Te Kupenga

Page 40

40

HĀKARI OLIVER STEAD

DESCRIPTION

REFERENCE

The stage erected to contain the food at the feast given by the native chiefs, Bay of Islands, September 1849, c. 1849 Watercolour, 302 × 477 mm

Collection of Alexander Turnbull, part of album E-320-f (B-030-007)

MAKER / ARTIST

Cuthbert Clarke (1819–1863)

Hākari — occasions for celebratory feasting and entertainment — were often of a grand scale in the nineteenth century, as shown by this depiction of the event held by Te Tai Tokerau iwi in the aftermath of the Northern War of 1845–46.

Hākari — an occasion for hosts to provide their guests with sumptuous food and entertainment — is a vital part of manaakitanga in te ao Māori, uplifting and maintaining the mana of hosts and guests alike. Many kinds of events can be celebrated with hākari, including marriages, the naming of children, tangi, the resolution of conflicts and the reciprocation of previous hospitality. In the first half of the nineteenth century some hākari were conducted on a huge scale. Such events often featured elaborate scaffolding-like stages, also called hākari, some of colossal size, on which food was arranged. This one, with flags flying proudly, towers over a marae at Kororāreka in the Bay of Islands in September 1849. It was recorded as being around 45 metres high, made from 160 kauri spars bound with torotoro vine. Some hākari were much lower, but could be up to 3 kilometres long. Such events could be attended by thousands of people from various iwi. The greatest hākari stages could hold staggering amounts of produce as iwi adopted new farming methods, crops and domestic animals. Tonnes

MUP004 History 101 200x250 272pp f_a.indd 40

of potatoes, beef and pork would be presented, along with traditional staples such as eel and dried fish. After the formal welcome for the guests, the leader of the host group would indicate to each group of guests which portion of food they were to receive at the feast. The food was not intended to be eaten all at once, but rather to be distributed among groups to carry back to their homes. In time the guests might host a reciprocal hākari. Once the stages had fulfilled their function, they were

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ACKNOWLEDGEMENTS

2min
page 267

ABOUT THE CONTRIBUTORS

8min
pages 263-266

INDEX

14min
pages 268-272

DIGITAL DIARIES

2min
pages 248-249

ABOUT THE EDITORS

0
page 262

‘TAKE SAGE OF VIRTUE’

2min
pages 246-247

CLOSING THE GENDER PAY GAP

2min
pages 244-245

‘I SEE YOU’

2min
pages 242-243

WE ARE BENEFICIARIES

2min
pages 240-241

FOR GENERATIONS TO COME

2min
pages 238-239

UNITED IN GRIEF

2min
pages 236-237

FROM LILBURN TO VAPORWAVE

2min
pages 232-235

JAMMERS AND BLOCKERS

2min
pages 228-229

DISASTER AND CARTOONS

1min
pages 226-227

A CHANCE TO DREAM

2min
pages 222-223

COLOSSUS OF SCIENCE

2min
pages 218-219

GAME OF THE PEOPLE

2min
pages 224-225

WRITERS ON RECORD

2min
pages 220-221

COLOUR, MOVEMENT AND MUSIC

2min
pages 216-217

WRITING THE MOVES

2min
pages 212-213

SOMALI PACIFIC STAR

2min
pages 214-215

HE KIRIATA NUI: MĀORI ON SCREEN

2min
pages 210-211

DIVINE ILLUMINATION

2min
pages 204-207

BREAK OUT THE TABS

2min
pages 202-203

NGĀ TAONGA REO MĀORI

2min
pages 198-201

NEW BREATH FOR ANCIENT VOICES

2min
pages 208-209

GOING ANTI-NUCLEAR

2min
pages 196-197

THE LIFE SHE WAS BORN TO LEAD

2min
pages 186-187

VISITING FOOTROT FLATS

2min
pages 188-189

PEOPLE’S POET

3min
pages 184-185

TOITŪ TE WHENUA

2min
pages 180-181

CAMBODIAN JOURNEYS

2min
pages 182-183

‘NOT ONE MORE ACRE’

2min
pages 178-179

THE DAWN RAIDS

2min
pages 176-177

‘EDUCATE TO LIBERATE’

2min
pages 174-175

FROM TOKELAU TO WELLINGTON

2min
pages 170-171

THE GOLDEN AGE OF WOOLCRAFT

2min
pages 166-167

KOROUA, MOKOPUNA

2min
pages 162-163

HUTU AND KAWA

2min
pages 160-161

MEAN MONEY

2min
pages 164-165

WHETU — STYLE ICON

2min
pages 172-173

ANCIENT DOCUMENTS

2min
pages 156-159

GIFT OF FIRE

2min
pages 154-155

HEALTH IN BODY AND MIND

2min
pages 152-153

CUSTOM MEETS COLONISATION

2min
pages 150-151

AOTEAROA FROM THE AIR

2min
pages 136-137

WAR, REFUGE AND LEARNING

2min
pages 148-149

SIGNING THE TREATY

2min
pages 138-139

THE DRAW OF HAINING STREET

2min
pages 132-133

A JAPANESE SONGBOOK

3min
pages 144-147

CURIOS

2min
pages 130-131

COLLECTIVE MIGHT

2min
pages 108-109

SĀMOA MŌ SĀMOA

2min
pages 124-125

SAFE SEX PIONEER

2min
pages 112-113

MANSFIELD’S TYPEWRITER

2min
pages 118-121

CAPTURING THE SPIRIT OF THE AGE

2min
pages 128-129

‘IT’S JUST HELL HERE’

2min
pages 110-111

CHATHAM ISLAND JOCKEY CLUB

2min
pages 114-117

CHAMPION OF WOMEN IN MEDICINE

2min
pages 104-107

PEACE ON THE WATERS

2min
pages 98-99

TAKING MĀORI TO THE WORLD

2min
pages 100-101

DIGGING FOR LIVELIHOODS

2min
pages 102-103

KIRIKI HORI

2min
pages 96-97

A TAXING IMPOSITION

2min
pages 92-95

LAGMHOR SONG BOOK

2min
pages 86-89

LAST OF THE LAUGHING OWLS

2min
pages 90-91

ADVENTURE, LOVE AND KEEPSAKES

2min
pages 82-85

A MORIORI GROUP

2min
pages 80-81

HE WHAKAAHUA RANGATIRA

3min
pages 78-79

FLOWERING ART OF SCIENCE

2min
pages 76-77

ACTIONS AT PARIHAKA

2min
pages 72-73

FARM OF THE SOUTH

2min
pages 74-75

TELEGRAPHIC TWEETS

2min
pages 70-71

WĀHINE MĀORI, WHENUA MĀORI

2min
pages 68-69

KEREOPA TE RAU

2min
pages 66-67

SELLING A FARMING DREAM

2min
pages 60-61

‘I SHALL NOT DIE’

2min
pages 62-65

HE HONONGA TĀNGAENGAE

2min
pages 58-59

SHIPBOARD DIARY

2min
pages 54-55

HE WAHINE TOA

2min
pages 56-57

TWO MĀORI IN VIENNA

2min
pages 50-53

FIRST NEW ZEALAND ATLAS

2min
pages 46-49

EIGHT-HOUR-DAY CHAMPION

2min
pages 44-45

HĀKARI

2min
pages 40-41

TRANSITION IN TAHITI

2min
pages 42-43

BIRD TRADE

2min
pages 36-37

MEETING HONGI HIKA

2min
pages 30-31

ANOTHER VIEW OF WAITANGI

2min
pages 32-33

WHALING IN THE BAY

2min
pages 34-35

LETTER FROM ERUERA

2min
pages 26-29

YOUNG EMISSARIES

2min
pages 24-25

MINIATURE WORLD

2min
pages 20-21

HE MIHI

0
page 6

INTRODUCTION

9min
pages 8-13

PORTRAIT OF AN ALLIANCE

2min
pages 18-19

FOREWORD

1min
page 7

WAKA SAIL

2min
pages 16-17

DRAWN TO TE AO MĀORI

2min
pages 22-23
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