Moda Dynastie Magazine Sep - Oct 2018

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CONTENTS Moda Dynastie |

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Be hno o de : Page 0 8

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B e h n o o d e b ra n d w i t h a n u n p a ra l l e l e d i n n ovat i o n i n c l o t h i n g d e s i g n i n s p i re d by painting wor ks of Siama k Azmi w ith the sty le of mode r n ar t . . . La M a mo u ni a : Page 44 Ever since it opened in 1923, La Mamounia quic kly e stab lished itself a s one of the most fashionable destinations in the wor ld. So muc h so that Winston C hurc hill laude d La Mamou nia ... j i b ra n Ra he e l : Page 58 Yo u n g s i n ge r/s o n gw r i te r J i b ra n R a h e e l is se t to introduce his wor k to Pa k ista ni audie nce s with the re le ase of his debut s i n g l e J h o o t a Pya r, o n 2 n d N ove m b e r 2 01 8 . . . ka mi a r Ro kni : Page 7 0 Karachi Calling for The House of Kamiar Rokni! Kamiar Rokni to host bridal trunk s h ow f o r a cc l a i m e d ‘ Mo o n r i s e ’ co l l e c t i o n at E n s e m b l e o n t h e 1 1 t h , 1 2 t h a n d 1 3 th of O c tob e r . . . H o psco tch : Page 7 8 Pa k i s t a n’s l e a d i n g k i d s w e a r b r a n d Hopscotc h hoste d its first s o lo fa shion s h o w, w i t h f i r s t o f i t s k i n d K i d s - L e d Fashion Show. . . Dav i d Ka i t : Page 8 0

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Dav id Kait is a Gre e k ac tor a nd model, o f G e o rg i a n d e s c e n t, c u r re n t l y re s i d i n g i n t h e U. S . H e i s c u r re nt l y m a k i n g a name for himself in the entertainme nt b usine ss . . . b e fore his tra nsatla n tic migration,


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ehnoode


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“S u ppo r t i n g w om e n e m powe rm e n t i s t he r e a l bea ut y o f a wom an .” – H in d Bi n N a i s e r

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Accompaniment and union of f ine art and fashion in Men’s jacket. Be h n oode bran d with a n u n p aral l el ed in n ovation in cloth in g des i g n i n s p i red by painting works of Siamak Azmi with t h e s ty l e o f m o d e r n a r t a n d t h e te c h n ique of oil paint on ca nvas .

Lah lah

Au t h o r o f t h i s wo r k a f t e r m o n t h s o f to i l i n g a n d e n d e avo r i n g s u cce e d e d i n creating an amazing and unique work. In th e de sign an d execution o f t hi s jacket we are witn e ssin g an e di t i o n o f a wo r k o f p a i n t i n g w i t h g re a t d e a l o f c ra f t s manship worked into it. In the weave of th e fabric an d th e lin in g o f t hi s jacket a paintin g with th e size 19 0 X 570 centimeters with 500 doll personages, each o n e o f t h e m re s u l t i n g f ro m nu m e ro u s s t ro ke s by t h e p a i n t e r ’s b r u s h o n t h e canvas was worke d into t he jacket, an d th e button s are design ed an d executed by be in g take n from th e edi t i o n o f o n e of th e m ost fam ous carto o n p ers o n al i tie s, an d wh en em ploye d rep eatedl y i n th is paintin g com plex o f t he wo r k s o f Behnood Javaherpour, the internationally ren own e d cloth in g des i g n er, t hey h ave foun d an e n h an ced ef f ect. T h e wo r k s o f p a i nt i n g t h at h ave b e e n incorporated in the clothing design are the results of years of toils of Siamak in the field of painting, and were selected from th e colle ction of th e do l l s .


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M. O.D.A D . Y . N . A.S.T.I.E

Editorial Madiha Shahwan Editor in chief

Advertising & Marketing Sher Ahmed

Director – Marketing & Creative (GCC)

Nomita Kiyani

Director – Marketing & HR (Pakistan)

Vassilios Vitsilogiannis Director – Marketing (Europe)

Angelina Kali

The ModaDynastie magazine is dedicated in providing its readers with essential guides about the regions latest trends and styles. Our editors pick quality and dedicate it in showcasing the very best in local and international fashion, lifestyles, beauty, high-end trends, travel and much more. For subscriptions magazines@modadynastie.com

Director – Marketing & Advertising (UK & Monaco)

Hashir Khan

Manager – Marketing (USA)

Taranpreet Kaur Manager–BD (India)

Technical Support Muhammad Shoaib Mohammed Ahsan

For ads, cover stories, interviews ads@modadynastie.com

www.modadynastie.com

Sponsor


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E d itor's M essa g e Moda Dynatie is proud to have new faces and new brands on-board in every new edition. It gives us immense joy to introduce the very talented and creative Behnoode brand with an unparalleled innovation in clothing design inspired by painting works of Siamak Azmi with the style of modern art and the technique of oil paint on canvas. Page 18 Also introducing some famous names in fashion industry, Da_Marusiaa the concept of her collections is sewing from high quality natural premium fabrics materials and inspired for new ideas by fabrics and travels, every country has its own culture and taking new ideas from it and transfer them to dresses..

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The very other known name in contemporary fashion industry Carlos, he is a gifted multi-disciplinary Mexican - Canadian designer who forms part of one percent of the world’s population due to his amazing multi disciplinary mind

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Moda team were able to be a part of PFDC Bridal week 2018 we had exclusive media coverage of this event, which was considered to be the most hyped fashion show of the year and were able to get the first hand experience for our viewers for the latest trends in bridal fashion this year.

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And don’t miss our exclusive coverage of trending awards shows fashion weeks and happing international and local events in this most dynamic issue of Moda Dynastie Magazine. We look forward to hearing your feedback magazines@modadynastie.com

moda dyna stie moda dyna stie www.moda dyna sti e . c o m


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@Carolin a Levi


C ar o l i na Lev i

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Carolina Levi


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Carolina Levi is an Argentinian actress t h a t we h ave s e e n i n m a ny p ro j e c t s i n T V a n d F i l m . We h ave s e e n h e r a s we l l o n t h e E l e c t r i c k Ju ke b ox co m m e rc i a l w i t h Ro b b i e Williams, on the Argentinian movie “My love or my Passion” with Adrian Suar an d Ju l i et a Diaz directed by Marcos Carnevale, and many o t h e rs . O n t h e b i g s c re e n , we w i l l s e e h e r n ex t p ro p o s i n g t o a c t o r Ja i m e C a m i l ( Ja n e th e Virgin ) on th e fe ature film “ M adn es s o n t h e Me t h o d ” , a n d i n a n ew f i l m t h at s h e i s c u r re nt l y s h o o t i n g w i t h o n e o f t h e b i g ge s t Hollywood directors. But she can’t talk about i t b e c au s e o f a n N DA co nt ra c t. C a ro l i n a i s t h e l e a d a c t re s s o n t h e Pa nte n e Ro s a co m m ercial to prevent breast can cer, t hat wo n 3 Lion s in Can n es. C a ro l i n a L e v i d e c i d e d t o p u rs u e h er ca reer a s a n a c t r e s s , e v e n t h o u g h h e r f a m i l y d i d n ’t s u p p o r t her at the beginning. Like for most families, C a ro l i n a ’s t h o u g h t t h a t a c a re e r i s t o b e d oct or, l a w y e r o r a rc h i t e c t … T S h e s t a rt e d a ct in g in s h or t fi l m s a n d p l a y s a n d l a t e r o n s h e h a d t h e opportunity of working on a TV show and doing features films. Carolina has worked with some of the m o s t re c o g n i z e d i n t e r n a t i o n a l b r a n d s a s A p p l e , C a d i l l a c , Pa n t e n e , H e a d & S h o u l d e r s , G i l l e t t e , S p ri t e , C h e v ro l e t , B u d w e i s e r, J o h n s on & Joh n s on , a n d D o v e , be t w e e n o t h e rs . The successful career she was getting brought her t o h o s t a T V s h o w fo r 3 y e a rs o n t h e b ig g es t a n d m o s t w a t c h e d T V c h a n n e l i n Arg e n t in a , C a n a l 13. S h e s t u d i e d i m p ro v i s a t i o n a t N o ra Mos ein co, a n d a c t i n g w i t h Ag u s t i n Al e z z o . D u ri n g t h is proces s , she started dreaming about studying at Stella Adler NYC, where for the first time she had to act o n a f o re i g n l a n g u a g e , E n g l i s h . A f t e r h e r e x p e ri e n c e a t S t e l l a Ad l e r s h e d e c i d ed t h a t s h e h a d to go to work to USA, but while her visa was be i n g p ro c e s s e d , s h e g o t o ffe re d t o d o a m ov ie in Amsterdam. During her stay in Europe she performed on a couple of plays as well. Carolina loves theater and she says that “working live has a m a g i c t h a t fo r m e i s p ri c e l e s s ”


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Originally from Lit huania, but a t the moment I living in Ireland. I been modelling for almost 8 years and I love d o i ng that. I won,Top Model U K Aw a rd in 2 0 1 3 a nd To p M o d el U K P hot ogr aphic Awa rd , M od e l l e d in L on d on Fas hi on Week , Par is fashion we e k, D u b a i fa s h ion w e e k , N Y Fa s h i o n We e k , C a n n e s f i l m f e s t i v a l . Fu l l t i m e I n t e r n a ti onal/ Fas h ion Model. B avar ia’s Cit y R acin g M od e l a n d many more.I love to travel for work. I consider myself a determined, c om m i t t ed and d own t o ear t h my energ y an d p os itive v ib e s , w ith a go od s e ns e o f humo ur. As a model I have be e n p u b l is h e d n a tion a l l y an d i n t er nati onal l y, and I have model led e ve r y th in g from we d d in g dre s s e s to mo p s . I have a huge p assion f or ac t ing and I lo ve b e in g in fron t of t he c amer a. I m ainl y shoot fashion, C om m e rcia l , E d itor ia l a nd T V, b ut I also enj oy c reat ive proj e cts l ike M o v ie s or dres s up. I am c urrent l y model ling f o r m y ow n p roje cts and no Model Agencies. My ph otos we re published in several magazines and I was m a ny t i m e s on t h e M a g a z i n e C o ver.

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I z ab ela Kowale wsk a

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Iz My modelling adventures started at th e age of 1 7 in my n at ive co u nt r y Po l a n d . I u s e d t o ge t i nvo l ve d i n many projects from fashion shows, hair modelling, photo shoots to p r o m o t i o n a l a n d p u b l i c e ve n t s . A fter m ovin g to the U K, I deci ded t o e n d my m o d e l l i n g c a re e r a n d g e t a ‘ p ro p e r j o b ’ b u t i t t u r n e d o u t t h a t I c o u l d n’t s t o p t h i n k i n g about being in front of the camera. I re alise d th at m odel l i n g i s s o me th in g I truly love do i n g . Thanks to my fresh vision, years of ex p e r i e n ce , p ro f e s s i o n a l i s m , re a l passion and head full of ideas, I h ave b e e n m o d e l l i n g f o r a b o u t 6 ye a r s n o w. I h ave b e e n k e e p i n g myse lf very busy, gett i n g i nvo l ved in a variety of pro j ect s mo del l i n g at events like Pro Beauty, Imats and L o n d o n Fa s h i o n We e k . I wa s a l s o t h e 2 n d Ru n n e r Up i n t h e f i n a l s of Top Model UK 201 7 i n ‘over 25 s ’ c ate go r y. I h a d a n o p p o r t u n i ty to work with som e wo n der f u l , exci ti n g , re a l l y t a l e n t e d a n d c re a t ive people. Throughout the time I have built a diverse por t f o l i o o f i mages an d I h ope th at it w i l l n ever s to p growin g.


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D a hl ia Couture

@ da hlia co utu re


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Black & Wh ite tre n d is always in f as hi o n . “ Bl ack is poetic. How do you im agin e a p o et ? I n a br i g ht yellow jacket? Probably not” Ann Demeulemeester has said, definitely true. The inventor of the nowicon ic ‘little black dress’ an d ‘litt l e bl ack jacket ’ (which was the subject of a recent exhibition at the Saatchi Gallery), Coco Chanel was a famous lover o f t h e c o l o u r. A s we l l a s w h i t e t h a t a l s o h a s i t s fan s. Wh ite is sim ple , bright an d p o s i t ive. T ho s e two together make the perfect and lovable combi nation that everyone has tried at least once. Black and white always look modern, whatever the word means! You don’t have to spend time worrying what acce ssorie s will coordin ate th is s ty l e. The colors black and white have always been conside re d with in m any cultures. I n wes ter n cu l t u re black an d wh ite sym bolize good an d ev i l , o r l i g ht a n d d a r k . Y i n a n d Ya n g t o ge t h e r a re d e p i c t i n g t h e t o t a l . I n C h i n e s e p h i l o s o p hy Y i n a n d Ya n g describes how seemingly opposite or contrary forces m ay actually be com ple m e nt ar y, i nterco nn e c te d a n d i nte rd e p e n d e nt i n t h e n a t u ra l wo r l d an d h ow th ey m ay give rise to each o t her as t hey i n t e r re l a t e t o o n e a n o t h e r. A n d h e re c o m e s t h e black and white photography. At first, might seem l i ke a s t ra n ge ro m a n t i c i ze d a n a c h ro n i s m b u t i n f a c t i s n o t a t a l l . T h i s k i n d o f p h o t o g ra p hy h a s pe rsisted as an ultim ate ch oice fo r many p ho to g raph e rs en gaged in ph otojourn ali s m etc. T here i s a re tro look in th is kin d of art.

By Despina Dimot si


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Eve r s i n ce i t o p e n e d i n 1923 , L a M a m o u n i a qu i c k l y e st a bl ished it sel f a s one of th e m ost f a s h i o n a b l e d e s t i n a t i o n s i n t h e wo r l d . S o mu c h s o t h at Wi n s to n C hu rc h i l l l au d e d L a Mam o u n i a to US p resid ent Fra nkl i n De lan o Roosevelt that it was “the best address in the world.” And it was voted the best hotel in the world by Conde Nast Traveler in 2015, beating 9 9 o t h e r l e a d i n g l u x u r y h o t e l s t h ro u g h o u t the world. It seems as if nothing has changed or has it? Like most historical buildings, they tend t o l o o k ‘ t i re d ’ w i t h t i m e w h i c h o f t e n t h e n f il te rs t h ro u g h to a l l a sp ect s of the h ote l. La Mamounia was no different. It seems as if the ow n e rs to o k the v iew that t he g ra n de dam e n e e d e d s o m e re j uve n a t i o n . T h ey e m p l oye d t he l e a di n g French d esig ner Ja cq u es Garcia to ove rs e e a $ 1 4 0 m i l l i o n t h re e -ye a r m a j o r renovation which was completed in 2009. So when I was invited recently for a photoshoot i n M a r ra ke c h a n d s t ay i n g a t t h e Wi n s t o n C hu rc h i l l s u i te at L a M a m o u n i a , I co u l d n’t wa i t to se e f o r mysel f if the renovation h ad re m a i n e d t r u e t o t h e h o t e l ’s h e r i t a ge o r i f i t h a d j u s t b e c o m e l i ke a ny o t h e r m o d e r n f ive st a r h o te l - cl ea n, hig h d esig n, e fficie nt s e r v i ce but l ack cha ra cter. Up o n a r r iva l , I wa s g re e t e d by i m p e c c a b l y d re s s e d d o o r m e n i n t ra d i t i o n a l M o ro c c a n cost u m e s. R ather t ha n b eing kitsch, I could just imagine that this is how the guests were g re e t e d w h e n t h e h o t e l f i r s t o p e n e d . A s I s te p pe d i nto the hotel , it wa s like I stepped back in time to an age of romantic idyll as portrayed by Hollywood in movies like “The Man Who Knew Too Much” by Alfred Hitchcock. I may not be starring in a spy thriller or being a prime minister, but as soon as I entered the lobby, I felt like a VIP. There was no standing around to complete the check-in formalities. A guest relations officer seated me, offered a refreshing towel and drink whilst they sorted

o u t t h e c h e c k i n w h i c h wa s m a d e ex p e d i e ntly. As I was th en led th rough t he ho tel to the Churchill suite, my eyes were wandering everywh ere to take in th e am azi n g des i g n . I co u l d n’t wa i t to p ro p e r l y ex p l o re t h e h o te l but I needed to refresh first after a long day’s travellin g. A s I entered th e Church ill suite, i t i mmedia t e l y b e c a m e a p p a re n t t h a t t h i s ro o m wa s steeped in history. I could just imagine all the famous people who had graced this impeccable suite. A n d as I stepped onto t he s i zeabl e balcony wh ich ove rlooks th e h o tel ’s f amo u s ga rd e n , I a l m o s t ex p e c t e d t o s e e Wi n s t o n Churchill smoking his trademark cigar whilst paintin g th e beautiful lan dscape. Oh how I w i s h e d I c o u l d t u r n b a c k t h e c l o c k . T h e re we re tantalisin g m e m e ntos of C hu rchi l l but n ot overbearin gly so. I t de fin itel y rek i n dl ed my inte rest in h istory. The garden is the link to the hotel’s heritage as the name La Mamounia comes from an 18th Century- prin ce calle d El Mam o u n w ho was give n th e garde n by h is fath er as a weddi n g present. The garden is set in eight acres filled with ancient olive trees and a variety of palm t re e s p e r m e a t e d w i t h t h e s c e n t o f o ra n ge blossom an d rose s. It is quite remar kabl e to h ave such a tran quil place in the mi ddl e o f Marrakech with the hotel located just a short stroll from th e m ain square an d t he f amo u s s o u k . I t m a ke s f o r a n i d e a l p l a c e t o re c u pe rate from an im portant busines s meet i n g o r h e c t i c ro u n d o f s i g h t s e e i n g o r s i m p l y a place for peaceful meditation. Very different from the Jardin Majorelle restored by Yves St Laurent wh ich is a must place to v i s i t. T hi s manicured and highly designed garden lends itself to perfect photo opportunities at every turn . Even th ough Yves St Laurent had s u ch a be autiful h om e in Marrakech , he was s t i l l a h abitué of th e h ote l.

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But my favorite location for my photo shoots was at th e fam ous spa at La Ma mo u n i a. T he mosaics of traditional Moroccan designs f u s e d w i t h m o d e r n d e t a i l s a n d f l a n ke d by Islamic pointed arches provide such a romant i c s e t t i n g . W h o w o u l d n’t l o o k a m a z i n g a ga i n s t s u c h a s t u n n i n g b a c kd ro p ? ! A f t e r a full day’s ph oto sh oot, I was ab s o l utel y f amished. La Mamounia has three top restaurants – I t a l i a n , Fre n c h a n d M o ro c c a n . A l t h o u g h Fre n c h i s my f avo r i t e c u i s i n e , I h a d t o t r y s o m e M o ro c c a n f o o d a s t h i s wa s my f i r s t v i s i t t o M o ro c c o. S o w h a t i s i t t h a t m a ke s L a M a m o u n i a s o s p e c i a l ? L i ke m o s t l u x u r y h o t e l s , i t p rov i d e s exe m p l a r y a n d f r i e n d l y s e r v i c e , a l l t h e m o d c o n s yo u n e e d t o s t ay i n t o u c h w i t h t h e o u t s i d e wo r l d , M i c h e l i n s t a r re d re s t a u ra n t s a n d a wo r l d c l a s s s p a . What sets the hotel apart from the other five star h ote ls is th e un derstated el egan ce co m bined with a romantic ambiance derived from its lin k with a glorious past. Jacq u es Garci a defin itely succe ede d in re stori n g t he g ran d dame to her former glory. Even with its celebrity status, La Mamounia still retains an aura of exclusivity an d a rarefied am bi an ce. L a M a m o u n i a d e s e r ve s a l l i t s a c c o l a d e s a s it rem ain s true to its h e ritage whi l s t p rov i ding all the modern amenities. It is a tranquil h aven in a busy m e tropolis. I t i s o n e o f t he f ew h o t e l s w h i c h I l o o k f o r wa rd t o s t ay i n again. It left a lasting impression on Winston Church ill, Albert Ein ste in an d n ow me, an d I a m s u re i t w i l l w i t h yo u i f yo u a re f o r t u n ate e n ough to visit th is oasis p aradi s e t hat is La Mam oun ia.

L A M AM OUNIA –

“THE BES T ADDRESS IN THE WORLD” By Angelina Kali


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M a r ia t he d es i g n e r fr om D a _ M a r us i a a! was bo r n i n Moscow . Fa shion I wa s starte d t o i n t e re s t s i n c e c h i l d h o o d . At 6 ye a rs o l d my g ra n dmo t h er showed me how to sew on a s ew i n g m a c h i n e , a n d f ro m t h a t m o m e n t i t b ec a m e my f avorite a ctiv ity, I d ressed all my do l l s i n f a n cy d resses. My g ra ndm oth er u s u a l l y o rd e re d n ew d re s s e s f o r h e rs e l f i n t he ate l i e r a n d she a l ways took me with h er and I watched as a tailor took measurements a n d m a de f i tt i n gs. At 11 y.o. I st a rted sewin g f or myse l f . T h e d esig n of t he d ress com es to me , a f te r I se e t he fa b ric materia ls, an d th e idea is born in my head and does not give me to s le e p u nt i l I rea l ize it. I g ra d u a t e d f ro m F i n a n c i a l Un ive rs i ty a n d a f te r g ra du at i o n I worked for a long tim e as a f in a n c i e r i n t he oil a nd ga s comp any, an d design was for me as a hobby. I sewed clothes f o r mys e l f , a s I co u l d n o t f i n d i n t h e s to re what I wa nte d , a nd the q ua l ity of t h e fabric f or m e i s p a ra m ount.

Th e turn in g point in my fate was o n e cas e, a friend of mine who lives in Florence, sent me a luxury cotton velve t for a skir t, an d i t was an fantastic beauty, that I had an idea to sew a kid dre ss! I did n ot kn ow why I was s ew i n g i t, b u t i t wa s f o r m e a s a n a r t i s t to p a i nt a picture . A fter th is case , I began to s ew chi l d re n’s d re s s e s a n d p u t t h e i r p h o t o s o n t h e Internet. When I create dresses for children, I remember myself in childhood and imagine t h a t I wa nt to d re s s f o r a h o l i d ay. My f i rs t clie nts we re my frien ds, th en th ey began to recom m e n d to my frie n ds. Th e con cept of my collection s i s t hat I s ew f ro m h i g h q u a l i ty n a t u ra l p re m i u m f a b r i c s m a t e r i a l s . I a m i n s p i re d f o r n e w i d e a s by f a b r i c s a n d t r ave l s , e ve r y c o u n t r y h a s i t s own culture and I took new ideas from it and tran sfer th em to my dre sses.

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Ca rlo s H e r re r a - J e w e l ry Nini A m e rl i s e - Ca n a d ia n Sup e r mo del & Mot i vati o n al sp ea ker A rindam Ban e rj ee & Sh i va a ni Ba h u gu n a - P h oto g r a p h y TB D esi gn s - P h oto R e to uc h er Tabi Moazzam - M a keup A rt i st Ma ili Car p i n o - H a i r st y l i st Ru t h Ri o s H e r re r a - J e w e l ry co or di n ato r Gwyne th H e rre r a - P h oto g r a p h y


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H e r r er a

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Carlos has gained a degree in architec ture from Mex i co Ci ty, stud i e s of Psyc hology and l ux ur y com pa n i e s a n d h i s i d ea s h a s b e e n r e cognized on beha l f by he r m a je sty the Queen of England as one of the most promising businesses in Canada. Heis a gifted mult idisc iplinar y Mex i ca n - Ca n a d i a n d e s i g n e r w h o fo r m s pa r t o f o n e percent of the wor l d ’s p op ul a ti on due to his amazing multi disciplinar y m ind. His fashionable architectural asymmetrical jewelr y pieces inspired by natural c reat ions w i th a n i n sp i rational stor y behind each exclusive p i e ce . (J E W E L R Y ) . I n n o va t i v e “ B i o Balanced Renewable Architecture” Eco-friendly theor y inspired by Bionical Creativity Engineering principles (ARCHITECTURE). His unique safety car design structural proposals to protect the lives of t he occ upants. (C AR DE S I GN ) . His psychological theories for a better understanding of giftedn e s s . ( P S Y C H O LO G Y ) . H i s s o c i o l ogy theories of how we are leaving a m a n i p u l a t e d p a r a l l e l r e a l i t y, t his generation is d i scove r i n g the missing piece to finally understand w h o t r u l y w e a r e . ( S O C I O LO G Y ) His charitable marketing campa i g n s , t h e m o s t r e ce n t m y s t e r y of, “What Is in the B ox ?”, w hi c h i t was answered on September 22, 2017. (MARKETING). He is a philanthropist givin g pa r t of hi s ti m e sharing his testimony to thousands of individuals locally and abroad who suffe r b ul l yi n g , a n x i eties and depressi on .


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Bio Balanced Renewable Architecture�

Ca r los H e rre ra - Je we lry N i n i A m e r li s e - Canadi an S u pe rmod el & M ot i vat i onal s pe ak e r A r i n da m Bane rje e & S hi vaani Bahuguna - P h oto graphy T B D e s i gns - Ph oto Re to u ch e r Ta b i M oa z z am - Mak e u p Art i st M a i l i Ca r p i no - Hai rst y li st R u t h R i o s H e rre ra - Je we lry co or d inator Gwy n e t h He rre ra - Photo g rap hy


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@ Car lo s He r re ra


Carlos Herrera

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Japa nism S en sation

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SINGER/ S ON G W RITE R

Ji bran Rahee l

Musician to launch f irst or igi na l s in g l e ;

JHOOTA PYAR [ L a h o re : 2 6 t h O c t o b e r 2 0 1 8 ] Yo u n g s i n ge r / s on gwr i te r J i bra n Ra heel is set to int roduce h i s wo r k t o Pa k i s t a n i a u d i e n c e s w i t h t h e re l e a s e o f h i s d e b u t s i n g l e J h o o t a Pya r, o n 2 n d Nove m b e r 2 0 1 8 . R a h e e l s t a r te d ex p l o ri n g h i s t a l e n t a t t h e t e n d e r a ge o f 1 0 a n d p a r t i c i p a t e d i n a d ive rs i t y o f m u s i c s h ows in Paki st a n a n d i n UAE . In 20 12 he wo n th e b e s t s i n ge r awa rd i n UA E f ro m t h e m u s i c m a e s t ro A . R . R e h m a n h i m s e l f a t t h e ‘ S i n g li ke a St a r ’ co nte s t a nd p erformed w it h h im l ive a t D u b a i I nte r n a t i o n a l St a d i u m . S i n ce the n J i bra n R a h e el ha s a lso p erformed with renowned music directors Shankar Ehsan Loy a t a n o t h e r c o n c e r t i n A b u D h a b i Na t i o n a l Au d ito r i u m o rga n ized by C ity FM 10 1.6 an d re c e ive d a t ro p hy f ro m R a j e s h R o s h a n f o r the Andaz-e-Rafi competition. A story about f ri e n d s h i p, l ove a nd b et raya l , J hoota Pyar is abo ut two l ove rs at d ifferent st ates in th eir re l at i on sh i p. T h e l y rics a re a cla ssic d ram a tization of betrayal, desire and anguish faced by two pe o p l e i n l ove.

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K a ra c h i C a l l i n g f o r T h e H o u s e o f K a m i a r Rokni! Kamiar Rokni to host b r idal tr unk s how fo r acclaimed ‘Moonrise’ collection at Ensemble on the 1 1 th, 1 2 th and 1 3 th of O c tob er [ L a h o re : 1 0 t h O c to b e r 2 0 1 8 ] T h e H o u s e o f Kamiar Rokni bring their critically acclaimed heirloom bridal collection ‘Moonrise’ to Ensemble Karachi. Hot off the PFDC L’Oréal Pa r i s B r i d a l We e k ra m p, Mo o n r i s e w i l l b e on exhib it in Karac hi for orde r on t he 11th, 1 2 th and 1 3 th of O c tob e r. As the name sugge sts, the colle c tio n draws i n s p i ra t i o n f ro m t h e m o o n , a u n ive r s a l l y feminine symbol representing the system of time , and draws from the House of Ka mia r Ro k n i ’s s i g n at u re i n s p i rat i o n : a r t, c u l t u re , i m a g i n at i o n . Mo o n l i g ht h a s b e e n c ra f te d for the multi-face te d woman, mar r ying tra dition and modernity in equal measure w i t h c u t s f o r t h e m o r e f l a m b o ya n t , t h e more adve nturous to the more de mure a nd traditional. Launched in late 2007, The House of Kamiar Rokni is among Pakistan’s pre mie r fa shio n design houses. The brand strives to provide an immac ulate e sse nce of sty le in all their creations, designing signature one of a kind p i e c e s t h a t evo ke a s e n s e o f i n d iv i d u a l i ty and e le gance in the pe ople that we a r them. Ka m i a r Ro k n i i s o n e o f S o u t h A s i a’s m o s t ce le b rate d and awarde d fashion desig ners, h i s wo r k sy m b o l i c o f a n o l d wo r l d c h a r m and traditional he r itage . The House of Kamiar Rokni will be at E nse mb le Karac hi on T hursday the 11th of O c to b e r, Fr i d ay t h e 1 2 t h a n d S at u rd ay t h e 1 3 t h o f O c t o b e r a t C - 3 2 , E s t re e t, B l o c k 4 , C lifton Karac hi.

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The 2nd edition of the London Design B i e nna le kicked off few days back at th e p re s t i g i o u s S o m e rs e t H o u s e i n L o n d o n , Pakistan is amongst the 40 countries part i c i p a t i n g a n d i n t e r p re t i n g t h i s ye a r ’s theme of ‘Emotional States’ via its official p av i l i o n Aa n ga n . Fo r Aa n ga n , Wa g g i n g To n g u e s Pro d u c t i o n s h ave co l l a b o ra te d w i t h the Ka a rva n C ra fts Foun dation , an o rga n i z a t i o n d e d i c a t e d t o e m p owe r i n g r u ra l women by p rov id ing life skills th at co u ld p rove to b e op p ortun ities towards attaining economic and material goods.A m u l t i - l aye re d i n s t a l l a t i o n o f ga r m e n t s , so u n d a nd v id eo,

th e Pakistan pavilion Aan gan – mean i n g t h e c o u r t ya rd o f a t ra d i t i o n a l h o m e o r haveli – aims to capture the sense of commun ity in h erent in th e co u nt r y ’s f emal ed o m i n a t e d t e x t i l e i n d u s t r y, i t s l a r g e s t m anufacturin g se ctor. T h e c u r a t o r, f i l m m a k e r a n d s c u l p t o r M a r i a m M a j i d ( f ro m Wa g g i n g To n g u e s Production s), aim e d to co nvey t he i n n er world of th e artisan , wh il e emp has i z i n g h ow t h e s e l a rge l y u n re co g n i s e d wo m e n contribute to the global garment industry.


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Kidswea r br a n d Ho ps co tch p r es en ts deb ut kids led fashion show! Hopscotch pr esents d eb ut k id s l ed fa s h i o n s h ow! P a k i s t a n ’s l e a d i n g k i d s w e a r b r a n d H o p s c o t c h h o s t e d i t s f i rs t s o l o f a s h i o n s h o w, w i t h f i r s t o f i t s k i n d K i d s - L e d Fashion Show showcasing the brands’ Fall/ Wi nte r ’ 18 C o l l e c t ion tit led “Ad vent ures of Rob in L a n d”. Building on its brand philosophy of childh o o d wo n d e r a n d j oy, H o p s c o t c h’s n ew Fa l l / Wi n t e r ’ 1 8 C o l l e c t i o n i s d r ive n by t h e p a s s i o n o f d i s cove r i n g o n e ’s o r i g i n , i n s p i re d by R o b i n s , i t s b ra n d i d e n t i t y, and how t h ey si g n ify good l uck, p a ssion , and new beginnings. The collection showc a s e d v i b ra nt k n i t s a n d p l ay f u l we ave s . Fro m f l o ra l s , f r u i t s t o f a n t a s t i c a l c re a tures and from prints and puffs to embroideries and appliques, the Hopscotch F W 1 8 C o l l e c t i o n b a s e d i n co tto n , wo o l , j ers ey a n d ja cq u a rd ha d it a ll. The show also featured a performance by 11-year-old sitar maestro Ahmed Affendi, re n ow n e d f o r h i s b r i l l i a n t re n d i t i o n o f t h e Nat i o n a l A nt h e m o n s i t a r. A f f e n d i d h as e m e rge d a s a young hea rtt hrob more rece nt l y, w i t h h i s v id eos going v ira l over t h e i nte r n e t e a r l i e r t h i s ye a r. T h e s h ow wa s a l s o co m p l e m e nte d by f o u r a c ro b at exp e rt k i ds w h o exhib ited t heir skil l s at th e s how. S p e a k i n g a b o u t t h e s h o w, H o p s c o t c h co-founders Harris Syed and Romana A b d u l l a h s a i d , “ We a r e d e l i g h t e d t o h o s t o u r f i rs t eve r k i d s f a s h i o n s h ow i n

Lahore. As a brand, we associate strongly w i t h t h e e f f o r t l e s s p l e a s u re s o f c h i l d h o o d a n d o u r n ew Fa l l / Wi n t e r ’ 1 8 c o l lection , Adve ntures of Robin Lan d, re s on ate s th e sam e , wh ich will be sh owcase d by th e little stars leadin g sh ow. We are a proud “Made in Pakistan” brand inspired from our struggle as parents to find good quality and trendy clothes for our kids in t h i s m a r ke t w h i c h a re n o t o ut ra ge o u s l y priced. With Hopscotch , we ’ve looke d to bridge th is gap. In term s of in spiratio n , our driving vision has been to capture the vibran cy, th e fun an d th e joy of a ch ild ’s life in th e form of a bran d th at we wou l d love our kids to wear. We are as com m i tte d to a q u a l i ty ex p e r i e n ce a s we a re to re m i n d i n g eve r y c h i l d t h a t h e o r s h e i s un ique an d a tre asure .” Hopscotch is th e brain ch ild of entre preneurial couple and duo, Romana Abdullah and Harris Syed. With clothes and accessories for boys an d girls from 0- 1 4 years , t h e c h i l d re n’s f a s h i o n b ra n d i s i n s p i re d by t h e c o l o r, j oy a n d wo n d e r o f c h i l d hood. Hopscotch brings its philosophy of em bracin g joy an d fun , to kids’ cloth in g a n d a cce s s o r i e s . H o p s co tc h i s c u r re nt l y retailed through 26 stores across 19 cities n ationwide.


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Interview by Vassilios Nicolaos Vitsilogiannis D av i d K a i t i s a G re e k a c t o r a n d m o d e l , o f G e o rg i a n d e s c e n t, c u r re n t l y re s i d i n g i n t h e U.S. He is currently making a name for himself i n t h e e nte r t a i n m e nt b u s i n e s s b ut b e f o re h i s transatlantic migration, David served as a Riot Police Lieutenant in Athens, Greece, and played s o cce r o n a pro f e ssiona l level . His unconven ti on a l t ra n si t i o n to the a rt s wa s recently publi s he d o n Fo r be s .

1.

How wa s y o u r c h il d h o o d ?

A s a g ra de - sc h o oler, t he only ca re wa s to play soccer. Whe ther it wa s with a packaging- tape re i n f o rc e d - p a p e r b a l l , a c r u s h e d - d r i n k- c a n b al l , o r a bu n c h -of-clot hing -t ig ht ly-bun dledtogether ball, my friends and I were unstoppab l e . L ate r, i n my teens, a relent less lite rature , poetry, and philosophy exploration had begun, with the writings of Nikos Kazantzakis and Kiki Dimoula shaping my worldview. Solitude, away from a chaotic household, transcribing quotes and book excerpts to a journal became my first ever hobby. I have saved those gems to this date and keep adding; unfortunately, my handwritin g has be co me l ess att ra ct ive over the ye ars.

2. Why did you decide to become an enf orce m e nt o f f ice r ? I wa s a t h i rsty f o r a d vent ure kid t hat use d to s p e n d h i s s u m m e r b re a k s wo r k i n g w i t h h i s stepdad in the peach fields in a rural part of the country. I wanted to become somebody that my parents would be proud of. The Police Officers’ Ac a d e my i n At h e n s , G re e c e i s a ve r y p re s t i gious university, with one of the lowest acceptance rates nationwide. The idea of pursuing a coveted career in leadership in the metropolis o f At h e n s a n d b e i n g f i n a n c i a l l y i n d e p e n d e nt from my folks, who at the time were raising my two s ib l i n gs, wa s simp ly irresistib le.

3. Have you ever thought of yourself on st a ge? Definitely not. I was following the “study hard, get a job, be sensible” triptych. I was too scared t o d e f y t h a t m e n t a l i t y. S o, w h a t eve r a r t i s t i c i n c l i n a t i o n s I h a d a s a k i d re m a i n e d e i t h e r u n ex p re s s e d o r u n e n co u ra ge d . B e i n g v u l n e r a b l e i n f ro nt o f s t ra n ge rs ? I m e a n , w h o d o e s th at! We ll, I didn’t kn ow any better.

4. B e f o r e l e av i n g G r e e c e f o r USA , h ave you d on e a n y a ct in g or mode li ng j ob s? Zero. Isn’t th at bizarre ? I was a p o l i ce o f f i cer and an athlete, nowhere close to the entertainm e n t b u s i n e s s . M o d e l i n g c a m e t o p l ay f i rs t, wh en I got “scoute d” by my wife , Vi cto r i a. As a professional photographer, one of her superp owe rs , s h e e n co u ra ge d m e to g ive i t a s h o t. Sh e was right as I was fortun ate to get s i g n ed by a t a l e n t a ge n cy. B u t I n e e d e d t o s t e p u p my game with some serious training. I audited an actin g sch ool, th e Beverly H i l l s Pl ay ho u s e o f S a n Fra n c i s c o. I t o o k a s i t, l i g h t s u p, f ew m i n u t e s i n t o t h e f i r s t s c e n e , I f i n d my s e l f t e a r i n g u p. I f e l t a n u n p re c e d e n t e d s e n s e o f be lon gin g.

5. W h at wa s t h e r ea son you de c i de d t o leave Gr eece?

Ameera Nizar Th ere was a point in my life in G reece w here I h ad arrived to everyth in g I was s t r iv i n g f o r : I h ad a govern m ent job, a beautifu l ap ar t ment, a big-city lifestyle, dear friends, a streamlined future. But with comfort comes a sense of stagn ation , at least for m e . I was ready f o r a n ew c h a l l e n ge . A ro u n d t h a t t i m e , I m e t V i c t o r i a w h o s u g ge s te d p u rs u i n g a m a s te r ’s d e g re e i n b u s i n e s s a d m i n i s t ra t i o n , s i n c e l e a d e rs h i p i s on e of my passion s. th e classroo m.


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6. H ow e a sy o r d i f f i c u l t i t i s f o r a newcomer to achieve his goals in USA? T h e U. S . i s c e r t a i n l y t h e l a n d o f o p p o r t u n ity, but success doe s n ot grow o n t rees here. Especially in th e entertain m ent bu s i n es s I am in . Th e U.S. m arke t is a global mar ket, w hi ch m e a n s t h a t yo u a re co m p e t i n g n o t o n l y w i t h the nation’s best, but the world’s best. It’s a lot o f h a rd , n e r ve -w re c k i n g , n o - g u a ra nte e s wo r k b u t, a s l o n g a s yo u d o yo u r p a r t, yo u h ave a c h a n c e i n a b i g ge r ga m e . T h a t c a n o n l y b e exh ilaratin g.

7. How much your family and people close t o you h elp ed you adju s t i n the n ew env ir on men t ? A lot! My wife , fam ily in th e U.S. an d G reece, o l d a n d n e w f r i e n d s , m e n t o r s , c o a c h e s , my artistic com mun ity h e re. Th ey al l o f f ered me selfless support that helped me build someth in g n ew from scratch . It take s a v i l l age!

8. W h at a r e t h ose perso nali ty trai ts on e sh ould h ave in ord er to s u cce e d? I don’t think there is a personality formula out t h e re t h a t e q u a l s s u cce s s . A n d “s u cce s s ” h a s always been a troublin g te rm to p i n p o i nt. But h e re is wh at se em s to be worki n g wel l f o r me: a go - ge t t e r a t t i t u d e , n o t i n d u l g i n g i n b l a m e ga m e , r i s k- t a k i n g , ge tt i n g a l o n g w i t h p e o p l e , an d rem e m berin g th ose wh o hel p ed me al o n g t h e way. We a re a l l d i f f e re n t a n d o u r c a re e r p a t h a re go i n g t o b e d i f f e re n t, b u t I b e l i eve t h row i n g yo u rs e l ve s i n t o eve r y s m a l l o r b i g en de avor with genuin e com m it ment i s a go o d place to start.

9 . Do you believe that modeling and a c t i n g a r e m o r e o n i m p u l s e i n o rd e r t o get a pr oj ect or mor e on s trate gy to succeed your goa l?


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One o f t h e ve r y f i rst things I lea rned from my mentors, Rob Zimmerman and Peter Allas, was t h e i m p o r t a n ce o f a d m i n i s t rat i n g yo u r a r t i stic c a ree r a s a sma ll b usiness ow ner. Strate gy mu s t d e f i n i te l y be in p l a ce, if you wa nt to see res u l t s . A n i mp u l se sometimes ca n get th in gs going, but I don’t believe you can build a career a ro u n d u rge s t h a t co m e a n d go. Yo u n e e d to s e t s p e c i f i c go a l s a n d d eve l o p a d m i n i s t rat ive habits to proactively connect the dots towards the projects you aspire to be in. Things are not go i n g to f a l l i n your l a p.

10. A l l t hi s t i m e , h ave y o u eve r b een d i s a p p o i n t e d f o r t h i n g s t h a t d i d n ’t t u rn out t h e way y o u h ad p l an n e d ? O f co u rs e ! Mu l t i p l e t i m e s , m ayb e eve n eve r y day. We a l l c ra f t s eeming ly b ulletp roof plan s for ourselves, but at the end of the day, the unive rs e do e sn’t n e cessa ril y have to comp ly with yo u r n e e d s . T h e c h a l l e n ge i s t o b e re s i l i e n t en o u gh to h a n dl e the a d versity. I keep tellin g mys e l f t h at a s l o n g a s I roll w it h t he pun ch es a n d d o n’t l e t i t d i s co u ra ge m e , eve r y t h i n g i s go i n g to be j u st f ine.

1 1. How did you feel that one of your first interviews was featured on Forbes? I t wa s o n e o f t h o s e m o m e nt s w h e re I h a d to p au s e f o r a s e co n d a n d re a l l y w ra p my h e a d arou n d i t. B ut at the sa me time, I couldn’t be h a p p i e r t o h ave my vo i c e h e a rd o n a g l o b a l sc a l e , t h a n k s to Mr. Ra b imov. S o, I cele brate d t h i s m i l e s t o n e t h e d ay t h e a r t i c l e wa s p u b lis he d a n d t h e n ext d ay got b a ck to work.

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1 3 . Can you disclose some of the new pr oj ect s a r e you w or kin g o n? T h e re a re exc i t i n g t h i n g s i n t h e wo r k s , b u t I a m o n e o f t h o s e s u p e rs t i t i o u s p e o p l e t h a t prefer to talk about projects after they are completed. The only thing I can tell you is that I am workin g on a person al project, a s cr i p t w i t h a G reek th e m e to be sh ot by th e e n d o f t he year.

1 4. It might be a far-fetched example, but do you see yourself back in Greece? A b s o l ute l y ! I f t h e r i g ht o p p o r t u n i ty a r i s e s , I would love to work on a project in Greece. We, G re e k s , b e s i d e s t h e d ive rs i ty o f n a t u ra l a n d h i s to r i c a b u n d a n ce i n o u r co u nt r y, a l s o h ave p l e t h o ra o f s to r i e s t h at d e s e r ve to b e s h a re d with th e world. Th e re ce nt Los An gel es G reek Film Festival showcased a body of quality work that proved the great potential. You see, I didn’t h ave th e ch an ce to perform at the ver y bi r t hplace of dram a wh ile I was th ere, s o I ho p e I can go back as an artist on e day.

1 5. M a k e - A -W i s h t o t h i s r a p i d l y ch a n gin g w or ld . I wish we stay close to our hum an i ty.

12. W h a t w o u l d y o u a d v i s e a y o u n g p e rs o n t h a t w o u l d l i k e t o p u rs u e h i s or her dre a m s? I am not a big fan of general, unsolicited advice, especially when I myself am in the state of b e co m i n g . ” G ive it a thoug ht. @ dav i d Kait


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Al Arab Fashion Days


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Am y Tay l or is a super model from Ca lif or nia w ho ha s b een th e co ve r of a n u m b e r o f m a ga z i n es a l l a r o u n d t h e w o r l d . We ’ v e r e c e n t l y s e e in g h e r on th e co ve r of m a ga z i n es su c h a s M u s c l e & F itn e s s H e r s , Ma x i m , F HM, o r P l ay b oy, a n d s h e a l re ad y h a s m a ny m o re c o ver s l i n e d u p t h i s y e a r. S p o r t s I l l u s t r a t e d n a m e d h e r L o v e l y L a d y O f T h e D a y. B u t s h e ’s n o t a re g u l a r m od e l , s h e ’s g if ted , a c om m erc i a l p il ot, a m e m b e r of M EN SA , rec ei ved h er undergraduate degree in Berkeley, and h a s a n M BA !

@ am yta ylo r la


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CHAT

D ES P IN A : L ist en,

not only t he c at w al ks b ut al so th e part ies w ere f ant ast ic. New Yo rk is t he cent er o f th e w o rl d.

VASSILIO:

Hello, it’s me again. This time, I want to tell you about the wonderful time we had at New York Fashion Week.

VASSILIOS:

I know that. I l i v e d i n N YC f o r m a n y y e a r s and I remember myself going to fashion weeks. But this time, we were together on an assignment fo r Mo da Dynas tie magazi n e .

DESPINA:

Hi! Y ea h! W e had the best time ever. New Y or k c i t y i s ma g nific ent too.

VASSILIOS:

Big city, bright l i g h t s a n d a g l i t t ering fas hio n w eek .

DESPINA:

I loved being in New Yo r k a l l t h i s t i m e .

DESPINA:

I took so many photos from the catwalks of my favorite designers. Tom Ford is one and o n the ramp, he us ed n atural colors with the classic designs and made a dynamic s ho w as w e expected. His collection can be wo rn b y almo s t everyo ne b ec ause it does not restrict color and style.

VASSILIOS:

We had fun. Our good friends had invited us to attend the f a s h i o n s h o ws.

VASSILIO:

Who else did you like?


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DESPINA:I

loved pastel co l o r s o f M i c h ae l Ko rs. B ab y pink and baby blue are always in fashion - over time! Also, the classic style of Marc Jacobs, clothes in broad line mainly l ong t h a t c o mb ine e cce ntrici t y a n d m y s t e r y. Ι d e a l f o r everyday life in a big city like N e w Yo r k b u t al so fo r sp e cial occasions. What about you?

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VASSILIOS:

Jasmine, an American bran d . Th e ph ilosoph y of t h e b r a nd is to live in a simple, fresh, clean, and friendly aest h et ic world . E n viron men ta l f r iend ly fabric is used such as organic cotton, n at u ral f iber, rec yc le u sed ma ter ia ls a nd red u c e f abric wast e.

DESPINA:

This fashion week will be one of our best. What’s the next one?

VASSILIO : I enjoyed some of the

world’s most innovative designers that took over stages, nightclubs, restaurants and theaters around the city and hundreds of runway models d onne d n e w l o o k s fro m the b igge st names in high fashion. I saw the return of such big fashion house names as Proenza Shouler and Rodarte for thrilling new shows, as well as a party for Rhianna’s wildly popular lingerie line Savage x Fenty.

VASSILIO:

Be patient! I won’t t ell you .

DESPINA:

I hope it’s dazzling too!

VASSILIO: is!

DESPINA:

Apart from th a t, a n y f a s h i o n designer in specific?

It

Gla m

G la mming e vents


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@ glam in g.event s


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Gl a mmi n g Events

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Ahmed

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Pakistan a B eauty


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@ she r ahm e d

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P h o t o g r ap h y b y

Sher Ahme d


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PFDC 2018

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