MOViE MOViE Magazine#55 by MOViE MOViE

MOVIE-MOVIE-MAGAZINE #55 FOR MOVIE LOVERS

In preparation for MOViE MOViE’s 10th Anniversary Special, my dear colleague Leah – on our team for less than a year, opened a decade of old archives in search of photos that documented our ten years. After going through over 10,000 photos, she told me it was like watching me grow, and the truth might not be far off.

I joined Edko Films in November 2011, brought on to organize an international film channel featuring award-winning films as the role of Head of Channel; during those nascent times, there was only a film list from the internal library – the existence of the channel was barebones, and everything had to be conceived and imagined from scratch. Looking back, there were so many tasks to get the channel up to operation; even something like the individual classified information clips were over 100 in number. To say that this was a daunting task in retrospect is an understatement.

I remember so well the brain-storming meeting that conceived the channel’s name – it’s still so fresh in our minds. We wanted to bring the Broadway Cinematheque experience to people’s homes. We went through many iterations, each one coming up short. Calling it “IFC (International Film Channel)” shared the name of an iconic building, and calling it “Film Master Channel” was too esoteric for ordinary audiences. After racking our brains, my boss Mr. Kong suggested an easy-to-remember name: “MOViE MOViE,” and the rest is history. As the fundamentals were finalized, I had to find a designer for the logo, create publicity, and then decided to launch the MMM magazine where I became a writer and editor.

The MM team initially consisted of Cherie Fan (Operations and Programming) and I, and we were supported by Audrey Lee – my supervisor at the time, and Gary Mak, Director of the Broadway Cinematheque. At the same time, Tessa Lau, head of the theatre department during this period (and now my current boss) and Mr. Kong participated in many of the early decision making meetings. We are still so grateful for all the indelible advice they gave us during these early days. With so much encouragement from my peers, I then started looking for team members one by one for my fledging team. The designer for both the MOViE MOViE logo and accompanying magazine, Renatus Wu – I remember there were only 2 people in his company back then, was introduced

by Amanda Tam, the manager of the Kubrick Bookstore. The channel’s ID was made by the artist b.wing and Richard Yu’s team – you might recognize their work with the Broadway Cinema’s prescreen etiquette short. Sun Law, who shared the office with Renatus, built our website. And I have such fond memories of a fresh University of Hong Kong graduate, Lo Ying Yeung, who went from a tenured intern at the Broadway Cinematheque to taking charge of our marketing. So to me, it felt like the movie SIX DEGREES OF SEPARATION (1993). Everyone mentioned here was so integral to the foundation of our channel, and half a year after, on May 31st, the MOViE MOViE channel officially piloted on Now TV.

I would especially like to thank my go-to person Cherie Fan; creative director Judy Ho; my growth manager Wylie So; and the young teammates Leah, Janice, Down, Hazel, Michael, colleagues and interns past and present. I am grateful to every team member.

In ten years hence, I can really say that it feels like such a dream. MOViE MOViE now has two cinemas in Hong Kong, respectively at Cityplaza and Pacific Place, launched an online streaming service, organized countless film festivals and community screenings, and has collaborated with a gamut of different agencies and brands. And through all this – everything I’ve been through, and the people I’ve met along the way and worked with, they are always in heart. Serendipity is often the rarest of rare, so I truly cherish everything with great appreciation. It is humbling, truly. Now, it’s the 10th Anniversary – certainly a time to celebrate! In keeping in theme of building something the foundations, we are honored that this year’s flagship film festival, Life is Art is centered around a collaboration with the Hong Kong Institute of Architects. Furthermore, for the first time, we’ve invited Micah, the mastermind of The Kongner, to curate “MOVIE is Dead. Long Live Movie” for us, a film festival in hopes to reinvigorate the audience with all things cinema.

For 10 years, MOViE MOViE has used “See the World” as its slogan. Nothing has changed, and it still maintains its original intention to travel far and see more. Let‘s MOViE MOViE, my friends!

JOYCELYN 為預備今期 MOViE MOViE 的十週年特輯，加入團隊未夠 1 年的同事 Leah 為我們翻開 10 年間的舊檔，尋找合適的照片。看過逾萬張照片後，Leah 對我說感覺好像看著我成長，事實或許也離得不遠。在 2011 年 11 月，我加入了安樂影片籌辦一條主打得獎電影的國際電影頻道，那時我的同事為我起了一個稱號——「台長」。剛開始的時候，只有一個片庫的片單，可以說是由零開始構思和想像；團隊成員也是逐一物色，還有要準備頻道運作等一大堆項目，單是播放前不同字眼的分類資訊片段已達百多條。構思頻道名稱那個腦震盪會議仍歷歷在目，我們本意是將百老匯電影頻道帶到普羅大眾家中，將藝術電影拉近生活。但叫「百老匯電影中心頻道」有點敿口，叫「IFC (International Film Channel)」又撞名，叫「Film Master Channel」恐怕會嚇走一般觀眾⋯⋯苦思良久，江老闆提議不如叫簡單易記的「MOViE MOViE」，the rest is history。在基礎事情敲定之後，又要找設計師設計 logo 和宣傳（然後又決定推出這本 MMM 雜誌，又兼當撰文與編輯）。 MOViE MOViE 團隊最初只有我和行動組組長（負責 operation 跟 programming）的 Cherie Fan。猶幸當年的上司李玉蘭和百老匯電影中心總監麥聖希均給予很多支持和意見，而江老闆和當年戲院部負責人劉少文（現在是我的上司）也參與了很多早期決定性的會議。在今天的回憶裡，為 MOViE MOViE 設計 logo 和 MMM 雜誌開台功臣的胡卓斌（當年他公司也只有 2 人）是 Kubrick 書店店長 Amanda 介紹的，製作頻道 ID 是製作百老匯院線禮儀影片的 b.wing 和 Richard Yu 團隊，做網頁是當時和胡卓斌共用辦公室的 Sun Law，負責 marketing 是剛從港大畢業在百老匯電影中心當了實習生很久的 Yeung Lo Ying⋯⋯在不同人士引薦和介紹下，MOViE MOViE 頻道在我加入半年後的 5 月 31 日於 Now TV 正式試播。我要特別感謝我的 go-to person Cherie Fan；創意總監 Judy Ho；品牌經理 Wylie So；還有 Leah Janice Down Hazel 和 Michael，以及多年來的同事和實習生。這 10 年恍如發了一場夢般，因為 MOViE MOViE 在香港多了兩間分別在太古城中心和太古廣場的戲院，推出了 OTT 網上串流服務，辦了很多不同主題的電影節和社區放映，以及跟不同機構和品牌跨界合作。所經歷的一切、認識和合作的人我都銘記於心。這些機會可以不是我的，因此格外珍惜，分外肉緊。適逢 10 週年，我們也要趁慶祝有時「攪大 D」。除了這本 MMM 雜誌的版面大了，我們十分榮幸今年的旗艦電影節 Life is Art 光影藝術祭能與香港建築師學會攜手策劃；此外我們亦首次邀請 MOViE MOViE 以外的人——由 The Kongner 主腦米迦策劃以「MOVIE is dead. Long live MOVIE.」為主題的電影節，冀能令觀眾耳目一新。MOViE MOViE 在 10 年前以「See the World」作為口號，到今天依然保持要行遠一些、看多一些世界的初衷。Let’s MOViE MOViE, my friends! Paper in use: Constellation Jade Intreccio E48 215 gsm

PUBLISHER MOViE MOViE EDITORIAL DIRECTOR Joycelyn Choi CREATIVE DIRECTOR Renatus Wu (EDITED.HK) MANAGING EDITOR Leah Kee CHINESE EDITOR Rita Cheung EDITORIAL TEAM Jenny Chak Michael Leung Simon Shiu Hazel To DESIGNERS (EDITED.HK) Russell Pun Cathy Cheng Orange Tuen CONTRIBUTORS Chi Chung Wong Pierre Lam Rex Koo SPECIAL THANKS Broadway/PALACE/B+ cinema/ Broadway Cinematheque/ MOViE MOViE Paciﬁc Place/ MOViE MOViE Cityplaza/ PREMIERE ELEMENTS/ MY CINEMA YOHO MALL Edko Films Limited Analog Dept. Records Eslite bookstore Hong Kong Arts Centre Hong Kong Asian Film Festival Hong Kong French Film Festival Hong Kong International Photo Festival Jockey Club Creative Arts Centre Leisure and Cultural Service Department PMQ Storerooms White Noise Records zapjok café Zuni Icosahedron 一拳書館序言書室常常集品 PAPER SPONSOR Acumen Paper (HK) Ltd PRINTING SUPPORT Colham Printing Co. Ltd LEAH 音樂和電影本來就形影不離。配樂一起，電影畫面隨即油然而生。今期 MMM 小弟有幸和坂本龍一的好友黃志淙博士進行訪問。我除了更認識坂本龍一的創作之外，更有機會一起討論電影和音樂之間的關係。膾炙人口的 Merry Christmas Mr. Lawrence 不但是坂本龍一成名之作，更是電影《戰場上的快樂聖誕》不可或缺靈魂。樂曲一起，整個畫面就浮現了。好的配樂能夠昇華電影的情緒，而好的場面調度（Mise-enscène）則能夠把音樂的精髓勾劃出來。大家下次看電影時，不妨留意一下配樂和電影之間的配合，讓你的電影體驗更上一層樓。 SIMON 彳亍於秋風裏，頭頂是慘白的天空，我的心變作枯枝敗葉，肆意在體內沙沙作響。一年又快要終結，萬物走向衰謝——人不由得思忖恆久的可能。過去人極力把脆弱、暴力、浪漫、悲苦、欣悅的瞬間凝固成一片片薄如紙的膠片，渴盼築起自己的永恆，但絕大部分卻都終敵不過一場烈火、一些日光，以及記憶的消亡。如今影像唾手可得，我們是否就離彼此更近、離遺忘更遠了？避開蕭瑟的風，步入影院，仰首看大銀幕——仍有人在溫柔地說故事；環視四周，漆黑中仍有人在不倦地聽故事⋯⋯跼蹐不安的心竟得到一絲平和。 JENNY 最近看了杜 Sir 做嘉賓的《導演．門》，他說：「人一有念頭，事情就會出現。」相信 MOViE MOViE 和 MOViE MOViE 阿媽——百老匯電影中心都是這樣誕生的。 MOViE MOViE 十歲了，我也在 MOViE MOViE 工作了近八年。引用《巴黎夜旅人間》裡的一句對白：「我一開始想像的生活並不是這樣的，但我們還是盡力去熱愛它。」新念頭仍在萌芽中，但學杜 Sir 話齋：「放開一點會更精彩，藝術是這樣，你要先全情奉獻。」還想趁這機會多謝這些電影的陪伴：《一一》、《瀑布》、《扑頭前失魂後》，還有仍在上映中的《巴黎夜旅人間》。 JUDY WYLIE 雖然加入 MOViE MOViE 團隊只有 2 年多，但我已經深深體會到團隊中人，無論是資深同事、新人或前人，原來每位都是深藏不露、臥虎藏龍的高人。大家在工作崗位上各有擅長，不過從相處和工作中，我發現大家都是身手敏捷、生命力頑強，而且心細如塵。有時候為了精益求精，同事之間有些小爭拗是平常事，但當見到完成品誕生的那一刻，大家都會有種老懷安慰的感覺。過程中會有解決不了的事嗎？當然也有！幸好，電影是我們的良藥，只要走進戲院，在光影之間好好地哭笑一場之後，精神便會抖擻起來，能夠重新振作再接受挑戰！光陰似箭，日月如梭，一眨眼在 MM 渡過 10 個年頭。感受就像每日都有做不完的工作。工作雖然多（真心多）但滿足感也是滿滿的！ CHERIE Sergio Leone 與 Ennio Morricone 是我其中最愛的電影導演和配樂師，這兩人讓我意會到電影可以是一門淒美、悲壯、牽動人心的綜合藝術。相信多年後，腦海仍會浮起《萬里狂沙萬里仇》主題曲那動人的旋律，被牛仔的悲歌觸動著。猶記得《星光伴我心》看電影那份最純粹的快樂；《西西里的美麗傳說》已失去的童真；《末代皇帝溥儀》天朝君皇隕落的唏噓；《義薄雲天》老男孩緬懷逝去的友誼。這些都教我慨歎過去與現在、理想與現實之間不可抗力的衝突，原來曾經視為理所當然的東西也會變質，而美好事物不是必然，終究會消失。唯有電影才可將回憶長存於光影之下，既是夢的造物，也是盛載著人類獨有特質的器皿，好讓我們繼續一起沉溺在銀幕美夢裏。 MICHAEL FOR ADVERTISING, PLEASE CONTACT: E: SOWYLIE@MOVIEMOVIE.COM.HK T: 2528 7216 www.moviemovie.com.hk MOViE MOViE 所有文章內容僅代表作者個人觀點及意見，並不代表本刊立場 The views, information, or opinions expressed in the magazine are solely those of the individuals involved and do not necessarily represent those of MOViE MOViE Paper in use: Recyco White 100 gsm

The thing is – the up and down, the shambles and joy, you are going to experience all of it – some slices of yourself you adore, and some you struggle to let in; still, they are equally important to you. The voyage is surprising as much as it affirms you. PS. After an edition in Spring and another in Summer, it’s finally Worlds. Regardless of the results this year, don’t ever say it’s over if Faker’s breathing.

V I M O E R S V N T H E E H A I 感謝 MOViE MOViE 陪伴了這 10 年的光與影無論是什麼階段的自己還可以透過作品看到成長、經歷與生命希望 MOViE MOViE 繼續為生活添上藝術繼續讓藝術走進我們的生活 Wow! 十年了！ MOViE MOViE 這些年來為香港動畫發展幫了好大的忙，我僅代表一眾香港動畫新人類向你們致以深深的謝意！ Keep on! Congratulations, MOViE MOViE! Congratulations Joycelyn，轉瞬間你就湊大個 baby 十歲了！多謝 MM 成日同我地一齊玩，好多影像還是記憶猶新——2015 年用 MT TAPE 砌電影 poster；2016 年同一班 tenant 一齊搞 Life is Art Festival：Abbey Road、阮大勇、古董車；2017 年以四季做主題，用電影講人生；2018〈兩代合拍〉唱粵刻；2019〈雙打獨鬥情人節〉玩互啤酒館⋯⋯有那一次不是衝住去做，趕趕趕，好玩結尾？！⋯⋯今年 Life is Art Festival 我們又再一齊玩，希望以後可以開心繼續玩！《海報師》是一段奇妙旅程，一切從 2016 年入選 Life is Art 盛夏藝術祭開始。可有想過，拍一部紀錄片可以走多遠？我們從油麻地的電影中心，到百老匯院線上映，繼而闖入新加坡、台北、多倫多電影節，亦參與了由安樂影片主辦的中國內地 20 個城市巡映，期間有幸收穫了香港電影金像獎和巴塞羅拿評審獎。這次經歷豐富了阮大勇老師的人生，也是我和家人的美好回憶，衷心感謝 MOViE MOViE，繼續努力，一起加油！恭喜 MOViE MOViE 踏入 10 周年。一直感激有 MOViE MOViE 透過電影節致力推廣不同電影及藝術文化，令我們可以大開眼界，視野更為廣闊。那時候更藉著電影節當中一部講述 letterpress 的電影而鼓勵我們開展了第一次 open studio 之旅。有幸能夠成為 MOViE MOViE 的合作伙伴及萬分感謝他們的團隊，讓我們能夠一起在當中探索出更多的可能性。湊巧 ditto ditto 都是邁向 10 周年，期盼日後可以一起推動更多不同的文化藝術。有些經歷，一生只有一次。與 MM 一同經歷的這十年時光，永誌難忘。沒有什麼東西比起我接著下來要幹的事更能體現我對 MOViE MOViE 十週年的慶賀，敬請期待年末我與 MOViE MOViE 為大家悉心設計的盛宴，也祝願 MOViE MOViE 於未來有更多個十年。 The first double digit birthday is always a special one – as it marks the first step to the next 99 years! Happy 10th Birthday MOViE MOViE, so happy we met, partnered, and conquered together! May your coming years be filled with joy, fun and more amazing collaborations! 十年前，MOViE MOViE 開台，作為香港首個藝術電影頻道，為香港電影文化開闢了一口井，後來這口井，發展到一個水池，再溢滿整個池塘，構建出 MOViE MOViE Cinema，為電影藝術提供養份，為世界電影提供放映平台，功德圓滿。我曾經獲邀主持節目《皮亞看電影》，一個月拍兩集，拍了四五年，講解藝術片、得獎片，又訪問過不少影評、學者、音樂人、導演，身在香港，能有此機會，做這些有意義的事，一生人只得一次，唯獨在 MOViE MOViE，也成全了我做電影的快樂時代。作為戲迷又好，作為主持都好，MOViE MOViE 是我的 Cinema Paradiso：Whatever you end up doing, love it. 有幸見證 MOViE MOViE 在香港的誕生；有幸參與過當中的活動及製作；祝你今天十歲生日快樂。世界正在變色，願 movie 與 MOViE MOViE 都能在風雲變幻中茁壯成長，迎向未知的十年。 10 年間，MOViE MOViE 已成為香港藝術電影界的可口可樂。生日快樂！我要飲可樂！ Margaret Yang CEO of Hong Kong Sinfonietta Alice Mak 麥家碧插畫家、漫畫家 Renatus Wu 設計師 Don Mak 插畫家 Micah 米迦文化媒體 The Kongner 創辦人黄修平導演 Vicky Fung 馮穎琪唱作人 Pierre 影評人

Chan & Nicole Chan Co-founder, ditto ditto Iris Chow 元創方管理有限公司總監（品牌及活動發展）盧子英香港動畫業及文化協會秘書長許思維《海報師》導演 Heidi Lee 香港芭蕾舞團行政總監首先我想感謝觀眾的支持。我們最初成立 MOViE MOViE 頻道的初衷是希望能將油麻地百老匯電影中心帶到觀眾家中，讓大家足不出户也可以欣賞優秀的另類電影。我們會繼續努力，期望能做得更好 ! 江志強 Bill Kong 安樂影片執行董事 Executive Director, EDKO Films b.wing 藝術家恭喜 MOViE MOViE 踏入 10 週年！ MOViE MOViE 電影頻道及自選服務為 Now TV 觀眾搜羅全球人氣的首輪猛片以及橫掃國際影展的得獎傑作，口碑載譽，深得影迷喜愛。希望 MOViE MOViE 未來繼續以嶄新角度推廣電影藝術，連場好戲，以電影連繫觀眾 ! 蔡煒健 Derek Choi HKT Home 董事總經理

Donna

Congratulations to MOViE MOViE on their tenth anniversary! It has always been a showplace that brings together different art forms while providing fresh ideas and insights to the Hong Kong audience. Their hard work, planning and creativity has brought so much success in the last decade.

Wishing MOViE MOViE the very best of everything in the next ten years!!

V E M O A R Y ! A N N I P P Y T 城市如何文化？答案就在 MOViE MOViE ！ MOViE MOViE 才是真正的 mover， 10 年內不斷有新嘗試。透過 MOViE MOViE，我們看到更遼闊的世界 MOViE MOViE 十歲生日快樂祝 MOViE MOViE 成立十周年生日快樂！多謝你們的努力不懈，為香港觀眾帶來那麼豐富的電影選擇，期待以後繼續有合作的機會！ MOViE MOViE 十週年快樂！與好電影並肩，更上一層樓！能共度十個寒暑不易，能參與數十個將電影、藝術及文化昇華的項目，更覺幸運。不忘初心，方得始終，期待下一個十年！與 MOViE MOViE 合作的經驗總係愉快的，因為與 Joycelyn 構思活動時，她一定會關顧我們參加者不同的需要。從他們離開影院的表情知道，確確實實的經驗了一段美好的時光；只有 MOViE MOViE 細心策劃的節目可以簡單演繹藝術療癒。恭喜亦請繼續努力！

有相為證，我真係追咗 MOViE MOViE 10 年！十年磨一劍，祝 MOViE MOViE 越做越精彩，迎接下一個十年在 MOViE MOViE 這個名字中，感受到的是一份靈氣。無論走進她的藝術電影頻道還是戲院，都感受到一種個性，一種氣質，一種生命力。與 MOViE MOViE 有過多次的合作，我為她拍攝過自由創作的《Life is Art 盛夏藝術祭》短片，又監製過我在演藝學院任教的電影學生所拍攝的《MOViE MOViE 估 Movie》宣傳片，還有多次在 MOViE MOViE 戲院舉行的《飯戲攻心》美術及剪接分享會，每一次都是讓我尋回電影初心的美好回憶。越投入電影世界，越發現學海無涯，深不可測，而 MOViE MOViE 給我的啟示就是，堅持自己的個性，找回初心，你才能重拾電影的生命力。十年人事幾番新。在 2012 年的非常林奕華，應該不會想到踏入 2012 年，將有更多的創作會踏出舞台劇的框框，走進影像和屏幕的世界。由 2015 年在 MOViE MOViE 電影院放映舞台映畫《水滸傳》，到 2022 年把三部《分享 Share》的導演和演員帶到戲院現場與觀眾互動，這跨越一步，是創作團體與 MOViE MOViE 一起攜手的耕耘與收獲。感謝有這樣的嘗試，期待未來可期的合作，原來推動藝術電影文化的電影院，也可以參與過程及成為作品！ MOViE MOViE 十歲生日快樂！感謝 MOViE MOViE 一直為愛好電影藝術的香港朋友精選高質電影和籌辦相關文藝活動，不論酷熱天氣還是打風落雨，過去十年大家都風雨同路。 MOViE MOViE 的選片常為我們打開國際視野，每次入場看戲，總有一種特別的期待，總能喚醒靜止了的熱情；其藝術電影頻道，更是我們一家周末 pajamas party 的住家影院！祝福 MOViE MOViE 繼續好戲連場，帶領我們飛躍夢工場！偶然與 MOViE MOViE 交了好朋友，啟發了我不少想像，多謝 MM ！ Rex Koo 插畫家 Louis Yu 茹國烈香港藝術學院院長、香港資深藝術行政人員 Teresa Kwong 鄺珮詩香港藝術中心節目總監、獨立電影總監葉詠詩香港小交響樂團桂冠音樂總監張小踏 Illustrator and Animation Director 陳詠燊《飯戲攻心》導演 Edward Lam 林奕華劇場導演 Sheren Cheng 鄭瑞琴香港浸會大學國際學院人文及語言學部高級講師 Ray Yeung Director of SUK SUK 顏卓靈演員鄭嬋琦藝術在醫院 Alan Chan 陳幼堅設計師 Leumas To 插畫家 Eddy Hui 跨媒體設計師 John Ho 插畫家 “See the world...”自己的聲音可以一直陪伴 MM 10 年來的宣傳影像片段，在戲院和家中，分享和推動多元電影文化，對於唸電影、愛藝術／生活的我，肯定是夢想成真！但願你在電影的宇宙中也繼續造夢。黃志淙 Chi Chung 電台 DJ Paper in use: Recyco White 100 gsm

The “Third Generation Tsuchinoko” – the master con man hailed as a “hero” has died. Dako, Boku-chan and Richard all honed their skills under his tutelage. The title of “Tsuchinoko” is handed down in secrecy to the Confidence Man (scammer) with the greatest skill, setting the stage for a showdown between his three star pupils.

The contest will take place in the world heritage city of Valletta, Malta, an international gathering place for the rich and famous. Their target is the invaluable ancient Greek sculpture “Dancing Venus”, currently owned by a wealthy, retired Spanish gangster. Each scammer adopts a unique strategy in pursuit of the target, but the police and Interpol are also hot on their heels. Who will laugh last?! No one knows how the biggest scam in history will end!

Who is the true "hero" and what is the ultimate “truth”? The last con game, grand finale, Battle Royale... begins now!

Suddenly learning she is terminally ill, ‘Seyveon’ asks her husband, ‘Jin-bong’, the

task of helping her find her first love, and he unwillingly joins her search. Along their journey, ‘Se-yeon’ and ‘Jin-bong’ are reminded of the most glittering, beautiful moments of their lives.

CINEMAS 狂掃 70+ 億日元票房燒腦系列《信用欺詐師 JP》，玩轉香港及馬來西亞後今次衝出亞洲，神級佈局強勢進攻歐洲！被稱作「英雄」的欺詐師「第三代槌之子」去世，欺詐三人組達子（長澤正美飾）、少爺仔（東出昌大飾）和理查德（小日向文世飾）為了爭奪「英雄」之稱號，在地中海設下史上最大騙局！為了要將價值 20 億的夢幻秘寶——古希臘雕塑「舞動維納斯」騙到手，原本合作無間的同門三巨頭到

地網⋯⋯ IN

底會否因此反目？正當大魚看似準備上釣時，一直監視他們的國際刑警卻在背後佈下天羅

上映日期 IN CINEMAS 上映日期 IN CINEMAS 13/10

20/10 (THU) 信用欺詐師 JP: 英雄篇給自己的情歌

(THU)

導演 Dir 田中亮 Ryo Tanaka 演員 Cast 長澤正美 Masami Nagasawa、東出昌大 Masahiro Higashide、小日向文世 Fumiyo Kohinata、松重豐 Yutaka Matsushige、瀨戶康史 Koji Seto、城田優 Yu Shirota、生田繪梨花 Erika Ikuta、真木陽子 Yoko Maki、織田梨沙 Lisa Oda、關水渚 Nagisa Sekimizu、石黑賢 Ken Ishiguro、生瀨勝久 Katsuhisa Namase、廣末涼子 Ryoko Hirosue、江口洋介 Yosuke Eguchi 語言 Language 日語（中英文字幕）Japanese (Chinese, English subtitles) 韓國電影史上首部跨時代流行歌舞喜劇窩心笑爆大銀幕！勢娫（廉晶雅飾）婚後一直全心為家庭奉獻，一天得知自己患上絕症，向老公陳奉（柳乘龍飾）提出人生最後同時最荒誕的生日禮物：「尋找初戀情人」！陳奉百般不願意下帶著勢娫，憑一幅超過 30 年的舊照片踏上尋找初戀之路。走遍全韓國，人生各個階段的珍貴的回憶一一浮現，初戀的青澀爛漫，熱戀的甜蜜悸動，與朋友家人的甜酸苦辣⋯⋯一段倒流到 70 年代的時光，同笑同哭地走到現代，每個閃耀的間，都給你與我人生最溫暖的共鳴。導演 Dir 崔國熙 Choi Kook-hee 演員 Cast 柳承龍 Ryu Seung-ryong、廉晶雅 Yum Jung-ah、邕聖祐 Ong Seong-wu 語言 Language 韓語（中文、英文字幕）Korean (Chinese, English Subtitles) THE C ONFIDENCEMANJP :EPISODE O F T H E OREH LIFEISBEAUTIFUL IN

absurd

After making a sobering contemplation of romantic trauma with Happy Old Year, eccentric Thai writer-director Nawapol Thamrongrattanarit returns to the comedy genre with an inspired effort that finally brings together competitive sport stacking, arrested development, and a love of Hollywood action films. Already in his thirties, Kao only has one goal in life: To become the fastest sport stacker in the world. But when his long-suffering girlfriend Jay becomes fed up with taking care of him and decides to leave, Kao is suddenly forced to learn to become an adult while trying to fulfill his sport stacking dream and win Jay back.

The chaos began at the Winter Solstice dinner eight years ago. The father lost his temper, the son, not able to forgive his father, ran away from home. Eight years have passed, and the family's relationship is still cold and distant. A cousin returns to Hong Kong from England and hopes to gather everyone for a Winter Solstice dinner. The long-awaited gathering prompted everyone to rethink their relationships with family members. Some choose to leave, some are back. When things are about to fall apart, it might as well be an opportunity to mend connections.

CINEMAS 上映日期 IN CINEMAS 上映日期 IN CINEMAS 17/11 (THU) 24/11 (THU) CINEMAS 高因沉醉於競技疊杯，忽略了悉心照顧他的女友小潔而被提出分手。由零開始學習打理生活的同時，高更需努力追逐冠軍夢，希望贏回小潔的歡心。泰國導演納華普譚容格坦拿列，繼《戀愛病發》及《無痛斷捨離》後，繼續細膩探討生活與愛情。首次執導「動作」浪漫喜劇，透過鮮為人知的體育項目，描繪一個有關成長、愛情和夢想的感人故事，同時不忘向多齣經典電影致敬。導演 Dir 曾慶宏 Tsang Hing Weng Eric 演員 Cast 毛舜筠 Teresa Mo、謝君豪 Tse Kwan Ho、呂爵安 Edan Lui、談善言 Hedwig Tam、袁澧林 Angela Yuen、盧瀚霆 Anson Lo、馮素波 Fung So Bor 語言 Language 粵語（中英文字幕）Cantonese (Chinese, English Subtitles) 八年前的冬至飯局是一場混亂的開端，舅父因誤會與外婆關係破裂，就此拂䄂而去。早已躁動不安的爸爸情緒大爆發，舉刀恐嚇提出離婚的媽媽，結果兒子無法原諒父親，繼而離家出走。八年過去，一家人的關係仍然結冰。表妹忽然從英國回港，帶來了舅父的死訊，並希望促成一場冬至飯局，以圓死者遺願。久違的飯局邀請，令眾人檢視自身與家人關係，有人決定出走，亦有人選擇回來。面臨瓦解的危局，正好也是這個家庭修補關係的契機。

導演 Dir 納華普譚容格坦拿列

演員 Cast Nat Kitcharit Urassaya Sperbund Anusara Korsamphan、Kanokwan Butrachart、Wipawee Patnasiri、 Keetapat

語言 Language 泰語（中英文字幕）Thai (Chinese, English Subtitles) 過時 ·

Nawapol Thamrongrattanarit

Pongruea

H O

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神速特攻隊 FAST & FEELLOVE

KONG FAMILY

專訪香港亞洲電影節策展人香港亞洲電影節（ HKAFF ）由香港亞洲電影節協會主辦、百老匯電影中心協辦，是香港最大規模的亞洲電影展映平台。透過舉辦影展、活動、工作坊及與其他平台的合作，讓海外及本地電影創作者和觀眾進行交流。策展人徐匡慈（ Clarence Tsui ）坦言世界局勢風雲變化之際，電影節亦邁入第十九個年頭，就如步入複雜的成人世界，必須探索如何自處。 Interview & text by Jenny Chak

Paper in use: Recyco White 100 gsm 《燈火闌珊》《窄路微塵》 M M MOViE MOViE T C Clarence Tsui M M 可以為讀者介紹一下今年的主題嗎？ T C 去年舉辦第十八屆的時候，香港亞洲電影節已開始反思電影節應該如何面對「成長」，又如何在「成人世界」之中自處。經過這幾年，面對生活中的不穩定，似乎整個社會都躊躇不安，不確定應該怎樣走下去。這種心態我想在電影中也常常能見到。那麼電影的角色到底是什麼呢？電影節應該是怎樣的？就是要通過探究虛與實之間的關係來嘗試回答這些問題，而選片也跟主題密切相關。過去兩年，我們選片時沒有特意區分劇情片和紀錄片，因為兩者在某種意義上互相重疊的。劇情片雖然講述的大多是虛構的故事，用幻想的、「虛」的方式談人的情感、關係和困境，但其實也反映了當下的現實，例如主人翁的經歷可能建基於現實社會情況，拍攝的畫面也在不知不覺間紀錄社會環境（social landscape），讓觀眾看見某個城市的街道和社區。劇情片藉此突出電影在人類社會肩負的責任——紀錄，也就是捕捉「實」的瞬間。這樣「虛」與「實」就已經融合在一起了。 M M 影迷想必最關心今年有甚麼好戲可看，可透露一下嗎？ T C 香港亞洲電影節一直以來都致力為本地年輕導演提供平台，將他們的作品帶給觀眾。《辣警甜妹大毒梟》今年我們貫徹這個理念，選了四套本地作品作開幕及閉幕電影，當中討論了許多你和我此刻都能有共鳴的議題。開幕電影有《過時 · 過節》，是一套由毛舜筠﹑謝君豪﹑呂爵安﹑ 談善言和盧瀚霆等合演的親情電影；也有《窄路微塵》，由張繼聰及袁澧林主演，講述疫情期間，一個打工仔和另一個同樣是住劏房的單親媽媽如何共同面對困難，繼而發展出感情。而閉幕有《流水落花》，述說由鄭秀文和陸駿光飾演的一對夫妻成為寄養家庭的故事；還有張艾嘉和任達華主演的《燈火闌珊》，講述一個霓虹燈管小工廠老闆去世，而他的妻子想為他完成遺願望，維持工廠運作，反思本地獨有文化的生存空間。另外，我們也一如以往根據主題劃分了不同專題放映部分。今年總共有兩個部分：第一部分是《大佛普拉斯》導演黃信堯的紀錄片。可能香港觀眾對黃信堯導演認識只限於劇情片，但早期他也著眼於真實事件，拍了非常多的紀錄片，為他的個人敘事風格奠下基礎；第二個部分是庫爾德電影。庫爾德是在中東的一個地區，而庫爾德人沒有自己的國家，分散於土耳其、敘利亞、伊朗和伊拉克。世界對庫爾德人的印象多是難民或戰爭受害者，但脫離這些淒慘的印象，他們也是人，他們在尋根和維護庫爾德文化的過程中，也有自己說故事的方式。有如《辣警甜妹大毒梟》（My Sweet Pepper Land）的西部片敘事，有《同敘一村》（Neighbours）的黑色幽默，也有《薔薇戰士》（Gulistan, Land of Roses）中的性別平等意識。通過電影，可以打破人們對某些社群的固有認知。 M M 植根香港，你們如何推廣亞洲電影？ T C 作為香港的電影節，我們亦面向整個亞洲。多年來，我們與其他亞洲地區的電影節合作，建立一個能專門放映、討論及支持亞洲電影（尤其是獨立電影）的平台。今年我們與菲律賓 Cinemalaya 獨立電影節（Cinemalaya Independent Film Festival）合作，將會播放三部來自菲律賓的得獎獨立電影，亦會邀得策展人和導演出席網上講座交流。本地而言，為支持新人導演，香港亞洲電影節在 2005 年創立「亞洲新導演獎」（New Talent Award），讓新人導演的第一部或第二部劇情片作品競逐獎項。今年有來自緬甸、韓國、黎巴嫩、日本、泰國和越南地區的電影，題材廣泛，非常值得觀眾留意；另外更有青少年評審和青少年影評項目，目的是鼓勵新一代年輕觀眾可以來電影院看電影、感受電影、討論電影及書寫影評。我們要求參加者親自來影院觀看電影，來感受真正的電影體驗，也感受和觀眾一起看電影的氣氛，這對理解和感受影響而言非常重要，有助培養新一代的影迷回歸實體的觀影模式。

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Legendary artists Da Vinci, Michelangelo and Raphael were not only celebrated painters and sculptors but great architects as well! As MOViE MOViE marks its 10th anniversary, we join hands with the Hong Kong Institute of Architects (which is celebrating its 65th anniversary), to highlight the artistry of architects and architecture, for the special feature of LIFE IS ART Festival 2022. We live and breathe architecture everyday. In this year’s opening film for example DREAMING WALLS: INSIDE THE CHELSEA HOTEL, the hotel becomes a cultural icon with notable occupants like Andy Warhol, Janis Joplin and Patti Smith. Another opening film LIFE IS FRUITY features the 90 year old architect Shuichi Tsubata who lived out his life philosophy with his wife in his self-built paradise. As to how architects are inspired, perhaps one would get the answer by following the youngest Pritzker Architecture Prize winner Ryue Nishizawa on a road trip in Tokyo.

Apart from the special architecture feature, our special hand-picked art-based films include Hong Kong Dance Company’s award-winning LADY WHITE OF WEST LAKE, KILLING EVE’s Jodie Comer’s stunning debut stage play PRIMA FACIE (NT LIVE), Ralph Fiennes’s critically acclaimed STRAIGHT LINE CRAZY (NT LIVE), the awardwinning adaptation of Haruki Murakami’s BLIND WILLOW, SLEEPING WOMAN, as well as an absolute must-see: THE STORY OF FILM: A NEW GENERATION.

Returning to the big screen with a bang, are Cheung Cheuk’s BAMBOO THEATRE, and Heiward Mak’s FAGARA. The Hong Kong Sinfonietta’s critically acclaimed concert film BACK ON STAGE II (QUARANTINED!) will return with pianist Alexander Krichel LIVE from Germany — at the cinema! And what’s more, we have prepared limited edition fox plush toys for everyone who comes to THE LITTLE PRINCE special screening!

At the time of writing, rules for the pandemic seem to be easing. Our theme has thus evolved from last year’s “per aspera ad astra” to a more active “Build Our Dreams”. Through our screenings at the cinemas, on the TV channel and streaming platforms, plus all our related activities, let us dream of the Hong Kong we wish to build!

LIFE IS ART BUILD OUR DREAMS 藝術家如達文西、米高安哲羅、拉斐爾等都涉獵建築，因此我們今年特別榮幸在慶祝 MOViE MOViE 10 週年的特別日子，跟慶祝成立 65 週年的香港建築師學會携手策劃 2022 年以建築為主題的 Life is Art 光影藝術祭！建築與生活息息相關，在追求功能性之外，建築師的一些巧思往往能大大改變我們的生活，而建築物散發的氛圍亦能匯聚相同喜好或追求的社群。例如今年的開幕電影《夢迴舊牆》的 Hotel Chelsea 在六十年代早已是文化 icon，聚集了 Andy Warhol、Janis Joplin、Patti Smith 等音樂人和藝術家；而《積存時間的生活》中建築師津端修一的居所又充分反映出其生活哲學。但建築的靈感又是怎樣而來？也許跟著最年輕的普利兹克建築獎得主西澤立衛遊一趟車河，便能體會每事每物皆有靈。建築以外，我們也一如以往悉心挑選了不同藝術範疇的電影，包括呈獻香港舞蹈團的得獎作品《白蛇》，憑《Killing Eve》炙手可熱的 Jodie Comer 得獎舞台劇《法內有情 (NT Live)》、由 Ralph Fiennes 飾演城市規劃師的《城建狂人 (NT Live)》、村上春樹《隨盲柳入眠的女人》及影迷必看的《新世紀電影史話》等。趁 10 週年，載譽歸來的好戲包括《戲棚》（導演卓翔將携新片《風調雨順》亮相）、麥曦茵導演改編張小嫻作品的《花椒之味》，《Back On Stage II (Quarantined!)》主角鋼琴演奏家 Alexander Krichel 將從德國來港與大家見面。深受大小朋友歡迎的《小王子》特典場更為大家預備了從法蘭西運來的原裝小狐狸精品！執筆之際，纏繞多時的疫情似有緩和，而我們的主題由去年的「Per aspera ad astra」演變成今年的「築動我城 Build Our Dreams」。祝願大家一起透過戲院、頻道、串流平台的放映，以及與藝術文化相關的分享交流活動，一起再發夢，再想像香港！

築動我城 2022.11.10–12.03 光影藝術祭

蔡靄兒 Life is Art 節目總監 MOViE MOViE 總經理預告 TRAILER 是次電影節為大眾送上戲院、電視、線上平台、社區放映以及工作坊等多元文化活動，想知更多精彩活動？請即上 MOViE MOViE Facebook 專頁留意詳情！ Our annual occasion celebrates the myriad of different mediums of the arts through workshops, interviews, ﬁlm screenings, and multicultural events. To check out all the events happening at the festival, please visit our Facebook @moviemoviebybc for more.

Joycelyn Choi Festival Director, Life is Art Festival General Manager, MOViE MOViE

切爾西酒店為何能成為馬克吐溫、安迪華荷、麥當娜等藝術家的靈感泉源？這部由馬田史高西斯監製的紀錄片帶領觀眾遊走於百多年來詩意彌漫的空間，縷析這幢建築與藝術密不可分的關係，亦探討極為重要的建築保育議題。 Countless great artists have lived in the Chelsea

creating some of their most

However,

the

renovation

the

The

and preservation

夢迴舊牆 CHELSEA HOTEL ARCHITECTURE BUILD OUR DREAMS LIFE IS ART 法國、比利時 France, Belgium / 2022 / 80 min 語言 LANGUAGE 英語對白，中文字幕 In English with Chinese subtitles 導演 DIRECTOR Maya Duverdier, Amélie van Elmbt 影展 FILM FESTIVAL 2022 柏林國際電影 Berlin International Film Festival 2022 紐約翠貝卡電影節 Tribeca Film Festival 10.11 (Thu) 7:30pm MMCP 19.11 (Sat) 7:40pm MMCP 好的生活不是買的，而是用時間積存下來的——這是九十歲的建築師津端修一的生活哲學。本片榮獲電影旬報「最佳文化電影獎」，展現津端修一與妻子一同築起的「桃花源」，並細味人、自然與建築的交融。 The 90-year-old architect Shûichi Tsubata believes in coexistence. He lives with his wife Hideko in a onestoried house in the woods in Aichi prefecture, where he can ultimately emerge in nature. Growing crops and trees there to make their living slowly and steadily, their lifestyle strays away from the hustle and bustle of modernity. 日本 Japan / 2017 / 91 min 語言 LANGUAGE 日語對白，中文字幕 In Japanese with Chinese subtitles 導演 DIRECTOR 伏原健之 Kenshi Fushihara 演員 CAST 津端修一 Shûichi Tsubata、津端英子 Hideko Tsubata、樹木希林（旁白） Kirin Kiki (voice) 獎項 AWARD 2017 日本電影旬報賞最佳文化電影獎 Best Cultural Film, Kinema Junpo Awards 10.11 (Thu) 7:15pm MMCP 02.12 (Fri) 7:45pm MMCP 03.12 (Sat) 7:35pm PE 開幕電影 OPENING FILM 香港首映 HONG KONG PREMIERE DREAMING WALLS: INSIDE THE CHELSEA HOTEL “Life is Fruity is a very sensitive and thorough documentary that presents an alternative, but also very Japanese way of life of two people, whose lives are more than worthy of taking a look at.” – ASIAN MOVIE PULSE “An enigmatic documentary that artfully honours the Chelsea Hotel’s legacy. An ode to the dying embers of an old New York.” – LITTLE WHITE LIES 開幕電影 OPENING FILM 香港首映 HONG KONG PREMIERE Paper in use: Revive 90 gsm ARCHITECTURE 積存時間的生活 LIFE IS FRUITY

Hotel

famous works.

just like

other old buildings in New York, the fate of

has become inescapable for

Chelsea.

film poses a challenge to how both art, artist,

survive through this all too common dilemma.

西澤立衛東京建築漫遊 ARCHITECTURE 閉幕電影 CLOSING FILM BUILD OUR DREAMS LIFE IS ART 來坐上建築師西澤立衛的古典車 Alfa Romeo，跟著他遊蕩東京，探索這座城市的建築和環境！這位國際知名建築師沿途敘述他與家鄉的緊密聯繫，呈現建築師與所在紮根地獨有的牽絆與火花。 Nishizawa is the youngest recipient ever to receive the Pritzker Architecture Prize. Wandering in the streets of Japan’s capital, visits sites that he personally loves –buildings that have influenced him and some of his architectural projects. “Something in the intimacy of the car ride creates exceptional conditions to getting to know his personality and his world.” – DOCAVIV 2020 法國 France / 2020 / 90 min 語言 LANGUAGE 英語對白，英文字幕 In English with English subtitles 導演 DIRECTOR Ila Bêka, Louise Lemoine 影展 FILM FESTIVAL 2021 哥本哈根國際紀錄片電影節 CPH:DOX International Documentary Film Festival 2020 米蘭設計電影節 Milano Design Film Festival 25.11 (Fri) 7:35pm MMCP 03.12 (Sat) 5:40pm MMCP TOKYO RIDE 香港首映 HONG KONG PREMIERE

BUILD OUR DREAMS LIFE IS ART 意大利 Italy / 2021 / 68 min 語言 LANGUAGE 英語、意大利語對白，英文字幕 In English and Italian with English subtitles 導演 DIRECTOR Giorgio Ferrero 影展 FILM FESTIVAL 2021 米蘭設計電影節開幕電影 Milan Design Film Festival Opening Film 12.11 (Sat) 7:50pm PE 20.11 (Sun) 5:30pm TO 27.11 (Sun) 7:50pm PE 英國、法國 United Kingdom, France / 2014 / 90 min 語言 LANGUAGE 英語對白，英文字幕 In English with English subtitles 導演 DIRECTOR Ila Bêka, Louise Lemoine 影展 FILM FESTIVAL 2015 米蘭設計電影節 Milano Design Film Festival 2016 哥本哈根建築電影節 Copenhagen Architecture Festival 14.11 (Mon) 7:15pm MMCP 23.11 (Wed) 7:35pm MMPP ARCHITECTURE ARCHITECTURE 位於倫敦的巴比肯藝術中心是英國粗獷主義的經典之作。建築藝術家和導演Ila Bêka和Louise Lemoine兩人受邀到巴比肯生活一個月，通過這部日記式的電影揭開粗獷背後色彩絢麗的故事。 For one month, architectural filmmakers Ila Bêka and Louise Lemoine live in the Barbican Arts Centre and turn the camera on themselves as a personal video diary with the Barbican. The pair aim to find the soul of an estate, as opposed to the current view of the Barbican being cold and soulless. 甚麼是建築？建築師到底肩負甚麼責任？為何不少建築師涉獵家具及不同設計範疇？《關於建築師的二 · 三事》是一首送給建築的情詩，不但展現了建築的可塑性，也邀請了一眾來自建築、時尚、藝術和設計等界別的大師進行隔空對話，思索未來社會中建築的角色。 The film offers a post-covid vision of looking at climate crisis and urban redistribution by alternating dialogues with people from the world of fashion, art, and design by exploring pieces of architecture designed by the ACPV. 香港首映 HONG KONG PREMIERE 香港首映 HONG KONG PREMIERE 粗獷之城巴比肯關於建築師的二 · 三事 DANCE 香港舞蹈團的新編大型舞劇《白蛇》從白素貞的經歷透視不同層次的情愛、人性、善惡、道德、仁義⋯⋯思考活著的意義。年輕劇作家意珩重新建構文本故事和人物精神世界，讓《白蛇傳》彰顯新的時代意義。 LADY WHITE OF WEST LAKE is adapted from one of China’s oldest pieces of intangible cultural heritage. The tale is a timeless classic that has inspired countless film adaptations. This dance drama re-interprets this legend and deftly leads the audience through the white snake’s quest for the meaning of being human. 香港 Hong Kong / 2017 / 73 min 語言 LANGUAGE 英語對白，英文字幕 In English with English subtitles 導演 DIRECTOR 楊雲濤 Yang Yuntao 演員 CAST 華琪鈺 Hua Chi-yu、米濤 Mi Tao 27.11 (Sun) 1:25pm MMPP 白蛇《風調雨順》用細膩的眼光察看天后廟於水上人、島民及民眾而言的意義。《戲棚》是卓翔探討中國戲劇的第三部曲，不但摘下「第 12 屆香港電影導演會年度大獎」執委會特別獎，也獲選為「第 26 屆香港電影評論學會大獎」年度推薦電影。 Cheuk Cheung observes and documents the state of Tin Hau temples on the island and beyond in his short film I WISH. The multi-award-winning BAMBOO THEATRE follows ritual practices in various villages and remote islands of Hong Kong using this traditional cultural space. 香港 Hong Kong / 2022, 2019 / 99 mins 語言 LANGUAGE 粵語對白，中英文字幕 In Cantonese with Chinese and English subtitles 導演 DIRECTOR 卓翔 Cheuk Cheung 27.11 (Sun) 1:25pm MMPP 11.11 (Fri) 7:35pm PE 20.11 (Sun) 5:30pm MMCP LADY WHITE OF WEST LAKE I WISH + BAMBOO THEATRE BARBICANIA THE IMPORTANCE OF BEING AN ARCHITECT 風調雨順 + 戲棚 CULTURE Paper in use: Revive 90 gsm

passion got him both to the top and brought him down from the pedestal.

BUILD OUR DREAMS LIFE IS ART THEATRE THEATRE 哈利波特「佛地魔」賴夫費恩斯飾演的羅伯摩西四十年來打造了紐約州的公園、橋樑及上上下下的交通網絡，全面將紐約現代化，但也引來了許多反對與批評的聲音。《城建狂人》將聚焦在羅伯摩西由崛起到墮落的一生，重新審視這位傳奇人物的獨有魅力。 Robert Moses, whose highly effective methodology brought lots of dispute, is undoubtedly one of the most influential architects from America. STRAIGHT LINE CRAZY focuses on two life-turning incidents in Moses’ life: his uprising and eventual downfall. It examines how his belief and

英國新生代女星祖迪高瑪憑大熱英劇《Killing Eve》走紅，並在最新作品《法內有情》中挑戰女子獨角戲，飾演一名勞工階層出身的女律師。面對突如其來的變故，這位女律師不得不改變過去的自己，用自己的力量為真理發聲。 “Killing Eve” star Jodie Comer plays in the new, critically acclaimed one-woman drama, PRIMA FACIE. The story centres on a young, brilliant barrister who worked her way up from working-class origins to be at the top of her game, defending, cross-examining, and winning. While she specializes in defending men accused of sexual assault, an unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof, and morals diverge. 英國 United Kingdom / 2022 / 180 mins 語言 LANGUAGE 英語對白，中文字幕 In English with Chinese subtitles 導演 DIRECTOR Nicholas Hytner 演員 CAST 賴夫費恩斯 Ralph Fiennes, Helen Schlesinger, Alana Maria, Mary Stillwagon-Stewart, Danny Webb, Samuel Barnett 19.11 (Sat) 4:00pm MMPP 27.11 (Sun) 4:00pm ifc 英國 United Kingdom / 2022 / 131 mins 語言 LANGUAGE 英語對白，英文字幕 In English with English subtitles 導演 DIRECTOR Justin Martin 演員 CAST 祖迪高瑪 Jodie Comer 26.11 (Sat) 4:40pm MMPP 03.12 (Sat) 4:30pm ifc 城建狂人 (NT LIVE) 法內有情 (NT LIVE) 在 1561 年興建的烏菲兹美術館位於意大利佛羅倫斯，為世界上歷史最悠久的知名美術館之一。本片導演帶領觀眾走進這座古老美術館的離奇日常，揭開它幕後繁雜而不為人知的部運作，並欣賞非公開的曠世傑作。德國 Germany / 2021 / 96 mins 語言 LANGUAGE 英語、德語、意大利語對白，英文字幕 In English, German and Italian with English subtitles 導演 DIRECTOR 柯琳娜貝爾兹 Corinna Belz、安立奎桑切斯蘭奇 Enrique Sanchez-Lansch 影展 FILM FESTIVAL 2021 德國慕尼克國際紀錄片節 Munich International Documentary Film Festival 2021 意大利當代藝術影像節 Artecinema Film Festival 17.11 (Thu) 7:20pm MMPP 22.11 (Tue) 7:40pm BC 03.12 (Sat) 5:25pm MMPP

烏菲茲美術館的日與夜 FINE ART 為紀念文藝復興三傑之一拉斐爾逝世五百週年，位於羅馬的 Scuderie del Quirinale 舉辦了拉斐爾最盛世的作品展覽。通過此片，香港觀眾也能如同親臨其境，一睹拉斐爾藝術的輝煌和宏觀。英國 United Kingdom / 2020 / 88 mins 語言 LANGUAGE 英語對白，英文字幕 In English with English subtitles 導演 DIRECTOR Phil Grabsky 15.11 (Tue) 7:40pm MMCP 19.11 (Sat) 3:30pm PE 19.11 (Sat) 7:35pm BC To celebrate the life and work of Raphael, the Scuderie del Quirinale held a most significant exhibition of his works – “Raffaello: 1520-1483”. With over 200 masterpieces loaned from the Louvre, Uffizi, National Gallery of Art, and more, it marks the five hundredth anniversary of the death of the Italian Renaissance painter and architect. 文藝復興大師：拉斐爾揭秘 FINE ART EXHIBITION ON SCREEN: RAPHAEL REVEALED INSIDE THE UFFIZI PRIMA FACIE (NT LIVE) STRAIGHT LINE CRAZY (NT LIVE) 香港首映 HONG KONG PREMIERE 香港首映 HONG KONG PREMIERE 香港首映 HONG KONG PREMIERE

The Uffizi Gallery in Florence has experienced a veritable explosion in visitor numbers in recent years. The film presents the sheer endless, dedicated collective efforts of the staff to preserve this unparalleled collection and the formation of Italy’s cultural identity through visual art.

BUILD OUR DREAMS LIFE IS ART 本片為觀眾梳理前衛藝術家摩荷里・納基的創作哲學及思想，獲眾多媒體綜合讚賞為「理解上世紀偉大前衛藝術家一生的渠道」，並在多個國際影展首映，廣受好評。美國 USA / 2019 / 89 min 語言 LANGUAGE 英語對白，中文字幕 In English with Chinese subtitles 導演 DIRECTOR Alysa Nahmias 影展 FILM FESTIVAL 2020 意大利米蘭設計專題展 Milano Design Week 2019 芝加哥國際電影節開幕電影 Chicago International Film Festival Opening Film – Architecture Program 11.11 (Fri) 7:45pm MMCP 18.11 (Fri) 7:45pm PE 27.11 (Sun) 3:10pm MMPP

art, and impact.

remained “relentlessly

mediums,

新包浩斯教父傳奇 DESIGN 繼《燒失樂園》及《Drive My Car》後，村上春樹短篇小再度改編成電影。法國作曲家 Pierre Földes 首執導筒，以別樹一幟的敘事手法，將村上的數個短篇糅合成這部穿梭於魔幻與寫實的動畫電影，旋即獲得安錫國際動畫電影節「評審團特別獎」。 Adapted from Haruki Murakami’s short stories, French composer Pierre Földes’ directorial debut is a work filled with fantasies and magical realism. The film blends a surreal tale cross-pollinated by multiple narratives akin to the Murakami style. 隨盲柳入眠的女人 LITERATURE 法國、盧森堡、加拿大、荷蘭 France, Luxembourg, Canada, Netherlands / 2022 / 105 mins 語言 LANGUAGE 英語對白，中文字幕 In English with Chinese subtitles 導演 DIRECTOR Pierre Földes 影展 FILM FESTIVAL/ 獎項 AWARD 2022 安錫國際動畫電影節評審團特別獎 Jury Distinction in Feature Film, Annecy International Animation Film Festival 2022 多倫多國際電影節 Toronto International Film Festival 24.11 (Thu) 7:30pm MMCP 26.11 (Sat) 9:50pm MMCP BLIND WILLOW, SLEEPING WOMAN MUSIC 2020 年疫情最為嚴峻之時，指揮大師柏鵬及德國鋼琴王子克里奇來港演出，為港人帶來一絲撫慰心靈的曙光。電影還包括兩位藝術家之幕後片段，記錄其心路歷程。屆時鋼琴家克里奇將來港出席映後環節，萬勿錯過！ This concert film features German conductor Christoph Poppen and pianist Alexander Krichel, documenting the time when the Hong Kong City Hall was closed to the audience. It was also one of the nominated films for the 40th Hong Kong Film Awards 2022. 香港小交響樂團 BACK ON STAGE II (QUARANTINED!) 香港 Hong Kong / 2020 / 110 mins 語言 LANGUAGE 英語對白，中英文字幕 In English with Chinese and English subtitles 導演 DIRECTOR 何龍章 Stanley Ho 演員 CAST 柏鵬（首席客席指揮）Christoph Poppen (Principal Guest Conductor)、克里奇（鋼琴）Alexander Krichel (Piano) 13.11 (Sun) 7:00pm MMCP 16.11 (Wed) 7:00pm MMPP 由 VR 到 3D，麥克卡辛斯在這部新作中探究電影在新時代何去何從。此片入選多個國際影展，包括英國電影協會倫敦影展以及康城影展「特別放映單元」。英國 United Kingdom / 2021 / 160 mins 語言 LANGUAGE 英語對白，中文字幕 In English with Chinese subtitles 導演 DIRECTOR 麥克卡辛斯 Mark Cousins 影展 FILM FESTIVAL/ 獎項 AWARD 2021 法國康城影展最佳紀錄片金眼睛獎提名 The Golden Eye Nominee, Cannes Film Festival 2021 英國電影協會倫敦影展 Ofﬁcial Selection, BFI London Film Festival 19.11 (Sat) 4:25pm MMCP 26.11 (Sat) 4:10pm PE 27.11 (Sun) 4:15pm PE From VR to 3D, Mark Cousins embarks on a new explorative journey towards 21st Century cinema. How do we define “film” today? Cousins investigates how it builds a path towards the post-pandemic future as a unique art form. 新世紀電影史話 FILM THE NEW BAUHAUS –THE LIFE & LEGACY OF MOHOLY-NAGY HONG KONG SINFONIETTA: BACK ON STAGE II (QUARANTINED!) THE STORY OF FILM: A NEW GENERATION 香港首映 HONG KONG PREMIERE 香港首映 HONG KONG PREMIERE Paper in use: Revive 90 gsm

This film celebrates the legacy of László Moholy-Nagy through a creative exploration of this Hungarian artist’s life,

Moholy’s output as an artist

experimental”, with pioneering work creating in various

including painting, photography, typography, collage, sculpture, and film.

SATOSHI KON: THE ILLUSIONIST 《今敏：造夢大師》 KUSAMA - INFINITY 《點止草間彌生》 BUILD OUR DREAMS LIFE IS ART 全球最暢銷的永恆經典《小王子》面世七十二年，由《功夫熊貓》導演馬克奧斯賓執導，結合 3D 動畫與手動定格動畫登上大銀幕！本片更榮獲法國凱撒獎以及英國電影學院兒童電影「最佳動畫電影」大獎。是次放映更為每位觀眾送上法國直送狐狸匙扣小布偶一隻，數量有限，派完即止。 This first-ever animated feature film adaptation of “Le Petit

the

Her

小王子（特典場）法國 France / 2015 / 106 mins 語言 LANGUAGE 粵語對白 In Cantonese 導演 DIRECTOR 馬克奧斯賓 Mark Osborne 影展 FILM FESTIVAL/ 獎項 AWARD 2015 法國康城影展 Official Selection, Cannes Film Festival 2016 法國凱撒獎最佳動畫電影 César Awards Best Animated Film 26.11 (Sat) 5:35pm MMCP 任職旅行社的如樹，善於為人策劃出走行程，卻走不出生命中的不安。一天，醫院傳來父親的死訊，她一貫冷靜，處理父親後事。然後才得悉自己有兩個同父異母的妹妹。二人最後告別亡父，亦是三姊妹初會。兩個素昧平生的「妹妹」，給她重新認識父親的機會，並在彼此身上找到血緣羈絆。 After her father dies, a Hong Kong girl discovers she has two unknown sisters. To settle her father’s debt, she must reunite with them to run the family’s hot pot restaurant. Meanwhile, she strives to unshackle herself from her ex-boyfriend to start a new relationship. 香港 Hong Kong / 2019 / 118 min 語言 LANGUAGE 粵語、國語對白，中英文字幕 In Cantonese and Mandarin with Chinese and English subtitles 導演 DIRECTOR 麥曦茵 Heiward Mak 演員 CAST 鄭秀文 Sammi Cheng、賴雅妍 Megan Lai、李曉峰 Li Xiaofeng 獎項 AWARD 2020 香港電影金像獎最佳美術指導 Hong Kong Film Awards Best Art Direction 26.11 (Sat) 7:15pm MMPP 30.11 (Wed) 7:20pm PE 花椒之味 LITERATURE LITERATURE MOVIE MOVIE TV & MOVIE MOVIE PLAY MOViE MOViE 頻道（Now TV ch 116）及 MOViE MOViE PLAY （Now E）精選來自多個藝術範疇的紀錄片，即使安坐家中，光影依然可以燃亮生活每一吋，「築」動我城！觀眾可於十一月起在自選服務及 MOViE MOViE PLAY 點播。 MOViE MOViE channel (Now TV ch 116) and MOViE MOViE PLAY (Now E) made an in-depth selection of documentaries. Let movies ignite your life, even at home! Available on MOViE MOViE on Demand and MOViE MOViE PLAY from November. 購票方法 TICKETING 親臨票房或自動售票機購買 Tickets available at the box office and ATM at the screening venues 網上購票 Online Ticketing：www.cinema.com.hk* 百老匯院線手機應用程式 Broadway Circuit App* * 網上購票需收取手續費：星期一至五每張港幣 $8；星期六、日及公眾假期每張港幣 $10 A handling fee will be charged for each ticket purchased online: HK$8 per ticket (Mon to Fri); HK$10 per ticket (Sat, Sun & public holidays). THE LITTLE PRINCE (SPECIAL SCREENING) FAGARA 門票現正發售 TICKETS ARE AVAILABLE NOW BOTERO 《肥嘟嘟藝術大師：博特羅》 RENZO PIANO, THE ARCHITECT OF LIGHT 《RENZO PIANO 建築詩人》放映地點 SCREENING VENUES MMCP MOViE MOViE Cityplaza MMPP MOViE MOViE Pacific Place BC 百老匯電影中心 broadway cinematheque IFC PALACE ifc PE PREMIERE ELEMENTS TO 百老匯 The ONE Broadway The ONE Also available on See it on Paper in use: Revive 90 gsm

Prince” tells

story of a little girl who lives in a very grown-up world with her stern mother.

neighbour, the Aviator, introduces the girl to an extraordinary world where anything is possible, the world of the Little Prince.

FILM LOVERS ARE SICK PEOPLE.

FRANÇOIS TRUFFAUT

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10 YEARS

It takes merely a second to say the word “ten years”. A lot has happened in 10 years, but not enough for Wong Kar Wai to finish THE GRANDMASTER. It seems a lot for some of us, but it is just 1 hour in outer space in INTERSTELLAR…

Narratives are ever-changing. Since 2012, MOViE MOViE began as an international movie channel (Now TV CH. 116) and later launched its stateof-the-art cinemas at MOViE MOViE Cityplaza, MOViE MOViE Pacific Place and MOViE MOViE Taikoo, Li Qiantan, as well as the newly established MOViE MOViE Play on the service Now E. We wish to thank all of you who have been with us throughout the journey.

No matter what happens, we are connected through movies.

All can change, but our love for movies never changes. Across our cinemas, TV channel, and streaming service, we present the finest from Hollywood and award-winning cinema classics -- films to enlighten, entertain, and excite. That’s MOViE MOViE!

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說出口也不過一秒間的吞吐，但在這 315,360,000 秒間，在那超過億次的呼吸間，又有多少嘆息與歡呼。十年只夠王家衛拍一部《一代宗師》，或讓《法外之徒》裏的 Anna Karina 跑五十四萬次羅浮宮，但在《星際啟示錄》裏的米勒星上也只不過是過了一個多小時。十年好像已經很長，也像一眨眼而過⋯⋯ 那說不盡的故事，當中改變了多少，又有甚麼一直永留存？ MOViE MOViE 從 2012 年成立了只此一家的電視頻道，十年間又化身成實體影院以及線上平台，並舉辦過無數大大小小的電影節及活動，走進香港影迷的生命裏，於光影世界裏行走十年，活過了無數段人生。謝謝你安坐家中與 MOViE MOViE 頻道（Now TV 132 到 116）一同觀賞了無數部電影；在上班下班時與你一起擠在地鐵巴士裏看雜誌 MMM；在不同季節裡透過 Life is Art 電影節及 Anifest 動畫祭，與你在戲院裏一同歎呼流淚。近幾年疫情期間，我們或許未能碰面，但仍能於線上的 MOViE MOViE Play 與你在電影世界裏繾綣；到疫情稍緩，我們又約定在戲院裏再見。這十年的光陰，也許失去很多，得到的卻也不少，但我們都與你一同步過；之後人生漫漫，但願我們仍會與你活在光影裏歲月悠悠，透過電影「See the world」增添一些智慧與視野。「變幻原是永恆」，每一刻都在變，但那每一個「每一刻」卻永遠不變，只要我們這一刻仍然在看電影，不管在電視、在戲院、抑或在線上，仍然由衷地過著電影式生活。季節交替，日換星移，但我們由始至終都愛著電影，不論甚麼。 FRAMES 7,572,787,200 MOViE MOViE THIS IS

The unforgettable opening party of MOViE MOViE channel took place 10 years ago at Palace IFC, graced by the presence of none other than Keanu Reeves, whose documentary film “Side by Side” was premiered. The scene of Reeves, with film critic Shu Kei and actor Daniel Wu discussing the history and future of the cinema –marked the perfect beginning of what was in store – a splendid life filled with movies!

There is a strange but true phenomenon that people who live on the Hong Kong side are reluctant to cross the harbour. Our answer was to deliver the films from bc straight to their home TV sets – and we chose a new name MOViE MOViE (channel), which felt more direct and endearing.

However, bc remained our base for all our activities and events in the initial years –MOViE MOViE’s introductory programme “This is MOViE MOViE”, its first anniversary party, Anifest and Life is Art festivals were all held there. To promote our films, bc’s very versatile lobby went from housing a fashion runway one night to an airport with a drag show in another! All in all, MOViE MOViE originated from bc and will always be connected in a special way.

Do you sometimes feel that no one shares your appreciation for some films? At MOViE MOViE, we try to connect all film lovers! Apart from inviting film critics, directors and friends from cultural sectors to share their insights, we also try to connect via local artists and illustrators through our MOViE MOViE magazines. Through these words and art, you are never far from people who share your passion.

A totally unexpected beginning

You’re

1 2 3

There is no MOViE MOViE without Broadway Cinematheque (bc)

not alone

原來奇洛李維斯不單會回信，還會出席我們 MOViE MOViE 頻道的開幕派對！當晚，我們在香港 IFC Palace 戲院首映了奇洛李維斯執導的紀錄片《奇洛李維斯給電影的情書》，他本尊更在開幕派對跟著名演員吳彥祖及影評人舒琪在台上一起談論電影的過去與未來， MOViE MOViE 十週年十件事，這樣以電影式生活揭開了華麗的一幕！有一個傳聞，就是對香港島某些居民來說，九龍是「Dark Side」。所以為了這些不過海的影迷，我們決定將百老匯電影中心（bc）帶到他們屋企！也許「不過海」是說笑，但將好戲傳遞到每個香港人家中卻是我們的初衷。由於「百老匯電影中心頻道」有點兒似急口令，所以我們選擇了「MOViE MOViE」這個簡單易讀的新名字，重覆兩字，也希望她能像影迷喜愛的一塊心頭玉。 bc 也是我們早期舉辦活動和拍攝的基地。 MOViE MOViE 一週年的慶祝放映活動以至早期的 Anifest 動畫祭及 Life Is Art 盛夏藝術祭都在那裏舉行的。為配合電影《HIGH 爆雲霄》，我們曾經將 bc 大堂化身機場 drag show，也為《潮遊鏡花水月》將大堂變成時裝伸展台！當然，MOViE MOViE 頻道開播時，顏卓靈和 Gold Mountain 主持的節目「This is MOViE MOViE」也是在 bc 取景的。對 MOViE MOViE 來說，bc 是我們的大哥哥，也是我們的學習對象，並且希望能發展出 MOViE MOViE 的特色！喜歡的電影沒人懂？不能令懂電影的人孤身隻影，也不想令比較難懂的電影備受冷落。因此 MM 除了邀請影評人、導演及文化界不同人士合作外，還有與本地藝術家及插畫家合作，由第一期 MMM 雜誌的 John Ho，到之後的 Rex Koo、Vivian Ho、Serena Chan、 Keo Chow、Leumas To、Kelly Chan 等等。透過他們的創作，令大家發現有觀影知心人，那些不只是 Fan Art，更是情書。意想不到的開始 —— MOViE MOViE 開幕放映派對沒有百老匯電影中心，就沒有 MOViE MOViE Paper in use: Revive 90 gsm

Not only do we love movies, we also “live” movies. Because we believe that we can learn so much from all the films we watch, we created our own series called WE LIVE MOVIES, where we invite famous personalities to share how they “live” movies. What is Johnnie To’s favourite quote? Which film is Karena Lam’s favourite ? What about Wong Chi-Chung? WE LIVE MOVIES never fails to strike a chord with movie lovers.

Another MOViE MOViE creation is a series called A MOViE DATE WITH EDWARD LAM. Edward chooses two seemingly unrelated films and they are screened as a double bill. Between the two films will be a deep and meaningful analyses/conversation session between the audience and Edward. The series has been a big hit and after the screening at the cinema, it is accessible on MOViE MOViE Channel and MOViE MOViE Play.

Why does MOViE MOViE present film festivals? MOViE MOViE believes that film festivals should connect people through films. Therefore, apart from film screenings, MOViE MOViE collaborates with partners and organises events relating to the theme of the festivals. For example, since the first Anifest (Animation film festival), MOViE MOViE has been collaborating with the Animation Support Program (ASP), placing works of local animators in the same screening as works by international animators, as well as organising pre-screening talks. This way, the local artists are able to come face-to-face with the audience while they get to know their work.

The other MOViE MOViE film festival Life is Art (LIA) goes beyond the cinema and into the community – with screenings, workshops and exhibitions at PMQ, Tai Kwun, JCCAC, Soho House, Oi!, Central Market, universities campuses, community centres and even bars !

Through our many activities and collaborations, we hope to show the different facets of the films which are applicable to our lives, e.g. one year, MOViE MOViE collaborated with the General Education Unit of the University of Hong Kong to host “Let’s Talk About Sex”. Through the festivals, we hope to slowly but surely build a bond through films, talks and the related activities.

MOViE MOViE was borne out of a love for films. 10 years ago, we went against the current to establish this foreign-language art-house movie channel. Though many thought that we would not survive, we were lucky to have had the experience of Broadway Cinematheque, which showed us that “difficult does not mean impossible”. With the establishment of the channel, we also founded MOViE MOViE Magazine, a physical magazine about films. Trudging along as a movie channel and a presenter of film festivals for five years, MOViE MOViE started its own cinema at Cityplaza in 2017. In the same year, it also founded MOViE MOViE PLAY, an OTT streaming channel. Later, with two more additional cinemas (at Pacific Place and Taikoo Li Qiantan in Shanghai), one could only describe the development as a lucky combination of fate plus labour of love, totally beyond anyone’s imagination. Though no one knows what the next 10 years would bring – one thing is certain : that MOViE MOViE will be ran by a group of film lovers for everyone who loves films. Enjoy the films – that’s all we ask.

At your service, always FESTiVAL FESTiVAL We Live Movies! 4 說出來好像很肉麻，但 MM 真的是因為愛電影而生。十年前，我們排除萬難才能成功推出 MOViE MOViE 這條主打外語 Art-House 得獎電影的頻道，但大家都認為太小眾，不可能生存下去，猶幸有了 bc 經驗，難為不代表不能。這十年來，MM 努力生存，而且要跟著時代活得精彩。因此我們在推出頻道時，同時為大家製作精美的實體紙本雜誌 MMM。作為在電視收看的電影頻道，又在戲院及不同文化場地舉行電影節與相關活動。然後在 2017 年太古城擁有了屬於自己品牌的戲院。之後又跟 Now E 平台推出了不用簽長約的 OTT 串流服務 MOViE MOViE Play，因緣際會又分別在金鐘及上海太古里開了新的 MOViE MOViE 戲院。坦白說，當中不少機會及發展都是偶然與想像而來，再膽粗粗用 labour of love 而成。 2022 年，在 MOViE MOViE 成立十週年之際，沒人能知道未來會如何，如電視頻道、戲院、串流平台、雜誌的處境。但運作模式仍然是一班愛電影的人為愛電影的人服務，希望大家見字看電影，僅此而已。因為愛，才有對不起。這裏從沒有將電影濃縮成幾分鐘的影評。我們不只 Love movies，還要 Live movies。因為電影教曉我們的事太多，所以我們自家製作《電影式生活》，邀請了一班喜愛電影的人跟我們分享他們的電影式生活。哪一句電影對白叫杜琪峯最為深刻？哪一齣電影是林嘉欣心頭好？黃志淙最鍾情的又是甚麽？這個 MM 自製節目永遠令影迷有所共鳴。電影之外，林奕華為我們在戲院舉行「和電影拍拖」，將兩部看似截然不同的電影並行放映，再作分析。由於反應熱烈，我們其後還製成自家節目讓大家可在 MOViE MOViE 頻道及 MOViE MOViE Play 上慢慢欣賞。為愛電影電影式生活分享

在香港有很多優秀的電影節，為甚麽 MM 還要辦電影節？因為 MM 的電影節不只是千篇一律放映電影的活動，而是電影式生活的實踐，而重點是「聯繫」。譬如 Anifest 動畫祭從第一屆起便與香港動畫支援計劃（ASP）合作，將本地動畫師得獎短片放在國際長片前播放，並安排動畫師在現場分享，令觀眾有機會在大銀幕上看到本地佳作，長期埋首電腦默默耕耘的創作人，亦獲得在現場得到回饋的機會。「Life is Art」電影節的活動會延伸至 PMQ、大館、JCCAC、Soho House、油街實現 (oi!)、大學、社區中心等。我們更不時與不同團體，在天台、草地、Loft、酒吧等有趣地方辦社區放映，有年 MM 更在星街三層建築舉行 Pop-up festival，去年我們還率先在新開幕的中環街市作社區放映。在設計週邊活動之餘，我們更重視能立體呈現相關電影的面向，我們很感恩過去能與不同單位合作，成功邀請了來自各界專業的嘉賓為我們分享及舉辦活動。除了 MM 招牌 Festival「Life is Art 盛夏藝術祭」和 Anifest 以外，MM 亦曾與港大通識科合辦「Let’s Talk About Sex」以及與亞洲電影大獎（AFA）舉行亞洲電影巡迴放映等。這些電影節不止召集影迷，也希望就不同主題或議題，讓更多公眾和朋友透過主題電影互相聯繫。

MOViE MOViE THIS IS

MM Twins MOViE MOViE Magazine and MOViE MOViE Channel are actually a pair of twins. With the birth of the channel, we wanted to complement it with a physical publication which can be a platform for the sharing of insights and ideas of the films on the channel, especially for the premieres and classics included in the “See the World” archive. For this special edition, we have invited the all the editors from the past to share their experiences.

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MOViE MOViE Magazine 和 MOViE MOViE 頻道其實是一對雙生兒。在推出頻道的時候，已經覺得需要一本具溫度與質感的刊物加持，好讓大家更明白 MOViE MOViE 是一個怎樣為影迷而生的平台。而且，讓大家可從更多不同角度了解 MOViE MOViE 裏「See the World」電影庫中不同國家的首輪新片及珍貴經典。這期我們特別邀請歷代各位編輯同桌分享經歷。 MM 雙生兒 MMM#23: SHALL WE TALK MMM#4: THE GOLD ISSUE MMM#5: OOHS & AHHS MMM#21: COURAGE

MOViE MOViE THIS IS MMM#20: THE ESSENTIAL ISSUE

MMM#2: EDITION TWO

MMM#43: YOU’LL NEVER WALK ALONE

MM MOViE MOViE RW Renatus Wu (#1 – #55) HH Hazel Ho (#14 – #33) LY Yeung Lo Ying (#1 – #13) ES Elaine Sham (#29 – #51) JC Joycelyn Choi (#1 – #55) Editors Reunion 做紙本雜誌從來不易，到今天更是鳳毛麟角。雖則 MOViE MOViE 自身的核心業務是電影頻道及戲院，但為開台而出沒的《MMM》雜誌也孜孜不倦地出版了十個年頭，超越 55 期。今期借 10 年之期，邀請了多位歷年創作大腦及主幹編輯跟大家回顧與展望。 MM 大家最深刻的一期《MMM》是？ RW 我最喜歡的是焦點導演的部份，因為能較多篇幅去介紹一個導演。當年我在設計時更幻想自己將每一篇介紹輯錄成一部世界導演全集。早期所採用的紙質也刻意經常有變化，例如第 10 期轉用了「薯仔紙」，紙質非常有趣。正所謂牽一髮動全身，文字和排版需要互相配合，因此也會有很多改動。以期數來，我最喜歡的就是第一期，因為代表着由零開始，機會十分難得，也沒有想過《MMM》雜誌能夠經歷這麼多年。我也非常懷念最初仍會「埋機」工作的時光，現在多了同事們的幫忙，各司其職。累積下來的經驗，我會稱之為「智庫」，我們會將每一期累積的智慧和做法記錄下來，令新同事可以參考過往的排版。 HH 最深刻是其中一期的 centrefold 出現了錯誤，因為我們在加紙後忘記了核對頁數。（笑）我最喜歡第 15 期，因為發掘了新的 illustrator 和改了新的排版，花了很多的深夜去實行了常規之外的想法，非常有滿足感。 LY 對我來說是第 7 期，即是 MOViE MOViE 一周年的那一期，因為當時同時忙著籌備一周年台慶的活動，令我幾乎對這期《MMM》只有十分零碎的印象，而第一期我也是人生中第一次進行訪問，當時我還是一個仍未畢業的大學生在 MOViE MOViE 當實習生。 JC 當然每一期都是我的心血，但最深刻的就是第一期，當時我連續多晚駕車到新蒲崗找當時還是一人工作的卓（Renatus Wu）跟進進度。整本《MMM》都是由他獨自一人完成，他當時更把每一張排版，幾十頁設計都貼在牆上。但在準備印刷前一天到他跟我說電腦故障，所有資料都消失了，我頓時感到崩潰了，幸好他火速重新再做全本。 ES 對我來說是第 34 期和第 40 期，前者因為是我第一次擔任主編，後來我拿着它在亞洲電影大獎紅地毯採訪時還得到了是枝裕和及安滕英的親筆簽名，然後第 40 期，就是因為我純粹覺得這是非常浪漫的一期，印證了一個浪漫嘅夏天，我亦創作一首名為《什麼都沒有發生》的詩，和當時另一位編輯 Cora 並肩作戰了多個晚上，作出了新的嘗試，算是我心目中非常完美的一期。 MMM 圓桌會議 —— 歷屆主編一席談 Movie Movie People / The Golde Issue / Oohs & Ahhs / Le French Edition / Let’s Get Excited / Vision / Love, Faith, Hope / Let’s Get Going! / Merci! / Fresh / Power / Deliciously Yours / The Future Is Unwritten / Wasted Youth / The Impossible…? / The Adventure / Zest & Zeal / The Essential Issue / MMM#41 MMM#42 MMM#40 MMM#15 MMM# 15 MMM#38 MMM# 18 MMM#11 MMM#37 MMM#34 MMM#1 Lifestyle Lifestyle MMM#5 MMM#9 Lifestyle MMM#4 MMM#6 MMM#8 MMM#10 Courage / Turn A New Leaf / Shall We Talk / Life Is Art / In Search Of… / Going Forward / Living The Dream / C’est La Vie / A Bigger Splash / Explore The Unknown / Live With Passion / Why Don’t We… / Beautiful Chaos / Fresh New Wave / Colour My Life With The Chaos of Trouble / After The Storm / Until Paper in use: Revive 90 gsm

MOViE MOViE THIS IS MM 你們覺得《MMM》誕生的緣起和衍生的意義是？ JC 我覺得某程度上，《MMM》雜誌標誌着 MOViE MOViE 對電影的熱愛。當我以前在香港藝術中心電影部工作時，當時覺得《artslink 藝訊》和不同節目的特刊都非常重要，因為 art house 電影並非如商業片般廣泛報導和容易理解，因此需要更多的資訊甚至導讀，讓觀眾由不同的角度去了解，所以電影雜誌十分重要，但香港正正就是缺少了這一部分，以前的《電影雙週刊》亦已經消失，《MMM》的出現就是一本由電影延伸至生活的見證，一種代表 MOViE MOViE 的信念，走到現在巳經第十個年頭。之前有傳媒朋友稱讚《MMM》是有格調的香港電影雜誌，令我非常開心，因為即使大部份刊物已被數碼化，文字和實體文本的質感還是無法被取代。 RW 《MMM》代表了一種精神，傳遞電影背後的理念、信息，為影評人提供一個落腳點，建立一個「for movie lovers」聚集的平台，成為了 MOViE MOViE 展現電影價值的媒介，以紙媒的方式帶出電影的精神，更有韻味和收藏價值。 HH 《MMM》背後花了很多心機才能變成現在這個模樣，我覺得不單是美觀，還代表了一種精神。 ES 作為一個一直熱愛文字寫作的人，《MMM》給予了我一個發聲的平台，看到自己的文字被人欣賞亦給了我不少的信心，當我成為主編時，涉獵的範疇也更多，例如思考要向讀者傳遞甚麼訊息，如何讓他們感受到《MMM》的靈魂等等，代表住各人對電影的熱愛。《MMM》以實體的方式存在，保留了一種溫度，亦是作為一種青春的憑證，因為它記錄了我人生不同的時候，讓熱愛電影的人互相聯繫。 MM 你們對未來的《MMM》有甚麼期盼？ RW 《MMM》其中一個價值就是連接熱愛電影的人，所以我非常期待有新的元素出現，因為創意某程度上是代表住一種年輕的心態，而觀賞電影文化亦受各方面的因素如疫症等影響，而香港甚至是世界也出現了很巨大的變化，所以希望電影和《MMM》的內容可以繼續紀錄時代的變遷，價值就可以得以延續。我認為電影雜誌對我來說等於“take a red pill”，由電影重返現實，面對社會。如果有一天紙本內容被數碼化成一個 PDF，那就是“take a blue pill”。兩者其實並沒有衝突。除了讀者，紙本亦連結了編輯和設計的人，承載了人與人之間的感情。 LY 我認為是保持初心，雖然不知道下一個十年會有甚麼變化，但我希望 MOViE MOViE 仍然可以發揮其精神和價值。 ES 我希望 MOViE MOViE 可以繼續存在，在這個數碼化的時代還能以紙本形式存在並非易事，保留一種質感和溫度，繼續存在即是代表初心仍在，我希望每一次路過戲院的時候，還可以看到《MMM》的存在。 JC 如果 MOViE MOViE 是一封由喜歡電影的人寫給電影的情書，那《MMM》紙本就是一封情人的手寫情書，電子的情書永遠無法取締其價值和溫度。 MM 《MMM》有甚麼特色？ JC 其中一個最令我開心的，就是當我們專注做好 art house 電影時，一般人都認為這個片種和香港大多數觀眾沒有什麼關聯，而《MMM》就是透過與香港本地插畫師合作，拉近兩者之間的距離。因為插畫師的作品代表對電影的看法和感受，非常重要。而在發掘和聯繫他們的過程亦十分有趣，例如與《MMM》合作多年的 John Ho，他的作品有獨特的風格；還有在 Instagram 上發掘的 Keo Chow；在國際電影節認識的 Vivian，她所創作的爆谷山成為了和《MMM》合作的契機。 RW Kylie Chan 和 Serene Chan 也是呢，由內文開始創作。我認為《MMM》不但是討論電影，更多的是香港的創作圈，藉住這些電影插畫令更多香港人認識一眾創作人，因為當中包含著二次創作，透過獨特的風格去演繹不同的電影，引領了後期雜誌加入插畫作品的風潮。 JC 我認為《MMM》也希望介紹不同的創作人，不論是以往的 MM people 還是現在 Life is Art 中的 MM movers，訪問藝文圈，帶出電影和生活的聯繫，對我來說非常有紀念價值。 HH 作為一個剛畢業的學生，有機會訪問世界級導演對我來非常難忘。此外亦接觸了藝文圈不同的人，不論是宣傳或者是寫稿，都建立了很多的關係。 MMM#28 MMM# 52 MADRES PARALELAS MMM#50 MMM#54 BOTERO MMM#51 MMM#53 MMM#46 MMM#47 MMM#48 MMM#44 MMM#45 MMM#43 MMM#34 MMM#31 MMM#35 MMM#39 MMM#32 MMM#18 MMM#8 MMM#24 MMM#23 MMM#22 MMM# 26 MMM#20 MMM#25 The Poets Run Out Of Rhymes / Every Journey Starts With A Single Step / There’s A Light That Never Goes Out / Shall I Compare Thee To A Summer’s Day / Smoke Gets In Your Eyes / Born To Run / You’ll Never Walk Alone / Spring On Jupiter And Mars / Keep Calm & Watch Movies / Cinema –The Most Beautiful Fraud / Es Muss Sein! Es Muss Sein! / Strings That Tie To You / Broken Beauty / Smoking On The Shoulders Of Giants / Life’s Precious “First Moments” / Let’s Just Kiss & Say I Love You… Goodbye / Walk On / Open Your Eyes, Open Your Mind / Let’s Movie Movie!

Every Sunday at 10pm, MOViE MOViE Channel brings you the latest new film on MOViE MOVIE Home Premiere. MOViE MOViE makes sure that film lovers can catch the latest international hits, and some debuts are even exclusive ! MOViE MOViE also screens at least one movie at the same time as it is opens in cinemas on a bimonthly basis, delivering movies to your home hot off the reels! 戀新愛快

HOME PREMIERES

Horror must be the center of Horror movies, but why would anyone want to be scared? What is the point of getting scared? And if horror is the essence of horror movie, what is the appeal of horror movie to those Horror-lovers who are nonchalant towards these horror elements?

Sex and violence are never deemed as acceptable in our society. Ever since the Enlightenment, reasoning and logic has become the central value of all humans. We believe that our faculty of reasoning is what distinct us from other animals. Why then, has the war never changed after the Enlightenment? Is war logical and reasonable? Human behavior could not be explained by pure logic…

Freud believes that reasoning was never an inherent trait of human being, it is a learned concept attainted by human when they enter civilization. All of us in the civilization is inhibiting our primal instinct in order to fit in our society. Using his theory, we can deduce that there must be some desire deep within our heart, that are unacceptable in society. Horror movie is a socially acceptable channel in which these desires can be expressed.

OCTOBER 「鬼片」的中心似乎就是驚嚇，愈恐怖便愈好看。但是一個人無端白事又怎會想被人嚇呢？到底恐怖題材的電影是為何存在，又有何吸引呢？再者，如果恐怖電影的重點在於驚嚇，那些不怕嚇的恐怖愛好者為何還如此鍾情於恐怖電影？血肉橫飛，性與暴力，這些都是不被社會接受的價值。自啟蒙以來，理性成為了人類的中心價值。我們相信，人之所以與其他動物不同，就是因為我們一切都依照理性行事。可是，理性不能解釋人類種種的反理性行為：為甚麼會戰火不斷⋯⋯ 精神分析學之父佛洛依德認為理性並非人的本性，而是每一個人為了進入社會而習得的概念。所有文明人都是通過壓抑他們的動物性內進入社會的。如果他的分析是準確的話，我們每一個人心中都有那些不被社會接納的渴望，而恐怖電影就是一個受大眾接受的渠道，讓我們好好抒發那些不可告人，甚至連自己都不清楚的欲望。跟據這個理解的話，就算「鬼片」不恐怖也好，只要他能滿足到我們某些隱藏的需求，就可以算是功德完滿的恐怖片了。不知以下這幾套又能不能滿足大家呢？

Then, what makes a good horror movie is dependent on the viewer, not the text itself. If it can give you a channel for expression, it is a good horror movie in your eyes. Some may enjoy the blood splattering and helpless scream in slasher movie, while some may simply enjoy the gruesome reality. Different people would have different desire, and the horror genre embraces all.

魅來世界：娃鬼回魂

Childhood Trauma is a key concept in Freud: he suggests that some traumatic events in our childhood is the cause of psychological diseases like neurosis and psychosis. There is one movie series that causes traumas in many children – CHILD’S PLAY. In 1988, they infused the serial killer into a doll, and it has changed how we see a doll ever since. Entering the age of technological advance, Chucky is backed with AI technology. He is ready to slaughter once again, stronger than ever.

The high-tech Chucky learns that humans have a keen interest in seeing people getting amputated in horror movie. To amuse his owner, Chucky performs what his owner likes most right in front of his eyes: he slaughtered a dog with blood splashing all over the place. Witnessing the whole process, the protagonist eyes are filled with disgust. As a viewer, do you enjoy all the blood and killing like the protagonist?

This is how movie illustrates our socially unacceptable desire and turn into mildly. Movie creates distances, so that we can enjoy it with ease. But if we see it right in front of us, we would not be so happy, would we?

CHILD’S PLAY 8

Never too many movies 電影像大海，花多眼亂。MOViE MOViE 頻道每月星期日晚上十點，為影迷而設的首映星期天，為大家搜羅全球最新的人氣電影，不少更是獨家首映。MOViE MOViE 更不時與戲院的淵源，更讓我們成功與戲院一起同步放映電影，讓不能進入戲院的影迷足不出戶也有新鮮好戲。講到佛洛依德怎能不提起童年和創傷。童年時的一些創傷性事件會影響一生的發展，導致各種的精神問題。大家的童年陰影，顛覆了大家對「公仔」的觀感，娃娃殺人狂又回來了！在 1988 年的時候，他們透過洋娃娃 Chucky 勾起大家對玩具的恐懼。來到 21 世紀，他們決定把系列重啟，與時並進，幫 Chucky 引進 AI 科技。有了先進科技的 Chucky，透過 Deep learning，發現人類看血腥暴力電影時會情緒高漲，決定有樣學樣，周圍大開殺界，務求得到主人的歡心。不知道大家看到血肉橫飛的場面時，會像那些一樣興奮，還是像主角那樣感到嘔心？這部電影正正體現了那種不被社會接納的渴望。當在電影中看到時，我們或許可以看到格格大笑。但當這些事真的發生在我們面前時，我們還笑得出來嗎？

Consciousness, unconsciousness these fundamental concepts of modern psychology is first coined by Freud actually. Thoughts and desires that are unregistered in our conscious mind loom in our unconsciousness. This is the forbidden land that DEMONIC aims to explore.

In an attempt to wake her mother in coma up, she participates in a psychotherapeutic experiment where she needs to enter the unconscious mind of her mother. This is also where she encounters the demon and discover everything behind the conspiracy…

Darkness has always been the origin of our fear. When we stay awake overnight, hallucination starts to come in. We will start seeing things: is there a ghost behind? What’s that noise in the kitchen? We become very sensitive to the everything, fearing the unknown, the uncertain…

This is the job of THE VIGIL, to overwatch the corpses of the deceased overnight. Is it just the wind, or is there a ghost lurking behind…

The scariest movie need not a ghost. It is the atmosphere, the suspense that fear the most.

Ghost and spirit is the most essential element for a classic horror movie. In Mary, we can see a terrifying spirit wreaking havoc for the family, trapping them in the perpetual hell in the middle of the sea. The most classic, traditional horrific cinematic experience.

No one knows whether there is spirit or not. Science seems to have proven it to be non-existent, but people still insist its unutterable existence. Horror movie is playing with our uncertainty and invokes fear of the imperceptible.

Now we enter another realm of the horror: the body horror. There is no jump scare nor spirit, but viewer at the Cannes still fainted watching it. The horror lies in the bodily pain portrayed on the screen. TITANE uses the Sci-Fi genre to explore gender issues beyond binary and beyond bodies. It deepens our discussion on sexuality and gender through imaginations.

Movie as an art medium helps us to express and articulate thought that are not socially acceptable. By putting it in a film, it re-enters the eyes of the public and evokes public discussion. Only through discussion can we build our insight and build a better world for everyone.

MOViE MOViE THE VIGIL DEMONIC TITANE MARY 黑暗從來都是恐懼的根源。在漫漫長夜中不眠不休，相信人的精神狀態也會變得不穩定，對四周的噪音變得敏感，進入疑神疑鬼，草木皆兵的狀態。而守靈人的工作就正正是在這個狀態下看守着先人的靈體。到底那些風吹草動是惡靈作怪，還是其實是自己多疑而已。最恐怖的，往往不是惡靈的本身，而是 jump scare 前的那段漫長的 suspense。表意識，潛意識這些概念其實都是由佛洛依德首先提出的。我們不為人知，甚至連自己都不自覺的欲望全都藏在潛意識裏，可見潛意識就是人類最黑暗的一面，而《潛行異境》要潛入的正正就是這個恐怖之地。主角為了拯救昏迷不醒的母親，決定參與精神治療的實驗，潛進母親的潛意識，卻意外喚醒了惡靈。原來一切都是神秘組織的陰謀，潛藏在母女間的愛恨情仇原來早有分曉。它的恐怖與別不同，沒有 jump scare，也沒有靈體，卻在康城首映中有觀眾受到視覺沖擊而暈倒，甚至有至少 20 人中途離場。它的恐怖在於身體性痛楚所帶來的不安感，透過令人難以接受的題材，利用電影本身虛構的本質來探討性別二元以外的世界，深化當今對性別的認知，完全體現出想像的必要。電影這種藝術媒介，正正就可以把這些難以接受，難以啟齒的想法具體化，並將大眾的目光放在這些被忽略，但又無比重要的議題帶給觀眾，然後觀眾又通過反思和討論，建構新的洞見。「打邊爐」最重要的是爐，那麼「鬼片」最重要的當然是鬼了。《鬼船瑪莉號》上發生了一連串靈異事件，本來一望無際的自由之海變成了碎心裂膽的無盡地獄。一系列的超自然事件，最直接，最傳統的驚嚇體驗。沒有人知道到底有沒有靈體，但上一輩的至理名言告訴我們：「寧可信其有，不可信其無。」在我而言，這句話大概的意思就是我也不能證明它的存在，不過你必須尊重它存在的可能性，不然你的不敬就會招來殺生之禍。「鬼片」的恐怖之處就是在於我們也不知道鬼是 ﬁctional 還是真實存在的。 ALSO AVAILABLE ON SEE IT ON

THIS IS 是夜屍了潛行異境

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鬼船瑪麗號

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THIS IS MOViE MOViE

I am studying an art degree, and my friends always joke about me studying painting. But is art only painting? Surely Life is Art is not talking about life being a painting. Then, what is art?

Leo Tolstoy said art is about the communication of feelings.

THE POET

Collingwood said art is the place where the author recollects his feeling and puts them in place. Cines Bell said it is not the content that makes art, it is the significant form that makes art. These are fancy and all, but what is art?

Dispelled from the Republic, the poet finds his way back through virtue and teaching.

Beauty of nature and the spontaneous overflow of powerful feelings recollected in tranquility.

Two roads diverge in the yellow wood, and I took the one less travelled by.

Powerless against the hand that signed the paper felled a city.

Do not go gentle into that good night. Rage, rage against the dying of the light. The woods are lovely, dark and deep. But I have miles to go before I sleep.

This is not a poem, but a montage of all the greatness in the historical arc.

Not all buildings are art, but what he built must be art.

Aalto is a Finnish architect renowned for his Gesamtkunstwerk style. It refers to treating the building as a total work of art, including its interior design. This documentary focuses on the private life of Aalto, including lots of family recording, photo album and the letter between Aalto and his wife.

Every artwork carries the feeling of its creator. Through understanding his life, we get to know more about the artwork.

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不是所有建築都是藝術，但是他設計的就必定是藝術。阿爾托是芬蘭建築大師和室內設計師，他的建築啟發現代建築之父柯比意等建築家立志設計須「以人為本」。影片除了拍攝阿爾托流傳至今的建築作品之外，更融合了 8 毫米菲林拍攝的家庭錄像、相片集和他與首任妻子愛諾之間的書信，從私人生活角度閱讀阿爾托，讓我們深入了解這些宏偉建築背後的那個男人。每件藝術品都承載着藝術家的故事，通過了解他的故事，便能了解他的作品。詩詞，使人着迷。在音韻與旋律中翩翩起舞。文以載道，感情流露，為文字添上温度和態度生不逢時，黃金時代早以遠去。好景不常，懷念之情油然而生。時不我予，唯有從光影中慰藉。時而勢易，詩人還能影響世界？由於我讀的是 art degree，朋友經常戲稱我是讀畫畫的。但到底藝術（art）也是不是只限於畫呢？ Life is Art 不可能是指人生是畫畫吧？哪麼到底甚麼才是藝術呢？托爾斯泰說藝術是作者向讀者傳達情感的橋樑，重點在於溝通；哥連活特說藝術是作者整理思緒的渠道，重點在於表達。貝爾則認為內容不重要，重要的是形式。說了那麼多，到底藝術是甚麼？建築情書

THE HOLE

The artists are the adventurer of our culture, for they delve into unknown places through art. But this movie is about the actual adventurer, a team of speleologists ventures into the deepest cave in Europe in the Southern part of Italy.

Ironically, civilization always reaches for the stars. In an attempt to conquer the sky, sky is the limit for our skyscrapers. On the contrary, 700 meters beneath our earth, not a trace of civilization can be found. Maybe only in the abyss can we find peace at last.

In the end, we still don’t know what art is. There are too many forms of art, it is impossible to put a definition on all of them. Maybe we should just focus on appreciating and exploring the infinite possibility of art through these movies.

THE STORY OF FILM: A NEW GENERATION

Given that Life is Art and life is movie. Thus, movie must be art.

When the text seems too trivial, I love reading other critics’ comments on it. It often gives me new insight about the text, things that I have missed out We all know about movie, at least we think so. Through the commentary of Mark Cousins, we would know more about movie and its current development. With the new age,

we have a new set of problems. Is digitalized movie a curse or a blessing? Can video shot on an IPhone be regarded as film?

There are lots of things in life that we thought we knew. After listening to the critics, we may find out that we know nothing. I’d say that’s the fun of learning. As you learn more and more, you discover how less you know. So you dive deeper into the sea of knowledge.

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藝術家是文化的探險隊，專門探索未知之處。而這部電影則是關於名乎其實的探險隊。他們前往意大利南方，走進全歐洲最深的洞穴。一個拒絕文明的地方首次與文明接觸。文明不斷往上爬，試圖征服天空，建造愈來愈高

到最後，我們都不太清楚甚麼是藝術。藝術種類太多，形式太多，總不能用一句話便概括全部。唯有我們慢慢品味，自己體會一下甚麼才是藝術，或者這幾部電影能帶給我們一點啟示。常言道：電影就是人生的寫照。如果 Life is Art 的話，電影也必定是 art。電影大家都略懂一二，但通過導演 Mark Cousins 的專業評述，相信大家就能便能更熟識這個我們最愛的媒介和它背後的文化與發展。特別是在 21 世紀，有很多新的問題出現，例如：數碼化電影是機遇還是倒退？用 iPhone 拍片又算不算是電影？有的事你以為你懂，但聽完專家講，卻發現自己甚麼都不懂。但這也是學習的樂趣之一，不斷的探索和學習。別有「洞」天 ALSO AVAILABLE ON SEE IT ON # Programme time subject to the ﬁnal announcement of MOViE MOViE NowTV ch 116. # 節目如有改動，請以 MOViE MOViE 電視頻道（NowTV ch 116）公佈為準。

的摩天大樓。相反，在地下 700 米的洞穴內，卻沒有被文明踐踏過的足跡。惟有在無底深淵中才能找到一絲安寧。

The rising star of the international ﬁlm industry, Norway caught everyone’s attention with Joachim Trier newest hit THE WORST PERSON IN THE WORLD.

The depiction of the emptiness and loss in modernity truly strike the chord of teenagers today. No wonder why this is a critically acclaimed, award-winning masterpiece.

Japan does not only have one of the oldest and largest ﬁlm industries in the world, but also a handful of award-winning contemporary ﬁlms. From the heartwarming humanness in Hirokazu Koreeda’s BROKER, SHOPLIFTERS, OUR LITTLE SISTER to the subtle melancholia in Ryūsuke Hamaguchi’s INTIMACIES, HAPPY HOUR and Academy Award winner DRIVE MY CAR, each work concerns distinctive aspects of the human condition that we can all resonate.

French New Wave constitutes a vital movement in film history, in which figures like Truffaut, Godard, and Varda contributed revolutionary works. Contemporary French films such as BLUE IS THE WARMEST COLOUR, SOME LIKE IT RARE and BENEDETTA also shock their audience with their boldness in discussing rather taboo gender issues.

FIDELITY shocks the world with its explicit depiction of sex scene. The director did not shy away into exploring female’s body subjectivity nor the ﬁlm censorship standard. This is certainly a progressive piece that challenges our standard. SALYUT 7 is based on an incident of the Салют-7. Two astronauts are given with an important task to ﬁx the damaged space station, preventing it falling into the hands of America.

Abbas Kiarostami’s masterpieces WHERE IS THE FRIEND’S HOME? and AND LIFE GOES ON show the world the merciful side of Iran.

We have another hit from Iran, THERE IS NO EVIL caught the world’s attention with his fearlessness towards political persecution. His bravery and artistic achievement are awarded with the Goldener Bär.

《亂世仁心》Inch’ Allah 《世上最爛的人》The Worst Person In The World 《飢餓人妻》Fidelity 《接近無限溫暖的藍》Blue Is the Warmest Color 《上流寄生族》Parasite 《惡與他們的距離》There Is No Evil 《小偷家族》Shoplifters 《北韓騎劫夢工場》The Lovers and The Despot 《出貓特攻隊》Bad Genius 9 See the world. See it all. Hollywood

世界那麽大，假如只看荷里活主流電影就像患上偏食症。因為只要看過伊朗電影就會知道「邪惡帝國」的真正面目，甚至學到下次去國外該怎樣跟當地人相處。只此一家，MOViE MOViE 為大家搜羅超過四十個國家精選好戲，讓大家一起看世界，看得更遠更闊。問君能花上多少時間遊覽各國風光，在世界周遭佈下足跡？許些人不用一個月便走遍全世界；有些人每數年才能去一趟日本；但更有些人終生沒有踏出浮城半步。這個世界實在太多新奇有趣的事物靜待我們去探索和體驗，奈何受制於個人、家庭、經濟等各種條件影響，迫於去抑制那股蠢蠢欲動的好奇心。「呢個世界公平咩？呢個世界公平咩！？」生活的不公充斥處處，被無力感壓得喘不過氣。現實世 Who doesn’t want to break through the repetitive life patterns? We have all dreamt of leaving the mundane life and starting a thrilling trip around the world. Many turn to films in an attempt to see the world, and they are never disappointed. Films ignite and satisfy our wanderlust. 界如此，但光影世界卻是公平的。電影貴為一門時間雕刻之藝術，以同等時間收納當時的思緒和記憶，再讓我們付出相應時間去兌換該有的體驗，一切都是等價交換的公平交易。現在，讓電影化為一扇「See the World」的窗口，一口氣飽覽遍佈各地的明媚風光與風俗人情，與戲中人物同喜同悲。MOViE MOViE 擔當你的世界通行護照，向你推介來自世界各地焦點導演及電影，實現「眼睛想旅行，足不出戶縱觀世界」。

blockbusters are great – but if you want to broaden your horizon and learn about other cultures, perhaps they may not be quite enough. If you want to see the real Iran, nothing is better than watching an Iranian film. At MOViE MOViE, there is a handpicked collection of films from over 40 countries. Watch them all, and be a world citizen !

歐洲大膽情欲作《飢餓人妻》，入選為國際鹿特丹影展競賽影片。女醫生為了報復性出軌而跟不同男人做愛，全裸露骨的性愛場面連環上演，無疑是衝擊電影尺度。《星空浩劫》取自蘇聯禮炮七號故障失聯的歷史事件，講述兩位太空人被國家委以重任，冒險修理損壞的太空站，免其落入美國手中。電影獲得俄羅斯金像獎最佳電影。「法國電影新浪潮」領軍人物杜魯福、尚盧高達、艾麗絲華妲，以改變電影界限不遺餘力，得到影壇一致贊賞。《接近無限溫暖的藍》、《肉罷不能》、《聖欲》等新生代導演爭議尺度之作震驚國際影壇，以大膽、血腥與色慾畫面赤裸呈現人類原始本性及欲望，挑戰國際評審的道德底線，展現法國電影龍頭本色。《踏破鐵鞋無覓處》、《春風吹又生》為電影大師阿巴斯．基阿魯斯達米的傑作，憑著多部作品奪得歐洲影展人道主義精神獎，向世界展示伊朗慈悲的一面。今年伊朗新作《惡與他們的距離》引起國際絕大迴響，在柏林影展得到金熊獎最高殊榮，藉此表揚導演無懼政權打壓的勇氣以及電影的藝術成就。日本電影蘊藏的民族內斂素來深得國際賞識，當今最火紅的頂尖日本導演——是枝裕和及濱口龍介，二人早在國際影展揚名立萬，建立起日本現代電影招牌。前者有新作《孩子轉運站》、《小偷家族》、《海街女孩日記》，後者有奧斯卡最佳國際影片獎的《Drive My Car》，更有早年珍貴作品如《親密》、《歡樂時光》。導演約謙特艾爾，以《世上最爛的人》於國際影壇冒起的挪威新力量，描繪新生代感到空虛且迷惘的生活狀態，被奧斯卡提名最佳國際影片獎及最佳原創劇本，女演員溫娜特雲絲薇憑本片獲得康城最佳女主角。憑著《上流寄生族》揚名奧斯卡的「社會觀察學家」奉俊昊、康城影展最佳導演「暗黑美學大師」的朴贊郁，其驚嘆之作《原罪犯》及《下女誘罪》、被國際影評垂青的獨立導演洪尚秀之作《等一個人的心灣》。三人風格各異及涉獵對象十分多元，帶領南韓衝出國際，使其成為亞洲電影工業龍頭之一，堪稱「南韓三怪傑」。 Russia France Norway Iran South Korea Japan Bong Joon-ho, Park Chan-wook, and Hong Sang-soo are three of the most renowned directors in today’s global ﬁlm industry. South Korean ﬁlms are capturing audiences worldwide with unique works like PARASITE, OLD BOY, and THE HANDMAIDEN.

MOViE MOViE is a passport that allows you to travel the world freely by appreciating the art of film. We will introduce you to directors and works that can act as your knowledgeable tour guides in this boundless trip of seeing the world.

俄羅斯

Paper in use: Revive 90 gsm 《智取威士忌》The Angels’ Share 《聲光伴我飛》The Legend of 1900 《柏德遜》Paterson 《逆風去旅行》Yomeddine 《被消失的公義》The Collini Case 《少年阿默》Young Ahmed 《藍白紅三部曲之藍》Three Colours: Blue 《美味情書》The Lunchbox SEE IT ALL. SEE THE WORLD. 《一一》Yi Yi: A One And A Two THIS IS 加拿大 MOViE MOViE 加拿大導演奉行《亂世仁心》的人道主義立場，批判國際戰爭及人禍依舊，邊境難民處於「以巴衝突」夾心中如何自處，正好印證了「人在戰場，身不由己」的無奈。《北韓騎劫夢工場》反映獨裁者都有一個電影夢？原來北韓的著名作品《平壤怪獸》也是出自南韓之手，南韓著名電影人被北韓特工綁架，目的是協助偉大領導人完夢，紀錄片以這段光怪陸離的故事揭開北韓這個朝鮮國度的神秘面紗。首部入選康城影展競賽的埃及電影《逆風去旅行》感動人心，口碑激讚。新晉導演阿布巴卡蕭基將視點聚焦在一個小孩、一個麻風病人、一隻驢仔踏上解開身世之謎的公路旅程，從他們發掘出人性堅毅與良善。德國新時代的創作人依舊探討德國歷史遺留的產物，《被消失的公義》、《公義暗角》則探討法律與公義的關係，「法律面前，真的人人平等？」，《公義暗角》榮獲金球獎最佳外語片、康城影展最佳女主角。譽為「社會良心」的獨立導演堅盧治的《智取威士忌》，以英式幽默包裝一班接受社會服務令的青年、所面對的困境與苦衷，電影旋即奪得康城影展評審團獎。 Acclaimed work YOMEDDINE moves everyone’s heart with the realization of human fortitude and virtue through a journey with a boy, a leper and a donkey. Ken Loach’s social realist films have empathetically given voice to those who are marginalized in society. His work, ANGELS’ SHARE, discloses the struggle faced by a young working-class father who narrowly avoids a prison sentence. Can dictators also be film lovers? THE LOVERS AND THE DESPOT revolves around the making of a North Korean film PULGASARI, which was produced by a kidnapped South Korean film producer on the orders of the supreme leader. THE COLLINI CASE and IN THE FADE

look into the relationship between justice and law. Is Equality before the law a truth or just a slang? The winner of Golden Globe Award and Cannes’ best actress, IN THE FADE will surely give us insightful inspiration on law and justice. Canada Germany North Korea

of attention

Works like INCH’

criticize international

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who are caught between a rock and a hard place as their home got destroyed and they could not find sanctuary in other countries. 榮獲亞洲電影最佳編劇大獎提名的《出貓特攻隊》、原班人馬的深情話題作《無痛斷捨離》、《女神撞正基 OL》，泰國靈活生鬼的創意題材，再次讓泰國衝出亞洲，塑造「泰」出色活力之作，作品入選如鹿特丹及其他多個亞洲影展。 Thailand is filled with creative talents that keep making ground-breaking plots like that of BAD GENIUS, HAPPY OLD YEAR and TOOTSIES & THE FAKE. Its limitless creativity makes Thailand one of the supernovas in world cinema. Thailand 《藍白紅三部曲》為傳奇大師奇斯洛夫斯基的不朽代表作，探討生命意義的進行曲，毫無置疑地奪得各大頂級影展最高榮譽大獎，譽為電影界的巔峰。後輩導演彭維彭域高斯基的《冷戰戀曲》以歷史下的一對戀人故事，奪得康城最佳導演、橫掃歐洲電影展重要獎項，成為波蘭第三位角逐奧斯卡最佳導演的人。影史留名的殿堂級導演楊德昌，當年《一一》及《牯嶺街少年殺人事件》觸目國際影壇，其細膩筆觸描繪都會現代化下人倫關係的變化和影響。九把刀作品向來得到廣大觀眾歡迎及喜愛，經常在中港台三地引起一股流行文化熱潮，新作《月老》更讓他獲得台北電影獎最佳導演，作品有《報告老師！怪怪怪怪物！》。 With YI YI: A ONE AND A TWO and A BRIGHTER SUMMER DAY, the Taiwanese auteur Edward Yang impresses the world with his delicate depiction of interpersonal relationship in modernity. The works of Giddens Ko have always been a fan favorite in the Chinese speaking community. His latest work TILL WE MEET AGAIN made him the winner of Taipei best Director. To the international audiences, Three Colors: Blue, Red and White are some of the famous works of the Polish film director and screenwriter Krzysztof Kie lowski. Later in 2018, Pawe Pawlikowski depicts a love story during the Cold War in Zimna wojna, winner of the the Best Director prize at 71st Cannes film festival. Poland Taiwan India 意大利無數經典作獲得全新數碼修復，如奧斯卡最佳外語片得獎者基斯比湯納度的《聲光伴我飛》、貝托魯奇的《末代皇帝溥儀》及《情陷撒哈拉》，秉承意大利人獨有的浪漫因子描繪各段歷史，橫掃意大利金像獎以及歐洲影展多個獎項，包括最佳電影配樂。 Many of the Italian classic work got newly digitally restored, including THE LEGEND OF 1900, THE LAST EMPEROR and THE SHELTERING SKY. The signature Italian romantic touch can be seen in their deliberate portrayal of history. Italy 意大利不少荷里活演員為了自身突破而投身獨立電影，例如《末路狂逃》的瑪格羅比、《柏德遜》的阿當戴華、《性教獄》的嘉兒莫蕊茲等，演技得到評審高度讚譽，角逐「影帝」、「影后」寶座。 While the US is famous for its highquality mainstream blockbusters, many Hollywood actors and actresses also devote themselves to independent filmmaking. Many of them are critically appraised for their outstanding performance, Adam Driver in PATERSON, Margot Robbie in DREAMLAND, and Chloë Moret in THE MISEDUCATION OF CAMERON POST for instance. United States The Dardenne brothers, known for their documentary-like cinematic style, have established an international reputation for their emotionally powerful realist cinema. Their recent works, TWO DAYS ONE NIGHT and YOUNG AHMED, continue to center on the life of the invisible working class and ethnic minorities. Belgium 歐洲影展獲獎常客戴丹兄弟，師承意大利新寫實主義，近期作《公投飯票》與《少年阿默》，把鏡頭聚焦在勞工階層及少數族群，探討勞工權益及極端教義，奪得不同影展多個獎項。比利時《印度灰姑娘》互生情愫的年輕男女如何面對印度社會裏、根深蒂固的性別歧視及階級問題，從而拾回生活的重心，面對新一天？窩心之作《美味情書》，以印度獨有的送飯文化，訴說一對受制於社會規範的孤寂中年男女，憑飯寄情的故事。電影榮獲英國電影學院最佳外語片提名，亞太影展多項重要獎項提名，更奪得最佳劇本、最佳男配角及傑出成就獎等。 The Hindi-language film SIR elucidates the gender hierarchy and class stratification in Indian society, which impose challenges on all aspects of life, including romance, for young Indian men and women. THE LUNCHBOX, on the other hand, will give you tears of joy. Set in Mumbai, this awardwinning film tells a story that revolves around a mistaken delivery by the lunchbox service. ALSO AVAILABLE ON SEE IT ON & MORE

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Humanitarianism is the center

for the Canadian directors.

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wars and

damage

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Focus, Focus, Focus Everyone is interested in behind the scene stories. MOViE MOViE has therefore designed the best way of getting to know a director or an actor in depth. Through Director in Focus and Artist in Focus, MOViE MOViE systematically screens the works of the artists, thereby introducing them to film lovers. 電影圈花邊新聞的關注不絕，但公眾對創作人及演藝人創作生涯的關注卻可能欠奉。了解一個人最好的方法就是系統性地看他的作品。於是 MOViE MOViE 有了焦點導演及焦點影人系列的誕生，讓觀眾從中看到一些簽名式的脈絡，又或大小不同的驚喜。 AKI KAURISMAKI JOACHIM TRIER JAMES CAMERON JEAN-PIERRE WENDERS ÉRIC ROHMER JIM JARMUSCH JACQUES DEMY YU JI-TAE MALAI JOE ODAGIRI TOM HANKS AWKWAFINA MOHAMMAD YONG-HWA KIRIN KIKI YASUJIRŌ OZU ANG LEE DAVID LYNCH DAVID CRONENBERG HONG SANG-SOO WES ANDERSON RUBEN HAMAGUCHI MARTIN SCORSESE HIDETOSHI NISHIJIMA STEPHEN AUDREY DIWAN PAOLO SORRENTINO WONG KAR-WAI ROBERT WOODY ALLEN MICHELANGELO FRAMMARTINO FRED ZINNEMANN JOON-HO MICHEL GONDRY FRANÇOIS TRUFFAUT KIYOSHI KUROSAWA ELEJALDE ALFRED HITCHCOCK AUDREY TAUTOU ORSON WELLES LEE SUN-KYUN MARION COTILLARD AKIRA KUROSAWA JULIA BINAMÉ MARIA GRAZIA DI MEO HIROSHI TAMAKI IRRFAN KHAN SACHS CLAUDIA IEREMIA MEI NAGANO LUKAS DHONT JULIETTE SAKAMOTO LUC BESSON CHOI MIN-SIK ADAM DRIVER ELIA HIROKAZU KORE-EDA JEAN-LUC GODARD HIROSHI ABE ISABELLE YEON SANG-HO MA DONG-SEOK PENÉLOPE CRUZ RUTH CÉLINE SCIAMMA JEAN-MARIE POIRÉ WANG YANHUI LEE POTTER MATT ROSS ELLE FANNING JAMES STEWART FEDERICO LANG ROMAN POLANSKI AGNÈS VARDA SPENCER TRACY PARK VINCENT LINDON SYLVIA CHANG CHO YEO-JEONG NATTAWUT NAOMI KAWASE JOSÉPHINE SANZ JOHN FORD PEDRO ALMODÓVAR MARILLIER MILENA SMIT KENJI SAWADA CLINT EASTWOOD DOLAN TOMMY LEE JONES MARK COUSINS KATIA PASCARIU MIN TANAKA THEODOROS ANGELOPOULOS KACEY MOTTET GABRIELLE SANZ TIM BURTON BERNARDO BERTOLUCCI STEVEN

MOViE MOViE THIS IS JEAN-PIERRE DARDENNE SEBASTIÁN SILVA SEIJUN SUZUKI WIM JI-TAE MARK NOONAN TILDA SWINTON JIA ZHANGKE OLIMPIA MOHAMMAD RASOULOF YUYA YAGIRA SIDNEY LUMET EDDIE PENG KIM LYNCH KRZYSZTOF KIEŚLOWSKI PAUL NEWMAN MARLON BRANDO RUBEN ÖSTLUND JACK NICHOLSON EDWARD YANG RYÛSUKE STEPHEN FREARS CATHERINE DENEUVE GÉRARD DEPARDIEU ROBERT BRESSON TÔKO MIURA DAVID FINCHER MASAKI OKADA ZINNEMANN REIKA KIRISHIMA BRAD PITT TAKESHI KITANO BONG KUROSAWA JOHN HUSTON YOJI YAMADA KEN LOACH ISRAEL WELLES ADÈLE HAENEL LÁSZLÓ NEMES KANG HYE-JEONG JULIA DUCOURNAU FRANK CAPRA SAM PECKINPAH CHARLES KHAN STANLEY KUBRICK CHARLIE CHAPLIN JAFAR PANAHI IRA JULIETTE BINOCHE KEN’ICHI MATSUYAMA AL PACINO RYUICHI ELIA KAZAN SONIA YUAN ANDREY ZVYAGINTSEV ZHANG YIMOU ISABELLE HUPPERT ANTHONY HOPKINS MICHEL HAZANAVICIUS NEGGA JOELY MBUNDU ZHAO SHUZHEN WILLIAM WYLER LEE PING BIN KŌJI YAKUSHO ANTONIO BANDERAS SALLY FEDERICO FELLINI CLAUDE PINOTEAU ABBAS KIAROSTAMI FRITZ PARK CHAN-WOOK LUÀNA BAJRAMI GIUSEPPE TORNATORE NATTAWUT POONPIRIYA MASAKI SUDA MIMI LEDER SATOSHI KON ALMODÓVAR KWAK JAE-YONG RENATE REINSVE GARANCE SAM MENDES PABLO SCHILS AGATHE ROUSSELLE XAVIER PASCARIU SONG KANG-HO KLIM SHIPENKO HAYAO MIYAZAKI MOTTET KLEIN ANDERS DANIELSEN LIE ANAMARIA VARTOLOMEI STEVEN SPIELBERG QUENTIN TARANTINO KŌKI MITANI ARI FOLMAN Paper in use: Revive 90 gsm

“I’m fascinated by the notion of a perpetual sound: a sound that won’t dissipate over time. Essentially, the opposite of a piano, because the notes never fade. I suppose, in literary terms, it would be like a metaphor for eternity.”

可以說是相反於鋼琴的東西吧，那種持久不消失不衰弱的聲音，我內心可能一直很嚮往像是永恆不滅的感覺。因為不會消失，

Artist in Focus: Ryuichi Sakamoto ALSO AVAILABLE ON SEE IT ON # Programme time subject to the ﬁnal announcement of MOViE MOViE NowTV ch 116. # 節目如有改動，請以 MOViE MOViE 電視頻道（NowTV ch 116）公佈為準。焦點影人

MOViE MOViE THIS IS MM 在你眼中，坂本龍一是如何看待音樂的？ CC 坂本龍一全程投入在他的創作，不會輕言放棄，即時現在帶病在身，他都一直在推出新的作品，燃燒生命來把他的熱情融入他的作品當中。在《坂本龍一：CODA》裏亦都有提到他為《戰場上的快樂聖誕》（1983）配樂時的經歷。本來導演大島渚是想找他做男主角而已，但正因為他自身對創作充滿熱誠，所以他就說：如果你讓我為電影配樂，我就接下這個工作。正正就是這部作品感動了很多人，使他漸漸邁向大師之路。現在人人都記得這首經典，他每次開音樂會都一定要演這首歌（笑）接下來另一個導演貝托魯奇又找上了坂本龍一，為他的新作《末代皇帝溥儀》（1987）配樂和客串。其實該戲已經有配樂，但是導演又覺得未夠好，臨急臨忙找來了坂本龍一。當時他為創作盡心盡力，遠赴到中國錄音及指揮等等，最終又做出了另一首經典配樂。這部戲真是前無古人，後無來者，竟然一部外語片可以在紫禁城中取景。電影中的配樂亦讓坂本龍一贏得了奧斯卡最佳配樂獎。他不單只是為電影配樂，他更是在用音樂把電影的層次提昇。每每聽到他的音樂，那個電影場景就馬上浮現出來。 MM 那麼你最欣賞坂本龍一的那方面？ CC 我想是他對自己作品的執着吧。之前他一直都是在為他人配樂，但這次在《async》（2017）他在大病初癒時，用音樂記載那些經歷，再舉辦全球網上徵稿，邀請大家把他的音樂配上短片。香港也有參賽者勝得優異獎。在這裏有一首叫《Fullmoon》的曲目，當中就有小說朗讀的部分。因為他想加一把國語的女聲，所以就找我幫手。我都找了很多很多人，一直都達不到他的要求，可見他嚴謹之處。他很清楚自己想要甚麼，但同時亦會接受他人的意見。後來我就提議：不如也加入廣東話的聲音吧。他真的答應了我的請求。他在每一項創作中都傾盡心力，你能夠在他的作品中感受到他生命的温度。視覺與聽覺的契合是能夠打動人心，我認為這是超越了理性思想所能做到的。他是一個十分貼地的大師，在日本 311 之後，他專程從紐約飛到日本，在災民避難中心中演奏，為大家打氣。 MM 我們都知道你和坂本龍一私下是好朋友，你可以分享一下相處的趣事嗎？ CC 坂本龍一是很富幽默感和親切的人。我第一次見他的時候（90 年代初），雖然他是音樂大師，可是他平易近人，和他傳訊息時他會回很可愛的 emoji，完全由 7/10 起，逄星期五晚上十時，MOViE MOViE 為大家帶來一連串坂本龍一的經典之作及他的紀錄片。我們更找來和坂本龍一很有淵源的黃志淙博士，和大家分享他眼中的坂本龍一。 MM MOViE MOViE CC 黃志淙 Wong Chi Chung Interview by Jenny Chak & Simon Shiu 黃志淙香港著名 DJ 、音樂狂熱份子、音樂文化講師沒有架子。雖然他是古典音樂出身，但他亦有前衛的一面。他把不同的世界民族音樂元素打通，例如沖繩音樂、非洲音樂、巴西音樂等，同時他也是電子樂隊 YMO 的一員。他當然十分尊重音樂古典的一面，但是同時他也在新科技，音樂前衛的一面勇於嘗試。他就像一個 alchemist（煉金術師），把不同的音樂融為一體。在《坂本龍一：CODA》中也有不少場景見到他如何運用電子科技和各種不同樂器來創作及表演。 MM 最後你能為讀者推薦你最愛的一部電影嗎？ CC 我會選擇我們很多人和他發生重要神交的起源—《戰場上的快樂聖誕》。當年我十五六歲，這部電影真的影響了我的一生，因為坂本龍一／ David Bowie ／ David Sylvian 這個組合實在太厲害。明年將會是電影的 40 周年，但它的題材是相當前衛，有平等、平權、和平、大愛等等現在還在討論的話題。它是一部超越時代的電影，它是大家都應該要看的經典，看過的也值得翻看數遍。黃志淙 Ryuichi Sakamoto: async Live at the Park Avenue Armory Ryuichi Sakamoto: Coda The Last Emperor (Digitally Restored) Merry Christmas, Mr Lawrence 《坂本龍一 : async Live at the Park Avenue Armory》《坂本龍一：CODA》《末代皇帝溥儀（全新數碼修復）》《戰場上的快樂聖誕》 Paper in use: Revive 90 gsm

焦點導演阿巴斯 · 基阿魯斯達米 DIRECTOR IN FOCUS: ABBAS

“I’ve often noticed that we are not able to look at what we have in front of us, unless it’s inside a frame.”

KIAROSTAMI

由 4/11 起，逢星期五晚上十點 From 4 th November, every Friday night at 10. ALSO AVAILABLE ON SEE IT ON # Programme time subject to the ﬁnal announcement of MOViE MOViE NowTV ch 116. # 節目如有改動，請以 MOViE MOViE 電視頻道（NowTV ch 116）公佈為準。

— Abbas Kiarostami

電影止於阿巴斯影評人，浸大新媒體及影視創意寫作課程主任 Through The Olive Trees《橄欖樹下的情人》 25/11 (Fri) 22:00 Where Is My Friend’s Home?《踏破鐵鞋無覓處》 4/11 (Fri) 22:00 Homework《家家家課》 11/11 (Fri) 22:00 And Life Goes On《春風吹又生》 18/11 (Fri) 22:00 不論你是否正在學習電影，就算只是一個戲迷都好，假如在世界電影地圖上俯瞰，伊朗電影是非常重要的一塊拼圖，而伊朗導演阿巴斯基阿魯斯達米（Abbas Kiarostami）的電影，也許就是那些不看會後悔的類別。是的，有些導演的電影，沒看過，是會後悔的。 MOViE MOViE 的片單中，按年代，由遠至近，順序有《踏破鐵鞋無覓處》（1987）、《家家家課》（1989）、《春風吹又生》（1992）、《橄欖樹下的情人》（1994）及《廿四格》（2017）。當然可以順序看，跟著阿魯斯達米去走，一路走來，就能看到他所關注的歷史、環境與人文課題。不過，如果認為歷史觀並非必要，我會建議中間切入，先看《橄欖樹下的情人》。《橄欖樹下的情人》最著名的作法是，模糊了一樣事物叫虛構與真實。這一切源於阿巴斯對電影的看法，「電影只不過是虛構的藝術，它從不按照實際的樣子來描繪真實」，於是他便以這部戲玩變法，透過地震之後情侶迅速成婚的虛構劇情，布下層層真實的疑陣，以真實覆蓋虛構，這部後設的戲中戲，以劇組人員拍戲為故事骨幹，卻又把男女演員之間的真實情感往事紀錄下來，變成劇情核心。看時看，一定要看到最後，最後的彩蛋，是如詩如畫的伊朗山區 Z 型道路風景遠鏡，及觀眾久等的橄欖樹林，樹林裡的人能否有情人終成眷屬呢？——看罷這部戲，你自然會想追看前作《春風吹又生》，因為男主角原本來自這部戲。《春風吹又生》的情侶，本來繼續參演《橄欖樹下的情人》，後來女的嫁人推演，換了另一個女的，卻原來又是男的曾經真實暗戀的人。所以，兩部戲的關係密不可分，向後回追看，趣味更盎然。作為阿巴斯的地震前篇，戲中導演帶著攝製隊，去到地震山區，尋找一位小演員。鏡頭所見山區民宿幾近被摧毀，環境如是，人民卻非如此，人縱使無法與大自然較量，但片中的凡人默默重建，以時間消融災難，展現出平凡但厚實的人文力量——看罷這部戲，你自然會再想追看前作《踏破鐵鞋無覓處》，因為小演員原本又來自這部戲。踏破鐵鞋的人，正是這位孩子，戲中講他為了歸還家課簿給同校好友，不理父母勸止，一個人，兩條腿，一步一步向著山的另一邊村落走過去。山區之路當然不好走，但小孩子的單純潔淨，過濾了地震後揚起的滾滾泥塵。感動嗎？大抵阿巴斯不是要你哭，他只是想把事物沉澱，然後水落石出。由此，便浮顯了他渾然天成的「Koker 三部曲」。Koker 是位於伊朗北部的村莊，他拍完「踏破鐵鞋」之後，伊朗便發生大地震，全國三萬多人喪生，便衍生了「尋找小演員」，及「橄欖樹」之愛情。《家家家課》可視為是《踏破鐵鞋無覓處》延伸的紀錄片，紀錄伊朗山區小孩學習生活，訪問了不少孩子，以孩子的學習狀況，透視伊朗教育問題，問題當然天天都多，難得小孩子都直率有趣，其中一個說自己的志願是長大後殺死伊拉克總統薩達姆。法國導演尚盧高達曾於 1990 年訪談中說，電影始於格里菲斯（D.W. Grifﬁth），止於阿巴斯。阿巴斯於 2016 年離世，留給世上最後一部戲叫《廿四格》。菲林一秒廿四格，戲中他把廿四幅由他拍攝的風景照片，逐幅製成動畫，賦予生命。這場美不勝收的詩意風景片，靈氣萬千，猶如他本人。 MOViE MOViE THIS IS Paper in use: Revive 90 gsm

Paper in use: Revive 90 gsm

「無人可在死前重生」一百二十七年前，盧米埃兄弟︵ The Lumière brothers︶為人類建立一個嶄新的世界，他們帶來影像創作的革命。該片只有一個鏡頭，是放在火車軌道旁拍攝。盧米埃兄弟在短時間之內，就把這此影片發行到世界各地。在一兩年內，世界各地的觀眾大多都看過︽火車進站︾︵ L’Arrivée d’un train en gare de La Ciotat ︶。這片片長僅五十秒，但卻改變了未來，把這個名為第七藝術的文化孕育於眾人的雄奇想像之中。直至一九二七年的那天，華納兄弟殺死了﹁電影﹂。華納兄弟以︽爵士歌伶︾︵ The Jazz Singer ︶為世間帶來有聲電影。有聲電聲的面世把當時電影的形式消滅殆盡。﹁電影﹂的確死了，但也隨即得以重生。後來，﹁電影﹂都不斷被新思維新技術所殺死，如彩色片的出現殺死了黑白片時代的﹁電影﹂；數碼拍攝電影殺死了菲林拍攝的﹁電影﹂；串流平台也殺死了戲院放映的﹁電影﹂。這是一種深具革命性的過程，舊有的被毀滅，新生的被建立起來，也迫使我們重新估計舊有價值的意義，使我們更容易在永恆的文化洪流中建立新的規範。藝術評論家占士 · 艾金斯︵ James Elkins ︶曾指出繪畫史在一定程度上就是顏料化學成分變化的歷史。革新技術的出現，為藝術帶來新的想像。就如同從具像到抽象，從古典藝術到現代藝術，不少文化悲觀主義的評論也曾在時代變革之中明言藝術已死，然而，革命性的藝術形式卻未因為舊時代藝術的消逝而亡，反而於舊時代的遺體上重生。同樣地，文化悲觀主義者預言了電影的消亡，原來的﹁電影﹂又再一次死了，但新的幼苗卻如雨後春筍般萌發出來。電影的歷史，就是充滿著不斷的革新技術和變換風格的歷史。不同技術、新設備以及新式敘事意識的引入，不停的改變電影的視聽效果，從而激發銀幕作品的進一步變革。正如當年有聲片、彩色片以及電視的問世，賜予電影多不勝數的死亡，但也為電影帶來多不勝數的革命性重生。這就如一個與同一性概念有關的古老哲學問題﹁忒修斯之船﹂所爭議的一樣，如果一艘船的零件，包括船體、龍骨、桅杆、錨以及帆等等，都被一一換掉。揚帆啟航。共同策展人

Ｒ我想先問大家一個問題，電影節對大家而言是一回怎樣的事？對我而言，電影節就像日本廟會；大家穿起和服逛街、撈金魚、欣賞煙花等。這些事情乍看跟廟會毫無關係，但參與者都是附近的街坊，他們會認為這是一年一度給大家相聚的活動，如同社區維繫的展現。如果戲院對影迷而言是一個聖域的話，那去電影節的肯定就是熱愛電影的人。這不代表他需看片無數，但起碼渴望參與其中。所以，我們希望今次電影節有種平易近人的感覺，讓大家相聚看電影，重現人們相聚時那種高興的感覺。Ｍ電影世界如同汪洋大海，電影節便擔當起海上引導並集結人們的角色。電影節就是一個讓大家身處其中而享受的社群，好讓這種感覺得以延展。世界這麽大，喜歡電影的人共聚於同一空間。策劃者往往主導了電影節的方向，我們看一部作品時應宏觀整個組合：例如某電影節選了十部電影，這些電影的排列都有其考慮，故此我們可謂非常重大。Ｊ果有一個主題性的電影節把它們湊合一起，如專屬的紀錄片電影節，那就有機會能看到不同的紀錄片。其實，我們最初籌辦 Life is Art 電影節也是抱著同樣的想法。起初念頭的源起是 Amy Winehouse 的紀錄片，如果這套電影就這樣直接放到戲院放映，可能就一下子消失了，所以我們忽發奇想：﹁不如舉辦一個能宣揚不同類型藝術的電影節可行嗎？﹂於是，︽ Amy ︾這齣紀錄片觸發了我去構想 Life is Art 電影節。我認為有些電影節與 curator 本身所關注的主題有關，例如我就很喜歡紀錄片和不同藝術的創作。對我而言，電影節最重要的是建立聯繫，電影與人、創作者與觀眾，更能藉此變化延伸出更多不同的活動，由最簡單的座談會延伸到工作坊及展覽，整件事因而變得完整。看電影不應只是一個看完就拍拍屁股走人的商業交易，應該是可觸動心靈、與人交流並分享感受的旅程。Ｒ我們起初從十週年紀念方面構思，但適逢 MOViE MOViE 生日偏偏遇上戲院閉關時期，加上近年很多人和事消失了，我們到底失去了甚麽？為什麽一定要去戲院看電影？假如真的沒有了戲院，那電影會否徹底消失？某程度上，這些問題啓發我們從這角度舉辦這個電影節。Ｊ英女王逝世時，有傳媒問 “ Do you think we’ve really understand what we’ve lost here? ” 。同樣地，我覺得假如沒有了戲院又或者電影時，大家又是否真正知道自己失去了甚麽？我有時覺得香港人慣性追求最新、最快的東西，但可能還沒仔細看清一件事物時，便已物色另一新事物了。很多人覺得現在電影到網上看就可以，但其實對我來說就像是以為在家中進食外賣，跟在餐廳享用食物一樣，兩者顯然並非相等，卻可互補共存。Ｍ其實這是各人對電影有不同的認知。﹁ MOViE is Dead. Long Live MOViE. ﹂，這矛盾般的構思源於我們希望大眾明白電影非單純的實體，而是一種意識。舊有意識需被淘汰，新的意識才會來電影是不同的體驗。Ｊ MOViE MOViE Play 串流的跨平台電影節，使我疫情肆虐，曾令戲院長期關閉，不禁讓人再次討論戲院和電影的意義和關係。過去突如其來的驟變，讓我們無所適從，失去了很多，同時也得到了許多。適逢 MOViE MOViE 十週年慶典， MOViE MOViE 邀請了 The Kongner 評論人米迦策劃了﹁ MOViE is Dead. Long Live MOViE. ﹂主題的電影節，與大家一起追古論今，同步革新。米迦、是次影展的創作總監胡卓斌及 MOViE MOViE 人 Joycelyn Choi 在今期特意促膝對談，評論人、文化媒體創辦人一同討論電影，講解精選片單，以及舉辦是次電影節的初衷和理念。Ｍ Micah The Kongner 創辦人Ｒ Renatus Wu Edited 負責人Ｊ Joycelyn Choi —— MOViE MOViE 總經理所選的片單，裡面包含新舊的電影。我覺得看電影要貪新愛舊，所以今次的片單兩者兼得，就好像認識一個人愈久，你就愈能發掘出他更多的面向。不如米迦講解一下你選片的方針？Ｍ我的片單與﹁改變﹂的理念有關，不是純粹科技上的，更是看待事物角度上的改變，盡可能呈現電影的另一面。譬如奉俊昊的黑白版︽上流寄生族︾到底想表達甚麽思想、︽三島由紀夫最後思辨︾紀錄片所描述的文化思潮，其作品如何挑戰日本當時文化和社會風氣、︽惡與他們的距離︾反映導演在極權環境下拍攝過程的挑戰、 A24出品的︽別告訴她︾和︽月亮喜歡藍︾都表現出美國華裔及非裔等弱勢社群面對的處境。這都是社會需要知道的事情，很多人覺得電影是傳遞某種意識，實情是先有某種意識才有某部電影的誕生，從而反映社會現實。所以，我重申整個片單的選擇就基於﹁改變﹂；若果電影的想法要改變，那就必須要先死而後生。Ｒ除了戲院放映，還有數場社區放映的電影，為何要在社區辦放映？Ｍ這與建構社群文化有關，除了維繫，更要拓展。我們辦社區放映想讓觀眾明白並非只能到戲院看電影，還可讓自己身處熟悉的環境看電影。戲院礙於場次的時間限制，映後談的時間通常很短，但放在社區就能延長討論的時間。我們還有 Podcast 活動，主要講述本人想像中電影應具備哪些條件，嘗試囊括電影不同範疇，例如電影發行工序及規劃。這些東西與口中的電影節有莫大關係。這如同廟會一樣，給我們一個機會去了解周遭的東西。Ｊ卓，不如介紹一下今次電影節的視覺及設計風格？Ｒ這期﹁ MOViE is Dead. Long Live MOViE.﹂號外，特意找來報紙廠黑白印刷，貫徹不合時宜的味道，目的想重現過往那種粗糙的真實感，希望人們不會為了便利或所謂現代價值，放棄一切事物原有的美好。同樣原理，想廟會繼續存在就一 Paper in use: Revive 90 gsm

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Consul General of France in Hong Kong and Macau

Christile Drulhe took office as Consul General of France in Hong Kong and Macau on 31 August 2022. Fluent in Mandarin, she joined the French diplomatic service in 2004. She held a number of positions related to Asia-Pacific affairs, making her a keen connoisseur of the region.

Varda is one of France’s most important female directors. I’ve always admired her work along with contemporary artist JR’s. This movie is again proof that art can change people’s lives by infusing poetry and generosity.

As any French foodie, I am an admirer of Alain Ducasse. With this documentary, De Maistre brilliantly showcases what makes the genius of one the greatest chefs in France, who has always enriched his cuisine by world influences, including from Hong Kong!

This is a wonderful duo of two of my favorite French actresses to talk about love in such a subtle way. Charlotte Gainsbourg was the headliner of our French Night at the Hong Kong International Film Festival in August, with “The Passengers of the night” which is currently screened in Hong Kong theaters.

Christile DRULHE

2017 Dir. Gilles de Maistre

2017 Dir. Agnès Varda

2013 Dir. Hélène

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2017 Dir. Arnaud Desplechin

Giraud, Thomas Szabo

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JEAN PAUL GAULTIER: FREAK AND CHIC 120 BEATS PER MINUTE AT WAR THE DANCER THE DOUBLE LIFE OF VERONIQUE 9 GOODBYE TO LANGUAGE Paper in use: Revive 90 gsm

I love this biopic about a visionary modern dancer who moved to France and revolutionized her art. I also chose this title to pay tribute to Gaspard Ulliel who passed away this year. The actor came to Hong Kong in 2014 for the promotion of “Saint Laurent”, and attended the Hong Kong French Film Festival.

France has always inspired filmmakers from all around the globe. No wonder that one of Poland’s most acclaimed filmmakers shot and coproduced a movie in France.

2014 Dir.

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2017 Dir. Robin Campillo 5

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2017 Dir. Arnaud Desplechin 2018 Dir. Stéphanie Di Giusto Dir. Krzysztof Kieślowski 8 The French fashion designer, Jean-Paul Gaultier, is to me the embodiment of haute couture. He is also an inspiration for us all to keep our creativity and to be more inclusive. This is an important film on the birth of the Act Up movement, a grassroots NGO led by the LGBTQ+ community to fight against the AIDS pandemic. Aids remains a major global public health issue which is still too often a source of discrimination. The Consulate supports the Hong Kong Lesbian and Gay Film Festival for which this title was the opening film in 2017. By picking this movie, I would like to pay tribute to one of France’s greatest directors who passed away last month. He shaped French New Wave and forever changed the history of cinema.

The movie depicts the way the manager of a factory in France decides to help workers who face dismissal. Vincent Lindon’s stellar performance struck me.

PREMIERES 1 OCT, 9PM ON HBO * 首次申請以上頻道組合客戶，須選購至少 2 個頻道組合並可同時額外選購特選頻道，並須簽訂 18/24 個月合約。須受有關條款及細則約束。 * New customers signing up the above mentioned packs must subscriber to at least 2 packs, and may subscribe to Premium Channel(s) at the same time for an 18 or 24 month commitment period. Terms and Conditions apply. Please call sales hotline 2888 0008, then press 2 or visit HKT shop 請即致電申請專線 2888 1888 然後按 2 或親臨 HKT 專門店申請 HBO 為安坐家中的觀眾帶來荷里活猛片以及 HBO 得獎原創劇集。每日 24 小時不停熱播，絕無廣告，最適合電影愛好者。HBO 亞洲區觀眾亦可獨家欣賞在電視上首播的精彩荷里活猛片及 HBO 得獎原創劇集和節目的頻道，如《權力遊戲》等。不能錯過的更有 HBO GO 服務，提供超過 1,500 小時 HBO 原創劇集與電影，逾 500 部荷里活鉅製供自選點播，其中 same time as U.S. 系列更緊貼美國播映時間！立即申請 Now TV 全新歐美電影組合，月費只需 $88*。讓自己完全投入精彩電影世界，拉闊生活娛樂視野。 HOLLYWOOD BLOCKBUSTERS & WORLD CINEMA Now TV 全新歐美電影組合為將精彩高質素電影娛樂帶給觀眾，結合 MOViE MOViE 與多條 HBO 頻道，播放不同類別的荷里活猛片及橫掃國際影展電影；各位更可同時獨家收看獲獎無數的 HBO 原創劇集和節目。 MOViE MOViE 為香港觀眾度身訂造，致力提供最多元化的優秀電影，搜羅全球叫好叫座的的首輪人氣猛片、更精挑細選橫掃國際影展的得獎傑作，以至口碑載譽的不朽經典，24 小時無間斷送上世界各地的高質好戲！ TM & © WARNER BROS.. All Rights Reserved. TM & © PARAMOUNT PICTURES CORPORATION. All Rights Reserved. TM & © StudioCanal UK. All Rights Reserved. TM & © IN-HOUSE PROMO. All Rights Reserved. ©2022 Home Box Ofﬁce, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Ofﬁce, Inc. Used with permission. ©2022 HBO Asia TM & © HIGHLAND FILM GROUP. All Rights Reserved. PREMIERES 8 OCT, 10PM ON HBO PREMIERES 31 OCT, 10PM ON HBO PREMIERES 22 OCT, 9PM ON HBO PREMIERES 29 OCT, 10PM ON HBO PREMIERES 19 NOV, 9PM ON HBO

The Now TV Western Movie Pack offers premium Hollywood blockbusters, top box office hits and award-winning films from HBO and MOViE MOViE. These include exclusive award-winning HBO Original productions, series, movie specials and showcases.

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HBO is a 24-hour, commercial-free channel that is home to the hottest Hollywood blockbusters and award winning HBO Originals such as Westworld and Game Of Thrones. With Now TV Western Movie Pack subscription, get free access to the HBO GO app to watch more than 1,500 hours of movies and HBO Originals on-the-go, anytime and anywhere.

Subscribe to the Now TV Western Movie Pack for just $88 a month*. Enter the glittering world of great movies, widen your horizons and entertain yourself.

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Organiser 主辦 Hong Kong Photographic Culture Association Limited is financially supported by the Art Development Matching Grants Scheme of the Government of the Hong Kong Special Administrative Region 香港攝影文化協會有限公司獲香港特別行政區政府「藝術發展配對資助計劃」的資助 Key Sponsor 主要贊助 The content of this programme does not reflect the views of the Government of the Hong Kong Special Administrative Region. 節目內容並不反映香港特別行政區政府的意見。 hkipf.org.hk

非一般的罪案電影－《熱帶往事》非一般的罪案電影－《熱帶往事》罪案電影很多時發生在月黑風高的晚上，以謀財害命︑仇殺等題材為主︒由溫仕培執導的《熱帶往事》，卻以另類手法，從冷氣技工和中年寡婦的重逢，繼而揭發先夫遇害的真相︒《熱帶往事》在 2018 年曾獲第 86 屆柏林影展的「 VFF Talent Highlight Award 」獎項，這是該單元成立 15 年來，首部榮獲此獎項的華語電影，同時亦是中國電影史上第一套獲此殊榮的電影︒ 彭于晏飾演的冷氣技工王學明，在一次上門修理冷氣時，重遇飾演中年寡婦梁媽的張艾嘉︒王學明一直以為自己在當年一宗交通意外中，將梁媽老公撞死而心存悔咎，但當他鼓起勇氣向梁媽交待後，梁媽竟然說先夫是身中兩槍死亡︒兩人隨後相處觸發暖昧關係，同時案件真相亦逐漸浮現︒ 男女主角在戲中的造型可說是入型入格，彭于晏過去在《激戰》中飾演 MMA 選手曾練得一身肌肉，而這次卻需要扮演一名瘦削的冷氣技工︒為此，他特意在開鏡前吃素狂減 32 斤，又請教從事冷氣維修逾大半生的友人父親，事前學習相關技能，務求演出時能做到十足神似︒ 對於演繹婚外情角色，張艾嘉早年已有豐富經驗：《莎莎嘉嘉站起來》中飾演婚外情受害者︔《最愛》中背著好友繆騫人，與林子祥發展不倫之戀︔還有這次《熱帶往事》裡的梁媽，可見證張艾嘉演技又再昇華至另一層次︒在接受傳媒訪問時，她道出飾演此角的心路歷程：「梁媽是一個徐娘半老的寂寞女人，有某種情慾，近乎燥熱的奇怪心態︒」在丈夫死後，本來一班太太到訪家中準備與她大哭一場，梁媽卻哭不出來，甚至超乎異常的平靜，待沉澱過後才能放聲痛哭︒這種深情又有層次的演繹，唯有張艾嘉才能做到︒另外，在彭于晏替穿碎花吊帶裙的張艾嘉點煙一刻，也令人聯想起《阿飛正傳》中，張國榮穿白背心跳舞的一幕︒或許，也只有哥哥與張艾嘉才能 carry 到這種散發「型與脫俗」的角色︒ 張艾嘉的型與脫俗彭于晏瘋狂減磅《熱帶往事》張艾嘉×彭于晏×王硯輝×章宇導演：溫仕培 2022年10月29日 (六) 爆谷10點院線 (10月30日起Now爆谷台自選服務上架) 請即致電申請熱線2888 1888後按2或即親臨1O1O Center、csl專門店或指定銷售點查詢及申請啦歡迎登上本台網站查看更多電影系列推介！＊節目播出詳情，請參閱Now爆谷台官方網站 www.nowbaogumovies.com @nowbaogumovies_hk Now爆谷台

2012 The first trailer of MOVIE MOVIE channel is shown at Broadway Cinemas, featuring A BOY BY B.WING M 31/5 MOViE MOViE International Movie Channel now TV ch132 free trial begins M 14/6 Official launch of MOVIE MOVIE CHANNEL & MOVIE MOVIE ON DEMAND M MOVIE MOVIE MAGAZINE (MMM), a free movie magazine with special features and interviews, is published M First in Hong Kong! MOViE MOViE presents: THE PREFECT SENSE co-release with cinema M LAUNCH PARTY at PALACE ifc featuring discussion by KEANU REEVE & DANIEL WU M MOViE MOViE selfproduced programme: MM INSIGHT WITH FILM CRITIC PIERRE LAM M Launched the first series of “DIRECTOR IN FOCUS”: A retrospect of Krzysztof Kieślowski M MOViE MOViE hosted a SEARCHING FOR SUGAR MAN screening at Backstage with live performance M MOViE MOViE started long-term partnership with JCCAC in co-hosting ROOFTOP CINEMA 2013 MOViE MOViE first COLLABORATION WITH MOLESKINE, co-created the campaign “Share your Moleskine Journey!” M MOViE MOViE worked together with Weekend Weekly to present “SEE THE WORLD”, introducing national cinema of different countries every week M MOViE MOViE co-released GINGER & ROSA, DIANA VREELAND: THE EYE HAS TO TRAVEL etc. with cinema M MOViE MOViE 1ST ANNIVERSARY PARTY in broadway cinematheque, with a rare screening of AND THEN and THE RELUCTANT FUNDAMENTALIST, and a drag show! M MOViE MOViE teamed up with CREATIVE CITY to launch “DESTINATION: CINEMA”, Hong Kong’s very own roving film festival! Five critically acclaimed and award-winning movies including WASTE LAND were showing in town in venues such as The Loft Division and W Hotel M MOViE MOViE “Director in Focus” series continues with more notable retrospectives, including Ingmar Bergman, Yasujirō Ozu etc. M MOViE MOViE premiered BLUE IS THE WARMEST COLOR and other big hits 2014 MOViE MOViE launched its first “ARTIST IN FOCUS” series featuring Isabelle Huppert M MOViE MOViE co-released with cinema THE BROKEN CIRCLE BREAKDOWN M MOViE MOViE launched “BOLLYWOOD SPECIAL” M “Director in Focus”: Tsai Ming Liang, Jim Jarmusch M MOViE MOViE premiered THE LUNCHBOX, WINGS OF DESIRE, HANNAH ARENDT and more M MOViE MOViE organised “MOVIE MOVIE FESTIVAL: ANIFEST”, showcasing award-winning local animated short films, as well as screening world-class animated features including IS THE MAN WHO IS TALL HAPPY and THE CONGRESS; the festival also featured flipbook exhibition with support from Moleskine M MOViE MOViE presented “COUNTDOWN TO THE AWARDS”, a marathon of screening all five Best Foreign Language Film nominees at broadway cinematheque M MOViE MOViE and DIMSUM Magazine co-organised a FUNDRAISING PARTY FOR HKLGFF AT ARMANI/PRIVÉ with special dance performance M MOViE MOViE and CLOCKENFLAP co-hosted outdoor screenings including TWENTY FEET FROM STARDOM 2015 MOViE MOViE coreleased international big hits such as FORCE MAJEURE, THE GREAT BEAUTY and WHITE GOD with cinemas M MOViE MOViE launched its flagship festival – MOVIE MOVIE FESTIVAL: LIFE IS ART! The festival included BELTRACCHI: THE ART OF FORGERY, AMY, and more international awardwinning films, as well as a pop-up mini fest co-organised with PMQ, with activities such as exhibition and live music performance M More “Director in Focus” including retrospectives of Hong Sang-Soo and Xavier Dolan M Special feature on MOViE MOViE channel – “BEST OF CANNES”, which showed an award-winning film every night M MOViE MOViE “Countdown to the Awards” premiered a Oscar nominated movies each night at broadway cinematheque for six days, including STILL ALICE, TWO DAYS, ONE NIGHT, THE IMITATION GAME, FOXCATCHER, LEVIATHAN and WILD TALES M MOVIE MOVIE GOLDEN HORSE MARATHON showcasing four Golden Horse winners in a roll, including MOUNTAINS MAY DEPART, ZINNIA FLOWER, WAWA NO CIDAL and THANATHOS, DRUNK M Organised open air movie screening during JCCAC Festival 2016 MOViE MOViE self-produced programme: MOVIE MOVIE BUFF, featured Adam Wong, BabyJohn, Chi Chung Wong etc. Hosted by interns. M MOVIE MOVIE FESTIVAL: LIFE IS ART collaborated with PMQ, gathered movies about art including THE FIRST MONDAY IN MAY, THE BEATLES: EIGHT DAYS A WEEK – THE TOURING YEARS and THE MUSIC OF STRANGERS: YO-YO MA AND THE SILK ROAD ENSEMBLE. For the opening ceremony, MOViE MOViE collaborated with FASHION FARM FOUNDATION in co-hosting a FRIDAY RUNWAY FASHION SHOW in broadway cinematheque. The festival also organised The Beatles: Abbey Road – Eight Days a week Pop-up Photo Exhibition, which included rare photographs that were never used before M MOViE MOViE premiered CITIZENFOUR, AN and more critically acclaimed movies M “Director in Focus”: Michael Gondry, Abbas Kiarostami etc. M MOVIE MOVIE FESTIVAL: LET’S TALK ABOUT SEX collaborated with GENERAL EDUCATION UNIT, THE UNIVERSITY OF HONG KONG, screening a selection of provocative movies like LOVE 3D. Besides cinema screening, the festival hosted workshops, book exhibitions and discussion forums on sexuality. M MOViE MOViE Presents: Count down to the Awards – presenting 10 Oscar nominees before the award ceremony, including CAROL, SPOTLIGHT, SON OF SOUL, THEEB, THE DANISH GIRL, 45 YEARS, ANOMALISA, AMY, YOUTH and THE 100-YEAR-OLD MAN WHO CLIMBED OUT THE WINDOW AND DISAPPEARED. LEGO Oscar statuettes were given out during the event M MOViE MOViE collaborated with HONG KONG ARTS FESTIVAL PLUS in presenting 3 movie screenings, including PETER BROOK: THE TIGHTROPE 2017 Screening of dance film Pina 3D at Hong Kong Arts Festival Plus M Director: Takeshi Kitano, Jafar Panahi M The first MOVIE MOVIE CINEMA launched at Cityplaza, bringing something extraordinary to Hong Kong with activities and exhibitions M MOVIE MOVIE × HK MUSE FESTIVAL 2017 bring movies such as MEETING DR. SUN to museums in Hong Kong with speakers from museum sector, LCSD, Muse Fest M Artist in Focus: Kirin Kiki M Hosted “EVERY MOMENT IS A MOVIE”, a short film competition that show winner’s work on big screen in MOViE MOViE Cityplaza 2018 Grand opening of our first cinema: MOVIE MOVIE CITYPLAZA M This is a year in which Life is Art is held twice, one in Spring and one in Summer M MOVIE MOVIE FESTIVAL: LIFE IS ART PART I – screenings of award-winning international films, including DAVID HOCKNEY AT THE ROYAL ACADEMY OF ARTS: A BIGGER PICTURE 2012 & 82 PORTRAITS AND ONE STILL LIFE 2016, DRIES, and BUENA VISTA SOCIAL CLUB – ADIOS M MOVIE MOVIE FESTIVAL: LIFE IS ART PART II – special festival ambassador Kam Kwok-leung, MOVIE MOVIE × LEVI’S® DENIM WORKSHOPS, collaboration with CASTIFY tailor-made phonecase M WE LIVE MOVIES – a series of interview showcased on MOVIE MOVIE TV Channel, where film enthusiasts from different industries (such as Johnnie To, Christopher Doyle, Karine Lam, and Sunny Chan) talk about their understanding of the relationship between movie and life M Win a chance to see your film on the big screen! Every Moment Is a Movie is a competition invites participants to submit their selfproduced short films M JCCAC × MOVIE MOVIE ROOFTOP CINEMA: screenings of MY VOICE, MY LIFE and LIFE, ANIMATED M Director in Focus: Andrey Zvyagintsev, Jacques Demy, Agnès Varda 2019 MOVIE MOVIE FESTIVAL: ANIFEST 2019 – premiere of world-class animated features + local shorts from the ANIMATION SUPPORT PROGRAM including DILILI IN PARIS and THE TOWER M MOViE MOViE Cityplaza 1ST ANNIVERSARY CELEBRATION – premiere of MASQUERADE and MCQUEEN M MOViE MOViE presents: a massive premiere party of the concert film MAYDAY LIFE 3D in Cityplaza, in which the band Mayday comes in person to join their loyal fans M The MOVIE MOVIE WEBSITE, designed by K2 Digital, receives the Silver Award in the corporate website category at the HKDA Global Design Awards M MOVIE MOVIE FESTIVAL: LIFE IS ART 2019 – premiere screenings of PAVAROTTI, AMAZING GRACE, JEAN PAUL GAULTIER: FREAK & CHIC, and other award-winning international films M Director in Focus: Yeon Sang-Ho, Edward Yang, Éric Rohmer M Artist in Focus: Kōji Hashimoto, Antonio Banderas 202o Grand opening of our second cinema: MOVIE MOVIE PACIFIC PLACE M Cinema co-releasing the award-winning BUÑUEL IN THE LABYRINTH OF THE TURTLES M A MOVIE DATE WITH EDWARD LAM series in cinema: backto-back screenings with in-depth sharing by local playwright Edward Lam M MOViE MOViE channel presents the CULT LEADERS SERIES: works of David Lynch, Seijun Suzuki, Aki Kaurismäki M 15/5–30/6 AF × MM FRENCH MAY CINEMA PROGRAM: early works of masters including Abbas Kiarostami, Bong Joon-ho, Hans Zimmer and Jean-Jacques Beineix are available on our OTT platforms M MOVIE MOVIE × GOETHE-INSTITUT – KINO: German Film festival – award-winning German films available on MOViE MOViE Play M MOVIE MOVIE FESTIVAL: ANIFEST 2020 – premiere of worldclass animated features + local shorts from the ANIMATION SUPPORT PROGRAM including THE MAGNIFICENT CAKE! and KONG KEE’s works M First in Hong Kong! MOVIE MOVIE × HONG KONG SINFONIETTA – BACK ON STAGE

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concert film premiere M MOViE MOViE × Hong Kong Sinfonietta is back again! BACK STAGE (QUARANTINED!) – Hong Kong Sinfonietta ventures into its second attempt in bringing a live concert to the silver screen M A MOVIE DATE WITH EDWARD LAM SERIES IN CINEMA: a special double-bill program on our channel with in-depth sharing by local playwright Edward Lam M Director in Focus: Sally Potter, Bernado Bertolucci M Maestro in Focus: Alexandre Desplat 2021 First time co-curated MOVIE MOVIE FESTIVAL: LIFE IS ART WITH HONG KONG SINFONIETTA, apart from premiere of their original concert film, the line up also included Samson Young’s “Muted Situation #22” among many others. Key art designed by Don Mak. The musical theme “per aspera ad astra” of the festival is a response to the pandemic. Andy Hung, LEGO certified professional, built BEETHOVEN LEGO SCULPTURE for the festival. The festival invited guests such as Leon Ko, Serrini, Dr. Maria Mok of Museum of Art. Local artists such as Rex Koo, Felix Ip and Keo Chow are gathered for a special exhibition in order to pay tribute to Anita Mui in MOViE MOViE Cityplaza 2022 MOVIE MOVIE FESTIVAL: ANIFEST collaborated with Animation Support Program, line up included WHERE IS ANNE FRANK, EVANGELION: THRICE UPON A TIME M Following the footstep of broadway cinematheque in Beijing and Shenzhen, MOViE MOViE also launched MOVIE MOVIE SHANGHAI international movies and lifestyle boutique cinema to a wider audience. M MOVIE MOVIE FESTIVAL: LIFE IS ART features a films relating to architecture - a collaboration with Hong Kong Institute of Architects.

MOVIE-MOVIE-MAGAZINE #55 FOR MOVIE LOVERS SPECIAL FEATURE: THIS IS MOVIE MOVIE/ LIFE IS ART 光影藝術祭 / MMM EDITORS’ REUNION/ 與戲院同步 MM CINEMA CO-RELEASE 《新世紀電影史話》 THE STORY OF FILM: A NEW GENERATION/ SEE THE WORLD/ 焦點導演 : 阿巴斯 · 基阿魯斯達米 DIRECTOR IN FOCUS: ABBAS KIAROSTAMI/ 焦點影人 : 坂本龍一 ARTIST IN FOCUS: RYUICHI SAKAMOTO/ EXTRA FILM FESTIVAL/ 法國駐香港總領事心水推介 CHRISTILE DRULHE’S TOP PICKS Paper in use: Constellation Jade Intreccio E48 215 gsm