Arts & Culture: Art Basel 2013

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KEYPAD | ART

Kaleidos idoscopic copic Br Brilliance illiance Kale of of

Ar t

Ar t Ba sel H o n g K o n g

從老幼咸宜的rubber

duck,到由西九文化區為大家呈獻的「珠玉滿堂」,充氣動物的風

頭可謂一時無兩。無論是鴨還是豬、是民間還是官方,無庸置疑,藝術在香港絕對有著無 限可能。往年備受好評的香港國際藝術展(Art

HK),今年重新規劃並更名為「香港巴塞

爾藝術展」(Art Basel HK),跟享譽國際的「邁阿密海灘巴塞爾藝術展」以及於發源地 舉行的「巴塞爾藝術展」齊名,這說明了甚麼?是的,香港的藝術市場又被看高一線。

Art is beloved by people of all ages. From the rubber duck that made a splash at Victoria Harbour to the larger than life House of Treasures at the West Kowloon Cultural District, whether it is a duck or a pig, a private or public function, the arts culture in Hong Kong is no doubt booming with limitless possibilities. The critically acclaimed Hong Kong International Art Fair (Art HK) has a brand new identity known as Art Basel Hong Kong. Held in conjunction with the internationally beloved Art Basel Miami Beach and launching its inaugural show, Hong Kong’s Art industry just keeps outdoing itself for the better.

Te x t / A n t o i n e t t e Ta n g , L i l i a n To n g

126

Art / JTF

Photo Credit / Courtesy of Art Basel Hong Kong

Jitish Kallat Allegor y of t he U nf olding Sky, 2012

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KEYPAD | ART

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Takuma Uematsu noosphere, 2012

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意。

to Art Basel H

More than half of the participating art galleries will originate from Asia and Asia Pacific region during the debut of Art Basel HK. The event will also feature five diverse sectors including Galleries, Insights, Discoveries and Encounters. The Galleries sector has gathered 180 of outstanding modern and contemporary art galleries from around the world. White Liam Gillic k Com ple t e Bin Developments, 2013

Zhen Chen Le Rit e Suspendue/Mouille, 1991

Cube, de Sarthe Gallery, Galerie du Monde and Galerie Ora-Ora, to name a few, are no doubt platforms where regulars and emerging artistes dream of showcasing their work.

然Art 是一

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更多優

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會引入 香港作為

Even though Ar t HK has made a historical mark in Hong Kong’s Ar t culture, contrar y to popular beliefs, the debut of Ar t Basel HK is not meant to replace the historically significant Ar t HK, but instead to continue its legacy in promoting the best of the Ar t world. Magnus Renfrew, the ar t director of Ar t HK since 2 0 07, will continue to lead as director of Ar t Basel in Hong Kong. Not only will Ar t Basel respect fully retain the distinct local flares of Ar t HK, it will also include a spectacular range of international galleries and ar tistes, grooming Hong Kong as the leading plat form for the Ar ts on the international stage.

The Encounters sector will be under the charge of Yuko Hasegawa, who is Chief Curator of the Museum of Contemporary Arts in Tokyo, and has also previously curated the Sharjah Biennial 11. Talking about not straying too differently from Art HK, she also curated for Art HK projects back in 2012. In Encounters, 17 large-scale sculpture and installation works will be featured. China’s Qin Chong’s Losing, a large paper installation painted with soot, India’s artist Jitish Kallat’s Circa, a 120-part scaffold bamboo sculpture and Japan’s Takuma Uematsu’s enchanting Noosphere are a few art works that will be showcased. Near the end of the art fair during the 23rd to 26th of May, Art Basel HK will launch an Art Unlimited sector in June. This year’s Art Unlimited sector will be curated by Gianni Jetzer, Director of Swiss Institute in

Mar nie Weber Log Lady & Dir ty Bunny, 2009

New York. A total of 79 of museum art pieces will be exhibited, including artistes such as Carl Andre, Gina Pane and Lygia Clark. Don’t forget to keep a look out for masterpieces of internationally celebrated artists, such as Ai Weiwei, Thomas Demand and Martin Creed, at the exhibition as well. artbasel.hk

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Laurent Grasso V isibility is a Trap, 2012

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