BIMA.CO.UK
@BIMA
#BIMAAWARDS
BIMA AWARDS 2015
2
WELCOME TO THE BIMAS 2015
ADAM GRAHAM C H A I R O F B I MA
Welcome to the Book of the Night 2015. Inside you will find details of all our finalists plus a showcase of this year’s winning work. This year has seen the best awards night yet, due to the killer combination of an awesome line-up of nominees, the legendary party spirit of Britain’s digital industry and, of course, a free bar! The industry continues to evolve at a pace and the advancements in technology are tremendously exciting. Virtual reality has now truly entered the mainstream. Programmatic ad buying has evolved beyond direct response and is being used for brand campaigns too. Periscope and Meerkat have brought real
time video streaming to the masses; and the uses for drones seem to be never ending! This ever-evolving landscape is reflected in this year’s sponsors, to whom we are extremely grateful. A huge thank you to our headline sponsor Workfront and our major sponsors Adestra and ORM. Sincere thanks also to our sponsors Amaze, AMOVEO, Deltek, Dock9, Droxic, FEB, IA Digital, Manifesto, Only, Propeller PR, QA Apprenticeships, Redweb, Resource IT, Retriever New Business, Sitecore, toinfinity and Wirehive. And our partners AMOVEO, Audio Network, Electric Sunshine, Hashtag’d, Only and ResourceIT.
And last but by no means least, we would like to say a big thank you to everyone who entered and everyone who came along to the awards party. I’d like to pass on my personal congratulations to the winners and to everyone who made the shortlist. You should be very proud.
BIMA AWARDS 2015
3
It was fantastic to celebrate our 30th Anniversary last year and so very rewarding to be part of an organisation that supports and connects Great British digital talent, and so much of it too.
TIFFANY ST JAMES B I M A E X E C U T IVE AND CO CHAIR OF T H E B I M A A W ARDS JUDGING
Our industry adds huge value to the UK economy, and in approaching the BIMA Awards 2015 we wanted to ensure this contribution is acknowledged and honoured. One vehicle for this was the refresh to the Sector categories, increasing them in number and allowing agencies and brands to show the impact of their work in retaining users over time, as well as the shorter, sharper ways they’ve attracted and engaged audiences in the past year.
We also introduced a new framework for determining Agency of the Year, asking entrants to provide greater detail on why they should be considered eligible for the honour. We also instituted a new award for Brand of the Year and were gratified to receive a strong field of entries for Startup of the Year, a trophy added to our line-up only last year. Not that any of this made the judging easier of course, always a difficult task, so we are very grateful for the time, dedication and care of our knowledgeable industry judges. An incredible selection of talented individuals who worked with great care, humour and diligence.
My personal thanks also go to my fellow BIMA Executives Matt Pilgrim and Justin Pearse and to BIMA’s MD Bridget Beale, whose dedication to the awards continues to result in the best night out in British Digital. We’re thrilled to celebrate the awards with you and to play a part in this energetic digital ecosystem that continues to evolve at such a pace and set standards that are internationally revered. Watch this space next year!
BIMA AWARDS 2015
4
ALEX TAIT
ANDY BEAUMONT
BRITTANY GOLOB
CHRISTEL WOLTHOORN
CHRISTIANO DE ABREU
M E D I A D I R E C TOR UK & IRELAND, UNILEVER
CTO, HA CTAR
EDITOR, COMMUNICATE MAGAZINE
HEAD OF STRATEGIC ENGAGEMENT, KPMG
DIRECTOR OF MAGIC, IRIS WORLDWIDE
DANIEL HARVEY
DANIELA MICHELON
ELLIOTT KING
EMILY SCOGGINS
GARETH JAMES
D I R E C T O R & GLOBAL PRACTICE LEAD, U X , S A P I E N T NITRO
HEAD OF DIGITAL PRODUCTION. AMV BBD O
DIRECTOR, MINTTWIST
MARKETING MANAGER, NEW LOOK
CREATIVE PARTNER, AQUEDUCT
JAMES BASSETT
JIM BOWES
JON BAINS
JANE MURISON
KATE ASTALL
H E A D O F D I G ITAL CREATIVE, SONY M U S I C E N T E R TAINMENT
CEO & C O-FOUNDER, MANIFESTO
FOUNDING PARTNER, WHAT&WHY
HEAD OF UX & DESIGN, BBC FUTURE MEDIA
DIGITAL STRATEGY AND PLANNING MANAGER, VODAFONE UK
BIMA AWARDS 2015
5
KATE BORDWELL
KATE WILDBLOOD
KEVIN FERRY
LAURA GRAHAM
LAURA THOM
H E A D O F S T R ATEGY, EQUATOR
HEAD OF DESIGN, LOWE PROFERO
GROUP CREATIVE DIRECTOR, ISOBAR
HEAD OF MARKETING, EMMI UK LTD
DIGITAL SOLUTION DESIGN LEAD, RBS
LUKE FRIBBENS
NEIL WARDROP
NICK TURNER
PAUL DAWSON
RHYS DAVIES
F O U N D E R , F R IBBENS.COM
UX STRA TEGIST, CHANNEL 4
INTERNATIONAL EXECUTIVE CREATIVE DIRECTOR, RAZORFISH
FOUNDING PARTNER, FLUXX
HEAD OF CREATIVE SERVICES, BAE SYSTEMS APPLIED INTELLIGENCE
ROB CORRADI
THEA HAMREN
TOM BARKER
TOM ROOPE
ZOE ABRAMS
D E S I G N D I R E CTOR, THE APP BUSINESS
ASSOCIA TE CREATIVE DIRECTOR, MR. PRE SIDENT
HEAD OF DIGITAL, NATIONAL TRUST
FOUNDER / DIRECTOR, THE RUMPUS ROOM
DIRECTOR OF MARKETING COMMUNICATIONS, BARNARDO’S
6 BIMA AWARDS 2015
SPONSORS
HEADLINE SPONSOR
MAJOR SPONSORS
PARTNERS & SPONSORS
MEDIA PAR TNER
PARTNE RS
GRAND PRIX
09
BRAND OF THE YEAR
15
AGENCY OF THE YEAR
11
BEST WORK ON A SMALLER BUDGET
16
STARTUP OF THE YEAR
12
BEST SINGLE EXECUTION
17
STUDENT OF THE YEAR
13
OF MARKETING EFFICIENCY.
Workfront™ kills business chaos and inefficency. You get visibllity and a single source of truth. Your teams collaborate. Productivity skyrockets. www.workfront.com/bimaawards Workfront. The new authority on work management.
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I AM THE KING
BIMA AWARDS 2015
9
WINNER
LOOK AT ME PRODUCED BY
WCRS
PRODUCED FOR
Women’s Aid WEB
bit.ly/1hCDOt6 TWITTER
@WCRS_LDN Domestic violence affects one in four women at some point in their life yet we continually turn a blind eye to the issue. WCRS wanted to show that, just by taking notice of the problem, we have the power to change it. They used facial-recognition technology to create interactive posters that could work out exactly how many people were looking towards them. The screens first showed a woman who’d been beaten and bruised. As long as people ignored her, the image remained the same. But, once people started noticing the screen, the bruises began to fade until she was completely healed. The campaign was covered by
media around the world, reaching 326.9 million people in 20 countries. SHORTLIST
House of Mamba / AKQA Like A Girl / Holler and Leo Burnett Real Time Bidding For The First Time Ever / Brainlabs
SPONSORED BY
Find out all the latest insights: Download your copy of the 2015 Email Marketing Industry Census
adestra.com/2015census
“Adestra’s expertise coupled with their level of customer service has enabled us to deliver award winning email marketing campaigns for our clients.”
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79% of agencies rated email as ‘excellent’ or ‘good’ for ROI… ...agency clients are deriving 21% of their total sales from the email marketing channel.
BIMA AWARDS 2015
11
WINNER
RUFUS LEONARD WEB
bit.ly/1C5KpE7 TWITTER
@rufusleonard SHORTLIST
Rufus Leonard was one of the first agencies onto the digital communications market in 1989 and now has one of the largest digital departments of all independent agencies. The past 12 months have been incredible for Rufus. It was fitting that they celebrated their 25th birthday with their best year in business to date. As well as scooping some of the year’s biggest briefs, they were voted The Drum’s number one digital agency by clients; scooped a spot in BIMA’s Hot 100; launched a brand new event platform; appeared in the press over 50 times and raised digital issues at Cannes and The Drum’s Disruption
Day. Client wins in the past 12 months include being named as lead digital agency for PizzaExpress, Stagecoach and the AA. The agency was appointed to 11 new rosters in total - with a pitch to win ratio of over 70% - for brands including Aviva, The Prince’s Trust and the University of Westminster. The agency continues to strive to be a leader in best practice in tech in the UK and they are in the midst of designing the industry’s first ever tech specific internship in accordance with coding academy Makers Academy.
Brainlabs Kotikan Lab Wunderman UK
SPONSORED BY
BIMA AWARDS 2015
12
WINNER
SEENIT PRODUCED BY
Emily Forbes WEB
bit.ly/1G02jqH TWITTER
@_seenit
Seenit is a video collaboration platform enabling brands and organisations to co-create video with employees, fans, journalists and experts globally. Seenit sets brands up with their own private online studio and through the capture app they can set tasks to direct their target ‘mobile crew’. The uploaded video arrives to a central private online studio where films can then be quickly reviewed, edited and distributed out to social media. The footage can be edited by the clients themselves or via Seenit’s crowd-sourced editor network. Who would produce more authentic & explosive video than those
most passionate about a brand? Right this second Seenit’s technology is transforming the way video is created, professionalising UGC on a global scale. Seenit works on a PAYG or subscription model.
SHORTLIST
Cornerstone / 383 Get Invited / Get Invited Only / Only StashMetrics / Sam Oakley The Happiness Index / The Happiness Index
BIMA AWARDS 2015
13
WINNER
COUNTDOWN FOR NPOWER PRODUCED BY
Joel Buckley PRODUCED FOR
School of Communication Arts WEB
bit.ly/1Ee1ZrI TWITTER
@joelpbuckley The problem of kids leaving electricity running unnecessarily has been in family homes for generations. Countdown app will use information from Smart Meters, including the monthly usage estimate, and generate a budget countdown, with any money left over at the end of the month going to the kids. Now, any savings that are made in the budget, they get to keep. Making them very keen to start saving energy straight away!
SHORTLIST
Bamboozle / Mads and Charlie Endangered Soles / Frazer Price / Teddy Souter / John Trainor Game On or Game Over / Nicholas Kugge / Zoe Jezeph Give a shit / Elin Jarlstrom / Søren Birk Urban Bees / Carine Olsen
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Leading people and brands through digital change Digital strategy
Content strategy and creation
Customer experience and service design
Technology consultancy and development
ormlondon.com / @ormlondon
BIMA AWARDS 2015
15
WINNER
ALWAYS (P&G) PRODUCED BY
Holler / Leo Burnett PRODUCED FOR
P&G WEB
bit.ly/1nLhkS0 TWITTER
@always Always single-handedly redefined the use of an age-old playground insult around the world. They captured a global audience of over 80 million viewers and inspired action in over 4.5 million men and women. They created a genuine change in the culture of the world, with 76% of young women aged 16 to 24 saying they no longer saw “like a girl” as an insult after watching the ad and two out of three men who watched it saying they would think twice before using the phrase as an insult. They sparked debate that received the highest social buzz of all the Superbowl Ads in 2015. They inspired 59 re-enactment videos from
around the world and even inspired 4 young girls to row across the Atlantic. They made men and women unashamed to talk to or engage with a feminine care brand on social and digital. They step-changed the feminine hygiene category away from patronising, outdated communications to talk about something that really matters to women and to make a real difference to young girls’ confidence. Bold, brave, game-changing.
SPONSORED BY
BIMA AWARDS 2015
16
WINNER
SERGIO THE SHOE HUNTER PRODUCED BY
Atelier
PRODUCED FOR
THE OUTNET WEB
bit.ly/1uzOvPr TWITTER
@LeoBurnettLDN THE OUTNET (of Net-a-Porter Group) was launched to sell previous seasons’ designer fashions at a discount. THE OUTNET had ambitious growth targets but limited awareness. Atelier’s style hunting campaign had enjoyed much success but budgets were too small to make a splash among fashion influencers (designers, editors, bloggers/vloggers) – the people who the core target turn to for fashion guidance and inspiration. And where better to grab their attention than London Fashion Week? With an imperative to build the shoe category Atelier’s focus was on the shoes of the attending fashionistas. Enter Sergio
the Shoe Hunter – THE OUTNET’s own miniature dachshund. He took over THE OUTNET’s social channels, sharing his daily highlights and shoe picks. His choices were aggregated in a microsite where THE OUTNET matched them with shoes immediately available on THEOUTNET. COM. Atelier turned a social engagement campaign into commercial gold-dust, a doubling of revenues, a tripling of the ROI usually achieved with digital performance packages, and the joys of CLIO recognition! From fashion outsider to ‘the highlight of fashion week’, Sergio placed THE OUTNET firmly at fashion’s top table.
BIMA AWARDS 2015
17
WINNER
HOUSE OF MAMBA PRODUCED BY
AKQA
PRODUCED FOR
Nike WEB
bit.ly/1JTQ8ip TWITTER
@AKQA AKQA transformed the historic Jiangwan Basketball Stadium in Shanghai into a futuristic basketball mecca – House of Mamba. They created the first full-sized LED reactive basketball court that was part of Nike Rise campaign in China to push kids to new heights. The LED court taught aspiring players the fundamentals of Kobe Bryant’s Mamba Mentality. Players were pushed to the limits as the court pushed the boundaries of training. The court utilized motion tracking and reactive LED visualization to train, guide and challenge the players through various authentic drills based around Kobe, reacting intuitively
and instinctively to the movement and sound of the players. The court tracked movement - responsive instructional graphics guided and reacted to the players and had the ability to quickly and seamlessly transform into various training scenarios on the fly and showcase HD video. The court electrified the crowd, China and the globe.
AUTOMOTIVE
19
INTERNAL COMMUNICATIONS
30
B2B & PROFESSIONAL SERVICES
21
MEDIA
32
CONSUMER GOODS
22
PUBLIC LIFE
34
CONSUMER RETAILERS
24
SPORTS & LEISURE
36
CONSUMER SERVICES
26
WELL-BEING & HEALTH
37
EDUCATION
28
BIMA AWARDS 2015
19
WINNER
THE ATTENTION TEST PRODUCED BY
ais London PRODUCED FOR
ŠKODA UK WEB
bit.ly/1K8N9oS TWITTER
@aislondon The new ŠKODA Fabia was being positioned globally as having ‘Attention Stealing Design’. But rather than simply tell people that’s what it does, ais London knew they had to prove it. The idea is a short film in which the viewer notices nothing but the sleek, stylish car. Not even a total change of background scene. Sounds impossible, right? Watch it. You’ll be surprised.
SHORTLIST
C-Class iPad App / Digital Annexe Lexus NX House / Amaze The AA Breakdown and Traffic App / Rufus Leonard & The AA What drives us is you / Isobar
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BIMA AWARDS 2015
21
WINNER
LICENCE BUREAU COMPLIANCE PORTAL PRODUCED BY
DotLabel
PRODUCED FOR
Licence Bureau WEB
bit.ly/1gcdBjz TWITTER
DotLabel transformed Licence Bureau’s old compliance portal to create a new user-friendly interface that is simple and engaging for new and existing customers. The new portal has enabled Licence Bureau to streamline processes and provide clients with a highly scalable and efficient service. The new application has given Licence Bureau a unique selling point, positioning them now as the 2nd biggest fleet and driver management tool in the country. The new portal has not only retained existing customers but also gained attraction from companies of all sizes and Licence Bureau have recently won the country’s
biggest ever tender for licence checking with Network Rail.
@dotlabel SHORTLIST
Allianz Presents #SchoolRunStories / Gravity Thinking Honeywell RMU / Sequence Agency Sky’s the limit: FerroNATS / CDD Soundjack / Nimbletank The world is in beta / VML
SPONSORED BY
BIMA AWARDS 2015
22
WINNER
TASTE WITH TARQUIN PRODUCED BY
Havas Helia PRODUCED FOR
Southwestern Distillery WEB
bit.ly/1HFE6I4 TWITTER
@havashelia_UK Discerning consumers want to be closer to producers of the artisan drinks they consume: they’re interested in provenance. Havas Helia turned to mobile as the channel always available at point of consumption. They built on a platform consumers are familiar with, requiring no additional effort and offering a unique experience: FaceTime. Every bottle of gin has a card inviting consumers to FaceTime Tarquin. When they do they’re connected to a pre-recorded video of him sharing details of the hand-crafted spirit. Tarquin then ‘asks’ for the unique batch number of the bottle, and grabs one from the same batch to
taste with the viewer. Comments and feedback can be recorded and viewed on the campaign site. FaceTime isn’t an open technical platform. Havas Helia hacked it using a mix of code, voice recognition, soldering irons and a robot hand. It’s a world first. Even Apple tried to find out how they did it. On a spend of just £5,500, Southwestern Distillery has so far received hundreds of FaceTime calls from around the world. The response rate is 18% - a significant figure given the platform was designed with engagement rather than reach in mind.
SHORTLIST
#STANDFORSOMETHING / ODD Ben McBean’s #First Big Poppy Run / AKQA Glenfiddich: Father’s Day Restoration Project / Gravity Thinking Like A Girl / Holler and Leo Burnett Lucozade Sport Conditions Zone / Knit and TRO The Spirit of BACARDI, a graphic novel / Citizen TWEET TO EAT / MVBBDO, Clear Channel UK, Talon & OMD UK
01252 560 565 WWW.WIREHIVE.NET
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CRAFTED HOSTING FOR DIGITAL AGENCIES AND THEIR CLIENTS
BIMA AWARDS 2015
24
WINNER
SERGIO THE SHOE HUNTER PRODUCED BY
Atelier
PRODUCED FOR
THE OUTNET WEB
bit.ly/1uzOvPr TWITTER
@LeoBurnettLDN THE OUTNET (of Net-a-Porter Group) was launched to sell previous seasons’ designer fashions at a discount. THE OUTNET had ambitious growth targets but limited awareness. Atelier’s style hunting campaign had enjoyed much success but budgets were too small to make a splash among fashion influencers (designers, editors, bloggers/vloggers) – the people who the core target turn to for fashion guidance and inspiration. And where better to grab their attention than London Fashion Week? With an imperative to build the shoe category Atelier’s focus was on the shoes of the attending fashionistas. Enter Sergio
the Shoe Hunter – THE OUTNET’s own miniature dachshund. He took over THE OUTNET’s social channels, sharing his daily highlights and shoe picks. His choices were aggregated in a microsite where THE OUTNET matched them with shoes immediately available on THEOUTNET. COM. Atelier turned a social engagement campaign into commercial gold-dust, a doubling of revenues, a tripling of the ROI usually achieved with digital performance packages, and the joys of CLIO recognition! From fashion outsider to ‘the highlight of fashion week’, Sergio placed THE OUTNET firmly at fashion’s top table.
SHORTLIST
#MINDFCUK / Lost Boys #UGGSOS / Lost Boys Fortnum & Mason E-Commerce / Red Badger Online Field Trips / Zone
SPONSORED BY
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BIMA AWARDS 2015
26
WINNER
TESCO BANK MOBILE SERVICES PRODUCED BY
Nile / Tesco Bank / Tesco Bank customers PRODUCED FOR
Tesco Bank WEB
bit.ly/1PDepuF TWITTER
To develop Tesco Bank’s mobile service Nile and Tesco Bank engaged with 180 customers over 36 days of agile development sprints to validate identified daily banking pain points and explore innovative new solutions. This customer-led process has resulted in two apps which are rapidly becoming an ‘essential daily tool’ for customers in managing their day to day finances. Remarkable progress considering both mobile services have been available for less than 1 year.
@NileSays SHORTLIST
Do-it / SOON_ PlayStation.com / BAE Systems Applied Intelligence Scottish Friendly Refresh / Blonde
SPONSORED BY
吀䄀䰀䔀一吀 吀䠀䄀吀 匀吀䤀䌀䬀匀
㤀㐀─ 漀昀 儀䄀 愀瀀瀀爀攀渀琀椀挀攀猀 最漀 漀渀琀漀 昀甀氀氀ⴀ琀椀洀攀 樀漀戀猀
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䐀椀最椀琀愀氀 䴀愀爀欀攀琀椀渀最 簀 匀漀昀琀眀愀爀攀 愀渀搀 圀攀戀 䐀攀瘀攀氀漀瀀洀攀渀琀 簀 倀爀漀樀攀挀琀 䴀愀渀愀最攀洀攀渀琀 愀渀搀 洀漀爀攀
䰀攀琀 儀䄀 ǻ渀搀 愀渀搀 搀攀瘀攀氀漀瀀 搀椀最椀琀愀氀 渀愀琀椀瘀攀猀 昀漀爀 礀漀甀爀 戀甀猀椀渀攀猀猀 㠀㐀㔀 㜀㐀 㜀㠀㈀㔀
愀瀀瀀爀攀渀琀椀挀攀猀栀椀瀀猀⸀焀愀⸀挀漀洀
攀洀瀀氀漀礀愀渀愀瀀瀀爀攀渀琀椀挀攀䀀焀愀⸀挀漀洀
BIMA AWARDS 2015
28
WINNER
FEELINGNUTS PRODUCED BY
DF London / Attention Seekers PRODUCED FOR
Check One Two WEB
bit.ly/1ssyr35 TWITTER
@DF_London Every year 10,400+ men die from testicular cancer. But it’s 99% curable if detected early. Check One Two’s vision is to get men to check their testicles, reducing the risk of testicular cancer. They asked DF London and Attention Seekers to create a campaign that would get men to talk about checking their testicles. And at some point actually do it. Previous campaigns had focused too heavily on fear and education, neither of which resonated with the young male audience. The team set out to create a movement that would appeal to young men aged 16 to 34. With no media budget they needed
fans to create the content. The audience had no relationship with the brand, so the team leveraged influencers to build credibility and celebrities to achieve scale. The idea couldn’t be simpler. All you had to do is grab your balls, take a photo and tag #FeelingNuts.
SHORTLIST
Online Field Trips / Zone Pelican Books / Fiasco Design Rugged Rovers / Preloaded The Holidays are Made With Code / Nexus Interactive Arts
SPONSORED BY
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Celebrating two decades of digital innovation amaze.com
BIMA AWARDS 2015
30
WINNER
ORANGE—GLOBAL BRAND GUIDELINES PRODUCED BY
e3
PRODUCED FOR
Orange TWITTER
@e3_media Twenty years after its inception Orange has completely revamped its iconic brand identity. But with such an established brand across their 220 territories, how could e3 roll out such significant changes? They created an immersive and interactive responsive guidelines site. The heart of the new identity, and the central point for the global rollout, it enables users to learn as they explore, while experiencing the new guidelines first-hand and on the move. The site has been integral to the rollout and supported the global brand team throughout a difficult task. Removing the need to travel to each territory in
order to teach the new guidelines, and by distributing a growing database of assets through a single point of access, the site has saved significant time and financial investment. Average dwell time is 9 minutes exceeding initial targets of 7 minutes / nearly 29%, accessed by 10,000+ users across 220 territories.
SHORTLIST
Sainsbury’s History Timeline / We are Tilt Ltd Shell Ideas 360 / Browser London ‘Throw it out there’ - Aviva Customer Cup / Big Dog Agency
SPONSORED BY
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BIMA AWARDS 2015
32
WINNER
DON’T STOP THE MUSIC PRODUCED BY
Rocket, Fresh One & Oxfam PRODUCED FOR
Fresh One Productions / Channel 4 WEB
bit.ly/1lLeWjN TWITTER
@rcktsheffield Don’t Stop the Music combined primetime TV with web, social media, a carefully planned sequence of political actions (before/during/after TX) and a complex logistical operation, in order to make a political impact on Music Education in the UK and run a music instrument amnesty. The TV documentaries highlighted the issue – 1/3 of UK kids don’t get the opportunity to learn an instrument at school – and pointed viewers towards the online interactive elements through carefully integrated calls to action. The web was used to identify which schools most needed instruments and match donated
instruments to schools. The website housed a digital petition, with 69K supporters and growing, and was the core of the Instrument Amnesty which generated 7,000 donations, the biggest ever in the UK. Donors could keep track of their instrument through email alerts from initial pledge to final delivery. 150 UK schools received instruments, impacting 10,000 pupils per year.
SHORTLIST
Adventure Time: Finn & Jake’s Big Adventure / Waste Creative Ltd BFI Player 2.0 / Ostmodern Madeon: Adventure Machine / Sony Music Digital Creative / We Make Awesome Shit The New Doctor Lands / Red Bee Media
SPONSORED BY
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Y
BIMA AWARDS 2015
34
WINNER
LOOK AT ME PRODUCED BY
WCRS
PRODUCED FOR
Women’s Aid WEB
bit.ly/1hCDOt6 TWITTER
@WCRS_LDN Domestic violence affects one in four women at some point in their life yet we continually turn a blind eye to the issue. WCRS wanted to show that, just by taking notice of the problem, we have the power to change it. They used facial-recognition technology to create interactive posters that could work out exactly how many people were looking towards them. The screens first showed a woman who’d been beaten and bruised. As long as people ignored her, the image remained the same. But, once people started noticing the screen, the bruises began to fade until she was completely healed. The campaign was covered by
media around the world, reaching 326.9 million people in 20 countries. SHORTLIST
#DontPanicButton / We Are Social BFI Player 2.0 / Ostmodern FeelingNuts / DF London, Attention Seekers Google Year In Search / R/GA London Reverse The Odds / Maverick Television & Chunk The Next Photo / Wunderman UK
SPONSORED BY
RUNS FROM ME.
Workfront™ kills business chaos and inefficency. You get visibllity and a single source of truth. Your teams collaborate. Productivity skyrockets. www.workfront.com/bimaawards Workfront. The new authority on work management.
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WORK CHAOS
BIMA AWARDS 2015
36
WINNER
HOUSE OF MAMBA PRODUCED BY
AKQA
PRODUCED FOR
Nike WEB
bit.ly/1JTQ8ip TWITTER
@AKQA AKQA transformed the historic Jiangwan Basketball Stadium in Shanghai into a futuristic basketball mecca – House of Mamba. They created the first full-sized LED reactive basketball court that was part of Nike Rise campaign in China to push kids to new heights. The LED court taught aspiring players the fundamentals of Kobe Bryant’s Mamba Mentality. Players were pushed to the limits as the court pushed the boundaries of training. The court utilized motion tracking and reactive LED visualization to train, guide and challenge the players through various authentic drills based around Kobe, reacting intuitively
and instinctively to the movement and sound of the players. The court tracked movement - responsive instructional graphics guided and reacted to the players and had the ability to quickly and seamlessly transform into various training scenarios on the fly and showcase HD video. The court electrified the crowd, China and the globe.
SHORTLIST
#allin or nothing / We Are Social Brazuca / We Are Social Google World Cup / R/GA London Hilton Weekends / 383 Lucozade Sport Conditions Zone / Knit and TRO
BIMA AWARDS 2015
37
WINNER
THE STORY OF THE TOOTH PRODUCED BY
Hometown PRODUCED FOR
Bupa Dental WEB
bit.ly/1F4CklV TWITTER
@hometownlondon Ever wondered what happens to all those teeth the tooth fairy takes? In this animated interactive fairytale ‘The Story of the Tooth’ we follow the tale of the Tooth Fairy from under the pillow and beyond. Parents could create a version featuring their own cute gappytooth child. These personalised films could then be shared on Facebook and Twitter. It was a very simple process. You visited a microsite, selected (or took) a picture of your child and filled in their name. That was it. Simple. The fairies did the rest. Magically creating your own fairytale. The main film racked up nearly a million hits on
Youtube within a 30,000 films were were shared over animated by Inky Films.
couple of months. Over personalised, and these 160,000 times. It was Mind through Partizan
SHORTLIST
ghd Christmas 2014 #getthehintdarling / Atelier The London Stare / Razorfish UV Blaze / Redweb Why A & E? / 2am
CONTENT
40
NATIVE MOBILE APPS
50
DATA
42
PERFORMANCE
52
IMMERSIVE
43
SOCIAL
54
INTEGRATED
45
UX & SERVICE DESIGN
56
LOCATION
46
VIDEO
58
MOBILE
48
WEB DESIGN & BUILD
60
Welcome to Experience Marketing Are your customers excited about your brand? Do they feel as if they are active partners in your brand rela tionship? Do they praise your brand to everyone they know? The best brands have engaged customers who really want to be a part of the brand. These brands achieve this by recognizing the needs of all customers and delivering an experience that makes them feel like VIPs. Sitecore® offers the Sitecore® Experience Platform™, made to let you build long-term, engaging brand rela tionships with your customers and know all your individual customers to give them what they need in order to become true brand advocates.
Learn more about experience marketing sitecorecx.net/ebook-series
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Get your customers to buy before you start to sell
BIMA AWARDS 2015
40
WINNER
THE SPIRIT OF BACARDI, A GRAPHIC NOVEL PRODUCED BY
Citizen
PRODUCED FOR
BACARDI WEB
bit.ly/1vljZLO TWITTER
BACARDI rum has an incredible story to tell - of surviving fire, earthquakes and exile. They wanted to tell this story to an audience of digitally-savvy 20-something men. But how? Citizen knew where to find this audience. And they knew it was an audience increasingly passionate about graphic novels – so they hand-picked two of the biggest names in the industry to create a stunning digital graphic novel that brought the BACARDI story to life. A limited number of printed editions were sent to global influencers and the novel was made available online and via social media. They also worked with Vice to
create the world’s first graphic novel which could be read across the web, delivering a unique experience designed specifically for the digital generation.
@citizenPRUK SHORTLIST
#allin or nothing / We Are Social BBC Earth / BBC Best Summer Ever Project / AnalogFolk Brazuca / We Are Social THE OUTNET Sergio the Shoe Hunter / Atelier
SPONSORED BY
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@ResourceiT_Ltd
BIMA AWARDS 2015
42
WINNER
KAREN PRODUCED BY
Blast Theory WEB
bit.ly/1GKxKbN TWITTER
@blasttheory / @thespacearts @NTWtweets / @drkellypage Karen is a life coach and she’s happy to help you work through a few things in your life. You interact with Karen through an app. When you begin, she asks you questions about your outlook on the world. In fact, her questions are drawn from psychological profiling questionnaires. She – and the software – are profiling you and she gives you advice based on your answers. Over the next week you have calls with Karen once or twice a day. It soon becomes clear that Karen is slightly chaotic with few boundaries between her personal and professional lives. As the experience unfolds, she gets more and more curious.
She seems to know things about you that she shouldn’t. Is she spying on you? At the end of your experience, the personalised psychological profile Karen has created about you can be purchased, with the most dedicated users given the opportunity to take part in a secret rendezvous with Karen herself. This new work by Blast Theory has been produced in partnership with National Theatre Wales. Co-commissioned by The Space and 539 Kickstarter backers, Karen has been developed with support from the Mixed Reality Lab at the University of Nottingham and in collaboration with Dr Kelly Page.
SHORTLIST
Brainlabs & Which? - Mad Scientists / Brainlabs Google World Cup / R/GA London Google Year In Search / R/GA London Lucozade Sport Conditions Zone / Knit and TRO
SPONSORED BY
BIMA AWARDS 2015
43
WINNER
KASABIAN IN 360 PRODUCED BY
Visualise Creative Ltd PRODUCED FOR
Sony Music / O2 WEB
bit.ly/1JVhjbo TWITTER
@visualise360 Visualise have created the world’s first multi angle 360˚ video of a famous rock band, resulting in nothing less than a glimpse in to the powerful potential of future media viewing.
SHORTLIST
Canon at photokina 2014 / Imagination Inside Rolls-Royce / Imagination Monty’s Magical Toy Machine / Techdept Limited / Microsoft Advertising UK / adam&eveDDB / Manning Gottlieb OMD Sunset Overdrive Glitch / McCann London / B-Reel
WANT TO GROW YOUR BUSINESS? Consulting Lead Generation New Business Training
www.retrievernewbusiness.co.uk @retrievernewbiz 01285 771111 mark.young@retrievernewbusiness.co.uk
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Retriever New Business – Growth Through Sales
BIMA AWARDS 2015
45
WINNER
DON’T STOP THE MUSIC PRODUCED BY
Fresh One / Rocket / Oxfam PRODUCED FOR
Channel 4 WEB
bit.ly/1lLeWjN TWITTER
Don’t Stop the Music was a highly integrated multiplatform documentary series led by international concert pianist James Rhodes to help safeguard Music Education in the UK. It combined TV, web, social media and a complex logistical operation to create a highimpact campaign which, as well as changing government policy, collected 7,000 instruments (worth £1.5M) from people’s attics and distributed them to 150 UK schools that really needed them in the biggest every Instrument Amnesty in Britain. 10,000 primary school kids a year are now benefitting from them.
@FreshOneTV / @rcktsheffield / @JamesRhodesDSTM SHORTLIST
Africa United—We’ve Got Your Back / M&C Saatchi London / TouchCast / Freuds / KYNE DesignSpark Power Hack / Freestyle Interactive FeelingNuts / DF London / Attention Seekers Kinder Surprise—Storymakers / Pablo London
SPONSORED BY
BIMA AWARDS 2015
46
WINNER
LOOK AT ME PRODUCED BY
WCRS
PRODUCED FOR
Women’s Aid WEB
bit.ly/1hCDOt6 TWITTER
@WCRS_LDN Domestic violence affects one in four women at some point in their life yet we continually turn a blind eye to the issue. WCRS wanted to show that, just by taking notice of the problem, we have the power to change it. They used facial-recognition technology to create interactive posters that could work out exactly how many people were looking towards them. The screens first showed a woman who’d been beaten and bruised. As long as people ignored her, the image remained the same. But, once people started noticing the screen, the bruises began to fade until she was completely healed. The campaign was covered by
media around the world, reaching 326.9 million people in 20 countries. SHORTLIST
Hiut Denim Shop Window Hack / Knit Lucozade Sport Conditions Zone / Knit and TRO TWEET TO EAT / Clear Channel UK / Talon / OMD UK / AMV BBDO
Work with one of the leading development partners Sitefinity CMS combines powerful enterprise-level features, scalability and extensibility with an easy to use back end that is aimed squarely at every day business users. Content personalisation, lead scoring and content marketing are integrated directly into the platform, giving our customers a competitive edge through a feature-rich set of marketing tools. This has helped the platform be included in the Gartner速 Magic Quadrant for Web Content
Dock9速 is a multi-award winning Sitefinity development partner based in the City of London, named Sitefinity European Partner of the Quarter in Q3 2014.
Find out more at dock9.com.
速
dock9.com
|
hello@dock9.com
|
020 7977 9230
|
@dock9
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Management for two years in a row.
BIMA AWARDS 2015
48
WINNER
PELICAN BOOKS PRODUCED BY
Fiasco Design PRODUCED FOR
Penguin Books UK WEB
bit.ly/1uBAimV TWITTER
@FiascoDesign Fiasco Design were approached in December 2013 with the exciting opportunity to help design and build a new website for the iconic Penguin imprint, Pelican Books. The brief was to create a website that was both accessible and distinctive — the two pillars of the Pelican Books brand. This project was also an opportunity to update the look and style of Pelican Books, safely delivering this classic brand into the twentieth century with an innovative online reading experience that does justice to the highest quality in accessible non-fiction publishing.
SHORTLIST
Heineken @wherenext / R/GA London Taste With Tarquin / Havas Helia The New Eurosport / Huge The Next Photo / Wunderman UK TWEET TO EAT / AMV BBDO / Clear Channel UK / Talon / OMD UK
SPONSORED BY
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BIMA AWARDS 2015
50
WINNER
RTE INTERNATIONAL PRODUCED BY
Nice Agency PRODUCED FOR
RTE WEB
apple.co/1f6UnMt TWITTER
@niceagency RTÉ’s core goal and vision was to bring Ireland closer for the hundreds of thousands of Irish people living abroad by providing access to Ireland’s most popular TV shows. Nice Agency was tasked with delivering an innovative mobile and tablet application that would successfully deliver Irish video content to users across the globe. Viewers can access on-demand programmes including popular shows and justaired TV programmes, as well as box sets and collections curated by RTÉ. The design of the app focuses on the mental modes of the user, sectioning the player into Discover, Browse and
Search. These well-defined areas ensure that RTÉ International Player provides a seamless and truly customer centric experience. The RTÉ Player app is the first dedicated global iOS app for Irish television content. In the first 8 weeks since launch it has achieved 50,000+ downloads, delivered 160,000+ video streams and is 99% crash free.
SHORTLIST
FanDuel / Kotikan Liftshare / DigitasLBi Minicabit / Nimbletank The AA Breakdown and Traffic App / Rufus Leonard
SPONSORED BY
Proud Sponsor of the Performance Category | BIMA 2015 visit: www.toinfinity.co.uk email: hello@toinfinity.co.uk or call: 01793 238697
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YOUR ONLINE MARKETING SUPERHEROES
BIMA AWARDS 2015
52
WINNER
REAL TIME BIDDING FOR THE FIRST TIME EVER PRODUCED BY
Brainlabs
PRODUCED FOR
Alpharooms WEB
bit.ly/1MDgu9X TWITTER
Alpharooms is one of the UK’s leading websites for discount worldwide travel, offering over 250,000 hotels and apartments in thousands of destinations to over 1,000,000 people a year. The travel market is unique in that hotel availability, pricing, and seasonality change extremely quickly, so hotels with good ROI for the last 30 days may perform badly for the next 30 days. When competitors pull out of the market, you don’t want to be the lemon left on the top of Google! Faced with these challenges that no one had yet cracked, Brainlabs built the first ever Real Time Bidding platform for Search.
Their bespoke technology is six times more reactive than any other solution on the market; Kenshoo, Marin, and all the other 3rd party tools make a maximum of 4 bid changes a day – the new bidding tool makes 24.
@brainlabs SHORTLIST
Flight to Ferry / DigitasLBi Unleashing the potential of broad tail search to increase audience, traffic and revenue / iCrossing
SPONSORED BY
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䠀攀氀瀀椀渀最 礀漀甀 琀甀爀渀 礀漀甀爀 搀椀最椀琀愀氀 椀搀攀愀猀 椀渀琀漀 戀攀琀琀攀爀 瀀爀漀搀甀挀琀猀Ⰰ 昀愀猀琀攀爀⸀
BIMA AWARDS 2015
54
WINNER
SERGIO THE SHOE HUNTER PRODUCED BY
Atelier
PRODUCED FOR
THE OUTNET WEB
bit.ly/1uzOvPr TWITTER
@LeoBurnettLDN THE OUTNET (of Net-a-Porter Group) was launched to sell previous seasons’ designer fashions at a discount. THE OUTNET had ambitious growth targets but limited awareness. Atelier’s style hunting campaign had enjoyed much success but budgets were too small to make a splash among fashion influencers (designers, editors, bloggers/vloggers) – the people who the core target turn to for fashion guidance and inspiration. And where better to grab their attention than London Fashion Week? With an imperative to build the shoe category Atelier’s focus was on the shoes of the attending fashionistas. Enter Sergio
the Shoe Hunter – THE OUTNET’s own miniature dachshund. He took over THE OUTNET’s social channels, sharing his daily highlights and shoe picks. His choices were aggregated in a microsite where THE OUTNET matched them with shoes immediately available on THEOUTNET. COM. Atelier turned a social engagement campaign into commercial gold-dust, a doubling of revenues, a tripling of the ROI usually achieved with digital performance packages, and the joys of CLIO recognition! From fashion outsider to ‘the highlight of fashion week’, Sergio placed THE OUTNET firmly at fashion’s top table.
SHORTLIST
Brazuca / We Are Social FeelingNuts / DF London / Attention Seekers Forza Fuel / DF London Language of Football / AKQA Like A Girl / Holler and Leo Burnett My Burger / Razorfish
SPONSORED BY
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BIMA AWARDS 2015
56
WINNER
BFI PLAYER 2.0 PRODUCED BY
Ostmodern PRODUCED FOR
BFI WEB
bit.ly/1x0ziJX TWITTER
@Ostmorden BFI Player is a video-on-demand service inspiring and entertaining British audiences by joining the dots from silent films to same-day releases. The service is run by experts, not algorithms. This enables BFI to serve an increasingly avid audience with exposure to, and passion for, films they may otherwise never have encountered. Alongside content curation, the team recognised design as a key differentiator. BFI Player is essentially design-led, with its modular layout allowing for scalability and experimentations with presenting, pricing and grouping. The result is
a boutique service which conveys the values of BFI’s strapline: see something different.
SHORTLIST
Easyfundraising ios mobile app / ribot Google World Cup / R/GA London Jump—London Bus Tracker / Noble Union My Burger / Razorfish Ximbio / Cyber-Duck
SPONSORED BY
#COM
ING CON TENT A M O V E O .T V
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PELL
BIMA AWARDS 2015
58
WINNER
LIKE A GIRL PRODUCED BY
Holler / Leo Burnett PRODUCED FOR
Always WEB
bit.ly/1nLhkS0 TWITTER
@hollerlondon / @LeoBurnettLDN Always is positioned around ‘confidence’ based on their superior product performance. At puberty, a girl’s confidence plummets, lowest at her first period. Empowering girls during this critical life stage gave Always a powerful role. Holler and Leo Burnett confronted a female confidence killer; the playground insult, ‘Like a girl,’ looked to challenge its use and redefine it with a new inspiring meaning. They created a social experiment asking adults and young girls to do things ‘like a girl’ spotlighting the cultural issue. The film challenged prejudice and brought global attention to the
#LikeAGirl issue and started a social movement asking girls to share the amazing things they do #LikeAGirl, reclaiming a negative phrase and turning it into a positive affirmation of female accomplishment. The video reached 80million views globally (36% earned); 4.5billion earned impressions and inspired 4.5million pieces of UGC. The hashtag is still used on social media to celebrate female achievement worldwide.
SHORTLIST
Google Year In Search / R/GA London Online Field Trips / Zone The Attention Test / ais London THE OUTNET Sergio the Shoe Hunter / Atelier
SPONSORED BY
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@onlystudiouk
onlystudio.co.uk
BIMA AWARDS 2015
60
WINNER
FORTNUM & MASON E-COMMERCE PRODUCED BY
Red Badger PRODUCED FOR
Fortnum & Mason WEB
bit.ly/1vaidgZ TWITTER
Over the last two years Fortnum & Mason has delivered significant growth figures, in part due to new store openings such as Heathrow Terminal 5 and St Pancras, but also through an excellent online performance. In line with its continuing digital success, Fortnum & Mason has launched its brand new, fully responsive eCommerce site, to ensure that online customers enjoy the same high quality experience that the brand has been providing in store for over 300 years. Designed and developed by Red Badger in just eight months, the new site is one of the few truly responsive eCommerce sites currently live. As well as being a
beautiful visual interpretation of the brand, the new site is scalable, agile, highly flexible, and able to handle complex orders and delivery across more than 130 countries. Since its rollout, mobile visits have improved 77% YOY, and mobile conversion has increased 57 percent YOY. Developed to deliver an improvement in conversion rate, new customers are currently converting 15% more than on the previous site. In addition, the business has seen an 18% reduction in calls to the customer service centre.
@redbadgerteam SHORTLIST
Brompton Bicycles / Ngoar / Webcredible My Burger / Razorfish The Guardian Bookshop / Lab The Independent—i100 / Nice Agency The New Eurosport / Huge World Baking Day / M&C Saatchi London
SPONSORED BY
BIMA.CO.UK
@BIMA
#BIMAAWARDS