PRESS RELEASE TRAVESS SMALLEY RENDERED AURA 18 November 2011 - 6 January 2012 Opening Reception: Friday 18 November, 2011 - from 7pm to 9pm
(MPSJB .BSJB (BMMFSZ JT QMFBTFE UP BOOPVODF UIF mSTU TPMP *UBMJBO FYIJCJUJPO PG "NFSJDB BSUJTU 5SBWFTT 4NBMMFZ who lives and works in New York City. 5SBWFTT 4NBMMFZ SFDFJWFE IJT #'" GSPN $PPQFS 6OJPO JO )JT QSBDUJDF DFOUFST BSPVOE UIF DSFBUJPO PG websites and digital images through an evolving process that often includese non-digital steps, such as painting, drawing, scanning, collage and printmaking. )F IBT FYIJCJUFE JOUFSOBUJPOBMMZ BOE DVSSFOUMZ IBT XPSL TIPXJOH JO 1BSJT 1IJMBEFMQIJB 1PSUMBOE 0SFHPO BOE #SFTDJB *UBMZ )JT XPSL IBT SFDFOUMZ BQQFBSFE JO *U T /JDF 5IBU BOE -PEPXO .BHB[JOF )F also collaborates with projects such as Poster Company, Loshadka, Computers Club, and Drawing Depot. 3FDFOU &YIJCJUJPOT Collect The WWWorld DVSBUFE CZ %PNFOJDP 2VBSBOUB BU 4QB[JP $POUFNQPSBOFB #SFTDJB *UBMZ Mobile Device BU #PEFHB 1IJMBEFMQIJB 1/ Bartholomew DVSBUFE CZ +4#+ BU .BJM (BMMFSZ 1BSJT 'SBODF 6QDPNJOH &YIJCJUJPOT Art & Leisure DVSBUFE CZ 4BN ,PSNBO 1PSUMBOE 03 BCC#6 Post Truth BU 3FGFSFODF (BMMFSZ 3JDINPOE 7"
'PS GVSUIFS JOGPSNBUJPO QMFBTF DPOUBDU GBCSJ[JP!HMPSJBNBSJBHBMMFSZ DPN Gloria Maria Gallery | Via Watt 32 | 20143 Milan | T +39 02 8708 8548 | www.gloriamariagallery.com
Neon Bouquet, EJHJUBM QSJOU PO 17$ Y DN &E "1
Gloria Maria Gallery | Via Watt 32 | 20143 Milan | T +39 02 8708 8548 | www.gloriamariagallery.com
FLASHBACK by Ceci Moss *O .BSTIBMM .D-VIBO XSJUFT "GUFS UISFF UIPVTBOE ZFBST PG FYQMPTJPO CZ NFBOT PG GSBHNFOUBSZ BOE NFDIBOJDBM UFDIOPMPHJFT UIF 8FTUFSO XPSME JT JNQMPEJOH %VSJOH UIF NFDIBOJDBM BHFT XF IBE FYUFOEFE PVS CPEJFT JO TQBDF 5PEBZ BGUFS NPSF UIBO B DFOUVSZ PG FMFDUSJD UFDIOPMPHZ XF IBWF FYUFOEFE PVS DFOUSBM OFSWPVT TZTUFN in a global embrace, abolishing both space and time as far as our planet is concerned. Rapidly, we BQQSPBDI UIF mOBM QIBTF PG UIF FYUFOTJPOT PG NBO o UIF UFDIOPMPHJDBM TJNVMBUJPO PG DPOTDJPVTOFTT XIFO UIF DSFBUJWF QSPDFTT PG LOPXJOH XJMM CF DPMMFDUJWFMZ BOE DPSQPSBUFMZ FYUFOEFE UP UIF XIPMF PG IVNBO TPDJFUZ NVDI BT XF IBWF BMSFBEZ FYUFOEFE PVS TFOTF BOE PVS OFSWFT CZ UIF WBSJPVT NFEJB 8IFUIFS UIF FYUFOTJPO PG DPOTDJPVTOFTT TP MPOH TPVHIU CZ BEWFSUJTFST GPS TQFDJmD QSPEVDUT XJMM CF iB HPPE UIJOHw JT B RVFTUJPO UIBU BENJUT PG B XJEF TPMVUJPO 5IFSF JT MJUUMF QPTTJCJMJUZ PG BOTXFSJOH TVDI RVFTUJPOT BCPVU UIF FYUFOTJPOT PG NBO XJUIPVU DPOTJEFSJOH UIFN BMM UPHFUIFS "OZ FYUFOTJPO XIFUIFS PG TLJO IBOE PS GPPU BGGFDUT UIF XIPMF QTZDIJD BOE TPDJBM DPNQMFY 6OEFSTUBOEJOH .FEJB 5IF &YUFOTJPOT PG .BO QHT
5IF QPTTJCJMJUJFT PG BO FYQBOEFE DPOTDJPVTOFTT VTIFSFE JO GSPN UIF QSPNJTFT PG OFX UFDIOPMPHJFT UIF iFMFDUSJD BHFw BOE QIBSNBDFVUJDBMT TIPPL UIF IJTUPSJDBM NPNFOU JO XIJDI .D-VIBO XSPUF the above, and it is responsible for producing the aesthetic, cultural sensibility and genre known as iQTZDIFEFMJB w 5IF DJSDVNTUBODFT .D-VIBO EFTDSJCFE JO BSF TUJMM XJUI VT "OE XJUI JU QTZDIFdelia, which has resurfaced in varying forms over the past few decades, over and over again. 5IF DPNNFSDJBM JOUFSFTU XBT UIFSF BU UIF WFSZ TUBSU BMSFBEZ QSFTFOU JO .D-VIBO T RVFTUJPO PG XIFUIFS FYUFOEFE DPOTDJPVTOFTT JT iB HPPE UIJOHw PS OPU 5IF VTF PG QTZDIFEFMJB GPS QSPmU JT TP VCJRVJUPVT BOE DPNNPOQMBDF UIBU JU T FBTZ UP GPSHFU JUT PSJHJOBM TQBSL PG SFWPMVUJPOBSZ QPUFOUJBM 1TZDIFEFMJB FNFSHFT OPX BT B TUZMJTUJD NPUJG B NPPE FOIBODFS OPTUBMHJB 8JUI JUT FWFSZ SFTVSHFODF JU T JNQFSBUJWF UIBU XF VOEFSTUBOE UIF TVSSPVOEJOH DPOEJUJPOT BT UIFZ EFUBJM IPX UIF NJOE JT FYUFOEFE BOE UPXBSET XIBU FOE 0VS TDSFFOT BSF CVTZ IFDUJD JOVOEBUFE 4WFMUBOB #PZN JO i5IF 0GG .PEFSO .JSSPS w EFUBJMT UIF path of the “black mirror” as an alternative space to this frenetic activity: 5IF CMBDL NJSSPS BO BODJFOU HBEHFU VTFE CZ BSUJTUT NBHJDJBOT BOE TDJFOUJTUT GSPN .FYJDP UP *OEJB PGGFST JOTJHIU JOUP BOPUIFS IJTUPSZ PG UFDIOÐ UIBU DPOOFDUFE BSU TDJFODF BOE NBHJD QSPEVDJOH BO enchanted technology of wonder. European painters used black mirrors to focus on composition, QFSTQFDUJWF BOE QFSDFQUJPO JUTFMG 8IFO B EJHJUBM TVSGBDF CFDPNFT B iCMBDL NJSSPSw JU SFnFDUT VQPO DMBTIJOH GPSNT PG NPEFSO BOE QSFNPEFSO FYQFSJFODF UIBU DPFYJTU JO DPOUFNQPSBSZ DVMUVSF "MUIPVHI UIF CMBDL NJSSPS EJNT DPMPST JU BMTP TIBSQFOT QFSTQFDUJWF OPU GSBNJOH SFBMJTUJD JMMVTJPOT CVU FTUSBOHJOH QFSDFQUJPO JUTFMG 5IF CMBDL NJSSPS PGGFST B EJGGFSFOU LJOE PG NJNFTJT BOE BO VODBOOZ BOE BOUJ OBSDJTTJTUJD GPSN PG TFMG SFnFDUJPO JO XIJDI XF TQZ PO PVS PXO QIBOUPNT JO UIJT EJN JOUFSOBM mMN OPJS #MBDL NJSSPST BSF UIF DPSSFMBUF UP PWFSTUJNVMBUJPO PGGFSJOH VQ UIFJS PXO NPEF PG VODBOOZ DPOUFNQMBUJPO "U mSTU HMBODF 5SBWFTT 4NBMMFZ T WJCSBOU IZQOPUJD MPPQT XPVME EFGZ UIF CMBDL NJSSPS CFJOH JOTUFBE BO FYBNQMF PG NBOJD EFMVHF #VU * XPVME BSHVF UIBU JO UIFJS NFTNFSJ[JOH TUJMMOFTT UIFZ provide calm and rumination not unlike the black mirror.
Gloria Maria Gallery | Via Watt 32 | 20143 Milan | T +39 02 8708 8548 | www.gloriamariagallery.com
Primordial Trance Puddle B ESBXJOH CZ 4NBMMFZ UIBU XBT TDBOOFE BOE FEJUFE JO 1IPUPTIPQ BOE UIFO BOJNBUFE JO "GUFS &GGFDUT JT BO JODFTTBOUMZ SJQQMJOH XBUFSDPMPS 5IF WJFXFS SFTQPOET UP UIF USBORVJMJ[JOH FGGFDU PG XBUFS CVU JU TFFNT TUSBOHF JO UIJT BSUJmDJBM SF FOBDUNFOU 5IBU GFFMJOH JT BNQMJmFE CZ UIF SFDPHOJUJPO UIBU UIJT VOEVMBUJOH NPWFNFOU JT UIF QSPEVDU PG B UPPM B TJNVMBUJPO Ever Glowing Mesh JT TJNJMBSMZ BRVFPVT B TMPXMZ NPWJOH BMJFO TFB 4ZSVQZ CMVFT SFET ZFMMPXT and oranges move along the surface, like a software-produced liquid light show. 4NBMMFZ T MPPQT IBWF BO VOEFOJBCMF HMPTT UP UIFN UIBU T XIBU NBLFT UIFN TP DBQUJWBUJOH #VU UIJT shine, this luster is deeply entangled with the aesthetics of a commercially friendly digital psycheEFMJB POF SFBMJ[FE JO J1IPOF BQQT TDSFFOTBWFST BOE J5VOFT WJTVBMJ[FST 4NBMMFZ T MPPQT QPTTFTT B nVJE NBOOFS PG WJFXJOH TJNJMBS UP UIF TDSFFOTBWFS o JU DBO CF BU PODF B NPNFOUBSZ EJTUSBDUJPO B nPVSJTI UIBU DBO MJWFO VQ UIF DVCJDMF PS PGmDF PS UIF DFOUSBM GPDVT PG BUUFOUJPO 5IFZ SFNJOE VT of how our screens operate in a programmed environment: psychedelia not as enlightenmentTFFLJOH NJOE FYQBOTJPO CVU BT BO PQUJPO B TFUUJOH PO PS PGG 5IF MPPQT ZJFME BO PGG LJMUFS TFOTF PG TFSFOJUZ BO JNQSFTTJPO UIBU TIBSQFOT UIF WJFXFS T BXBSFOFTT PG IPX UIFJS NPPE JT BGGFDUFE CZ UBSHFUFE TUJNVMVT 8JUI UIJT PEE USBORVJMJUZ 4NBMMFZ T JMMVNJOBUFE TDSFFOT PQFSBUF BT B CMBDL NJSSPS UIBU BMMPXT SFDPHOJUJPO PG B DPOTDJPVTOFTT TIBQFE CZ UIF iFYUFOTJPOT PG NBO w -JLF UIFJS MPPQFE DPVOUFSQBSUT UIF Acid Collada series of prints are polished and eye-catching. 5IF XPSLT JOWPMWF B TQFDJBM UFDIOJRVF XIJDI GPDVTFT PO UIF JOUFSDIBOHF CFUXFFO QIZTJDBM BOE EJHJUBM UPPMT )FSF 4NBMMFZ DSFBUFT UIF GPSNT JO (PPHMF 4LFUDI VQ JNQPSUT UIFN JOUP 1IPUPTIPQ BT DPMMBEB PCKFDU mMFT EJHJUBMMZ QBJOUT UIFN VTJOH UPPMT XJUIJO UIF TPGUXBSF QSJOUT UIFN PVU POUP paper, adds more touches with real paint and a brush, then scans them back in again, for more NPEJmDBUJPOT XJUIJO 1IPUPTIPQ 5IJT DZDMJDBM QSPDFTT QSPEVDFT VOJRVF UFYUVSFT BOE XBTIFT UIF DPMPST TUSBUFHJDBMMZ BDDFOUVBUFE CZ 1IPUPTIPQ 5IF TPGUXBSF T TZOUIFUJD HSBJO CFDPNFT USFBUFE BGUFS NVMUJQMF TDBOT BU UJNFT QSPWJEJOH B NBUUF mOJTI UP UIF PWFSBMM QJFDF 5IF (PPHMF 4LFUDIVQ SFOEFSJOHT CFDPNF TVCNFSTFE CZ 4NBMMFZ T IZCSJE QBJOUJOHT XIJDI XSBQ BSPVOE BOE TFFNJOHMZ mMUFS UISPVHI UIF FYUFSJPS PG UIFTF JNQPTTJCMF GVUVSJTUJD TUSVDUVSFT 5IF NBOZ MBZFST PG XPSL CZ IBOE BOE CZ TPGUXBSF QSFTFOU JO UIF Acid Collada series meld into one another, becoming indistinguishable. 4NBMMFZ T QSJOUT BOE WJEFPT JO Rendered Aura relate the peculiar condition of our technologically FOBCMFE FYUFOTJPOT UIFJS QIZTJPMPHJDBM BOE QTZDIPMPHJDBM BGGFDUT 5IF UJUMF PG UIF FYIJCJUJPO JUTFMG o Rendered Aura o TFFNT UP EFTDSJCF BO BVSB UIBU DBO CF JOUFOUJPOBMMZ DBMMFE VQ PS iSFOEFSFE w *O PUIFS XPSET B NBOVGBDUVSFE BVSB BO BVSB UIBU IBT CFDPNF BMJFOBUFE BOE GVODUJPOBMJ[FE JG TVDI BO JNQPTTJCMF UIJOH DPVME FYJTU JO 8BMUFS #FOKBNJO T UIFPSZ 5IF BVSB XIJDI #FOKBNJO WJFXFE BT UIF TJOHVMBS DVMUJTI BVUIFOUJDJUZ TVSSPVOEJOH BO PCKFDU DBOOPU SFFNFSHF )F FYQSFTTFT UIJT JO UIF 8PSL PG "SU FTTBZ TUBUJOH i8IFO UIF BHF PG NFDIBOJDBM SFQSPEVDUJPO TFQBSBUFE BSU GSPN JUT CBTJT in cult, the semblance of its autonomy disappeared forever.� Eternally lost, perhaps we could see a desire to regain the mysticism of the cult object in the transcendence offered by psychedelia and QTZDIFEFMJD FYQFSJFODFT 4NBMMFZ T WJWJE BSUXPSL XIJDI BDUJWFMZ mMUFST UIF TFEVDUJWF SBEJBODF PG commercial psychedelia into something other, promises this seemingly divine encounter, however unattainable it may be.
$FDJ .PTT JT B GSFFMBODF XSJUFS NVTJDJBO %+ BOE DVSBUPS 4IF JT DVSSFOUMZ QVSTVJOH B 1I% JO $PNQBSBUJWF -JUFSBUVSF BU /:6 )FS research addresses contemporary internet-based art practice, digital technology and perception, the materiality of media, postmodernism and digital art preservation. 'SPN TIF XBT 4FOJPS &EJUPS PG 3IJ[PNF XIFSF TIF JT QSFTFOUMZ B 4UBGG 8SJUFS
Gloria Maria Gallery | Via Watt 32 | 20143 Milan | T +39 02 8708 8548 | www.gloriamariagallery.com
COMUNICATO STAMPA TRAVESS SMALLEY RENDERED AURA 18 Novembre, 2011 - 6 Gennaio, 2012 Opening Reception: Venerdi 18 Novembre, 2011 - dalle ore 19.00 alle ore 21.00
Acid Collada 1, EJHJUBM QSJOU PO BMVNJOJVN Y DN &E "1
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Ã’ SFDFOUFNFOUF BQQBSTP JO *U T /JDF 5IBU BOE -PEPXO .BHB[JOF - BSUJTUB DPMMBCPSB anche con progetti come Poster Company, Loshadka, Computers Club, e Drawing Depot. Mostre Recenti: Collect The WWWorld B DVSB EJ %PNFOJDP 2VBSBOUB QSFTTP 4QB[JP $POUFNQPSBOFB #SFTDJB *UBMJB Mobile Device QSFTTP #PEFHB 'JMBEFMQIJB 1/ Bartholomew B DVSB EJ +4#+ QSFTTP .BJM (BMMFSZ 1BSJHJ 'SBODJB
1SPTTJNF .PTUSF Art & Leisure B DVSB EJ 4BN ,PSNBO 1PSUMBOE 03 BCC#6 Post Truth QSFTTP 3FGFSFODF (BMMFSZ 3JDINPOE 7"
1FS VMUFSJPSJ JOGPSNB[JPOJ TJ QSFHB EJ DPOUBUUBSF GBCSJ[JP!HMPSJBNBSJBHBMMFSZ DPN Gloria Maria Gallery | Via Watt 32 | 20143 Milan | T +39 02 8708 8548 | www.gloriamariagallery.com
Acid Collada 2, EJHJUBM QSJOU PO BMVNJOJVN Y DN &E "1
Acid Collada 3, EJHJUBM QSJOU PO BMVNJOJVN Y DN &E "1
Gloria Maria Gallery | Via Watt 32 | 20143 Milan | T +39 02 8708 8548 | www.gloriamariagallery.com
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Gloria Maria Gallery | Via Watt 32 | 20143 Milan | T +39 02 8708 8548 | www.gloriamariagallery.com