Jiangshen Huang _ Architecture Portfolio

selected works 2009 --- 2023

Jiangshen Huang

Baltimore, MD 21202

Professional Experience:

KPN Architects, LLC

CURRICULUM VITAE

(916)346-9861 • Jasonhuang0121@gmail.com

Baltimore, MD

Studio Architect October 2017 to Present

• Coordinated with project managers with construction site measurements, developed architectural drawings and construction documentation to assist the project approval process

• Contributed design, production, coordination, and architectural detailing as part of a multi-disciplinary team

• Consulted in the coordination of engineering systems with engineers and consultants

• Maintained close communication with the project owner and consultants on project status, design intent, and concerns

• Prepared design sketches for moderate to complex site plans

• Collaborated with the project team in all the phases of a project– from project pursuit, pre-design, schematic design to construction documents

• Prepared required design documents including: floor plans, building sections, elevations, details, wall sections, schedules and more for each architectural phase of a project

Skidmore, Owings & Merrill LLP (SOM)

AS AN ACCOMPLISHED ARCHITECTURAL DESIGNER

I have dedicated my career to crafting designs that prioritize meticulous attention to detail and the use of high-quality materials in order to achieve a harmonious balance of design elements. With over five years of experience in the industry, I possess a deep understanding of the fundamental principles of design and construction.

My passion for architecture was ignited when I read an article by Kengo Kuma, whose philosophy of creating architecture that is both visually appealing and functional resonated deeply with me. In order to fully comprehend his words, I immersed myself in the art of sushi-making, spending two years learning from a Japanese sushi chef with 40 years of experience. Through this experience, I developed an eye for detail and an artistic sensibility that I now bring to my design work.

Chicago, IL

Architectural Designer March 2017 to April 2017

• Worked closely with a senior staff on design tasks and project approval process

• Owned and kept design artifacts up-to-date to company stand

• Used Revit to create sketches, drawings, and construction documents that align with company and CAD/BIM standards

DMAC Architecture PC

Evanston, IL

Architect Intern November 2016 to February 2017

• Created visual presentations for key stakeholders and the project team

• Designed projects under direct supervision and contributed proactively to the project team

• Assisted in construction administration including responds to RFIs, preparing sketches and addendum’s (CCDs), visited the construction site to gather information and/or prepared a punch list

• Assisted in the production of bid documents for ongoing projects

• Worked closely with architects and supported senior staff

• Executed of all phases of the architectural process: measured drawings, schematic design, 3-D modeling, and construction documents

Zhong Heng Decoration Fujian, China

Interior Designer September 2008 to September 2009

• Formulated environmental plans to be informative and visually engaging to raise productivity and sell merchandise

• Worked closely with stakeholders to determine project details such as budget, architectural preferences, purpose, and function

• Determined material requirements and costs, and presented design to stakeholders for approval

• Advised stakeholders on interior design factors, such as space planning, layout, utilization of furnishings, equipment, and color coordination

• Planned and designed interior environments for boats, planes, buses, trains, and other enclosed spaces

Education: School of the Art Institute of Chicago (SAIC)

Chicago, IL Masters of Architecture 2016

Tokyo University of the Arts Tokyo, Japan Exchange Program (Micromodern Memories) 2016

Harvard University - Graduate School of Design Cambridge, MA Career Discovery Program (Architecture) 2014 Harold Washington College

Languages:

• Proficient in Mandarin, English, Taiwanese, Cantonese, and Hakka

Skills:

• Technical skills: Revit, Sketch Up, Rhinoceros, Ecotect Analysis, Bluebeam, Adobe Creative Suite, Auto CAD, Enscape, Lumion, Arduino, Grasshopper, Computer Numerical Control (CNC) Technology, Microsoft Office, Prezi

• Artistic skills: Sketching, Sculpture, Oil Painting, Lacquer Painting, Water Color Painting, and Decorative Painting

I pursued a Master of Architecture program at the School of the Art Institute of Chicago, where I gained comprehensive architectural knowledge and skills, as well as honed my artistic sensibilities. Following my studies, I completed internships at several leading architecture firms in Chicago before joining KPN Architects, LLC in Baltimore, where I have worked on a variety of projects across different sectors.

Throughout my career, I have developed proficiency in various software programs and am able to effectively communicate my design ideas through both hand sketching and 3D modeling. Additionally, I possess a strong understanding of sustainability and strive to incorporate sustainable design principles into my work whenever possible.

In my free time, I enjoy oil painting, sketching, playing the violin, and making sushi. These experiences inform my design philosophy and inspire me to create functional and aesthetically pleasing spaces.

I am committed to pursuing my architecture license in the United States and am eager to bring my skills and expertise to a new role where I can continue to grow as a professional and contribute to a team’s success.

ARCHITECTURE PORTFOLIO :

SELECTED WORKS 2009-2023

LIBRARY, THEATRE & FACULTY OFFICE COMPLEX

SUBURBAN ORTHODOX CONGREGATION TORAS CHAIM

COMMUNICATION ARTS & HUMANITIES BUILDING

COLLEGE OF HEALTH PROFESSIONS

RASH FIELD REDEVELOPMENT

PRINCE GEORGE’S COMMUNITY COLLEGE MARLBORO HALL

REISTERSTOWN METRO WABASH TOWN CENTER

CHICAGO MIDTOWN ATHLETIC CLUB

KULA BELGRADE IN SERBIA

LIANG JIANG SALES DEPARTMENT DESIGN

CHICAGO OBAMA PRESIDENTIAL CENTER

CHICAGO LIGHTING AND MANUFACTURE COMPANY

FURNITURE DESIGN PRACTICES & CNC INTEGRATED FABRICATION

FINE ARTS & THE DOORS OF CULTURE

LIBRARY, THEATRE & FACULTY OFFICE COMPLEX

Studio Architect l Associate

KPNARCHITECTS, llc 2017 - Present

Brief Description of Project

Size : 63,00sf

Design Start : 2018

Constructions Start : 2020

Setting : Academic

The Library, Performing Arts + Faculty Complex will be a new 63,000 GSF mixed use building for Stevenson University’s Owings Mills, Maryland campus. The new theatre department will serve to expand the drama program with a black box theatre, scene + costume shops, rehearsal studios and dressing rooms. Common spaces throughout the complex encourage group collaboration while private study areas allow for individual study. The integration of transparency between the different spaces of the complex allow for viewing “behind-the-scenes” performances such as the scene shop and the library book processing area. Included in the complex is: 26,000 SF Library, 17,000 SF Theater Department & 32 Faculty + Staff Offices

Responsibility

As a part of the team, my primary responsibility was to develop design ideas, submit design documents and prepare construction documentation, including door + hardware schedules, stair schedules and details, millwork + casework details, roof plans, exterior details, and interior details.

CLIENT

Stevenson University, Inc. 1525 Greenspring Valley Road Stevenson, MD 21153 877.468.6852

DEVELOPER & BUILDER

David S. Brown Enterprises, Ltd. 100 Painters Mill Rd, Owings Mills, MD 21117 410.363.3434

Adjacent to the site are existing warehouse buildings that were repurposed into university academic buildings several years ago; playing off this industrial warehouse context, exposed structure and natural light are used in lieu of expensive materials to create functional spaces supporting an array of activities.

The Event space accommodates 150 people in rows (15 sf / seat) or 90 people at tables (25 sf / seat). Could open up to lobby to increase capacity. Multi-use space for art exhibits, special events, receptions, meetings/ workshops, board meetings, lectures/presentations. Glazed wall overlooking Outdoor Reception Space / Living Room. Should be directly accessible to outdoor space. Acoustically separated from rest of building. Technology includes computer, projector and screen; a/v system; microphone/podium; handheld microphones. No permanent furniture. Conference Services sets the rooms with tables, chairs, etc. upon request.

Small gathering space for book readings. Movable partitions that allow space to be opened to combine with Display Space and Touchdown Space near entry. When there is no event, space serves as active reading area.

OUTDOOR GROUP STUDY SPACES

INTERIOR SMALL GROUP STUDY

LIBRARY AND STUDY SPACES

GREGATION TORAS CHAIM

Brief Description of Project

Size : 9,600sf

Design Start : 2019

Constructions Start : 2021( est.)

Setting : Religious

This project involves the construction of a new synagogue complex for a growing Jewish community. The new synagogue will feature a sanctuary, beth midrash, classrooms, a kitchen, and an ambulance garage. In addition, the new facility will feature a courtyard, a 400-seat sanctuary, and a social hall.

Responsibility

As a part of the team, my primary responsibility was to develop design ideas, generate diagrams, digital models, sketches, and produce design development, construction documents, models, construction details, and drawings.

BUILDING ELEVATION - EAST

BUILDING ELEVATION - SOUTH

KEY NOTE :

A1. BRICK , SMOOTH WHITE

A2. ARCHITECTURAL CMU CORNICE, BUFF COLOR, SMOOTH FINISH

A3. PRECAST COPING CAP, BUFF COLOR, SMOOTH FINISH

A4. ALUMINUM WINDOW, PEWTER FRAME

A5. PRECAST WATER TABLE, BUFF COLOR, SMOOTH FINISH

A6. ARCHITECTURAL CMU, BUFF COLOR, SMOOTH FINISH

A7. ARCHITECTURAL CMU BASE, BUFF COLOR, ROCK FACE FINISH

A8. PRECAST DETAIL

A9. METAL PANEL, PEWTER

A10. METAL EQUIPMENT SCREEN, PEWTER FINISH

A11. DOWNSPOUT, PEWTER FINISH

A12. EXTERIOR SIGN ON LANDSCAPE MASONRY WALL

A13. METAL DOORS AT DUMPSTER ENCLOSURE

A14. ALUMINUM STOREFRONT DOOR AND FRAME PEWTER FINISH

A15. BRICK SURROUND INSET AT WINDOWS

A16. CHILDREN PLAYGROUND EQUIPMENT

A17. ROOF TOP MECHANICAL EQUIPMENT

A18. ORNAMENTAL WOOD DOOR

A19. PENDANT LIGHT FIXTURE

A20. METAL DOOR

A21. METAL FENCE PEWTER COLOR

BUILDING RENDERING

KEYNOTES

KeyValueKeynoteText

A-1BRICK,SMOOTHWHITEARCHITECTURALCMU,4X4X24, GROUNDFACE,BUFFCOLOR

A-2ARCHITECTURALCMUCORNICE,BUFFCOLORTWOCOURSES, 8"X16"X24"ON16"X16"X24"GROUNDFACE

A-3ARCHITECTURALCMUCOPINGCAP,BUFFCOLOR,4"X4"X24" GROUNDFACE

A-4THERMALLYBROKENINSULATEDALUMINUMWINDOW,PEWTER FRAME

A-5PRECASTWATERTABLE,BUFFCOLOR,SMOOTHFINISH

A-6ARCHITECTURALCMU,BUFFCOLOR,4"X12"X24"TEXTUREFACE

A-7ARCHITECTURALCMUBASE,BUFFCOLOR,4"X12"X24"CHISELFACE

A-8PRECASTDETAIL

A-122X6ALUMINUMCURTAINWALLSYSTEMREFCURTAINWALL SCHEDULE

A-14ALUMINUMSTOREFRONTDOORIN2X6ALUM.CURTAINWALLFRAME, PEWTERFINISH

A-23ROOFMOUNTEDSTRUCTURALPYRAMIDALSKYLIGHT

A-24METALTHROUGHWALLSCUPPERCONDUCTORHEADDOWNSPOUT

A-274"THK.STONEPANELINSECTIONSSCOREDFORRADIATINGLINE PATTERN

C-1ARMSTRONGCEILINGDESIGNFLEXSHAPESPATTERNSH10, REPEATPATTERNSIZE4'-8",CENTERCEILINGINROOM

C-2PAINTED5/8"THK.GYPSUMBOARDCEILING

C-9PAINTED5/8"THKGYPSUMBOARDBARRELVAULTCEILING.REFER BUILDINGSECTIONFORPROFILEANDHEIGHT C-11PAINTED5/8"THKEXT.GR.GYPSUMBOARDBARRELVAULTCEILING. REFERBUILDINGSECTIONFORPROFILEANDHEIGHT

C-15BASEBID:3/4"THKSLOPEDARMSTRONGWOODWORKSCHANNELED PLANKSUSPENDEDCEILING,51/2"X8'-0".NORTH-SOUTH ORIENTATION.1"WSLOTSBETWEENCEILINGCLOUDSFORLINEAR PENDANTLIGHTFIXTURES.REFERSHEETG-003FORALTERNATES #01A&#01B.

C-17BASEBID:3/4"THK.ARMSTRONGWOODWORKSCHANNELEDPLANK SUSPENDEDCEILING,1/2"X8'-0".REFERTORCPFORORIENTATION. ALTERNATE#01A:ARMSTRONGWOODWORKSGRILLE.REFERSHEET G-003FORALTERNATES#01A&#01B. C-31SEAMLESSACOUSTI-BUILTMINERALFIBERPANELSYSTEM COL-1PAINTEDGYPSUMBOARDCOLUMNCLADDING COL-2PAINTEDGYPSUMBOARDCOLUMNCLADDING,EXTENDSUPTO19'-8" DR-1WOODDOORINMETALFRAME(REFERDOORSCHEDULE) E-40FOUNTAINREFERDRAWINGSBYFOUNTAINMANUFACTURERAND INSTALLER GWB-1PAINTEDGYPSUMBOARDWALL GWB-2RECESSEDPAINTEDGYPSUMBOARDWALL

GWB-3PAINTEDGYPSUMBOARDBETWEENWINDOWS,REFERSHEETG-003

FORALTERNATE#04

MP-7BASEBID:1"THK.STONE;ALTERNATE#02:PAINTEDWOODPANEL WITHCIRCLEPATTERNANDFRAME

MP-8CUSTOMPATTERNEDPERFORATEDMETALSCREENINMETALFRAME, ALIGNEDWITHFACEOFOVERHEADENCLOSURE

OP-024"WIDEACOUSTICFOLDINGPARTITIONPANELTOPHUNG,MARKER BOARDSURFACEREFEROPERABLEPARTITIONDRAWINGS

R-5MECHANICALROOFTOPUNITONCURBS

R-11ROOFACCESSHATCH

R-12METALROOFLADDER

R-13METALROOFLADDERWITHCAGE

R-14ROOFMONITOR

R-18ACOUSTICALMECHANICALUNITMETALSCREENENCLOSURE

R-19TPOMEMBRANE

RB-14"RUBBERBASE

SH-2BUILT-INRECESSEDSHELVING,SECURETOFLOOR

SPT-1SCREENPARTITION

TL-143/4"HX12"LPOLISHED,PORCELAINTILEWALLBASE,CREMA

MARFILBYTILEBAR,COLOR:CREMAMARFIL;GROUTCOLOR:CLASSIC BONE

TR-1PAINTEDWOODTRIM(REFERDETAILFORPROFILE)

WB-14"HIGHPAINTEDWOODBASE

Along with a sanctuary and social hall, the new building will feature an expanded beit midrash for classes, additional classrooms for children’s programming, offices for current and future administrative staff, and men’s and women’s mikvahs. There will also be a “beautiful” enclosed courtyard at the center of the building to serve as a space for the synagogue’s outdoor programming.

Studio Architect l Associate

KPNARCHITECTS, llc 2017 - Present

Brief Description of Project

Size : 199,670sf

Design Start : 2020

Constructions Start : 2022( est.)

Setting : Higher Education

The new CAH Building will be an integral part of the Bowie State experience, collecting and connecting students across various fields of study into a facility designed to inspire collaboration and student success. The new building will be the stage upon which students are empowered to speak and destined to soar, the primary vision for the project.

The building’s massing informs the approach to the facade design and materiality, responding to specific program needs, view opportunities, environmental orientation, and shaping a series of significant new campus spaces. The highly visual nature of the programs contained within the building are manifested in the design concept of “procession”. This concept guides the building siting, shape, placement, and materials.

Responsibility

Work closely with the team to identify FF&E needs and assist in developing detailed specifications for each FF&E item, including dimensions, materials, finishes, and other features. Assist the team in Revit modeling and produce construction drawings, including exterior wall sections, roof plans, and interior elevations.

Bowie State University

Communication Arts and Humanities Building

UMCP Project #15‐669‐518‐00

100% Construction Documents

COLOR CODED DIAGRAMS

The following diagrams depict the spaces which are color coded by departmental. The organization is intended to create future flexibility as uses and departmental assignments change over the longer term, in addition to maximizing efficiency and shared use. The planning approach unites interior and exterior campus spaces to meet functional requirements and contribute to creating a dynamic campus character.

Bowie State University

Communication Arts and Humanities Building

UMCP Project #15‐669‐518‐00

100% Construction Documents

At Level 1, the northeast entry will be used most frequently by students arriving from campus and is adjacent to an existing parking lot.

LEVEL 1 - DEPARTMENTS

Levels 2 and 3 share a consistent organizational approach, with academic departments and learning resources located in the west wing and active learning classrooms in the east wing.

Level 2 – Departments

The upper levels of the ‘heart’ connect these areas and contain open and enclosed distributed informal learning spaces. History and Government and Communications faculty and administration space are at Level 2, with ROTC and Language, Literature and Cultural Studies at Level 3.

Level 3 – Departments

CONSTRUCTION

BUILDING UNDER CONSTRUCTION

The auditorium, at the south end of the building, is visible and accessible to both the campus and community. The three-story glass facades of the student entrance, at the north, connects the campus to the building providing visual connection as well as access, on the ground floor, to the centrally located courtyard. Enjoy a welcoming and engaging environment.

The 1500-seat auditorium is iconic anchor at the south end of the building adjacent to the Loop Road and MARC rail station. The facade of the auditorium continues the patterning and movement of the typical facade with adjustments in scale, scope, and openings.

CONSTRUCTION OF THE NEW CAH BUILDING

The new CAH Building will contain multiple departments and programs that are currently accommodated within the existing Martin King Jr. (MLK) Center which will be demolished once construction of the new building is complete. Project objectives include providing state-of-the art flexible and collaborative learning environments; specialized media production facilities, class laboratories, and departmental learning resources; faculty and administrative space to support interdisciplinary activity; and a 1500-seat assembly/auditorium space to serve a wide variety of BSU activities.

CONSTRUCTION SITE PICTURE

CONSTRUCTION SITE PICTURE

PROFESSIONS

Studio Architect l Associate

KPNARCHITECTS, llc 2017 - Present

Brief Description of Project

Size : 129,000sf

Design Start : 2019

Constructions Start : 2021( est.)

Setting : Academic

The scale of the building is 6 stories on the North facade along University Avenue, bringing prominence to the main entry. Large glass spans the height of the east atrium, welcoming everyone into this public space. The building form then begins to erode toward the southwest corner, down to 4 stories, reducing the scale of the building along pedestrian route of Towson Way and the adjacent campus buildings. Vegetated roof terraces face the open quad on levels 05 and 06, and the front porch bordering the edge of the quad on Level 02, further connecting the building with nature and the surrounding landscape. These elements along with the overall design of the building exterior have an elegant and calming presence.

Responsibility

3D Revit modeled interior spaces, which included producing and detailing the partition schedule representing acoustic, smoke, and fire-rated wall assemblies, coordinated with life safety and acoustic documents. Produced toilet layouts, elevations, and details, while coordinating with the design team on finish layouts and owner’s standards for fixtures and accessories. Reviewed the owner’s signage design standards and produced a signage schedule and drawings.

INTERIOR SPACES

Towson’s College of Health Professions (CHP) is known for its outstanding interprofessional healthcare education. With its academic rigor, interdisciplinary approach, emphasis on experiential learning, and evidence-based practice, the CHP produces high-quality graduates who greatly benefit the local and regional healthcare workforce. While the CHP is currently distributed into a number of buildings across the campus, the new CHP building will provide a centralized focus for health professions, where these groups can more fully connect and enrich one another’s research and practice. Open, flexible collaborative zones border classroom and lab spaces, allowing faculty and students to gather before classes and meet up for study and socializing throughout the day.

Levels 01 and 02 are highly energetic and social, with a 300-seat auditorium, two 120 tiered classrooms, and most of the general classrooms within the building. These classrooms can be shared between the different disciplines within the building, as well as serve as a significant university‐wide resource of learning spaces.

RASH FIELD REDEVELOPMENT

Studio Architect l Associate

KPN ARCHITECTS, llc 2017 - Present

Brief Description of Project

Size : 7.5 Acres

Design Start : 2017

Constructions Start : 2021( est.)

Setting : Religious

The redevelopment of Rash Field, located adjacent to Baltimore’s Inner Harbor,is expected to draw more visitors to the area and generate revenue for the city. The rejuvenated park will enhance recreation options for users, create a gateway to the waterfront promenade from the surrounding neighborhood, and contribute to the broader vision for the Inner Harbor.

KPN is the Architect of Record working with a site designer, Mahan Rykiel Associates, for the overall park.

KPN’s responsibility includes the architectural work associated with the park improvements, incorporating a retail pavilion and public facilities inserted into the landscape with a green roof wrapping over the top of the structure.

Responsibility

Responsible for architectural documentation, Revit modeling and coordination with consultants, and complete CA services.

Based on the approved Design Development documents, I assisted the project manager in preparing Construction Documents consisting of drawings and specifications that described the scope of construction work. These documents were suitable for filing with the Building Department and for use in construction by a qualified General Contractor.

Rash Field Baltimore, Maryland

WATERFRONT PARTNERSHIP of BALTIMORE 650 S. EXETER STREET, SUITE 200 BALTIMORE, MD 21202

MD 21211 t.410.235.6001

Architect (Design) GENSLER 1 EAST PRATT STREET, SUITE 202 BALTIMORE, MD 21202 t.410.539.8776

Architect (of Record) KPN ARCHITECTS 1800 WASHINGTON BOULEVARD, SUITE 441 BALTIMORE, MD 21230 t.443.682.7758

1,197TOTALGSF

CAFE

1,197NSF/15NSFPEROCC.=80OCCUPANTS

AREA B:

13TOTALOCCUPANTSNONSEPARATEDMIXEDUSE,USE

GROUPSA-5,S-1(ACCESSORY)

682TOTALGSF

MEN PUBLIC TOILET

260GSF/50GSFPEROCC.=6OCCUPANTS

WOMEN PUBLIC TOILET

241GSF/50GSFPEROCC.=5OCCUPANTS

JAN.

Lighting Design BRANDSTON PARTNERSHIP, INC. 302 FIFTH AVENUE, 12th FLOOR NEW YORK, NY 10001

t: 212.924.4050

Structural Engineer (Shade Feature) SIMPSON GUMPERTZ & HEGER 135 SOUTH LaSALLE STREET, SUITE 3800 CHICAGO, IL 60603

t: 312.754.7500

Structural Engineer (Site + Pavilion) ALBRECHT ENGINEERING, INC. 3500 BOSTON STREET, SUITE 329, MS-12 BALTIMORE, MD 21224 t: 410.522.5870 Skate Park Design GRINDLINE SKATEPARKS, INC. 4619 14th AVENUE SW SEATTLE, WA 98106 t: 206.932.6414 Playgrounds NATURAL LEARNING INITIATIVE 2230 STINSON DR. RALEIGH, NC 27607 t: 919.515.8345

Signage YOUNTS DESIGN, INC. 3600 CLIPPER MILL ROAD, SUITE 410 BALTIMORE, MD 21211 t: 443.825.4100

68GSF/300GSFPEROCC.=1OCCUPANT

ELEC. ROOM

113GSF/300GSFPEROCC.=1OCCUPANT

72RECESSEDFIREEXTINGUISHERCABINET.REFER TOLS0.02DRAWINGFORLOCATION.

74SEMI-RECESSEDFIREEXTINGUISHERCABINET. REFERTOLS0.02DRAWINGFORLOCATION.

VISIT THE PROJECT SITE

Attend project coordination meetings, visit the project site at biweekly intervals when work relevant to our scope is underway as appropriate to monitor the progress of the work and determine whether the work is in accordance with the Construction Documents. contribute to the broader vision for the Inner Harbor.

GENERAL NOTES

Rash Field Baltimore, Maryland

CITY VIEW

FROM FEDERAL HILL PAKR TO RASH FIELD

Rash Field, located along the waterfront promenade, has the potential to become the vibrant heart of the Inner Harbor, drawing families and visitors from both the city and the wider region to enjoy a welcoming and engaging environment.

COMPLETION OF PROJECT

Rash Field opened to the public in November 2021 and saw a remarkable increase in visitation, with an average of 1500 visitors per day. Surveys indicate that visitors are coming not only from the local area but also from the wider region who discover the park during their travels.

PRINCE GEORGE’S COMMUNITY

COLLEGE MARLBORO HALL

Studio Architect l Associate

AND ADDITION

Brief Description of Project

Size : 130,156 SF

College Maryland. 20774.

Design Start : 2018

Constructions Start : 2020

Setting : Academic

Marlboro Hall, originally built in the 1970’s, is a three-story building that will end up being doubled in size once the project is complete. The project included a full existing conditions study of the whole building, finding deficiencies in the superstructure, roofing, exterior walls, stairs, and windows and doors.

MC459

KPNARCHITECTS, llc 2017 - Present

Department of General Services: ACTING SECRETARY: Atif T. Chaudhry

301 West Preston Street.

The renovations will provide the school with modern classrooms with new technology, more efficient MEP systems, and better accessibility measures. The 130,000 GSF renovated building will house laboratories for STEM departments, classrooms, offices, and study spaces. Additionally, work is being done to renovate several pedestrian bridges that connect Marlboro Hall to two other buildings on campus. Finally, the exterior of the building will be renovated and rebranded.

Responsibility

Understands the project and devises creative strategies to complete the work that meet or exceed the client’s expectations. Conducts research on existing building and campus infrastructure, coordinates field research, investigates and analyzes codes, produces site plans, floor plans, roof plans, demolition and phasing plans, and detailed elevations. Assists the Project Manager in providing overall architectural support throughout all phases of the project.

Baltimore. MD. 21201

MATERIAL AXON VIEWS

WALL ASSEMBLIES

Marlboro Hall Renovation & Addition

DIAGRAMS - LEVELS 1,2,3,4

EXISTING: 40,056 GSF

NEW: 33,578 GSF EXISTING

1- LEVEL 01_ GSF

EXISTING:

EXISTING: 40,056 GSF NEW: 33,578 GSF EXISTING

Prince George's Community College 301 Largo Rd, Largo, MD 20774 T: 301.546.6000

EXISTING: 34,086 GSF NEW: 27,961 GSF

Rev 22 - 100% Construction Documents March 3, 2023 19. SUSTAINABILITY: A. SEE STRUCTURAL WINDOW GLAZING: 1. PROVIDE - IF LESS THAN -OR IF GLASS -OR IF TOP -OR IF AN 6. SEE CHAPTER IF A

Washington Boulevard, Suite 414 Baltimore, MD 21230

443.682.7757

2- LEVEL 02_ GSF

Silman Associates 1053 31st. Street NW Washington, DC 20007 T: 202.333.6230

MEP/FP ENGINEERS:

Weigand Associates, Inc. 20270 Goldenrod Lane Germantown, Maryland 20876

301.540.9060

SMOKE ANALYSIS:

Koffel Associates, Inc 8815 Centre Park Drive, Suite 200 Columbia, Maryland 21045 T: 410.750.2246

CIVIL GEOTECH ENGINEERS:

Triad Engineering, Inc. 1075 Sherman Avenue # D Hagerstown, Maryland 21740 T: 301.797.6400

LANDSCAPE ARCHITECTS:

Floura Teeter Landscape Architects, Inc. 800 N. Charles Street, Suite 300 Baltimore, Maryland 21201

T: 410.528.8395

ENVIRONMENTAL REMEDIATION:

Aerosol Monitoring & Analysis 1331 Ashton Road, Suite A Hanover, Maryland 21076 T410.684.3327

3- Level 03_ GSF

EXISTING: 34,086 GSF NEW: 27,961 GSF

4- Level 04_GSF

EXISTING: 37,014 GSF NEW: 29,230 GSF

EXISTING: 37,014 GSF

LEVEL 1 -CIRCULATION DIAGRAM 51 SF STOR. 154BA 6' 7' 11 3/4" PER PRINCE GEORGE'S COUNTY Circulation shall be counted for egress, not plumbing fixtures: Circulation 1st Floor ( Less 8'-0" width) = 8,807 SF 786 SF CLASSROOM BH203 546 SF CLASSROOM BH202 1" 8' 0" 1/8" 8' EXISTING

1. PROVIDE 20. WINDOW EXISTING MARLBORO HALL PLUMBING FIXTURES

NEW NEW NEW: 24,482 GSF

BUILDING ELEVATION & SECTION

BLDG. SECTION -NORTH SOUTH GRID X5 LOOKING WEST1

E-E SECTION NORTH SOUTH GRID X1 LOOKING EAST

STAINLESS STEEL COUNTER FLASHING RECIEVER

PREFINISHED ALUMINUM COPING

COLD FORM METAL FRAMING W/ INSULATION INFILL FOR COPING 1/2”

SEALANT

PVC ROOFING MEMBRANE FLASHING ON 5/8”

THK PRESSURE TREATED PLYWOOD SHEATHING

VAPOR RETARDER

/FT

PVC ROOFING MEMBRANE

WALL

STEEL FOR FLASHING SEAL AT EDGE

PVC ROOFING MEMBRANE

PRESSURE TREATED WD BLOCKING

HOT AIR WELDED SEAM & CONT. SEALANT AT EDGE

ATRIUM STEEL MESH PANEL

Different mesh types meet various requirements with regard to transparency and robustness.

The renovations will provide the school with modern classrooms with new technology, more efficient MEP systems, and better accessibility measures. The 130,000 GSF renovated building will house laboratories for STEM departments, classrooms, offices, and study spaces. Additionally, work is being done to renovate several pedestrian bridges that connect Marlboro Hall to two other buildings on campus. Finally, the exterior of the building will be renovated and rebranded.

FORUM EAST FACING ELEVATION

4’ W. FRAMELESS SS STEEL MESH PANEL (McNICHOLS 8859 AURA TYPE 316)77% OPEN AREA

4’ W. FRAMELESS SS STEEL MESH PANEL (McNICHOLS 8150 AURA TYPE 304)65% OPEN AREA

ATRIUM 3D RENDERING

Marlboro Hall will be designed to support and house the below programs, spaces, and occupants as shown:

Table E.1-1: Floor Programming

 Visual Arts Instruction (Classrooms/Labs)

 Marlboro Hall Art Gallery

 Art & Philosophy (Offices)

1st Floor

 Veterans Services, PGCC Cares, Counseling Services (Offices and Supporting Spaces)

 Weekend Office

 Study Lounge and Study Space

 English/History/Political Science/Geography/Anthropology Instruction (Classrooms/Labs)

 Learning Foundations Learning Center & Labs

2nd Floor

 Individual Study/Group Study Rooms

 Conference Rooms

 Non-assignable Lounge/Study Space

 Mathematics, Teacher Education, Psychological/Sociological Instruction (Classrooms/Labs)

 Mathematics Learning Center

3rd Floor

 Individual Study/Group Study Rooms

 Non-assignable Lounge/Study Space

 Mathematics, Learning Foundations, Liberal Arts (excluding Art and Philosophy), and Social Sciences and Business (Offices)

4th Floor

 Faculty Lounge/Professional Development Training Room

 Conference Room

122

Marlboro Hall Renovation and Addition Part I and II Program Page

CONSTRUCTION

BUILDING UNDER CONSTRUCTION

Renovate 77,672 NASF of space in Marlboro Hall and add an additional 72,719 NASF of space. The proposed solution will replace deteriorated building infrastructure components, correct extensive ADA issues, modernize finishes and equipment, and provide for expanded academic instruction in divisions such as Learning Foundations, Liberal Arts, Social Sciences and Business and STEM. Transforming the outdated and undersized Marlboro Hall building to a modern instructional classroom and lab building will create a synergy for students and faculty currently missing in the current building.

KPN was Architect of Record and Prime Consultant for the project. Our scope included researching the existing building and campus infrastructure, field research, code analysis, and production of demolition and phasing plans and specifications. KPN conducted extensive document reviews and interviews of College personnel to ensure that the demolition documents were based on the best possible information. Laser scanning was conducted to produce a point cloud model of the existing building, including MEP services, and a utility locator was contracted to locate utilities for which there was insufficient documentation. A complete team of consultants was utilized to investigate the existing conditions and produce the demolition documentation, including in addition to the above an envelope consultant, a hazmat consultant, civil engineer, structural engineer, MEP engineer, and geotechnical consultant.

CONSTRUCTION SITE PICTURE PICTURE

WABASH TOWN CENTER

Studio Architect l Associate

KPNARCHITECTS, llc 2017 - Present

Brief Description of Project

Size : 25+ Acre

Design Start : 2021

Constructions Start : 2023

Setting : Mixed -use, Residential

The 25+ acre site is located across Wabash Avenue from the Reisterstown Transit Station. There is a pedestrian bridge that connects this site to the station. The project is conceived as a compact, transit-oriented development that will maximize access to the MTA Reisterstown Plaza Metro stop. Wabash Town Center will incorporate various sustainable design elements to minimize negative environmental impact through skillful, sensitive design. The master plan development schedule is extended over 4 phases. Each phase develops one of the quadrants of the site. Phase 1 is located on the location of the 2 existing surface parking lots located along Wabash Avenue across from the metro train station and bus stop. The proposed plan is to divide Phase 1 into two Sub-Phases 1A and 1B. Phase 1A located in TOD 4 will be built first, up to an allowable height of 100’. Phase 1B located in TOD 3 will follow, and will be built up to the allowable height of 60’.

Responsibility

Develop schematic design drawings for residential, mixed-use, and commercial buildings at different phases of this project. Prepare graphic materials and designs for studies and/or presentations to the client. Develop design concepts, narratives, Revit models, 3D renderings, plans, sections, exterior elevations, and virtual reality presentations, as necessary, to effectively convey the design intent to clients.

PROPOSED PROGRAM

The comprehensive redevelopment of this Transit Oriented Development (TOD) site will be completed in phases.

Phase 1A: 272 apartment units, 7 retail spaces (37,287 SF), 24,970 SF of office and 555 parking spaces.

Phase 1B: 112 apartment units, 7 retail spaces (28,210 SF), 21,503 SF of office and 354 parking spaces.

Phase 2A: Intergenerational townhouses – 40 units with a community center and 43 offstreet parking spaces

Phase 2B: 42 units senior living apartments, 163 off-street parking spaces and common area. This common area may include a bistro, which is primarily for the use of the tenants.

Phase 3: Developing the natural site along the south east edge of the site adjacent to the Social Security Campus would be Phase 3 or the Arts and Green Phase in this community.

Phase 4: Medical and Health Care hub including offices, urgent care, health and fitness, nursing home/rehabilitation center and accessory retail. The total number of parking spaces is to be determined.

PARKING +OFFICE + APT

The building, each in Phase 1A and 1B are programmed as mixed use. They include retail, parking, offices and market rate apartments. Both buildings will be joined at the ground level to maximize the need for additional parking.

Two buildings, Phase 1A and 1B, will be constructed in the highest-density portion of the site and are programmed as mixed use. These properties include retail, parking, offices and market rate apartments. (Please see plan and Section) These buildings, with a total of apartment units, are the heart and anchor of the new community and are designed to take full advantage of the transit access.

These properties create the density to support retail and amenities - and a center point for the neighborhood as a whole.

The Market data indicate there is a high-demand, for quality, apartment living with good transit (and highway) access in this portion of Baltimore City and County. Units will be highly contemporary in design, capable of supporting the latest in tech accommodating the mixed of transit-based AND work-from-home lifestyles that are in demand in the post-COVID era.

Designed around the concepts developed by Carehous (carehous.net), this building will be housing for a senior population with living units for their caregivers. Carehaus’s work is founded on the belief that older adults, disabled people, and those who care for them are integral to the well-being of these senior communities. Communal spaces will be designed to encourage interaction between seniors and their caregivers through various programs.

This phase proposes 42 units of senior (age-restricted) multi-family housing units, 163 offstreet parking spaces and accessory common areas including a small bistro. The non-residential uses are intended for primary use by the residents.

CHICAGO MIDTOWN ATHLETIC

Architect Intern

CLUB

DMAC Architecture PC 2016

Brief Description of Project

Size : 100,000sf

Design Start : 2015

Constructions Start : 2017

Setting : Hospitality + Sport › Hotel Restaurant Sports Center Wellness/Spa

DMAC’s bold and progressive design for the new expansion of Midtown Athletic club seeks to create a new statement and revitalize the stretch of Elston Ave. creating an exciting and vibrant ‘Midtown Corridor’, acting as a beacon to the City’s premier Athletic Club. The project includes a 100,000sf expansion to their facility, to include multiple swimming pools, progressive fitness areas, spinning, yoga & pilates studios, lockers rooms, spa and a 3000 sf restaurant. The new design that also has a 25,000 outdoor pool deck would provide dramatic views of the city and integrate green design elements like roof gardens and vegetation.

Responsibility

Assists senior staff in verifying site details to support the design. Works with the project manager and project designer in creating buildings that serve the client’s needs and respond to their desired image, space, and aesthetic.

FITNESS & HOTEL ROOM RENDERING

KULA BELGRADE SERBIA

Architectural Designer

Brief Description of Project

Size : 42-floor, 168-meter (551 ft) tall

Design Start : 2015

Constructions Start : 2016

Setting : Mixed -use skyscraper

Skidmore, Owings & Merrill LLP 2017

Kula Belgrade is a 42-floor, 168-meter tall mixed-use skyscraper located in the Belgrade Waterfront on the bank of the Sava River, becoming the tallest building in the country. The tower will have a direct approach to a waterfront promenade, located in close proximity to Belgrade Fortress.

The tower, combining residential, commercial, hospitality and entertainment offerings, is made of concrete presenting steel structures on the podium on the ground floor, on secondary structures supporting the façade and on the top crown located on the top of the tower and developing for its last three floors.

The Kula Belgrade tower is the new landmark of the Serbian capital and is part of the 1.8 million square metre Belgrade Waterfront development, featuring world-class residences and offices, hotels, educational institutions, modern healthcare amenities, as well as a 1.8-kilometre long public waterfront edge and public parks.

Responsibility

Preparation of accurate architectural presentations, designs, details, and construction documents in REVIT, including plans, exterior elevations, and interior details.

NIGHT VIEW FROM PODIUM PLAZA

KULA BELGRADE

Note: As this project is under construction, the data is based on the most reliable information currently available.

Official Name Kula Belgrade

Name of Complex Belgrade Waterfront

Structure Type Building

Status Under Construction

Country Serbia

City Belgrade

Building Function Residential / Hotel

Proposed 2015

Construction Start 2016

Height: Architectural 168 m / 551 ft

Floors Above Ground 42

Tower GFA 47,000 m² / 505,904 ft²

CONSTRUCTION

BUILDING UNDER CONSTRUCTION

LIANG JIANG SALES DEPARTMENT DESIGN

Interior Designer

Zhong Heng Decoration 2009

Lianjian is a suburban county on the eastern coast of Fujian province, China. Due to its abundant amount of wet land resources in the Ming Jing River, Liangjian is flourished with rich fish resources. Not only does this contribute to economic growth, it further allows industries to develop and create more employment opportunities. And in 2009, I participated in the “LianJiang sales Department Overall Design and Planning”.

INTERIOR DESIGN

Design inspiration from the building’s location on the Lian Jiang River and its close relationship to the local fishing industry, I used waves as a motif, creating the image of the department using flexible, wavy lines.

SALES DEPARTMENTS 3D RENDERING

SALES DEPARTMENTS ELEVATIONS

Student Work 11

CHICAGO OBAMA PRESIDENTIAL CENTER

Architecture Grad Studio 5

The Barack Obama Foundation recently issued an RFP proposing a new standard for Presidential Libraries. Differentiating itself from other Presidential Libraries, I design will create an innovative place of engagement and vibrant community hub.

The building will be multi-level new construction not to exceed 70,000SF. The site will also include significant public space connections to public transportation and commu nity thoroughfares.

SUSTAINABILITY : DAY LIGHTING

DESIGN CONCEPTS BUILDING STRUCTURE

The different sizes of rectangles and squares cavities on the walkways are designed to create different lighting effects during different times of the day. At day time, the sun will create skylights down into the parking garage. At night, the lights in the parking garage will illuminate the walkways from below.

The glass and steel are the predominant materials of the projects and the underground parking are complemented with concrete and steel structure.The structure of underground parking garage is directly related to the design of the aboveground walkways. The “Y” columns support are made with steel and concrete.

PANORAMIC VIEWS

At the top of the Museum sits the Sky Room

The Museum’s Sky Room, located at the highest point, provides an opportunity for visitors to contemplate while enjoying breathtaking panoramic views of Lake Michigan towards the East, downtown Chicago’s towering skyscrapers in the North, and the West and South sides of Chicago.

This library serves as a bridge of education to business and social interaction; and potentially acts as a model that not only reshapes the site and surrounding neighborhood, but also the concept of what a Presidential Library can be in the future.

CAFETERIA AREA

NATURAL LIGHT CREATES SPACES.

Natural light creates a connection between the interior and exterior spaces.

The library’s interior space has been meticulously crafted with a stepped design that progressively widens the view as one ascends the floors, facilitating an interactive relationship between individuals and the interplay of space, light, and surrounding scenery.

The diamond-shaped roof design of the main library building not only allows natural light to illuminate the interior space but also offers a magnificent view of Jackson Park’s picturesque scenery.

The new Museum building in the South Side will serve as a significant landmark, inviting visitors to Jackson Park and highlighting the Center as a historical civic hub. The design of the Museum embodies the concept of upward movement from the grassroots.

INTERIOR STUDY SPACES

The forthcoming Chicago Public Library branch will present interactive digital media zones and child-friendly amenities, informative and vocational resources for adults, and a reading room open for everyone to relish. This exceptional collaboration is a pioneer in its category and will furnish almost all residents of the South Side with nearby public library access, with a walking distance.

The courtyard, in the center of a building, allows natural light to flow into the surrounding interior spaces, creating a brighter and more inviting atmosphere. Additionally, the design of the courtyard can provide a visual and physical connection between different levels or sections of the building, encouraging exploration and movement throughout the space. This dynamic and interconnected layout can create a more engaging and lively environment for visitors.

CHICAGO LIGHTING AND MANUFACTURE COMPANY

Codes Specs Joints Seams 2015 Student Work

A small, lighting design and manufacturing company has approached me to design a single warehouse and office facility in Chicago. They are moving from the suburbs into Chicago to improve with the goal of improving their facilities to attract and retain better staff as well as provide an on-the-ground location for client and company meetings. They have asked me to provide them with the following spaces within no more area than 14,000 SF.

PROGRAMMING

Isometric Drawing

PROJECT SCHEDULE

GANTT CHART FOR ARCHITECTURAL AND CONSULTANT SERVICES

024681012141618202224

PHASE 1PROJECT START: ESTABLISHMENT

SITE + ZONING ANALYSIS

GENERAL CONDITIONS

PROJECT MANAGEMENT

SCHEDULE & BUDGET

CONTENT INVENTORY

DEVELOPMENT PERMIT

PHASE 2DESIGN DEVELOPMENT

ARCH/CONS DESIGN + DETAILING

VISUAL DESIGN

DESIGN DEVELOPMENT DOCUMENTS

BUILDING PERMIT

PHASE 3CONSTRUCTION DOCUMENTS

PAGE WIREFRAMES

PROTOTYPES

ENGINEERING

PHASE 4CONSTRUCTION ADMINISTRATION

PAGE PRODUCTION

TESTING

FINAL QUALITY

Issuing all notices and communication a ecting this project on a timely basis Coordinating the building project with all local and state regulatory authorities

Negotiating with all sub-contractors

Communicating with the building owner including the architect Making decisions for while representing the contractor's interest in matters related to cost, schedule and execution of construction

Daily planning and execution of all eldwork

Scheduling and directing sub-contractors on the job site, Maintaining on site records as required, Managing dimensional control of the structures Monitoring the completed work for compliance with the contract drawings including speci cations

will coordinate with the design build team construction planning during the pre-construction phase of the building project. Meetings will be held as required to review, discuss and plan the project. Planning items include:

Project Master Schedule

Construction Phasing Plan

Design Drawing Review

Coordination with Outside Agencies

Coordination with Public Utility Services

Conceptual Estimating

Value Engineering

The project schedule for the last part is discussed weekly and updated monthly so that everyone involved is kept abreast of the progress of the job.

Budget Development

Constructability Review

Budget Review and Control

Bidder Pre-quali cation and Bid Solicitation

De nition of "Bid-Package" Scopes

Final Bid Tabulations and Review

Site Analysis

SITE PLAN SITE ANALYSIS

OFFICE OCCUPANCY:

(Suggested 5800 SF) (with a grossing factor of approximately)

300 sf Office (company president)

225 sf Office (company senior accountant)

150 sf Office x 4 (accountants and clerks)

2100 sf Open office area for sales staff (cubicle desks and seating)

430 sf Board room and high-end display area (encourage innovative use of space for display area)

150 sf Kitchen Kitchenette (if required)

65 sf Photocopy stand and primary filling room

200 sf Server room (fire protected)

150 sf Office reception (public)

175 sf Washrooms (a sufficient number with at least one accessible washroom)

100 sf Coat closets

100 sf Other file storage to be integrated in design where appropriate

100 sf Mechanical room and elevator

WAREHOUSE OCCUPANCY: (Suggested 6250 SF)

Open racks for storage for raw materials, parts and completed fixtures (maximum)

Area for milling machines x 4

Area for polishing machines x 2

Area for welding station (oxy acetylene) x 1 Washrooms (two minimum)

100 sf Sprinkler room (life safety)

Student Work

FURNITURE DESIGN

Architecture Grad Studio 5

Through a series of hands-on technical exercises and material investigations, I chose cardboard as my primary design material in my furniture design course, and I was excited to explore its endless possibilities. Cardboard is an incredibly versatile material that is widely used in various fields. Its sustainability and ease of processing made it a preferred material for many industries. In addition, the unique honeycomb geometry structure of cardboard provided incredible strength and flexibility for furniture design. I utilized computer 3D modeling and laser cutting to achieve my design concept.

TOOLS, MATERIALS, AND TECHNIQUES

Laser cutting technology is a powerful tool that has revolutionized the way architects and designers create physical models, mock-ups, and prototypes. By using computer-aided design software (CAD), architects can create precise 2D and 3D drawings that can be easily translated into laser cutter-readable files. These files can then be used to create intricate and detailed physical models and prototypes using a laser cutter. Laser cutters use a high-powered laser beam to cut, etch, or engrave a wide variety of materials such as wood, plastic, metal, and even stone. One of the main benefits of laser cutting technology is its ability to create extremely intricate and precise designs with ease.

I was able to create complex geometric patterns, intricate textures, and detailed engraving with the laser cutter, which would have been difficult or impossible to achieve with traditional methods. This allowed me to quickly and accurately create a series of physical models of my furniture designs.

CNC INTEGRATED FABRICATION

Student Work

Architecture Grad Studio 2015

During my graduate studies in architecture, I took a course on CNC (Computer Numerical Control). Through the use of 3D modeling, I gained a fundamental understanding of the workflow from the computer to the machine and the post-processing steps required to finalize an object. During the course, I explored the various possibilities of CNC and the aesthetic outcomes of using the machine. By the end of the course, I felt confident in my ability to use the CNC machine for my individual projects, such as furniture design. I have since integrated CNC fabrication into my practice as a designer, artist, and maker.

Design and mill a custom bowl

Model Desk Accessory in Rhino

Mill out on CNC using Horizontal Finishing.

ART AND FURNITURE DESIGN

Computer Numerical Control (CNC) technology is revolutionizing the way that artists and furniture designers create their work. CNC machines use computer-controlled tools to precisely and accurately cut, shape, and carve a wide range of materials, from wood and plastic to metal and stone. This allows artists and designers to create intricate and complex designs that would be difficult or impossible to achieve by hand.

One major advantage of CNC technology is its ability to produce multiple copies of a design with perfect accuracy, ensuring that each piece is identical. This is particularly useful for furniture designers who need to produce a large number of pieces that are all the same.CNC machines also allow for greater precision and detail in the work, enabling artists and designers to create intricate patterns, shapes, and textures that would be difficult or impossible to achieve by hand. This opens up new possibilities for creative expression and experimentation in both art and furniture design.

Overall, CNC technology has revolutionized the way that artists and designers create their work, allowing them to push the boundaries of what is possible and to create works of art and furniture that are truly unique and innovative.

Design and mill a custom bowl Model Desk Accessory in Rhino

Mill out on CNC using Horizontal Finishing

FINE ART HANDSKETCHES

Student Work

Undergraduate Art Studio 2007

During my four-year college experience, I took professional sketching courses to enhance my ability to represent three-dimensional space through techniques like sketching plaster casts or live models. These courses helped me refine my hand-drawing skills.

SKETCHING IS A VISUAL ART

During my graduate studies in architecture, I persisted in practicing sketching. By portraying architecture and landscapes, I consistently enhanced my comprehension of objects, space, and light. Sketching also enabled me to further cultivate my proficiency in visual representation, thereby facilitating more effective expression of my design concepts.

In my opinion, Sketching is a visual art that can help you improve your ability to express visually. Through sketching, you can learn how to accurately observe objects and depict observed details on paper. Sketching can help you better understand three-dimensional space and represent it in your drawings. This is crucial for architecture and interior design, which involve designing and utilizing space. sketching is highly beneficial for architecture and interior design, as it can help improve hand-eye coordination, visual expression ability, spatial awareness, creativity, and drawing skills, allowing you to better express your design ideas and concepts.

THE DOORS OF CULTURE

With a starting point of learning about doorway culture and design in Tokyo and Chicago, and thinking about how new materials and technologies transition into contemporary architecture, also plan to make scale model to apply these ideas to contemporary architecture and design.

Tradition Japanese doorways are so popular in Japan’s culture that they have come to be known in the western part of the world as one of the characterizing features of Japan and are definitely an iconic symbol of the country. Japanese gates have specific religious meaning, and more or less canonized building structure. In order to deeply discover different period doorway of traditional Japanese buildings, I took a lot of photos in Japan, not only in Tokyo but also in Nara, Kyoto, and Osaka. Taking inspiration from these cities, my fragments of memories evoke me to continue learning about transitions in Japanese traditional technology.

The Doorway in Chicago (Laser Cut Halftone Picture) 13.5inx17.5in

The Doorway in kyoto (Laser Cut Halftone Picture)

In this Winter Painting Institute, I focused on the development of independent projects in the context of painting. The aim of this intensive course is to provide an environment for actively questioning the parameters and ambitions of artistic practice. Process, experimentation, research and conversation will be prioritized over creating “finished” work.

ART EXHIBITIONS

This course was designed for experienced students who were interested in developing their skills in advanced painting techniques and conceptual thinking. Throughout the course, I had the opportunity to work on individual painting projects while receiving expert guidance and constructive feedback from instructors and peers. The program concluded with an exhibition at the studio gallery where I was able to showcase my work to the public.

In general, the painting course covered multiple aspects that helped me enhance my painting skills from various perspectives and skill levels of art appreciation. This included instruction on color theory, composition, brushwork, and other essential techniques, as well as exposure to diverse styles and genres of painting. By exploring these different areas, I was able to gain a more well-rounded understanding of painting and strengthen my abilities as an artist.

The Cityscape of Chicago (Oil Painting on Canvas) 18inx24in

The stree view of Sunset (Oil Painting on Canvas) 18inx24in