this. I’ve got to give
What’s your make-up
it my best shot from here
style? Is there a particular
and try to make it happen.”
period that has influenced you the most?
Are you self taught or did
I think that I have started
you train somewhere?
to make a name for myself
I am from London and
in the industry for my
started working for
modern take on Golden
a cosmetics brand whilst
Age Hollywood. I am
at University in
so inspired by classic
Manchester. I was a total
cinematic beauty from
club kid at that time and
all decades and genres…
suddenly this huge passion
I always try to make the
for make-up and what you beauty feel modern, fresh could do with it sort of
or quirky but with a real
just struck me and it is
and wearable element.
one of the few things in
I am happy to work in
my life that I have never
both in a minimal way or
been bored by or lost
a strong and bold way as
interest in. I am constantly
long as the woman always
wanting to learn more,
looks beautiful.
know more, experience more and improve through hard work and dedication. W W W .T WO -- M AGA ZI N E. CO M
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// A R T I S T P R O F I L E //
The dust has just settled
with brows brushed
on Fashion Week, overall,
upwards and with the
what was your favourite
focus on a stained lip
look for S/S13?
which was much deeper
This SS13 I worked with
in the centre to make it
so many amazing designers look like the models had at all the fashion weeks but
just gorged themselves
one of my favourite looks
on berries. Here is
that I designed was for
a cinematic reference for
Francesco Scognamiglio’s
you that was in my mind
show in Milan. I designed
the scene in Witches of
the make-up really quickly
Eastwick where the three
at the test (20 mins!) and
women stay up all night
after speaking to Francesco talking and eating and his team as well as
cherries... How’s that ?!
seeing the incredible
Please see the show
collection being modelled
images at www.style.com
at the fitting by gorgeous
and the Witches of
Constance Jablonski
Eastwick trailer here
I came up with the idea of www.youtube.com really fresh skin, almost shower fresh, so slightly damp and warm looking
P H O TO
T O P DA V ID DU NA N LEF T M A TT I R W I N R IGHT
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DA V ID DU NA N
Do you prefer working backstage at shows or on location shoots? They are totally different animals! I love the collaborative experience of the shows from seeing what the designer, stylist and team have worked on and have in mind to working with my assistants and make-up sponsor, hair stylists and manicurists. It’s a theatrical adrenalin-fuelled, sleepdeprived, creative and social time that lasts across an entire month in 4 different countries and I find it utterly magical. Editorial work in studios or locations is a special relationship between the photographer, stylist, model and glam
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// A R T I S T P R O F I L E //
team where you have longer Beauty editorials are to work out what you are
more indulgent when
doing and what message
the make-up is the focus,
you want to get accross
I sometimes feel like
and how best you can do
August Gloop falling in
it. I also love getting the
the chocolate river and
opportunity to research
just losing myself in
and study before a shoot
something I love. Did
and get inspired creatively
I take that analogy
and start that dialogue with too far?! the team I am working with. This week I did a Vogue
Which one product would
shoot and cover with
you advise someone to
gorgeous Daria Werbowy
never leave home without?
who is always just a dream
I really would like to say
to work with but what
something clever witty or
I really liked was how the
chic in a a Dorothy Parker
entire team came up with
or Mae West style quip
a concept, worked together
but all I can think of that
and actually we worked
I want the most on a day or
really fast because the
night out is lip balm. I like
trust was there because
to use it on the top of my
everyone was confident and had experience. 28
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P H O TO
DA VI D DU NA N
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// A R T I S T P R O F I L E //
cheekbones for a dewy highlight and later on myeyelids too over the eye make-up (shadow/smudgy black liner) that is normally fading by now and this gives it a little greasy little sexy night time look. The way to do it is use a finger to pat it on the lid and the rather un-technical term that I like is wait for it all to ‘smush’ together! I use a little tin of Vaseline which works for everyone on any budget. Which other make-up artist has helped you along the way in your career? The two make-up artists that have helped me are the brilliant Mr Terry Barber and Mr David Horne. They are the two people 30
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“ I AM SO INSPIRED BY CLASSIC CINEM ATIC BEAUTY FROM ALL DECADES AND GENRES AND I ALWAYS TRY TO M AKE THE BEAUT Y FEEL MODERN, FRESH OR QUIRKY BUT WITH A REAL AND WEARABLE ELEMENT ”
P H O TO
L E FT
KA T JA R A H L W E S
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// A R T I S T P R O F I L E //
that I call/email to discuss ideas or ask for technical advice on technique or product and they are two of the best people I know. They are talented in ways that I don’t have time here to discuss in a five minute interview. I owe them a lot and thank them for their continued support and friendship. I look up to them. Without sounding all hip hop about it but I feel blessed knowing them and having them in my life. Mentioning no names of course, tell us a funny industry-related story. I was on a shoot with Nick Knight styled by Simon Foxton for Arena Homme Plus. It was street cast
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PHO T O
CA RLO T T A MA NA I GO
with young strong men
the tattoos they all looked
that looked tough. I was
really hard and tough,
doing tattoos on them, all
which they of course
over – a bit like in the film
liked. At one point in the
Sin Nombre. All the men
shoot we were all eating
had no idea who Nick or
our dinner and all the
Simon were as they were
men were just sitting or
not in the industry. The
standing with their
clothes that they had to
Thai takeout boxes and
wear were full on outfits
chopsticks eating and
that had just arrived from doing twirls in their China that Simon had
dresses. It was hilarious
ordered after seeing
and surreal.
a documentary about men who dress in doll clothes.
Do you feel the industry
Yup… doll clothes! These
has changed since you first
men had to wear big silk
started? Yes and mostly
frilly dresses with matching for the good because of all bloomers! They hated it at the advances with the web, first and all that macho
access to information,
“I’m not wearing that”
people and the cosmetic
crap came out but finally
brands. I think it is harder
they agreed and with the
now to become a make-up
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// A R T I S T P R O F I L E //
artist and succeed. When
internet shows and short
I started I could walk in
films this season for
to a magazine and beg to
brands such as: MM6
shoot front section. Now
Maison Martin Margiela,
that is not really that
See by Chloe and The
possible as even people
Nowness. I think we
working on front section
should all embrace new
have agents etc. I didn’t
ways and the future whilst
assist anyone but I think
respecting the original
that you really have to
way by having a knowledge
assist now in order to get
and understanding of it.
to the sets/shows to learn, I am a huge fan of social gain experience and meet media and think that other assistants. There’s so
perhaps individuals can
much online digital work
connect directly now
the newbies are more likely
without necessarily having
to have the opportunity to
to go straight to agents
work on online mags/look
for example, I have a lot of
books etc so actual physical people reaching out to me print and magazines are
via twitter or my artist
becoming more exclusive
facebook page and it is so
luxury items. I like to work
nice to communicate with
online too and did a few
established and new talent. I love watching the Pixiwoo
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channel on YouTube or Lisa Eldridge on her site or Kay Montano on Because as they are all genuine talented experts which also gives gravitas and authenticity to what they do. The only thing that astounds me is the number of amateurs that post YouTube make-up tutorials with such authority and a huge following and I think “Goodness that really doesn’t look great.” I think that there are some really talented people out there who I have happily discovered but also we are saturated with people that just take other make-up artist’s ideas and plagiarise it. It is one thing to be
PHO T O
M A T T IRWIN
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// A R T I S T P R O F I L E //
inspired and influenced
about it. My beauty icons
and quite another to
are women like Angelica
“borrow’ someone else’s
Huston, Isabella Rossellini
intellectual property.
and Michelle Pfeiffer (all then and now) I adore
Which person (or thing)
models who need no last
defines beauty for you?
names like like Kate,
That’s a hard question
Daria and Raquel. From
because every season
some newer gals I love
I have a different muse or
Nadja Bender, Lindsey
reference be it a model or
Wixon and Fei Fei Sun.
actress not to mention the
From young Hollywood
mood or other inspiration
I love Elle Fanning, Chloe
that is found in the all the
Moretz and look out for
arts/urban life/nature and
major new talent Sophie
people. What I can tell
Kennedy Clarke.
you is that I love strong women and I love flaws
Your work and travel
in women because I don’t
schedule looks punishing,
think that beauty is
what are your tips for
perfect. When everything
coping with jet lag and
is perfect I am a bit meh
keeping healthy? The travel is punishing with a lot of flights and
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“ I LOVE STRONG WOMEN BECAUSE I DON’T THINK THAT BEAUTY IS PERFECT.WHEN EVERYTHING IS PERFECT I A M A BIT ‘MEH’ ABOUT IT ”
PHO T O
CH R I S T OPH S T I E B E R
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// A R T I S T P R O F I L E //
time zones. It’s important to try to eat well. These are my rules: lots of protein, not too much red meat and only good quality meat or fish, no processed foods. I go easy on the carbs in the evenings, I try to avoid sugar (but I like a little chocolate and red wine!) I try to eat lots of fresh veggies and salad. My fave thing is fresh juices and smoothies. When home I cook fresh food (cooking is a passion) I try to sleep well and exercise whether it is dancing/walking in the park or street/tennis or swimming. I hate the gym it bores me and I don’t really like working out
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with other people. My
www.brookstone.com
ideal would be to have
How do you like to relax
a personal trainer and an
and do you have any plans
empty gym with music
over the Christmas break?
that I like.
I like to read and I just got
I want to take up pilates
a kindle over the summer
in the new year. I take
which meant I could read
melatonin to help my body
a ton of books on my vaccay
readjust with jet lag. I try
without having to pack
to take multi vitamins
them all in a heavy case.
when I remember. My top
Obviously I prefer an actual
tip which everyone knows
real book to read at home
is avoid caffeine in the
as I like to hold it, see the
evening and drink lots of
art work, flick backwards
water. I try to sleep well and if I want to and sniff the
PH O T O
DAVID DUNAN
the mattress and pillows
paper. I love galleries and
makes all the difference.
museums but not on
Like some strange crypt
weekends (I hate crowds)
keeper I like to sleep in
I like to go to the cinema
pitch black so I use an eye
at odd hours when noone
mask. The best one I ever
else is there eating popcorn
used is this one from
loudly. Spending time with
Brookstone which I buy each time I am in the states. W W W .T WO -- M AGA ZI N E. CO M
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// A R T I S T P R O F I L E //
PHOTO
40
HAN S FEURER
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“ I HAVE A LOT OF PEOPLE REA OUT TO ME VIA TWITTER OR M FACEBOOK PAGE AND IT IS S TO COMMUNICATE WITH EST AND NEW TALENT ”
ACHING MY ARTIST SO NICE TABLISHED
my loved ones good food
YOUR DREAM SHOOT…
and walks in parks. I love
Location:
music and dancing.
Kyoto, Japan during
Recently I went to a party
Spring underneath all
where everyone had to
the cherry blossoms
come as a clown, there
Photographer:
was a clown face code.
Helmut Newton
Was so funny dancing and
Model:
looking around at all the
Jerry Hall and Angelica
clowns busting out moves
Huston circa 1977
on the dance floor.
Stylist:
This Christmas I am
Diana Vreeland
going to Ireland to see
Hair:
the fella’s family and then
Warren Beaty in Shampoo
we (just him and me!) are off to Mexico. We’re going How’s that for diplomatic to Mexico City and then
and fantasy?!
to Tulum – travelling and experiencing the Yucatan. ¡Arriba Arriba!
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Intensive 5-day make-up courses For more information and course dates please email: stacey.pixiwoo@gmail.com
// B / B E S T O F ‌ / //
1. ANASTASIA BEVERLY HILLS BROW WIZ
12 3
Reason: Ultra fine tip, excellent colour pay off and fantastic longevity. Skin Type: All skin types with hair colour from light blonde through to black. Result: Hairs are mimicked and a natural shaped brow is formed that blends seamlessly.
2. HOURGL ASS OPAQ UE ROUGE LIQ UID LIPSTICK Reason: Amazing staying power that will not dry out the lips whilst being highly pigmented. Skin Type: All skin types. Result: An intense lip with colours to take you from day to night with no retouch in between.
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12 4
3. CHUBBY STICK INTENSE Reason: Convenient twist up intensely moisturising lip colour. Skin Type: All skin types. Result: A bold lip that still has the payoff of a lipstick but the slickness of a gloss.
4. REAL TECHNIQ UES EXPERT FACE BRUSH Reason: Firm enough to achieve maximum coverage but soft enough to blend products effortlessly. Skin Type: All skin types including sensitive skins. Result: A perfect flawless skin even in harsh lighting.
5. A M A ZING SHINE L ASHES Reason: Fantastic quality human hair and easy application whilst being incredibly cheap to buy. Skin Type: All skin types. Result: A natural to dramatic eye that blend with the natural lashes. Lashes hold their shape well for several uses.
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// L I Z M A R T I N S //
Tales From
THE CHAIR Liz Martins brings you INSIDER TIPS and
tales
IN
HER exclusive
COLUMN
E ACH IS SU E
The and b Gior
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Helmut Newton inspired look below, Liz’s product of the month rgio Armani Lip Maestro
I
t’s been a marathon of video and editorial shoots this month and what
was trending over and over was red lips!!! Can’t get enough of them at the moment. I did a shoot for a new band called Lizzie And The Yes Men. The gorgeous Lizzie wanted three very strong looks and one of them was inspired by Helmut Newton – very powerful and strong. I’m always on the look out for the perfect red and new textures. Lucky for me Giorgio Armani has just launched Lip Maestro. This is my product of the month the colour is super vibrant with a lush velvet texture. It’s the perfect matte and does not budge, no bleeding or feathering and I hardly needed to touch up throughout the day. In a myriad of gorgeous colours this is just perfect for the party season… you won’t be reapplying all night with this baby!!! On a shoot for a jewellery campaign that I did this month, the brief was to keep the model looking sculpted and tonal. We didn’t want the make-up to distract from W W W .T WO -- M AGA ZI N E. CO M
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47
// L I Z M A R T I N S //
the jewellery so I used a lot of mushroomy and taupey tones. My absolute all-time favourite colour for contouring was MAC’s taupe. It’s now discontinued (thankfully I stockpiled a few) but my new favourite is Chanel’s Ombre Contraste Sculpting Veil for eyes and cheeks in Notorious. It has a little sheen to it so as you build up the colour it doesn’t look flat. Another favourite is Tom Ford’s Shade & Illuminate. I can’t get enough of this product, it gives the skin a gorgeous sheen without it looking
Liz used mushroom and taupe tones for this sculpted and tonal look
like shimmer. I tend to use fan brushes when doing a contour as I find I don’t get that stripey effect and can control the colour better. Shu Uemura’s Badger 7.5EX is my favourite. I have ten in my kit – that’s how much I love them! I have worked with the beautiful and effervescent Dannii Minogue since the early noughties and had the pleasure of working with her again this month for a tv
48
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The gorgeous Dannii Minogue introduced Liz to Latonas pressed powder (Right)
“ i tend to use fan BRUSHES
when
doing A CONTOUR
as I FIND I don’t get that STRIPEY EFFECT
and
can CONTROL the colour better.
”
appearance. She is such a product queen and really knows her stuff. She brought with her Model Co fibre lash mascara to show me – its bascially false lashes in a tube. I was a little bit skeptical as I’ve tried a lot of fibre mascaras in the past and they always seem to make the lashes clump and look askew. Well, this mascara is a revelation. It gives beautiful full thick lashes with plenty of lift. I added a few individual lashes from my own range for extra glamour. Needless to say she didn’t get it back!!! Another product Dannii introduced me to, and I was completely blown away with, was a pressed powder from a company called Latonas. It’s called Invisible Blotting Powder and OMG it’s so finely milled it doesn’t read at all on the face. You can literally keep applying this all day and it will never cake! It is the perfect product for male grooming too. It’s designed by Australian make-up artists Abigail
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49
// L I Z M A R T I N S //
Johnston available
their ama
leave wit
too. I intr
Creme. A
want to u
even out
of her sk
of HD TV
and thes
needs an
conceale
all you ne
Finally Rankin’s
called Lo
Lois Wins Lois Winstone’s fierce look uses MAC Paint Pot in Blackground
Ray Wins
powerful
– who a
MAC’s Pa
black wit
creating d 50
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n and Corinne Rees and is
that blends really easily so I don’t have
online. I can’t wait to try more of
the hassle of shadow fall on the face. I used
azing products! Dannii didn’t
a little of Tom Ford’s Titanium Smoke
thout learning about new things
eyeshadow palette over the top to add
roduced her to Estee Lauder’s BB
extra dimension. I love the texture of these
As Dannii has flawless skin I didn’t
rich palettes. I used the silvery grey to give
use a base, just a veil of colour to
the eyes brilliance as it has glittery particles
t her skin tone so the luminosity
in it that really shine. A lick of DiorShow
kin shines through. Since the dawn Mascara and a strong brow completed
V I hate using anything too heavy
se are just perfect. If a client
the look. I absolutley adore HD Brows brow
ny extra coverage I will use a little
palettes for creating beautiful brows.
er but otherwise the BB Creme is
There’s a palette for every hair colour and
eed for fresh looking skin!
my brow queen at the moment is the
y I did a shoot for photographer
gorgeous Cara Delevingne. For those who
Hunger magazine with a band
ois And The Love. Front woman
have over-plucked, get your brows in shape by using RapidBrow Eyebrow Enhancing
stone (yes, legendary British actor Serum. This miracle product will give you
stone’s little girl!) is a very
more brow density for fuller and thicker
l character and wanted fierce eyes brows in 60 days!
am to argue with that?! I used
aint Pot in Blackground. A grey/
Have a great Christmas make-up mavens, see you in the New Year!
th multicolour that is perfect for
dramatic eyes. It’s a cream format W W W .T WO -- M AGA ZI N E. CO M
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51
// I C O N S //
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WITH A VOICE SO SWEET IT MADE JAMES BOND WEEP, ADELE’S RAPID RISE TO STARDOM HAS SEEN HER BECOME ONE OF THE MOST SUCCESSFUL ARTISTS IN THE WORLD AND A RELUCTANT STYLE ICON FOR HER GENERATION P H O TO S
L A U R E N DU KO FF
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53
// I C O N S //
“I like HAVING MY HAIR FACE DONE , BUT I’M N GOING TO LOSE WEIGHT
TELLS ME I MAKE MUSIC TO MUSICIAN not TO
someone
A
THE
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cover
OF
PLAYBO
R AND NOT
“I cried.” James Bond actor Daniel Craig’s reaction to first hearing Adele’s theme
because
song for the Bond movie Skyfall. It goes to
TO.
show that even Hollywood action heroes
E
O BE
are reduced to blubbering wrecks when
O BE ON
Adele takes the mic!
OY.”
Adele Laurie Blue Adkins was born in Tottenham, north London and quickly developed a passion for music. At the age of 15 she discovered a collection of Etta James and Ella Fitzgerald records at a local junk shop. “When I listened to the Ettas and the Ellas, it sounds so cheesy, but it was like an awakening. I was like, oh, right, some people have proper longevity and are legends”. In 2006, Adele’s three track demo for a school project was posted on social media site Myspace. Independent label XL Recordings offered her a contract “I never, ever thought I’d get signed. The A&R guy emailed me and I was ignoring it… I didn’t realise they (XL) did all these amazing names…”. W W W .T WO -- M AGA ZI N E. CO M
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55
// I C O N S //
Her debut album, 19 was a success and received two Grammy Awards. Her second album, 21, broke records around the globe. It also brought Adele more awards, including a further six Grammys. Having conquered the world Adele announced that she and partner Simon Konecki were expecting a baby and their son was born in October 2012. Adele’s epic voice and heart-felt lyrics have established her as one of the most success musicians in the world. Her look is also one of the most distinctive. Whether it’s a 60s beehive or soulful curls, she is never seen without her statement lashes and of course those fabulous cheekbones. We love her voice and we love her style. Adele truly is a modem icon. PRODUCTS USED OILATUM NATURAL REPAIR FACE CREAM MORE INFO
56
ILLAMASQUA SKIN BASE FOUNDATION 07 MORE INFO
REAL TECHNIQUES CHANEL BRONZER CLINIQUE LINE BUFFING BRUSH MORE INFO SMOOTHING MORE INFO CONCEALER 03 REAL TECHNIQUES MORE INFO DOMED SHADOW BRUSH SLEEK MAKE UP MORE INFO CONTOUR KIT MORE INFO
W W W .T WO -- M AGA ZI N E. CO M
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SLEEK MAKE UP LUMINOUS PRESSED POWDER MORE INFO
MAC NUMBER 7 LASHES MORE INFO
AVON SUPER MAC STRIPDOWN MAC SHOCK LINER CLINIQUE HIGH LIPLINER EYESHADOWS MORE INFO IMPACT MASCARA MORE INFO MORE INFO MORE INFO DUO GLUE MORE INFO
MAC SHY GIRL LIPSTICK MORE INFO
CLINIQUE BRUSH ON LINER MORE INFO
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57
// B E A U T Y //
PHO T O GRAPH ER
KE ITH CL OUST ON MAKE-UP ART IST
L UCY MCKEOWN MO D EL
S KYE VICTORIA WWW.KEIT H CLO U ST O N . CO M TWIT T ER: @KEIT HCLO U ST O N WWW.LUCY MC- M AK EU P. W EEBLY. CO M TWIT T ER: @LUCY F ER R R
B EA U T Y E YES
ILL A M ASQ UA N EUTR AL PALE T TE: STE ALTH ALL OVER LID TO EYEBROW WO LF LIG HTLY BLEN D ED INTO CRE ASE ILL A M AQ UA M ASQ UAR A IN R AVEN LIPS
ILL A M ASQ UA M ED I U M PEN CIL IN THR ASH ALL OVER THE LIP ILL A M ASQ UA SHEER GLOSS IN EN CHANT ALL OVER ILL A M ASQ UA PIGM ENT IN IN CITE DABBED INTO THE CENTRE AN D BLEN D ED O UT
58
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Y W W W .T WO -- M AGA ZI N E. CO M
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59
// B E A U T Y //
60
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EYES
ILL A M ASQ UA N EUTR AL PALE T TE: STE ALTH ALL OVER LID TO EYEBROW WO LF LIGHTLY BLEN D ED INTO CRE ASE ILL A M AQ UA M ASQ UAR A IN R AVEN BR O W S
M U FE WATERPRO O F EYEBROW CO RRECTO R IN #0 VASELIN E TO SMO OTH INTO SHAPE CHEEK S
VERY LIGHT SWEEP O F ILL A MSQ UA “K ATIE” POWD ER BLUSH LIPS
O CC LIP TAR IN R AD IATE LIN ED WITH BEN NYE LIP PEN CIL IN RED
W W W .T WO -- M AGA ZI N E. CO M
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61
// B E A U T Y //
E YES
ILL A M ASQ UA N E UTR AL PALE T TE: STE ALTH ALL OVER LID TO EYEBROW WO LF LIG HTLY BLEN D ED INTO CRE ASE ILL A M AQ UA M ASQ UAR A IN R AVEN C H EEKS
SLEEK “BLUSH BY 3” IN L ACE ARO U N D TE M PLE AN D CHEEK BO N E LIPS
BARRY M LIP PAINT IN LP129 PALEST L AVEN D ER
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63
// B E A U T Y //
64
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EYES
ILL A M ASQ UA N EUTR AL PALE T TE: STE ALTH ALL OVER LID TO EYEBROW WO LF LIGHTLY BLEN D ED INTO CRE ASE ILL A M AQ UA M ASQ UAR A IN R AVEN CHEEK S
SO F T SWEEP O F ILL A M ASQ UA POWD ER BLUSH IN K ATIE LIPS
NYC (N EW YO RK CO LO U R) 16 H O U R SMO O CH PRO O F LIP STAIN IN BERRY LO N G TI M E
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65
// T H E M O M E N T //
# themoment Tweet your ‘behind the scenes’ pics to @TWOmagazine (CLICK NAMES FOR T WIT TER , FA C E B O O K O R W E B L I N K )
Photo: Krystall https://twitter.com/KateGowing LFW, amazing, Jeffery Michaels, fashion and experience.
Photo:https://twitter.com/lotstar Francesca Perren Jarlo Clothing Beauty Natural, Summer Lookbook 66
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https://twitter.com/rachelmakeup73
Diane Hamilton MUA Baroque Inspired Photoshoot
https://twitter.com
Photo: Rachel Wo Heading home afte
https://twitter.com/KateGowing
Photo: Amanda Bowen https://twitter.com/KateGowing
www.twitter.com Kendrick Lamar shoot at Red a Studios London
m/rachelmakeup73
ood er a long shoot
m/amandahbowen
www.twitter.com/KateGowing
https://twitter.com/AlexisM_MUA
Photo: Victoria Doncel_ www.twitter.com/KateGowing
Photo: Victoria Doncel_ www.twitter.com/leepycroft
https://twitter.com/lotstar
Photo: Francesca Perren Jarlohttps://twitter.com/athenaskouvakis Clothing Beauty Natural, Summer Lookbook W W W .T WO -- M AGA ZI N E. CO M
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67
// B E A U T Y //
PHOTO GRAP H ER
MAR TIN HIG GS MAK E-UP ART IST
S H ON AG H S CO T T ( ShowMe MakeUp ) MODEL
K A TE E R R IN GTON
WWW.MART INH IGGS. CO . U K WWW.SH O WME-MAK EU P. CO . U K TW ITTER @SH O WME M A K EU P
BEA UT 68
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TY W W W .T WO -- M AGA ZI N E. CO M
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69
// B E A U T Y //
PHOTO GRAP H ER
MAR TIN HIG GS MAK E-UP ART IST
S H ON AG H S CO T T ( ShowMe MakeUp ) MODEL
K A TE E R R IN GTON
70
71
// B E A U T Y //
PHOTO GRAP H ER
MAR TIN HIG GS MAK E-UP ART IST
S H ON AG H S CO T T ( ShowMe MakeUp ) MODEL
AL ICE CHR IS TIA N
BEA UTY 72
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73
// B E A U T Y //
P H O TOG R A PH ER
M AR TIN HIGG S M A K E -UP ART IST
S H O NAGH S COTT M O DE L
A L IC E C HR IS TIAN
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// A R T I S T P R O F I L E //
NM
E
IT WAS ALWA ‘WINNER OF SCHOOL, BU IN STONE AS RECEIVED NU NA MES IN FA LINE. PASSIO P H O TO
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T H OMA S S
EIL
M
OODIE
AYS GOING TO BE TOUGH LIVING UP TO THE TITLE OF THE BEST HANDWRITING COMPETITION’ AT INFANT T NEIL MOODIE HAS M ANAGED TO CARVE HIS NA ME S A HAIR STYLIST AT THE TOP OF HIS GA ME. NEIL HAS UMEROUS ACCOL ADES WORKING WITH THE BIGGEST ASHION AS WELL AS CREATING HIS OWN PRODUCT N FIRMLY UNDERLINES HIS WORK ETHIC AND TALENT
S ILVER MAN
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77
// A R T I S T P R O F I L E //
When and why did you
around with my hair and
decide that you wanted
other friends’ hair, colouring
to become a hair stylist?
it and cutting it into
When I was at school
different styles all the time
I really wanted to be
so I just thought one day,
a journalist but my English
OK, I’m going to become
teacher and I didn’t exactly
a hairdresser.
see eye to eye so she didn’t Are you self taught or did
“I WAS always
you have formal training?
I was amazed at how he revolutionised THE WORLD of hairdressing
under the then new YTS
a VIDAL SASSOON FAN.
in a away THAT WILL probably NEVER
happen again.”
I did a 3-year apprenticeship Scheme in England. I grew up in Birmingham and began at a salon in the centre of the city, which had a mix of ex-Vidal Sassoon stylists and
really support it as an
ex-Raymond (Teasy Weasy)
idea with my careers advisor stylists. So I had the best so I was stuck for something of both worlds being taught to do. Because it was the
Sassoon haircutting
80s I was always messing
techniques and Raymond Hairdressing/styling skills.
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VOGU E CH I NA P H O TO PA WA L PS H A I R NE I L MOO D M A KE - U P E B A R A M O D E L JI A JI NG
S YZ DIE
Did you ever look up to or aspire to be like any other hair stylist? I was always a Vidal Sassoon fan. I was amazed at how he revolutionised the world of hairdressing in a way that will probably never happen again. Well, not in my lifetime anyway. Who or what has been the biggest influence on your career? Many things and people have had influences on my career. Miriam Glynn, the stylist who first trained me, was always a huge encouragement and also inspired me to move to London. Glynn sadly died of cancer. Stuart, who W W W .T WO -- M AGA ZI N E. CO M
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79
// A R T I S T P R O F I L E //
V OGUE T URK E Y JEM M IT CH E L L HAIR NEIL M OO DI E PHO T O
KA Y MONT A N KA R L I NA CA U N
M A KE - U P MODEL
also trained me, was a great influence (I don’t remember his last name). My other huge influence was the late photographer Corinne Day, who gave me my break into the fashion industry. She taught me what to look for in a picture and taught me about the small attentions to detail. Do you think hair and make-up influence each other regarding trends or are quite diverse of one another? It really depends. Sometimes they influence each other, then other times when they juxtapose each other that can work well too. Either way they have to
80
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PA T RIC K D E MA R CH E L I E R HAIR NE I L MO O DI E M A K E-U P HA N NA H MU R R A Y M O DEL A R I Z ONA MU S E
PHO T O
PHO
NO NE
OTO
somehow compliment
people (with more in the
each other.
pipeline) and I don’t think I could have done that so
You blog quite regularly
easily had I not known
including in-depth
them professionally, but
interviews with various
I have done those purely
industry people, do you
because I have wanted to
view this as an integral
and not necessarily for any
aspect of what you do
professional gain.
professionally or is it something you enjoy as
In addition to your blog,
a side project?
there’s also the Windle &
My work as a session
Moodie YouTube channel…
stylist is rewarding a lot of
What do you think are the
the time but can also be
key areas of importance
restricting so I started my with social media regarding blog as a side project that
the fashion/hair/make-
would give me a platform to up industry? do exactly what I wanted
The fashion industry –
to do creatively without
including hair and make-up
any restrictions.
– has so much exposure in
I’ve been lucky enough N I CK D OR E Y
the media these days that
to do in-depth interviews with some big industry W W W .T WO -- M AGA ZI N E. CO M
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// A R T I S T P R O F I L E //
in a weird way it lost
Like all the best ideas,
some of its elitism, as it
was the plan for WAM
was always such an
tools conceived in a pub
untouchable industry, so
over a few beers?
I think it’s important for
WAM started out as
people like myself to now
a simple question to Paul
have an outlet where I can
Windle one day, which
post my own videos with
was me enquiring about
professional tips and
why he didn’t expand the
insights into trends that
Windle electrical range
are actually coming from
which consisted of just
somebody who’s already
a ceramic straightening
very well established in
iron at the time. Paul
the industry, rather than
basically said he was too
from some random person
bogged down with other
in their bedroom just
projects to focus on that
making stuff up. As
too so I offered to help
a hairdresser within the
him if he was interested
fashion industry, I think
as I felt there was a lot
its important to claim
of bad electrical tools
some of our professional
available in the UK at the
territory back.
time. Since the launch of WAM I think this
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has improved but I don’t necessarily think it’s because of WAM, or maybe it has had a small influence, who knows? Do you feel the industry has changed since you first started? Yes massively. As I said before I don’t think it feels as elitist as it used to be because it’s become a little like the X Factor where anyone can have a go, and why not. However, I strongly believe that it sorts out the men from the boys pretty quickly because you don’t last that long if you’re crap!
FIRST SHOOT F OR THE FA C E M A GA Z INE PHO T O CORINNE DA Y W W W .T WO -- M AGA ZI N E. CO M
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// A R T I S T P R O F I L E //
You need to know your craft and I think the problem with a lot of young people these days is that they want the fame much more than wanting to just be great at their job. There’s Windle & Moodie, the salon, fashion shoots, Iconic Heads, Bumble and Bumble, your blog… You seem so busy with so many things going on, what do you switch off and recharge the batteries? Ha ha! Yes, I’ve made myself pretty busy with all these projects on the
“ I think it’s
people LIKE myself TO
IMPORTANT for
NOW HAVE an outlet
WHERE I
can
post
my OWN videos with PROFESSIONAL
TIPS
and INSIGHTS INTO
trends ”
go and sometimes I have to remember to take a deep breath. I try to do Ashtanga Yoga as much as possible and I’ve taken up tennis lessons and Squash in the last year as I hate going to the gym but exercise is good for the mind as well as the body so I needed to find something to do
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that was sporty. I’m loving doing both at the moment. I also love to walk my dog to help clear my mind. Sometimes I run with him around the park and other times I just walk very slowly and have a good old fashioned think.
V O GU E GE R MA NY PH O TO DA NI E L JA CKS ON HA I R NE I L MOO DI E M A KE - U P Y A DI M M OD E L S A S KI A DE B R A U W
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85
// T R E N D S //
H
ST RI
MAS 2 01
C
2
J Dark
INGLE BELLS, JINGLE BELLS..
Can you hear the festive season
Eye Tr e n d s
sneaking up on us? Christmas is our favourite time
of year. Not only do all the family
come together to celebrate but we
also get to wear much more make up and in strong bold colours...
+BL AST FROM T H E PA S T EASY PINK M AKEUP WI T H G L I T T ER!
And don’t forget plenty of GLITTER
In this exclusive video we show
you how to create a fabulous festive dark eye. Enjoy! Nic XX
PRODUCTS USED DIOR FOUNDATION NUDE 020 MORE INFO
86
MAC STUDIO FINISH CONCEALER MORE INFO
MAC 217 MAC 211 MAC 239 REAL TECHNIQUES REAL TECHNIQUES DOMED SHADOW BRUSH BRUSH BRUSH MULTI TASK BUSH BRUSH MORE INFO MORE INFO MORE IN MORE INFO MORE INFO MAC 266 M REAL TECHNIQUES BRUSH B TOPSHOP BUFFING BRUSH MORE INFO M GEL LINER INK MORE INFO MORE INFO
W W W .T WO -- M AGA ZI N E. CO M
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..
n
e
e
R!
w
e
9
NFO
MAC MAC 219 WOODWINKED BRUSH MORE INFO EYESHADOW MORE INFO
ANASTASIA BROW WHIZ PENCIL MORE INFO MAC FALSE LASH MASCARA MORE INFO
MAC STONE LIPLINER MORE INFO
ILLAMASQUA RUMOUR BLUSH MORE INFO CLINIQUE LOOSE POWDER 02 MORE INFO
GIRLS WITH ATTITUDE LASHES MORE INFO
ILLAMASQUA INTIMICY LIPGLOSS MORE INFO W W W .T WO -- M AGA ZI N E. CO M
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87
// P R O A R T I S T S //
PHOTO
88
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JOH
WHAT THE PROS CARRY A L EX B AB SK Y
Basic Kit Essentials
What inspired you to get into make-up and did you immediately know that’s what you wanted to do? I completely fell into make-up – it wasn’t what I planned to do at all. I studied fashion at St. Martin’s College of Art. As students, once we’d designed and made garments, we’d have them photographed on a model so that we could include them in our portfolios. I started to make my models up the way I wanted them to look in my photos and before long other students were asking me to do the same for them. I took to make-up pretty immediately and I liked it for the same reasons that I’d wanted to study fashion in the first place – I could make people look how I wanted them to – but I loved
HN-PAUL PIETRUS W W W .T WO -- M AGA ZI N E. CO M
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89
// P R O A R T I S T S //
how much more immediate people’s faces felt pretty changing someone’s look
natural to me. I guess I had
with make-up was than
pretty much of a natural
designing clothes for them.. aptitude for it and by the mid-nineties I was
90
“ I remember on years ago,fin a model’s make at a Versace where I was as Pat,and her s “That’s great make it more.
Where did you train or are
making up friends to go
you self taught? I learned
clubbing several times
pretty much on-the-job.
a week – I’d generally do
As I said, I started out
something pretty extreme
stylist introduced m
by just daubing make-up
that would take hours,
The closest thing
onto my models at
but at that age the ‘getting-
to any proper trai
fashion college. I paid
ready’ was the best part of
was a while later w
close attention to fashion
the evening. One evening
I had the incredibl
magazines at the time
out, a photographer who
fortune to start ass
and had a pretty good
was just starting out
Pat McGrath (who
feel for what was current
asked one of my friends
is self-taught). A f
and what I liked make-
who’d done her make-up,
of a friend at colleg
up-wise, but I certainly
so we got chatting and
trying to put toget
had no experience or
I started working on little
a fashion show wit
education in applying
jobs here and there with
money and asked
make-up. I had always
him, and then later
I would come and
been interested in Art and
with a stylist he worked
her make-up artist
had always drawn and
with, and in turn other
who was at that p
painted, so drawing on
photographers that the
pretty much at the
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nce, nishing ke-up show ssisting saying t – but .”
me to. I had
ining
when
le good
sisting herself,
friend
ge was
ther
th no if
d help
t, Pat,
point
e start
PHOTO
LOWE SEGER
FOR
DANSK MAGAZINE
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// P R O A R T I S T S //
of her career and mostly
world alight and her career
shooting i-D. It went well
went stratospheric. I
and I was really excited
continued assisting her for
when Pat asked me if I’d
shows and I’m so grateful
do the rest of her shows
to her for providing the
that fashion week with
closest thing to any real
her. I agreed, of course,
make-up training that
but the whole thing still
I received. It was so inspiring
felt like nothing more
and exhilarating watching
than an enjoyable hobby,
her come up with the most
I certainly hadn’t started
amazing make-up on the
thinking that make-up
best models in the world at
could be my career at that the most breathtaking shows point. I didn’t really think season after season. I really much more about it until
couldn’t have had a more
the following season when privileged introduction to I got a call out of the blue
make-up and I’m forever
from Pat’s agent saying
in her debt. Later on
“Pat’s got the Prada show
I also assisted Lisa Butler
in Milan next week and
and Linda Cantello who
you need to go as part of
both do the most
her team.” From then on
exquisitely beautiful
Pat’s genius set the fashion
make-up and whose work continues to inspire me.
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What’s the best bit of advice a fellow professional has ever given you? I remember once, years ago, finishing a model’s make-up at a Versace show where I was assisting Pat, and her saying “That’s great – but make it more.” It really stuck with me. She didn’t mean more make-up, she meant make the ‘idea,’ the ‘statement,’ the ‘gesture’ of the make-up, more. Often I get to the point where I’m happy with a model’s make-up as I’m looking at her face, but once it enters into the magical two-dimensional world of a photograph, it becomes ‘normalised’ and less remarkable, so
PHOTO
KATE BELLM
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// P R O A R T I S T S //
you need to make the idea test shoots I did when of what you were trying
I was just starting out out,
to achieve a little more
there was so much going
extreme: if the statement
on, I was overflowing
of the make-up you’re doing with ideas; there’d be is eyeliner, make the line
a statement eye, and a lip,
longer, if you’re trying
and some contour, blush,
to make an impact with
probably lashes - the works.
a velvety mouth, make it
Over time, the impact that
more matte - this is the
I want to create with
‘more’ that Pat meant.
make-up hasn’t lessened, but the means by which
How do you think your
I want to achieve it has.
work has evolved since
When I began, I wanted
you first began working
to get my idea across as
PHOTO
EMMA TEMP
PHOTO
DIANA GOM
professionally? I think this boldly as I could, but now is pretty much true for all
I want to distil the idea
make-up artists; over time
down to create a much
what evolves at least as
simpler statement, and
much as your skill is your
I think this is how my
eye. When I look back at
work has evolved over time; my eye has become more discerning.
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PEST
MEZ
Which one product do you wish you could have (or create) to make your life easier? I can’t imagine how it could ever be possible, but I’d love it if someone could invent the
“ When I began, I wanted to get my idea across as boldly as I could, but now I want to distil the idea to create a much simpler statement.”
equivalent of a nail polish for the lips: A super-glossy
for air travel that prohibit
finish that could set and
carrying creams and
wouldn’t drip and which
pastes onboard a flight I’ve
hair wouldn’t get caught in.
given up. Now I just have to risk putting my whole
FOR
VOGUE
How do you carry your
kit in the hold. A couple
kit when you’re flying… do
of times I’ve fallen foul of
you put it in the hold, take
sloppy baggage handling
it as hand luggage or split
and have had to make a mad
it between both? I used to
dash around the beauty halls
take a mini-kit in my hand of an unfamiliar store in luggage with just the most
a foreign country when my
essential things I’d need
luggage hasn’t arrived on
to do a make-up when
the same flight as me.
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// P R O A R T I S T S //
PHOTO
JOHN-PAUL PIETRUS
When you’re creating a new
kind of scenario I usually
look, what is your creative
begin the make-up with
process… Where do you
just the vaguest feeling
find your inspiration?
of the direction I’d like
It really varies depending
it to take, and somewhere
on the job. Often I don’t
between starting the
have much of an idea of
make-up and putting down
what kind of thing I’ll be
the brushes, the idea has
shooting until I arrive at
somehow solidified into
the job and have to come
a definite look. I’m still
up with something pretty
not quite sure exactly how
much on the spot. In this
this happens – it’s like a magical development
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between what I want to
we can proceed pretty
achieve, and how the
confidently with the look.
model’s features
When I’m working with
reinterpret it. Whenever
a celebrity and want to
possible though, I prefer
move their make-up look
to work with as much of
forward into territory that
an idea of what I’ll be
may be slightly out of
shooting beforehand,
their comfort zone, I like
that way I can get together
to make sketches to show
suitable references and
them how they’ll look
ideas in my sketchbook.
with the make-up I’m
These can come from
proposing – this way I can
anywhere: movies, books,
be sure they’re getting an
exhibitions, anything
accurate visual idea of
visual really – sometimes
how they’ll look in a way
it can be as simple as the
they wouldn’t if I simply
combinations of colours
explained it, and this usually
in a passer-by’s outfit.
reassures them that they
By preparing references
can have confidence in
beforehand like this, I can
what I’m suggesting.
be sure I’m on the same page, visually, as the stylist, hairdresser and
T W IT TE R : @ B A B S KY M A KE - U P
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// P R O A R T I S T S //
Basic Kit Essentials
Your phone rings, it’s oot a brief for a dream sh of the but you have to be out the door and on your way to tes… airport within 15 minu What do you pack
ALE X BABSKY
27 20
18
21
19 16
24
17
22
23 25
14 15
01) Cl 02) M 03) M 04) Bo 05) L a W
13 12
08
26 10
11
09 07
06 03 05
35 04
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02
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01
3
larins Kohl eye pencil MAC “Boldly Bare” lip pencil MAC Eye Brows obbi Brown Long-Wear Gel Liner ancome “Hypnose” Waterproof Mascara 28
29
31
30
32
33
06) Lancome “L’Extreme” Mascara 07) Shu Uemura Eyelash Curlers 08) Shu Uemura blush palette 09) Givenchy Magic Kajal pencil 10) MAC “Wedge” eyeshadow 11) MAC “Carbon” eyeshadow 12) Bobbi Brown “Mahogany” eyeshadow 13) Tom Ford Cream Eyeshadows 14) Lancome “Rouge In Love” Lipsticks 15) Sketchbook 16) Make-up Forever 12 Flash Colour Case 17) Lip palettes (filled with various brands) 18) YSL Rouge Pur Couture lipsticks 19) MAC Lipglass 20) DUO Adhesive 21) Ardell & Eyelure False lashes 22) Shu Uemura Loose Powder 23) Giorgio Armani Luminous Silk Foundation 24) Embryolisse Lait-Creme Concentré 25) Laura Mercier Secret Camouflage 26) YSL Touche Éclat 1 & 3 27) Lancome Eau Micellaire Douceur 28) Lancome Tonique Douceur 29) Lancome Galatée Confort 30) Giorgio Armani Fluid Sheer 31) Biotherm Baume Corps 32) Bobbi Brown BBU Face Palette 33) MAC & Shu Uemura Brushes 34) Tweezerman tweezers 35) Dermacolor Camouflage Cream (put into palette)
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// I N F O C U S //
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Jeff Vespa W W W .T WO -- M AGA ZI N E. CO M
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Just reading about Jeff Vespa is exhausting. ‘Celebrity photographer’ is probably what Jeff is best known as but this merely scratches the surface. Like other high-profile photographers such as Rankin, Jeff seems to fearlessly switch between different creative disciplines with great success JEFF VESPA PHOTOGRAPHS ASHLEY BENSON AT THE 2012 TORONTO INTERNATIONAL FILM FESTIVAL PHOTO CHARLES LEONIO/ GETTY IMAGES
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// I N F O C U S //
A MB E R H E A R D
S
nogging Penny Pingleton whilst appearing as a character actor in the movie Hairspray at the age of 16 is surely a sign that you’re not destined to lead an ordinary life in Baltimore. Creativity was obviously coursing through Jeff’s veins and he was an active member of the local graffiti scene. Born Jeff Meyer, Vespa was his grafitti tag and the name stuck. Jeff eventually made his way to LA where he studied at the American Film Institute. An interest in photography saw 15 yearold Jeff borrow his Mother’s camera to document his friends, but it was years later that Jeff’s first proper assignment came after seeing an online ad that was ‘Looking for a photographer for red carpet events.’ He was sent out hours after calling and armed only with a 50mm lens managed to land some solid images of the Bulworth premiere that starred Warren Beatty. The agency was so impressed that they hired him. From then on, Jeff’s celebrity portfolio grew and he would eventually set up his
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J AV IE R B AR D EM
J AS O N B ATE MAN 104
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own online photo agency. WireImage would follow a couple of years later with the involvement of eight other partners. Jeff is credited with being the founder of the image library grid system that would become the industry standard. In 2007, the founding partners sold WireImage (Media Vast) to Getty Images for $207m. Jeff has spent more than a decade as a photography powerhouse. The official photographer of the Sundance Film Festival and the Toronto International Film Festival, celebrity book collaborations and a stint as the Editor-at-Large of LIFE.com up until earlier this year. Do you ever feel there’s a time when the page is turned and you have to move on and try something new and challenging? “I am always challenging myself, every project I do is self generated. No one is telling me what to do, so every morning when I wake up it is a challenge to figure out what I am going to do next.” Jeff has professed a love of filmmaking and in 2008 wrote, produced and directed ZHAN G Z IYI W W W .T WO -- M AGA ZI N E. CO M
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// I N F O C U S //
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DA V ID A RQUETT E
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// I N F O C U S //
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NI COL E R I T CH I E W W W .T WO -- M AGA ZI N E. CO M
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// I N F O C U S //
Nosebleed, a short film starring David Arquette. “I’ve found that moviemaking, more than the photography, is that place where I can express myself the most.” Jeff’s most recent venture is Verge, an online magazine dedicated to discovering new talent. www.ver-ge.com launched last month featuring video content along with his trademark photography. Do you see the content being more film driven given that you find this so creatively satisfying? “Verge is the place that I can feel like one person, instead of a photographer on one side and a filmmaker on the other. It allows me not to have to explain to people what I do. It is really satisfying to be shooting and directing every week.”
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PE NN B A DGL E Y W W W .T WO -- M AGA ZI N E. CO M
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CELEBRITY M AKE-UP ARTIST, RACHEL WOOD TELLS US ABOUT THE CLOSE FREINDSHIPS THAT CAN DEVELOP BETWEEN THE TALENT AND MUA It warmed my heart watching Meryl Streep give her Best Actress (for The Iron Lady) speech at the the 2012 Oscars, dedicating it to her make-up artist Roy Helland. Helland also won an Oscar for his make-up in The Iron Lady. The two have worked so closely for so many years and there’s an amazing bond between them. An MUA’s attitude, personality and the way they get along with the talent can impact a career as much as their artistic skill. If a job involves long days of filming or travelling, people want someone who not only makes them look and feel good but someone they are comfortable to be around too. 112
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Film M
It also got me thinking
R ACH EL ON LOU I SE :
about how blessed I was
We met backstage years
in my career to have such
ago at the Clothes Show.
a lovely connection of my
I ran the make-up team for
own working with TV
the fashion theatre and she
presenter and fashion
was hosting. We clicked the
journalist, Louise Roe.
moment we met. Louise has model features to work on and the most amazing
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“IT was A L to be ON
and there WE
exhau HOME SICK WHEN
TAKE
HO
LOUISE
so UNDERS and SUPP
ming Plain Jane in Marrakech, Morocco
skin! Though she lives in LA supportive. I’m so grateful and I live in NYC, not much to her for the opportunities time passes by until we’re
she’s given me. She has
working together again. It
become a part of my life
began with her coming to
like family. As the show has
NYC for fashion week and
grown, Louise has also been
to work on MTVs The City.
very generous in letting me
Louise told me about a show have creative involvement in the works called Plain
regarding the makeovers.
Jane and would I come out I now appear as the to work on it? I did and have on-camera MUA working been living out of suitcases
on all the ‘Janes’. Also my
since! We recently wrapped experimentation of make-up a five-month filming schedule looks on Louise has grown.
LONG TIME
the ROAD
ERE TIMES
ustion AND KNESS would
OLD but was JUST
STANDING
PORTIVE.”
of series 3, shown in over
She’ll often tear out
66 countries on MTV. We
references and show me
took over 40 flights in that
photos of ideas. It’s such
time and it was a test of
a blast to work with her.
my human strength. It was
There are some parts to
a long time to be on the
her everyday look that she
road and there were times
likes to keep consistent like
when exhaustion and
her brows which are
homesickness would take
groomed in a certain way
hold but Louise was just so understanding and W W W .T WO -- M AGA ZI N E. CO M
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115
w
sort of Audrey Hepburn-
I’m currently writing this
her glam team. Jess
esque (Benefit Brow Zing
from Hollywood where we
so sweet and her tea
kit in Dark and 266 MAC
are just finishing the second hilarious! Creatively
brush) and I almost always
season of NBCs TV show
been very exciting
do some sort of top black
Fashion Star with Nicole
part of and we’ve spe
cream liner (MAC Black Trax
Ritchie, Jessica Simpson
of time together w
with a super thin brush) and a pair of 117 Ardell Lashes but the make-up looks vary depending on her outfits and hair style. With Louise being Fashion Editor at Large for USA Glamour, I’ve picked up an incredible amount about fashion from her. Like most
on ideas to complim
“SOMETIMES she’ll
“I COULDN’T sleep LAST night
outfits for the show
SAY
important to me th
BECAUSE I came UP
just to see Louise’s
try!”
LOUISE ON R AC
with NEW ideas FOR us TO
WE
experiment A lot.”
week that people tu
Rach is my sister fr another mister and
her! Working togeth
5am on 13-hour day
make-up artists, I used to wear a lot of black but now
and John Varvatos (who
five months straight
I branch out a lot more into
were all so nice and lovely
Jane), you get prett
colour and print. Recently
to work with). Louise has
She always keeps m
we filmed a series of beauty
taken over the host role
smiling and laughing
school type web videos in
from Elle McPherson. We
met at the Clothes S
NY for You Tube: Look TV.
shared a make-up room
in the UK years ago
[ CLICK HERE TO WATCH ]
with Jessica Simpson and
I immediately liked h
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sica is
Filming Plain Jane Arctic circle, Kirkenes, Norway
am were
y it has to be
ent a lot
working
ment her
w. It was
hat each
uned in look.
CHEL:
rom I adore
her at
ys for
t (Plain
ty close!
me
g. We
Show
o and
her. W W W .T WO -- M AGA ZI N E. CO M
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117
Rachel’s quick, has the
Because of her, I can now
amazing ability to do hair as
glue my own lashes (Ardell),
well as make-up (a rarity)
I know the difference
and with my make-up,
between pink-based and
she always makes me feel
yellow-based concealers
elegant and chic. Not like
(I love MAC), I can attempt
I’m overloaded with thick
a contour (Chanel) and
foundation and too much
a peachy cheek (Benefit’s
mascara, but like a cuter
Coralista) and I do a pretty
version of myself, which
awful but quite entertaining
gives me lots of confidence!
New York accent!
I also love her passion for what she does. Sometimes
R A CHE L :
she’ll say “I couldn’t sleep
Oh and for the record her
last night because I came
NY accent ain’t half bad!
up with new ideas for us to try!” We experiment a lot, for example on Fashion Star, we’ve come up with a new hair and make-up look for every single episode, to compliment my outfits.
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W W W.LO U IS ERO E.CO M T W I T T ER:@ LO U IS ERO E W W W.R ACH EL M A K E- U P.CO M T W I T T ER: @ R ACH EL M A K EUP73
TOP PRODUCTS I USE ON LOUISE Filming Plain Jane in Madrid, Spain
MAC: FACE AND BODY C3, BLACK TRAX GEL EYELINER, PINK GLOW BLUSHER, MAC MED BLOT, FASCINATING PENCIL, REFLEX GLITTER IN GOLD ARDELL: 117 LASHES DUO GLUE BENEFIT: ERASE PASTE 2, BAD GAL LASH MASCARA, CORALISTA, STAY DON’T STRAY PRIMER, BROW ZINGS KIT IN DARK NARS: GINA BLUSHER, BRONZING OIL CHANEL: SOIEL TAN BRONZING CREAM ST TROPEZ SPRAY TAN JESSICA COSMETICS GELERATION NAILS MII LIPGLOSS IN FLOW L’OREAL LIPSTICK COLOR RICHE 401 KRYOLAN: NATURAL PALETTE EYE SHADOWS, SHIMMER PALETTE EYE SHADOWS MAKE-UP FOREVER: HD PRIMER, GLITTER GIVENCHY MATTIFY CREAM MARK COSMETICS BLOTTING PAPER RIMMEL BROWN EYE PENCIL PHILOSOPHY HOPE IN A JAR BOBBI BROWN MATTE EYESHADOWS: NUDES, BROWNS AND BLACK TOM FORD LIPSTICKS, CORAL, RED, BABY PINK LOUISE HAS GIVEN ME A FEW MAKE-UP TIPS OVER THE YEARS, MY FAVOURITE IS USING GIVENCHYS PHENOM EYES MASCARA IN WATERPROOF FOR THE BOTTOM LASHES – THE BALL SHAPE BRUSH MAKES IT GREAT TO APPLY & NO SMUDGING W W W .T WO -- M AGA ZI N E. CO M
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// F R O M T H E V A U L T //
…B E C AU S E S O M E T H I N G S A R E WO RT H WATC H I N G AGA I N
ABSOLUTELY FABULOUS TV SITCOM 1992 – 2012 SAUNDERS & FRENCH PRODUCTIONS BRITISH BROADCASTING CORPORATION WWW.BBC.CO.UK/ PROGRAMMES/B00JM3MS
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To get you in the holiday mood we thought we would drop in on our old friends Eddy and Patsy. It’s over twenty years since Ab Fab first appeared on TV here in the UK and Christmas wouldn’t be the same without a dose of festive fun courtesy of the fabulous inhabitants of the Monsoon household. It’s Christmas sweetie!
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