Contributing Editors: Marc Baptiste, Dr. Ezra Kest, Gina Mari, Cheryl Woodcock
by GENLUX Magazine,™ LLC., All rights reserved. No part of this periodical may be reproduced in any form or by any means without prior written permission from GENLUX Magazine.
To advertise: contact Cecilia Moreno: Cecilia@genlux.com
by Marta Elena Vassilakis
Photo
MCQUEEN BY SEÁN MCGIRR
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THE SUMMER 2024 ISSUE THE FEATURES
28 34 42 52 62 72
DREAM MESSENGER
Louis Vuitton delivers dreams at the ’24 Paris Olympic+Paralympic Games.
GOLDEN RULE
Fine jewelry is the focus of this series of photos by photographer Mary Fix.
LIVIA’S MISSION
Model and actor Livia Pillman helps victims of human trafficking in Nepal.
UP ON THE ROOF
Our fashionable shoot takes place atop NYC’s eclectic Monarch Rootop.
SUIT YOURSELF!
We showcase some of the season’s trending suits—some with a twist.
SOME LIKE IT HOT!
Temps are on the rise. So is our
ONE OF THE BOYS!
Our Summer cover interview with The Boys actor Erin Moriarty.
OUR COVER: ERIN MORIARTY, STAR OF AMAZON PRIME’S THE BOYS, IN STELLA MCCARTNEY AND PLECAS JEWELRY
ALEXANDER MCQUEEN
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PHOTO: JAIME PAVON
MAGAZINE
STEPHEN KAMIFUJI CREATIVE DIRECTOR’S NOTE
One of the questions I often ask during our GENLUX interviews is,
“Who was your hero growing up?” For me, it was always the greatest baseball player of all time, Willie Mays. I once stood in line at a supermarket for three hours just to get his autograph on a baseball. Many years later, my young nephew, not realizing its value—or perhaps because he didn’t understand why it was in a silly glass case—took my autographed ball outside, played with it, and scuffed the signature right off. It took a minute before I could laugh about what happened— eventually, I did.
Last December, my high school buddy, Steve Fay, who heard this story, came over for Christmas dinner. In his hand, you guessed it, was a Willie Mays autographed baseball. Memories flooded back in, quickly reminding me how the indelible marks left by childhood heroes, like those left by childhood bullies, rarely fade from your heart.
This week, many fans, especially San Francisco Giants fans like myself, were saddened to hear of the passing of Willie Mays. He loved the game and his fans as much as we loved him. May his kind soul rest in peace.
Publisher / Editorial Director: Cecilia Moreno
Editor in Chief: Samia Arslane
Founder/Creative Director: Stephen Kamifuji
Executive Fashion Editor: Mindy Saad
Fashion Editor: Amanda Eliasch
Luxury Fashion Editor: Laura Dunn
Beauty Editor: Beau Dunn
Senior Market Editor: Jessie Ajluni
Our cover star is the radiant actor Erin Moriarty (Amazon Prime’s The Boys) whose childhood hero was Babsie—the Trinidadian babysitter whom Erin refers to as her third parent or second mom. Now in her 80s, Babsie is also currently Erin’s favorite person. On our cover, Erin is captured in a Stella McCartney pre-fall acid yellow look against the backdrop of Mark B. Barron’s historic Bel-Air residence. During our interview, Erin shared profoundly self-reflective thoughts on life, death, and bullying (One of The Boys, p84)
Philanthropy Editor: Catherine Williams
Garden Editor: Kelly Emberg
Color Director: Karoline Huber
Special Projects Director: Madeline Leonard
Financial Director: Marc Meshekow
Director Human Resources: Yolanda Garcia
Contributing Editors: Jessie Ajluni, Ninka B, Marc Baptiste, Dr. Ezra Kest, Gina Mari, Cheryl Woodcock
Stylist Lisa Smith Craig curated Erin’s looks with pieces from fashion’s other elite—Louis Vuitton, CHANEL, Dior, Alexander McQueen, Margiela, and Givenchy—ensuring every frame captured the essence of modern elegance. Marta Elena Vassilakis, acclaimed for her lensmanship, artfully brought Erin to life through her evocative photography. At the same time, makeup virtuoso Kate Synnott and hairstylist Virginie Pineda added their transformative touches. Kate also shared her play-by-play of how she applied Erin’s makeup (Her Secret Service, p108).
against the Beverly Hills skyline (Some Like it Hot, p72)
Hairstylist Robert Steinken and makeup artist Luis Casco, masters of their crafts, sculpted beauty with every stroke and strand.
Meanwhile, in NYC, veteran lensman Ron Contarsy, who invariably nails great locations, orchestrated a photo shoot with stylist Ursula Agurto and model Leah Brown atop the Monarch Rooftop on 35th, high on the 18th floor, nestled amidst the eclectic furnishings and vibrant atmosphere Roof, p52).
In the realm of fine jewelry, photographer Mary Fix and our senior market editor, Jessie Ajluni, curated an opulent gold spread featuring stunning models Liv Solo and Mily Reuter (Golden Rule, p34) . Jessie also covered fashion trends on our market pages (Suit Up! p102; Bold Shoulder, p104; and Rodeo Ready!, p105).
In Los Angeles, the studio artistry of Robert Lynden illuminates our pages with his mastery of light and lens. Model Sam Kiri, adorned in CHANEL, Dries Van Noten, and Armani, captured our attention with her frenetic movements ( Suiting Stars, p62). Stylist Joline Towers delivered the “suiting” trend alongside makeup artist Leibi Carias and hairstylist Robert Steinken, who elevated Sam’s allure with their skillful touch.
The multi-talented Robert Steinken also took on the dual roles of hairstylist and photographer, capturing the essence of Lisa Vossler-Smith, CEO of Modernism Week, in her element (Modernism Barbie, p22) . Lisa, a force in her own right, balances her stewardship of Modernism Week with an Instagram presence that marries Barbie doll whimsy with architectural icons. Meanwhile, model/actress/philanthropist Livia Pillman, celebrated for her advocacy on behalf of human trafficking, shared her story against the backdrop of Palm Springs’ Ocotillo Lodge (Livia’s Mission, p42). Another champion of helping victims of trafficking is the affable Simone Ispahani whose Social Brew coffee brand gives back a hefty 50% to the cause (Coffee for a Cause, p24).
In each story, behind every lens, and through every stroke of makeup or hair, there lies a love for the craft—a love that resonates in every page of GENLUX . I’m blessed to conduct this crazy good symphony of talent as it unfolds issue after issue.
To advertise: contact Cecilia Moreno: Cecilia@genlux.com
New York photographer Marc Baptiste orchestrated a spellbinding swimwear feature with gorgeous model Angelina Pirts,
A portion of the proceeds from every (PRODUCT)RED purchase goes to the Global Fund to fight
Modernism Barbie CULTUREGENLUX
ABOUT LISA VOSSLER-SMITH’S MAJOR AND MINOR OBSESSIONS.
—STEPHEN KAMIFUJI
FREEZING TIME:
LISA VOSSLER-SMITH HOLDING HER “OTHER” HUSBAND, KEN, AT THE HOME OF MICHAEL VON WITTENAU AND BOB BOGARD, OCOTILLO LODGE, PALM SPRINGS. RIGHT: A FEW OF LISA’S @TINYPALMSPRINGS INSTAGRAM PHOTOS.
Modernism Week, a carnival of architectural reverence, reached new heights this year when 130,000 rabid mid-century aficionados descended into the Palm Springs area—doubling the previous year’s numbers. The festival is a veritable Noah’s Ark of design enthusiasts from 18 different countries and all 50 states.
Orchestrating the festivities is CEO Lisa Vossler-Smith, who meticulously plans the eleven-day February schedule of over 350 events and another shorter four-day set in October. “We start planning the next event almost immediately after the current one ends,” Lisa shares. “It’s a continuous cycle, but it’s worth every moment when you see the joy it brings to people.”
Modernism Week isn’t just a parade of aesthetic indulgence; it’s a cash cow with a conscience. The event, a nonprofit since 2009, has become a lifeline for other nonprofits, sharing ticket revenues and ensuring mid-century modernism isn’t just preserved but also purposeful. What began with five partners, including the Palm Springs Art Museum and the Palm Springs Historical
Society, had blossomed into about 60 partnerships. “We share the proceeds with local nonprofits, primarily in the arts and architectural fields,” Lisa says. “It’s a beautiful way to give back to the community and support important cultural initiatives.”
Shifting gears to Lisa’s guilty pleasure is her Instagram project, @TinyPalmSprings , where she’s been photographing Barbie dolls in real-life settings around Palm Springs for nearly nine years, creating a soap opera of plastic perfection. This project, born from a collection of 200+ Barbies and Lisa’s access to midcentury architectural backgrounds, has become her creative lifeline, where she’s posted over 1800 photos.
“I’ve always loved Barbie,” she says, “but the two things didn’t combine for me until I was given a vintage Barbie collection.”
Her photos are a whimsical narrative of nostalgia and creativity, a playful counterbalance to the precise world of architectural preservation. “I love creating stories,” she says. “Each doll has a unique personality and backstory. It’s like directing a mini-movie, but the best part is I get to play with dolls in my 50s.”
After attending a talk on human trafficking awareness, Simone Ispahani felt a spark of passion ignite within her. “I realized this wasn’t just a distant issue; it was happening around us,” she recalls. This revelation sent her on a journey to India, where she collaborated with an organization dedicated to helping women break free from the chains of the sex trade. The experience was harrowing and transformative, cementing her commitment to being a part of the solution.
Back in her Hawaiian homeland, the seeds of Social Brew , her socially conscious coffee venture, began to sprout. Inspired by heartfelt conversations with her supportive and successful businessman father, Simone envisioned a company that was more than just a caffeine fix. “Coffee is a universal connector,” she muses. “I wanted to create a space where people could come together, share stories, and support a greater cause.”
The path to her dream was strewn with personal challenges. Diagnosed with Hashimoto’s disease, PCOS , a connective tissue disorder, and chronic pain, Simone’s resilience was tested daily. Yet, these trials only served to add to her empathy for others.
“It’s about transforming pain into purpose,” she says, her voice reflecting her unwavering resolve.
With its ethically-sourced Hawaiian coffee and delectable pancake mixes, Social Brew (socialbrew.us) quickly gained traction online and in select hotels with 50% of all profits helping to aid in the fight against human trafficking. But Simone’s vision extends far beyond this. In the next five years, she aspires to open brickand-mortar coffee shops, envisioned as sanctuaries for survivors of human trafficking. “I want these spaces to be more than just about coffee,” she explains. “They should be havens for healing and empowerment.”
G
C W FR O M T OP: SOCIAL BREW C REA TOR , S IMONE I SP A HAN I , W ITH SOCIAL BREW LOG O’D C OF F E E M UG; SIMONE S P ORTING HER SO C IAL BREW T -SHIRT, $24.99; COCONUT PANCAKE MIX (ALSO AVAILABLE IN MOCHI, GUAVA AND MACADAMIA NUT FLAVOR), $4.99-$5.99; HAWAIIAN BLEND COFFEE (ALSO AVAILABLE IN BEST DECAF, WAIALUA AND KONA SINGLE ORIGIN), $11.99-$41.99.
Fiercest of them All BOOKSGENLUX
ON NAOMI CAMPBELL’S LASTING INFLUENCE ON FASHION
—STEPHEN KAMIFUJI
Rizzoli’s latest coffee table tome: Naomi: In Fashion is a captivating exploration of the supermodel’s fourdecade-long career, celebrating her unparalleled influence in the fashion industry. The book, tied to this year’s Victoria and Albert Museum exhibition, meticulously chronicles Naomi Campbell’s groundbreaking journey from a young model to undisputed queen of the catwalk and global fashion icon.
PHOTOGRAPH
Campbell’s career is illustrated through a rich collection of photographs and essays, offering a comprehensive look at her work with the world’s most innovative designers, photographers, and stylists. The book highlights her pioneering role as a Black model, breaking barriers and redefining the standards of beauty and professionalism in fashion. It includes essays and interviews that delve into Campbell’s personal experiences and contributions, adding depth and context to her public persona.
The visual narrative is enhanced by photographs commissioned from the V&A Photographic Studio, capturing the intricate details of Campbell’s most iconic wardrobe looks. These images emphasize her ability to transform and captivate through fashion, showcasing the artistry and craftsmanship of the looks she has worn.
Naomi: In Fashion also underscores Campbell’s activism and support for equality in the industry. Her advocacy for emerging designers and her commitment to diversity are well-documented, portraying her as not just a model, but a powerful force for social change.
This book is an essential tribute to Naomi Campbell, offering both fans and newcomers an intimate look at her remarkable career and enduring impact on the fashion world.
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IN
NAOMI IN FASHION, NAOMI CAMPBELL RIZZOLI NEW YORK, 9 X 11 INCHES, 265 PAGES, $65, RIZZOLIUSA.COM
BOOK COVER PHOTO: BRITISH VOGUE, MARCH 2022.
BY STEVEN MEISEL
BELOW: CAMPBELL AGED 15
NEW ORLEANS, ELLE UK , AUGUST 1986. PHOTOGRAPH BY MARTIN BRADING
LEFT BELOW: NAOMI AT THE V&A TEXTILE CONSERVATION STUDIO, OCTOBER 2023. PHOTOGRAPH BY MARCO BAHLER
ATELIER CAREFULLY HAMMERS THE FINISHING TOUCHES ON LOUIS VUITTON AMERICA’S CUP TROPHY TRUNK
TO THE VICTORS
ARTISAN AT THE ASNIÈRES
PHOTOS COURTESY OF LOUIS VUITTON
Trunks of Victory
LOUIS VUITTON’S TROPHY TRUNKS— THE BESPOKE SILENT SENTINELS OF VICTORY AT ICONIC SPORTING EVENTS—DELIVER THE GOODS TO THE PARIS 2024 OLYMPIC AND PARALYMPIC GAMES
by Stephen Kamifuji
ABOVE : THE LOUIS VUITTON MEDALS TRUNK FOR THE PARIS 2024 OLYMPIC AND PARALYMPIC GAMES, IN FRONT OF THE ARC DE TRIOMPHE.
LOUIS VUITTON ASNI ÈRES ATELIER; BELOW: ARTISANS METICULOUSLY CRAFT THE BESPOKE
LOUIS VUITTON VICTORY TRUNKS.
Paris is buzzing with anticipation as it prepares for sport’s grandest spectacle. In a workshop just outside the city, Louis Vuitton artisans add the final touches to the silent sentinels carrying the medals and torches for the 2024 Summer Olympics.
The Asnières atelier, established in 1859, is where Louis Vuitton travel trunks are made. This storied workshop combines tradition and innovation, with craftsmen using precision tools, fine leather, and the whispers of secrets handed down through generations to create each masterpiece. The results of their craft will be the bespoke 2024 Paris Olympic and Paralympic Medals and Torches Trunks—each created mindful of Louis Vuitton, the man himself, who began as a layetier-emballeur, a professional packer and case maker, before establishing his Maison. His guiding principle was simple yet profound: understand an object thoroughly before crafting the perfect custom trunk to protect it. This philosophy continues to guide the team at Asnières, where each trunk is a testament to meticulous craftsmanship and timeless elegance.
The Medals Trunks are covered in the iconic Monogram canvas and feature brass corners and closures. They are inspired by the Malle Coiffeuse and designed to hold 468 medals. The interior is lined with black leather and subtly adorned with the Olympic and Paralympic Games Paris 2024 logos.
Nearby, the Olympics Torches Trunks are created with circular sockets and soft black leather lining to cradle the torches. The exte-
rior, covered in Damier canvas, is a nod to Louis Vuitton’s historic 1895 hat case. Each trunk seamlessly transforms from a protective case to an elegant presentation display for the torches, which were designed by the renowned French designer Mathieu Lehanneur.
The torches arrive in Marseille from Olympia, Greece, and Stoke Mandeville in the UK. Over 11,000 torchbearers will carry them across France. The Louis Vuitton trunks will transport them, embodying the phrase “Victory Travels in Louis Vuitton.”
As the Games commence, Louis Vuitton trunks will carry not only medals and torches but also the aspirations of all Olympic athletes, serving as a reminder that the journey that drives them are as significant as the victories themselves.
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PHOTOS COURTESY OF LOUIS VUITTON
DRAWING UPON LOUIS VUITTON’S 170 YEARS OF SAVOIR-FAIRE IN THE ART OF TRAVEL, THE LOUIS VUITTON TORCHES TRUNKS ELEGANTLY PROTECT AND DISPLAY THE PARIS 2024 OLYMPIC AND PARALYMPIC TORCHES WHICH WILL TRAVEL ACROSS FRANCE IN THE LEAD UP TO THE OLYMPIC & PARALYMPIC GAMES PARIS ‘24.
For 35 years, Louis Vuitton trophy trunks have cradled the accolades of champions in the F1 Grand Prix de Monaco, the America’s Cup, the FIFA World Cup, the NBA, the Rugby World Cup, and the Davis Cup. The trunks tell a story of achievement, crafted with the same dedication and attention to detail that defines the Louis Vuitton ethos of excellence.
CLOCKWISE FROM ABOVE: THE AMERICA’S CUP RACE TROPHY AND LOUIS VUITTON TROPHY TRUNK; LOUIS VUITTON CUP; 2017 AMERICA’S CUP WINNERS ON VICTORY STAND; CHARLES LECLERC HOISTS 2024 FORMULA 1 GRAND PRIX DE MONACO
TROPHY NEXT TO LOUIS VUITTON VICTORY TRUNK.
PHOTOS COURTESY OF LOUIS VUITTON
To celebrate the achievement of style in sports, Louis Vuitton introduced four new Olympian brand ambassadors: 1. Léon Marchand, the swimmer; 2. Enzo Lefort, the fencer; 3. Antoine Dupont, the rugby player; and 4. Timothée Adolphe, the Paralympic sprinter—athletes who embody the spirit of Louis Vuitton, blending excellence, dedication, and timeless style.
ON MILY:
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JEWELRY, OMBRE BLOSSOM XL HOOPS PINK GOLD AND DIAMONDS, $11,800; OMBRE BLOSSOM PENDANT PINK GOLD AND DIAMONDS, $4800; LV VOLT MULTI RING YELLOW GOLD, $4250, SELECT LOUIS VUITTON STORES, OR LOUISVUITTON.COM
PRASI DOIS IRMÃOS 18K PINK GOLD, WHITE GOLD AND DIAMONDS RING, $14,600, [BROKENENGLISH JEWELRY.COM] OR GOOP.COM
Golden Rule
WE KEEP IT REAL WITH THESE
PHOTOGRAPHER & VIDEO DIRECTOR: MARY FIX @MARYFIX FASHION STYLIST/EDITOR: JESSIE AJLUNI @JESSIEAJLUNISTYLING
DIRECTOR OF PHOTOGRAPHY: MATTHEW HAYES WITH SUPERVISION @MATTHEWHAYESIII
PRODUCTION: PAN UP PRODUCTIONS @PANUPPRODUCTIONS @ROBRAVENSCROFT MAKEUP: TIFFANY PATTON AT PARADIS @TIFFANYLEIGHPATTON
HAIR: JULI AKANEYA USING ORIBE @JULIAKANEYA MANICURE: DOHEE BAHN @SPEAKEASYNAILS_
MODELS: LIV SOLO AT WOMEN 360 @LIVSOLO AND MILY REUTER AT SUPREME @MILYREUTER 1ST AC: ELIZA KAMERLING-BROWN
RETOUCHER: ADRIAN BRANDES @ADRIANBRANDESPOST
GENLUX CREATIVE DIRECTOR: STEPHEN KAMIFUJI @GENLUX
CHANEL MÉTIERS D’ART
2023/24 LOOK 72, PRICE UPON REQUEST, CHANEL HIGH JEWELRY, COCO CRUSH TOY ET MOI RING,QUILTED MOTIF, LARGE VERSION, 18K WHITE AND BEIGE GOLD, DIAMONDS, $5450; COCO CRUSH QUILTED MOTIF, MINI VERSION, 18K WHITE GOLD RING, $1700; COCO CRUSH QUILTED MOTIF, LARGE VERSION, 18K WHITE GOLD, DIAMONDS RING, $9850; COCO CRUSH QUILTED MOTIF, SMALL VERSION, 18K GOLD, DIAMONDS RING, $5300; COCO CRUSH QUILTED MOTIF 18K GOLD EARRINGS, $3900; COCO CRUSH QUILTED MOTIF, 18K WHITE GOLD, DIAMONDS EARRINGS, $6700; COCO CRUSH QUILTED MOTIF, LARGE VERSION, 18K GOLD DIAMOND RING, $9200; COCO CRUSH TWO-FINGER QUILTED MOTIF, 18K GOLD DIAMONDS RING,, $8450; COCO CRUSH QUILTED MOTIF, SMALL VERSION, 18K WHITE GOLD RING, $3000; COCO CRUSH QUILTED MOTIF, MINI VERSION, 18K GOLD, DIAMONDS RING, $4000; COCO CRUSH RING QUILTED MOTIF, MINI VERSION, 18K GOLD, $1600; SELECT CHANEL BOUTIQUES NATIONWIDE, 800-550-0005
CHANEL HIGH JEWELRY, COCO CRUSH QUILTED MOTIF 18K WHITE GOLD DIAMONDS EARRINGS, $6700; COCO CRUSH QUILTED MOTIF 18K WHITE GOLD DIAMONDS BRACELET, $13,500; SELECT CHANEL BOUTIQUES NATIONWIDE, 800-550-0005 VAN CLEEF & ARPELS, ‘PERLÉE DIAMONDS PAVÉ’ DIAMONDS SET IN 18K WHITE GOLD RING, $25,000; ‘PERLÉE DIAMONDS’ FEATURING DIAMONDS SET IN 18K WHITE GOLD RING, $11,900, VAN CLEEF & ARPELS OR VANCLEEFARPELS.COM. DENA KEMP 18K WHITE GOLD ROUND DIAMOND CUFF BRACELET, $78,000, DENAKEMPJEWELRY.COM
MINDI MOND NEW YORK, PLATINUM DIAMOND BAGUETTE WAVE BROOCH, PRICE UPON REQUEST, TO INQUIRE FOR PIECES EMAIL INFO@MINDIMONDNY.COM
WHEN ACTRESS AND MODEL LIVIA PILLMAN VISITED NEPAL, SHE DISCOVERED THE COUNTRY’S DARK SIDE WHEN SHE MET VICTIMS OF HUMAN TRAFFICKING—SHE ALSO VOWED TO RETURN WITH LIGHT AND HEALING. LIKE A SUPERHERO, IT’S A PROMISE LIVIA’S KEEPING.
PHOTOGRAPHER: ROBERT STEINKEN @ROBERTSTEINKEN MAKEUP: BETHANY KARLYN / OPUS BEAUTY USING SHISEIDO BEAUTY @BETHANYKARLYN HAIR STYLIST: ROBERT STEINKEN / CELESTINEAGENCY.COM / @ROBERTSTEINKENHAIR
LOCATION: SPECIAL THANKS MICHAEL VON WITTENAU AND BOB BOGARD AT THE OCOTILLO LODGE, PALM SPRINGS
GENLUX CREATIVE DIRECTOR: STEPHEN KAMIFUJI @GENLUX
MISSONI SHORT COVER UP, $1120; MISSONI TROUSER, $679, SAKS FIFTH AVENUE, BEVERLY HILLS, 310-275-4211
Between Livia Pillman ’s photo shoots, producing movies, modeling, and acting roles ( The Contract, starring Eric Roberts, is set to come out soon), her philanthropic mission is to alter the course of the lives of young Nepalese women shattered by human traffi cking and both physical and emotional abuse. Sleep be damned, this multitasker is not without a plan. Here, during our GENLUX Two-Word interview, Livia sheds light on how she’s using her talents to help others. —SK
Your GPS? I’m on a treadmill at Cure Daily, a gym in Malibu.
You’re wearing? Bright pink Puma tennis shoes, bright pink shorts, and a white tank top. Who’s Livia? In five words, I’m fun, lively, persistent, driven, and passionate.
Your childhood? I grew up in the middle of nowhere, in a small village in Hungary. I had a very calm, ideal childhood. I played soccer on the street with the other kids. I grew up eating homegrown vegetables. We had a forest near my house, so I would go for a run or ride my bike for exercise. I was always very active. I liked to try new things and always ended up beaten up, or I’d climb on trees with my friends, and I’d come home bleeding. I was very adventurous, for sure. My friends and I collected frogs. I was the extrovert of my family, always dancing and having fun. I would put on makeup and sing and dance for my family.
Your sibling? I grew up with my sister, who was very calm and normal.
Childhood bullying? Oh, my God, yes! So, in elementary school, I was very skinny and had a deep voice, so they teased me like, ‘Oh, are you sure you’re not a boy? I think she’s a boy.’ They nicknamed me wood slab because I was thin and flat like a stick. That was my not-so-funny nickname. Also, my singing teacher told me I should just sing with the boys because of my deep voice. It was very hurtful.
Childhood heroes? I was in love with Britney Spears, so I had her posters all over my walls, and I’d perform her songs. But then, right after that, I had a punk rock era, and I had Green Days posters on my wall. I always
loved music and played the piano and flute in elementary school.
Model break? So it was a very classic story. I was shopping with my sister in Budapest, the capital. Some woman handed me her card at the train station and said, if you wanna be a model, call me. That was the fifth time I got a card and kept saying no. I checked out her agency, and they were legit, so I called her and said, okay, I would like to meet. I was only 15 years old. I returned to my village and told my mom and dad I had an appointment in Budapest. So they were like, what? Well, okay, just take your sister. The agency offered me a three-year contract on the spot. I was skinny, wearing braces and glasses, so I didn’t think I looked like a model, but my agent saw the potential.
Best trait? My friends might say I’m very caring and loyal.
DNA change? I need to remember to fill my own cup before others. If I’m depleted, I can’t successfully
Your superpower? I’m a multitasker. I can go full out without sleep to achieve my goals.
Film awards? I wrote, produced, acted, and directed a short action drama film called The End. I received the Best Actress Award at the Madrid International Short Film Festival and the Best Rising Star Award at the Capri Hollywood Film Festival.
it to other countries and other refugee locations to give people a tool to help cope with the trauma and stress.
First shoot? I remember my first modeling shoot. Because of my braces, I always had to keep my mouth shut. My agent kept asking when they were taking off your braces. Three months passed until I got them off, and they immediately sent me to Paris. I was 16. I was with Women, an excellent agency.
Major blessing? I was raised with very humble beginnings. My mom and dad were simple and hardworking, and they taught me to work hard for what I wanted. So I’m blessed to know how much the little things matter— like being with your loved ones and being happy and healthy.
Binge watching? I watched the whole season of Mary and George on HULU in three nights.
Favorite getaway? I love Italy, it’s where I go to refuel my cultural tank.
Charity work? I’m the ambassador of a nonprofit called Protection for Kids, which helps children who are victims of human trafficking. I went on a humanitarian mission to Nepal—a life-changing experience. It was a beautiful experience that opened my heart. My personal mission is to inspire and empower young girls who are victims of human trafficking and abuse not to give up and continue fighting. I connected with these young girls and taught them Access Bars, a relaxation technique that helps relieve stress and anxiety. These young girls are like warriors. Our interaction through Protection for Kids inspired me to film a documentary about their plight.
Access bars? It’s a relaxation technique developed over 30 years ago that gives a sense of peace. You have these “bars” on your head; lightly touching these 32 points relaxes your nervous system, releasing thoughts, feelings, and emotions. I became a teacher to share this with the young girls in Nepal. We are exploring possibilities to bring
Nepal’s challenges? Many people go to Nepal for the spirituality and the beautiful Himalayas, but Nepal also has a dark side. So basically, girls in Nepal get married at a very young age, like 13 or 14, and then they drop out of school. They don’t have an education, often don’t know their rights, and girls are undervalued, so abuse and exploitation are common. Many young girls are forced to work at massage parlors— brothels, really—where there’s no way out. Protection for Kids educates them, teaches them a skill, and helps with books and money to give them a way out of their dire situation.
Success story? There’s this bright Nepalese girl who’d been abused and ended up in a shelter asking for help. She didn’t have support from family or friends and didn’t have money, so the shelter took her in. It’s a happy ending because she’s been with the shelter for almost a year and returned to school. They are paying for her education, and she also learned to bake as a craft. So now she works at a bakery, earns a living and is being independent.
Next project? Making a documentary to help raise awareness of the human trafficking problem and to raise money to build schools and housing for girls on the road to self-sustainability. I would also like to work with children in other parts of the world. 5-year plan? I see myself in LA, making movies and have my own charity organization to help build schools. I see myself as more developed than I am right now, maybe 10x more.
Up on the Roof.
WE SLIP AWAY TO NYC’S ECLECTIC MONARCH ROOFTOP FOR SOME SUN AND SUMMERTIME COCKTAILS
PHOTOGRAPHER: RON CONTARSY @CONTARSY1 FOR @HIGHMARKSTUDIOS
MODEL: LEAH BROWN / MUSENYC.COM @LEAH.DENAE
STYLIST: URSULA AGURTO @UMA.FASHIONEDITOR
HAIR: STEFANIE ANNALIESE @STEFANIANNALIESE
MAKEUP: JAS DOYLE @JASDOYLEMAKEUPPHOTO ASSISTANT AND VIDEO: JOSEPH PARKS @PARKSINMOTION
MANICURIST: JAZZ STYLE @JAZZSTYLE
PHOTO ASSISTANT AND VIDEO: JOSEPH PARKS @PARKSINMOTION
SECOND ASSISTANT: DAVION COTTRELL @PROJETEKDAV
GENLUX CREATIVE DIRECTOR: STEPHEN KAMIFUJI @GENLUX
LOCATION: MONARCH ROOFTOP @MONARCHNYC
52 GENLUX SUMMER 2024
LOUIS VUITTON CUT-OUT BUSTIER
ONE-PIECE SWIMSUIT, $1020, SELECT LOUIS VUITTON STORES, 866-VUITTON, LOUISVUITTON.COM
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YOU MAY KNOW ACTOR ERIN MORIARTY AS THE SUPERHERO STARLIGHT IN AMAZON PRIME’S THE BOYS—THE ROLE THAT CATAPULTED HER TO FAME. IN REAL LIFE, AS OUR STEPHEN KAMIFUJI DISCOVERS, SHE’S PROFOUNDLY SELF-REFLECTIVE, ELOQUENT, AND BRIMMING WITH DOWN-TO-EARTH CHARM.
NAIL TECH: AMBER STUDER / @POLISHEDBYAMBER
STYLIST ASSISTANT: ESSENCE CARSON
PHOTO ASSISTANTS: PATRICK KIM @PATRICKKIMSTUDIO
GENLUX CREATIVE DIRECTOR: STEPHEN KAMIFUJI @GENLUX
In Hollywood, where dreams are spun from stardust and occasionally shattered like fragile porcelain, Erin Moriarty’s four-season (so far) starring role as Annie January/Starlight on the hit series The Boys cemented her standing as one of Hollywood’s top young stars. Navigating the complex terrain of fame, she’s an enigmatic blend of down-to-earth charm and ethereal presence.
Fresh from a whirlwind 72-hour trip to Toronto, Erin jumps on our call from her LA home, just finishing a walk with her two dogs, George and Ziggy. “It’s a luxury problem to have, traveling so much,” she laughs, her voice hinting at the fatigue that only constant travel can bring. “But it’s such a luxury to wake up, take my dogs out, and settle into a routine, even if just for a few weeks.” Her ability to transform exhaustion into gratitude is a testament to her resilience, hinting at a potential political future where such nimble rephrasing could be a real asset.
Last week, for this cover photoshoot for GENLUX, we met Erin at the stunning Bel-Air home of Mark Barron—an architectural gem designed by Paul Williams. “Oh my God, the outfits, the house, everything was so amazing,” she beams. “Each look felt like I was playing a different character, someone I’d want to dress as every day.” Her favorite was the yellow Stella McCartney look that made our cover. “Also, I’m a comfort girl, and the Givenchy pieces combined aesthetic brilliance with comfort. If something can be beautiful without sacrificing comfort, that’s a win for me.”
When invited to describe herself in six words, she pauses and offers, “Sarcastic, critical, curious, adventurous, driven, and anxious.” Her adventurous spirit, driven by a deep-seated curiosity instilled by her parents, is unmistakable. “They made travel a priority, and that has shaped my perspective significantly. My mom is nearing 70 and planning scuba diving trips with sharks and getting tattoos. She’s always been about living life to the fullest.”
bullied if you tried to stick out, or if, for some reason, something in your life made you stand out. They projected that you were going to put yourself on a pedestal, and they’d rip you down. It was this weird dynamic where I remember just trying desperately to be cookie-cutter and fit in. It was clear that you neeeded to remain humble and selfeffacing and compensate in the opposite direction; so circumstantially, having red hair or being in Soap Opera Digest was social suicide.”
Despite these challenges, Erin never wavered in her pursuit of acting. “I think the bullying made me more resilient. It taught me to stay true to myself even when others don’t understand,” she reflects. “And it also made me more empathetic, because I know how it feels to be judged unfairly.”
Erin’s kaleidoscope of diverse influences helped mold her. Her father, who worked in hospice care, provided her with a unique outlook on life. “He has a fascinating perspective on death, which is not diminishing but almost clinical,” she says. “My dad would visit people at their homes who had six months or less to live. I would go with him after school to visit some of his patients. He worked in hospice during the AIDS pandemic. He’s seen it all. So his relationship with death is not bleak but rather realistic and calm.”
“I THINK THE BULLYING MADE ME MORE RESILIENT. IT TAUGHT ME TO STAY TRUE TO MYSELF EVEN WHEN OTHERS DON’T UNDERSTAND. AND IT ALSO MADE ME MORE EMPATHETIC, BECAUSE I KNOW HOW IT FEELS TO BE JUDGED UNFAIRLY.”
Reflecting on these close-to-death experiences, Erin continues, “It didn’t make me afraid. I mean, of course, I don’t have the relationship with death that my dad does. But one thing I remember was visiting a patient with dementia. I was probably around 10. This older woman was in a diaper. She grabbed my hand and waved it back and forth, just like a baby. And I remember thinking, we start in diapers, and we end in diapers. And I said to my dad that if you had told me she was a baby, I would’ve believed she was Benjamin Button because she behaved just like one. And something about that, I still haven’t metabolized into what cohesive and poignant thought there is. I don’t think it’s bad to ever observe things that remind you that life is very ephemeral— because it keeps you from taking things for granted.”
Erin was born and raised in New York , attended private school, and her first job was playing Annie in an off-Broadway production. “I was 11 when I booked Annie. My mom insisted I dye my hair red for the role. Her argument was that if you want to be an actress, you need to commit fully,” she recalls. “And to be clear, she’s not a stage mom. I didn’t want to because I just knew they would make fun of me at school. The first day I showed up with red hair, you’d think maybe they would judge the context, but they didn’t ’cause they’re kids. Like we all look at things from such a reductive perspective. Anyway, that was just the first string of awful moments I experienced.
Like a round peg in a square hole, Erin didn’t fit her school. “Funnily enough, I had chosen acting, where my school was great, but very academic. No one was in the creative arts. You would get so
Thinking about the happiest moment of her life, Erin shares a simple yet profound memory from season one of The Boys. “It almost makes me ashamed to admit it because it feels like it’s wrapped in work more than family, and it wasn’t a moment when I graduated or got a big job. It was a time when I was jumping from one project to another, and I was so hungry for consistent work that I remember writing in a notebook that I really wanted to book a job where I could really sink my teeth into a character for a consistent amount of time because I missed theater and doing something for an uninterrupted spell. It was a gorgeous summer evening, and I was on a bus to meet my cast members, who had started to feel like family. It was one of those pure moments of happiness where everything felt aligned and flowing. And I remember thinking, take this moment in and really sit with it and don’t take
“I
REMEMBER VISITING A PATIENT WITH DEMENTIA. I WAS PROBABLY AROUND 10. THIS OLDER WOMAN WAS IN A DIAPER. SHE GRABBED MY HAND AND WAVED IT BACK AND FORTH, JUST LIKE A BABY. AND I REMEMBER THINKING, WE START IN DIAPERS, AND WE END IN DIAPERS.
I REMEMBER THINKING, TAKE THIS MOMENT IN AND REALLY SIT WITH IT AND DON’T TAKE IT FOR GRANTED BECAUSE THERE ARE SO FEW MOMENTS IN LIFE WHERE YOU FEEL SUCH A PURE FORM OF HAPPINESS.”
it for granted because there are so few moments in life where you feel such a pure form of happiness that nothing is getting in the way of it.”
Erin attributes her empathy, a trait she holds dear, to her parents’ involvement in mental health. “They encouraged me to seek out therapeutic modalities for self-improvement. Life’s about understanding people and finding compassion. Empathy is ultimately one of my strongest traits that allows for some really beautiful connections.”
Yet, like anyone, Erin encounters internal struggles. “No matter how much therapy I go to or how many ways I try and dive into my own psyche, the biggest hurdle that I’ve experienced is gripping the wheel too tightly with making sure everything that I do is the “correct choice.” Because I’m really good at advising others, especially my friends, on the fact that perfectionism is a futile pursuit—your intentions are what matter—and you need to be easier on yourself. And that’s gonna be the way out of this constant cyclical battle with trying to do the right thing versus just trusting that you are. I rely too much on external opinions instead of intrinsically defining myself. As a result, that can put you in this nonstop cycle of self-criticism that’s not productive. Ironically, it makes you lose your grip of the wheel because you’re tightening it so much that your hands almost become numb—so you steer yourself off course. I’ve started to loosen that grip and try and trust that my intentions will carry me through. And then, if others judge that in a way that I’m not aligned with, then you can just let that go because you can’t show up for the people who don’t know who you are.”
Erin claims her real-life superpower is her ability to influence those around her to get multiple ear piercings (she currently sports 13). “This is crazy, but if there are any women around me, they will leave our friendship with more piercings than they entered into it. But the thing that I love about piercings is that you take this trend that used to be deemed as like an impulsive thing that you would do at midnight when you were drunk and make it an art.”
Erin’s heroes are deeply personal: her Trinidadian babysitter, Babsie, her resilient father, and her adventurous mother. “Babsie taught me that adversity breeds a calm acceptance of life’s challenges, and my parents showed me how to approach life with curiosity and a sense of adventure.”
Babsie immigrated to the States before Erin was born. “She was my third parent and an amazing person. I remember talking to her about something that had happened—maybe one of our pets had gotten really sick or a distant family member had passed— and I was really upset about it. She looked at me and said, ‘Well, yeah, that’s life.’ It didn’t feel dismissive; it felt profound.”
As for Erin’s guilty pleasure, her siren song for
chocolate cake is indisputable: “Sugar! I need to have dessert every day. And I’m not saying excessively; I’m saying like if I don’t have a little bit of something every night, then it’s like I’m gonna starve the monster who’s eventually gonna make up for it. I went through my dark chocolate phase, which everyone goes through in LA because that’s the sugar we’re told is the best version for us. This is also very LA of me, but I try to find the cleaner version of whatever I love. So I’ll go to like Whole Foods and I’ll buy—this is so funny—some type of cookie or baked good or brownie in bulk. And then I’ll freeze the rest and I’ll have a little bit every night because that to me is like the most satisfying moment of my day. Can’t live without it. I’ve tried. And so I give into it. So every day my guilty pleasure would be dessert.”
Sugar aside, her heart’s sweet spot is for animals, and charity work for animal causes is another area where Erin channels her empathy. “Having dogs provides levity and purpose every day. I’ve found that focusing on a few areas I’m genuinely passionate about makes the biggest impact,” she explains. “Best Friends Animal Society in Los Angeles is one of my favorites. I’ve always been obsessed with animals, and working with abandoned kittens is both challenging and incredibly fulfilling.”
When discussing her favorite roles, Erin lights up. “Starlight in The Boys has been such a rewarding experience. The show tackles complex themes with a sense of humor, and it’s incredible to be part of that.” Despite the intense emotional gravity of her roles, Erin finds joy in the challenge. “I immerse myself in my characters completely. It’s about understanding their motivations and emotions on a deep level.”
Beyond her professional achievements, Erin values her personal relationships and the support system they provide. Her close-knit circle of friends and family keeps her grounded. “Staying connected to my roots is essential,” she reveals. “It reminds me of where I come from and keeps me anchored amidst the chaos of this industry.”
Reflecting on her career, Erin is candid about the challenges she faces. “The pressure to be perfect and the scrutiny that comes with fame can be overwhelming,” she admits. “But I’m learning to trust my intentions and let go of self-criticism.”
Her future aspirations are an amalgam of professional ambition and personal fulfillment. “In five years, I hope to have a life that allows for creative catharsis and personal consistency. I’d love to explore more diverse roles and perhaps step behind the camera,” she reveals. “But more importantly, it’s about having the freedom to choose and the balance between work and personal life. And honestly,” she adds, “if I can get through a photoshoot with horsehair boots and not trip over my own feet, I think I can handle just about anything.” G
“THE PRESSURE TO BE PERFECT AND THE SCRUTINY THAT COMES WITH FAME CAN BE OVERWHELMING, BUT I’M LEARNING TO TRUST MY INTENTIONS AND LET GO OF SELFCRITICISM.”
MAISON MARGIELA
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white sequins... shopping bag. Need I say more? It's in my shopping cart.... $7600, chanel.com
BY LAURA DUNN LUXURY DIRECTOR
THE LITTLE WHITE (KIM) DRESS
Summer 2024 brings us the story of
THE WHITE ROMANCE DRESS
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What better for Summer 2024 than the white Dolce Gabbana terrycloth "KIM" dress? It's a cotton/silk blend, molded cup, a paneled bodice with a wide shoulder strap, and the ability to pair it with an extra-long satin glove, which makes it my absolute favorite LWD for this summer 2024 season! $1995, farfetch.com
THE PERFECT WHITE ACCOUTREMENT
This beautiful and elegant piece by Marina J is the perfect choker for Summer 2024. This 13.5" long necklace is made using 3mm and 6mm cultured pearls all woven together into a fine lace design and finished off with a white gold stamped sliding clasp. Perfect for those summer evenings when you want to dress to the whites! $2100, marinaj.com
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Suit Up!
This summer’s sleekest trend is borrowing from the boys, from classic tweeds to sophisticated suiting these styles are sure to impress. —Jessie Ajluni
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BEAUTY SKINCARE
Three Best Sunblocks
As the saying goes, “Sunshine is the best medicine.” The sun, indeed, has a multitude of benefits for our well-being, such as boosting Vitamin D levels, enhancing our mood by releasing serotonin, strengthening the immune system, and putting us into a relaxing summer atmosphere. Moderation is the key.
With summer in full swing, let’s practice being sun safe with this season’s best sunblocks.
-Ninka
B, aesthetician advisor at
1. SKIN AGING PREVENTION
Let’s not forget excessive sun exposure causes up to 90% of the visible signs of aging. To prevent unwanted skin damage, use sunblock to act as a shield for your skin. My favorite sunblocks are physical, also known as mineral-based. The main active ingredients in mineral sunblocks are titanium dioxide, zinc oxide, or both. Those types of sunblocks are the safest for our skin and the environment, oceans and reefs. The
SkinCeuticals Physical Fusion UV Defense SPF 50 goes on smoothly while providing a luminous, light-tinted finish. Ninka B. recommends: SkinCeuticals Physical Fusion UV Defense SPF 50 Mineral Sunscreen, $42, dermstore.com
3. PRIMER WITH SPF
The idea of having sunscreen with a makeup primer is a match made in heaven. The skin will be protected, and the makeup will be flawless. This season’s favorite is Thrive Causemetics Filtered Effects Protecting Primer SPF 37. It blurs imperfections and reduces shine, creating a perfect canvas. The clear formula is enriched with antioxidants and botanical extracts for added protection. Thrive Causemetics’ mission is to empower women through beauty. For
every product purchased, they donate to help women thrive— a beautiful thought while shopping. Ninka B. recommends: Thrive Causemetics Filtered Effects Protecting Primer SPF 37, $38, thrivecausemetics.com
2. ANTIOXIDANT PROTECTION
If a sunblock has added antioxidants, that’s a winner for me, as antioxidants are free radical scavengers. They add an extra protective barrier between the skin and summer weather. Plus, the skin benefits from these excellent ingredients. The BeautyStat Universal C Skin Refiner SPF 50, formulated with 20% vitamin C, sheer zinc oxide, and iron oxides, protects the skin against blue light. There are also two powerful ingredients: squalane, derived from olives, and EGCG (Epigallocatechin Gallate), the most active component of green tea. Exceptionally multitasking product as it protects the skin and is anti-aging. Reducing fine lines and redness, brightening pigment, and soothing the skin. Ninka B. recommends: BeautyStat Universal C Skin Refiner Vitamin C Serum + SPF50 Mineral Sunscreen, $85, neimanmarcus.com
Wishing you a dashing summer! May you revel in the long days and golden sunsets with the best sunblocks. Choosing them will protect your skin and contribute to a good cause. - Ninka B, aesthetician advisor at GENLUX Beauty.
GENLUX
1. SKIN PREP
Her Secret Service
Makeup artist K ATE SYNNOTT, with The Wall Group, shares how she glammed The Boys actress Erin Moriarty for our GENLUX cover shoot!
Good makeup always starts with the skin prep. I love using the Gua Sha to improve blood circulation and help deliver oxygen and nutrients from the skincare into your skin! First I spray the skin with Luzern
Firming Facial Mist (120ml, $85, luxernlabs. com) to hydrate and protect the skin. Then I massage Le Prunier Beauty Oil leprunier.com) all over the face and use my favorite Lanshin Pro Gua Sha Tool ($129, lanshin.com) And to finish, I use Augustinus Bader The Rich Cream (50ml, $300, augustinusbader.com) to lock all of the moisture in for the perfect canvas for the makeup application.
2. FACE
3. EYES
Erin’s look for this shoot was naturally glowing and glassy makeup! I love cream eyeshadow, and my ultimate favorite is Róen 52° Cool Eyeshadow Pale e ($52, roenbeauty.com) I used a mix of gold lust and mood forever to create a glossy golden vibe and Róens Cake Mascara ($30, roenbeauty.com) to give full volume Hollywood lashes.
Erin has beautiful skin, so I just wanted to enhance her natural glow rather than covering it up. Sweed Glass Skin Foundation ($48, sweedbeauty.com) is absolutely gorgeous and gives a second skin effect that I love. Then I used Clé de Peau Concealer ($48, cledepeaubeauty.com) for the under eye and anywhere else I needed extra coverage. Rare Beauty Warm Wishes Bronzer Stick ($26, rarebeauty.com) is my go to for contour that glides on like silk, and their Soft Pinch Liquid Blush ($23, rarebeauty.com) gives the perfect lit from without look.
4. BROWS
Erin has beautiful full brows so I wanted to keep them natural with a little lift. I used Benefit Brow Gel ($26, benefitcosmetics.com) to give a laminated lift to the brows and then I fill in the little gaps with Róen VowBrow ($28, dermstore.com).
BASED MAKEUP ARTIST. IRISHBORN KATE BEGAN HER CAREER WORK ING ON MAGAZINE COVER SHOOTS.KATE WAS FORMERLY THE NATIONAL LEAD ARTIST FOR CHAR LOTTE TILBURY’S LINE OF LUXURY COSMETICS. HER WORK HAS BEEN FEATURED ON THE COVERS OF THE HOLLYWOOD REPORTER, LOVE MAGAZINE, BELLA MAGAZINE, AND MORE.
HER BRAND CLIENTS INCLUDE JIMMY CHOO, DIOR, CALVIN KLEIN, BEATS BY DRE, AND ARMANI. HER CLIENTELE INCLUDES KATE BOSWORTH, ROSIE HUNTINGTON WHITELEY, NICOLE KIDMAN, CARA DELEVINGNE, EMMA STONE, ASHLEY GRAHAM, CANDICE SWANEPOEL, AND OLIVIA CULPO. G
PHOTO OF ERIN MORIARTY BY MARTA ELENA VASSILAKIS
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The Giving Pledge
IN AUGUST 2010, 40 OF AMERICA’S WEALTHIEST INDIVIDUALS COMMITTED TO GIVING THE MAJORITY OF THEIR WEALTH TO PRESSING SOCIETAL ISSUES, FORMING THE GIVING PLEDGE
Created by Warren Buffett, Melinda French Gates, and Bill Gates, this initiative aimed to set a new standard of generosity among the ultra-wealthy. Initially focused on the U.S., it quickly attracted global interest. The Giving Pledge invites billionaires to commit publicly to philanthropy, either during their lifetimes or through their wills, inspired by those who give generously at all income levels. It aims to shift social norms among the wealthy, encouraging earlier and smarter giving.
Signatories, who choose diverse causes, write letters explaining their philanthropic motivations. Joining the Giving Pledge means becoming part of a community of engaged philanthropists who share ideas and learn from each other to effectively address global challenges. Here are four letters from those who joined the pledge this year.
I look forward to joining and participating in the Giving Pledge. More than ninety percent of my capital will be given philanthropically. My hope is that the Giving Pledge will enhance my sense of urgency to give during my lifetime, for which I have a decided preference. I expect that the Pledge will enable me to become a better philanthropist. I also look forward to asking other members with interests in the same areas of philanthropy which individuals and institutions they have found to excel.
Robert D. Goldfarb
We are deeply grateful to our families, and the circumstances that enable us to be able to join the Giving Pledge.
Our life’s work has been to strive to invest in companies that focus on profit and purpose, and deeply believe that inclusive capitalism can really make a positive difference towards community stewardship and sustainability.
However, there are many areas where capitalism isn’t effective and we hope to focus our philanthropy on those areas. Our aspiration is to innovate in how we do this work so that technology can be a multiplier for our giving.
It’s a privilege to join the Giving Pledge community to learn from everyone as we embark on this journey.
Jessica and Hemant Taneja
We would not be making this pledge if it weren’t for the hard work, brilliance, generosity, and dedication to improve the world of many people that built the scaffolding of society that let us get here. There is nothing we can do except feel immense gratitude and commit to pay it forward, and do what we can to build the scaffolding up a little higher.
We intend to focus our giving on supporting technology that helps create abundance for people, so that they can then build the scaffolding even higher.
Sam Altman and Oliver Mulherin
Grounded in the diverse landscapes of New Zealand and Switzerland, our family has been shaped by the beauty and the ecological diversity of these nations. Our experiences have instilled in us a profound appreciation for the delicate balance of nature and the importance of respecting the scientifically defined safe limits essential for preserving Earth’s vital systems and sustaining humanity. We pledge to leverage our resources, networks, and passion to focus on addressing the critical global challenges of biodiversity loss and climate change.
Our philanthropic journey has been marked by extraordinary good fortune, which has instilled in us a profound sense of responsibility. In this regard, we founded the Villars Institute in 2022, dedicated to advancing the transition to a net-zero and nature-positive economy through interdisciplinary research, intergenerational collaboration, and systems leadership. The Villars Institute collaborates closely with experts, educators, and entrepreneurs to engage young people in
addressing the world’s most pressing challenges.
Additionally, we are spearheading a nature-based investment platform to help preserve and restore native forests and biodiversity worldwide. This initiative combines leading science and business solutions to scale ecological restoration, benefitting biodiversity and local workforce development.
We are deeply honoured to have been invited to join the Giving Pledge. While our giving has been until now private, we are excited to become part of this community, to work together to make a meaningful difference for the planet, and to learn from the collective wisdom and experiences of partners from around the world. We look forward to the journey ahead.
With respect and hope, Marco Dunand and Suzan Craig Dunand
CARRY ON DOING GOOD WORKS
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