2018 Special Trade

Sp e ci a l Tr ade Fine Art Under $75 Fine Art Over $75 General Gift Photography Cover/Jacket

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FIRST

Fine Art Under $75

Walworth

Catherine Walworth

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64 2018 New York Book Show

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Soviet Salvage Catherine Walworth

26 (left) Plate from the Banqueting Service of the Imperial Order of St. Aleksandr Nevskii, ca. 1780. Francis Gardner Factory, manufacturer.

Hard paste porcelain with enamel decoration. Carnegie Museum of Art, Pittsburgh; purchase: gift of Mr. and Mrs. George L. Craig, Jr. in memory of Mr. and Mrs. George Hann, 80.40.2.

Photo: Bryan Conley.

27 (below) Dessert plate from the Order of St. George Service, 1778. G. I. Kozlov, designer; Francis Gardner Factory, manufacturer. Porcelain, underglaze painting, polychrome gilt.

Hillwood Estate, Museum & Gardens, Bequest of Marjorie Merriweather Post, 1973, 25.1.32.

25 (opposite) Plate, Red Ribbon, 1919. Sergei Vasilievich Chekhonin, designer. State Porcelain Factory, manufacturer. Enameled and gilt porcelain. The Henry and Ludmilla Shapiro Collection; partial gift and partial purchase through the Decorative Arts Association Acquisition and Smithsonian Collections Acquisition Program Funds, 1989-41-10. Cooper Hewitt, Smithsonian Design Museum, New York. Photo: Cooper Hewitt, Smithsonian Design Museum / Art Resource, NY.

PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

The Pennsylvania State University Press

Scala, Neue Haas Unica

Asia Pacific Offset

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/10/17

140gsm Golden Sun Woodfree

TRIM SIZE

PREPRESS/COMPOSITION

Matte varnish on outside, matte lamination inside on 140gsm IKPP

9" x 9½"

Asia Pacific Offset

OTHER COMPONENTS

PRODUCTION STAFF

PRINTING/BINDING

Jennifer Norton

Asia Pacific Offset

Three-piece case, JHT cloth, exposed boards, and spot UV varnish

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Jennifer Norton

Jennifer Norton

TEXT DESIGN

COVER/JACKET DESIGN

Regina Starace

Regina Starace

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Various

Various

The design language reflects the subject matter really well. The uncoated stock and exposed board contribute to its rawness.

Special Trade 65

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SECOND

Fine Art Under $75

66 2018 New York Book Show

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Axis Mundo: Queer Networks in Chicano L.A. C. Ondine Chavoya and David Evans Frantz

PUBLISHER

TYPEFACES

COVER/JACKET STOCK & FINISH

ONE Archives at the USC Libraries and DelMonico Books/Prestel

Computer, Domaine, Euclid Flex, Graphik, Prestige Elite Std

Printed LED UV, 6/c on brossulin stock with LED gloss varnish

PUBLICATION DATE

TEXT STOCK

COVER/JACKET EFFECTS

11/20/17 TRIM SIZE

Garda Gloss; Munken Lynx, Selena, and Sirio

9" x 12"

PREPRESS/COMPOSITION

Translucent gradient swash across the cover created by a PMS spot color overprinted offline

PRODUCTION STAFF

Echelon Color

CASE MATERIALS

C. Ondine Chavoya, David Evans Frantz, Audrey Walen

PRINTING/BINDING

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Kimberly Varella, Content Object

Kimberly Varella, Content Object

TEXT DESIGN

COVER/JACKET DESIGN

Kimberly Varella, Content Object

Kimberly Varella, Content Object

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Ian Byers-Gamber, Fredrik Nilsen, Various

Patssi Valdez, Teddy Sandoval, Joey Terrill

Conti Tipocolor S.p.A.

COVER/JACKET PRINTING

Case wrapped flexi-bind cover with brossulin stock, and Munken Lynx for the endpapers with yellow headbands Visually stunning! The cover colors and stock choices are perfectly suited for the subject matter. The production and design are incredible! There is so much beauty: the interior is complex but incredibly amazing. There are many surprises and twists and turns.

Conti Tipocolor S.p.A. Special Trade 67

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THIRD

Fine Art Under $75

68 2018 New York Book Show

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On Weaving Anni Albers

PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Princeton University Press

ITC Baskerville, Whitney

Conti Tipocolor S.p.A.

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/10/17

GardaPat Kiara

Matte lamination

TRIM SIZE

PREPRESS/COMPOSITION

CASE MATERIALS

8½" x 11"

Conti Tipocolor S.p.A.

Seveso Cialinen

PRODUCTION STAFF

PRINTING/BINDING

Steve Sears

Conti Tipocolor S.p.A.

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Yve Ludwig

Yve Ludwig

TEXT DESIGN

COVER/JACKET DESIGN

Yve Ludwig

Yve Ludwig

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

The Josef and Anni Albers Foundation

The Josef and Anni Albers Foundation

The jacket and beautiful cloth case tie in the subject matter well. The overall look of the illustrations and text give a realistic visual of textures. The text and layout are easy to follow. A perfectly-executed design and production style.

Special Trade 69

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MERIT

Fine Art Under $75

bambach

MICHELANGELO

DIV INE DR AFTSM AN & DESIGNER

Carmen C. Bambach Consummate painter, draftsman, sculptor, and archi­ tect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was consid­ ered in the Renaissance to be the foundation of all

DIVINE DR AFTSMAN & DESIGNER

MICHELANGELO

artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts.

Beautifully illustrated with more than 350 draw­ ings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work.

Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen­year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full­scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s —offering fresh insights into his creative process. Also explored are Michelangelo’s influential

role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.

bn 978­1­58839­637­2

printed in italy

392 pages; 370 color illustrations; bibliography; index

70 2018 New York Book Show

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Michelangelo: Divine Draftsman & Designer Carmen C. Bambach

64 | Michelangelo, Studies for the Libyan Sibyl in the Sistine Ceiling. The Metropolitan Museum of Art, New York (24.197.2 recto)

Fig. 31. Michelangelo, Libyan Sibyl (detail), Sistine Chapel ceiling

65 | Michelangelo, Studies for the Libyan Sibyl and a Sketch for a Seated Figure.

The Metropolitan Museum of Art, New York (24.197.2 verso)

the verso the small seated figure with a putto at the side, which seems to be an early idea for the prophet Isaiah, while the softly drawn arm study in black chalk aligns with the pose of the Erythraean Sibyl. The increasing self-assurance of the artist is noticeable among the drawings done in the same medium. For example, the study for the head of the prophet Zechariah, one of the first Seers to be painted, is executed lightly and timidly in black chalk (pl. 53), whereas the powerful drawing for the Cumaean Sibyl in Turin has the formal definition of a figure carved in marble (pl. 54; fig. 30). This sibyl was among the last to be frescoed before Michelangelo had the scaffolding moved to commence the second portion of the ceiling. Though more schematic, the black-chalk figures on the Turin verso (pl. 55), which were preparatory for the lunette of Ezechias, Manasses, and Amon, are as bold and expressive as the Cumaean Sibyl on the recto. Also from the last group of drawings done in preparation for the first portion of the ceiling are vigorous studies from the model that were probably for the arms of God the Father in the Creation of Adam; the other side of the sheet contains earlier studies for the Battle of Cascina (pls. 56, 57).

Leaves from a small, disassembled sketchbook at the Ashmolean Museum pertain mostly to the design of the later parts of the ceiling and to the Ancestors of Christ, but they illustrate what earlier sketches of a similar type must have looked like.159

These sheets include slight sketches with initial ideas for figures in pen and ink, “to explore the manner of the poses,” to quote Vasari,160 as well as more developed studies in black chalk. The powerful study in black chalk of a male nude model (pl. 58) is unforgivingly naturalistic, undoubtedly observed from a malnourished garzone in the workshop, and was preparatory for a figure in reverse design on the lunette of Phares, Esron, and Aram by the altar wall of the chapel, which was later destroyed.161 It compares closely in style to the Turin study for the lunette of Ezechias, Manasses, and Amon (pl. 55). The summary sketch on the verso of the sheet (pl. 59) is among Michelangelo’s very rare drawings of a figural group on the Sistine ceiling, its main function being to articulate the atmospheric chiaroscuro of the arrangement. The bent-over figure is recognizable, though in a highly idealized form, on the lunette of Naason. The bold sketch of a figure on another sheet fcrom the Ashmolean sketchbook (pl. 60) relates to the other destroyed lunette by the altar wall, which depicted Abraam, Isaac, and Iudas.162 The abstract blackchalk sketches on the verso (pl. 61) were simply a means to explore investing the seated figures with movement.

By the time he prepared the drawings for the Creation of Adam, Michelangelo had begun using red chalk more frequently than black chalk for studies after the living model. It will be recalled that Raffaello Borghini in 1584 had considered red-chalk

88

a new artistic vision 89

PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

The Metropolitan Museum of Art

Verona Libri

PUBLICATION DATE

Stevens Titling, Aldus Nova, Sistina

11/21/17

TEXT STOCK

TRIM SIZE

135gsm GardaPat Kiara

150gsm Munken Polar with matte film lamination on reverse

9½" x 12"

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

PRODUCTION STAFF

Verona Libri

Paul Booth

PRINTING/BINDING

4/0 with UV foil stamping on spine using Kurz Luxor #334

TEXT ART DIRECTION

Verona Libri

CASE MATERIALS

Christopher Kuntze

COVER/JACKET ART DIRECTION

Cialux #1576 cloth, 3.0mm boards

TEXT DESIGN

Christopher Kuntze

OTHER COMPONENTS

Christopher Kuntze

COVER/JACKET DESIGN

Scored 4x

ILLUSTRATOR/PHOTOGRAPHER

Christopher Kuntze

The Metropolitan Museum of Art Imaging Department

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Michelangelo

COVER/JACKET STOCK & FINISH

A sensitive solution to including a vast quantity of information—beautiful reproductions.

Special Trade 71

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MERIT

Fine Art Under $75

72 2018 New York Book Show

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The Propaganda Front Anna Jozefacka, Lynda Klich, Juliana Kreinik, and Benjamin Weiss

PUBLISHER

TYPEFACE

COVER/JACKET STOCK & FINISH

MFA Publications, Museum of Fine Arts, Boston

National Book TEXT STOCK

150gsm Garda Premium Natural with no-scratch film lamination

PUBLICATION DATE

135gsm GardaPat Kiara

CASE MATERIALS

12/12/17

PREPRESS/COMPOSITION

TRIM SIZE

Graphicom S.r.l. Group

Hardcover with cloth over 3mm boards; brillianta black 4000 cloth

8½" x 9½"

PRINTING/BINDING

PRODUCTION STAFF

Graphicom S.r.l. Group

Terry McAweeney

COVER/JACKET DESIGN

TEXT DESIGN

Susan Marsh

Susan Marsh

COVER/JACKET PRINTING

The artwork is displayed in a coherent order.

The reproduction of the posters and postcards are very sharp and clean.

Graphicom S.r.l. Group Special Trade 73

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FIRST

Fine Art Over $75

74 2018 New York Book Show

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Eleven Madison Park: The Next Chapter Daniel Humm and Will Guidara

IMPRINT/PUBLISHER

TEXT STOCKS

COVER/JACKET STOCK & FINISH

Ten Speed Press, Crown Publishing Group, Penguin Random House

140gsm Tintoretto Gesso, 150gsm Magno Matte

128gsm matte art, soft-touch matte lamination

PUBLICATION DATE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

10/03/17

Bright Arts, Mari Gill

Rich black ink, spot gloss, debossing

TRIM SIZE

PRINTING/BINDING

CASE MATERIALS

10¾" x 11¾"

Legatoria Editoriale Giovanni Olivotto

Slipcase on Assuan gray cloth and silver foil

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

OTHER COMPONENTS

Serena Sigona

be-poles

TEXT ART DIRECTION

COVER/JACKET DESIGN

Two books housed in a slipcase, signed and numbered, limited to 11,000 copies

be-poles

be-poles

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

be-poles

be-poles

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Janice Barnes, Francesco Tonelli

Legatoria Editoriale Giovanni Olivotto

TYPEFACES

Exquisite paper and packaging. Complicated recipes organized for easy navigation. Silhouetting of food photography is perfect. Watercolor illustrations are beautifully presented. The printed liner on the slipcase is a nice touch.

Verlag, Plantin Special Trade 75

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SECOND

Fine Art Over $75

76 2018 New York Book Show

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Poetic Vision Adrian Villeta

118

119

job: 工作室 内文 p118 170628 jun

job: 工作室 内文 p119 170628 jun

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Michael Bell

Adrian Villeta

Adrian Villeta

PUBLICATION DATE

TYPEFACES

COVER/JACKET PRINTING

09/13/17

Elido, Odile, Meta

Asia Pacific Offset

TRIM SIZE

TEXT STOCK

CASE MATERIALS

10½" x 13"

140gsm IKPP Woodfree

Printed woodfree case with debossing

PRODUCTION STAFF

PREPRESS/COMPOSITION

OTHER COMPONENTS

Alberto Rigau

Asia Pacific Offset

Black ribbon marker

TEXT ART DIRECTION

PRINTING/BINDING

Adrian Villeta

Asia Pacific Offset

TEXT DESIGN

COVER/JACKET ART DIRECTION

Alberto Rigau, Stephanie Rodriguez, and Estudio Interlínea

Adrian Villeta COVER/JACKET DESIGN

Moody and atmospheric with vintage tones, creating a striking book. The volume fits nicely into its slipcase.

The book and slipcase have cohesive design and presentation.

Alberto Rigau Special Trade 77

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THIRD

Fine Art Over $75

78 2018 New York Book Show

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Handbags: A Love Story Monica Botkier

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Harper Design, HarperCollins Publishers

Linotype Didot, Engravers Gothic, Filosofia

Imago

PUBLICATION DATE

TEXT STOCK

11/14/17

140gsm woodfree

PET clear jacket prints 4/c with opaque white, .35mm thickness

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

10¼" x 12½"

Bright Arts, Shubhani Sarkar

4/c plus opaque white

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Susan Kosko, Lynne Yeamans

Imago

JHT cloth

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

OTHER COMPONENTS

Lynne Yeamans

Lynne Yeamans

TEXT DESIGN

COVER/JACKET DESIGN

Endpapers 2/2, two ribbon markers (one red and one black)

Shubhani Sarkar

Shubhani Sarkar

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Judith van den Hoek

Judith van den Hoek

COVER/JACKET STOCK & FINISH

The plastic jacket is beautiful yet the cover stands on its own. Nice clean typography and layout. Unique and beautiful package.

Special Trade 79

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BES T IN C ATEGORY

FIRST/BEST IN CATEGORY

General

80 2018 New York Book Show

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SHE: muses, visionaries and madcap heroines Kate Spade New York

PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Abrams Books

Various

Julie Weiss Design

PUBLICATION DATE

TYPEFACE

CASE MATERIALS

10/10/17

ITC New Baskerville

TRIM SIZE

TEXT STOCK

JHT cloth, black grosgrain with pink foil stamping

9½" x 11½"

128gsm matte art

PRODUCTION STAFF

PREPRESS/COMPOSITION

Rebecca Westall

Julie Weiss Design

TEXT ART DIRECTION

PRINTING/BINDING

Danielle Youngsmith

RR Donnelley Asia Printing Solutions

TEXT DESIGN

COVER/JACKET ART DIRECTION

Julie Weiss Design

Danielle Youngsmith

Every element of this package is intentional—the cloth and deep foil stamping is seductive; use of pink is sophisticated, not overwhelming. The gilding is a beautiful contrast; acetate tip-ins elevate the design.

Special Trade 81

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SECOND

General

82 2018 New York Book Show

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House Industries: The Process Is the Inspiration Andy Cruz, Rich Roat, and Ken Barber

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Watson-Guptill, Ten Speed Press, Crown Publishing Group, Penguin Random House

Neutraface, Eames Century Modern

C & C Offset Printing Co., Ltd.

TEXT STOCK

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

Ecological Fibers Ultima

TRIM SIZE

128gsm matte art, 120gsm brown Kraft paper, 60gsm light extreme, 125gsm brown Kraft paper

8½" x 10"

PREPRESS/COMPOSITION

Betsy Stromberg

CASE MATERIALS

PRODUCTION STAFF

Serena Sigona

PRINTING/BINDING

TEXT ART DIRECTION

C & C Offset Printing Co., Ltd.

Andy Cruz

COVER/JACKET ART DIRECTION

TEXT DESIGN

Andy Cruz

Bondé Angeline, Andy Cruz, Ken Barber

COVER/JACKET DESIGN

ILLUSTRATOR/PHOTOGRAPHER

Andy Cruz

05/30/17

Chris Gardner, Adam Cruz, Carlos Alejandro, Various

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Andy Cruz

COVER/JACKET EFFECTS

Gold and silver silkscreen, plus debossing 3mm board OTHER COMPONENTS

Hand lettering by Ken Barber, 352pp printed CMYK, metallic Pantone, spot gloss varnish, 48pp printed two Pantones, metallic The case has an inviting texture. This book has it all!

A lot of content, which is unified through the color scheme and pearlescent and copper inks. Beautiful showcase of their typefaces and their applications.

Special Trade 83

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THIRD

General

84 2018 New York Book Show

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A Man and His Watch Matt Hranek

PAUL NEWMAN’S MODEL 6263 BIG RED ROLEX DAYTONA

19172_AMAHW_int_Jun27.indd 016

12/7/2017 11:44 AM

19172_AMAHW_int_Jun27.indd 017

12/7/2017 11:44 AM

IMPRINT/PUBLISHER

TEXT STOCK

CASE MATERIALS

Artisan, Workman Publishing

140gsm Gold East Matte

PUBLICATION DATE

PREPRESS/COMPOSITION

10/31/17

Mission

Three-piece case, Wibalin spine, front and back case matte lamination, debossing on front case

TRIM SIZE

PRINTING/BINDING

OTHER COMPONENTS

7" x 10"

Asia Pacific Offset

PRODUCTION STAFF

COVER/JACKET ART DIRECTION

Nancy Murray

Renata Di Biase, Nancy Murray

TEXT ART DIRECTION

COVER/JACKET DESIGN

Renata Di Biase

Renata Di Biase

TEXT DESIGN

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Renata Di Biase

Matt Hranek

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET PRINTING

Matt Hranek

Asia Pacific Offset

Slipcase has half circle die cut and opens on both sides; Wibalin case has debossing and black liner Attractive package, particularly the relationship between slipcase and cover. The detail of the thumb cut mirrors a watch crown, including the debossing of the notches. Exquisite photography. Print production is well executed and all the details of watch are maintained.

TYPEFACES

Karloff Positive and National Special Trade 85

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MERIT

General

86 2018 New York Book Show

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Surf Shack Nina Freudenberger

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Clarkson Potter, Crown Publishing Group, Penguin Random House

Brittany Ambridge

Stephanie Huntwork

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

PUBLICATION DATE

Brittany Ambridge

04/11/17

Gothic 13, Gothic 720 BT B, Granjon Roman

TRIM SIZE

TEXT STOCK

C & C Offset Printing Co., Ltd.

8" x 11"

140gsm woodfree

COVER/JACKET STOCK & FINISH

PRODUCTION STAFF

PREPRESS/COMPOSITION

Pure white imitation cloth

Kim Tyner

Kim Tyner, Alexandria Martinez

COVER/JACKET EFFECTS

TEXT ART DIRECTION

PRINTING/BINDING

Debossing

Stephanie Huntwork, Marysarah Quinn

C & C Offset Printing Co., Ltd.

TEXT DESIGN

COVER/JACKET ART DIRECTION

Stephanie Huntwork

Stephanie Huntwork, Marysarah Quinn

COVER/JACKET PRINTING

The debossing of the title from the spine wrapped on the hinge and front case is a manufacturing wonder.

The interior design has a sunny quality and the choice of paper makes you feel like you are at the beach.

Special Trade 87

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MERIT

General

88 2018 New York Book Show

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Rei Kawakubo/Comme des Garçons: Art of the In-Between Andrew Bolton

Cacophony, spring /summer 2008

Cacophony, spring /summer 2008

“[For my spring/summer 2008 collection], I started out thinking about disharmony and randomness, playing with weird and unlikely mixes of fabrics, colors and patterns on the one hand, and working with shapes . . . that are not clothes on the other hand.” 2008

“The entire collection . . . was built on the plain, flat rectangular bag.” 2008

124

125

PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

The Metropolitan Museum of Art

Baron One

Ofset Yapımevi

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

05/04/17

150gsm Munken Polar

150gsm Munken Polar, 58gsm glassine

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

11" x 14¼"

Professional Graphics

PRODUCTION STAFF

PRINTING/BINDING

Blind stamping with UV matte film lamination on reverse

Paul Booth

Ofset Yapımevi

CASE MATERIALS

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Fabien Baron, Yuki Iwashiro, Baron & Baron

Fabien Baron, Yuki Iwashiro, Baron & Baron

Cialux #1576 cloth with foil stamping on spine using Kurz Luxor #334 3.0mm boards

TEXT DESIGN

COVER/JACKET DESIGN

OTHER COMPONENTS

Fabien Baron, Yuki Iwashiro, Baron & Baron

Fabien Baron, Yuki Iwashiro, Baron & Baron

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Nicholas Alan Cope, Inez and Vinoodh, Katerina Jebb, Kazumi Kurigami, Ari Marcopoulos, Craig McDean, Brigitte Niedermair, Paolo Roversi, Collier Schorr

Paolo Roversi

Smyth-sewn binding The paper choice catches your eye. The design reflects the aesthetic of the subject: simple, minimal, and beautiful. The jacket and slipcase reflect the material Rei Kawakubo uses in her fashion designs.

Special Trade 89

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FIRST

Gift

90 2018 New York Book Show

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This Book Is a Planetarium Kelli Anderson

PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Chronicle Books

Toppan Excel, Toppan Leefung

PUBLICATION DATE

Din Medium, Futura Std, MTT Milano, Milano Popup, Neutra Text

10/03/17

TEXT STOCK

TRIM SIZE

379gsm C1S Printkote Artcard with matte lamination

9½" x 12"

330gsm C1S Hongta Artcard, pop-ups are 220gsm uncoated YFY

PRODUCTION STAFF

PREPRESS/COMPOSITION

Paper over 2mm binder’s board

Erin Thacker

Erin Thacker

OTHER COMPONENTS

TEXT ART DIRECTION

PRINTING/BINDING

Brooke Johnson, Jennifer Tolo Pierce

Toppan Excel, Toppan Leefung

TEXT DESIGN

COVER/JACKET ART DIRECTION

Kelli Anderson

Brooke Johnson, Jennifer Tolo Pierce

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Kelli Anderson

Kelli Anderson COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

COVER/JACKET STOCK & FINISH

CASE MATERIALS

Elastic bands attached to inside front and back covers Wow! This book is so much fun. It’s the kind of book that an adult wants to play with. This is sophisticated.

Clearly a judge’s favorite. The pop-ups and design choices are really well-executed.

Kelli Anderson Special Trade 91

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SECOND

Gift

92 2018 New York Book Show

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Carve: A Simple Guide to Whittling Melanie Abrantes

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET DESIGN

Clarkson Potter, Crown Publishing Group, Penguin Random House

Melanie Riccardi

Stephanie Huntwork

TYPEFACES

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

PUBLICATION DATE

Getty, Melanie Riccardi

08/22/17

Chronicle Text G1, DIN Next LT Pro, ATSackersGothic

TRIM SIZE

TEXT STOCK

C & C Offset Printing Co., Ltd.

5" x 7"

140gsm woodfree

COVER/JACKET STOCK & FINISH

PRODUCTION STAFF

PREPRESS/COMPOSITION

Pure white imitation cloth

Kim Tyner

Kim Tyner, Kelli Tokos

COVER/JACKET EFFECTS

TEXT ART DIRECTION

PRINTING/BINDING

Debossing

Stephanie Huntwork, Marysarah Quinn

C & C Offset Printing Co., Ltd.

TEXT DESIGN

COVER/JACKET ART DIRECTION

Stephanie Huntwork

Stephanie Huntwork, Marysarah Quinn

COVER/JACKET PRINTING

The printing and manufacturing—as well as the choice of endpaper and design—convey the subject perfectly.

Special Trade 93

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THIRD

Gift

94 2018 New York Book Show

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Matzo Michele Streit Heilbrun and David Kirschner

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Clarkson Potter, Crown Publishing Group, Penguin Random House

Jennifer May

Jennifer May

TYPEFACES

COVER/JACKET PRINTING

PUBLICATION DATE

GarageGothic, Burford Base, Farnham Text

C & C Offset Printing Co., Ltd.

03/07/17

TEXT STOCK

COVER/JACKET EFFECTS

TRIM SIZE

128gsm matte

Sculptural debossing

8" x 8"

PREPRESS/COMPOSITION

CASE MATERIALS

PRODUCTION STAFF

Heather Williamson, Kelli Tokos

128gsm with matte lamination

Heather Williamson

PRINTING/BINDING

TEXT ART DIRECTION

C & C Offset Printing Co., Ltd.

Stephanie Huntwork, Marysarah Quinn

COVER/JACKET ART DIRECTION

TEXT DESIGN

Stephanie Huntwork, Marysarah Quinn

Sonia Persad

COVER/JACKET DESIGN

Makes you want to take a bite out of the cover!

Debossing recreates the nooks and crannies of a piece of matzo. Design makes content easy to identify and follow.

Sonia Persad Special Trade 95

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8/29/18 6:20 PM

MERIT

Gift

96 2018 New York Book Show

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A Graphic History of Sport Andrew Janik

IMPRINT/PUBLISHER

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Clarkson Potter, Crown Publishing Group, Penguin Random House

Andrew Janik

Andrew Janik

TYPEFACES

COVER/JACKET PRINTING

PUBLICATION DATE

Red Top, GT Pressura

Toppan Leefung

02/28/17

TEXT STOCK

COVER/JACKET EFFECTS

TRIM SIZE

157gsm Hi-Q matte FSC-certified

Embossing and debossing

6" x 7¼"

PREPRESS/COMPOSITION

CASE MATERIALS

PRODUCTION STAFF

Luisa Francavilla, Kelli Tokos

Luisa Francavilla

PRINTING/BINDING

3.00mm board, 128gsm glossy artpaper with soft-touch lamination

TEXT ART DIRECTION

Toppan Leefung

Danielle Deschenes, Marysarah Quinn

COVER/JACKET ART DIRECTION

TEXT DESIGN

Danielle Deschenes, Marysarah Quinn

Ian Dingman

COVER/JACKET DESIGN

Ian Dingman

The cover screams SPORTS. The connection between the cover and spine ties the theme together. The endpapers and illustrations have a playfulness appropriate to the subject.

Special Trade 97

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MERIT

Gift

98 2018 New York Book Show

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The Little Book of Life Hacks Yumi Sakugawa

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

St. Martin’s Griffin, St. Martin’s Press, Macmillan

Blog Script

Shenzhen RRD Printing

TEXT STOCK

COVER/JACKET STOCK & FINISH

PUBLICATION DATE

115gsm Yulong paper 1.3, 340ppi

05/02/17

PREPRESS/COMPOSITION

300gsm C1S art paper with 1/s matte lamination

TRIM SIZE

Yumi Sakugawa

COVER/JACKET EFFECTS

6⅛" x 93⁄16"

PRINTING/BINDING

Metallic foil, emboss pattern

PRODUCTION STAFF

Shenzhen RRD Printing

OTHER COMPONENTS

Lena Shekhter

COVER/JACKET ART DIRECTION

Hand lettering

TEXT ART DIRECTION

Young Jin Lim

Michelle McMillian

COVER/JACKET DESIGN

TEXT DESIGN

Young Jin Lim

Michelle McMillian

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Yumi Sakugawa

The design of the book is playful, hip, and youthful.

The cover ties the subject matter together. The graphic novel and comic-style illustrations make the instruction manual easy to use.

Yumi Sakugawa Special Trade 99

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FIRST

Photography

100 2018 New York Book Show

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Vegas Gold David Wills

IMPRINT/PUBLISHER

TYPEFACES

COVER/JACKET PRINTING

Dey Street Books, HarperCollins Publishers

Eurostile Bold Condensed, Gill Sans

Imago

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

10/31/17

157gsm Chenming Matte FSC-certified

157gsm Chenming Glossy FSC-certified

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

10½" x 11¾"

Imago

Spot UV, gold foil

PRODUCTION STAFF

PRINTING/BINDING

OTHER COMPONENTS

Stephen Schmidt, Susan Kosko, Richard Aquan, Alex Cheng

Imago

Smyth-sewn binding with gilded book block

TEXT ART DIRECTION

Stephen Schmidt

Stephen Schmidt

COVER/JACKET DESIGN

TEXT DESIGN

Stephen Schmidt, David Wills

Stephen Schmidt, David Wills

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

ILLUSTRATOR/PHOTOGRAPHER

Photofest

COVER/JACKET ART DIRECTION

Various

The production choices are very Vegas. The way the book is designed and printed makes the photography really shine. The gold disco-style foil on the jacket and case, along with the metallic and gold inks, ties everything together and makes this book really stand out.

Special Trade 101

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SECOND

Photography

102 2018 New York Book Show

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Mariposas Nocturnas Emmet Gowin

PUBLISHER

TYPEFACE

COVER/JACKET PRINTING

Princeton University Press

Centaur

Meridian Printing

PUBLICATION DATE

TEXT STOCK

COVER/JACKET STOCK & FINISH

09/19/17

Phoenix Motion Xantur matte

Matte lamination

TRIM SIZE

PREPRESS/COMPOSITION

COVER/JACKET EFFECTS

11" x 14"

Robert J. Hennessey

French fold

PRODUCTION STAFF

PRINTING/BINDING

CASE MATERIALS

Steve Sears

Meridian Printing

Phoenix Motion Xantur matte

TEXT ART DIRECTION

COVER/JACKET ART DIRECTION

Katy Homans

Katy Homans

TEXT DESIGN

COVER/JACKET DESIGN

Katy Homans

Katy Homans

ILLUSTRATOR/PHOTOGRAPHER

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Emmet Gowin

Emmet Gowin

The oversized trim really works for the subject. The photography is well-organized and beautifully shot.

The grid layout reflects a museum display. The printed case with soft-touch coating is striking.

Special Trade 103

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THIRD

Photography

104 2018 New York Book Show

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Blind Spot Teju Cole

MIL AN It holds its violence in reserve. It is symmetrical, as are most vertebrates. It is in fact bipedal, like the animal that stands up, the animal that can mourn strangers. This suggestiveness is the key to surrealism. Suddenly coming up for air, a whale breaking the sea’s surface, the surreal object is beyond or over (sur) a reality it might have been expected to stay below. The scissors is a mask without a face.

26

IMPRINT/PUBLISHER

TYPEFACE

COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Random House, Penguin Random House

Aaux Pro

Teju Cole

PUBLICATION DATE

TEXT STOCK

COVER/JACKET PRINTING

06/13/17

RR Donnelley Asia Printing Solutions

TRIM SIZE

157gsm Golden Sun matte FSC-certified art paper

6¼" x 8¾"

PREPRESS/COMPOSITION

PRODUCTION STAFF

North Market Street Graphics

128gsm Golden Sun glossy FSC-certified art paper with matte film lamination

Richard Elman

PRINTING/BINDING

COVER/JACKET EFFECTS

TEXT ART DIRECTION

RR Donnelley Asia Printing Solutions

Debossing and spot gloss UV

Liz Cosgrove

COVER/JACKET ART DIRECTION

CASE MATERIALS

TEXT DESIGN

Alex Merto

Wibalin 552 green

Liz Cosgrove

COVER/JACKET DESIGN

ILLUSTRATOR/PHOTOGRAPHER

Alex Merto

Teju Cole

COVER/JACKET STOCK & FINISH

Impressive layout, title page, and endpaper design.

The use of white space is really smart—the map at the end is a nice way to wrap it up.

Special Trade 105

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FIRST

Fine Art Under $75 Cover/Jacket

Axis Mundo: Queer Networks in Chicano L.A. C. Ondine Chavoya and David Evans Frantz PUBLISHER

ONE Archives at the USC Libraries and DelMonico Books/Prestel PUBLICATION DATE

11/20/17 TRIM SIZE

9" x 12" PRODUCTION STAFF

C. Ondine Chavoya, David Evans Frantz, Audrey Walen COVER/JACKET ART DIRECTION

Kimberly Varella, Content Object COVER/JACKET DESIGN

Kimberly Varella, Content Object COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Patssi Valdez, Teddy Sandoval, Joey Terrill COVER/JACKET PRINTING

Conti Tipocolor S.p.A. COVER/JACKET STOCK & FINISH

Printed LED UV, 6/c on brossulin stock with LED gloss varnish COVER/JACKET EFFECTS

Translucent gradient swash across the cover created by a PMS spot color overprinted offline Incredibly well executed. The cover stock texture and colors work with great effectiveness. Spine and title typeface were great choices.

106 2018 New York Book Show

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FIRST

General Cover/Jacket

The Legend of Zelda: Art & Artifacts Nintendo IMPRINT/PUBLISHER

Dark Horse Books, Dark Horse Comics PUBLICATION DATE

02/21/17 TRIM SIZE

9" x 12" PRODUCTION STAFF

Patrick Thorpe COVER/JACKET ART DIRECTION

Cary Grazzini COVER/JACKET DESIGN

Cary Grazzini COVER/JACKET ILLUSTRATION/PHOTOGRAPHY

Nintendo COVER/JACKET PRINTING

1010 Printing International Ltd. COVER/JACKET STOCK & FINISH

182gsm metallic silver foil paper and soft-touch lamination, 0.30mm PET acetate material COVER/JACKET EFFECTS

Metallic gold foil stamping and 3D embossing OTHER COMPONENTS

Metallic gilding Clever use of acetate slipcase, sculptural debossing, and holographic foil clearly conveys content.

Special Trade 107

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MERIT

Photography Cover/Jacket

Clarence H. White and His World Anne McCauley PUBLISHER

Princeton University Art Museum PUBLICATION DATE

09/01/17 TRIM SIZE

10" x 11½" PRODUCTION STAFF

Anjali Pala, Miko McGinty Inc. COVER/JACKET DESIGN

Anjali Pala, Miko McGinty Inc. COVER/JACKET PRINTING

Trifolio S.r.l.

COVER/JACKET STOCK & FINISH

170gsm Garda Matte COVER/JACKET EFFECTS

LED UV printing with soft-touch lamination and Kurz Luxor 334 foil stamping CASE MATERIALS

Brillianta 4254 cloth with Oropress 070S10 stamping Nice soft-touch feel. Good choice of foil for the overall aesthetic of the jacket. Beautiful printing of a very delicate platinotype.

108 2018 New York Book Show

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