Road show program

AND

Honorary Season Producers: Stephanie and Alan Weston

PROUDLY PRESENTS

ROAD SHOW Music and Lyrics by

STEPHEN SONDHEIM Book by

JOHN WEIDMAN Based on the story of

WILSON and ADDISON MIZNER Original orchestrations by Jonathan Tunick Originally commissioned by the John F. Kennedy Center for the Performing Arts

DIRECTOR

RICHARD ISRAEL MUSICAL DIRECTOR

JULIE LAMOUREUX PRODUCTION COORDINATOR

JILL MARIE BURKE

PRODUCTION STAGE MANAGER

LIGHTING DESIGN

ART BRICKMAN

BRANDON BARUCH

ASSISTANT STAGE MANAGERS

COSTUME DESIGNER

KATIE BRASTOW CARA FAILER

A. JEFFREY SCHOENBERG AJS COSTUMES

June 14, 2015 This concert presented through special arrangement with Music Theatre International (MTI).

All authorized performance materials are also supplied by MTI. 421 West 54th Street • New York, NY 10019 • Phone: 212-541-4684 • FAX: 212-397-4684 • www.MTIShows.com

PLEASE TAKE A MOMENT TO LOCATE THE NEAREST EMERGENCY EXIT

Notes on

ROAD SHOW

By Tom Hatten

Stephen Sondheim and John Weidman’s Road Show began life in 1998 at the New York Theatre Workshop as a private reading under the title Wise Guys and of the many startling anecdotes about its several outings before returning to New York in 2008, this one: that original script and score apparently bore a definite flavor of a series of Hollywood’s (Paramount’s) famous pair of wise guys of the 1940s Bing Crosby and Bob Hope and their On the Road to… adventures. Hope and Crosby didn’t play brothers in the series, whereas Road Show’s two leads are definitely siblings and identified as such by name: two celebrities of the early 1900s Wilson and Addison Mizner, their careers and adventures, of fact and fiction. Mr. Sondheim, quoted by Harry Haun in his popular New York Playbill column described his take on the Mizner brothers thusly: “Two divergent aspects of American energy; the builder and the scoundrel; the visionary and the promoter; the conformist and the maverick; the idealistic planner and the restless cynic; the one who uses things and the one who uses things up.” Whew. I mean, the Mizners would seem to be a somewhat daunting pair to give life (music and lyrics) to, but remember: Sondheim and Weidman had previously teamed up to challenge some very offbeat material, Pacific Overtures (1976) and Assassins (1991). Neither exactly a walk in the park.

To Road Show and Wise Guys add Gold and Bounce to titles tried out of town in stops including Chicago, at the Goodman, and Washington at the Kennedy Center. There are even two different cast recordings. Notice I don’t use the term Original Cast recordings because who ever heard of two original anythings. There are many wonderful performers on both, far too many to properly salute in the limited space here, but I will mention one person whose splendid work is always evident on both: the supreme Broadway show orchestrator Jonathan Tunick, a constant with the show from day one, through all the ins and outs of changes in musical numbers and cast members. Happily what you will be hearing tonight is from Jonathan Tunick’s original, yes, original orchestrations.

Finally, for many more specifics about Road Show I’m happy to suggest the best possible source: Stephen Sondheim’s second book of selected lyrics “Look, I Made a Hat.” In it he spends thirty-six pages which according to Wikipedia contain Mr. Sondheim’s quote, “attendant comments, amplifications, dogmas, harangues, digressions, anecdotes and miscellany” unquote. Or, in brief, Road Show on the road.

CAST OF CHARACTERS Wilson Mizner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Will Collyer* Addison Mizner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Craig McEldowney* Hollis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Zachary Ford* Mama . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Eileen Barnett* Papa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael G. Hawkins* Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christopher Carothers* Joshua Finkel* Marc Ginsburg* Pamela Hamill* Scott Harlan* Barbara Carlton Heart* Tonilyn Hornung* Carol Kline*

* Denotes Member of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States

The Musicians are members of the American Federation of Musicians, AFL-CIO, Local 47



PLEASE SILENCE ALL ELECTRONIC DEVICES BEFORE THE SHOW

A MUSICAL IN 25 HOURS?

We are all here in this theatre for the same reason. We love musicals – and a chance for you to see, and for us to perform in a musical that’s hardly ever done – well, that’s a special treat for all of us.

The Musical Theatre Guild was founded over fifteen years ago by a dedicated group of professional musical artists who were interested in exploring and preserving works from the musical theatre repertoire that were either forgotten, neglected or unfairly dismissed.

Working under a special Actors’ Equity Concert Staged Reading code, this concert format requires us to focus on the script and the score, eliminate unnecessary production values, and for our busy actor members, streamline the majority of the rehearsal process into one focused long weekend.

The cast meets once or twice prior to the weekend for basic musical rehearsal. On Thursday and Friday all staging takes place with a complete run through scheduled for Saturday. On Sunday afternoon we enter the theatre and add the technical elements and orchestra and, voila – it’s opening night! Our actors have compared the experience with being shot out of a cannon. Not that any of us have actually ever done that feat – but you get the idea.

This format enables us to take the risk to present works that other theatres would not dream to schedule, and feature some of the finest talent in Southern California on our stage.

So sit back and enjoy as we experience this rare musical TOGETHER.

MUSICAL NUMBERS Waste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Full Company It’s in Your Hands Now . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Papa Gold! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Full Company Brotherly Love . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Addison and Wilson The Game . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Wilson Addison’s Trip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Full Company That Was a Year . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Full Company Isn’t He Something! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mama Land Boom! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Real Estate Agent Talent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hollis You . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Full Company The Best Thing That Ever Has Happened . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Addison and Hollis The Game (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Wilson Addison’s City . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Addison, Hollis, and Wilson Boca Raton . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Full Company Get Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Addison Go . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Wilson Finale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Addison and Wilson

• ROAD SHOW is performed without an intermission •

MANY THANKS TO...

Michael Betts, Teri Bibb, Art Brickman, David Engel, Lucille Gechtman, History for Hire, Marsha Kramer, Larry Raben, Jeffrey Scott Parsons, and Lila Silvern

WHO’S WHO IN THE CAST MTG Members

Fiona, Mystery Baby, and AMT Artists. More: www.

ZacharyFord.com.

EILEEN BARNETT (Mama) MTG credits include: A New Brain, Little Women, Passion, and Triumph of Love.

She serves on the Executive Committee and the Board of MTG. She’s thrilled to be part of this LA premiere and to be working with this amazing creative staff—Richard Israel and Julie Lamoureux. Proud member of AEA and SAG/AFTRA. More than you ever wanted to know at eileenbarnett.com.

PAMELA HAMILL (Ensemble) For MTG: Ruthless, Death Takes a Holiday, Wonderful Town, Titanic, Little Me, One Touch of Venus, 70, Girls,70, Das Barbecü, Finian’s Rainbow, Most Happy Fella, and Aspects of Love, and she was production coordinator Fade Out–Fade In and Seesaw. Broadway/National Tours: Thoroughly Modern Millie (Mrs. Meers), Beauty and the Beast (Mrs. Potts & The Wardrobe), and La Cage Aux Folles (Mme. Dindon). Lots of regional theatre and many commercials.

CHRISTOPHER CAROTHERS (Ensemble) Tours: Les Misérables, Grease!, The Scarlet Pimpernel, Jesus Christ Superstar. Regional: Legally Blonde, Evita, White Christmas, Secret Garden, A Little Night Music. MTG: Once Upon a Mattress, Street Scene, The Fix, Fade Out–Fade In, Irma La Douce, Fanny, Little Women, Shenandoah, Call Me Madam, Girl Crazy, City of Angels. Member AEA, SAG-AFTRA. Love to Danielle. www.ChristopherCarothers.com.

WILL COLLYER (Wilson Mizner) Will loves MTG, where he’s shown up in Gentlemen Prefer Blondes, Sweet Smell of Success and High Fidelity, to name a few. Other theatre: The Full Monty (Third Street Theatre), Parade (Mark Taper Forum), Big (West Coast Ensemble).

He’s also a composer, voiceover artist and screen actor. www.willcollyer.com.

JOSHUA FINKEL (Ensemble) Joshua is an award winning Director/Acting Coach/Actor. Selected credits: Kiss of the Spider Woman (Molina, Broadway/ London/Toronto/India/MTG), Les Miserables (Thenardier), The Little Mermaid (Prince Eric model). Recent Directorial: Violet (LA Premiere, El Portal Theatre), Hollywood Revisited. Acting Coach: Creative Combustion Acting Studio, New Musicals Inc., CLU, Young Americans College. Upcoming: Howard in Bagels! (Stages Festival/3-D Theatricals). www. joshuafinkel.com.

ZACHARY FORD (Hollis) MTG: Sweet Smell of Success, High Fidelity, Titanic, Shenandoah. Other: Cabrillo Music Theatre, The Wynn Las Vegas, Musical Theatre West, 3D-Theatricals, Pasadena Playhouse, Arizona Theatre Company, Colony Theatre, PCPA, Ensemble Theatre - SB, Colorado Shakespeare Festival, SFSO, some Chicago theaters. Thanks Bobbie,

SCOTT HARLAN (Ensemble) MTG (partial): Triumph of Love; Bat Boy; Most Happy Fella. Broadway: Lend Me a Tenor (Vocal Coach): Off Broadway/ National Tours: Best of Andrew Lloyd Webber; On the Twentieth Century; Rocky Horror; From the Top (w. Carol Burnett); Radio Gals; Sweeney Todd; Music Man; Man of La Mancha; Oliver! TV/Film: WIOU (regular); Power; Risky Business.

MICHAEL G. HAWKINS (Papa) Michael most recently appeared with MTG in Fanny, Hello Again, and Aspects of Love. Other credits include The Sisters Rosensweig (Mervyn Kant), the National Tour of Peter Pan starring Cathy Rigby (Captain Hook/Mr. Darling), and Sweeney Todd (Judge Turpin). TV credits include Frasier, Murder She Wrote, Wings, Columbo, Cheers, Bob Newhart, and Young and the Restless. Michael’s CD “Just Between Friends” is available at www.cdbaby.com.

• MTG Founding Member BARBARA CARLTON HEART (Ensemble) Barbara began her career as a nun in a production of The Sound of Music directed by Michael Kidd and starring Florence Henderson. Then came Chicago (Roxie), Annie (Lily St. Regis), A Chorus Line (Sheila), 42nd Street (Annie, Dorothy, Maggie), Dames At Sea (Mona), Company (Amy), Sweet Charity (Helene), and more…

CAROL KLINE (Ensemble) Carol recently performed Big River in Denver, and now, her fourth show this season, with MTG. Carol is a “Distinguished Artist of the LA Music Center”, where she first started at the Mark Taper Forum, on arrival from San Francisco, in 1976.

Proud member of Actors’ Equity since 1973 and MTG. For Martin and Sara, always.

CRAIG MCELDOWNEY (Wilson Mizner) Craig is thrilled to be joining MTG and taking on some more Sondheim.

Recent: Sweeney Todd (Beadle), Serrano (Papa et al), Ragtime (Father) with 3D Theatricals, Show Boat (Ravenal) with Opera San Luis Obispo. Proud AEA member and graduate of University of Michigan. Chirp: @craigmceldowney, Click: craigmc. org, Stalk: facebook.com/craigmceldowney.

Guest Artists MARC GINSBURG (Ensemble) Marc is very grateful to be making his MTG debut! Favorite roles include Lawrence Jameson in Dirty Rotten Scoundrels, Quixote/Cervantes in Man of La Mancha, Leo Bloom in The Producers, Foreman/Lesgles in Les Misérables,

and Fagin which he understudied/performed in Oliver!

(First National Tour). “Thanks to Jill, Richard, Julie, and everyone at MTG; much love to Liza and Egon!”

TONILYN HORNUNG (Ensemble) Tonilyn is excited to be joining MTG for her second show! Some stage credits include: Shulie in the National Tour of Schoolhouse Rock Live!, Mary in Mermaids for MGM musicals, and Ellie, a zombie-killing ingenue in Graveyard Shift for the NYC Fringe Festival. She has a BFA from the Boston Conservatory. She is also a published author. Her book “How to Raise a Husband” was released last year. She also likes to refer to herself in the third person. Love to David and Emrys.

PRODUCTION STAFF RICHARD ISRAEL (Director) Richard is thrilled to be returning to MTG, where he has directed Violet, One Touch Of Venus, High Spirits and High Fidelity. Recent directing credits include the original Jeff Marx/Fat Mike musical Home Street Home, as well as Bronies! The Musical, Spring Awakening, Floyd Collins (LA Stage Alliance Ovation Awards for Directing and Outstanding Musical in a Large Venue) and 110 In The Shade (LA Stage Alliance Award for Outstanding Musical in an Intimate Venue). Other directing credits include Kiss Me Kate for Cabrillo Music Theatre, Glorious! for ICT, Avenue Q for DOMA Theatre and the multiple-Ovation nominated Having It All for the Laguna Playhouse. For Third Street Theatre, he has directed the West Coast premiere of The Burnt Part Boys, The Full Monty and Falsettos, and for West Coast Ensemble Theatre, he has directed Gypsy, Assassins, Big and the West Coast premiere of Anita Bryant Died For Your Sins. He is a resident director of the Festival of New Musicals/ASCAP Reading Series, and is recipient of the L.A. Drama Critics Circle Career Achievement Award for Directing.

JULIE LAMOUREUX (Musical Director) Julie has worked throughout southern California as a pianist and musical director for theater companies including 3D Theatricals, Musical Theatre West, Musical Theatre Guild, the Candlelight Pavilion, MainStreet Theatre Company, Broadway at the Gardens and Performance Riverside. Most recently, she musically directed the West Coast premiere of Sondheim on Sondheim at the Lewis Family Playhouse, Ragtime and Into the Woods for 3D, and Brigadoon and The Goodbye Girl for MTW’s Reiner Reading Series. Among other shows Julie has musically directed are Shrek, A Chorus Line, Titanic, The

Secret Garden, 110 in the Shade, On a Clear Day You Can See Forever and The Most Happy Fella. Julie has played in pit orchestras and on stage for shows ranging from The Fantasticks to Parade to Spamalot, as well as in New York and Los Angeles for the Making It On Broadway intensive. As the mother of three young adult children, all active in musical theatre, Julie often enjoys the opportunity to collaborate with one or more of them on various projects.

JILL MARIE BURKE (Production Coordinator) Jill is a La Mirada native and former Miss Anaheim. She can be heard singing the popular “Priceline Negotiator!” jingle, playing nationwide. Theater credits: MTG’s A New Brain, Chess, & Violet; Lovelace A Rock Opera L.A. Weekly Award for Best Ensemble; Songs for a New World - nominated for a L.A. Ovation Award. She stars in the cabaret revue Hollywood Revisited, tours with the acappella band “Vybration”, belts our National Anthem for the Anaheim Angels, and stars in her Pat Benatar tribute band “Live from Earth”. www.jillmarieburke. com. • MTG Member ART BRICKMAN (Production Stage Manager) Production Stage Manager for MTG for the past ten seasons. Other credits include Musical Theatre West (Les Miserables, South Pacific), The Hollywood Pantages (Jerry Herman Awards, How the Grinch Stole Christmas, The Lion King, multiple benefits for The Actors’ Fund) Alaska Performing Arts Center (Les Miserables), Lubbock Center for the Arts (Cats), Hollywood Bowl (Les Miserables), Thousand Oaks Civic Arts Plaza (Music Man, West Side Story) and benefits at the Pasadena Playhouse and Saban Theatres.

A. JEFFREY SCHOENBERG (Costume Designer) Jeffrey is pleased to be working with MTG for which he has designed A New Brain, Little Women, Fanny, and several other shows. Last year he received the Ovation Award for his design for The Malcontent at Anteaus Company, where he has also designed The Seagull, King Lear, and Cousin Bette. For the Colony Theatere he has designed over 30 productions, including Free Man of Color, Side Show (Ovation and Garland Awards), The Laramie Project, and The Immigrant among many others.

Other shows include Moon Over Buffalo, Travesties, The Devils (Ovation Award winner) and Threepenny Opera for the Open Fist Theater; Children of the Night for the Beverly Hills Playhouse, Bach at Leipzig for the Odyssey Theatre, Nighthawks at the Kirk Douglas Theatre, the NoHo Arts Center’s Elizabeth Rex (Ovation Award winner), Red, Hot and Blue for By George Productions, and Assassins at West Coast Ensemble. Jeffrey is the owner and designer for AJS Costumes and M. Alan Jeffries Fine Gentlemen’s Apparel.

Please join us again next season at the

MTG SUPPORTING CAST: 2012-2015 • $10,000 and above David Lee Alan Weston Weston Family Foundation • $1000 to $9999 Chuck Bergman Walter Coblenz Stuart Fine Joseph Hooker Patsy and Will Mackenzie PACCAR Foundation Mark Pigott Les Traub Don Weston Hank & Deppie Wieseneck • $500 to $999 Kathy Arntzen-Roat Michael Betts John Bowab Doug Carfrae Ali Olmo Patty Paul Susan Watson Wright • $250 to $499 George Coulter Peter Finie Joseph Hooker Norman Koplof & Leslie Falick Pauline Ledeen Trust John Moschitta Michael Oppenheim

• $100 to $249 Brad Bennett Paul and Andrea Bergman Penny and Ian Collins Carol Doehring Judith Doerflinger Burt and Virginia Friedricks David Holmes Heather Hoppus-Werner Webster Jones Marsha Jordan Carol Kline John LaLonde Fred Manaster Don Rothenberg Roger Nelson Lila Silvern Roberta Smith Jeffrey Christopher Todd Judy Weber Dolores Wilkenfeld Norma Wischhusen • $5 to $99 Eileen Barnett Michele Caylor Grace Clarke Scott Dreier Joan Goodstein Jane Gordon Edward Gray Andrea Hein Caryn M. Karpel David Konell Mary Kroening

Myron Meisel Ronald & Karen Millman Ronald Strathan Henry Wieserneck • In Kind Donations Caryn Karpel Carol Kline Marsha Kramer Debbie Nunez Patty Paul Maybin Sherman Adryan Russ Glenn Shiroma Weston Capital Management • Special Recognition and Thanks Actors’ Equity Foundation The ASCAP Foundation The Barbara and Sheldon Pinchuk Development Fund The City of Los Angeles Cultural Affairs Department The Friends of the Musical Theatre Guild Volunteers Los Angeles County Arts Commission Performing Arts Center of LA Target Corporation

HAVE WE MADE AN ERROR?

To report a mistake or omission in these listings, please call MTG at (818) 848-6844

MUSICAL THEATRE GUILD General Membership Lindsey Alley

Eydie Alyson Stuart Ambrose Eileen Barnett Roger Befeler Chuck Bergman Teri Bibb Eileen Bowman Jill Marie Burke Melissa Lyons Caldretti Christopher Callen Doug Carfrae Christopher Carothers Stan Chandler Nicci Claspell Will Collyer Misty Cotton Evan D’Angeles Robin DeLano Jay Donnell Scott Dreier Melissa Fahn Cynthia Ferrer

Joshua Finkel Zachary Ford Julie Garnye Helen Geller Chris Warren Gilbert Gordon Goodman Jennifer Gordon Jason Graae Pamela Hamill Scott Harlan Joe Hart Michael G. Hawkins Barbara Carlton Heart David Holmes Heather Hoppus-Werner Kim Huber Linda Igarashi Ron Christopher Jones Paul Keith Damon Kirsche Carol Kline Maura M. Knowles Michael Kostroff

Marsha Kramer Roy Leake, Jr. Ashley Fox Linton Tracy Lore Jennifer Malenke Beth Malone Shauna Markey William Martinez John Massey Craig McEldowney Erik McEwen Kevin McMahon Todd Nielsen Jeffrey Scott Parsons Teya Patt Brandon Michael Perkins Jeffrey Polk Larry Raben Mark C. Reis Glenn Rosenblum Jennifer Shelton Michael A. Shepperd Glenn Shiroma

Alyssa M. Simmons John Sloman Leslie Stevens Kevin Symons Lowe Taylor Jeffrey Christopher Todd Rudy Tronto Mary VanArsdel Jill Van Velzer Stephanie Renee Wall Shannon Warne Susan Watson Sam Zeller • In Memoriam • Dina Bennett S. Marc Jordan Darrell Sandeen Kathryn Skatula Betty Vaughan * founding members in italics

Board of Directors Eileen Barnett, Chuck Bergman, Michele Caylor (Secretary), Walter Coblenz, Kim Huber, Marsha Kramer, Richard Schraier, Les Traub (Chairman), Alan Weston (Treasurer) Board Executive Committee: Les Traub, Alan Weston, Chuck Bergman Advisors: Thomas E. Backer, PhD, John Bowab, Doug Carfrae, Tom Hatten, Earl Holliman, Randy Kravis, Will Mackenzie, Kevin McMahon, Patty Paul, Lila Silvern, Vernon Willet, Martin Wiviott

Executive Committee Eileen Barnett, Erik McEwen, Todd Nielsen, Jeffrey Scott Parsons, Lowe Taylor

MTG Behind the Scenes Production Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Art Brickman Publicist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kevin McMahon Patron Services Associate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michelle Higgs Assistant to the Board . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Debbie Nuñez Season Artwork . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Damon Kirsche, Pixotic Arts Program Cover Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Damon Kirsche Program Layout, Ad Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Glenn Shiroma

www.musicaltheatreguild.com The videotaping or other video or audio recording of this production is strictly prohibited

New Roads School is a diverse and cohesive educational community, reflective of the kaleidoscope of cultures, ethnicities, beliefs, and orientations that make our larger Los Angeles community so vibrant. We believe that a meaningful 21st century education must include a diverse cohort as well as integration with the larger community in order to prepare students for conscientious participatory lives and not merely to ready them for college.