2018 Scholarly/Professional

Page 1

Schola rly/Professional Reference Scholarly Scholarly Book Series Cover/Jacket Cover/Jacket Series

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FIRST

Reference

244    2018 New York Book Show

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CnC Creativity Continuum Joe MacDonald way to the edge of the property. So the fields and natural areas are not just for sports, but for learning too.” The design supports the uniqueness of every community. The client says, “The design team did lots of cool things to make Vose unique from the other sites. For example, some community members were really attached to the sequoias that had to be cut down during site preparation. DLR Group was sensitive to that, and they helped us select projects that preserved the wood and to bring them back into the school in new forms. Additionally, the Vose school community is 65% Hispanic. Nearly everyone who came to our community meetings spoke only Spanish, so we ran them in dual languages. To make the courtyard special, we designed these cool tile pavers for the walk from the courtyard

into the building that are inspired by tile mosaics. They have words in both English and Spanish. The design team did a lot of special things like this to make Vose a reflection of its community’s spirit.” A designer says, “We did other unique things as well. At Vose, there is a wall for an art mural inside. The school will determine what that mural will be. We intentionally found placeholders in the prototypes— opportunities for customization. Elements like this make the interior spaces unique on a tactile level. “Of all the topics we discussed, the color of the jams was most controversial. With a simple palette of only three colors, complexity is created by how you order them: red, red, orange; orange, red, red...and then yellow. Moving around the building, red morphs into yellow, but it’s done with only three colors. There is also a

transition from blue to green. The color transitions are uniquee to each school.” The client says, “I love the colored elevations because they are sophisticated and fun. Some of our schools look dated because of all the bright colors. These are subtle. We picked thee interior colors first, and those informed the colors on the exterior. I like how the colors tie into one another, and I especially like the pop of color in the courtyard. It’s like the bright lining on a jacket.”

48

49

B BEAVERTON

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

DLR Group PUBLICATION DATE

Jill Maltby, Omnivore Design, Aaron Asis, Shana Duncan

Jill Maltby, Omnivore Design, Aaron Asis, Shana Duncan

09/26/17

TEXT STOCK

COVER/JACKET PRINTING

TRIM SIZE

120gsm Golden Sun, woodfree

Asia Pacific Offset

6" x 9"

PREPRESS/COMPOSITION

CASE MATERIALS

PRODUCTION STAFF

Asia Pacific Offset

Silk screening on exposed board

Joe MacDonald, Alice Chung, Omnivore Design

PRINTING/BINDING

OTHER COMPONENTS

Asia Pacific Offset

Slipcase JHT cloth with silk screening

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Omnivore Design

Omnivore Design

TEXT DESIGN

COVER/JACKET DESIGN

Omnivore Design

Omnivore Design

Innovative slipcase package design includes beautiful choice of materials such as chipboard, tamped cloth, and fluorescent inks. Clever board-binding technique allows easy access to remove book from slipcase.

Scholarly/Professional   245

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SECOND

Reference

246    2018 New York Book Show

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John Yeon Landscape

2 The Lawn looking west 3 The Lawn looking southwest

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PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Andrea Monfried Editions

Various

Catherine Mills

PUBLICATION DATE

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

06/19/17

Whitman

Susan Seubert

TRIM SIZE

TEXT STOCK

COVER/JACKET PRINTING

8" x 9½"

157gsm Gold East matte

Asia Pacific Offset

PRODUCTION STAFF

PREPRESS/COMPOSITION

CASE MATERIALS

Andrea Monfried

iocolor

TEXT ART DIRECTION

PRINTING/BINDING

Cloth case with 2/c foil stamping and full-color printed onlay

Andrea Monfried

Asia Pacific Offset

TEXT DESIGN

COVER/JACKET ART DIRECTION

Catherine Mills

Andrea Monfried

Beautiful use of materials; the cover onlay looks like a window into the book. Elegant tranquil design combined with stunning photographs makes this book a gem to read.

Scholarly/Professional   247

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THIRD

Reference

248    2018 New York Book Show

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Designing Brand Identity, 5th Edition Alina Wheeler

PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Wiley

Univers LT

LSC Communications

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/16/17

70# Influence Matte 526

80pt C1S cover stock

TRIM SIZE

PRINTING/BINDING

COVER/JACKET EFFECTS

8½" x 10⅞"

LSC Communications

Matte lamination with spot varnish

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Kerstin Nasdeo

Jon Bjornson, Alina Wheeler

TEXT ART DIRECTION

COVER/JACKET DESIGN

Kathy Mueller, Alina Wheeler

Jon Bjornson, Alina Wheeler

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Kathy Mueller

Jon Bjornson

High-quality printing and color reproduction of a diverse range of brand marks.

Scholarly/Professional   249

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MERIT

Reference

250    2018 New York Book Show

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A Global History of Architecture, 3rd Edition Francis D. K. Ching, Mark M. Jarzombek, and Vikramaditya Prakash

PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Wiley

Trade Gothic LT

LSC Communications

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

04/17/17

70# Influence Matte 526

80pt C1S, 70# Influence Matte 526

TRIM SIZE

PRINTING/BINDING

COVER/JACKET EFFECTS

8½" x 10⅞"

LSC Communications

Gloss lamination

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

David Sassian Kerstin Nasdeo

Christopher Wallace

TEXT ART DIRECTION

COVER/JACKET DESIGN

Francis D. K. Ching

Christopher Wallace

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Francis D. K. Ching

Francis D. K. Ching, Jorg Hackermann, Shutterstock

Clean and simple layout; high-quality manufacturing.

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BES T IN C ATEGORY

FIRST/BEST IN CATEGORY

Scholarly

252    2018 New York Book Show

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Where Honeybees Thrive Heather Swan

Aganetha Dyck and the honeybees, from MMasked Ball (detail), series 2006–2008. William Eakin in collaboration with Aganetha Dyck, Light, 2011–12.

PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

The Pennsylvania State University Press

Chaparral, Mrs Eaves

Asia Pacific Offset

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/31/17

Ensolux Classic

TRIM SIZE

PREPRESS/COMPOSITION

360gsm C1S art board with scuff-free matte lamination

6¾" x 8½"

Embassy Graphics

COVER/JACKET EFFECTS

PRODUCTION STAFF

PRINTING/BINDING

Gritty spot UV coating

Jennifer Norton

Asia Pacific Offset

OTHER COMPONENTS

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Rounded corners, oversized flaps

Jennifer Norton

Jennifer Norton

TEXT DESIGN

COVER/JACKET DESIGN

Regina Starace

Regina Starace

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Various

Peter Waters

Excellent balance of scholarly text and evocative images. Every production choice is spot on—the thoughtful attention to design completes the outstanding entry.

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SECOND

Scholarly

254    2018 New York Book Show

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Insomniac Dreams Vladimir Nabokov

PUBLISHER

TEXT STOCK

COVER/JACKET EFFECTS

Princeton University Press

60# Finch Vanilla Opaque 466ppi

Black and PMS 186 U (red) ink

PUBLICATION DATE

PREPRESS/COMPOSITION

CASE MATERIALS

11/28/17

S4Carlisle Publishing Services

TRIM SIZE

PRINTING/BINDING

Arrestox B black cloth, white foil spine stamp, red headbands

5⅞" x 8¼"

Sheridan Books

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Jacquie Poirier

Chris Ferrante

TEXT ART DIRECTION

COVER/JACKET DESIGN

Chris Ferrante

Chris Ferrante

TEXT DESIGN

COVER/JACKET PRINTING

Chris Ferrante

Phoenix Color

TYPEFACE

COVER/JACKET STOCK & FINISH

Baskerville 10 Pro

Mohawk Via Felt Natural, uncoated

Clever use of design to illustrate Nabokov’s use of index cards to chronicle his dreams. The layout is very readable and intimate. Judicious use of second color throughout; effective use of photographs completes the design.

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THIRD

Scholarly

256    2018 New York Book Show

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The Book of Greek and Roman Folktales, Legends & Myths

PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Princeton University Press

Garamond Premier Pro

Phoenix Color

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

03/07/17

60# House Natural Smooth 420ppi

TRIM SIZE

PREPRESS/COMPOSITION

Rainbow White with BB 171 embossing and matte lamination

5⅞" x 8¼"

BookComp

CASE MATERIALS

PRODUCTION STAFF

PRINTING/BINDING

2/c printed endpapers, blue headbands

Erin Suydam

Sheridan Books

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Amanda Weiss

Maria Lindenfeldar

TEXT DESIGN

COVER/JACKET DESIGN

Amanda Weiss

Amanda Weiss

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Glynnis Fawkes

Glynnis Fawkes

Very readable text design. The cover illustration integrates well with the typography. Phenomenal endpapers.

Scholarly/Professional   257

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MERIT

Scholarly

258    2018 New York Book Show

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William Blake and the Age of Aquarius Stephen F. Eisenman and Mark Crosby

PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Princeton University Press

Goudy Heavyface, Univers LT, Walbaum

Asia Pacific Offset

PUBLICATION DATE

TEXT STOCK

CASE MATERIALS

10/17/17

120gsm UPM, woodfree

TRIM SIZE

PREPRESS/COMPOSITION

Three-piece case, JHT cloth, printed laminated front and back case

8" x 10"

Asia Pacific Offset

OTHER COMPONENTS

PRODUCTION STAFF

PRINTING/BINDING

Holographic foil stamping on spine

Steven Sears

Asia Pacific Offset

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Roy Brooks, Fold Four

Roy Brooks, Fold Four

TEXT DESIGN

COVER/JACKET DESIGN

Roy Brooks, Fold Four

Roy Brooks, Fold Four

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Various

William Blake, Richard Anuszkiewicz

Highlights include perfect cover that captures the subject matter, three-piece case, printed ends, and bold design.

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FIRST

Scholarly Book Series

260    2018 New York Book Show

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Oxford Keynotes Kevin Bartig, Annegret Fauser, Kevin C. Karnes

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Oxford University Press

Helvetica Neue, Minion Pro

Webcom Inc.

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/25/17

50# cream paper 454ppi

TRIM SIZE

PREPRESS/COMPOSITION

10pt C1S with scuff-resistant matte lamination

5½" x 8¼"

Newgen

CASE MATERIALS

PRODUCTION STAFF

PRINTING/BINDING

Preprinted split bind

Denise Phillip Grant

Webcom Inc.

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Farzana Razak

Rachel Perkins

TEXT DESIGN

COVER/JACKET DESIGN

Farzana Razak

Terri Sirma

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Various

Various

Size and format are highly usable. Attractive covers. Photography, even on cream stock, is effective.

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FIRST

Business Cover/Jacket

Blind Spots RJ Brideson IMPRINT/PUBLISHER

Wiley PUBLICATION DATE

09/21/17 TRIM SIZE

6⅛" x 9¼" COVER/JACKET ART DIRECTION

Paul McCarthy COVER/JACKET DESIGN

Paul McCarthy COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Paul McCarthy COVER/JACKET PRINTING

SCI COVER/JACKET STOCK & FINISH

10pt C1S cover stock COVER/JACKET EFFECTS

Matte lamination with spot varnish Effective use of spot lamination. Consistent use of design elements carried throughout. Print quality is spot-on.

262    2018 New York Book Show

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SECOND

Business Cover/Jacket

Unstoppable Dave Anderson PUBLISHER

Wiley PUBLICATION DATE

09/25/17 TRIM SIZE

6⅛" x 9¼" COVER/JACKET ART DIRECTION

Paul McCarthy COVER/JACKET DESIGN

Paul McCarthy COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Paul McCarthy COVER/JACKET PRINTING

LCS/Harrisonburg COVER/JACKET STOCK & FINISH

80pt C1S jacket stock COVER/JACKET EFFECTS

Matte lamination Use of hand lettering is unique for business genre but conveys a clear theme.

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FIRST

Scholarly Cover/Jacket

The Story of Hebrew Lewis Glinert PUBLISHER

Princeton University Press PUBLICATION DATE

02/14/17 TRIM SIZE

5½" x 8½" PRODUCTION STAFF

Erin Suydam COVER/JACKET ART DIRECTION

Maria Lindenfeldar COVER/JACKET DESIGN

Derek Thornton, Faceout Studio COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Michel D’anastasio COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

Mohawk Via Felt Natural, uncoated CASE MATERIALS

Kennett Royal cloth case In a category that was jam-packed with excellent jackets and covers, this one rises to the top. The gorgeous use of calligraphy as jacket art and elegant paper stock enhance the overall aesthetic.

264    2018 New York Book Show

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SECOND

Scholarly Cover/Jacket

Keeping It Halal John O’Brien PUBLISHER

Princeton University Press PUBLICATION DATE

09/12/17 TRIM SIZE

6⅛" x 9¼" PRODUCTION STAFF

Jacquie Poirier COVER/JACKET ART DIRECTION

Maria Lindenfeldar COVER/JACKET DESIGN

Amanda Weiss COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Amanda Weiss COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# C1S stock with gritty matte COVER/JACKET EFFECTS

Reflex Blue C, PMS 2423 C (green), PMS 102 C (yellow) CASE MATERIALS

Pearl linen charcoal grey 14991 cloth case The cohesive use of hand lettering and eye-catching colors make this an energetic and attractive layout.

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THIRD

Scholarly Cover/Jacket

Midlife Kieran Setiya PUBLISHER

Princeton University Press PUBLICATION DATE

10/03/17 TRIM SIZE

5¼" x 8" PRODUCTION STAFF

Jacquie Poirier COVER/JACKET ART DIRECTION

Maria Lindenfeldar COVER/JACKET DESIGN

Amanda Weiss COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Amanda Weiss COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# C1S with scuff-free matte lamination COVER/JACKET EFFECTS

Black and PMS 297 U (blue) ink CASE MATERIALS

Rainbow Sky Blue Cambric Embossing Clean and minimal design with conceptual illustration encapsulates the subject matter.

266    2018 New York Book Show

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MERIT

Scholarly Cover/Jacket

The House of Government Yuri Slezkine PUBLISHER

Princeton University Press PUBLICATION DATE

08/22/17 TRIM SIZE

6⅛" x 9¼" PRODUCTION STAFF

Jacquie Poirier COVER/JACKET ART DIRECTION

Chris Ferrante COVER/JACKET DESIGN

Chris Ferrante COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Francesco Bongiorni COVER/JACKET PRINTING

Phoenix Color COVER/JACKET STOCK & FINISH

80# Rainbow Ivory, uncoated with press varnish COVER/JACKET EFFECTS

Black and PMS 2035 U (red) ink CASE MATERIALS

Arrestox B black cloth case, cream foil spine stamp, black-and-red striped headbands The jacket design with its two-color illustration and typography appropriately harkens back to the Soviet era.

Scholarly/Professional   267

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MERIT

Scholarly Cover/Jacket

A Description of the New York Central Park Clarence C. Cook PUBLISHER

New York University Press PUBLICATION DATE

05/23/17 TRIM SIZE

6" x 9" PRODUCTION STAFF

Charles B. Hames COVER/JACKET ART DIRECTION

Adam B. Bohannon COVER/JACKET DESIGN

Adam B. Bohannon COVER/JACKET PRINTING

John P. Pow Company COVER/JACKET STOCK & FINISH

Uncoated white with press varnish CASE MATERIALS

One-piece case is Rainbow Meadow The vintage aesthetic of this design feels both historical and contemporary. Simple, elegant design evokes the time period.

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MERIT

Scholarly Cover/Jacket Series

Russian Library Alexei Remizov, Linor Goralik, Iliazd PUBLISHER

Columbia University Press PUBLICATION DATE

12/19/17 TRIM SIZE

5½" x 8½" PRODUCTION STAFF

Jennifer Jerome, Lisa Hamm COVER/JACKET ART DIRECTION

Julia Kushnirsky COVER/JACKET DESIGN

Roberto de Vicq de Cumptich COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Roberto de Vicq de Cumptich COVER/JACKET PRINTING

Sheridan Books COVER/JACKET STOCK & FINISH

100# C1S, matte lamination Smart use of diagonal symmetry throughout the series; nice use of vintage illustrations in a modern fashion.

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