MOVIE
THE 41ST HONG KONG INTERNATIONAL FILM FESTIVAL 編輯推介：電影節亮點
EDITOR’S PICK: FESTIVAL HIGHLIGHTS
《 《
時代》A Confucian Confusion, 1994 份 》The Terrorizers, 1986
《 《
街 年 人 》A Brighter Summer Day, 1991 將》Mahjong, 1996
香第 港四 國十 際一 電屆 影 節
《一一》A One and a Two, 2000 《 的一天》That Day, on the Beach, 1983
十年再見 楊德昌
EDWARD YANG, 10-YEAR COMMEMORATION 楊德昌（1947-2007）是台灣新電影旗手。《海灘的一天》大 膽打破傳統敘事結構，《青梅竹馬》差一點讓侯孝賢當上金 馬影帝，《恐怖份子》精準透視後現代都市的真實與虛幻， 《牯嶺街少年殺人事件》無疑是經典了。九年前香港國際電 影節辦過「一一重現楊德昌」回顧，今年是楊德昌逝世十周 年，《青梅竹馬》與《牯嶺街少年殺人事件》的修復版亦剛 好相繼完成，正是時候再回顧他的藝術成就，以作懷念。
COMEDY
《殺兄同樂日》 HAPPY BUS DAY
愛情
《夢鹿情緣》 ON BODY AND SOUL
ROMANCE
South Korea, 2017
Hungary, 2017
好一個陽光燦爛家庭日，兄弟姊 妹回家共聚一堂，原來是在母親 帶領下，密謀殺兄大計。
兩人意外發現晚上原來彼此竟做 着相同的夢，想進一步發展，身 體與靈魂卻無法同步，心如鹿 撞，但總是難以靠近。
The most hilarious family reunites at their mother’s place to plot on killing their brother.
DOCUMENTARY
《假面的自白》 DEVIL’S FREEDOM
A psychological dystopian drama that follows two workplace acquaintances, attached to a modern slaughterhouse, become unlikely dream lovers. 動
《紅海龜》THE RED TURTLE
ANIMATION
France/Belgium/Japan, 2016
Mexico, 2017
吉卜力工作室破天荒與奧斯卡得 主荷蘭動畫師度德迪維合作，共 譜一闋人與大自然的讚歌。
天天在住所樓下槍擊當食生菜的 墨西哥人，如何面對外國人完全 無法想像那連綿不絕的綁架、貪 污、販毒、仇殺呢？
The first international co-production from Studio Ghibli enlists the talent of Oscar-winning Dutch animator Dudok de Wit for a gorgeously animated fable about human and nature.
The y reunites at their mother’s place A stark and powerful indictment of the kidnapping culture that has devastated Mexico.
《香港 》Made in Hong Kong, 1997 《志明與春嬌》Love in a Puff, 2010
《 《無間
》Beast Cops, 1998 》Infernal Affairs, 2002
《一代 《 足
》The Grandmaster 3D, 2013 》Shaolin Soccer, 2002
範式轉移︰後九七香港電影
PARADIGM SHIFT POST-97 HONG KONG CINEMA
When Edward Yang passed away on June 29, 2007, world cinema lost a
1997年7月1日凌晨，香港主權移交。20年來，經歷了金融
created an oeuvre of stunning beauty, power and originality that not only
香港電影都與社會脈搏同步，由《香港製造》開始，都在
well. Typically nonlinear in narrative, his films are more concerned with the
場主流，港片港味漸被稀釋，然而從20年間的香港電影，
true visionary. In less than three decades and with only seven features, Yang
風暴、經濟低迷、疫症肆虐、政治分歧、世代矛盾，不少
defined the Taiwanese New Wave, but helped define modern Taiwan as
抒發當時的港人情緒。CEPA簽署以來，中港合拍片成為市
characters’ journeys and the tension between modern and traditional values.
仍可發現不少地道聲音、本土情懷，或曲線寄託，仍能從 中讀出這城市的集體潛意識。在此選出20部電影，都相當 具代表性。所有場次皆免費入場。每人限取一張，先到先 得，額滿即止。
Post-handover, Hong Kong cinema faced crossroads. With box-office already declining and the mainland market burgeoning, Hong Kong filmmakers
started to adjust, experimenting with genre reinventions, local stories, new
technologies, and alternative financing. Some filmmakers simply embraced partnership with the mainland, while some co-productions still possess strong
creativity and artistry. In this special programme, 20 films that are highly representative of the post-97 Hong Kong cinema are selected. These free screenings are first-come, first-served basis.
For more info, visit hkiff.com.hk 90
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