PORTFOLIO O Gabriela Palacios Villon/ BArch University of Lima CONTENTS
+ 001
COASTAL LABORATORY
Gabriela Palacios Villon University of Lima
002
CAPSULE EXERCISE FRAGMENTS EXERCISE
003
INDUSTRIAL LIMA
004
CONNECT-UR
001 - I
FUNdaco - VENEZIA
gabriela.palacios_villon@hotmail.com 774 414-9073
- Premier Pro
- Animal Rescue Centre, Warwick, RI - Project Assistant,
- After Effects
ongoing October 2021 - Malden House, Malden, MA - Project Architect, completed October 2021 - Medford House, Medford, MA - Project Assistant,
Andromeda Studio
Lumion Microsoft Office
-Publisher
Thesis project
Senior
9
8 credits
9 hours/ week
Housing and pre-thesis
Architecture Studio VIII
Senior
8
8 credits
9 hours/ week
Urbanism
Architecture Studio VII
Senior
7
8 credits
9 hours/ week
Housing and living spaces
Junior
6
8 credits
9 hours/ week
Landscaping
Junior
6
8 credits
9 hours/ week
Structural systems and parametric design
Sophomore
5
8 credits
9 hours/ week
Public buildings
Architecture Studio III
Sophomore
4
8 credits
9 hours/ week
Challenging locations and slopes
Architecture Studio II
First year
3
6 credits
9 hours/ week
Introduction to architecture: conceptualization
Architecture Studio I
First year
2
5 credits
9 hours/ week
Introduction to architecture
- Parametric design for modular furniture, Apr- Jun 2021
Architecture Studio V
Architecture Studio IV
2020
Lima, PE- Architecture Intern
2017
Imagina
Lima, PE- Architecture Intern
- Urban planning junior analyst for Lima’s districts, Oct Dec 2021 2016
- Excel
9 hours/ week
Architecture Studio VI
- Word - Powerpoint
8 credits
2st semester
Revit
11
1st semester
completed September 2021
Senior
2st semester
Grasshopper
2018
Rhinoceros 3d
- Cranston House, Cranston, RI - Project Assistant,
2st semester 1st semester
Autocad
Architecture Studio IX
Providence, RI - Architecture Designer
- InDesign
Sketchup
Architecture Studio X
1st semester
- Illustrator
Michie Design & Build
2021
2021
- Photoshop
1st semester
Adobe
Architecture studios taken, information regarding year, semester, name of studio, student classification and level, credits, hours per week and academic focus.
ACADEMIC HIGHLIGHTS
2020
PROFESSIONAL HIGHLIGHTS
1st semester
SKILL SET
2019
ARCHITECT
Bachelor of Architecture by the University of Lima, graduated with honors, with academic experience at Universita IUAV di Venezia. Fluent in English and German, Italian at conversational level. Outstanding abilities in creative writing and digital design through various tools and programs. With a focus on urban intervention analysis and parametric design. Creative, communicative, goal-oriented and a leader.
1st semester 2st semester
GABRIELA PALACIOS
COASTAL LABORATORY FOR MARINE INVESTIGATION LOCATION: Chimbote, Ancash, Peru
CLASS: Architecture Studio X TERM: 2021-2, 1Oth semester TYPE: Academic project, individual
The project proposed as equipment recognizes the need to implement a research program that contributes not only to the constant monitoring, study and understanding of the marine ecosystems with which the city of Chimbote coexists, but also to the development of technologies that adapt to change. , face the effects of the prolonged environmental neglect of the bay, and increase the productivity of the bay, and therefore, of the city.
003 1
THESIS PROJECT
Likewise, it seeks to complement the educational system by granting a space for research that has not yet existed. The final project consists of the architectural proposal grounded from the previous analysis of justified needs, the appropriate relationship with the context, and the formal explorations that were evaluated from the concept and the review of references, as well as the proposals for programmatic spatial ordering.
10
Conceptualization Caracteristics and purpose
GRID AS A SPACE Permeability
GRID AS A STRUCTURE
CONTAINER Prevention of disaster
Activity engaging
Defining vacuum
SPACES
BUILDABLE
Defining containers
ELEMENTS
Expandability Exhibición
Verticales
CIRCULAR An architectural element for the exhibition program, its circular shape invites the entrance of a roofed space without losing the feeling of being in the open space, and allows an exterior gallery tour.
RAMPA EN ESPIRAL
NÚCLEOS DE CIRCULACIÓN
Architectural elements as part of the project's contribution to the tour and landscape contemplation.
Necessary for vertical circulation. They are distributed to supply the flow of the entire extension of the project.
Grid model
Grid model
Investigación 10 x 10 m.
Aprendizaje
Horizontales
Diagonales
5 x 5 m.
LABORATORIOS
MIRADORES
Cajas de vidrio insertas en la grilla, con accesos múltiples para visitas y trabajadores, con el fin de conservar los niveles de privacidad requeridos. Tienen núcleos de circulación vertical y se encuentran conectados al programa de observación y enseñanza para apoyarse simbióticamente.
Elementos ubicados en el frente del proyecto con vista al mar, contienen núcleos de salones y aprendizaje para complementar el programa de osbervación, y se encuentran conectados horizontal y verticalmente al programa de investigación y de exhibición.
PASARELAS DE CIRCULACIÓN
RAMPAS
En vez de generar volúmenes completos y conexos entre sí para la circulación horizontal, se aprovecha a la grilla como contenedor y se implementan pasarelas de circulación que proveen de recorridos contemplativos y accesos a los espacios sin comprometer la sensación de permeabilidad del proyecto.
El recorrido horizontal a lo largo del proyecto, al ser de carácter contemplativo para ambos frentes, se vale de rampas que no interrumpan este recorrido para los cambios de nivel.
Operations and elements Caracteristics and purpose
these elements are articulated by spaces contained between them, where the program is developed at different levels, giving unity to the project without compromising the minimum footprint or the proposed permeability.
neighbouring shape
CONTAINERS
VACUUMS
er
ord
b tal as co e ap
sh
towards the sea
towards the pier
Selected projects/ GABRIELA PALACIOS
Based on the proposed grid, the fills and voids suggested by the previously drawn axes are established. For the full ones, the grid is subdivided into containers, which will structure the project. For the voids, the spaces around which the flows are formed are obtained. The containers contain the voids, and
11
How is the project equipped? Program and main users Lorem Lorem ipsum ipsum
ACTIVITY INTENSITY BY HOUR OF THE DAY
PROGRAM BY AREAS RESEARCH
PRO GR AM Space s
Multimedia rooms
INTENSITY
Classrooms Activit ies
Study
Look outs
Play
Socializing
Responsab iliti es
Learning
STORAGE FOR EXHIBITION ROOMS
Observation
Protection
Labs
Research ST S
LEARNING CLASSROOM
2
Walks
A SE
STUDY ROOMS SKILLS LABORATORIES
3
1 2
RE
3
0
3
6
9
12
15
18
15
18
15
18
21
24
21
24
21
24
HOURS
RS KE OR W
ES
LI
R HE
RC
T EN
RO LEARNING P
Contemplation MI FA
Residences
S
UD
STUDENTS
Industry jobs
Connection with environment
Free time
GR
Work Walks
Cafeteria
INTENSITY
IO
N
PR
Break hour
OG
RA
M
AM
FAMILIES
Discussion
1
Essays
Recreation
Exhibition
LOOKOUT/ OBSERVATORY
Library
Education
LEARNING/ OBSERVATORY
WORKERS
Skills labs
RESEARCHERS
IB
E
X
H
GALLERY
1
EXHIBITION
Galería
IT
Resting area
LIBRARY CLASSROOMS
2
MULTIMEDIA ROOM 1
0
3
6
9
12
2
HOURS
LABORATORIES
LEARNING CLASSROOMS
STUDY ROOMS ADMINISTRATIVE OFFICES CONFERENCE ROOMS
INTENSITY
2
3
5 1
4 2
RESEARCHERS’S DORMS
INVESTIGATION
Selected projects/ GABRIELA PALACIOS
STORAGE FOR EXHIBITION ROOMS
1
5
0
3
6
3
9
4
12 HOURS
12
Users
Project and renders
Caracteristics and intentions
Final project pictures
PUB LIC
RAM OG PR
Freely walking
Explore
Non programmed routes
It seeks to recognize the travel patterns of the different user groups to generate a distribution of the built area that allows these pre-existing circulations and opens the possibility of creating new routes that contribute to the permeability of the project between the bay and the city.
Public areas to stay at
COLL EC TIV E
RAM OG PR
Visit and discover
Go from one point to another
PR IVA T
Halls
Tours of public origin are the beginning of all types of tours, however, being a research facility, it has a private program on the upper levels.
Resting areas
B
C
B’
C’ I
H
F
G
E
A
B
C
D
NTT +11.30
E
This calls for a consideration of separation of privacy levels, which is achieved with vertical circulation halls belonging to the blue or private route.
AM OGR PR
Work
Get to destination as fast as possible
Protected circulation
Reunion areas
NPT +8.30
NTT +5.30
NPT +/- 0.00
INTERIOR SECTION B-B’ A
B
C
D
E
F
G
H
I
NTT +11.30
NPT +8.30
NTT +5.30
NPT +/- 0.00
CROSS SECTION C-C’
Public tour (street pedestrian)
1
3
2
5
4
Collective tour (people who work and people who visit)
6
7
8
9
10
11
12
13
15
14
16
17
Private tour (working people only)
18
19
20
21
23
22
24
A
A
NPT +/- 0.00
19
1
20
2
B
B 3
21
4
22
5
6
NPT +/- 0.00
INFORMES
BOLETERÍA
NPT +/- 0.00
NPT +/- 0.00
EXHIBICIÓN TEMPORAL
23
ESTACIONAMIENTOS VISITA
NPT +/- 0.00
SS.HH
24
NPT +/- 0.00
C
NPT +/- 0.00 7
25
8
26
9
27
EXHIBICIÓN TEMPORAL
HALL LABORATORIOS NPT +/- 0.00
C
NPT +/- 0.00
NPT +/- 0.00
COMERCIO
ALMACENES
NPT +/- 0.00
NPT +/- 0.00
SS.HH NPT +/- 0.00
10
28
RECEPCION
D
D
NPT +/- 0.00
SS.HH
NPT +/- 0.00
NPT +/- 0.00
NPT +/- 0.00
NPT +/- 0.00
ZONA DE OBSERVACIÓN
NPT +/- 0.00
RECEPCION
ZONA DE OBSERVACIÓN
NPT +/- 0.00
NPT +0.15
SS.HH
SS.HH
NPT +/- 0.00
NPT +/- 0.00
ALMACENES
NPT + 0.30
NPT + 0.45
E
E NPT +/- 0.00
EXHIBICIÓN FIJA
SS.HH NPT + 0.45
NPT +/- 0.00
ZONA DE INVESTIGACIÓN
NPT + 0.45 NPT + 0.45
NPT + 0.45
F
F
NPT + 0.45
SS.HH
RECEPCION
NPT + 0.45
NPT +/- 0.00
RESTAURANTE/BIBLIOTECA
NPT +/- 0.00
NPT +/- 0.00
COMERCIO FOYER
NPT +/- 0.00
NPT + 0.45
36
36
36
36
36
36
36
36
36
36
36
36
36
36
COMERCIO
COMERCIO
NPT +/- 0.00
NPT +/- 0.00
NPT +/- 0.00
NPT +/- 0.00
MEZZANINE
TERRAZA
NPT +2.40
BIBLIOTECA
G
G
NPT +/- 0.00 11
29
12
30
NPT +/- 0.00 NPT +0.15
NPT + 0.45 13
NPT + 0.30
31
COMERCIO 14
ESTACIONAMIENTOS PERSONAL
15
NPT +/- 0.00
H
NPT +/- 0.00
NPT + 0.45
NPT +/- 0.00
NPT +/- 0.00
NPT + 0.45
32
H
33
COMERCIO NPT +/- 0.00
16
34
17
35
18
36
NPT +/- 0.00
CAFETERÍA NPT +/- 0.00
I
I
1
2
3
4
5
6
7
8
9
10
11
NPT +/- 0.00 NPT +/- 0.00
NPT +/- 0.00
12
13
14
15
16
17
18
19
20
21
22
23
24
Selected projects/ GABRIELA PALACIOS
COMERCIO SS.HH ESTACIONAMIENTO BICICLETAS
BIRTH OF SPACE: CAPSULE AND FRAGMENTS OF A HOUSE LOCATION: Chimbote, Ancash, Peru
CLASS: Architecture Studio IX TERM: 2020-2, 9th semester TYPE: Academic project, individual
In this activity, it is investigated how a device can be designed that serves to be inhabited, and that has the ability to transform, adapt and that the user can appropriate it. For me, it was difficult at the beginning to include all these qualities in a single intention without neglecting the functionality of the space and the activities proposed within, which in my case, revolved around rest. After changing the initial idea that included many large moving parts, I was able to consolidate in much more minimal and precise
001 2
ARCHITECTURE STUDIO
movements, the activity options within, taking into account the movement of the body and taking advantage of the same capsule as a delimited space and the furniture they merged into a single element. Finally, it seemed to me an exercise that provided a solid base to continue my journey to a home, because thinking about a capsule and everything that I applied to solve it, I can apply similar criteria for the rest of the spaces that would solve the whole house in the future.
05
Conceptualization Caracteristics and purpose
MORPHOGENESIS PROCESS: INSIDE OUT
+
36º 180
90º
Angles of comfortable resting positions
Angle overlap
OPEN RESTING AREA
2ND LEVEL 1ST LEVEL
PRIVATE RESTING AREA
Required levels 2
Angles + levels: transformation options
C O R E
1
2
3
Appearance of base form and evolution of spaces
1
SHAPING PROCESS SECTION SHAPE
PLAN VIEW SHAPE
D
C
2ND LEVEL A
1ST LEVEL
B
RENDERED SECTION
INTENTION
1
EXPLODED AXONOMETRIC VIEW
TRANSFORMATION
Transforms to necessity: sliding element. 36º
+
2
ADAPTATION
It adapts to the user and their style and rhythm of life: although rest is a common need, not everyone has it in the same way. Flexibility. 3
APPROPIATION
FUNCTION
90 WORK SPACE
36
180
RELAXING SPACE
RESTING SPACE
The intention of providing a flexible space for rest is based on the function of the furniture integrated into the same spatiality, considering the comfortable angles and other measurements of the human body.
INTERIOR VIEW SIDE B
INTERIOR VIEW SIDE C
Selected projects/ GABRIELA PALACIOS
The user makes the space his own, as it is of great spatial flexibility with the ability to grow in size and have or not have access to levels.
05
Capsule functionality
Atmosphere inside the capsule
Caracteristics and purpose
Lighting throughout the day
The project proposes a reinvention of a need so basic but so little attended, rest. The rest positions and comfort they represent for different activities included within the rest spectrum are explored from the anthropological and ergonomicpoint of view, and are integrated into the capsule as part of its same shape and arrangement, achieving the goal of rest. anywhere in it.
36º
This makes the refuge a flexible and timeless place, which, depending on the needs of the user, offers a variety of resting points, be it a light one while working, one where you lie down, and even one where you can sleep without problems. In the current situation, thinking about rest has blurred boundaries with the rest of daily activities, due to the restriction of going out into outer space. This, in my personal experience, compromises my ability to rest properly, and it is for this very reason that I was inspired by the lack of attention to this
priority of everyday life, perhaps neglected due to its passivity, but ultimately so important. to effectively carry out the rest of the activities. Inactivity for long periods of time can be uncomfortable, and the relief you aim to achieve can be jeopardized. Taking into account what I really need to rest in the day, the measurements, the angles, and the position of the furniture, made me rethink my priorities, often neglected, and inspired me to create a place where my rest is not get interfered with by worrying about constantly getting it. Rest should not only be physical, but also mental. Thus, more than a place, I have decided to call it a refuge, because that is what a person should feel when they want to take a break: I welcome, shelter, and the tranquility of being in a space where they can close their eyes, lower their guard, and just rest.
LUZ
+ 3.55 m.
The entry of light allows the space to be illuminated during the day.
ACCESO CERRADO
OSCURIDAD
In case you do not want direct light to rest, when sliding element 1, its passage is obstructed.
4
+ 2.25 m.
+ 1.80 m.
7:00 a.m. 3 + 0.45 m.
+/- 0.00 m.
SECTION 1
ALMACENAJE
2
1
ESCRITORIO
Unfolds from item 1 for everyday use. + 3.55 m.
ACCESO ABIERTO
Selected projects/ GABRIELA PALACIOS
A ladder is detached from the warehouse furniture to allow access to the work area without having to cross the rest area.
Sliding elements
+ 3.00 m.
12:00 p.m.
+ 2.25 m.
Fixed elements 1
2
+ 0.90 m.
3
4 + 0.45 m.
+/- 0.00 m.
SECTION 2 5:30 p.m.
05
VERTICAL 1
HORIZONTAL 1
Fragments
VERTICAL 2 3
2
2
3
4
Types of fragments
3 4
3
5 1
1
3
2
3
4
1
4
4
B
COOKING ZONE Food preparation. CORTE A-A’
REUNION
COOKING A
A’
REUNION ZONE Adjustable furniture.
B’
CORTE B-B’
AREA: 55 m2
NÚMERO DE PERSONAS:
RESTING SPACES:
CROP A
CROP
RESTING
A
CLEANLINESS
RESTING
CLEANLINESS
desk CORTE A-A’
bed resting
A’
closet
A’
COOKING
COOKING SMALL REUNION
COUPLE
SECOND FLOOR CLEANLINESS
AREA: 110 m2
desk
NUMBER OF PEOPLE:
RESTING SPACES:
REUNION
bunk bed
vanity
lavar
toilet resting changing room
FIRST FLOOR
A
DESCANSO 1
DESCANSO 2
ASEO
MATRIMONIAL
INDIVIDUAL
COMPLETO REDUCIDO
A
cocinar
COOKING
2 PERSONS
MEDIUM SIZED REUNION
table
shower drying
drying zone
resting
bed
washing
kitchen garden
vanity changing room
washer/ dryer ironing station
desk
toilet
CORTE A-A’ ASEO
closet
MEDIO
cooking
REUNIÓN
’A
FULL BATHROOM
1 PERSON
COOKING/ FOOD PREPARING
FIRST FLOOR
LAUNDRY
PERSONAL CLEANLINESS
RESTING
COOKING
MEDIANO
’A
BIG SIZED REUNION
SECOND FLOOR
AREA: 102 m2
PREPARACIÓN DE ALIMENTOS COCINAR
REUNION
RESTING SPACE:
NUMBER OF PEOPLE:
Selected projects/ GABRIELA PALACIOS
HALF BATH
kitchen garden
002 3
INDUSTRIAL AREAS OF LIMA
URBANISM SEMINAR
LOCATION: Lima, Peru
CLASS: Urbanism Seminar TERM: 2020-2, 9th semester TYPE: Academic project, group
It was chosen to analyze the industrial estate that forms along Av. Argentina for its centrality with respect to Lima. This centrality not only lies in its position in Lima Downtown but also in the connection it provides between two historic centers of La Punta, in Callao and Downtown Lima. The industry that currently sits along this avenue has large lots,
many of them destined for storage. Its strategic position made it one of the first industrial hubs to develop. However, its connection with Callao may currently present greater opportunities than being used for industrial land, perhaps being enabled for citizens and tourists.
06
Industrial area: Argentina Ave. Squares analysis Tracks
Tracks
21% ia Av Universitar
A
A
B
B
B Av. Materiales
B
B
A
Jirón Huancavelica
B
B
A
Av Un ive rsit ari a
Preexisting lots
vides Av Oscar R. Bena
man
cett
B
B
Dueñas
Leonardo Arrie ta
Av Elmer Fau
B
B
Elizalde
B
C
C
B
B
B
B
B
A
Av Nicolás
C
C
B
C
Av Argentina TA: 280.3 Ha ÁREA BRU
B
B
B
B
B
A
Av Argentina
Ricardo Tene
C
Industrial
B
C
C
C
A
B
B
C
B
C
A
A
A
A
A
A
A
B
Jr Antonio de
Av Argentina
Av Argentina
B
B
B
A
A
A
A
C
B
B
B
A
Preexisting grain
ica
Jirón Huancavel
B
A
Meiggs
A
A
A
A
A
A
A
B
C
C
C
C
C
B
B
B
C
C
C
C
C
B
B
B
Av Enrique
Built area
B
B
B
B
B
B
A
A
B
B
A
A
Built area
B
B
B
A
C
C
B
B
B
A
A
A
B
65%
79%
A
A
A
A
A
A
A
Meiggs
Dueñas
Meiggs
35%
Av Nicolás
Av Enrique
Av Enrique
PLOT CODE PREEXISTING
SQUARE CODE PROPOSALS 21 0m
Big plot
Big square Aprox: 3.2 He
A
Aprox: 5.1 He
Medium square Aprox: 2 He
C
Small square Aprox: 1 He
Aprox: 0.2 He
A
96 m
B
C
96 m
80 m
Small plot
B
14 5m
35 m
14 5m 17 5m
Aprox: 1.8 He
17 0m
24 5m
Medium plot
11 0m
18 0m
BEFORE ISOMETRIC GRAPH OF EXISTING GRAIN
AFTER ISOMETRIC GRAPH OF THE PROPOSED GRAIN
The existing urban grain featured large blocks, discontinuous streets, and even single-lot blocks allowed with blind walls.
On the other hand, the proposed grain is modulated around blocks classified into 2 types: A, B C, the largest being 3.2 Hectares.
Existing roads, with the exception of Av Argentina, had a small section, less than 20 m, representing 21% of the gross area, while the built, in this case industry, occupied 79%.
It seeks uniformity and control over the dimensions of the blocks, the continuity of the roads, achieving an area of roads that represents 35% of the gross area, while the built, 65%.
STREET SECTIONS
1 1
1
SECTION: AV. UNIVERSITARIA TRAMO ZAMORANO - CASTILLO
2
1
SECTION: AV. ARGENTINA TRAMO NICOLÁS DUEÑAS - RICARDO HERRERA
3
2
3
APROX. SECTION: AV ARGENTINA TRAMO CARCAMO - DUEÑAS 1 COMERCIO INDUSTRIA
INDUSTRIA
INDUSTRIA
INDUSTRIA
INDUSTRIA
Proposal: street grid
RÍO RÍM
AC
AC
RÍO RÍM
Industrial area’s interior
RÍO RÍM
AC
RÍO RÍM
AC
9
7
E MEIGGS
TRACK CODE
AV. ENRIQU
5
PUBLIC BUILDINGS CODE
4 21
AV. ENRIQUE
MEIGGS
24
AV. J. VELASCO
AV. MATE AV. INDUSTRIA
M ITA EV
Proposed main streets Proposed secondary streets
17
12
8
DUEÑAS
A AV. ARGENTIN
20 14
EMAN
GUILLERMO
DANSEY S
AV. BENAVIDE
cett
3
Av Elmer Fau
Train tracks
22
A
AV. ARGENTIN
RICARDO TREN
AV. NICOLAS
CARR. PANM. SUR
6
16 MAQUINARIAS
TO IEN
MAQUINARIAS
A
19
15
NTAS 13 LAS HERRAMIE
VÍA
S
M6 MAQUINARIAS
AV. ARGENTIN
11
10
L
AV. MINERALE
2
ARIA AV. UNIVERSIT
S
AV. MATERIALE
ALVARADO
M2
Preexisting secondary streets
RIALES
S
M2
AV. BENAVIDE
m
Bus stops
M
Metro stops
M2
Rivers/canals
COMMERCE
Neighbourhood shops Zonal commerce Metropolitan commerce SERVICIOS
Hospitals Schools
Selected projects/ GABRIELA PALACIOS
Preexisting main streets
23 18 1
07
Strategies
Phases of the proposal
Caracteristics and purpose
Caracteristics and purpose
1st level
In this sector located in the area delimited as an industrial zone of Av. Argentina, the road network is presented as an ordering and zoning grid from which the starting points of the proposal were worked. This has, without exception, a percentage destined to pedestrian traffic equivalent to that of vehicular traffic. The proposal is organized, in this
Activate the sector in a homogeneous way through the use of a multidirectional walkable mesh.
Recover
Prioritize
Reinvent
the public space lost in overcrowded blocks and minimal roads.
the human scale and foot traffic.
the urban fabric based on an ordering logic that respects hierarchies of use and according to the possibilities of the grid.
2nd level
Protect
Wake up
Decentralize
private zoning without alienating them
the sector’s activity
the uses and nuclei of activity
1
MAIN AXLES
2
COMMERCIAL AXLES
3
RESIDENTIAL AXLES
way, in two phases: the first, which focuses on organizing and classifying the previously proposed routes, and the information on both the hierarchy and the level of activity that they allow is used; and the second, which uses the parameters that it establishes for the zoning of the built and free areas within the blocks.
Selected projects/ GABRIELA PALACIOS
A AV. ARGENTIN
08
Proposal: zoning of sector COMMERCE PUBLIC EQUIPMENT PRIVATE EQUIPMENT COMMERCE Consolidated commerce 1st level commerce PUBLIC EQUIPMENT Hospitals / health centers Municipalities / public entities Library Public schools
PRIVATE EQUIPMENT Corporate buildings Teaching centers and schools Hotels / hostels HOUSING Residential complexes Residence with business in 1st level PUBLIC AREAS Áreas verdes Plazas/ alamedas
HOUSING
PUBLIC AREAS
Square’s proposal 2. 65 m
2. 65 m 2. 65 m
24 m
2. 65 m
2. 65 m
2. 65 m
2. 65 m
28 m 2. 65 m 26 m
88 m 13 m
17 m
100
20 m
31 m
17 m 25 m
87 m
130 m
26 m
20 m
100 m 130 m
127 m
130 m
96 m
140 m
Private equipment Residence Green areas Plazas Commerce Public equipment
Manzana típica Equipamiento público
Manzana típica Vivienda
Manzana típica Vivienda + Equipamiento público
Manzana típica Vivienda + Equipamiento público + Comercio
Selected projects/ GABRIELA PALACIOS
100 m
004
CONNECT-UR: 2 DE MAYO PLAZA REINVENTION LOCATION: Lima, Peru
CLASS: Architecture Studio VII TERM: 2019-2, 7th semester TYPE: Academic project, individual
ARCHITECTURE STUDIO A network of streets on different levels is proposed under the concept "connect to activate". In this, it is proposed to unite the pedestrian flow with the Plaza 2 de Mayo so that it has greater accessibility. In the area, the use of land destined for music predominates, whether they are workshops or the sale of instruments: of a musical nature. In order to increase accessibility to the square, it was decided to increase the width of the sidewalks of the streets, as well as the sidewalks near the oval and pedestrianize streets with low vehicular traffic that will end in squares that will have a program for children, youth and older adults as well as for people with disabilities. This first level has commerce.
Bridges will be added on a second level forming the musical route in which, in addition to the local user being present, it is proposed to add the visitor through a musical experience. The upper level of certain lots will feature cultural-musical workshops. On the second level there will be rooms with sound waves, this will be a musical journey in which all types of users can be part of an inclusive experience, such as deaf people through vibrations. These bridges are made of metallic structure, due to their lightness and structural resistance, they will be anchored towards abandoned private lots to avoid damaging the monumental buildings. In addition, the bridges will be covered with expanded mesh so as not to obstruct the views towards the square.
14
Proposal for the plaza Plaza 2 de mayo, Lima In the connection between the square and the block, the route of cars continues but with the necessary measures to protect and favor the pedestrian. With a change of floor, spring breakers and bollards, the square and the sidewalk unite without problem, reducing the speed of the car in the area but maintaining the continuity of vehicular traffic without harming the proposal for a safe pedestrian network that is set up throughout the place.
B-B PUNTO ACTIVO #1 - REMATE ZAMORA
3
GALLERIES. IN THE WAY OF MEZZANINES THAT EXHIBIT THE EXISTING NATIONAL MUSICAL GENRES, WITH A CULTURAL-PEDAGOGICAL AND ACTIVATING PURPOSE.
THIRD LEVEL
MUSIC GENRE MUSEUM
SECTION C-C - ROAD BUMP
A-A
THE CONNECTORS. MEETING SPACES TO ACTIVATE.
On the first level, there is the PEDESTRIAN on the street together with the SHOP, which act symbiotically and help each other to activate each other. On the second level you can see the CONNECTORS, bridges that cross between lots on the second level for workshops related to music and dance. The third level is a mezzanine and is used as a GALLERY of musical genres that allow tours.
CAMBIO DE PISO DE LA VÍA VEHICULAR
B-B
2
THE WORKSHOPS. MEETING SPACES TO ACTIVATE.
SECOND LEVEL WORKSHOPS
SECTION D-D - JR. MOQUEGUA CONCHA ACÚSTICA/ ANFITEATRO
1
THE FIRST LEVEL IS MAINTAINED FOR COMMERCE AND ITS INTERACTION WITH THE PEDESTRIAN, EQUIPMENT IS USED IN AUCTIONS TO GENERATE ACTIVATION POINTS THAT UNIFY THE PEDESTRIAN SECTIONS. ACTIVATION POINTS
FIRST LEVEL
PEDESTRIAL + COMMERCIAL LEVEL
PEDESTRIAN TRANSIT The Jr. Moquegua and Jr. Zamora roads are pedestrianized to generate a network connected to the plaza and the proposed active points, safe for everyone.
VEHICULAR TRANSIT The way in which traffic is organized around the square and the pedestrianized pathways. TRAFFIC DIRECTION
A-A
PEDESTRIAN VIEW
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PUNTO ACTIVO #2 - REMATE MOQUEGUA
15
Concept
AV. ALFONSO
UGARTE
Connect and activste
VERTICAL AND HORIZONTAL CONNECTIVITY
+
ESPACIOS DE PERMANENCIA PLAZA RAMÓN CASTILLA
PARQUE LAS MALVINAS
INDOOR AND OUTDOOR ACTIVATION, AT ALL LEVELS
PLAZA DE ARMAS
RED PEATONAL AV. BENAVIDES
PLAZA 2 DE MAYO
+
JR. MOQUEGUA BYPASS ALFONSO UGARTE
LEVERAGE EXISTING TRADE TO GENERATE SOCIAL INTERACTION AND ACTIVATE
+
PLAZA SAN MARTÍN
ZONA DE RECREACIÓN
JIRÓN DE LA UNIÓN POINT ACTIVATION IN COMMON
A connection is made with Jr. Moquegua and its extension and Jr. de la Unión for the pedestrian.
Spaces that serve as articulating points that unify the pedestrianized proposal throughout the entire network.
REMATE ZAMORA
Urban mesh that is proposed in order to connect and activate the square with the surrounding context, allowing activities that are committed to pedestrians and thus generate spaces that benefit each other and remain frequented and used by the community.
JR. MOQUEGUA
Areas that are activated with the use of the pedestrian network that communicate with each other by this means, which also serve as recreational and rest places.
Cross sections Proposal ACTIVE POINT / FINISHES
MONUMENT
CONNECTORS
MAIN BRIDGE
The ends of both pedestrianized roads serve as joints and places of rest.
Representative landmark of the square and the place, it seeks to enhance its value as an attraction point with the surrounding proposal.
Representative landmark of the square and the place, it seeks to enhance its value as an attraction point with the surrounding proposal.
It is the milestone of the project that marks the intention to connect the square with the surroundings, including what is proposed and what exists. It generates a flattering elevated view to appreciate the monument and, with the design of its latticework, it represents a door and entrance that alludes to the history of the square.
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CROSS SECTION A-A’
CROSS SECTION B-B’
REMATE MOQUEGUA ANFITEATRO PLAZA 2 DE MAYO CONECTADA A MANZANA
PROLONGACIÓN DE JR. MOQUEGUA JR. ZAMORA JR. DE LA UNIÓN
PLAZA SAN MARTÍN PLAZA DE ARMAS PARQUE ALAMEDA LAS MALVINAS PLAZA RAMÓN CASTILLA
INTERNATIONAL STUDENT - IUAV PROJECT
W.A.Ve. 2020 POST-COVID SCENARIOS I 06 - 24/07/2020 I Università Iuav di Venezia
FUNdaco: PLAYTHINGS TO ASSEMBLE AND DISASSEMBLE LOCATION: Campo dei Tolentini, Venice, Italy
CLASS: W.A.Ve 2020 (Workshop di Architettura Venezia), Universitá IUAV di Venezia PROFESSORS: Giancarlo Mazzanti + CLAB Architettura TERM: July 2020 TYPE: International student project, group
Fun-daco was born as a proposal to bring together inhabitants, tourists and passers-by within the historic city of Venice. By bringing life experiences back to the center, the tourist manages to discover a new Venice, far from the massively frequented places. Crosswords are created from stories in order to keep experiences alive and establish new interactions through play. The contribution given by tourists to the population can
001-I INTERNATIONAL STUDENT PROJECT
also be compared to this sharing of knowledge. In the same way, he will contribute to the creation of new crosswords, a sign of his passage in the lagoon city. The neighborhood, the inhabitants and the tourists are actively questioned about their experiences and ideas. This involvement makes it possible to rediscover and establish human bonds, the basis for the suppression of Venice.
17
Conceptualization internazionale
Campo dei Tolentini
TRASMETTERE CONFRONTARE
VENICE AS A LOCATION
SCOPRIRE INTEGRARE
The choice of Venice as a project location represents our virtual union, not only as a W.A.Ve, but also as a training center. Venice, in fact, is for us an essential component of our cultural and human growth. Campo dei Tolentini, in particular, is a place where each of us has lived experiences and met new people. At the same time, however, it is a place that we have been deprived of and we try to reclaim. Based on this pretense, our reflection is part of the experience of relationships in order to be able to encourage the social interactions of the community.
TEACH - LEARN -
PRE- PROJECT: STORYBOARD
Venice has long been confronted with flows of tourists. On the one hand, unsustainable tourism guarantees the survival of the inhabitants, but on the other, it destroys the city. Our reflection aims to integrate visitors within Venice in order to be able to propose a new tourist. Furthermore, thanks to greater interaction and integration, local citizens will also be able to expand their knowledge.
PLAY
TEACH & LEARN & PLAY.
transmit confront integrate discover
ABSTRACT
-
Selected projects/ GABRIELA PALACIOS
-
La scelta di Venezia come luogo di progetto, rappresenta la nostra unione virtuale, non solo come W.A.Ve, ma anche come centro di formazione. Venezia, infatti, è per noi una componente essenziale della nostra crescita sia culturale che umana. Campo dei Tolentini, in particolare, è un luogo in cui ognuno di noi ha vissuto delle esperienze e incontrato persone nuove. Allo stesso tempo, però, è un luogo di cui siamo stati privati e cerchiamo di riappropriarci. Sulla base di questa pre-
sociali della comunità. Fun-daco nasce come proposta per far incontrare abitanti, turisti e passanti all’interno della città storica di Venezia. Riportando al centro le esperienze di vita, il turista riesce a scoprire una nuova Venezia, lontana dai luoghi massivamente frequentati. A partire da storie vengono realizzati dei cruciverba in modo da mantenere vive le esperienze e instaurare nuove interazioni attraverso il gioco. A questa condivisione di conoscenze, è possibile accostare anche l’apporto dato dal turista alla popolazione. Allo stesso modo, egli contribuirà alla creazione di nuovi cruciverba, segno del suo passaggio nella città lagunare. Il quartiere, gli abitanti e i turisti vengono interpellati in maniera attiva sulle proprie esperienze e idee. Questo coinvolgimento permette di ritrovare e instaurare legami umani, base per la soppravvivenza di Venezia.
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LOCALS
ACTORS AND INTERACTIONS CHURCH GOERS
LOCAL WORKERS
TOLENTINI RESIDENTS
BAR OWNERS
YOUNG PEOPLE
ELDERLY
KIDS
YOUNG ADULTS TEENAGERS
BOAT DELIVERY WORKERS
PEOPLE PASSING BY
CUSTOMERS
FAMILIES
sone possibili grazie all’idea della “settimana enigmistica all’aperto”. cruciverba
TOURIST
BACKPACKERS
INDIRECT
FAMILY
LOCAL STUDENTS
TOURISTS
lettura periodici
co-lettura
“pass an
CAMPO DEI TOLENTINI
ti”
cali
nti lo
turisti
abita
ie quart
singolo
re
città
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INTERNTIONAL STUDENTS
STUDENTS ONE-DAY VISITORS
il gioco dell’impiccato
sport di gruppo
cinema
giochi da tavolo
zona di riposo
performances
conoscenze nuovi spazi
Campo dei Tolentini Università Iuav di Venezia
from the Noun Project
ONE-DAY VISITORS
FUN -DACO punto d’incontro
nuove consapevolezze
CAMPO DEI TOLENTINI
INTERNATIONAL STUDENTS
LARGE TOURIST GROUP
Il nostro obiettivo è riuscire a propiziare l’inte grazione attraendo il più largo numero di per
BALCONY PEOPLE
SEAGULLS
PEOPLE STAYING NEARBY
ADULTS
LARGE TOURIST GROUP
KIDS
DIRECT
PROPIZIARE
LOCALS
STUDENTS
Campo dei Tolentini is located in a particular position: in front of the Renaissance Tolentini Church and a few steps from the important "Tolentini" seat of the Iuav University. Furthermore, by analyzing the points of interest present within 500 meters (= 5 minutes on foot), we also add the Iuav headquarters in "Campo della Lana" and two of the main access points to the island: the S. Lucia and Piazzale Roma, the final point of arrival for trams and buses. The rest of the area is characterized by the typical Venetian organization: ground floor Venetian trade-organization:commercial ground floor and upper floors used for residential or tourism purposes.
19
Proposal: FUNdaco Campo dei Tolentini Our goal is to be able to propitiate integration by attracting the largest number of people possible thanks to the idea of the "open puzzle week”.
-
IL G
Il g l’un rie Abb util giu so stru
IL GIUNTO
CROSSWORD PUZZLE
PERIODICAL READING
CO-READING
Il giunto permette l’unione delle varie parti in legno. Abbiamo scelto di utilizzare lo stesso giunto e lo stesso materiale per struttura e mobili.
FOR THE UNIVESITY CAMPUS: FUTURE OF THE YOUTH IN VENICE
THE HANGMAN GAME
REST AREA
CINEMA
PERFORMANCES
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TABLE GAMES
GROUP SPORTS
We believe that young people, in this case represented by the INTERVENTI UNIVERSITARI Student Senate Organ of the Iuav University of Venice, can play PARASSITA Il ruolo dei giovani ri-attivazione di Venezia an active rolenella in the rebirth and integration ofIL the city into an international system. We have therefore chosen to promote Noi crediamo che i giovani, in questo caso rappresentati dall’Organo del SenatoConnettendo degli Studenti dell’ulo spazio d Venice an open place to the following niversità Iuavas di Venezia, possano and giocarelively un ruolo attivo nella according rinascita e nell’integrazione della città in con gli edifici circostanti IL P un sistema internazionale. Abbiamo quindi, di performances promuovere Venezia come(theater, luogo aperto e vivace initiatives: sharing ofscelto, books, do al lorodance, interno attraver secondo le seguenti iniziative: condivisione di libri, performance (teatro, danza, letture) e cinema. readings) cinema. In locale, thisè possibile way, avere the unFUN-DACO spacein facciata, ture esistenti Inoltre, integrandoand tali attività con la comunità coinvolgimento del quartiere in prima persona. In questo modo, loplace spazio FUN-DACO luogo accogliente anche per e alzare la Co a elderly ingrandire su becomes a welcoming even diventa for un lonely people anziani soli che, da un lato, possono condividere le loro avventure, e dall’altro possono venire aiutati due/tre who, on the one hand, can share their adventures, andlivelli. on the con dai più giovani nell’usare la tecnologia. La comunità viene così ri-attivata e arricchita con le nuove coLo spazio pubblico risulta, noscenze hand, dei turisti, can ora integrati in un processo reciproca condivisione. other be helped bydithe youngest in using technology. do tegrato con l’interno degl The community is thus re-activated and enriched. questo modo è possibile tur trare le vite dei turisti con a in gli abitanti locali. Queste nuove stanze pubb du no la funzione di nicchie p Lo coli, esposizioni, ristoranti te attività solitamente teg svol terra, ma che questa volt inalzate e disperse. qu
tra gli Qu no col te a ter ina
20 THE JOINT
The joint allows the union of the various wooden parts. We have chosen to use the same joint and the same material for the structure and furniture. THE SURROUNDINGS
By connecting the pitch space with the surrounding buildings and entering them through the existing openings in the façade, we are able to enlarge and raise the surface on two / three levels. IL GIUNTO
UNTO
Il giunto permette The public space is therefore integrated with the interior of the buildings. In this l’unione delle vaway it is possible to bring together the lives of tourists with those of local rie parti in legno. Abbiamo scelto di inhabitants. These new public rooms have the function of niches for shows, utilizzare lo stesso exhibitions, restaurants and bars - all activities usually carried out on the ground giunto e lo stesso materiale per floor, but which this time are raised and dispersed. struttura e mobili.
to permette ne delle varti in legno.IL PARASSITA mo scelto diConnettendo lo spazio del Campo con gli edifici circostanti ed entranare lo stessodo al loro interno attraverso le aperture esistenti in facciata, riusciamo e lo stes-a ingrandire e alzare la superficie su livelli. ateriale perdue/tre Lo spazio pubblico risulta, quindi, integrato con l’interno degli edifici. In ura e mobili. questo modo è possibile far incon-
Connettendo lo spazio del Campo con gli edifici circostanti ed entrando al loro interno attraverso le aperture esistenti in facciata, riusciamo a ingrandire e alzare la superficie su due/tre livelli. Lo spazio pubblico risulta, quindi, integrato con l’interno degli edifici. In questo modo è possibile far incontrare le vite dei turisti con quelle degli abitanti locali. Queste nuove stanze pubbliche hanno la funzione di nicchie per spettacoli, esposizioni, ristoranti e bar - tutte attività solitamente svolte al piano terra, ma che questa volta vengono inalzate e disperse.
Campo entranRASSITA e apersciamo ettendo lo icie su
Selected projects/ GABRIELA PALACIOS
Il giunto permette l’unione delle varie parti in legno. Abbiamo scelto di utilizzare lo stesso giunto e lo stesso materiale per struttura e mobili.
IL PARASSITA
trare le vite dei turisti con quelle degli abitanti locali. Queste nuove stanze pubbliche hanno la funzione di nicchie per spettacoli, esposizioni, ristoranti e bar - tutte attività solitamente svolte al piano terra, ma che questa volta vengono inalzate e disperse.
spazio del Campo gli edifici circostanti ed entranndi, inloroIn interno attraverso le aperifici. inconesistenti in facciata, riusciamo elle derandire e alzare la superficie su he rehanlivelli. spettaazio ar - tut-pubblico risulta, quindi, inl piano to con l’interno degli edifici. In ngono o modo è possibile far inconle vite dei turisti con quelle deitanti locali. te nuove stanze pubbliche hanfunzione di nicchie per spettaesposizioni, ristoranti e bar - tutività solitamente svolte al piano ma che questa volta vengono ate e disperse.
IL GIUNTO
IL GIUNTO Il giunto permette l’unione delle varie parti in legno. Abbiamo scelto di utilizzare lo stesso giunto e lo stesso materiale per struttura e mobili.
IL PARASSITA Connettendo lo spazio del Campo con gli edifici circostanti ed entrando al loro interno attraverso le aper-
Gabriela Palacios Villon University of Lima
gabriela.palacios_villon@hotmail.com 774 414-9073