CHIIZ Volume 48 Infrared Photography

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THOSE WHO MADE IT POSSIBLE

DISCLAIMER: ALL PHOTOGRAPHS PUBLISHED BY CHIIZ MAGAZINE HAVE BEEN AUTHORIZED BY THE RESPECTIVE ARTISTS AND ARE PROTECTED UNDER THE COPYRIGHT LAWS. IT IS FORBIDDEN TO COPY THE MATERIAL OR RESELL IN ANY FORM WITHOUT WRITTEN PERMISSION FROM THE ARTIST. ALL PRODUCT NAMES, TRADEMARKS, LOGOS, BRANDS AND OTHER DATA PUBLISHED IN THE MAGAZINE ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS. EDITORS ARE NOT RESPONSIBLE FOR ANY CONTENT IN THE ADVERTISEMENTS. CHIIZ BELIEVES IN PROMOTING THE BEAUTY OF HUMAN FORM AND BODY. WE, UNDER NO CIRCUMSTANCES, PROMOTE VULGARITY OR OBSCENITY IN ANY FORM. READER'S DISCRETION IS ADVISED. FOR ANY FURTHER DETAILS VISIT US CHIIZ.COM OR WRITE TO MAGAZINE@CHIIZ.COM. PUBLISHED BY MANSA INC. CONTENT PROVIDED BY CHIIZ.COM.



Editorial

Paolo Pettigiani Shivam Kumar Sharma Baishali Manna Sampa Guha Majumdar

Editorial

Design

Harjeet Singh Sayali S. Narkhede Varsha Prakash Sahil Hazee Sruthi Manigandan Vishnu Prasath Aditi Chordia Riddhi Parakh Research & Operations

Sabhyata Garg Sarthak Jain Writers

Nivedita Basu Maushi Journal Nishad Kinhikar Pratiksha Sharma Sana Singh Technology

Aditya Baghel Abhishek Yadav Business Development

Amit Ghosh Madhushree Warkhade Monika Tripathi Sales

Krishna Srinivas Amit Gupta Marketing

Sriram Ramanujam Ruchira Pal Anjali Goel Sneha Aiyer Rashmi Janwade Kriti Chauhan Ishita Singh Public Relations

Uzma Majeed

Staff Photographers

Susana Gomez Shailja Bhatnagar Prateek Kashyap Urshita Saini Poorva Gupta Alivia Paul Finance

Neelu Singh Consultant

Infrared Photography aka IR Photography has given much exposure to photographers in the contemporary era. It is one of the most significant and sort-after concepts in the photography arena. Infrared not only has enabled individuals to explore the world with a different perspective-- but takes the viewer to the world of “unseen”, beyond what bare eyes can see. Shades, surfaces and textures, leaves and plants, human skin, and any remaining traits of objects can mirror IR light in remarkable and fascinating manners. As the quantity of camera-prepared gadgets multiplies and the related advancements improve, IR photography may offer the chance for photographic artists to venture into new fields and separate their contributions from others. Chiiz Photography Magazine is here again with a bewildering volume based on the “Infrared” genre. In our magazine’s “Feature” section, our readers will witness a prodigious treasury of Infrared images by Paolo Pettigiani, based out of Turin, Italy. His works have been exhibited both in solo and group exhibitions in New York City, Paris, Milan, Turin. In this issue, we are featuring amazing photos by Mahendra Bakle who is an extremely illustrious photographer. Another photographer, Neil Cooper from South Africa is showcasing his amazing wildlife images. We are featuring a radiant picturesque illusion photographer, Mitchel Wu. You will witness the mesmerizing Illusionary of motion and emotion. You will be downright engaged in the work of some amazing photographers including Steve McCurry featuring in the Lavazza Calendar 2021- The New Humanity. In the “Old is Gold” section, we have written a well-researched article on “Philippe Halsman by Dalí Atomicus (1948). We are presenting to you the finest review of a beautiful movie named “Ansel Adams: A Documentary Film,” directed by Ric Burns. You will also witness the book review by our very talented Nivedita Basu, which will provide you a theoretical view of the photography with more words and fewer images. We are reviewing a highly recommended book “Genesis (Gênesis)” by Sebastião Salgado’’, that will inspire you the most. We are bringing you spectacular artisanship by our esteemed Makeup Artist of the Month, Perrine Pro. Well, when it comes to the ‘Nude’ genre, this time, we are showcasing an amazing lenticular photographic work by Leonardo Cóndor, focusing on the female nude and abstracts. Followed by the absolutely stunning fine-art photographs by Anna Devís and Daniel Rueda, where you will witness the grace and serenity in their featured photographs. Benoit Barre brings to you breathtaking Japanese landscapes. Today, Infrared photography is emphatically encouraging individuals to experience the universe of IR. As the quantity of camera-prepared gadgets multiplies and the related advancements improve, IR photography may offer the chance for photographic artists to venture into new fields and separate their contributions from others

Apritam Saha Mansa Inc. CEO

Mukesh Kumar Cover

Benoit Barre

Paolo Pettigia Regards, Paolo Pettigiani


Content TRIGGERS Stephane Thomas

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Benoit Barre

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Sinue Serra

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Alexander Petrosyan

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Delight pictures

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Sushmendra dubey

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Marina collins

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V Bookmark

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Leonardo Condor

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FEATURES Paolo Pettigiani Prepossessing Vista

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Lavazza Calender Gregarious Initiative

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Ahmad Abu Ganem Sturdy Wildlife

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Mahendra Bakle Simplistic Serenity

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Mitchel Wu Spirited Miniatures

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CLASSIC HALL OF FAME Make Up Artist of the Month Perrine pro

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CHIIZ GALLERY Infrared Contest

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Best of chiiz.com

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Book Review Genesis (Gênesis) by Sebastião Salgado

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Movie Review Tierney Gearon: The Mother Project

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Old is Gold Philippe Halsman (1948) by Dalí Atomicus

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Paolo is a photographer and art director based in Turin, Italy. He is the co-founder and art director of No Panic, a creative agency focused on strategic brand narrative and digital communication. Paolo aspires to highlight the beauty that surrounds us and that is too often forgotten, through graphic and visual exploration. With Infrared, a photographic-artisticsocial project, Paolo wants to put nature in the foreground, by emphasizing its hidden colors, which cannot be seen by the human eye. paolopettigiani

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Tip of the Iceberg Nikon D750 85mm F/8 1/4000 ISO500


Serendipity Canon EOS R 46mm F/10 1/1250 ISO400

Abundance in Nature Canon EOS R 46mm F/10 1/1250 ISO400

Within the Woods Hasselblad L1D-20c 10mm F/5.6 1/500 ISO100

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Adapt the Nature Canon EOS R 46mm F/10 1/1250 ISO400


The Narrow Stream Hasselblad L1D-20c 10mm F/5.6 1/500 ISO100

Sky Above, Peace Within Nikon D750 29mm F/11 1/500 ISO250

Sailing Hasselblad L1D-20c 10mm F/5 1/200 ISO100

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Boat House Nikon D750 24mm F/5 1/100 ISO800

Submerged Nikon D750 29mm F/11 1/500 ISO250


Divergence Hasselblad L1D-20c 10mm F/5.6 1/500 ISO100

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Over the Hills Nikon D750 29mm F/11 1/500 ISO250

One-Touch of Nature Nikon D750 29mm F/11 1/500 ISO250


Stephane Thomas is a French-Australian photographer based in Sydney. His lifelong passion for the great outdoors encouraged him to get back behind the lens five years ago. Starting with Australian landscape photography, Stephane has since diversified into architecture, drone, and environmental portrait genres. stephane.thomas

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The Clock Mavic 2 Pro 10mm F/8 1/2000 ISO100


Red Rocks Mavic 2 Pro 10mm F/2.8 1/240 ISO100

Mona Vale Rockpool Mavic 2 Pro 10mm F/4 1/400 ISO100

Curl Curl Beach Aerial Mavic 2 Pro 10mm F/5.6 1/200 ISO100

North Curl Curl Rockpool Mavic 2 Pro 10mm F/5 1/5 ISO100

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Bronte Beach Morning Paddlers Mavic 2 Pro 10mm F/2.8 1/100 ISO100

Blue Pool Bermagui Australia Mavic 2 Pro 10mm F/4 1/20 ISO100


Sydney Harbour Canon 90D 10mm F/8 1/20 ISO200

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Newcastle University - Australia Sony ILCE-7M3 17mm F/10 1/20 ISO100

Lines & Curves - Sydney Sony ILCE-7M3 16mm F/8 1/20 ISO100


Barangaroo - Black Sunrise Sony ILCE-7M3 35mm F/8 1/123 ISO200

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Sydney Opera House Sony ILCE-7M3 30mm F/11 1/10 ISO100

National Portrait Gallery - Canberra Sony ILCE-7M3 20mm F/8 1/121 ISO100


Osaka from the Sky Canon EOS 6D 24mm F/11 1/400 ISO250

Benoit Barre, aka Senbenito, is a french photographer passionate about Japan and Cyberpunk / Vaporwave aesthetic. He started photography with portraits in 2017 and fell into landscapes of Japan during an internship for 3 months in Osaka in 2019. This great opportunity gave him the chance to discover Japan with his camera and share his vision of this beautiful country full of tradition and modernity on his social media. senbenito_

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Pastel Osaka Castle Canon EOS 6D 24mm F/2.8 1/320 ISO500


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Pastel Shrine of Kyoto Canon EOS 6D 62mm F/2.8 1/1000 ISO100


Perspective of Kobe Canon EOS 6D 24mm F/2.8 1/320 ISO125

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Vaporwave Akihabara Canon EOS 6D 56mm F/2.8 1/160 ISO100

Philosopher Path and its Hiding Shrines Canon EOS 6D 64mm F/2.8 1/640 ISO400


Tokyo Skytree from Asakusa Canon EOS 6D 64mm F/2.8 1/4000 ISO200

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Miyajima ans its Great Torii Canon EOS 6D 49mm F/4.5 1/1000 ISO100

Traditional Temple of Nara Canon EOS 6D 70mm F/3.2 1/2000 ISO400


LAVAZZA CALENDER 2021 Francesca Lavazza, Lavazza Group Board Member.

Steve McCurry “I certainly hope to find in her the same joy, the same curiosity, the same love, and the same respect for our fellow humans that we’ve tried to instill in her. That same humanity that we have come to call ‘new’, and that I hope will have by then become ‘old’”. 20 FEATURE


1. How did Lavazza prepare for the Calendar this time during the global outbreak of the COVID-19 pandemic? Ans: The COVID-19 emergency was an exceptional situation for all of us and was posing our country with major challenges. In situations such as these, it was essential to proceed with transparency, pragmatism and maximum effort to ensure the greatest possible safety for everyone. Lavazza- that was among the first companies to take action to provide concrete aid to the communities in which it operates, starting with Italy-with the New Humanity campaign wanted to speak to the heart of individuals and the new generations, spurring them on with a positive message of rebirth, a “good morning humanity”.

2. Share an insight on the vision of Lavazza Calendar 2021? Ans: The New Humanity is the concept behind the Calendar: a lens through which to look into the future and a powerful message inspiring the projects the company has recently developed: from the “Good Morning Humanity” advertising campaign, with which Lavazza speaks out in an appeal to reawaken individual sensibilities, to Beyond Walls, the land art project by artist Saype, completed last October at the Porta Palatina Park in Turin, in which two hands reach out to one other and are clasped together in a way that conveys confidence and mutual help, inviting us to make a collective effort to feel part of a single ecosystem.

3. Is the concept of The New Humanity an initiative towards greater sustainability? Ans: The New Humanity is the lens with which Lavazza looks at the world around us and the future that awaits us, and it takes shape in a new concept that transversally contaminates all the company’s activities in its different souls, in a coherent and integrated path. And the first expression of this new conceptual path was the advertising campaign “Good Morning Humanity” signed by Armando Testa and launched in May which repeats the significant words of Charlie Chaplin as a testimony to the need to find and accept each other, and to move forward together. This strong content, a strong creative approach and contemporary language have contributed to spreading the universal values of tolerance, progress and sustainability. All messages that are the basis of the brand’s vision.

4. Tell us about your experience working on the calendar this year. Unfortunately, due to the health emergency, we could not really live a behind-the-scenes experience, each of the protagonists was isolated in his or her environment to conceive their most significant artwork. Nevertheless, thanks to technology, we had asked all of them to share with us a moment, a background story to highlight how and what they have been through to create a final piece of art. Any single contribution – ‘the best of’ - was then included in a TV like show, which was featured on all Lavazza Channels globally and distributed digitally as well. Different actors of the #THENEWHUMANITY project alternated in a 21 FEATURE

spectacular and immersive setting to tell a digital story that is meant to involve, stimulate and excite the public. It is not only an entertainment product but a vehicle of strong and contemporary messages.

5. How The New Humanity integrates with all the other projects of Lavazza? Ans: #THENEWHUMANITY models and inspires all the projects developed by Lavazza, including the Lavazza 2021 Calendar, which this year becomes a 360° ARTISTIC PROJECT that brings together photographers and other artists, an avant-garde artistic and cultural movement that designs the way to the birth of a new humanity.

6. How committed is Lavazza to the social welfare and wellbeing of society? Ans: Not only through the Calendar, Lavazza has always taken its social role very seriously: a commitment that is visible all over the world thanks to the work of the Lavazza Foundation, the partnership with the United Nations in spreading the Global Objectives Agenda in Italy and around the world, the new Manifesto; a milestone that inspires Lavazza’s path in the CSR field, all this is intended in favor of awakening individual sensitivity towards progress, sustainability and responsibility.

7. Which artists collaborated with the Lavazza Calendar 2021 this time? Ans: Christy Lee Rogers, Denis Rouvre, Carolyn Drake, Steve McCurry, Charlie Davoli, Ami Vitale, Martha Cooper, David LaChapelle, Martin Schoeller, Joey L., Eugenio Recuenco, Simone Bramante and Toilet Paper are the 13 masters of photography who put their name to the 2021 Lavazza Calendar.

8. What contributions did the photographers have and what their focal motivation was for the calendar? Ans: The photographers were called on to translate their vision of the new humanity into images seen through their eyes which resulted in 13 evocative images for 13 pages, each bearing the words of the message promoted by Lavazza: This is the good morning to our rediscovered humanity.

9. Give one last message to the people out there on behalf of Lavazza. Ans: “For Lavazza, the New Humanity represents not only a new narrative direction, but also an artistic vanguard. The origins of the 2021 Lavazza Calendar are very close, because the concept was devised and decided on at a very particular time, from an emotional perspective too: the March lockdown,” said Francesca Lavazza, Lavazza Group Board Member. “Around us we wanted the people from the Lavazza universe and beyond, and together we worked to inspire suggestions, themes and ideas that can convey the sense of a new humanity”.


Christy Lee Roger

“Everyday people can be transformed into angelic creatures with the slightest change of perspective, by using tools in new ways and allowing our mistakes to guide us toward new truths”.

Denis Rouvre

“I imagined this new humanity as a return to the origins of the world. A fanciful vision in which man is one with nature”.


Carolyn Drake

“We get caught up in the systems that differentiate and divide people and places. I wanted to make a picture that gets rid of the categories for a moment and stands as a kind of monument or reminder that people, the natural world, and the human made world are intertwined”.

Charlie Davoli

“All we need is to understand the difference between being the guardians and not the owners of the Earth. To protect this world for those who will come after us”


“Nature has sent us a strong message and reminded us of just how small and deeply interconnected our world is. It is a powerful moment to reimagine our relationship to nature and to one another. We need to take care of this planet and to protect existing habitats”. Ami Vitale

“Only on us depends the future that we want to build”. Eugenio Recuenco 24 FEATURE


“Let’s try to understand one another beyond words, beyond ideas even, just by our shared humanity. And what is a better mirror of ourselves, of who we are, than our eyes? Maybe viscerally, through eye contact, we can achieve a higher understanding of one another.” Martin Schoeller

“No longer man but human being, no longer a world at the centre of the Universe, in conflict and competition with the natural environment, but humanity aware of being an important part of it”. Simone Bramante 25 FEATURE


David LaChapelle

“With authenticity, to serve the world and serve the people beautiful goods without the greed and abuse of Mother Earth and her inhabitants “.

Martha Cooper

“During the many months of sheltering at home, I photographed a steady parade of people of all ages wearing masks walking, running, rolling by and sitting on my bench. The sight has been life affirming. I hope we can apply this new awareness of our common humanity to other serious problems facing the world”. 26 TRIGGER


“It is not the richest who wins, but the most mentally dedicated”. Joey L

“Different colours. Same sky”. TOILET PAPER 27 FEATURE


Reichstag Canon EOS 5D Mark III 17mm F/11 1/1.6 ISO100

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Between Germanies Canon EOS 5D Mark III 17mm F/11 1/4 ISO200


Compenetration Canon EOS 5D Mark III 50mm F/5.6 1/60 ISO400

The Width of a Circle Canon EOS 5D Mark III 61mm F/8 1/160 ISO400

Sinue Serra is an Italian freelance photographer based in Spain. Over the years he has specialised in Architechture and Food photography for business which lead him establish his own agency, Blue Ant Photos, in Barcelona. Nontheless, Travel photography has been his first passion and still represent an important part of his work and has also brought the most rewarding experiences to his life. senbenito_

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Kaiser’s Dream Canon EOS 5D Mark III 59mm F/8 1/160 ISO400


Fragrance Canon EOS 5D 13mm F/10 1/30 ISO400

Gate Canon EOS 5D 48mm F/2.8 1/2 ISO100

Enlightenment Canon EOS 5D 70mm F/2.8 1/125 ISO200

Metamorphosis of Narcissus Canon EOS 5D 15mm F/18 1/13 ISO100

Red VIne Canon EOS 5D 10mm F/11 1/100 ISO400

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Tea Hill Canon EOS 5D 10mm F/10 1/200 ISO200


San Marco Canon EOS 5D Mark III 78mm F/11 1/5 ISO50

Sunset Lagoon Canon EOS 5D Mark III 70mm F/5.6 1/100 ISO200

Gondolieri Canon EOS 5D Mark III 24mm F/14 1/25 ISO50

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Blue Lagoon Canon EOS 5D Mark III 28mm F/11 1/20 ISO100


Look me in the eyes Nikon D850 500mm F/6.3 1/2000 ISO1600

Ahmed Abu-Ganem is a 30 years old vehement photographer from Tel Sheva, Israel. He is keenly focused on Nature and Wildlife Photography. Photography is a means for him to connect with nature. He travels around the globe to capture the mesmerizing beauty of flora and fauna. ahmed_wildlife_photographer 32 FEATURE


Happy Family Nikon D850 500mm F/6.3 1/2000 ISO1600

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This Lion Cub’s Under my Tum Nikon D850 500mm F/6.3 1/2000 ISO1600

No Language can Express the Beauty of a Mother’s Love Nikon D850 500mm F/6.3 1/2000 ISO1600


Do not approach Nikon D850 500mm F/6.3 1/2000 ISO1600

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No Language can Express the Beauty of a Mother’s Love Nikon D850 500mm F/6.3 1/2000 ISO1600


Yawning after a long sleep Nikon D850 500mm F/6.3 1/2000 ISO1600

King of the North Pole Nikon D850 500mm F/6.3 1/2000 ISO1600

Run on the trail to keep the food Nikon D850 500mm F/6.3 1/2000 ISO1600

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Love Nikon D850 500mm F/6.3 1/2000 ISO1600

Stability Training Nikon D850 500mm F/6.3 1/2000 ISO1600


Alexander Petrosyan commenced his photography career in 2000 and finds true joy in exploring and portraying his subjects in innovative ways, photographing not only the beautiful but also the grotesque aspects of life. Currently he’s working for “Kommersant”, where he continues to push his limits and captures the ordinary aspects of life extraordinarily. petrosphotos 36 TRIGGER

Expanding Horizons Olympus E-M1MarkII 400mm F/9 1/160 ISO200


Cast a Shadow Olympus E-M1MarkII 34mm F/8 1/640 ISO200

Wheels in Motion Olympus E-M1MarkII 25mm F/22 1/3 ISO64

Follow the Reflection Olympus E-M1MarkII 7mm F/8 1/800 ISO640

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Trapped Soul Olympus E-M1MarkII 38mm F/10 1/125 ISO200

Fairylights Olympus E-M1MarkII 17mm F/22 1/77 ISO64


Neighing Sclupture Olympus E-M1MarkII 17mm F/22 1/77 ISO64

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Self Reflection Olympus E-M1MarkII 12mm F/7.1 1/125 ISO250

Inside Out Olympus E-M1MarkII 20mm F/4 1/77 ISO2000


Windowpane Olympus E-M1MarkII 150mm F/10 1/250 ISO400

Wilderness of Civilization Olympus E-M1MarkII 79mm F/7.1 1/500 ISO200

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Deluge Olympus E-M1MarkII 70mm F/10 1/640 ISO200

Neighing Sclupture Olympus E-M1MarkII 138mm F/9.5 1/500 ISO200


Book Review Genesis (Gênesis) by Sebastião Salgado

“Genesis is a quest for the world as it was, as it was formed, as it evolved, as it existed for millennia before modern life accelerated and began distancing us from the very essence of our being,” said Lélia Wanick Salgado, the curator of the momentous exhibition Genesis, held at The International Center of Photography (ICP), US. Salgado was a nature lover. His thirst to capture nature pushed him forward towards excellence in the field of photography. During his travels across the globe, he documented arctic and desert landscapes, tropical rainforests, marine, and other wildlife, and communities still living according to ancestral traditions. Genesis is the third long-term series on global issues by Salgado (born Brazil, 1944), following Workers (1993) and Migrations (2000). As the result of an eight-year worldwide survey, the exhibition draws together more than 200 spectacular black and white photographs of wildlife, landscapes, seascapes, and indigenous peoples— raising public awareness about the pressing issues of environment and climate change. Salgado craves to walk back to the time when nature was in its purest and crude form, undamaged, untouched by human civilization. He wants us to know the animals, plants, and indigenous tribes that represent what he calls, controversially, the most pristine parts of nature. He wants us to witness the beginning, the incarnation. The book is a plethora of beauty that depicts what mother nature holds within. It’s a stupendous enterprise, connecting the heat of the Brazilian rainforest to the icy light of Siberia, the dazzling dew of Ecuadorian dawn with the spectral gloom of dusk in the Galápagos. The photographs run into hundreds, taking you soaring high above the Patagonian prairies and plunging deep into smoking volcanoes. They show the tiniest lemur in the world and the largest whale, filling the frame, and one’s imagination, as it heaves through the ocean. Over 30 trips—traveled by foot, light aircraft, seagoing vessels, canoes, and even balloons, through extreme heat and cold and in sometimes dangerous conditions—Salgado created a collection of images showing us nature, animals, and indigenous peoples in breathtaking beauty. Mastering the monochrome with an extreme deftness to rival the virtuoso Ansel Adams, Salgado brings black-and-white photography to a new dimension; the tonal variations in his works, the contrasts of light and dark, recall the works of Old Masters such as Rembrandt and Georges de La Tour.

What does one discover in Genesis? The animal species and volcanoes of the Galápagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo’é tribe deep in the Amazon jungle; the Stone Age Korowai people of West Papua; nomadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Juruá rivers in the Amazon; the ravines of the Grand Canyon; the glaciers of Alaska and beyond. Having dedicated so much time, energy, and passion to the making of this work, Salgado likens Genesis to “my love letter to the planet.” “In Genesis, my camera allowed nature to speak to me. And it was my privilege to listen.” ~Sebastião Salgado. The book helps you build a beautiful connection with nature. It takes you out on a trip and makes you witness the beauty and the peril of nature, the ethnicity it holds and makes you crave to be a part of Salgado’s raw and real nature.

Nivedita Basu Nivedita Basu, I’m a 20-year-old girl, pursuing Computer Science Engineering. From a very early age, I had a knack in writing. One thing and the other kept pushing me forward and today I am being able to cherish my passion as a content writer.

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niveditahahaha_


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Royal Sony ILCE-7RM4 18mm F/5.6 1/80 ISO250

Mirror View Sony ILCE-7RM4 16mm F/8 1/200 ISO100

Mahendra Bakle is an extremely illustrious photographer. Bakle is based in Maharashtra and runs a graphic designing digital printing business besides his intense fervor for photography. He is particularly inclined towards capturing stills from the everyday lives of people against the rural backdrop and Indo-China and other East Asian regions remain his forte. His work is a montage of scenes capturing the innocence of a primal lifestyle along with a traditional lifestyle. mahendrabakle

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Hot Air Balloon Sony ILCE-7RM4 100mm F/9 1/125 ISO250

Will Finds A Way Sony ILCE-7RM4 168mm F/6.3 1/200 ISO640


Gone Fishing Sony ILCE-7RM4 46mm F/8 1/160 ISO100

Caught in the Act Canon EOS 5D Mark IV 24mm F/6.3 1/400 ISO100

Golden Hour Sony ILCE-7RM4 26mm F/7.1 1/60 ISO160

Vibe with the Tribe Canon EOS 5D Mark III 100mm F/4.5 1/500 ISO160

Joy in the Ordinary Canon EOS 5D Mark IV 263mm F/5 1/200 ISO160

Complexities and Hardwork Sony ILCE-7RM4 16mm F/3.5 1/320 ISO100

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Cease the View Hasselblad L1D-20c 10mm F/3.5 1/160 ISO100

Ingenuity Canon EOS 5D Mark IV 312mm F/9 1/400 ISO200


Solitary Sony ILCE-7RM4 36mm F/5 1/4 ISO320

A View by the Lake Sony ILCE-7RM4 71mm F/13 1/30 ISO100

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Journey to a Thousand Miles Sony ILCE-7RM4 16mm F/11 1/5 ISO100

Scene by the Lake Canon EOS 5D Mark IV 100mm F/4.5 1/10 ISO2500

Compel by Fascination Sony ILCE-7RM4 214mm F/8 1/13 ISO100

Expanding Horizons Sony ILCE-7RM4 324mm F/8 1/2 ISO100


Peace with the Spirit Canon EOS 5D Mark IV m F/4 1/10 ISO320

Discipline Sony ILCE-7RM4 105mm F/4 1/8 ISO1600

Happy Moments Sony ILCE-7RM4 105mm F/4.5 1/200 ISO160

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Inner Peace Sony ILCE-7RM4 109mm F/4.5 1/200 ISO500

Train your Mind Sony ILCE-7RM4 324mm F/8 1/2 ISO100


Movie Review Tierney Gearon: The Mother Project Initial release: 2006 Directors: Jack Youngelson, Peter Sutherland Music director: Justin Marchacos Cast: Tierney Gearon, Peter Sutherland Producers: Jack Youngelson, Peter Sutherland Cinematography: Jack Youngelson, Peter Sutherland

Photographer Tierney Gearon—best known for pictures of her naked children, assailed as pornography during a London show—set out to create a new cycle portraying not only her kids but her elderly, irascible, and occasionally unbalanced mother. Jack Youngelson and Peter Sutherland’s intimate documentary captures all three generations as Gearon conceives and shoots the photos. It’s fascinating for its glimpses of how her troubled upbringing colors her efforts to raise her son and daughter. The men in these families are long gone, and when Gearon becomes pregnant with her third child, the father’s name never even comes up. Yet, in this strictly feminine environment, some of the most startling observations come from Gearon’s unsentimental young son. Celebrated photographer Tierney Gearon’s work has been labeled manipulative, disturbing, and even perverse. A former model and dancer, Gearon came to notorious fame in 2001 when photos of her own naked and masked children in the “I Am a Camera” show at London’s Saatchi Gallery had authorities threatening child pornography charges. About Jack Youngelson Jack Youngelson has worked as a writer, producer, and field producer on documentary projects that have been shown by numerous broadcasters in the United States and the UK. Over the past 5 years, he has collaborated as a writer/ producer with the award-winning production company, Moxie Firecracker Films, on various documentary projects, including Ghosts of Abu Ghraib, which premiered at the 2007 Sundance Film Festival before being broadcast on HBO, and The Nazi Officerâs Wife, which screened at various international film festivals and had a theatrical release before its television premiere on A&E. That same year, Jack also wrote and produced Connecticut: Seasons of Light about the American Impressionist art movement. The film, narrated by Brian Dennehy, won a 2003 Regional Emmy for Outstanding Cultural Affairs Program. Jack graduated in 1990 from Princeton University. About Peter Sutherland Peter Sutherland was born in Ann Arbor, Michigan, and raised in Colorado. The move to New York City in 1998 prompted his first feature documentary, Pedal, a film about the cityâs bike messengers that premiered at the South by Southwest Film Festival in 2001 before airing on Sundance Channel. Along with numerous other television credits, Sutherland worked as a director of photography on Stoked: The Rise and Fall of Gator, a documentary about

‘‘The Official Cover of The Film’’

a famous skateboarder convicted of murder. Directed by Helen Stickler, Stoked premiered at the 2003 Sundance Film Festival and was also released theatrically. Sutherland has published numerous photographic works through publishers such as powerhouse Books, Nieves, Art Beat Press, and P.A.M. books. About the Documentary The documentary follows Tierney over three years as she assembles her new body of work, a project that promises to be even more provocative than the photos that originally made her career. The film documents an incredibly tumultuous period in Tierney’s life, from London to Los Angeles to have a third child at age 41. Tierney is famously reclusive and has always wanted her work to speak for itself, for her audience not to have any preconceived ideas about Part of the fascination of “Tierney Gearon: The Mother Project,” which runs at the Museum of Fine Arts as part of its “Art on Film” series, is that the documentary is so firmly planted at the intersection of - maybe that should be a collision between - artistic selfinvolvement and family. Early in the film, Gearon confides that her mother is manicdepressive and schizophrenic. The older woman is a handful. “Are you going to pay me for my time, Tierney?” she asks as she poses. Still, the daughter’s description sounds like the sort of exaggerated complaint most adult children will make about a difficult parent. By the time the Mom confides that she’s the secret daughter of the Duke and Duchess of Windsor, we see what Gearon means. Some of Tierney Gearon’s photos are very good, especially her portraits of her mother (who’s almost as striking in appearance as she is in behavior). But what the documentary makes plain is that photography isn’t really Gearon’s calling. It’s performance art - more specifically, multi-generational performance art. “When I do things, I do things full force,” she declares. There’s no doubt about that, nor about her mother’s willingness to participate (her occasional recalcitrance notwithstanding). It’s the children one wonders about - and fears for. Shivam Kumar Sharma shivam@chiiz.com

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Shivam is an engineer by degree, a writer by heart, and a photojournalist by dream. In his own words, “I was waging as a Design Engineer for a firm, but then, a “CHIIZ” happened to me, and thereafter, I started living my passionate dream.” photophilic_shivam


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Flying Saree Sony ILCE-9 35mm F/2.8 1/3200 ISO250

Gangadhar Pothana belongs from Hyderabad. He has always been passionate about wedding and documentary photography. He believes in portraying stories and explicit messages with the help of his photographs. delightpicture_

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Love Ocean Sony ILCE-9 35mm F/2.8 1/640 ISO160


Temple Sony ILCE-9 28mm F/5.6 1/1250 ISO250

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Lapakshi Temple Sony ILCE-9 16mm F/2.8 1/2500 ISO500

Lapakshi Temple Sony ILCE-9 16mm F/5 1/1000 ISO100


Love Splash Sony ILCE-9 16mm F/2.8 1/10000 ISO320

Nature Love Birds Sony ILCE-9 35mm F/3.2 1/12800 ISO500

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Sunset Couple Sony ILCE-9 16mm F/3.2 1/1250 ISO160


Vintage Train Sony ILCE-9 16mm F/3.5 1/400 ISO160

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Fire Couple Sony ILCE-9 35mm F/2.8 1/640 ISO160


Old is Gold Philippe Halsman (1948) by Dalí Atomicus Dali Atomicus, perhaps the most iconic image that emerged from the collaboration of the eminent photographers, Philippe Halsman and artist Salvador Dalí. It legitimately took them 28 tries to pull off the jolly weightlessness of the photograph. However, the portrait of the artist inspired by his painting, Leda Atomica (1949), which appears in the composition’s right-hand corner—hanging suspended above the ground like the easel, chair, stepstool, cats, water, and Dalí himself, is the most eye-catching part of the entire masterpiece. Before the photographer duo could settle with the idea of tossing three cats up in the air, the Spanish artist suggested that they blow up a duck using dynamite, instead. “A true photographer wants to try to capture the real essence of a human being,” Halsman once famously said. However, capturing the essence of Dalí was a complex task. Over nearly four decades, Halsman photographed the artist on many occasions, spurring the most iconic black-andwhite portraits of the Surrealist. Dali Atomicus was an early example of the practice of a type of art that Halsman called “jumpology”. To capture the true spirit of his subjects—primarily celebrities and public figures who were accustomed to having a lens trained on them—he began asking them to make a jump after each photo session. “When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears,” he once explained. However, years before he convinced Audrey Hepburn, Grace Kelly, Richard Nixon, and the Duke and Duchess of Windsor to each take a leap of faith, he staged the outlandish shoot of Dalí. The artist appears suspended in the air amid three flying cats, a stream of water, and floating furniture. The original version of the photo reveals the “behind the scenes”: An assistant held up the chair on the left side of the frame, wires suspended the easel and the painting, and the footstool was propped up off the floor. However, there was no hidden trick to the flying cats or the stream of water. For each take, Halsman’s assistants—including his wife, Yvonne, and one of his daughters, Irene—tossed the cats and the contents of a full bucket across the frame. After

"Philippe Halsman, Astonish Me!" at Musée de l'Elysée, 2014

each attempt, Halsman developed and printed the film while Irene herded and dried off the cats. The rejected photographs had notes such as “Water splashes Dalí instead of the cat” and “Secretary gets into the picture.” When Halsman was finally satisfied with the composition, Dalí added a finishing touch to the printed photograph: the swirls of paint that appear on the easel. The final image was published in Life magazine. “Dalí never really wanted to photograph; Philippe never really wanted to pick up a paintbrush,” she said. “But together, they collaborated and made the most outrageous pictures”, iterated Irene Halsman, daughter of Philippe Halsman.

Nivedita Basu Nivedita Basu, I’m a 20-year-old girl, pursuing Computer Science Engineering. From a very early age, I had a knack in writing. One thing and the other kept pushing me forward and today I am being able to cherish my passion as a content writer.

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niveditahahaha_


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Mitchel Wu is based in Los Angeles and is the founder of Mitchel Wu Toy Photography. He creates and crafts stories through toy photography by capturing the illusion of motion and emotion where none exists. He has created images for Disney, Marvel, Warner Bros Hasbro, Mattel, and many others. I’m featured in “Marvel’s 616,” a documentary currently streaming on the Disney+ streaming channel. mitchelwuphotography

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Woody Orange Peel Canon EOS 5D Mark III 135mm F/2 1/800 ISO800


Kermit Bee Fishingl Canon EOS 5D Mark III 135mm F/2 1/500 ISO1000

Kermit and Robin Forest Hug Canon EOS 5D Mark III 135mm F/2 1/640 ISO640 Kermit Dino Ride Canon EOS 5D Mark III 135mm F/2.8 1/4000 ISO100

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Monsters Inc Visine Canon EOS 5D Mark III 70mm F/3.5 1/250 ISO2000

Mars Attacks Dew Grass Canon EOS 5D Mark III 135mm F/2 1/4000 ISO500


Antman Toilet Paper Theft Canon EOS 5D Mark III 135mm F/2 1/320 ISO1250 Antman Cereal Canon EOS 5D Mark III 135mm F/2 1/400 ISO1250

Baby Yoda Canon EOS 5D Mark III 135mm F/2.5 1/2500 ISO640

Toy Story Alien Rancor Claw Toilet Paper Canon EOS 5D Mark III 135mm F/4 1/500 ISO800

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LGM Vs Stormtroopers Canon EOS 5D Mark III 135mm F/2 1/1000 ISO1000

Yoda Book Read Canon EOS 5D Mark III 135mm F/2 1/1000 ISO1000


Thors Hammer Canon EOS 5D Mark III 135mm F/2 1/1600 ISO1000

Mario Bros and Kong Canon EOS 5D Mark III 135mm F/3.2 1/1250 ISO2500

Mario Kart T-Rex Canon EOS 5D Mark III 135mm F/2.8 1/1250 ISO1600

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Monsters Inc Visine Canon EOS 5D Mark III 70mm F/3.5 1/250 ISO2000

Pizza Planet Iron Giant Canon EOS 5D Mark III 135mm F/2 1/1000 ISO1250


Buzz Lightyear Flying Canon EOS 5D Mark III 70mm F/2.8 1/200 ISO1250

Toy Story Canon EOS 5D Mark III 135mm F/2.2 1/1600 ISO2000

Woodys Bannister Slide Canon EOS 5D Mark III 135mm F/2.8 1/320 ISO1600

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Woody’s Circus Canon EOS 5D Mark III 70mm F/2.8 1/200 ISO1250

Woody Fire Juggler Canon EOS 5D Mark III 135mm F/2 1/1000 ISO800


INFRARED Photography Contest

Prateek Agarwal Hojai, India

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Peacock Color Nikon D5600 300mm F/6.3 1/80 ISO400


Prateek Agarwal Hojai, India

Prateek Agarwal Hojai, India

Sonika Agarwal Mumbai, India

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Catch and Fly Nikon D5600 500mm F/6.3 1/2500 ISO500

Bearing the Pain Nikon D5600 29mm F/5.6 1/250 ISO800

Prateek Agarwal Hojai, India

Prateek Agarwal Hojai, India

Dancing Beauty Nikon D5600 300mm F/6.3 1/1000 ISO100

The Tough Guy Nikon D5600 140mm F/6.3 1/125 ISO1000

Into the Wild Nikon D5300 55mm F/8 1/400 ISO100


Pramit Das Lalgola, India

Life in Miniature Redmi Note 9 pro 4.7mm F/1.8 1/150 ISO100

Prateek Agarwal Hojai, India

Tiger in Habitat Nikon D5600 200mm F/7.1 1/1000 ISO1000

Prateek Agarwal Hojai, India

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Rhino in Habitat Nikon D5600 250mm F/8 1/500 ISO640


CHIIZ GALLERY To Get Published, Upload Your Photos on chiiz.com

Vinu Wilson New Delhi, India

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Above The Wings Nikon D7200 55mm F/8 1/200 ISO100


Ebrahim Rahiminezhad Khonj, Iran

Ebrahim Rahiminezhad Khonj, Iran

Dnyanehwar Vaidya Kolhapur, India

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Rest Canon EOS 5D Mark III 18mm F/5 1/200 ISO500

Look Canon EOS 5D Mark III 50mm F/8 1/500 ISO125

Brick Kiln Nikon Z6 45mm F/4 1/400 ISO200

Ebrahim Rahiminezhad Khonj, Iran

Happy Old Man Canon EOS 5D Mark III 50mm F/5.6 1/250 ISO200


Maryam Jafari Shiraz, Iran

Hope Nikon D7100 52mm F/5 1/1600 ISO100

Nikhil Shrikant Panchal Mumbai, India

Alone Canon 700D 50mm F/11 1/160 ISO400

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The Face Nikon D5600 50mm F/5.3 1/125 ISO400

Shubhodeep Roy Kolkata, India

Debarun Biswas Kolkata, India

Shubhodeep Roy Kolkata, India

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Carrier Redmi 6 94mm F/1.9 1/500 ISO100

Eyes Nikon D5600 50mm F/16 1/200 ISO1400

Udayan Sankar Pal Chennai, India

Mother Hen Canon EOS 5D Mark IV 35mm F/2.8 1/40 ISO400


Saqlain Rizve Dhaka, Bangladesh

Shubhodeep Roy Kolkata, India

Saurabh Sirohiya Kolkata, India

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Innocent Smile Canon EOS 80D 18mm F/4.5 1/1 ISO100

Orange Nikon D5600 20mm F/4.5 1/80 ISO800

Udayan Sankar Pal Chennai, India

Into the Light Canon EOS 5D Mark IV 70mm F/2.8 1/640 ISO100

Holy Smoking Chillum Nikon D500 22mm F/2 1/1250 ISO400


Emran Hossain Chittagong, Bangladesh

Innocent Look Nikon 28mm F/5 1/200 ISO300

Debarun Biswas Kolkata, India

Dreamy Eyes Redmi 6 82mm F/2.2 1/1250 ISO103

Chinmoy Biswas Kolkata, India

Rail Nikon D3100 20mm F/6.3 1/50 ISO100

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Arnab Mitra Kolkata, India

Mystery of Sonepur Nikon D7000 105mm F/5.6 1/800 ISO200

Nabarun Majumdar Kolkata, India

Elegance Nikon D500 70mm F/5 1/320 ISO6400

Abhijeet Kumar Banerjee Kolkata, India

Peasant Girl Sony ILCE-7M3 40mm F/8 1/160 ISO100

Abhijeet Kumar Banerjee Kolkata, India

Sanhita Bhattacharjee Kalyanpur, India

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Sparkling Eyes Nikon D7000 35mm F/2.5 1/500 ISO100

Abhijeet Kumar Banerjee Kolkata, India

Purple Lily Sony ILCE-7M3 64mm F/11 1/160 ISO100

Sazzad Hossain Dhaka, Bangladesh

Abhijeet Kumar Banerjee Kolkata, India

Queen of Shiba Sony ILCE-7M3 56mm F/13 1/160 ISO100

The Cry of Survival Canon EOS Kiss X7i 18mm F/7.1 1/200 ISO400


Saqlain Rizve Dhaka, Bangladesh

Udayan Sankar Pal Chennai, India

Jevgenijs Scolokovs Riga, Latvia

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Innocent Smile Canon EOS 80D 18mm F/4.5 1/1 ISO100

Lakshya Saini Lucknow, India

Smoking Cup Nikon D750 52mm F/10 1/200 ISO800

Cat company Canon EOS 5D Mark IV 25mm F/4.5 1/320 ISO100

Summer Walk Canon EOS 5D 135mm F/2.2 1/500 ISO100

Abhijeet Kumar Banerjee Kolkata, India

Malina Sony ILCE-7M3 35mm F/11 1/125 ISO100


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IIT Guwahati UTSAVA Contest

Saurabh Sirohiya Kolkata, India

Splash of Colour Nikon D7200 22mm F/8 1/400 ISO400

Chinmoy Biswas Kolkata, India

Colorful Smile Nikon D7200 135mm F/6 1/500 ISO320

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Kaali Canon EOS 60D 50mm F/1.8 1/80 ISO200

Partha Chakraborty Maynaguri, India

Sourojeet Paul Kolkata, India

Udayan Sankar Pal Chennai, India

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Proposition for Departure Canon EOS 200D 28mm F/11 1/13 ISO800

Sanchayan Chowdhury Chittagong, Bangladesh

Durga Visarjan Canon EOS 5D Mark III 22mm F/9 1/800 ISO250

Divine hands Canon EOS 5D Mark IV 16mm F/2.8 1/2000 ISO100


Festive Reflection Canon EOS 1200D 55mm F/4 1/80 ISO3200

Dibakar Roy Kolkata, India

Deepbrata Dutta Kolkata, India

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Praying Nikon D5600 10mm F/22 1/60 ISO100

Dhiraj Ashok Chavan Mumbai, India

Kambala Race Canon 6D M2 24mm F/10 1/80 ISO200


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Musing Canon EOS 5D 35mm F/20 1/125 ISO100


Pensive Mood Canon EOS 5D 64mm F/22 1/125 ISO100

Strike a Pose Canon EOS 5D 70mm F/20 1/125 ISO100

Sushmendra Dubey aka Dubs is a professional, well-established, eclectic photographer from India. He’s a native to the land of imagination, where life is captured from the eyes of a dreamer. Dubs is simple, straightforward, clear-headed, and dedicated to the niche he has created in the world of photography. www.sushmendra dubey.com

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Emit the Smoke Canon EOS 5D 46mm F/22 1/125 ISO100


Blank Space Canon EOS 5D 105mm F/5.6 1/125 ISO100

Eyes on You Nikon D800E 105mm F/4.5 1/100 ISO100

Enrapturing Nikon D850 70mm F/6.3 1/50 ISO500

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Class with Sass Nikon D850 70mm F/6.3 1/50 ISO500

Nerdy Canon EOS 5D 105mm F/5.6 1/125 ISO100


Radiant Nikon D800E 42mm F/10 1/125 ISO100

Strength in Silence Nikon D800E 62mm F/10 1/125 ISO100

Exponential Canon EOS 5D 27mm F/20 1/125 ISO100

Conventional Cans Nikon D850 45mm F/13 1/125 ISO500

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Exotic Nikon D800E 62mm F/13 1/125 ISO100

Flaunt the Curves Nikon D800E 60mm F/13 1/125 ISO100


Marina Collins is based in Karlskoga, Sweden, with her husband and son. She passionately takes and shares the vibrant array of minimalist and abstract images. She opts for color and simple compositions as she prefers keeping it simple, mostly black and white. She gets frittered away by the complexities surrounding us, and her photography helps her to simplify it. marinatamsol

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Contrasting Nikon D40 55mm F/5.6 1/125 ISO320


Distant yet Close Nikon D40 55mm F/5.6 1/125 ISO320

Red and Crazy Apple iPhone6 4mm F/2.2 1/4950 ISO32

All about Perspectives Nikon D40 55mm F/5.6 1/125 ISO320

Grid Nikon D40 55mm F/5.6 1/125 ISO320

Stand-alone Nikon D40 55mm F/5.6 1/125 ISO320


Sky is the Limit Nikon D40 18mm F/11 1/500 ISO200

Creativity and Fun Nikon D40 55mm F/5.6 1/125 ISO320

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Walk with a Vision Nikon D40 20mm F/10 1/400 ISO200

Sublime Textures Nikon D40 55mm F/5.6 1/125 ISO320


The Spiral Staircase Nikon D40 22mm F/10 1/400 ISO200

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Uniformly Placed Apple iPhone6 4mm F/2.2 1/1883 ISO32

Surveying Longitudes Nikon D40 55mm F5.6 1/125 ISO320


Danya Johaness danya_johaness Tariq Sheriff themoderntarzan

Canon EOS 5D Mark IV 88mm F2.8 1/400 ISO125

Amarnath is from Bangalore and worked as an IT professional in various MNCs. Currently, he has been passionately pursuing his career as a full-time photographer, with his expertise in portraits and fashion photography. The clean, bold, and graphic style has become the hallmark of his work, including shooting advertising campaigns, designer look books, jewelry, hair campaigns, fashion, product, or professional athletes.

VBookmark Photography

86 TRIGGER Canon EOS 5D Mark IV 70mm F2.8 1/320 ISO250


Pravalika Reddy prav_66

Canon EOS 5D Mark IV 85mm F1.8 1/200 ISO50

Canon EOS 5D Mark IV 142mm F2.8 1/320 ISO250

87 TRIGGER Canon EOS 5D Mark IV 85mm F1.8 1/200 ISO50

Canon EOS 5D Mark IV 85mm F1.8 1/200 ISO50


Razia Sulthana Khan raziakhan9249

Canon EOS 5D Mark IV 104mm F5.6 1/200 ISO100

Canon EOS 5D Mark IV 78mm F5.6 1/200 ISO1000

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Canon EOS 5D Mark IV 110mm F5.6 1/200 ISO200


Sanjay Kshatriyas _prince_sanjay_

Canon EOS 5D Mark IV 85mm F5.6 1/200 ISO160

Canon EOS 5D Mark IV 85mm F6.3 1/200 ISO100

Canon EOS 5D Mark IV 85mm F7.1 1/200 ISO100

Canon EOS 5D Mark IV 85mm F7.1 1/200 ISO200

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Canon EOS 5D Mark IV 85mm F11 1/200 ISO100


Makeup Artist of the month

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Perrine is a 22 years Makeup artist based in France. She’s immensely passionate about makeup and pursued her academics on special effect make-up. She is currently associated with some luxurious brands of make-up in a store. Creating artistic looks using makeup is a means of expressing emotions for Perrine. miissperrine

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Leonardo Cóndor is a native of Ecuador. Cóndor started taking photos 3 years ago from scratch and got overwhelmed with photography. He’s a self-taught photographer and is avidly interested in portrait photography. He focuses on what people transmit to him and aims at having fun at the same time. leonardo_condor 94 TRIGGER


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Model Gloria Morales Canon EOS 77D 50mm F/1.8 1/4000 ISO100


Model Hannah Sevilla Canon EOS 77D 24mm F/8 1/125 ISO100

Model Hannah Sevilla Canon EOS 77D 24mm F/8 1/125 ISO100

Model Hannah Sevilla Canon EOS 77D 28mm F/8 1/125 ISO100

Model Gloria Morales Canon EOS 77D 24mm F/6.7 1/250 ISO100

Model Gloria Morales Canon EOS 77D 24mm F/6.7 1/250 ISO100

Model Gloria Morales Canon EOS 77D 24mm F/6.7 1/250 ISO100


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Model Laetitia Bouffart Roupe Canon EOS 77D 10mm F/4.5 1/125 ISO100


Model Gloria Morales Canon EOS 77D 10mm F/6.7 1/180 ISO100

Model Kino Luque Canon EOS 77D 24mm F/5 1/100 ISO100

Model Gloria Morales Canon EOS 77D 10mm F/6.7 1/250 ISO100

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Model Kino Luque Canon EOS 77D 24mm F/5 1/100 ISO100

Model Escape Gloria the Ordinary Morales Canon EOS 77D 10mm F/6.7 1/250 ISO100


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