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Eulda Books Srl 18, C.so San Gottardo * 20136 Milan * Italy Copyright Š Eulda Books 2006 ISBN-10: 88-7075-083-3 ISBN-13: 978-88-7075-083-6 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or trasmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission of the copyright holder. While every effort has been made to contact owners of copyright material produced in this book, we have not always been successful. In the event of a copyright query, please contact the Publisher. Designed by
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Masa, Ale, Mauro. photo • Claudio Gaiaschi
A few years ago, three award-winning designers with a
After a lot of hard work, and the invaluable contri-
passion for brand identity had a dream: to create a new
butions of design associations, sponsors, partners
publication that would not only showcase the best work
and – above all - designers from around the world,
of great designers, but would also be a desirable design
the dream has now become reality. This is the result,
object in its own right.
the first European Logo Design Annual: 368 winning logos from 30 different countries. We hope you enjoy it.
A book that would really do justice to creative excellence in the field of visual communication. An annual
Our sincere thanks to all those who have helped to make
that would not only highlight the diversity of styles and
Eulda possible. See you next year!
tastes across Europe, but also track the evolution of a common trends in the region, year after year. A grow-
Masa Magnoni, Alessandro Floridia e Mauro Pastore,
ing archive destined to become a point of reference
Co-founders of Eulda Books and Creative Directors
both for its home audience and for a wider interna-
of Cacao Design (Milano).
tional one, within the design community and beyond it. Logo design was chosen as the theme, for its immediate visual impact and for the clarity of its function to designers, clients and consumers alike. To reflect the importance of each of these categories of “logo user�, a unique three-tier jury was devised to select the designs for publication.
Index The
8
The Judging procedure
10
The Judges: Designers
16
The Judges: Clients
22
The Judges: Public
28
The Sponsors
30
The Media Partners
34
The Endorsing Associations
50
The Logos
450
Client Index
457
Agency Index
467
Designer Index
52
Albania
292
Lithuania
54
Andorra
294
Luxembourg
56
Austria
298
Netherlands
70
Belgium
324
Norway
80
Croatia
330
Poland
99
Denmark
334
Portugal (Best of Europe)
109
Finland
351
Romania
119
France
361
Russia
130
Germany
369
Serbia and Montenegro
172
Greece
373
Slovenia
176
Hungary
379
Spain
178
Iceland
416
Sweden
191
Ireland
425
Switzerland
211
Italy
435
Turkey
Latvia
440
United Kingdom
287
For the last twenty years, I have worked as a professional designer in various environments: from brand identity to exhibition design, to graphic design for publishing, television and the web. I have also been involved on the educational and associative side, as a teacher and a member of AIAP and, since 2002, as representative on the Board of BEDA of the Italian Design Associations (ADI, AIAP and AIPI) and of the Politecnico and Polidesign. As the world of visual identity has been my main operational area, and Europe my geographical context, I have been exposed to a series of stimuli leading to some observations which, in view of the initiative undertaken by my friends at Eulda, I would like to share with you in the introduction to this first volume, which sets these two limits as its founding principals. Anyone considering this annual for the first time is likely to ask themselves two questions. Why distinguish the visual or even the design quality of a European brand or logo from that of an Asian or South American one? And why isolate logo design from all the other elements stitution or a place? To underline the validity of these
The Judges
that contribute to the visual identity of a brand, an in6
questions, I can only confess that they are the same ones that I, and my colleagues on the BEDA Board, asked ourselves when we were invited to support the initiative. Here are my answers. Massimo Pitis BEDA President
The European context. There is indeed a specific Eu-
language, our culture, our lives. The logo is the “node” in
ropean identity in the world of design. Needless to say,
this process: the starting point around which changes in
this does not mean that such an identity is homogene-
our society are crystallized.
ous, nor that it is necessarily better than others. On the other hand, it is undoubtedly true that historically
The logo can be seen as a litmus paper held up to
Europe boasts a rich and dignified design culture, with
European cultural and economic changes. Clearly,
its roots in the history of Arts and Crafts but also in the
understanding the meanings and the directions that
artistic avant-garde that has shaped the horizons and
companies and institutions adopt through their logos
boundaries of our visual experience from the end of the
requires a keen analytical ability based on both histori-
19th century onwards. And yes, there is such a figure as
cal knowledge and a strong contemporary sensibility.
the European graphic designer: he or she is a design-
The role of educators, not only in the field of design,
er with an ethical foundation, who is still interested in
is also fundamental in the development of tools for
measuring results in terms of the gains that society as
interpreting the present.
a whole derives from the role, and not just in terms of
No political or corporate strategy can get around the
personal success.
need to communicate itself, in order to create consensus, to clarify decisions taken, or to ask for input.
The logo. The visual panorama that surrounds us is made
There is no communication that is not also political, and
up of signs that increasingly have abandoned their roots
politics - especially these days - cannot ignore design
in more or less spontaneous social necessity to take on
as a key weapon. If we believe this, we are obliged to
an air of well constructed commercial reality. The de-
guide European companies and institutions towards this
bate which, until the 1960’s and 70’s, concerned the signs
understanding, using tools such as the one you have in
which defined public spaces such as airports and rail-
your hands.
way stations has now taken on a symbolic role. If we look how to define that system of signs but rather how to dis-
Massimo Pitis
7
BEDA President
The Judges
around those very spaces, the problem is not so much tinguish it from the far more invasive system of commercial symbols. Brands and their brandmarks today play a central role in “marking” our territory. They visually represent the ongoing changes in our economy, our
Judging procedure The
Thanks to an innovative filter mechanism, the judging procedure reflects the actual process that turns any logo into a successful logo: the designers decide what to present to the clients, the clients decide what to present to the public, but in the end it’s always the public that decides if a brand is successful.
1. The 3 tiers vote in 3 consecutive phases: first the de-
5. All the remaining logos are then ranked in order of
signers, then the clients and finally the members of
their total score. The ‘Best of Europe’ and ‘Best of Na-
the public.
tion’ winners are chosen on the basis of this ranking.
2. Each juror gives each logo a mark. The designers give
In the case of a tie-break, relative positions are decid-
marks from 0 to 10; while the ‘clients’ and ‘public’ jurors
ed on the number of ‘juror’s favourite’ selections for
give marks from 0 to 5. Each juror is also allowed to se-
each logo, or - if there are no ‘juror’s favourite’ selec-
lect one logo as his or her overall favourite.
tions - in order of their partial score in the previous
3. At the end of each phase, any logos which have received a score of zero from more than 5 judges are eliminated. All remaining logos are passed to the subsequent phase of the jury for voting.
phases (designers selection makes the difference in that case). 6. The final list is approved by all 30 jurors before final publication.
4. I n the final ‘public’ phase, any zero scores for each
The Judges
8
logo are added to the zero scores from the 2 preced-
The judges determine the winning entries according to
ing phases. Any logo with a total of 10 or more zero
the following criteria: clear communication of message,
scores is eliminated.
originality and creativity, good graphic design and positive overall impression.
Judges Designers
Judges Clients
Judges Public
Judges: Designers The
“A logo is the point of entry to
cation. It is set to become an important international show-
the brand” Milton Glaser, de-
case, its value especially enhanced by the interesting and
signer. The importance of
innovative process for judging the logos in competition.
logos in the construction of brand identity is nicely sum-
Attention towards logos, and more generally towards
marised in this line from one
brand identity as a discipline that uses the logo as the
of the world’s most successful
first in a series of communication tools, preceded by a
designers. In fact, the logo represents the brand in its
detailed evaluation of positioning and company/product
most condensed visual form; it is the visiting card of a
values, reflects the evolution of PDA’s own positioning.
company or a product, its flag, entrusted with the task of
Originally an association of packaging design agencies,
symbolising its raison d’être. It’s the flagstone on which
today it is increasingly taking its cue from a changing
a series of communication tools are built, creating - if
market and broadening its vision to include branding in
they are coordinated and consistent - systems of visual
all of its various visual expressions.
identity that are efficient, in other words recognisable, memorable and distinctive. Today more than ever,
The Judges: Designers
10
But there is another important point that Eulda and PDA
brands are of significant value to companies, as demon-
have in common: their cultural mission. Both aim to in-
strated by their inclusion in balance sheets as intangible
form, guide and stimulate in the quest for quality. Let me
assets. Brand identity is their tangible expression, mak-
once again express my thanks to Eulda and my hope for
ing a crucial contribution to the creation of that value.
a longlasting relationship between our organisations.
In the name of PDA, which has taken part in the first Euro-
Fabrizio Bernasconi
pean Logo Design Annual with enormous pleasure, conviction and enthusiasm as provider of the design jury, I would like to thank Eulda for conceiving and organising
PDA President
an initiative that supports and promotes the value of the
www.pda-europe.com
logo as a key element in company and product identifi
Jean Jacques Schaffner Schaffner & Conzelmann * Switzerland
Born in Holland in 1952, Rob studied art at the St. Joost
Jean Jacques Schaffner, born in Switzerland in 1954,
academy in Breda, Holland. In 1976 he started his own
took a course in applied design in Basel. Following
design agency. In subsequent years the agency
a period of training as a sculptor and studies
developed into a full-service design agency,
at the Ecole des Beaux Arts in Paris, he studied
with a portfolio that embraced disciplines such
graphic design. In 1977 he set up his own design
as photography and illustration.
and photographic studio in Basel in partnership
From 1978 till 1981 he was the designer for the Dutch
with Silvana Conzelmann and trained as a TV musical
publishing house Corrie Zeelen. Between 1982
director and as a photographer.
and 1990 he taught design at the art school in Sittard,
Thereafter he studied in Paris, London/Oxford,
Holland. In the meantime the agency specialized
San Francisco and Utah. As a contributor to various
in brand design, and worked for numerous national
professional journals, he has written extensively
and international clients.
on design, interactive communication
In 2004 negotiations were started to join the Total
and packaging/graphic design. From 2000 to 2003
Identity group in Amsterdam. Founded as Total De-
he was President of the Pan European Brand Design
sign, it was the leading independent design agency
Association (PDA) and gave talks and lectures
in Holland, with partners all over the world. In January
at numerous international conventions. His company
2005 Vermeulen/co design joined Total Identity
Schaffner & Conzelmann Designersfactory,
as the brand specialist under the name VERMEULEN.
based in Basel, is a full-service design agency specializing in packaging design, branding and corporate communications.
11 The Judges: Designers
Rob Vermeulen Vermeulen / Total Identity * The Netherlands
The Judges: Designers
12
Reinhard Klank
Jennifer Tsai
BB&G+Klank Design GmbH * Germany
Proad Design * Taiwan
Born in Hamburg in 1946, Reinhard Klank served
Winner of numerous awards and a judge for various
an apprenticeship in typesetting. He then worked
other design competitions, Jennifer Tsai started
as a compositor, proof reader and composing room
practicing design in 1982. She established her own
manager before studying at the Academy
firm, Proad Design, in 1987. Initially using graphic
of Advertising Sciences in Hamburg. He graduated
design followed by corporate image design, Proad
as a qualified Advertising Assistant in 1970,
has successfully developed product identification
and worked as Production Assistant at the agency
for many Taiwan O.E.M and O.D.M manufacturers.
Economia and then as Account Executive
In 1997, Jennifer was invited to fill the Vice President
at the Verclas & BÖltz agency.
position at the Royal Bali Bay, the renowned private
In 1974 he moved to Tchibo AG as Deputy Director
health club. Over the next three years, she helped
of Advertising and Head of Sales Promotion,
enhance and innovate their profile through market
and enrolled as a member of the BDVT (Association
strategy, image design, and corporate identity.
of German Sales Trainers and Promoters).
Devoting her full energy to her own company
Between 1976 and 1979, he was Head of Tchibo’s
in recent years, Jennifer has worked aggressively
“Partnerservice” staff department - responsible
in creating and developing corporate identity design
for developing and implementing sales promotion
and brand creation. It is her hope and belief that
measures for retail partners, before becoming
Proad can become known as “the link” to inspire
Executive Director at Peter Schmidt Studios.
cross-culture communication, changing the insignia
In 1983 he became Managing Partner at Sokoll
from “Made in Taiwan” to “Designed in Taiwan”.
und Klank Design GmbH, which in 2003 became BB&G+Klank Design GmbH.
Fabrice Peltier
Oleg Beriev
P’Référence * France
Mildberry Brand Building Solutions * Russia
Fabrice Peltier began his professional career while
Oleg was born in 1967. In 1990 after graduation from
still a student at Estienne School. As a matter of fact,
university as mathematician, he decided to change
it was while studying graphic arts and marketing
his career radically and dedicated himself
communications that Fabrice Peltier also developed
to marketing. His marketing career went from retail
his client network. Then, in 1985, at 24 years old,
agent of a small export-import company
he created his own company, P’Référence, which
to director of a full service advertising agency
is today one of France’s major design agencies.
and vice president of marketing in one of the largest
Twenty years later, P’Référence is still an
Russian holding companies. In 1999 Oleg decided to
independent agency. As a majority shareholder
build a business of his own and he created the agency
this standing. Throughout the years Fabrice Peltier
“Mildberry”, the first Russian agency specialising in brand development and package design.
has developed an unique “Brand Booster”
Comprehensive experience in sales and advertising
style in his work. An innovative concept based on
helped Oleg to create a successful business concept
pragmatic analysis and a process of global design
and in two years Mildberry became the leading
for innovation projects, P’Référence has now
agency in brand design in Russia and CIS.
created and launched its own products
Today Mildberry is an international branding and
to demonstrate its talent. As a recognized expert,
design consultancy with offices in Moscow, Brussels,
Fabrice Peltier also regularly gives conferences
London and Milan and with a client list of a few dozen
and publishes articles in professional magazine.
international and local companies.
13 The Judges: Designers
and CEO of his company, Fabrice Peltier maintains
The Judges: Designers
14
Flavio Kleijn
Fumihito Sasada
Coleman Schmidlin & Partners * Spain
Bravis International * Japan
Flavio is a Dutch National. He graduated in the UK
Fumi Sasada was born in Western Japan, but at-
in 1990 with a BA Honours degree in Communications.
tended high school and university in Los Angeles, USA.
Since then, he has accumulated sixteen years
After graduating from the Art Center College
of experience working with multinational brand
of Design, Pasadena as a graphic and packaging
consultancies across various European markets.
major in 1975, Sasada joined the San Francisco office
He has enjoyed roles with Futurebrand London,
of Landor Associates. He returned to Japan
Futurebrand Milan, Landor London, Landor Paris
as creative director of their Tokyo office in 1983 and
(where he was Creative Director for Italy) and Landor
was responsible for major corporate identity pro-
Madrid (as Creative Director for Iberia).
jects including Mizuno, Tokyo Gas, NEC
Flavio is currently working with Coleman Schmidlin
and the Nagano Olympics. He was appointed Japan
& Partners in Barcelona as Partner and Creative
representative and deputy president of Landor
Director responsible for providing a complete
Associates, Tokyo in 1992 and established Bravis
range of strategic brand consulting and creative
International (the name is a fusion of the words
design services.
“brand” and “visual”) in June 1996. With an in-depth knowledge of branding and design issues based on 30 years experience as a designer and a design director in the US, Japan and Asia, Sasada’s passion for design remains undiminished.
Alexandra Nagy
RBA design * Italy
Paqtrade Ltd. * Hungary
Born in Milan on 23rd August 1965, Nicola Mincione
Alexandra Nagy graduated from the department
graduated with a diploma from the European
of Industrial Design, Academy of Applied Arts,
Institute of Design and the University of Milan.
Budapest in 1971. Thereafter she worked as
He worked initially as a visualizer and illustrator
a freelance designer of medical instruments
for various publicity agencies.
and in the machinery industry, followed by a two-year
In 1989 he started working as a graphic designer with
period with a graphic and landscape design company
Immagine Design, an agency specializing in design.
in Ireland. In 1974 she returned to freelance work
From 1992 onwards, as Art Director at the studio
and began a long and successful collaboration
Robilant & Associati, he completed various packaging
with the Gedeon Richter Pharmaceutical Company,
design projects for leading multinationals in the food
where she worked on cosmetic packaging design.
and wine/sparkling wine sectors.
She came up with prize-winning and market-leading
In 1999 he became a partner at RBA, an agency
designs for the “Fabulissimo” and “Fabulon” brands.
specializing in brand identity and packaging design,
In 1991 she set up the Paquart Design Studio,
assuming the role of creative director.
Hungary’s sole design studio specializing in packaging design, product design and artwork services. A winner of numerous design awards, since 1983 Alexandra has lectured at a variety of educational institutions and professional organizations and has been widely published in professional journals.
15 The Judges: Designers
Nicola Mincione
Judges: Clients The
Organised by Richmond Events, The Marketing Forum is a strategic b2b event for senior clients and suppliers. Held on board the 5 star cruise ship, MV Aurora, The Marketing Forum offers a unique blend of business opportunities including one to one mutually requested meetings, a high level conference tackling key issues and networking events for leading decision makers in the marketing industry.
The Judges: Clients
16
Anssi Vanjoki
Georg Bucher
Nokia * Finland
BMW * Germany
Anssi Vanjoki joined Nokia in 1991, and was appointed st
Georg Bucher was born in Munich, Germany,
to his present position on January 1 2004.
and is married with three children.
As Executive Vice President and General Manager
His career with BMW has spanned over 25 years,
of Multimedia, he heads a business group that
including periods in Munich, Pretoria, Tokyo
is responsible for offering devices and content
and Scandinavia (Stockholm, Oslo and Helsinki).
for bringing mobile multimedia to consumers.
His responsibilities have covered various areas
A highly respected brand authority with over 25 years
including Sales, Export, Marketing and Development.
of marketing experience, Anssi has been a driving
He is currently General Manager for the New EU
force in Nokia’s efforts of addressing the mobile mar-
Markets Sales Region.
kets. Prior to joining Nokia, he held a variety of management positions at 3M Corporation. Anssi is the Chairman of the Board of Amer Group and was a member of the Governing Committee
Management 2001 - 2003. He is a Knight, 1st Class, of the Order of the White Rose of Finland. Anssi holds a master’s degree in economics from the Helsinki School of Economics and Business Administration.
17 The Judges: Clients
of the European Foundation for Quality
The Judges: Clients
18
Jean Poulallion
Berry Oonk
Disney * France
Akzo Nobel * The Netherlands
Jean Poulallion is Vice President, Strategic Marketing
Berry Oonk is Head of Corporate Branding at Akzo
and Synergy, France & Benelux, at The Walt Disney
Nobel, a Dutch-based multinational active in human
Company. Together with its subsidiaries and affiliates,
and animal healthcare, coatings and chemicals.
The Walt Disney Company is a leading diversified
Prior to joining Akzo Nobel in 2005, Berry
international family entertainment and media
was Corporate Brand Manager at Royal DSM
enterprise with four business segments:
in the Netherlands. Employed in the corporate
media networks, parks and resorts, studio
communications department, he managed DSM’s
entertainment and consumer products.
corporate brand and was also responsible
He joined Disney in 2001 as Managing Director France
for the Unlimited. DSM campaign. Berry completed
for Euro Disney, when Disneyland Paris was changed
an MSc in business administration and an Master
into a full resort, with the opening of the Walt Disney
of Brand Management at RSM Erasmus University
Studios Park. Graduated from ESCP (Ecole Superieure
in Rotterdam and studied for the CEMS pan-European
de Commerce de Paris) in 1985, he has grown coffee
Masters degree in international management
and chocolate brands at Jacobs Suchard (now Kraft
at the Vienna University of Economics
Foods), then petfood at Masterfoods (Mars, Inc),
and Business Administration.
and lately, contributed to the repositioning of a leading house of Champagne at Remy Cointreau S.A, holding various Marketing and Sales positions.
Uwe Steyer
Eversheds * UK
Qiagen * Germany
In his current role at international law firm,
Uwe Steyer is a senior marketing professional
Eversheds, Andrew is responsible for marketing
with 20 years of experience spanning both high
across Europe, the Middle East and Asia.
technology and medical device / diagnostic
His role is to develop the business of one of the worlds
industries for international markets, with a unique
largest firms of lawyers; Eversheds acts for many
blend of demonstrated success in creating strategic
leading multi-nationals, governments and public
solutions while driving tactical results.
sector bodies. Andrew believes that successful
His strengths include product and marketing
marketing is a real team effort - so much of his
management, marketing and corporate
energy is devoted to coaching and building a world
communications and branding.
class team. Prior to entering the legal world,
Since 2001 he has worked in the Life Sciences field
Andrew held a number of senior marketing roles
as Global Marketing Communications Manager
in the transport sector - most recently at Virgin
for Qiagen. As a member of the Global Senior
and National Express Group. Andrew is a Fellow
Marketing Team, he is responsible for developing
of the Charted Institute of Marketing and lives
and delivering strategic plans and tactical activities
in the rural English Midlands.
to build companies awareness in the market, especially for new product areas. He previously worked as Global Marketing Manager for the precious metal and technology group Heraeus Kulzer and before that as International Product Manager for Bayer AG and for Bauerfeind AG.
19 The Judges: Clients
Andrew Harvey
Sandro Marini
Valeria Ghirardi
Bang & Olufsen * Italy
L’Oréal * Italy
Sandro Marini is an architect and visual designer.
Valeria Ghirardi was born in Torino, Italy, in 1972.
From 1998 to 2000 he worked as a packaging
Between 1992 and 1997, she studied Industrial
designer and graphic designer, producing numerous
Engineering & Management at the Politecnico
designs for Aprilia, Benelli and Coop. From 2000
of Torino. Her career with the L’Oréal Group began
to 2002 he was Visual Communications Manager
in 1998, when she joined the group as Product
for Marconi Mobile, responsible for both corporate
Manager for Vichy Italy. In 2000, she was promoted to
image and designing the company’s stands for trade
Group Manager at the Vichy International
fairs throughout the world.
Marketing Department in Paris, and in 2002,
Sandro has won awards such as the Graphic Design
she became Marketing Director of Vichy-Inneov Italy.
Contest organized by the European Community
She was appointed to her current role as General
(Amsterdam, 1990), the Italian Oscar for packaging
Manager of La Roche Posay Italy in September 2005.
(Milan, 1997) and “Best Exhibition Stand” at the TETRA
Her hobbies include diving, cooking and reading.
World Congress (Rome, 2000). He also designed The Judges: Clients
20
the concept for the “Portaparola” communication area of the daily newspaper Avvenire (2003). In 2002 he designed stores and displays for Bang & Olufsen in Italy. He is currently Retail and Marketing Manager of Bang & Olufsen Italia and is responsible for the B&O store concept at corporate level.
Helene Venge
Siemens * Germany
LEGO Group * Denmark
Monika Altmaier is an experienced manager
In May 2006, Helene Venge joined the LEGO Group
and marketing strategist with proven success
in Denmark as Marketing Manager of Business
in both multinational organisations and medium
Development. As such she helps the division define,
sized enterprises. She has 18 years international
structure and grow new business initiatives aimed
experience in marketing, sales, communications,
at bringing the company and its users closer
business administration and consultancy
together. Previously she was European Head of Digital
in the pharmaceutical and service industries.
Marketing at Levi Strauss & Co., where she was
She was appointed VP in marketing, sales
responsible for developing the Levi’sŽ brand across
and communication for Siemens Health Insurance
digital media and channels, winning numerous
in 1998. Prior to this position, she has held a number
awards in the process. Born and raised
of senior marketing and communication positions
in Copenhagen, Denmark, Helene started her career
covering eg. Ciba Geigy (Zyma) and Novartis.
in media and marketing at the tender age of 18 when
Her special interest in the impact of cultures
she took an after-school job as DJ at the local radio
on brands and her passion of international
station, followed by 4 years of club management
markets led her to act as project leader
during university, and converting an old incinerator
in internationalization. Monika has extensive
in the outskirts of Copenhagen into a youth culture
branding and cultural experience in understand-
venue. Somehow that led to grown-up jobs
ing, developing and delivering corporate identities.
at the Danish Music Council, Sony Music, Levi Strauss
Monika brings a wealth of international experience
& Co. and now LEGO group.
in six cultures (Spain, France, Great Britain, U.S., Scandinavia and Germany) to the table.
21 The Judges: Clients
Monika Altmaier
Judges: Public
The Judges: Public
22
Consumers International (CI)
a company’s adherence to these principles. To this
is a federation of con s umer
end, Consumers International believes it is essential
or g anis at ion s dedicated to
that goods and services are not over-branded at the
the protection and promotion
expense of clear and comprehensive information for
of consumer’s rights world-
the consumer. Consumers want credible information
wide through empowering
about where a product is from, how it was produced
national consumer groups
and exactly what it contains. Such information should
and campaigning at the international level. It current-
be available on packaging, in accompanying literature,
ly represents over 230 organisations in 113 countries.
or on well-publicised websites. These considerations
Consumers in 21st Century Europe are increasingly
and concerns do not seek to take away from the power
concerned with the environmental and social impacts
and effectiveness of logo design, but rather to place
of the products and services they choose. It is no long-
its importance within the context of sustainable con-
er enough for a product to simply look or feel good: to
sumption and corporate social responsibility. Creat-
resonate kudos and instil brand loyalty businesses and
ing recognisable and trustworthy access points to es-
organisations need to be accountable, sustainable and
sential information is the challenge set by consumers
responsible. So where does this leave the logo? This
for today’s brand designers. Consumers International
is a unique challenge for graphic designers tasked
is proud to be part of EULDA ‘06 as a means of bringing
with conveying a brand’s credentials and aspirations.
these consumer concerns to logo design.
Consumers International believes contemporary logo design must be clear, and concise. It should convey
Luke Upchurch
honesty and openness and leave little in the way ambiguity. Many of today’s consumers are quick to dismiss irreverent and ostentatious branding. Consumers are looking for logos with substance. Logos that not only project responsibility, respect and conscientiousness, but also act as a signpost to information about
Head of Media, Consumers International www.consumersinternational.org
Andrew Danson
Peter Martin Larsen
Trainee Solicitor at Olswang * UK
M.Sc. Economics, University of Copenhagen * Denmark
Andrew Danson, 28, is a Solicitor at media law firm
Peter Martin Larsen holds a Master degree
Olswang in London. He graduated from Cambridge
in Finance and Economics from the LSE
University with a degree in History, and made his way
and is currently pursuing a second Master degree
to Olswang after travelling extensively and pursuing
in Economics at the University of Copenhagen.
a career in professional cricket.
He has previously worked for the Danish Ministry of Finance and Politiken, a major Danish newspaper. His interests include football, swimming and wine-making.
The Judges: Public
23
Joaquim Pimentel
Karel Pavlik
Projects Manager * Portugal
Consumers Defence Association * Czech Republic
Joaquim Pimentel was brought up in sunny
Karel Pavlik has worked in the Consumers Defence
South Africa where he studied Economics
Association of the Czech Republic since 1998.
and Management at the University of Pretoria
He is a member of the committee responsible
and South Africa, thereafter completing
for international relations, cooperation with
an honorary degree in Business Management.
Consumers International, BEUC and Transatlantic
He moved to Portugal in 2001, and since then
Consumer Dialogue.
has worked as a Projects Manager at DECO, the Portuguese Association for Consumer Protection.
The Judges: Public
24
Grazyna Rokicka
Rob Tuinstra
President of Association of Polish Consumers * Poland
Editor at “Highlife” Magazine * The Netherlands
Grazyna Rokicka is President and Managing Director
Rob Tuinstra is 45 years old, and lives in Amsterdam,
of the Association of Polish Consumers.
the Netherlands. He graduated in 1981 in journalism.
She has a long and wide-ranging experience
Besides his work as a journalist he has had numerous
in economic science, market research and consum-
jobs, for instance barkeeper, bicycle messenger
ers’ rights. She is a member of numerous
and night porter. At the moment he is chief editor
professional bodies concerned with areas such us
of the Dutch magazine Highlife.
consumer protection and European integration.
The Judges: Public
25
The Judges: Public
26
Edina Vadovics
Alexander Zaphiriou
PhD Student at Central European University * Hungary
Trainee Cardiologist * Greece
Edina Vadovics is an environmental manager
Alex Zaphiriou is a Greek cardiologist in training,
and trainer, and she is currently working on her PhD
currently based at Imperial College in London.
in the field of sustainable consumption at the Central
His interests include world music, jazz, art films,
European University in Budapest, Hungary.
literature, cooking and yoga.
Francesca Ponti
CĂŠcile Lescat
Agronomist at Emilia Romagna Region * Italy
Marketing Agency Account Manager * France
Francesca Ponti is an agronomist and works
CĂŠcile Lescat is a 26-year-old from Toulouse, France.
in the food and wine promotion division
She works for an international marketing agency
of the agriculture department of the Emilia-Romagna
as an Account Manager.
regional administration. Her work concerns planning and driving forward the implementation of food quality campaigns, as well the organisation of events in Italy and abroad for quality food promotion.
The Judges: Public
27
Sponsors The
Founded in 1951 in Milan, Fontegrafica is one of the world’s finest printers. They offer a complete service satisfying all the demands of modern communication, offering a wide range of technical solutions. The structure of the company combines the craftsman’s character, care and attention to detail with the technological assets typical of a major business. Their Vision 2000 certification bears witness to the commitment The Sponsors
28
and the importance that Fontegrafica attributes to quality, in all its aspects. The exceptional quality of their printed products is confirmed by the international awards they have won repeatedly at the Sappi Printer of The Year Awards.
www.fontegrafica.it
Technical Sponsors
In a study commissioned by the Italian employers’
production of high quality woodfree coated papers.
association, Assolombarda-Confindustria,
Over the years, Cartiere del Garda has made sustain-
Kien was cited as a model of innovation
ability its mission, giving equal weight to corporate
and competence. They offer multilingual
development, environmental commitment and social
communication as well as business consultancy
support. This strategy enabled it to obtain ISO 14001
services to firms planning to expand their activities
certification in 2000, EMAS registration (Eco-Management
abroad. Since 1986, Kien has operated internationally
and Audit Scheme) in 2005 - as first paper mill in Italy
through an extensive network of companies.
and among the first in Southern Europe - and in 2006
Their offices in Italy, China and the U.S. together
FSC chain of custody certification, which distinguishes
with their partners worldwide provide customers
also the GardaPat 13 range (GardaPat 13 KIARA and
with a full range of integrated business services.
GardaPat 13 KLASSICA). The GardaPat 13 line is part of
Repeat business and referrals indicate that
Cartiere del Garda’s “Excellent Collection”, with unique
customers particularly appreciate their expertise,
features offered by its high bulk (guaranteed volume 1.3),
discretion, attention to detail, careful personalized
its velvet surface, its environmental characteristics
service as well as their international vision.
and the white natural shade of GardaPat 13 KIARA and the warm natural shade of GardaPat 13 KLASSICA.
www.gardacartiere.it - www.gardapat13.it
www.kien.it
29 The Sponsors
Founded in 1956, Cartiere del Garda is specialized in the
Media Partners The
Typevents is a multi-national partnership that
Novum world of graphic design is a leading
provides comprehensive events,
and influential design magazine, first published
PR and marketing service to the printing, paper,
in 1924. Each month this bilingual journal
type, and graphic design communities.
(German/English) presents its readers with
It comprises five partners who have over thirty years
examples of the very best in graphic design,
experience of working for the industry.
illustration, photo design, new media, corporate design, advertising and typography.
www.typevents.com www.novumnet.de The Media Partners
30
Typo is a unique magazine. The name TYPO gives
and now moving into its fifth year of publication, Lino
away the main focus of the magazine — typography,
is an internationally acclaimed, Australian
which is discussed from different points of view
and New Zealand contemporary design lifestyle
and with connection to other fields such
magazine. Lino’s mission is to produce a visually
as architecture, photography, social science
clean, photographically edgy and editorially
and aesthetics. The magazine is published
influential publication.
bi-monthly in English and Czech.
www.linomagazine.com.au
www.magtypo.cz 31 The Media Partners
Conceived by Designers for the design conscious
Taxi Design is an international daily-updated media
Netdiver is a digital culture magazine and design
creative network, magazine, newspaper,
portal, devoted to tutoring, empowering
and a platform that bridges diverse creative
and stimulating creativity as well as excellence
disciplines and promotes collaborative interaction
in design projects by the international community
to propel unlimited innovations and infinite
involved in the industry and beyond!
breakthroughs, focusing on supporting the entire
Feed your eyes!
inititative in raising awareness in design. With its progressively growing monthly worldwide readership of 7.3 million, The Media Partners
32
Taxi penetrates into a wide spectrum of target audience ranging from world-class creative broadcasting their portfolios, to emerging artists seeking inspiration, and to corporate decision makers outsourcing for important creative hires.
www.designtaxi.com
www.netdiver.net
The Design Dump is your total Graphic Design
The FWA (Favourite Website Awards) is an industry
Resource including: graphic design books, graphic
recognised web award program, established in 2000,
design magazines, latest news, original articles,
showcasing websites who use cutting edge technol-
resource links, design conference updates,
ogy, together with inspirational ideas, that lead
competition listings, and much more.
the way for future generations. The FWA serves millions of global visitors each year and is seen as the number one achievement for innovative web design.
www.thefwa.com
33 The Media Partners
www.designdump.com
Endorsing Associations The
The International Council of Graphic Design
Beda exists to ensure permanent liaison between
Associations is the world body for professional
the professional societies of designers,
graphic design and visual communication.
the promotional, educational, research, social
Founded in 1963, it is a voluntary assembly
and design management organisations and networks
of associations concerned with graphic design,
within the countries of Europe, and to act as
visual communication, design management, design
a liaison between them and the authorities
promotion and design education.
of the European Union.
Icograda promotes graphic designers’ vital role in society and commerce and unifies The Endorsing Associations
34
the voices of graphic designers and visual communicators worldwide.
www.icograda.org
www.beda.org
The PDA is the designers’ association in Europe
organisation to foster and reward excellence
which informs, stimulates and motivates
in European design and advertising.
its members in order to maximise the creativity,
It’s an association of European Creative Clubs,
effectiveness and profitability of member agencies
owned and managed by the national design
as well as the personal talents of their respective
and advertising professional associations of sixteen
employees. The members of the PDA are specialised
European countries.
in Packaging, Design and Branding.
www.adcecreative.org
www.pda-europe.com 35 The Endorsing Associations
The ADC*E was founded in 1990 as a not-for-profit
The Endorsing Associations
36
Austria
Belgio
The national association of design-
Design Flanders promotes contem-
UDB, is the professional association
ers in Austria was founded in 1927. Its
porary design to people and com-
for designers in Belgium, recog-
original focus having been graphic
panies. We are active in the field of
nised by the Council of State on the
design and illustration, it now also
ceramics, textiles, jewellery, glass,
28 th of October 1980. UDB offers a
represents the interests of product,
accessories, furniture, interior de-
broad forum that is open to all de-
textile, and web designers. Besides
sign, industrial design, graphic de-
signers, who are active in Belgium.
its activities as a service associa-
sign and multimedia. Every year we
We try to embrace a multi-cultural
tion, Design Austria organizes ex-
issue the Henry Van de Velde Awards.
environment were ideas and expe-
hibitions, competitions, seminars,
Every three years we organise the
riences are exchaged and advice is
etc. and edits several publications
Design Triennial. We select innova-
containing relevant information for
tive and creative designers and ex-
designers. Recently, Design Austria
hibit their creations in our gallery.
opened its new headquarters in the
We subsidise stimulating projects.
given. Our goals are: ¡ To improve ties between designers through personal contacts. ¡ To represent Belgian designers, at
MuseumsQuartier, a lively cultural
We publish the periodical Kwintes-
regional, national, European, and
centre in the heart of Vienna.
sens and we place design in books.
international level.
www.designaustria.at
e.g. by organising workshops and
and qualification of Belgian design-
giving advice. We document con-
ers and obtain recognition from
temporary design in our documen-
the economic and cultural centres
tation centre.
of Belgium.
www.designerflanders.be
www.udb.org
We promote design in companies,
¡ To play an active role in the training
Czech Republic
Denmark
Croatian Designers Society was
SBB/BBA is a professional organiza-
The Danish Design Centre (DDC)
founded in 1985 as a multidiscipli-
tion of visual communication design
documents, promotes and brands
nary
organization
(graphic design) associating the de-
Danish design nationally and inter-
professional
representing majority of Croatian
signers, artists and theoreticians in
nationally. Rooted in the cross field
designers - graphic, web and indus-
its creative section, and the repre-
between design and business the
trial designers. We act on the behalf
sentatives of adjoining professions,
Danish Design Centre disseminates
of the design professionals in order
institutions, firms, and schools di-
knowledge about design and pro-
to establish stronger dialogue with
rectly related to the graphic arts,
motes the message of the great po-
and between our members, as well
organisers,
adminis-
tential of using design to the target
as their communication with the us-
trators of the exhibitions of visual
groups. The Danish Design Centre
ers of the design services.
communication and their graphic
is an independent institution under
Our activities range from organiz-
forms, as well as friends of graphic
the Danish Ministry of Economic
ing Design Competitions, Honorary
forms of visual communication in
and Business Affairs, which strives
executors,
Guidelines and strengthening the
its organization section. The aim
to enhance the use of design in the
role of design as a relevant aspect
of the SBB/BBA is to propagate the
Danish business world, brand Dan-
of society’s development.
graphic design as a modern artis-
ish design worldwide and increase
tic medium of contemporary visual
the interest for design in the gen-
communication and to promote its
eral public. The overall purpose is
full-scale incorporation into the so-
to contribute actively to value crea-
cial life.
tion in Denmark and to ensure that
www.hdd.com.hr
Danish design remains a strong www.sbb-bienalebrno.cz
brand in Denmark and abroad.
www.ddc.dk
37 The Endorsing Associations
Croatia
The Endorsing Associations
38
Finland
Germany
DD, Danish Designers is a multidis-
Grafia association is a professional
The AGD is a professional associa-
ciplinary
organiza-
organisation in Finland, which seeks
tion of independent designers. The
tion representing about 1000 in-
to promote expertise in and under-
AGD is open to designers in all fields,
dividual members. Activities span
standing of graphic design, and to
and with approximately 3,000 mem-
from members’ meetings, network
look after the professional, juridical
bers it is by far the largest associa-
building, training programmes and
and economical interests of its mem-
tion of designers in Germany and
advice
bers. Founded in 1933, the Grafia
one of the biggest in Europe. The
tion, respect and use of design and
has
The
AGD offers its members advice on
the skills of Danish designers. The
membership
pro-
all aspects of commercial activity,
key role of Danish Designers is to
fessionals
influence the perception of design
tors
on
professional
encouraging
recogni-
over
of
800
members.
consists in
visual
of
sec-
legal and tax issues. The AGD is the
communication:
various
home address for everyone who
in order to promote its use, the un-
graphic
designers
prefers not to face the challenges
derstanding of its significance and
of marketing communications and
designers,
of a tight market alone. It provides
the quality of teamwork between de-
electronic visual communications,
a platform for regional and national
signers and their clients. Part of our
illustrators, book and magazine
activities of its members, for net-
mission is also to promote the idea of
designers, as well as teachers, re-
working, meetings and constant ex-
design as a cultural bearer by play-
searchers and students in the field.
changes of ideas and experiences. In short: a member of the AGD is
ing an active role in cultural politics and participating in current cultural
www.grafia.fi
part of a powerful, living commu-
debate.
nity.
www.danishdesigners.com
www.agd.de
Hungary
GGDA, the Greek Graphic Designers’
The Association of Hungarian Fine
The Hungarian Design Council is an
Association was founded in 1983 and
and Applied Artists M.K.I.SZ, is a na-
advisory body for the Government.
is the national association for profes-
tionwide organization with special-
Set up for representing interest
sional graphic designers. The GGDA
ist sections for fine arts, applied
and exchanging opinions the main
provides an advisory and arbitrating
arts, design, restoration, and art
objective of the Council is to im-
role for its member designers. We in-
history. For more than half a cen-
prove the quality of life and the com-
form our members of developments
tury, it has fostered the best tradi-
petitiveness of the national econo-
in the field of Graphic Design and
tions of its precursor organizations
my through promoting design. The
coordinate the efforts of all graphic
- the Fine Arts Society and the Ap-
Council consists of 15 distinguished
designers in order to facilitate the
plied Arts Society - in fostering links
individuals – design and economic
advancement of the graphic design
between art and society.
experts as well as representatives
profession in Greece. We provide a
The members of the Association
of Government Ministries. Members
forum for dialogue and exchange of
are active in the following special-
have a three-year mandate. The
ideas and information on issues re-
ist groupings: Society of Hungarian
Council also represents Hungar-
lating to communication design. We
Ceramists - Society of Industrial De-
ian design in European and interna-
offer advice and support in matters
signers - Textile Section - Interior
tional organisations and is deeply
pertaining to fees, ethical practise,
Design Section - Graphic Design
committed to regional networking.
copyright etc. to our members. The
Section - Glass Design Section -
The Office of the Council carries out
principal vehicle of the association is
Sculpture Section - Painting Sec-
executive tasks and manages the
the General Assembly.
tion - Medallion Section - Computer
daily operations of the organisation.
Section - Restora. www.mft.org.hu
www.gda.gr www.mkisz.hu
39 The Endorsing Associations
Greece
Iceland
Ireland
FIT, the Association of Icelandic
The Institute of Creative Advertis-
IDI, Institute of Designers in Ireland
Graphic Designers - was founded in
ing and Design (ICAD) is a not-for-
is the professional body responsi-
1953. Our purpose is to promote the
profit, membership led organisa-
ble for designers in all areas and
importance of good graphic design,
tion that seeks to ‘foster and reward
disciplines. Founded in 1972, the IDI
both to the public and to the design
creative excellence in Irish adver-
has been in existence for 34 years,
community.
www.loremipsum.is
tising and design’. We exist for the
promoting design to a number of
greater good of the creative indus-
different audiences.
tries in Ireland, and run an annual awards festival and relevant events throughout the year.
www.icad.ie The Endorsing Associations
40
www.idi-design.com
Italy
is
associa-
Aiap, (Italian association of graphic
tion whose mission is to improve
designers) wants to encourage and
grouping almost 2000 practition-
the standards of creativity in adver-
to spread the valorization and the
ers in Advertising and representing
tising and related areas, and to pro-
development of visual design cul-
them at national level and by the oth-
mote awareness of these important
ture. Aiap is located in every part of
ers category associations too. Since
criteria with industry, institutions,
Italy and associates more than 700
1945, when it was established, it has
and the public in Italy and abroad.
experts in graphic design. Since
been taking part as a protagonist in
It is deeply committed to qualify-
1963, it is a member of Icograda
all the most italian social-economic
ing, valorizing, and developing the
and represents Italy in Beda Aiap
pregnant events, concerning re-
profession.
www.adci.it
a
non-profit
TP: Italian Professional Association
is particularly attentive to vocation-
search development, documenting
al training and it is one of the found-
and advertisement communication.
ers of Polidesign, proposed from the Politecnico of Milano. Aiap has always supported editorial initiatives. In our headquarter in Milan, several exhibitions have been organized, dedicated to the masters of italian graphic design. We have a magazine “Progetto grafico�.
www.aiap.it
www.associazione-tp.it
41 The Endorsing Associations
ADCI
UNICOM, National Union of Communication
The Endorsing Associations
42
Luxembourg
Latvian Art Directors Club is a non
Design Luxembourg is the Luxem-
Unicom
profit organization established by
bourg federation of independent
was founded in 1977. It is a found-
designers, artists, photographers
designers, working on their own or
ing-member
pres-
and other creative people. LADC
in studios, in various fields of visual
institutes
mission is to educate, inspire and
communication. Created in 1995,
tigious
Companies
Latvia
of
the
most
coordinating
in the sector, such as the Istituto
build the confidence of the current
Design Luxembourg is affiliated
dell’Autodisciplina
and future generation of creative
with Luxembourg’s Confederation
and Pubblicità Progresso, and an
talents in Latvia, to ensure the ex-
of Commerce (clc). Design Luxem-
institutional
change of experience and informa-
bourg is also an active member of
member
Pubblicitaria
of
Auditel,
Audiradio, Audipress, Ads, Csst and
tion among professionals repre-
BEDA (Bureau of European Design
Audimovie. As of 2000, Unicom be-
senting creative industries. And to
Association). This partnership will
longs to Confcommercio and it is
use education, exchange of know
henceforth ensure access to a net-
the first and still the only associa-
how and the annual LADC awards
work of information on the devel-
tion of enterprises in the sector to
festival ADwards to raise Latvia’s
opment of the profession in other
have obtained UNI EN ISO 9001:2000
competitiveness among global cre-
countries as well as help represent-
quality certification. Unicom has
ative industries.
ing the interests of designers.
www.adclub.lv
www.designluxembourg.lu
surpassed the substantial figure of 241 member companies (277 headquarters) that operate in strategic terms in the entire broad area of communication.
www.unicom-mi.org
Poland
Grafill is the Norwegian organisa-
SPFP Stowarzyszenie Projektantów
ZPAP, The Association of Polish Art-
tion for Visual Communication. To-
Form Przemysłowych (The Asso-
ists and Designers is an association
day we have 1500 members which
ciation of Industrial Designers in
of professional visual and media
represent most of the professional
Poland), has existed since 1963. Its
artists. Established in 1911. ZPAP
graphic designers and illustrators
aims are:
represents more than 8500 artists:
of Norway. Grafill´s ambition is to
• the promotion and diffusion of
fine artists (in traditional field of
improve the skill and qualifications
knowledge about industrial design
painting, graphics, and sculpture),
in of design field, and increase the
• to promote concern for a high pro-
designers (graphic designers, in-
knowledge of visual communication as an important brand building tool in the market.
www.graffil.no
fessional and ethical level of indus-
dustrial designers, interior design-
trial design
ers), media artists (conceptual, vir-
• to represent the community of in-
tual art, performance, installation)
dustrial designers in liaison with
scenographers and art restorers.
various bodies
It is active in the whole territory of
• to comment and give opinions concerning professional design prac-
Poland, where it has 24 regional offices and several galleries. ZPAP has
tice. SPFP operates at a national level
its own Copyright Agency ZPAP APA
and includes professional design-
ZPAP is a member of IAA/AIAP (In-
ers from various parts of Poland.
ternational Association of Art), ECA
SPFP has been a member of ICSID
(European Council of Artists) and
since 1964 and since 2005 member
European Ways.
of BEDA. www.zpap.org.pl www.spfp.diz.pl
43 The Endorsing Associations
Norway
Portugal
The Endorsing Associations
44
Romania
CCP, the Clube de Criativos de Por-
CPD, Centro Português de Design,
FRD, the Romanian Design Founda-
tugal is a non profit organization,
as a body which drives and creates
tion is a Romanian non-governmen-
aiming to promote and award the
an interface between all partners –
tal and non profit organisation, set
best of Portuguese Advertising and
professionals, companies, design
up in 1996 through a British Know
Design, and develop training activi-
colleges, publications, shops, public
How Fund project. FRD is main goal is
ties and programs in the creative
and private institutions – the Centro
to support design and innovation by
field. Clube de Criativos de Portugal
Português de Design searches out
offering services such as technical
(CCP) organizes the CCP Awards
opportunities,
profes-
assistance, promotional services
year, rewarding the best published
sional opportunities and resources,
enhances
and consultancy to both Romanian
Portuguese Advertising and Design,
and ensures that the public par-
designers and to the Romanian busi-
followed by a publication of an An-
ticipates in the world of design. CPD
ness community. To date, FRD has
nual with the results of the awards,
has not a closed or negative view of
offered to Romanian designers a
along with the Young Creatives and
design, guided by the exclusion of
number of national award schemes
the Students awards, to promote
what is not ”true design”, and sup-
and competitions, training, info
creativity, CCP runs Advertising
ports the creation in Portugal of
services and a periodical newslet-
and Design workshops in collabora-
institutions and projects in which
ter, library resources as well as a
tion with local universities, and or-
design plays a major role.
referral service to the business
ganizes events with recognized advertising professionals exploring
community. FRD continues to strive www.cpd.pt
to promoting quality design and in-
leading lights to the creative world
novation in Romania and to enhanc-
and new trends.
ing the quality of these sectors vital to the Romanian economy.
(www.clubecriativos.com) www.dntb.ro/users/frdbuc
Spain
SDC, Slovak Design Centre is a
AAD, the Association of Andalusian
ADG-FAD, Association of Art Direc-
multifunctional centre under the
Designers founded in 1988, reunites
tors and Graphic Designers in Spain
Ministry of Culture of the SR and a
and represents the professionals
is a national association of visual
member of Icograda and Beda es-
specialized in industrial, graphical
communication professionals, esta-
tablished in 1991. The SDC strives
or interior design, whose work is
bilished in 1961 that brings together
to connect and integrate subjects
based in Andalusia. The basic ob-
graphic designers and art direc-
of the national infrastructure in
jectives of the association, created
tors. The group directly consists
design sphere and create ideas
and managed by active designers,
of seven hundred ADG-FAD mem-
of cultural and economic inter-
is to be the bridge with the rest of
bers, which comes together for the
est a state. The mission of SDC is to
the world of design at national and
LAUS Awards, estabilished in 1964 by
gather, store, and spread informa-
international level and the promo-
ADG-FAD that reward the creativity
tion about design, to initiate and
tion of the profession in private and
and quality in graphic and audiovisual
create platforms for development
public sectors as a means to impel a
communication. The functions of ADG-
and support of design in SR, and
supply of high value services for the
FAD are to promote and represent
to suggest conceptions of exhibi-
ever increasing market.
national design on an international
www.aad-andalucia.org
ability of its members. ADG-FAD is a
tions and competitions of graphic and industrial design in cooperation with institution and companies.
level, due to the wide represent-
founding member of the ICOGRADA and the ADCE.
www.sdc.sk www.adg-fad.org
45 The Endorsing Associations
Slovakia
Sweden
AEPD is a reference when of Span-
BCD is an information and resource
ish Design it is spoken. Most of their
centre for design. Our vision is to en-
trators
partners are members of the Na-
hance design as a key factor for inno-
organises
Graphic
Sweden’s
Designers
professional
tional Design Awards, professionals
vation, prosperity and better qual-
illustrators and graphical design-
ity of life. Our mission is to promote
ers. It was founded in 1955. The
new voices of the national design.
the culture of design into business
union has as its aim to further the
Youth and experience united to-
through
professional interests of its mem-
conferences,
seminars,
gether in a common project in de-
workshops, awards, competitions
bers within a legal, financial, and
fense and promotion of the Spanish
and publications, as well as help-
idealistic framework. The Associa-
ing companies in improving their
tion of Swedish Illustrators has 1300
design management procedures.
members throughout the country.
www.bcd.es
on various topics such as rates,
www.aepd.es The Endorsing Associations
and
of grateful prestige, as well as the
Design to international level.
46
The Association of Swedish Illus-
Svenska Tecknare holds seminars
tariffs and copyright, and also arranges
conferences
in
co-op-
eration with other organisations. The journal of The Association of Swedish Illustrators and Graphic Designers TECKNAREN (The Illustrator) publishes 7 issues annually.
www.svenskatecknare.se
Switzerland
SGD, Swiss Graphic Designers is an
tion of leading creatives in the ad-
represents designers and design
appellation, a new identity whose
vertising industry. They are united
students from different disciplines
stimuli, thoughts and ideas come
in the common goal of improving the
who practice and study in Swit-
from qualified professionals able to
quality of advertising by awarding
zerland. Formed in 1966, the Asso-
match with the challenges of future.
jury prizes, by publishing the best,
ciation is recognised as the repre-
Swiss Graphic Designers is both a
by making it a matter of public con-
sentative body for the Swiss design
professional designation and the
cern and by fostering young talents.
profession. The members, whether
name of Switzerlands leading as-
they are in private practice or in
sociation of individual creators, in-
salaried employment, work in the
volved in questions of education and
fields of consumer and capital pro-
renowned for their professional
www.adc.ch
jects, service design, interiors and
skills with a long tradition in the field
exhibitions, textiles and fashion, all
of communication. The SGD is is-
aspects of visual communication,
sued from the former ASG, merger
new media, design management
in 1972 of the VSG and the BGG. In
and design education.
an age of vocational and economic changes, Swiss graphic art still en-
www.swiss-design-association.ch
joys an excellent reputation abroad.
www.sgd.ch
47 The Endorsing Associations
SDA, the Swiss Design Association
The Art Directors Club is an associa-
United Kingdom
Our goal is to help the North East
The Endorsing Associations
Design Initiative promotes good
economy grow through the un-
tives,
stylists,
design, visual arts and contempo-
derstanding a:design association
musicians, DJs, gamers, architects
rary craft from the North West of
writers,
analysts,
is a non profit organisation set up
and cultural academics – collec-
England. It is a specialist regional
to promote graphic design in the
tively, they represent the 1500+
agency, which works directly with
North East, use and success of the
strong membership of CEC, the
practitioners and commissioners
region’s graphic design industry.
Creative Entrepreneurs Club, the
to expand the market in the North
network for the creative indus-
West and make it a centre for qual-
tries in Scotland. 90% of the Club
ity design practice. We organise an
www.adesignassociation.org.uk
48
Designers, thinkers, doers, crea-
is made up of Directors or Senior
ongoing programme of events and
Partners and our members herald
initiatives, including publications,
from diverse disciplines and back-
selling events, awards schemes and
grounds; from brand new talent
trade shows aimed at supporting
fresh out of art school or univer-
and promoting young design busi-
sity, to ultra-dynamic, fast grow-
nesses from the North West of Eng-
ing young companies, to the UK’s
land in new markets regionally, na-
longest established and most re-
tionally and internationally. We also
vered creative organisations and
programme regular topical semi-
individuals – all connected by their
nars and workshops aimed at both
shared ambition and desire to grow.
practitioners and commissioners.
www.creativeentrepreneurs.com
www.designinit.org.uk
United States
Vojvodina
UCDA, the University & College De-
UPIDIV, Association of Artists of Ap-
th
signers Association, now in its 36
plied Arts and Designers of Vojvodi-
year, promotes excellence in visual
na. Applied arts artists and design-
communications for educational in-
ers who live and work at the territory
stitutions. Our members are graphic
of Vojvodina (SCG), consist its mem-
designers, graphic design educa-
bers at the selection for the admit-
tors, art directors, creative direc-
tance of new members. There are
tors, managers, directors of print
about 450 members at the moment.
shops, editors, writers, directors of media services, photographers,
www.upidiv.org.yu
and businesses associated with visual communication.
www.ucda.com
The Endorsing Associations
49
Logos The
Albania
Capital Largest city Language Government Area Population Calling code
Tirana (41°20’N 19°48’E) Tirana Albanian Emerging democracy 28,748 km2 3,130,000 +355
Design firm
Designer/s
Client
Albania
AS D-Line
Lirijon Kadriu
Posta of Kosova
Rebranding project of national postal company in Kosovo.
53 Best of Nation • Albania
Country
Andorra
Capital Largest city Language Government Area Population Calling code
Andorra la Vella (42°30’N 1°31’E) Andorra la Vella Catalan Parliamentary co-principality 468 km2 67,313 +376
Design firm
Designer/s
Client
Andorra
9 Marketing
Paolo Ramos, Ivan Leanizbarrutia Zugasti Anyos Park
Andorra Fitness is a fi tness competition which combines learning sport and having fun, created in 2005 by an andorran wellness center (Anyos Park). Target group: european sport professionals, mostly from Spain and France. The goal was to present Andorra as the place of the competition and as a touristic attraction. The logo itself indicates a wide range of dynamic sports activities by the form of a body in movement.
55 Best of Nation • Andorra
Country
Austria
Capital Largest city Language Government Area Population Calling code
Vienna (48°12'N 16°21’E) Vienna German Republic 83,871 km2 8,189,000 +43
Design firm
Designer/s
Client
Austria
Modelhart Grafik-Design
Herbert O. Modelhart
Skischule Alpendorf GesBR
This austrian Alpendorf Ski School offers many diverse training possibilities for skiing, snowboarding and other activities in the snow to holiday tourists and friends of winter sports. The core element of the logo is an abstract winter sportsman, symbolizing freedom, fun and movement. There are various versions of the pictogram to be used in different applications. This solution offers further flexibility and helps to symbolize the entire range of winter sports the ski school offers.
57 Best of Nation • Austria
Country
Country
Design firm
Designer/s
Client
Austria
Modelhart Grafik-Design
Herbert O. Modelhart
Casa dei Fiori
Casa dei Fiori is a florist shop in Austria furnished in the mediterranean style. Target group: people wishing to create this southern cheerful ambience at home with flowers and plants, symbolized through a terracotta potsherd. The concept is consistently applied to the entire design
Austria
58
and goods display of the shop: terracotta potsherds are used for example as price tags or for invitations to events. Depending on the various applications of the logo, three different basic shapes were designed for a higher flexibility in its usage.
Design firm
Designer/s
Client
Austria
Modelhart Grafik-Design
Herbert O. Modelhart
Optik Mayr
Optik Mayr is an old-established optician and specialized shop for eye glasses in Austria. Customers are women and men as of age 18. Redesigning the logo, several aspects for a word-picture-brand were to be considered: professional competence, independence of trends and a large target group. The logo concentrates on the immediate sense impressions: clear and unclear vision, light and dark. Taken into consideration the importance of fashion trends for the target, this aspect was purposely omitted – thus the logo can be used on a long-term and flexible basis.
59 Austria
Country
Country
Design firm
Designer/s
Client
Austria
A-design I Mooslechner & Stranig OEG Vero Neubacher, Thomas Stranig Dr. Strobl
Dr Strobl is a young general practitioner in Bad Vigaun, Austria, who provides with medical care his patients from birth to very old age. This “growing up” theme is clearly reflected in the logo. The dots convey the fi ve stages of human life: birth, childhood, adolescence, adulthood
Austria
60
and retirement, giving a perfect symbolic representation of the progressively growing stages of life and conveying energy and “joie de vivre”. The typography is classic, with serifs that emphasise the doctor’s serious vocation and competence.
Design firm
Designer/s
Client
Austria
Modelhart Grafik-Design
Herbert O. Modelhart
Schroth GmbH & Co.KG
The austrian company Schroth delivers basic ingredients and supplements for foodstuff for the food industry. Target group: decision makers, buyers and food technologists. The basic idea of the logo is the mixture of different food ingredients – symbolized by intricate forms and colours, simultaneously conveying
61
appetizing aesthetics.
Austria
Country
The negative form shows an “S”, the initial of the company.
Country
Design firm
Austria
Motterdesign
Designer/s
Siegmund Motter
Client
Haberkorn Ulmer
Wine from Piemonte (Italy). Target audience: austrian people interested in italian wines and particularly from Piemonte, which has a very old viniculture tradition and offers a large range of special foods.
Austria
62
Design firm
Designer/s
Client
Austria
Buchberger/Willerstorfer
Helmut Buchberger, Stefan Willerstorfer Pani Projection and Lighting Vertriebs GmbH
Pani is the worldwide leading developer and producer of precise large-format slide projectors. The branding redesign demonstrates the decades of tradition and the high level of the technical products. Pani is well known for equipping light shows at theatres and international outdoor events where huge slides are projected onto stages, faรงades and buildings.
63 Austria
Country
Country
Design firm
Designer/s
Client
Austria
alexgrimm, design
Alexander Grimm
Autonom Health Gesundheitsbildungs GmbH
In order to blend in well with the underlying message of autonomous health formation, this corporate design was conceived to allow for utmost flexibility as regards the use of graphic design elements. While a number of recurring elements were introduced to facilitate brand recognition,
Austria
64
the variability of compositions underpins the highly individualistic approach of Autonom Health. The logo is made up of three key components: a variable type block, a geometrical shape (symbol of autonomy) and an organic form (symbol of new consciousness).
Design firm
Designer/s
Client
Austria
A-design I Mooslechner & Stranig OEG Thomas Stranig
Exit 14
A number of show-gardens in Austria’s Kamptal region has joined forces – necessitating a common logo, that all the participants could identify. The characteristic of a joint presentation is shown visually with the three trees grouped in an avenue. Visitors are thus given a tangible idea of what to expect in the Kamptal gardens. The hilly nature of thelandscape is also signalled by the step in the typography.
65 Austria
Country
Country
Austria
Design firm
Lichtwitz
Designer/s
Lichtwitz
Client
Kunsthaus Graz am Landesmuseum Joanneum
The breathtaking new building of contemporary art in a prominent urbanistic context in the Old Town of Graz, Austria, was designed by Londonbased architects Peter Cook and Colin Fournier. The notion of a coordinate system defining the three dimensions in space led to a simple, abstract logo that
Austria
66
expresses spaciality at large and serves as a tool for orientation in space. Such as an art space correlates works of art in contextual and spatial ways, and offers orientation in a complex world of art to the visitor.
Design firm
Designer/s
Client
Austria
A-design I Mooslechner & Stranig OEG Thomas Stranig
BGM Gastro GmbH
Fire&Ice is a lounge-bar in the Austrian winter sports resort of Flachau. It’s the “in” place for tourists and locals to meet. Fire and ice are opposites, magically attracted to each other – and this is strongly expressed in the logo. Both components form a unity and thus present the bar’s broad spectrum of moods, from partying to chilling out. The flame symbolising fire and the icicle symbolising ice are placed side by side, thus complementing each other in an exciting way. Colour and typography are closely attuned to the architectural features of Fire&Ice and emphasise the modern character of the bar.
67 Austria
Country
Country
Austria
Design firm
Lichtwitz
Designer/s
Lichtwitz
Client
3s Management Consultancy
The Management Consultancy “superior:skills:solutions” (short form 3s) mainly addresses corporate clients in the field of education and science. In the logo, the triple S - the company´s name initials – is superimposed evoking an asterisk, a striking symbol
Austria
68
that is frequently used in scientific publishing.
Austria
Design firm
Lichtwitz
Designer/s
Lichtwitz
Client
Ega: Frauen Im Zentrum
Ega is a political women’s association that is also operating a venue and bar in vienna. The name is a reversal of the male “ego” and reminds of egalité, french for equality. This has been translated literally into the logo which is composed of three identical symbols that form – depending on their orientation – the letters “e, e, g” and “a”.
69 Austria
Country
Belgium
Capital Largest city Language Government Area Population Calling code
City of Brussels (50°54’N 4°32’E) Brussels, Antwerp, Gent Dutch, French, German Constitutional monarchy 30,528 km2 10,419,000 +32
Design firm
Designer/s
Client
Belgium
Kan Design
Bavo Van Hecke
Refinish
Dupont Refinish produces and markets automotive paint worldwide. This new logo was baptised “the liquid car”, a self-explanatory concept for the car paint business.
71 Best of Nation • Belgium
Country
Country
Design firm
Designer/s
Client
Belgium
Art’illerie bvba
Jef Beirinckx
Sporting Club Olve Edegem
The Olve Flanders Cup is a big international youth soccer tournament, now at its 35th edition, nearby Antwerp in Flanders (Belgium), for young soccer player teams (11 years old) coming from all over Europe to play their matches in a very pleasant atmosphere. During the three days of the
Belgium
72
tournament all the little players are hosted by Flemish families. Television and press always pay attention to this event. Tightening the bonds of European Friendship with the help of soccer, the logo´s innermost meaning is expressed in a colourfull, simple and fresh way.
Design firm
Designer/s
Client
Belgium
Kan Design
Hans Kan
Vlaamse Radio & Televisieomroep
VRT - The Flemish Public Broadcasting company (Belgium) Corporate logo that is widely used on and off-screen, and reflects the broadcasting activity.
73 Belgium
Country
Country
Design firm
Designer/s
Client
Belgium
Kan Design
Bavo Van Hecke, Frederik Wollants Green Campus - Audit Team
Green Campus is an indoor golf practice in Antwerp, Belgium. The logo symbolises the search for the ideal “swing�, and is also an abstract C and G.
Belgium
74
Design firm
Designer/s
Client
Belgium
Kan Design
Hans Kan, Eveline Tromp
Lannoo
Lannoo is one of Belgium’s largest book publishers. Their new logo is an abstract evolution of their previous logo (a sailing vessel) and also visualises an open book. It is also a callygraphic version of the letter “L”, that works well on the spine of a book.
75 Belgium
Country
Country
Design firm
Designer/s
Client
Belgium
Kan Design
Hans Kan, Bavo Van Hecke, Frederik Wollants Universiteit Antwerpen
The logo reflects the concept of this University, located near the river Schelde, that runs through the city of Antwerp, a famous Belgian seaport. It symbolises the flow of knowledge and different cultures. It positions the University as an open organisation and boldly claims
Belgium
76
the “U� to differentiate itself from other high schools.
Design firm
Designer/s
Client
Belgium
Kan Design
Bavo Van Hecke, Frederik Wollants Cartamundi
The new Cartamundi group logo is used by a variety of companies worldwide as an umbrella brand. It is a combination of the spade and heart card symbols. It expresses the company’s particular concern of cards.
77 Belgium
Country
Country
Design firm
Designer/s
Client
Belgium
Kan Design
Hans Kan
Paul Pierre
Paul Pierre is an Antwerp (Belgium) Floral Designer. His logo features his two initial “P�, that together form a classic greek pillar.
Belgium
78
Design firm
Designer/s
Client
Belgium
Kan Design
Hans Kan
KBC
KBC is a merger of three former Belgian banks. The symbol reflects clients friendliness, trust and stability. Abroad,the visual is used with other names to act as an international umbrella-brand.
79 Belgium
Country
Croatia
Capital Largest city
Zagreb (45°48’N 16°0’E) Zagreb
Language
Croatian
Government
Republic
Area Population Calling code
56,542 km2 4,551,000 +385
Design firm
Designer/s
Client
Croatia
Beldizajn
Ivica Belinic ´, Ivana Uhlik
Hrvatsko Narodno Kazalište u Zagrebu
This logo for the humanitarian concert/action for the help of children mine victims wants to attract the attention of an observer in a childish illustrative way. The idea was to show the mine victims not as deformed but as someone who had an accident and needs help, without diminishing
81
the “gravity” of the problem.
Best of Nation • Croatia
Country
Country
Design firm
Croatia
Beldizajn
Designer/s
Ivica Belinic ´
Client
Ezi Mik d.o.o.
Logo for the electric Jukebox. It is a combination of music symbol and the symbol of electricity. In a clear and dynamic way it speaks of the product, the electric jukebox. Target group: 12+
Croatia
82
Design firm
Designer/s
Client
Croatia
Beldizajn
Ivica Belinic ´
Jupi-Ac d.o.o.
A very clear and highly esthetic logo for Vineparty event. It is a combination of a treble clef which is a symbol of music and grapes as a symbol of vine. The accent is on the elegance and refinement. The logo appears in combination with white grapes as well.
83 Croatia
Country
Country
Design firm
Designer/s
Client
Croatia
Studio International
Boris Ljubicic
Croatian National Tourist Board
Croatia is the country of warm Mediterranean climate and of crystal clear sea with more than a thousand islands and as such it represents a very attractive holiday destination. The name of the country in different languages (Croatia, Croatie, Kroatien, Croazia, etc), as well as in its own language
Croatia
84
(Hrvatska), has a common fourth letter “A�, which is at the same time the initial letter for the Adriatic sea. Alternating squares represent a visual code for Croatia, while red, white and blue are its colors. The sun shines from the red square, while on the blue square there is a sailing boat.
Design firm
Designer/s
Client
Croatia
Beldizajn
Ivica Belinic ´
Beldizajn
The description of the Beldizajn studio is raising into a new dimension (a ball) within the social and structural context (brackets). Actually it means having its own style and coming out of the usual context of profession. The yellow and black colour of the ball represent one of the strongest combinations in colourful spectar.
85 Croatia
Country
Country
Design firm
Designer/s
Client
Croatia
Studio International
Boris Ljubicic
Croatian Ski Association
Cro Ski is a logo of visual identity for Croatian Ski Association. The two squares (red and blue), which appear at the base of the letter “R&S� (ski track), are the basic code for the national identity of Croatia and were taken from the Croatian historic coat of arms.
Croatia
86
Design firm
Designer/s
Client
Croatia
Beldizajn
Ivica Belinic ´
Studio Bavoljak
The logo for this photographic studio has got the graphic of an eye with the accent on creativity and uniqness of a line made with a freehand.
87 Croatia
Country
Country
Design firm
Designer/s
Client
Croatia
Parabureau
Igor Stanisljevic
Sublink
Sublink is the first and most popular croatian cyber cafe. Target audience: young people and everyone who needs a quick and simple link to the internet.
Croatia
88
Country
Design firm
Croatia
Krepelnik Graftwerk
Designer/s
Sasa Krepelnik
Client
Festival Opatija
Built in 1931, “Open Air Theatre” in Opatija’s beautiful central park, hosted thousands of cultural venues. Its seating area consisted of 2000 weary chairs, was replaced after 40 years in 2004. In open air, by the Adriatic Sea, everyone who visited Opatija
remembers how beautiful
89
can be, on those weary old
Croatia
and its “Open Air Theatre”,
chairs beneath the stars.
Country
Croatia
Design firm
Studio Imago
Designer/s
Mirko Cakanic
Client
Consule d.o.o.
Brand “Eternal collection” is the new kind of permanent collection that consists of several world’s famous brands and includes particular types of wear that never go out of fashion.
Croatia
90
Design firm
Designer/s
Client
Croatia
Studio International
Boris Ljubicic
Croatian Handball Association
Sporting competition, the Women’s Handball World Champion-ship, was the foundation for this mark. This logo is a complex configuration of the letters “W W C” and of the characters/punctuation marks “dot” and “comma”. It represents a handball player with the ball in motion. The merge of typography,
91
or the abstract element,
Croatia
Country
and the human body, or the actual figure enables double interpretation of the sign.
Country
Design firm
Designer/s
Client
Croatia
Parabureau
Igor Stanisljevic
Wizard
Wizard is a croatian music label.
Croatia
92
Design firm
Designer/s
Client
Croatia
Studio International
Boris Ljubicic
HRT - Hrvatska Radiotelevizija Croatian Radiotelevision
HRT: the acronym of the name of the broadcasting corporation, three letters joined to form a whole and a visual representation, can be easily recognised and registered as a complex message. The two red squares are the basic code for the national identity of Croatia and were taken from the Croatian historic coat of arms. As the most featured part of the HRT, the identity of Croatian Television was developed based on its three channels, whose numbers also appear with the visual code and can be used independently.
93 Croatia
Country
Country
Croatia
Design firm
Libra d.o.o.
Designer/s
Olja Hirnig
Client
Brodokomerc
Logo was made for a local food retailer from Rijeka (Croatia). The logo represents the rounded service that this company offers to its consumers. The colors represent the coastal region of Croatia where blue is the fresh sea, yellow the bright sun and green the nature.
Croatia
94
Design firm
Designer/s
Client
Croatia
Studio International
Boris Ljubicic
OT - Optima Telekom Ltd.
Optima Telekom is a new provider of fixed telephony services in the Republic of Croatia, which will offer its future customers the complete spectrum of telecomunication services.
95 Croatia
Country
Country
Design firm
Designer/s
Client
Croatia
Krepelnik Graftwerk
Sasa Krepelnik, Goran Stimac
Vancas
Inspired by Hobbits, little people from J.R.R. Tolkien’s Rings, and their small village, “Hobitton” became a legendary rock club in Opatija, Croatia. This urban hideaway, located in an old town underground, provides a safe haven for younger rock generation. Its mystical, “one of a kind”,
Croatia
96
ambient is featuring great parties and live concerts.
Design firm
Designer/s
Client
Croatia
Beldizajn
Ivica Belinic ´
Tdr d.o.o.
Ronhill logo symbolizes the first letter of the R brand and smoke clouds typical for the tobacco industry. Curved angles accentuate oral consumation. Blue colour was chosen as the most appropriate colour for the aimed group. It appeared before Mild Seven logo. 97 Croatia
Country
Country
Design firm
Croatia
Parabureau
Designer/s
Igor Stanisljevic
Client
Black Box Berlin
Black Box 2000 was an artistic festival which consisted of concerts, exhibitions, performances etc. held in Pula (Croatia) in 2000.
Croatia
98
Denmark
Capital Largest city Language Government Area Population Calling code
Copenhagen (55°43’N 12°34’E) Copenhagen Danish Constitutional monarchy 43,094 km2 5,431,000 +45
Country
Design firm
Designer/s
Client
Denmark
Designbolaget
Claus Due
Taburet
Taburet, a furniture retailer, wanted a logo that was unique and humor was important to them. They also wanted a logo that could be printed on T-shirts and mugs. Taburet means stool (tabouret - or three legs). The audience is people who buy designers' furniture. When we thought
Best of Nation • Denmark
100
of furniture, we thought of shapes and textures. Combine that thought with a friendly looking mascot and you have a sheep. The name of the company represents taburet, so the sheep has only three legs.
Country
Denmark
Design firm
(student)
Client
Søren Severin
A-Huset (fictional)
The logo is designed for a fictitious cultural center in Copenhagen as part of a school project at The Danish School of Design. Target audience: the general public of Copenhagen. The 3D shape of the logo reflects the form of an actual building in Copenhagen called The A-House (A-Huset in danish) in which the cultural center was to be placed according to the assignment.
101 Denmark
Designer/s
Country
Design firm
Designer/s
Client
Denmark
Superduper Graphics
Søren Severin
Per Vers
Logo for Danish rap artist Per Vers. The target audience is the fans of Per Vers and young hip hop and rap music culture in Denmark. The logo design is based on the traditional V-sign (for the V in Per Vers) combined with a microphone and can also be used as part of a logotype, visualizing
Denmark
102
the entire name of Per Vers.
Country
Denmark
Design firm
Foobar.nu
Client
Simon Vinther Nielsen
4by4 I/S
4by4 is a dj-event bureau in Copenhagen. The company arranges underground dj concerts and parties, specializing in the 4by4 UK garage music. Target audience: mainly 20-35 y.o. “urban”, very musically aware people, and absolutely not “mainstreamers”. They make a virtue of the underground clubbing milieu and atmosphere.
103 Denmark
Designer/s
Country
Design firm
Designer/s
Client
Denmark
e-Types
Jonas Hecksher
Noir
In a world where we often take rather than give, the luxury fashion brand Noir is aimed at both the fashion and social conscience of the consumer, who can thus endorse consumption and give a little back to the world by purchasing clothing that supports sustainable business
Denmark
104
processes in the Third World.
Design firm
Designer/s
Client
Denmark
Estupendo
Morten Lindblad
Estupendo
“Estupendo� means superb. This logo represents the following values: warm elegant, simple, timeless, aesthetics and simplicity of the scandinavian design along with the respected design traditions of the southern European countries. The font needed to be round inspired by the Brazilian design traditions. A green lime color was used for the circles: 3 tennis balls that a poor Brazilian boy was juggeing with in the streets of Rio de Janeiro appreciating the joy of life.
105 Denmark
Country
Country
Denmark
Design firm
Gramstrup Design
Designer/s
Gramstrup Design
Client
Ambu A/S
Ambu develops, produces and markets diagnostic and life saving equipment for hospitals and rescue teams worldwide. Based on a new mission and vision statement and new corporate values formulated for the joint company, Gramstrup Design developed a new visual identity including new logotype
Denmark
106
and trade mark. Openness and dialogue are two of Ambu’s foundamental values. Using round corners and the red colour, the logo expresses openness as well as active help, while its arrow motif expresses the constant dialogue between buyer and seller, between seller and developer and between development and production.
Denmark
Design firm
Gramstrup Design
Designer/s
Gramstrup Design
Client
Batronic
Batronic is a small Norwegian company developing digital dictaphone systems for hospitals and holds a leading position in its niche of custom designed systems. Target audience: doctors and nurses, users of communications devices in the medical sector. Batronic wanted a simple yet characteristic symbol, that functions well in the communication environment of the medical business as well as on Batronic’s products. The star was chosen as an axpression of the lofty goals of the company. The organic shape expresses that only through close relations with its customers will Batronic be capable of reaching these goals.
107 Denmark
Country
Country
Design firm
Designer/s
Client
Denmark
Krogh&Co Designbureau
Lene Perez Dortekrogh
Hjerteforeningen
For nearly 50 years, the Danish Heart Foundation, Hjerteforeningen, had used the same logo to represent the organization, which supports heart disease patients. In order to stay relevant and visible, logo and logotype needed an update that could support the organization
Denmark
108
for the next half-century. The result was a new logo and a logotype consisting of the word “Hjerteforeningen�, based on the heart’s own circulation and uses an airy, yet stringent design to frame and protect the heart.
Finland
Capital Largest city Language Government Area Population Calling code
Helsinki (60°10’N 24°56’E) Helsinki Finnish, Swedish Parliamentary democracy 338,145 km2 5,255,580 +358
Country
Design firm
Designer/s
Client
Finland
Hahmo Design Ltd.
Pekka Piippo
Amnesty International
The logo celebrates the 30 years anniversary of Amnesty International’s finnish division. Design idea: 30 years, 30 fingers. Human rights, the hands can be the ones that need help or the ones who provide help. The form can also symbolize a flock of birds.
Best of Nation • Finland
110
Design firm
Designer/s
Client
Finland
Hahmo Design Ltd.
Pekka Piippo
The Theatre Academy of Finland
Theatre Academy provides a stage for new talent, of performace arts. It is a space where you put your abilities to the test trying to take control of the space surrounding you and prepare yourself to face the audience.
111 Finland
Country
Country
Design firm
Designer/s
Client
Finland
Hahmo Design Ltd.
Pekka Piippo
Satama Interactive Ltd.
“Satama” means harbour in english, so a pattern of waves that is formed from the letters “www” was very appropriate. The colour had to transmit surtain dignity and prestige, so a color “that would resemble a gold bar that has been long at the bottom of a sea”, was selected.
Finland
112
Finland
Design firm
Hahmo Design Ltd.
Designer/s
Antti Raudaskoski
Client
Ideapark Ltd.
Ideapark, the largest shopping resort of Finland.
113 Finland
Country
Country
Finland
Design firm
Hahmo Design Ltd.
Designer/s
Antti Raudaskoski
Client
Emil Aaltonen Memorial Fund
Mr. Emil Aaltonen was one of the founders of modern shoe industry in Finland. He owned several factories in the first half of the 20
th
century.
Emil Aaltonen Memorial Fund offers grants to aspiring shoemakers and designers.
Finland
114
Design firm
Designer/s
Client
Finland
Mets채ranta Art & Design
Antti Mets채ranta
It채-Helsingin Melojat
IHME (a wonder) is short for It채-Helsingin Melojat (East Helsinki Paddlers) an association formed by individual kayakers. The group came together to construct a paddling center in Helsinki.
115 Finland
Country
Country
Design firm
Designer/s
Client
Finland
Pen&Pen
Jorma Pulkkanen
Huslab
Laboratory testing and consultation. Laboratory of Molecular Genetics. Huslab is in Finland, Helsinki, and support laboratory in the region’s health care centres. Huslab’s services are available to all health care units, both private and public, needing clinical laboratory services.
Finland
116
Design firm
Designer/s
Client
Finland
Hahmo Design Ltd.
Jenni Kuokka
Bexcom
Bexcom is a Danish communications consultancy company, focusing on accessibility and design for all. As the company was just established, it needed a trademark which supports the idea of inclusive design.
117 Finland
Country
Country
Design firm
Designer/s
Client
Finland
Metsäranta Art & Design
Antti Metsäranta
ProCom
ProCom - Finnish Association of Communications Professionals is an organization for professionals involved in organizational communication. Membership consists of over 1,800 persons working in public relations and communications. The group includes PR officers,
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communication managers and directors as well as communication entrepreneurs and consultants working in the private sector, public administration and organizations.
France
Capital Largest city Language Government Area Population Calling code
Paris (48°51’ N 2°20’ E) Paris French Unitary republic 674,843 km2 63,587,700 +33
Country
Design firm
Designer/s
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France
TEAM CREATIF
Nick Craig
Danone
Ten years ago, after an international competition, TEAM CREATIF designed the first evolution of the visual identity of DANONE. In 2004, the agency proposed a new Visual Identity: an evolution towards more modernity, accessibility, and proximity with the consumer.
Best of Nation • France
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Design firm
Designer/s
Client
France
Cadix
Daniel Ricau
The Corporation
This logo was designed for a french fi lm and video distribution company looking for an international logo but with some irony and fun spirit.
121 France
Country
Country
Design firm
Designer/s
Client
France
Carrè Noir
Diego Braghin
Fiat Company
Punto is the last model of Fiat Company (leading italian automotive industry) dedicated to an extremely heterogeneous public. The logo represents an excellent synthesis of design quality and strategic reflexion: the anthropomorphic letter “P” represents with its features
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122
all the pleasure of driving a car that was «created to make you feel emotions».
Design firm
Designer/s
Client
France
Carrè Noir
Jean-Christophe Cribelier
French National Railways Company
SNCF, a European leader of railway transport, innovates and invents the future in a spirit of social responsibility and in a close relationship with the public. Public target: general public, all users of the railway transport. Main values: pioneering spirit, leadership, mobility, sense of sharing, sense of belonging. The logo represents a strong sign that never gives up and that expresses historical bases together with tomorrow’s aspirations.
123 France
Country
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Design firm
Designer/s
Client
France
Les Z
Alexandre Théallier
Horizon Enfants et Sida
Organisation for helping children victims of Aids, who have lost their parents and are homeless, supported by the first lady of the Cameroun. This organisation collects money in order to built houses for these children and to help them in education, life and try to give them a kind of “family”.
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124
This organisation tries to develop itself in every african country, not only in Cameroun.
France
Design firm
TEAM CREATIF
Designer/s
Patrik Roussel
Client
Organdino
Creation of the Visual Identity, the graphic charter and the institutional applications for Organdino, a new Brand of trendy and fashionable hats.
125 France
Country
Country
France
Design firm
Patrick Perrier
Designer/s
Patrick Perrier
Client
Solstice
Solstice is an advertising agency based in Lyon, France. Solstice provides services in the field of graphic design, advertisement and packaging for clients such as Columbia Europe, Poralu Marine, Atomic etc.
France
126
Design firm
Designer/s
Client
France
Carrè Noir
Jean-Christophe Cribelier
Group Renault
Dacia is a low cost cars brand of the Group Renault in central and eastern Europe. The brand exceeds national borders and becomes a European mark. Public target: general public. How to give to the brand the signification of quality and robustness together with low cost meaning? How to reassure rumanians on the continuation of their national brand? The logo was created as a heraldic emblem charged of history and values, an oversize shield on the calendar.
127 France
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Design firm
Designer/s
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France
TEAM CREATIF
Guy Ringelstein
Ligue Francaise de Football
Creation of the Corporate Visual Identity for the League of Professional Football and Institutional Applications.
France
128
Design firm
Designer/s
Client
France
Cadix
Daniel Ricau
L’Atelier d’Images
This logo was designed for a video production company wanting to enhance the artisanal aspect of their activity.
129 France
Country
Germany
Capital Largest city Language Government Area Population Calling code
Berlin (52°31’N 13°24’E) Berlin German Federal Republic 357,050 km2 82,689,000 +49
Country
Germany
Design firm
ondesign
Client
Olav JĂźnke
Usa Rice Federation Inc.
This logo was designed for the Usa Rice Federation.
131 Best of Nation • Germany
Designer/s
Country
Germany
Design firm
Rotbraun
Designer/s
Client
Nora Bilz, Pia Schneider
Visicon GmbH
Visicon GmbH is a young office in Zurich which develops internet applications and operates worldwide. In its work Visicon GmbH attaches great importance to the latest technologies and endeavours to run its working processes automatically. At home
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in the world of the internet the company stands for adjectives such as “networked” or “interactive”. The network of digital data now incorporates the ”intersection point”, the new logo of Visicon GmbH.
Design firm
Designer/s
Client
Germany
designkunst
Sybs Bauer MA (RCA)
Die Praxis
“Die Praxis� is a clinical practice spezialised for children only. Therefore the choice of a childlike and abtsract drawing smiling seems trustworthy and shows clearly the good health.
133 Germany
Country
Country
Germany
Design firm
Heller&C
Designer/s
Lars Heller
Client
Fine Art AG
The Art Fund (Liechtenstein) understands art as an eternal currency. This investment fund generates its return through international art trade. The logo symbolizes art as a genuine currency that can be traded worldwide and whose value is rising.
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134
This ‘currency sign’ reflects precisely The Art Funds’ positioning: no ‘arty’ flavour but a cristal clear statement for an innovative investment tool in an everlasting market.
Design firm
Designer/s
Client
Germany
Deernsundjungs Design
Ilka Zentgraf
Weitblick, Jörg Bartholomä & Alexa Hansen GbR
Weitblick offers social work for handicapped children. They work in Hamburg, Germany. Target audience: parents, teachers and institutions who have contact with children with a variety of disabilities. The weitblick-logo consists of letters, that are different in some way. They are not perfect, Each letter has its own character. They have little defects, they do not look like normal. The two letters “i” are in the shape of even two people looking at each other. the color is warm, the form of the letters is smooth while one i-dot is looking to the future.
135 Germany
Country
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Design firm
Designer/s
Client
Germany
Velvet Mediendesign
Andrea Bednarz, Martin Potsch ZDF TiVI
ZDF, one of the national German TV channels, is the abbreviation of Zweites Deutsches Fernsehen which means “Second German Channel”. ZDF TiVI is a children’s label and refers to the part of the channel concentrating on young viewers (3-14 years old). The logo had to be “unisex”
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so that young people could recognize themselves in it. The logo is an energy loaded swirling circle personalized to a face of a child, giving its identity. The logo is full of energy, with wide smile on its face and two curious and happy eyes looking at the world.
Design firm
Designer/s
Client
Germany
Flashtec
Heike Burmeister
Flashtec
The Nicolai historical society cares for and is concerned with providing and updating history of the town of Anklam. It deals specificaly with the nikolai church which was destroyed during the second world war. The aim of the society is to rebuilt this church in gothic style. The funds needed for this project are being raised by organising events such as concerts, readings, Art exhibitions,
137 Germany
Country
Country
Design firm
Designer/s
Client
Germany
BĂźro Uebele Visuelle Kommunikation Frank Geiger, Andreas Uebele Arthaus Filmtheater
The logo is a picture puzzle. The design elements are developed into a visual language, which can be playfully reworked to create the various different applications. stars, letters, and figurative designs as signpost of the route to the fi lm. The company’s visual language can take
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on a number of different registers: the text used on vehicles has a technical, business-like look; shirts are not all the same but embroidered in individual ways.
Country
Germany
Design firm
ondesign
Client
Olav JĂźnke
Theater fĂźr Kinder
Theater fĂźr Kinder (Theatre for Children) As part of a cultural sponsoring programme, Ondesign developed this charming symbol free of charge for the oldest private theatre of its kind in Germany. With an intelligent appeal to the emotions, the symbol promises entertainment of a high standard for a discerning young target group.
139 Germany
Designer/s
Country
Design firm
Designer/s
Client
Germany
Pfeil & Bogen
Daniela Rosenhammer
Blue.Monkey.Room
The logo was designed for a cocktail bar in Regensburg (Germany) named Blue.Monkey.Room. Target group: men and women who attach importance to design and who like spending their evenings at a modern bar with unconventional music. The logo illustrates
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140
its name in form and colour. The monkey is friendly, nearly childlike. Its linear form reflects the bar’s simple furnishing. Guests are supposed to feel welcome just by looking at it.
Design firm
Designer/s
Client
Germany
d-werk gmbh
Tom Maier
Stadt Singen
In 2000 the State Horticultural Show took place in the city of Singen in Baden, Germany. Until then the city had a very mediocre image with undistinguished urban features, and in 1997 there were no visible signs of the upcoming horticultural show either. The city Singen am Hohentwiel has its own hill which is even part of the city’s name. Hohentwiel hill is one of several extinct volcanic mountains set in the lovely “Hegau“ region where Singen is situated. The striking shape of Hohentwiel hill has been depicted in the shape of a leaf, as a visual symbol of the symbiosis between the city of Singen and the State Horticultural Show in 2000.
141 Germany
Country
Country
Design firm
Designer/s
Client
Germany
Lekkerwerken
Jan KĂźnzel, Bjoern Pust Deutscher Golf Verband
The Golf Team Germany is the joint talent squad of the PGA of Germany, the Association of Golf Professionals in Germany, and the amateur association DGV. The logo is used on clothes, equipment and general communication items of the team. It gives the team its independent visual
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142
identity and strengthens the group membership feeling, especially on international tournaments. Target group: members of the team (golf professionals approx. 20-30 years old). The logo is meant to be accepted and worn with pride by the team members and to be universally applicable of the German national colours.
Design firm
Designer/s
Client
Germany
Lekkerwerken
Sebastian Cremer, Patrick Jacobi VDI Technologiezentrum GmbH
Nano-Journey is an interactive adventure tour into the world of the micro and nano cosmos. On three different tours the “nanotourist” can choose to scale down step by step either into a human arm, into a computer’s processor, or into the LED of a car’s headlights and to penetrate the smallest dimensions of our known universe. Goal: to create enthusiasm for scientific subjects by actively and emotionally addressing predominantly young people without giving a lecture.
143 Germany
Country
Country
Design firm
Designer/s
Client
Germany
Heye & Partner GmbH
Wolfgang Biebach, Alexander Bartel Ernst Kalff Distillery
Cox Orange is an apple-liquor for the German market made by the Ernst Kalff distillery. Due to the limited edition and its unusual package, its target group is the open-minded “bon vivant� looking for a unique alcoholic delicacy.
Germany
144
Country
Germany
Design firm
ondesign
Client
Olav JĂźnke
Eyedentity GmbH
This logo has been designed for an importer of glasses.
145 Germany
Designer/s
Country
Design firm
Germany
KITATM Berlin, Visual Playground
Designer/s
Client
Jens Lausenmeyer
Icon Impact GmbH
Mobile applications, Mobile novela, mobile marketing are the core businesses of Icon Impact, an international mobile entertainment company based in Berlin. 3 stacks, 3 edges of business. A box seen from a side with 3 openings, is a new form of entertainment.
Germany
146
So we called it “jack in a box�. Target group: mobile marketing decision makers in mobile companies like O2, Sony Ericsson etc.
Design firm
Designer/s
Client
Germany
revoLUZion
Bernd Luz
Katholische Kirchengemeinde Tuttlingen
The 6 jumping persons are symbol of amusement and variety. Each color simbolizes a kindergarden.
147 Germany
Country
Country
Design firm
Germany
Biographics Design
Designer/s
Manel Moedano
Client
Culcha Candela
The brand logo was designed for Berlin-based band Culcha Candela, comprising seven members of five nationalities now in their fourth year together as a band. As well as reflecting the members diverse multicultural backgrounds, the globe represents the uncanny ability music
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148
has to unify even the most disparate of audiences. Stemming from the interchange and collective efforts of the band and its listeners, the flames in the logo personify the power and energy of their music and performances,
Design firm
Designer/s
Client
Germany
TrueDesign
Ruben Emme
TrueDesign
This logo was created for TrueDesign - Visual Communication Design Studio in the middle of Germany. In this logo the initial “T” forms a figure called “Troody”, a kind of mascot juggling with his different skills like lithography, graphic design, animation, etc. The enterprise wants to represent “work with fun and skill - get quality of work and uniqueness of style”.
149 Germany
Country
Country
Design firm
Designer/s
Client
Germany
d-werk gmbh
Ulrich Julius Jassniger
Stadt Ravensburg, Ordnungsamt
This initiative promoted by the city of Ravensburg is aimed at all inner-city road users. The goal is to encourage road users to show more consideration for one another and thus increase safety in road traffic. The logo was designed using pictograms from traffic signs. This also
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150
provides the necessary flexibility for appealing to all relevant road users by changing the motifs. However, the logo still remains recognisable.
Country
Germany
Design firm
(student)
Client
Melanie Guhlmann
inpunkto
This logo, called “inpunkto”, has been designed on behalf of a design trade for a domain in print and web design. The logo “inpunkto” is written in the phonetic spelling, The fondamental aim was an international open minded with a fresh exceptional design. The natural warm coloring underlines this claim.
151 Germany
Designer/s
Country
Design firm
Designer/s
Client
Germany
beau bureau Kommunikationsdesign Katja Becker, Stephanie Podobinski Pro Sky Travel GmbH
Pro Sky Travel GmbH is a newly founded company on international travel, offering non-stop flights around the world. Starting with a regular air connection between Cologne in Germany and Rio de Janeiro in Brazil, Pro Sky Travel guarantees high quality in service
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and comfort – for a minimum price. The Logo addresses two very different target groups: business travellers and tourists. A typical symbol of air travel is used for the logo: the bag tag, which stands for high-tech, modernism and clarity. The colours, light green and black, are a very dynamic combination that stand out in the crowd.
Design firm
Designer/s
Client
Germany
Nieschlag und Wentrup
Lisa Nieschlag, Lars Wentrup
Movie Members
The logo “movie members” was conceived for a fi lmproduction company in Berlin, Germany. For the concept of the logo, the word “Branding” has been taken literally: using a speciallybuilt branding iron, the image was seared onto paper.
153 Germany
Country
Country
Design firm
Designer/s
Client
Germany
d-werk gmbh
Ulrich Julius Jassniger
Stadt Ravensburg
Ravensburg is situated in Upper Swabia, The historic Old Town is characterised by numerous towers and gates, which is why Ravensburg is also called the City of Towers and Gates. It is also characterised by a vibrant city life. The task was to meld this symbiosis of a modern city in historic
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walls into one striking trademark. The design of the logo was directly based on the approx. 900 years old city arms. Based on the theme “from arms to a brand“, the city arms were pared bit by bit until only the archway remained as a symbol of the city’s historic roots and modern openness.
Design firm
Designer/s
Client
Germany
Pfeil & Bogen
Daniela Rosenhammer
Tomobil
The logo was designed for the mobile phone store Tomobil in Regensburg, Germany. Target group:mobile phone owners and potential owners. The design with its round shapes reflects the human factor. You can see either two people talking to each other or a smiling mouth with an eye. The writing symbolises technology.
155 Germany
Country
Country
Design firm
Designer/s
Client
Germany
Inpraxis
Andreas Kranz, Christiane Schäffner Inpraxis
Inpraxis is a Design Agency in Munich, Germany, working for a variety of clients in the fields of Corporate Design, Corporate Publishing and Editorial Design. The name “inpraxis” is derived from latin and means “in experience/in exertion”. The logo is set in various
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156
weights of the Neue Helvetica. The symbol at the far right made of two colons, shows a negative image of the doctor or pharmacy cross. This emphasises the scientific approach of Inpraxis towards design.
Design firm
Germany
Productsdesign
Designer/s
Martin Loskyll, Stefan Wulf
Client
Conleos GmbH
The Conleos GmbH is based in Braunschweig (Brunswick), the town of Heinrich der Löwe (Heinrich the lion). Conleos goal is to make descriptive and intuitive applications out of complex contexts. Conleos (latin for “with the lions”) developes web and internet based configuration solutions for both, users and salesmen. Target market: major to medium sized enterprises with adviceintensive products or services.
157 Germany
Country
Country
Design firm
Designer/s
Client
Germany
Büro Uebele Visuelle Kommunikation Katrin Haefner, Andreas Uebele Straßburger Modeaccessoires Stuttgart
Six changing colours create a vivid and vivacious world; a world that changes as fast as fashion accessories. The letters of the company’s name are woven among the colourful stripes, like pearls on a tasselled string.
Germany
158
Design firm
Designer/s
Client
Germany
d-werk gmbh
Ulrich Julius Jassniger
Bodensee-Oberschwaben Verkehrsverbund
Lake Constance-Upper Swabia Public Transport Company. The “Verkehrsverbund” (public transport cooperation) combines the public transport systems (bus and railway) of two administrative districts into one fare system. The public transport fare system is generally extremely complicated. Therefore logo had to be “simple“, striking and easy to understand. The logo was designed like time-table lines (lines with stops). The short, concise name “bodo” is formed using letters from the word “Bodensee-Oberschwaben”.
159 Germany
Country
Country
Design firm
Germany
V8 Werbeagentur
Designer/s
Christian Frick
Client
Rail.One GmbH
Pfleiderer Track Systems is one of the world’s leading providers of rail track systems. When changing the Company’s trading name the client needed a logo that had an international appeal and communicated a global pretension. Under its new guise, Pfleiderer Track Systems now presents itself as Rail.One
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160
with a dynamic, modern logo language to commuter and mainline rail companies throughout the world.
Country
Germany
Design firm
ondesign
Client
Olav JĂźnke, Andrea Schaffors
Anke Lambrecht
Anke Lambrecht Produktdesign is a product design studio specializing in design with strong context orientation. The logo clearly symbolizes solutions that fi t the situation perfectly.
161 Germany
Designer/s
Country
Design firm
Designer/s
Client
Germany
d-werk gmbh
Ulrich Julius Jassniger
Bregenzer Festspiel und Kongresshaus GmbH
The Festival and Convention House located in Bregenz, the regional capital of the province of Vorarlberg, Austria, is internationally famed particularly thanks to the unique festival performances on Lake Constance. The primary goal was to market the premises as a fair and convention location.
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162
Searching for a unique feature, a connection between cultural and convention events has been noticed. A connection which makes room – real rooms like the rehearsal stage called the “black box” as well as room for ideas.
Design firm
Designer/s
Client
Germany
Jakob Maser Design
Jakob Maser
Norbert Kurzawa
Noto specializes in selling 2nd hand design furniture. The logo reflects both “design” and “bargain”. “Design” by a clear artistic touch and individually drawn characters and “bargain” by using bold red colour and an abstraction of a procent character attached. The logo is to be used in a “lowprofi le”, do-it-yourself environment.
163 Germany
Country
Country
Design firm
Designer/s
Client
Germany
d-werk gmbh
Tom Maier
Planstatt Senner
The International Horticultural Show will take place in the Lake Constance region in 2017. 19 towns and communities from the tri-national region (Germany, Austria and Switzerland) applied jointly for the organisation of the show and were awarded the contract in November 2005. Thus
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164
an international horticultural show will also actually take place in an international region for the first time. According to the motto “Wasser verbindet� (water connects people), Lake Constance, a popular and widely known lake, will be at the heart of the event. It was also at the heart of the logo design.
Design firm
Designer/s
Client
Germany
minigram
Anja Klausch
minigram
Conflict is part of constructive team work and creative output.
165 Germany
Country
Country
Design firm
Designer/s
Client
Germany
BĂźro Uebele Visuelle Kommunikation Claudia Burtscher, Andreas Uebele AED Society
The logo consist of the initials of AED, a private initiative and a non-profit association aiming at promoting architecture, engineering and design in Stuttgart providing a framework for exhibitions, publications and lectures, As the graphic interpretation of its name
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indicates, it holds these three creative disciplines together.
Design firm
Designer/s
Client
Germany
BĂźro fĂźr Strategisches Design
Ansgar Rolfes
Konzeptum GmbH
Konzeptum deals with billing and customer care software for the telecommunication market. Since the foundation in 2002, the company went trough a recognizable change and was able to establish a highly dynamic growth. The re-launch of the corporate design in 2005 was initiated in order to send a strong signal
167
to all customers. In this context
Germany
Country
the so-called key was developed. This key is the new logo of the Konzeptum GmbH as well as an element of the logotype. The key visualizes curiosity and experience, enabling the company to be highly innovative and professional.
Country
Germany
Design firm
ondesign
Designer/s
Client
Olav JĂźnke
HGP Lautsprecher
Manufacturer of high-end loudspeaker cabinets.
Germany
168
Country
Germany
Design firm
ondesign
Client
Olav JĂźnke
Hydrosol
Repeatable quality and mouth feel or flavour taste in the production of yoghurt, dips and ice cream is the result of intelligent ingredients that create the right consistency. The complementary functions of ingredients are symbolized in the Hydrosol logo by the mirror image formed by the shapes h and y.
169 Germany
Designer/s
Country
Design firm
Designer/s
Client
Germany
d-werk gmbh
Ulrich Julius Jassniger
Energieagentur Ravensburg GmbH
The “unabhängige Energieagentur Ravensburg” offers free consulting services for building owners and renovators regarding all energy issues. The goal of this consulting is to save as much energy as possible without compromising living quality.
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170
This objective was faithfully implemented in the design of the logo. The letters in the word “Energie“ (energy) were partially blanked without impairing their readability – thus expressing in a visual metaphor that it is possible to save energy and maintain the same living quality at the same time.
Design firm
Designer/s
Client
Germany
Colell&Kampmann Design GmbH T. Kampmann
Linette
Logo diaper assortment in cyprus and greece.
171 Germany
Country
Greece
Capital Largest city Language Government Area Population Calling code
Athens (38°00’N 23°43’E) Athens Greek Parliamentary republic 131,945 km2 11,244,118 +30
Greece
Design firm
Chris Trivizas
Designer/s
Chris Trivizas
Client
A. Georgiadis P. Papalamprakopoulos Co.
“Il gatto” is a small friendly café store with high quality of goods and services which is located in one of the busiest streets in the centre of Athens. The position of the café (which is in an arcade) creates the feeling that a cat warms there and that’s how its name was inspired. Its main clients are people between 30-50 years old, especially professionals, who want a coffee or sandwich either to consume it there or take it away. The writing style is free, thickset, lively and vivid with curves. The ending of the letter “g” is particularly symbolic (shapes the tail of a cat).
173 Best of Nation • Greece
Country
Country
Greece
Design firm
Chris Trivizas
Designer/s
Chris Trivizas
Client
Zisimopoulou Stamatia S.A.
“Semeli the bar” is located in the Little Venice of Mykonos which is the most famous Greek island for its night life and not only. The bar attracts people between 19-35 years old who want to drink cocktails, view the sea and listen chill-out music. It is established right next to the sea in the splash of the waves
Greece
174
bustling with energy and action. So it was preferred the logo to be designed in an undulated form in order to express the feeling of movement. Little Venice is famous for its fantastic moonlight nights. Therefore, the usage of a stylish moon instead of a dot on the letter “i”, reveals its location.
Greece
Design firm
Chris Trivizas
Designer/s
Chris Trivizas
Client
M. Dolianitis - E. Tairis Co.
Inside, a café-bar in the Greek island Corfu, is a friendly place where visitors enjoy their coffee, drink spirits and meet people in combination with trendy music. The customers are young people with good mood who look for a pitch to spend their time pleasantly. The word “inside” represents a clear cubic image which is divided in two parts: the prefix “in”, giving the feeling of a closed indoor place, and the word “side”, which is outside of the closed triangle symbolizing the external space of the establishment with its tables. Inspired by the blue of the sea and the calm and fullness that this color codifies, the word “in” is fulfi lled with blue.
175 Greece
Country
Hungary
Capital Largest city Language Government
Budapest (47°26’N 19°15’E) Budapest Hungarian Parliamentary republic
Area
93,030 km2
Population
10,098,000
Calling code
+36
Design firm
Designer/s
Client
Hungary
Csordizájn
Zoltán Csordás
Hungarian Design Council
This logo was designed for Magyar Formatervezési Tanács, the Hungarian Design Council. The aim of the logo is to express the different approaches of the designers to a task.
177 Best of Nation • Hungary
Country
Iceland
Capital Largest city Language Government Area Population Calling code
Reykjavík (64°08’N 21°56’W) Reykjavík Icelandic Constitutional republic 103,000 km2 297,139 +354
Design firm
Designer/s
Client
Iceland
O!
Örn Smári Gíslason
Mjólka
Mjólka (milk in icelandic language) is a dairy production company located in Iceland.
179 Best of Nation • Iceland
Country
Country
Design firm
Designer/s
Client
Iceland
O!
Einar Gylfason
Askja
Askja is the authorized Mercedes-Benz dealer in Iceland. The logo is a combination of a circle and the capital letter A, which symbolizes the steering wheel that is a reference to the cars that Askja is agent for. At the same time, the letter “A� stands for the road and the line in the wheel
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180
of the horizon that indicates that Askja is the car sales agency with good driving into the future.
Country
Iceland
Design firm
Halli Civelek
Designer/s
Halli Civelek
New School Health Education Program
This logo was designed for the University’s Health Education Program. The program deals with different issues concerning student life, such as smoking & drinking, fi tness, relationships, mental health and other topics via workshops and outreach programs throughout the University. The goal
181
was to create a friendly
Iceland
Client
and memorable logo that would communicate “health”, while emphasizing the idea of “inner health” and loving and caring for yourself. The logo had to speak to the broad student body and the University’s staff and faculty; both adults and young people.
Country
Design firm
Designer/s
Client
Iceland
Auglysingastofan Dagsverk
Kristjan Thor Arnason
Blue Cargo
Blue Cargo is a freight and cargo agency in Reykjavik, Iceland, providing large international companies with quality service.
Iceland
182
Design firm
Designer/s
Client
Iceland
Auglysingastofan Dagsverk
Kristjan Thor Arnason
Mentis Cura
Mentis Cura is an innovative diagnostics company based in Iceland since 2000. The company specializes in quantitative detection and early detection of CNS related diseases. Currently the focus is on dementia of the Alzheimer’s type in the elderly and has recently started a program for detection of attention deficit hyperactive disorder (ADHD) in children, teenagers and adults.
183 Iceland
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Iceland
Design firm
Designer/s
Client
Dรณra ร sleifsรณttir, Bรถrkur Arnarson Iceland Dance Company
The Iceland Dance Company, ID, is the national institution of Iceland responsible for developing, creating and nurturing contemporary dance and choreography. ID puts special focus on new creations in dance as well as developing partnerships and collaborations with other
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184
artistic sectors, in particular music. ID is recognized as a contemporary dance company on a worldclass scale.
Design firm
Designer/s
Client
Iceland
Auglysingastofan Dagsverk
Kristjan Thor Arnason, Trausti F. Traustason Austurbaer
East City Entertainment Centre AusturbÌr - theater and cultural centre since 1940 in Reykjavik (Iceland), movie theater and cultural center opened in the 1940’s. Most popular venue for independent theater and concerts in downtown Reykjavik, now being reconstructed close to its original look in funkyes style. Designer of reconstruction: Henning Larsen Tegnestue, Copenhagen (Denmark). Capacity after reconstruction: 750 in theater seating and 1.700 in concert.
185 Iceland
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Design firm
Designer/s
Client
Iceland
O!
Einar Gylfason
Sparibíll
The task was to create a visual identity for a car importer that offers new cars at discount rates. The solution is a gear-stick using the word “Spari” which means “to save” and the word “bíll” which means “a car”.
Iceland
186
Design firm
Designer/s
Client
Iceland
Fastland
DĂłra Ă?sleifsdottir, Haraldur Civelek, Jeff Ramsey Fastland
Fastland is a small advertising agency with emphasis on graphic design and branding.
187 Iceland
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Design firm
Designer/s
Client
Iceland
Auglysingastofan Dagsverk
Kristjan Thor Arnason
Fleur De Mer
Fleur De Mer was established as a venture company for fishing projects world wide. The company is based on long experience of its founders and key employees in fishing operations reaching back to deep roots in Icelandic fisheries. Base headquarters are in Iceland but main
Iceland
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market and fishery takes place in Northern Africa.
Design firm
Designer/s
Client
Iceland
Auglysingastofan Dagsverk
Kristjan Thor Arnason
Bluebird Cargo
Based at Keflavik Airport in Iceland, Bluebird Cargo operates a fleet of fi ve B737-300 freighter aircraft. Aircraft capacity is provided to major express parcel companies (“integrators�) and freight forwarders, both on scheduled and charter basis. With 18 ton payload on 8 pallets, the B737-300 freighter is ideal
189
for air freight missions within
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Europe and Scandinavia, and to Northern Africa, the Middle East, Canada, and Greenland.
Country
Design firm
Designer/s
Client
Iceland
Fastland
Dóra Ísleifsdóttir
Icelandic Film Centre
Kvikmyndamiðstöð Íslands, the Icelandic Film Centre, is required to support production, distribution and promotion of Icelandic fi lms, gather information about Icelandic fi lms and publish it, advance fi lm culture in Iceland and encourage stronger links between
Iceland
190
Icelandic fi lmmakers and the international fi lm community.
Ireland
Capital Largest city Language Government Area Population Calling code
Dublin (53°30’N 7°38’W) Dublin Irish, English Republic 70,273 km2 4,096,000 +353
Country
Design firm
Designer/s
Client
Ireland
Wemakedesign
Nik Dillon, Adam Gallacher
Noel Devereux
This logo was designed for noel devereux, a painter/decorator. The brief was that he wanted to appear “local and friendly”. By using his first name with an icon synonymous with his trade, we did just that. A friendly and accessible logo that appeals to all. Target audience: general public.
Best of Nation • Ireland
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Design firm
Designer/s
Client
Ireland
Bite! Associates Ltd.
John Foley
Peer Pressure
Logo for a production company that commissions and produces comedy writing and fi lm/TV features.
193 Ireland
Country
Country
Ireland
Design firm
Fergal Keane
Designer/s
Fergal Keane
Client
Creativeooze
Founded in 2005, Creativeooze quickly established itself as one of the top design companies in Ireland. Creativeooze were looking for a clean and simple identity that would reflect their unique approach to design.
Ireland
194
Design firm
Ireland
Bite! Associates Ltd.
Designer/s
John Foley
Client
Cafe Gusto
Logo for coffee shops in Cork City (Ireland)
195 Ireland
Country
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Ireland
Design firm
Rob O’Reilly
Designer/s
Rob O’Reilly
Client
Pboy
Pboy is a digital music recording studio based in Kilkenny, Ireland. The green dots mimic the led display in music recording.
Ireland
196
Design firm
Designer/s
Client
Ireland
Design Factory
Meave Queally, Grainne Carvill
Crisis Pregnancy Agency
Positive Options is a directory of organisations who offers free advice and counselling to women who find themselves with an unexpected pregnancy (target audience). Inspiration for the logo came from the female symbol. The idea was to remove any negative connotation associated with unexpected pregnancy.
197
The logo is strong, confident
Ireland
Country
yet friendly and approachable, promoting the attitude that “the positive way to deal with a crisis pregnancy is to consider your options�.
Country
Ireland
Design firm
Rob O’Reilly
Designer/s
Rob O’Reilly
Client
Eamonn McGoldrick
Eamonn McGoldrick is an Edinburgh based photographer specialising in corporate, industrial and arts photography. The logotype plays with the concept of a pinhole camera.
Ireland
198
Design firm
Designer/s
Client
Ireland
Design Factory
Siobhan Costigan, Conor Clarke, Grainne Carvill ThĂŠrapie. Health & Beauty Clinic
A new Health & Beauty treatment clinic for Dublin, offering a unique approach to outward appearance and inner harmony. ThĂŠrapie is an exclusive urban sanctuary, an oasis of calm and tranquillity, where western science meets eastern philosophy. The lotus symbol represents rebirth, it is also a symbol of all
199
that is true, good and beautiful,
Ireland
Country
representing good fortune, peace and enlightenment.
Country
Design firm
Designer/s
Client
Ireland
Zinc Design Consultants
Zinc
Gilbeys
Gilbeys is a Dublin based wine merchant and wholesaler serving the retail and hospitality sectors. An illustration of a dragon’s head and ‘g’ of the company name was created so that both elements became an integrated unit. This became the company’s distinctive symbol.
Ireland
200
Design firm
Designer/s
Client
Ireland
Zinc Design Consultants
Zinc
Manning Construction
Manning Construction are an Irish building construction company specialising in quality housing developments. The logo, an abstract of the letter M, represents the building process.
201 Ireland
Country
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Design firm
Designer/s
Client
Ireland
Wemakedesign
Nik Dillon
Delicious Caffe
This logo was designed for a gourmet caffĂŠ in Tullamore, Ireland, specialising in fine foods, homemade produce and excellent coffee. A simple plus effective solution that appeals to all. Target audience: general public.
Ireland
202
Ireland
Design firm
Rob O’Reilly
Designer/s
Rob O’Reilly
Client
Chipright
Chipright offers design services and products to companies in the semiconductor industry. They currently provide services in Ireland, UK and Scandinavia. The logo incorporates a correct symbol reinforcing the Chipright name.
203 Ireland
Country
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Design firm
Designer/s
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Ireland
Design Factory
Conor Clarke, Susan Madigan, Alan Fitzpatrick Mater Private Hospital
A successful state-of-the-art hospital, its distinguishing quality is its proud heritage of being linked to the ‘Mater Misericordiae University Hospital’, a renowned institution with a strong Catholic tradition. The word ‘Mater’, meaning Mother, provided inspiration for the symbol.
Ireland
204
It led to exploring images of The Madonna in religious icons. The triptych icon shape echoes the ‘M’ of the word ‘Mater’ and portrays a soft calmness associated with motherly care.
Ireland
Design firm
Dcoy Design
Designer/s
Aine Cassidy
Client
Volunteer Centres Ireland
Logo designed to represent the various volunteering centres around Ireland. Originated to appeal to people or companies in the community who wish to take part in volunteering activities.
205 Ireland
Country
Country
Design firm
Designer/s
Client
Ireland
Wemakedesign
Nik Dillon, Adam Gallacher
Wemakedesign
Logo for Wemakedesign, a full service graphic design consultancy. Target audience: existing and potential clients.
Ireland
206
Design firm
Designer/s
Client
Ireland
Dcoy Design
Susan Carberry
John Levins & Co.
Smooch is an ice-cream company, servicing the North East Coast of Ireland. Appealing to all lovers of Ice Cream.
207 Ireland
Country
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Design firm
Designer/s
Client
Ireland
Design Factory
Meave Queally, Conor Clarke
Piranha Bar
Piranha Bar is a young digital boutique in Dublin delivering contemporary animation, design and visual effects alongside an extensive broadcast post facility. The logo and identity relates the attributes of Piranha Bar to the attributes of the piranhas. Bold, fearless and aggressive,
Ireland
208
the course of natural selection has refined the species into a highly specialised, yet adaptable predator. By combining the strengths of each individual, piranha utilise the benefits of teamwork to maximum effect. This unity is the key to the continuing success of the species.
Ireland
Design firm
Barry Lunn
Designer/s
Barry Lunn
Client
Stone Homes Construction Limited
Stones Homes is an Irish building development company specialising in small stone constructed town and village housing schemes. Their ethos is to develop primarily stone constructed houses that enhance Irish village life and compliment the local environment. When seeking a new identity scheme, they wanted something that broke away from, and modernised, the colloquial idea of stone homes. The client’s strong ties with Japanese minimalism was to be taken into account during the design process. These were then interpreted in the form of an Asian symbol. Target audience: first times buyers, investors, contractors, architect and agents.
209 Ireland
Country
Country
Design firm
Designer/s
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Ireland
Zinc Design Consultants
Zinc
JMC Paper
JMC Paper offers an extensive range of paper and boards to diverse markets. Vibrant colours and a distinctive illustrative element created an over-arching visual style for the range. Individual logos were developed for each paper type.
Ireland
210
Italy
Capital Largest city Language Government Area Population Calling code
Rome (41°54’N 12°29’E) Rome Italian Republic 301,230 km2 58,594,273 +39
Country
Italy
Design firm
Raineri Design
Designer/s
William Raineri
Client
Studios S.p.A.
The aim was to create a name and a complete image, from the logo to the apparel line and the advertisement of a high level Wellness Centre with 5,000 clients and first class equipment. Solution: the chosen name was Studios, as the name of the well known American movie Studios, where everything
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can happen and all the scenes can be recreated. The little flexible man jumping and showing its muscles, is represented as a dynamic and powerful figure to indicate physical and mental well-being, which is the aim of Studios.
Design firm
Designer/s
Client
Italy
(freelance designer)
M. Luisa Piras
Seafood
This logo has been designed for a seafood trading company in Sardinia, Italy.
213 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Vitamina
Massimo Pitis
Blu
Mobile telephone company logo.
Italy
214
Country
Design firm
Italy
Studio FM Milano
Designer/s
Central Groucho
Central Groucho is an italian movie production company.
215 Italy
Client
Country
Design firm
Designer/s
Client
Italy
Fragile S.r.l.
Mario Trimarchi, Julia Maquieira, Alessandro Boscarino Regione Sardegna
The aim was to ask the tourists not to be superficial, and look beyond to the sun and sea, trying to spend time to understand the local culture; to take the opportunity of going there not only to forget the reality, but to discover the deep aspects of a wonderful but rough land (proposal for a competition).
Italy
216
Design firm
Designer/s
Client
Italy
Tangram Strategic Design
Andrea Sempi
Freeple
Logotype for security system with variable identities. Freeple was born for the needs of Disabled People by providing credit cards and cash point cards easily usable and super– safe. Personal Identity and Credit are now safe from frauds!
217 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Artefatti Ad&P
Leonardo di Renzo Ettore Lorusso Corner sas
CornerCoffeeWine is a bar with a special preference to good wine located in Andria (Bari, Italy). The logo plays with the icon of a bunch of grapes (wine) and a coffee-spoon. Target audience: general.
Italy
218
Design firm
Designer/s
Client
Italy
TRE intermedia network
Manuel dall’Olio
Mandarina Duck - Plastimoda
The corporate plan of image Mandarina Duck is born from the requirement of the company to construct an image nearer the new values of positioning. Its business in the last ten years has moved on the field of the design, going away definitively from the fashion. The aim of this redesign of the 80’s famous logo (originally designed by Peter Saville) was to conserve and to value the historical values of the Mandarina Duck Corporate Identity: innovation, design, quality and authenticity.
219 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Rebelot
Laura Rota
Associazione Illustatori
AI, (Associazione Illustratori), headquartered in Milan, is the Italian Illustrators Association. The logo is based on the idea that pictures have existed from the beginning of human history. The figure of the man was inspired by the “Camuni�, prehistoric rock-pictures found in Valcamonica, Italy.
Italy
220
The original icon of a hunter with a spear, here is transfigured into an illustrator holding a brush.
Design firm
Designer/s
Client
Italy
xbrand
Mauro Conta, Alessia Arban
KI ONE di Bruins Rosemary
KI ONE is a well-being center, a new kind of service for the italian market, a quality service but accessible, focused on the care of the person and his body. This new institute is: modern, simple, elegant, universal, fast and works around the concept of well-being, well feeling, like the interior KI force, the vital energy of the human being. KI means interior force, center of well-being and beauty. ONE refers to each person individually, emphasizing the uniqueness of the person. Target audience: men and women, 25-50 years old.
221 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Asili & Boassa
Stefano Asili
ISS Istituto Superiore di Sanità
ISS is the National Health Institute of Italy. The three wrapped capitals “ISS” represent an updated genomic version of the Aesculapius snaked wood, the international symbol of health. It has been designed for the international scientific community and works as a
Italy
222
guarantee sign for the people.
Country
Italy
Design firm
Zelig
Client
Alessandro Cocchia
Soprintendenza Archeologica di Pompei
The SAP logo and the circuit logo have been devised with a strong interrelationship: the elliptical symbol is in fact the same. The sign evokes a seal, an incision, an antique medal. The result is a bold, modern sign, of a significantly innovative nature in the museum sector. This logo won the “compasso d’oro” in 2004.
223 Italy
Designer/s
Country
Design firm
Designer/s
Client
Italy
MACStudio Comunicazione
Massimiliano Padrini
Lavazza
Logo created for a division of the Lavazza Group, charged of the direct and indirect development of coffee shops net in the world.
Italy
224
Country
Design firm
Italy
Hangar Design Group
Designer/s
Il Cannito
This logo was designed for the “maison d’hôtes” in the south of Italy. The two enchanting residences are surrounded by thick Mediterranean maquis composed of oaks, Holm-oaks, elm trees, myrtle and juniper thickets. Four extremely refined bedrooms are elegantly furnished with pieces created by famous designers. The logo communicates the nature and the encanted area. Target audience: travellers, people that love nature and luxury.
225 Italy
Client
Country
Italy
Design firm
RBA Group S.r.l.
Designer/s
Vanessa Meris
Client
F.lli Gancia & C.
This new brandmark for a wide line of Italian sparkling wines, wants to communicate the unique tradition of the wine manufacturer, F.lli Gancia, one of the most important Italian wine producer. The symbol and the name refers to the historical cellar (1850) where the first Asti
Italy
226
spumante was created.
Italy
Design firm
Besanopoli S.r.l.
Designer/s
Davide Besana
Client
Cicala 02
Marina Vegezzi, a young dynamic entrepreneur owner of this innovative restaurant located in Milan, decided to ride the crest of a wave generated by the success she obtained with the Cicala Palace Inn and the Squarciafico Restaurant, two of her establishments located in Genova, Italy. Ms. Vegezzi decided to accept the challenge of combining the tastes of Liguria and the Mediterranean basin under one menu. She opened Cicala 02 in Milan. Refreshingly contemporary, Cicala 02 is located in one of the most vibrant fashion districts of the city.
227 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Deft - design gruppe
Alessio Facchini, Michele Elia, Francesco Bufardeci GIGA
GIGA (Gruppo Italiano Giovani Artisti) is a contemporary art gallery in the heart of Rome that organizes individual and collective exhibitions to promote artists coming from the underground scene and looking for new expression forms.
Italy
228
Design firm
Designer/s
Client
Italy
ZeroNove25
Calogero Di Leo
Co.R.Fi.La.C.
Association of cities that make typical cheese, all made in Italy. The logo represents a city with houses and buildings made of cheese.
229 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Lirici Greci Comunicazione
Francesca Di Giorgio
Conerobus S.p.A.
The trade mark of Conerobus was born in 2000 after the fusion of two different bus companies, as a result of the new situation, The decision was to change completely the old image and create a new one which could show a new and best service offered to customers. Slogan: “The line that unites�.
Italy
230
Design firm
Designer/s
Client
Italy
Firma Srl
Marco Venturini
Ucina
This trade mark was designed when Ucina, the Italian Union of Shipyards and Nautical Factories, asked for something that could sign its advertising campaign, with the aim to promote italian yachts all over the world. Target audience: brokers, captains, yacht owners, business men, etc. In the nautical sector “Made in Italy” stands for style and technology, class and innovation; that’s why the logo should have been a sign of elegance. 3 blue dynamic “scratches” draw the majesty of an Italian yacht while riding a wave, a ribbon with the colours of the Italian flag: a typical mark of honour and awards.
231 Italy
Country
Country
Italy
Design firm
RBA Group S.r.l.
Designer/s
Vanessa Meris
Client
Cantina la Vis e Valle di Cembra
The new brandmark for this wine cellar refers to the ancient history of the valley where the cellar is situated; as a matter of fact, Valle di Cembra has its origin in the raetic period and it was populated by celtic and raetian populations. The original symbol is an acronimous for “VC�, name
Italy
232
of the cellar, with an historical style which conveys autenticity and value to the brand.
Design firm
Designer/s
Client
Italy
La Cosa
Aldo Presta
Basilicata University
This logo was designed for the Faculty of Engineering of Basilicata University. The italian word for “Engineering” is “Ingegneria”.
233 Italy
Country
Country
Italy
Design firm
Raineri Design
Designer/s
William Raineri
Client
Freelab S.r.l.
Logo for a new skyscraper. Solution: a very smart and simple logo but at the same time mysterious, with a straight shape, using dark colours for the shadow to let the people feel the extreme vertical line.
Italy
234
Italy
Design firm
Matitegiovanotte
Designer/s
Giovanni Pizzigati
Client
Oceano Mare
Oceano Mare is a marine association connected with Rimini Dolphinarium. The logo, a dolphin mixed up with a whale, is an educational communication project handed out to scholarship visiting Oceano Mare. Soft lines, delicate colours, simple figures help children reading: a didactic path holding children by the hand to the magic ocean world.
235 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Studio Guida
Francesco E. Guida, Carla de Luca Federazione Italiana Canoa e Kayak
This logo was designed for the olympic canoe and kayak federation in Italy, to be used on all printed material as well as on flags, merchandising and sport dresses of the official competitions.
Italy
236
Design firm
Designer/s
Client
Italy
Asili & Boassa
Stefano Asili
Teatro di Sardegna S.c.r.l.
Teatro Caffé Alfieri is a restyled 50’s theatre and lounge bar, Cagliari, Italy. Two coffe cups transformed into two classical masks of the Ancient Greek Theatre (smiling/crying). The target is young, intellectual and sophisticated people, fond of theatre, nightlife, jazz music, rétro atmospheres. 237 Italy
Country
Country
Italy
Design firm
Galessi Luca Egidio
Designer/s
Luca Egidio Galessi
Client
Semeraro Casa&Famiglia S.p.A.
l’osteria. Restaurant and wine bar in Semeraro, famous furniture department stores in Italy.
Italy
238
Italy
Design firm
RBA Group S.r.l.
Designer/s
Massimo Cecchi
Client
Sosalt S.p.A.
Sosalt is the first branded salt in Italy. This logo stands out for its personality which clearly and freshly communicates the key elements about the company and its product: the windmill, symbol of the factory, and the sea, where salt comes from.
239 Italy
Country
Country
Italy
Design firm
RBA Group S.r.l.
Designer/s
Vanessa Meris
Client
Cesarini Sforza Spumanti S.p.A.
The company brand restyling succeeds in upgrading Cesarini Sforza image as one of the most qualitative Italian sparkling wine; it comunicates renewed values of tradition, prestigious and elegance, positioning the brand as top luxury brand in the wine segment. The symbol, an eagle, refers
Italy
240
to the Trento territory, which was dominated by the Austrians in the XIX century.
Design firm
Designer/s
Client
Italy
élitradesign
Marco Sironi, Roberta Sironi Ristorante da Celeste chef Giuliano Tonon
This logo was designed to promote a new line of food, ideated by a cook from Veneto, which had in mind to promote traditional and new menu, using the finest ingredients locally produced. Concept was based on a study of a tuft of “radicchio”, a variety of chicory that is the best-known product of the land around Treviso and also the main ingredient of local traditional cookery. The shape of the leaves, redrawn in transversal section, also recall two views of a dish (plan and section). The local landscape, made of water and earth, is evoked using the four colours of the region, called “Marca Trevigiana”, as if they were engraved in separated plates or wooden stamps.
241 Italy
Country
Country
Italy
Design firm
RBA Group S.r.l.
Designer/s
So Young Yoon
Client
Casa Vinicola Canella S.p.A.
The restyling of the brand endorses a famous italian cocktail called “Bellini�. A nice icon, the waiter, has been used to recall a typical italian consumption moment: the aperitif.
Italy
242
Design firm
Designer/s
Client
Italy
Matteo Capitini Studio
Matteo Capitini
Associazione Culturale Rest-Art
Rest-Art is a logo designed for a cultural association that wants to promote culture and art in all its own shapes: music performance, video, reading, installations etc. The particularity of this association is that it operates with the conviction that every event or performance must happen in unusual places for the event itself. Rest-Art also organized the Novara Jazz festival 2006.
243 Italy
Country
Country
Italy
Design firm
Designer/s
Client
Osvaldo Casanova
Dj Wood
Logo realized for a Dj, working in clubs and parties. to be used for promotional materials (pins, T-shirts, fl yers etc.).
Italy
244
Design firm
Designer/s
Client
Italy
AD Positive
Leonardo Recalcati
Dipartimento di Scienze Botaniche UniversitĂ degli Studi di Palermo SEFS-5, the Fifth Symposium for European Freshwater Sciences. From the 8
th
to the 13
th
of July 2007, the University of Palermo, and in particular the Department of Botanical Sciences and Botanical Garden, will have the pleasure to host this meeting organised in cooperation with the Freshwater Biological Association (FBA) and the Italian Association of Oceanology and Limnology (AIOL). Like the previous Symposia, SEFS-5 will be devoted to basic questions in freshwater biology and various aspects of applied freshwater science.
245 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Artefatti Ad&P
Leonardo di Renzo, Ettore Lorusso City of Andria
International Competition for Young Mediterranean Cooks located in Puglia (Italy). The logo represents a “Q� made by a deformed fork. Target audience: people working in this field.
Italy
246
Italy
Design firm
Metaformadesign
Designer/s
Antonella Giardina, Luciano Marino
Client
IDS sa _ international distribution system
IDS is a leading independent global distributor of IT products (hardware, software and peripherals for the fast paced computer industry). Well aware of its distribution assets and conscious of moving its steps in a market of extreme importance to contemporary society, IDS aims to be active also beyond the boundaries of its core business by promoting the spreading of culture. The over-core business of IDS focuses on the development of contemporary communication (digital culture, visual art, architecture, entertainment, etc) and of all forms of art that use information technology.
247 Italy
Country
Country
Italy
Design firm
Raineri Design
Designer/s
William Raineri
Client
Gestione S.p.A.
Gestione is an italian society involved in high quality hotels and resorts management. Their logo had to suit the company on an institutional level, on the other hand it had to be nice and easy to be used on accessories like soap towels, etc. A hotel room is represented
Italy
248
in the logo figured as a home during the most intimate moment of the day, the evening.A sky full of stars symbolize a bright night without clouds, surrounding the white little house as to protect, where the brighter star is the main character of the scene. The claim clearly indicates that the first star is you.
Design firm
Designer/s
Client
Italy
Firma Srl
Marco Venturini
Portofino Marine Protected Area
Portofino Marine Protected Area (Italy) aims to ensure the protection of all the species it hosts, while promoting a better knowledge about them and ensuring a correct use of the Area. A very user-oriented identity was needed to match the fantasy of italians and foreign people visiting the Area. A sort of friendly signal that could support any kind of message: warnings, directions, advices, regulations, etc. The logo is the synthesis of 2 geometric shapes, which present symmetrical outlines with a particular parallelism between them: a fish and the typical silhouette of Portofino Promontory,
249 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Artefatti Ad&P
Leonardo di Renzo, Ettore Lorusso City of Andria
Touristic agreement between south-italian cities which have a partnership with Unesco like Matera, Andria, Alberobello.
Italy
250
Design firm
Designer/s
Client
Italy
Lord Picchio Design
Manlio Tenaglia
Tango Blu
Tango Blu is a young team who develop ideas and projects for swimming pools and clever technologies for water treatment.
251 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Jack Blutharsky Group (Bologna, Italy) Osvaldo Casanova
Cineteca di Bologna
Logo realized for the website charliechaplinarchive.org (cineteca di Bologna), containing the whole archive of Charlie Chaplin digitalized. Andrea Ruggeri followed the creative direction of the whole project.
Italy
252
Design firm
Designer/s
Client
Italy
Ginette Caron Communication Design Ginette Caron
Quattroassociati
“Quattroassociati� (four partners) is a Milanese architectural firm. AAAA through a geometrical pattern identifies the 4 architects.
253 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Studio Guida
Francesco E. Guida
Edizioni d’If di Antonietta Caridei
Logo for a small poetry publisher. The name comes from the D’If castle of a Dumas novel. Books are distributed in Italy and the target audience is mainly intellectuals. After 5 years, the name and the logo design is still the same; the audience, as well as the copies sold,
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254
are being increased month by month, although Italy is the country of poetry but not the one of poetry readers.
Design firm
Designer/s
Client
Italy
Molly & Partners
Marco Piroli
Comune di Narni
The logo “Comune di Narni� was designed in 2004 on request of the Town Council of Narni (Umbria). The redesign of the mark aimed at reinforcing the visual identity of the Council which originally featured a red, rampant griffin. In Greek mythology this is a magnificent bird with the wings and beak of an eagle and the body of a lion, used in heraldry to symbolise readiness and speed, watchfulness and patience. Target audience: local authorities and other Institutions, citizens.
255 Italy
Country
Country
Italy
Design firm
RBA Group S.r.l.
Designer/s
Vanessa Meris
Client
F.lli Gancia & C.
This logo, designed for a winery based in Sicily, recalls sea star and even a cross as Capocroce (wich means ‘Cape Cross’), while the wine labels refer either to the names or to the images of church icons.
Italy
256
Design firm
Designer/s
Client
Italy
Asili & Boassa
Stefano Asili, Roberto Boassa Enò wine bar restaurant
Enò is an Italian network of wine bars. The logo is made in a bloody red circle as if it has been painted with wine. It has been designed for a sophisticated but informal world of wine consumers, not necessarily connoisseurs.
257 Italy
Country
Country
Italy
Design firm
Raineri Design
Designer/s
William Raineri
Client
Kombacha
Kombacha is an italian apparel & accessories new store. it also produces clothing. Target audience:30-40 young-casual-part of a tribe. The intention was to evocate a powerful, aggressive symbol but with a smart look. The name Kombacha is of pure fantasy but it evokes something tribal.
Italy
258
Design firm
Designer/s
Client
Italy
Public Image
Francesco Galdo
Public Image
Mesali is a global marketing project. Target market: a network of operators in the enological sector (wine and spirits makers) and culinary artists (typical “slow food” restaurants). “Mesali” (tablecloth in the local dialect) is a virtual district but is also a co-branding project to promote several local products and identities. The copy line is an invitation to a trip, a migrant journey (both virtual and real) into the inner areas of Campania, their strong tastes, folks and smelling wines. Key element of the visual concept is the transfiguration of a fork, which becomes a bird recalling.
259 Italy
Country
Country
Italy
Design firm
Ferrariodesign
Designer/s
Laura Ferrario
Client
Fattoria il Gambero
Fattoria il Gambero produces wine in the Oltrepo Pavese zone. Its logo is a “G� stylized to represent a cork being pulled from a bottle. Target audience: wine cellars, restaurants, as well as individual consumers.
Italy
260
Design firm
Designer/s
Client
Italy
Tangram Strategic Design
Gianluca Barbero
Telecom & Capital Express
Logo for software house for security business. Egida’s mission is to protect information systems against every possible risk, to provide remote management of systems and procedures for protection of the customer firm’s activities as well.
261 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Lord Picchio Design
Manlio Tenaglia
Simass Group
Brand identity restyling for Simass, an italian company specialized in mariners insurance.
Italy
262
Design firm
Designer/s
Client
Italy
Firma Srl
Bruna Arena
Comune di Genova Direzione Settore Musei
The project was born when the Mayor of Genova (Italy) decided to reunite under a unique symbol all the museums of the town, in order to celebrate the event “Genova 2004 European Capital of the Culture” and to make municipal museums identifiable by visitors and citizens. The brand, acronym of the “M” of museums, is at the same time the typical double lancet window rather spread in the ligurian architecture like the use of white and black stones in the most prestigious ancient buildings.
263 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Ino Chisesi & Associati
Ino Chisesi
Vimar
Vimar is one of the most important companies specialized in production of switches series systems, plugs, sockets and adapters. Energy. This is the word that defines the core-business of Vimar. A company that has grown over the years (established in 1945) in step
Italy
264
with the evolving use of electrical energy in residential and services sectors. The logo is a redesign of the 90’s Vimar logo with a new structure and a 3D concept.
Italy
Design firm
Oikos Associati
Designer/s
Isabella Garlati, Michele Salmi
Client
Nine Hotel
A small hotel consisting of 10 mini suites and developing a concept in comfort focusing on informality but also on details and atmospheres. Its taste and style are inspired by trends of contemporary design.
265 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Molly & Partners
Francesco Maria Giuli
Sviluppumbria S.p.A.
Regional Organisation for the promotion of economic development in Umbria. The client’s goal is to promote the region’s economic growth while fostering social, cultural and environmental well-being. The communication target is identified with european contractors interested in Investments in Umbria for
Italy
266
industrial and economic purposes. The parts that compose the institutional mark is made up of two parts: the first one represents the soft shape of the region and the cyan colour reminds us of a natural environment. The second one represents the industrial force of the region; the red colour emphasizes the themes of development and production.
Country
Italy
Design firm
Zelig
Client
Alessandro Cocchia
Palazzo dei Pio Comune di Carpi
The graphic solution is concise and essential: the words “Palazzo dei Pio� are spelt out in and embraced by a large round bracket. The minimally-kerned text and the tightly-spaced letters merge together in an asymmetric, yet balanced and pleasing composition. The slant of the elements enhances the round bracket’s meaning of soft welcome and confers greater dynamism upon the logo. The final effect is that of an extremely modern, yet simple and essential sign, of sufficient rigour to stand next to the authoritativeness of the institution without jarring with it.
267 Italy
Designer/s
Country
Italy
Design firm
Luca Laurenti (Mklane)
Designer/s
Luca Laurenti (Mklane)
Client
Ladri di Carrozzelle
The clothing brand “diverso” was born with the undertaking of an Italian music band, Ladri di Carrozzelle, almost completely made up of people affected by muscular dystrophy. The main idea was to create a logo suggesting a concept of diversity in a standardized world, Target group: every age
Italy
268
bracket of every each sexual orientation: heteros, gays, lesbians, transgender. The pictogram is made up of the Italian word for “different” (diverso) with few changes: the letter “I” is substituted by an arrow, almost indicating the right way to follow (“verso” means “way” as well).
Design firm
Designer/s
Client
Italy
ZeroNove25
Calogero Di Leo
BlueMar
Fish preserve Industry. Made in Italy. Target audience: exporting in the world. Concept: the industry is specialized in sea food working of the blue fish and exports its product in the world, the logo is a re-design of the sea and bluefish.
269 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Artefatti Ad&P
Leonardo di Renzo, Ettore Lorusso Murgiamare
Touristic agreement between 5 cities located in the north of Bari (Puglia, Italy), in a beautiful and characteristic place over the sea called “Murgia”. The logo represents “murgia” (hills) and the sea.
Italy
270
Design firm
Designer/s
Client
Italy
Fragile S.r.l.
Mario Trimarchi, Michele De Lucchi, Susanne Gerhardt, Julia Kleiner, Marco Miglio Banca Intesa Banca Intesa is a leading italian bank, with an extremely articulated range of clients. The goal of the corporate identity project was to show, through the use of the colours shading, the ability of the bank and of its personnel to dialogue with all the different typologies of interface, from huge corporations and professionals to families and young people. The strong presence of this variegated colour palette enables immediately to recognize the presence of the brand in the city.
271 Italy
Country
Country
Design firm
Designer/s
Client
Italy
(freelance designer)
Laura Mangano
Politecnico di Milano
Logo for Brera Zone, Milano (Italy).
Italy
272
Italy
Design firm
Raineri Design
Designer/s
William Raineri
Client
Paterlini S.p.A.
Paterlini is a historic building company with an historic logo representing an old sad man (a mason) carrying a bucket. During the years Paterlini has grown from a small building company to an operating company of large and important concern, in all sectors of the building industry all over the country. With this restyling of the logo, the figure of the mason appears more proud and powerful. The new outline makes the mason a more smart figure, perfect to suit in different sector and many new divisions of the group.
273 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Ino Chisesi & Associati
Ino Chisesi
Casale Group
This logo was created for a group of privately-owned Swiss companies active in development and licensing of know-how and technologies, design of plants and special equipment, evaluation of project feasibility, supply of equipment and construction materials. Today the group is a world leader
Italy
274
in revamping existing plants. The “C” of the logo is structured as an ongoing development: project, chemical, application. Each company of the Group is characterized by a simple declination of the principal “C” in different colours.
Design firm
Designer/s
Client
Italy
Ino Chisesi & Associati
Ino Chisesi
BTicino
This logo was designed for BTicino, one of the most important Italian companies. Communication, distribution, and energy control have always been part of BTicino’s business approach. “My Home” has a complete range of home automation functions, adopting every kind of network technology (radio and cable). Just because BTicino is a well-known brand name in more than 60 countries around the world, also the My Home logo is directed at every client interested in the home automation. The logo wants to symbolize the continuous contact between man and home.
275 Italy
Country
Country
Italy
Design firm
RBA Group S.r.l.
Designer/s
Simona Anfossi
Client
Fondazione Magica Cleme
The brandmark stands for a foundation whose purpose is to let boys and girls who are affected by cancer enjoy life by organizing special events.
Italy
276
Design firm
Designer/s
Client
Italy
Ginette Caron Communication Design Ginette Caron
Sensei
Public relation agency for contemporary art exhibitions and promotion. I was asked to create a Japanese looking identity, since SenSei means “mentor� in Japanese. I used the reminding red circle as the background for the lettering. Sen-Sei is splitted into two parts since the company is made of two partners. Sen-Sei are interlaced together meaning sintony and harmony.
277 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Tangram Strategic Design
Valentina Ziliani
Vincenzo Bona
Restyling for a printing house.
Italy
278
Italy
Design firm
Matitegiovanotte
Designer/s
Giovanni Pizzigati
Client
Varide Cicognani
A simple sign, a target-shooting with three holes to focus on the products (guns for competitions) and on the mission of the client: hit the target!
279 Italy
Country
Country
Italy
Design firm
Andrea Fanti
Designer/s
Andrea Fanti
Client
Hacking Team
An italian computer security company, specialized in custom software applications development.
Italy
280
Italy
Design firm
Orazio Fabbri Comunicazione
Designer/s
Orazio Fabbri, Claudio Barasi
Client
V.I.P. Very Important Party S.r.l.
Logo for a sportswear line but finalized to the Modern Dance. The Company is already established in the Italian market and aims to enter the European Market too. Young people attending Gyms and Dance Schools are the final target.
281 Italy
Country
Country
Italy
Design firm
Oikos Associati
Designer/s
Isabella Garlati
Client
Oikos Associati Visual Communication
Oikos was born from the syinergies of several different competences, aiming at studying and producing communication strategies. Energy, culture, research, contamination are the guiding concepts in its work. A conceptual journey through design and technology
Italy
282
to develop a method for the definition of the most suitable form of communication.
Italy
Design firm
Studio Benzoni
Designer/s
Claudio Benzoni
Client
Varese Chamber of Commerce
This logo aims to represent the sectors involved together (commerce, industry, crafts manship and agriculture) in one dynamic, modern and easy symbol. Studio Benzoni submitted this logo to the Varese Chamber of Commerce competition for a new logo in 2004. 283 Italy
Country
Country
Design firm
Designer/s
Client
Italy
Tangram Strategic Design
Antonella Trevisan
New Mood
Restyling logotype for brand identity and packaging system for Bliss jewels, a brand of Damiani Group.
Italy
284
Italy
Design firm
RBA Group S.r.l.
Designer/s
So Young Yoon
Client
Finiper S.p.A.
The icon of “the big i� signs the identity of one of the most important Italian retail chain.
285 Italy
Country
Country
Italy
Design firm
Designer/s
Client
Osvaldo Casanova
At Home Records
Winner logo in the competition launched by the french electronic music label “At Home Records� trough their website (athomerecords.net).
Italy
286
Latvia
Capital Largest city Language Government Area Population Calling code
Riga (56°57’N 24°6’E) Riga Latvian Parliamentary democracy 64,589 km2 2,307,000 +371
Country
Latvia
Design firm
Zoom!
Designer/s
Client
Zoom! design team
MRS GRUPA
Logo for Latvian Cultural Season in France.
Best of Nation • Latvia
288
Country
Latvia
Design firm
Zoom!
Client
Zoom! design team
Re & Re
Business & Office site. In english means “white wind�.
289 Latvia
Designer/s
Country
Design firm
Designer/s
Client
Latvia
St. Brothers Brand Agency
Niluta Bahmane
Arena Riga
Arena Riga - multifunctional hall with up to 12,000 seats for concerts, sport and corporate events. Initially built for IIHF World Championship 2006. Target audience: social active inhabitants of Latvia and neighbour countries as this is the first hall suitable for so wide range events
Latvia
290
in Latvia. The concept: 3 figures of man symbolizing 3 spheres: sport, music and bussines, characteristic to ancient trinity of values. The idea is taken from the ancient people drawings. A man grants a life, a soul and a meaning to the arena. Arena has been the center of the events already in the Ancient Rome.
Design firm
Designer/s
Client
Latvia
Hotshots Communications
Aldis Ozolins, Janis Skujenieks
Hotshots, Ltd.
Hotshots is a new advertising agency in the Latvian market of advertising. Spirit of freedom and creative ease, and love for their work that borders with an attitude of a hothead are the characteristics of this agency. This was therefore included in the logo as a symbol of a head on flame. The logo is mainly used in the graffi ti style on business cards, promotional presents and on T-shirts, sprayed on with the help of a paint spray.
291 Latvia
Country
Lithuania
Capital Largest city Language Government Area Population Calling code
Vilnius (54°40’N 25°19’E) Vilnius Lithuanian Parliamentary democracy 65,200 km2 3,431,000 +370
Design firm
Designer/s
Client
Lithuania
Idente
Sigitas Guzauskas
Uab Atradimu Studija
Ornamentum - is a brand name in modern-classic style for home furnishings and accessories.
293 Best of Nation • Lithuania
Country
Luxembourg
Capital Largest city Language Government Area Population Calling code
Luxembourg (49°36’N 6°7’E) Luxembourg French, German, Luxembourgish Grand duchy 2,586 km2 465,000 +352
Design firm
Designer/s
Client
Luxembourg
Vidale-Gloesener
Tom Gloesener, Silvano Vidale
Entente Touristique du Sud
In order to create a strong and progressive brand image for the Entente Touristique du Sud, a tourist organization in the south of Luxembourg, the logo highlights the word ‘SUD’ with bold typography in a rusty red, a colour that symbolizes the colour of the earth in this particular region known for its steel industry. The arrow pointing south in the letter ‘U’ symbolizes the notions of ‘sightseeing’ and ‘tourism’ as well as geographically indicating the southern region.
295 Best of Nation • Luxembourg
Country
Country
Design firm
Designer/s
Client
Luxembourg
Vidale-Gloesener
Tom Gloesener, Silvano Vidale
Régie Publicitaire Tempo
The name of the client, which is an advertising-management agency, inspired us for this logotype. By transforming the last letter ‘o’ into an analogue clock, the logo expresses the notion of time. The hands of the clock are in fact reference marks, a symbol known to every graphic
Luxembourg
296
designer, incorporating the notion of space. This uncomplicated solution confers a modern touch to the entire corporate identity and communicates Tempo’s line of work very well to their clients.
Design firm
Designer/s
Client
Luxembourg
Vidale-Gloesener
Tom Gloesener, Silvano Vidale
Rockhal, Etablissement Public Centre de Musiques AmplifiĂŠes
This corporate identity for a music venue named Rockhal in the south of Luxembourg was inspired by the form of a plectrum, which is a symbol for rock and guitar music in particular. Its abstract form also refers to other instruments. This strong, easily identifiable shape confers dynamism and instant recognition to the brand identity. The applications of this logo are virtually limitless and its red colour makes it stand out in every medium.
297 Luxembourg
Country
Netherlands
Capital Largest city Language Government
Amsterdam (52°21’N 04°52’E) Amsterdam Dutch Parliamentary democracy, Constitutional monarchy
Area
41,526 km2
Population
16,299,000
Calling code
+31
Design firm
Designer/s
Client
Netherlands
Millford Brand-id
Stijn Braun
Obvion
Obvion is a contemporary dutch mortgage company, with much ambition to grow and works only with independent intermediaries. Obvion is a cooperation of Rabobank en ABP.
299 Best of Nation • Netherlands
Country
Country
Netherlands
Design firm
Weijsters & Kooij vormgevers
Designer/s
Niel-Jan Weijsters, Karin Kooij
Client
Sensis
Sensis is an organisation that offers care, education and services to visually impaired people (of all ages) in the South of the Netherlands. The name ‘Sensis’ associates with sensitivity and senses. Therefore we’ve chosen a butterfl y with its feelers as a symbol. A butterfl y is fragile,
Netherlands
300
just like the clients of Sensis contrasting the nowadays social spirit. Like a peacock butterfl y it has an eye on its wing, which can’t see. A human figure forms the body of the butterfl y, referring to the clients. The colors blue and yellow are chosen to provide the best possible contrast.
Design firm
Designer/s
Client
Netherlands
Ontwerpwerk, multidisciplinary design Ed Annink, Jorn Dal
Ontwerpwerk
The Nomadic Academy is an initiative from Ontwerpwerk, a project organisation for creative input to the development of products and ideas for companies and public services. To achieve this, the NA has a global network of professionals, institutions and schools from the design world. The NA is not based anywhere, but works on location and can be contracted for brainstormings and workshops on specific subjects. Participants are international design students and design professionals. Under the NA’s leadership, they develop concepts on specific themes. This always generates fresh ideas, a new vision or a product.
301 Netherlands
Country
Country
Design firm
Designer/s
Client
Netherlands
Millford Brand-id
Danny Klein
“Albert Heijn� Super Market
Founded in 1887, Albert Heijn is the leading super market chain in the Netherlands. The logo is a direct translation of a house brand. Albert Heijn is part of the Ahold Holding and has over 700 shops and a web shop. Target audience: different groups of consumers with
Netherlands
302
different shop formulas: AH super market, AH XL, AH to go, en Albert (web shop).
Design firm
Designer/s
Client
Netherlands
Millford Brand-id
Erik de Graaf Jeroen de Kok
Leaf Holland
Xylifresh is a dental care chewing gum, positioned to be the best alternative for tooth brushing. Xylifresh is a product of Leaf Holland, a leading company in the sweets market. Other products of Leaf Holland are: King, Red Band, Sportlife and Venco. Target audience: people looking primarily for dental caring products and people looking for products with extra value in general.
303 Netherlands
Country
Country
Netherlands
Design firm
Coppen Advertising & Marketing
Designer/s
Gerard der Kinderen
Client
Municipality of Eindhoven
The logo Taxi Veilig, where ‘veilig’ stands for ‘secure’ or ‘safety’, is an umbrella logo used to communicate to the public all projects related to safe use of taxi transport, and wants to express a feeling of safety through visual language of the fifties and sixties, when people still felt safe and secured.
Netherlands
304
Colours clearly refer to the taxi world (and to the flexo-print of that period) and give an attention value to this logo.
Design firm
Designer/s
Client
Netherlands
Eden Design & Communication
Eden design team
Museumvereniging
A repositioning campaign and a new visual identity system for the Museum Card, developed for the Netherlands Museum Society. This card gives cardholders discount to over 400 museums in the Netherlands. With the new card, the Netherlands Museum Society wants to let more people discover ‘the abundant world of museums’. This logo is a 3D depiction of the ‘temple of the arts’. Doors on all sides illustrate the many facets of the museum world and suggest that the doors to new discoveries are always open - as long as you bring your Museum Card.
305 Netherlands
Country
Country
Design firm
Designer/s
Client
Netherlands
Ontwerpwerk, multidisciplinary design Ed Annink
Experimentadesign Lisbon
Catalysts! the cultural force of communication design, is an exhibition for the Centro Cultural de BelĂŠm, Lisbon (Portugal), as a part of the Experimentadesign brennale. Sharing the idea that graphic design is an applied art: it serves well defined functions such as recognizability, legibility and economy of means in
Netherlands
306
combination with subjective imagery to solve communication problems for clients. Graphic design has developed a visual language of its own, drawing on traditional visual arts, typography, illustration, photography and cinema. In every aspect of creativity, we see and read not only words and images but the language of design as well.
Design firm
Designer/s
Client
Netherlands
Eden Design & Communication
Eden design team
De Nederlandsche Bank
As a financial institution watchdog, the Dutch Central Bank must have an undisputed reputation. Reliability, credibility and stability are important values to give meaning to its position and build a strong reputation. The Dutch Central Bank’s monogram depicts two of its core tasks: promoting the proper operation of payment transactions and supervising the circulation of money. The Dutch Central Bank used this logo until the merger with the Pension and Insurance Supervisory Board in 2004.
307 Netherlands
Country
Country
Design firm
Designer/s
Client
Netherlands
Vermeulen
Lindelauf, Mark
Ontwikkelingsmaatschappij Parkstad Limburg
MSC regeneration is a cooperative organisation between 6 western european medium sized cities with one common problem: they are all located next to a big city, and several facilities move from them to the bigger city. The MSC regeneration tries to decrease this problem
Netherlands
308
by exchanging ideas and experiences. The logo concept goes back to nature. A large school of fish will stand strong together, a single fish will not survive. Togetherness, dynamic, change, structure, cooperation, moving forward are the keywords of this concept.
Design firm
Designer/s
Client
Netherlands
Millford Brand-id
Stijn Braun
“Menzis� Insurance Company
This insurance company that belongs to the top 4 companies in the Netherlands offers services and insurances in the fields of care, health improvement, reduction of absence and re-integration. Menzis carries out to be a social and protecting health insurance company whose key focus is on people. Menzis has 2.5 million insured people and over 2,500 employees. Target audience: individuals and employees.
309 Netherlands
Country
Country
Netherlands
Design firm
Vermeulen
Designer/s
Naus, Frans
Client
World Trade Center
World Trade Center Heerlen/Aachen built on Avantis, european science and businesspark, right on the border that devides the Netherlands and Germany. This is why the WTC logo reflects interaction. Interaction between people, companies and countries.
Netherlands
310
Design firm
Designer/s
Client
Netherlands
Michel van der Sanden Design
Michel van der Sanden
Loyalty World
A new Dutch B2B company that provides intermediary services, specializing in customers loyalty, while combining e-business and marketing.
311 Netherlands
Country
Country
Design firm
Designer/s
Client
Netherlands
Ontwerpwerk, multidisciplinary design Ontwerpwerk
Wish
Internet provider Wish has a focus on young professionals with an IT function. Wish was partner in the Newconomy Ltd. Network in the Netherlands during the Internet hype in 2000. The activity of this client ended when the Internet bubble exploded.
Netherlands
312
Design firm
Designer/s
Client
Netherlands
Millford Brand-id
Stijn Braun
SLS Wonen Housing Corporation
SLS Wonen (SLS Living) is a housing corporation that operates in the Dutch city Leiden and region. SLS offers classic as well as modern housing to students and youngsters.
313 Netherlands
Country
Country
Netherlands
Design firm
Weijsters & Kooij vormgevers
Designer/s
Niel-Jan Weijsters, Karin Kooij
Client
WoningNet
WoningNet is a coordinating organisation that takes care of the distribution of all sorts of housing accomodation in accordance with the rules of government, in several regions in the Netherlands. WoningNet works as an intermediary for housing corporations and also registers
Netherlands
314
persons seeking housing. This logo takes a detail of the dome of the Pantheon in Rome; complex, technically smart, with lots of different facets. A building, without being ‘just a house’.
Netherlands
Design firm
Coppen Advertising & Marketing
Designer/s
Gerard der Kinderen
Client
Sre
This logo and the total house style have been designed for a subsidised transport system for handicapped and elderly people. The system operates, with a total of more than 100 vehicles, in 20 communities in the south of the Netherlands. Target group: handicapped and elderly people, which have always been transported in a way that was perceived as being very low class quality. Main target of this new style was to show the uplift in quality the whole system underwent. Name and logo have been designed to be seen as a more generic form of transport without giving any judgement about the users of the system.
315 Netherlands
Country
Country
Design firm
Designer/s
Client
Netherlands
Vermeulen
Cuijpers, Maurice
Dsm
Chemelot is the name of a large Chemical site in the south of Holland. The logo is a reflection of this chemical site by night. Right aside the motorway the site looks like the skyline of a huge metropole. Where in the past this site belonged solely to DSM, it now houses
Netherlands
316
a large number of chemical companies. That is why the logo has been constructed out of several seperate spots instead of using one massive form.
Design firm
Designer/s
Client
Netherlands
MoloM
Dawaa Huizinga Molom
Zishi Nomad Design
This logo was designed for Zishi Nomad Design, a retail company in clothes and home furnishing inspired by the rich artistic past of North Asian nomads. The Zishi emblem is a diamond, representing clarity, generosity and strength of nature and the cultured mind. Four image logos combined can form a circle of endless lines, representing global connections and mutual influence between cultures and people. The logo is a decorative element of many of the Zishi design products. It is a strong modern looking image abstracted from traditional decoration of old nomad cultures.
317 Netherlands
Country
Country
Design firm
Designer/s
Client
Netherlands
ankerxstrijbos
Paul Wolterink, Menno Anker
The People’s Valley
This logo was designed for The People’s Valley, an office for interactive marketing and communication.
Netherlands
318
Design firm
Designer/s
Client
Netherlands
Syndicat
Taco Sipma
Matadex
Matadex is a dutch ICT enterprise which develops Oracle based software solutions. Resulting products are being developed for the following verticals; financial services, transport, trade, media and entertainment and the graphic industry. Xiphers, an all-round enterprise software solution which facilitates all business processes in a corporation. is one of Matadex products for Germany, France and the Netherlands market. The organic X with it’s 4 branches represents the root of an organization, which makes sure the organization stands firmly and is able to grow.
319 Netherlands
Country
Country
Design firm
Designer/s
Client
Netherlands
Eden Design & Communication
Eden design team
Gemeente Amsterdam
Amsterdam residents consider the city council accountable for many tasks and expect the municipal organisation to act homogenously. The government, as a democratic organisation, must consequently be recognisable, accessible, transparent and verifiable. The solution is deceptively simple,
Netherlands
320
employing the eye-catching three Saint Andrew’s crosses from the 14th-century city coat of arms with the strong Amsterdam red as leading colour for the city as a whole.
Design firm
Designer/s
Client
Netherlands
Eden Design & Communication
Eden design team
Gemeente Amsterdam
City of Amsterdam Alphabet. Each city department can choose its own colour and design, an ‘alphabet’ sign that is added to the overall Amsterdam logo. In this way, they are all individuals, but still a visible part of the city. Letters, meeting documents, reports, employment advertisements and other means of communication are standardised where possible. This saves the city considerable sums on the cost of template development and maintenance, printing and management.
321 Netherlands
Country
Country
Netherlands
Design firm
ankerxstrijbos
Designer/s
Paul Wolterink
Client
Electric Puha
Sound system logo. Ensemble of producers and musicians. The logo contains the heads of the three leading figures (Sixsmith, Lawrence & Denniss), also known as ‘The three monkeys’.
Netherlands
322
Design firm
Designer/s
Client
Netherlands
Eyedesign BNO
Folkert Kattemรถlle
Work2
This logo was designed for Work2. An organisation for labour reintegration projects. They help people who are unemployed to get back into a structural job (jobcoaching). Work2 tries to bring people with problems together socializing them from their rough uncontrolled life into an organized workstructure. So they get back their own dignity and earn their own money. Target audience: people of social security institutions managers, coaches, decision makers and unemployed people who live on a social security payment for many years allready.
323 Netherlands
Country
Norway
Capital Largest city Language Government Area Population Calling code
Oslo (59°56’N 10°41’E) Oslo Norwegian Constitutional monarchy 324,220 km2 4,629,566 +47
Design firm
Designer/s
Client
Norway
Awchat & Olsen Design
Cathrine Olsen
OUT
Out is a Norwegian Educational institution which supervises Norwegian students on studying abroad. Collaborating with universities all over the world, they send young Norwegians abroad to gain foreign bachelor or master degrees. The OUT bird was developed to become a powerful part of the OUT identity. The migrating birds were an innovative representation of Norwegian students who go abroad for educational purposes. The association with flight and freedom also represents the concept of studying abroad.
325 Best of Nation • Norway
Country
Country
Design firm
Designer/s
Client
Norway
Awchat & Olsen Design
Cathrine Olsen, Salil Awchat
A&O Design
Awchat & Olsen Design is a design agency with departments in Norway and India. Based on the linguistic capacity of the initials, the typography represents the joint partnership between Salil Awchat and Cathrine Olsen, and the collaboration between two countries, two cultures
Norway
326
and two continents. Complimenting both maximalist Indian and minimalist Scandinavian taste, the typographic logo reflects establishment as well as simplistic elegance. Using the founder’s name itself, reflects the required pride and responsibibility.
Design firm
Designer/s
Client
Norway
Awchat & Olsen Design
Salil Awchat, Cathrine Olsen
Spectator Newspapers
Spectator Newspapers is an Irish newspaper, targeting a local readership. As the masthead had been part of the Spectator’s identity since 1904, the client asked to keep its original shape whilst still modernizing its look and feel. Unusal for traditional mastheads, striking red and yellow gradients have been applied to the original symbol. The result is a fresh and dynamic new logo which looks modern at the same time as it reflect the history of the newspaper.
327 Norway
Country
Country
Norway
Design firm
Skin Design
Designer/s
Skin Design
Client
Europabevegelsen
JA! is a logo developed for the norwegian Yes-movement; a movement dedicated to the purpose of getting Norway in as a member of the European Union. The goal was to create a logo that is positive in the shape of a button; a well used media for making a statement
Norway
328
and worn by people who are excited about a sepcific topic. The visual impression is modern and clear, but with character. 6 different colors were used to reflect independence of political opinion.
Norway
Design firm
Skin Design
Designer/s
Skin Design
Client
Photographers Colin Eick & Gaute Gjøl Dahle
The logo was created for a photo exhibition where 2 photographers invited 20 other photographers to take 1 photo with the focus length of 1,68, which is the Golden Section. Based on this premiss, the logo is constructed on the same premiss - the Golden Section. All relations are measured. The goal was to create a logo that is modern and geometric, but with its own character.
329 Norway
Country
Poland
Capital Largest city Language Government Area Population Calling code
Warsaw (52°13’N 21°02’E) Warsaw Polish Republic 311,904 km km2 38,530,000 +48
Design firm
Poland
To Design
Designer/s
Magdalena Fornal, Przemyslaw Fornal
Client
Polska Organizacja Turystyczna
CBP is a governmental institution responsible for Polish business tourism. The construction of the logo is graphically based on the geographical outline of Poland, to focus the receiver’s attention on the diversity of Polish holidays on offer - mainly on nature (blooming flower motif) and infrastructure (cubic forms). The symbol of a flower corresponds to the idea of Poland represented as a country of development, beauty, interest and full of unusual places worth visiting. The vivid colours and dancing forms of this sign emphasizes Poland’s openness and spontaneity. Six shapes (petals) represent 6 towns, the members of CBP.
331 Best of Nation • Poland
Country
Country
Design firm
Designer/s
Client
Poland
Pejot
Pawel Jonca
Davidson Consulting
Davidson Consulting, polish company, specialized in Business Continuity consulting services and Operational Risk Management. The main element of the logo is a figure which depicts a burning phoenix. The flaming bird is a symbol of rebirth, resurrection,
Poland
332
immortality and eternal fire. According to legends, there is one phoenix in the world which is one thousand years old. It has a magical power its pearly tears can heal. It has such an exquisite voice, that other birds are attracted to it and follow its path.
Design firm
Designer/s
Client
Poland
Xenium
Norbert Mikołajczyk
Microsoft Poland
In 2005 Polish division of Microsoft decided to create a community portal, connecting IT professionals interested in Microsoft Windows Server System technologies. Task of creating the logo had to meet all the requirements of customers. Windows System Server is a set of connected products which create a complete server systems solution. Then emerged the idea of a cube, a solid figure made of a few clearly distinct parts moved a little against each other, but still fi t perfectly together. Colours that have been used are in clear relation with Microsoft Windows trademark.
333 Poland
Country
Portugal
Capital Largest city Language Government
Lisbon (38°42’N 9°11’W) Lisbon Portuguese Republic
Area
311,904 km2
Population
38,530,000
Calling code
+351
Design firm
Designer/s
Client
Portugal
Shift Design
João Pacheco
Sociedade de Desenvolvimento do Norte da Madeira
Grutas de São Vicente. A journey to the interior of the earth. The volcanic caves in the northern shore of Madeira (Portugal) in São Vicente, allow people to see the interior of the island as well as the volcanic process that was responsible for the origin of the Madeira’s archipelago. The Volcanic Centre, near the São Vicente Caves, brings together culture, knowledge, leisure and fun. Audiovisuals Shows recreate the geologic evolution of the caves. The logo simulates a volcanic eruption and the creation of a new island.
335 Best of Europe • Portugal
Country
Country
Design firm
Designer/s
Client
Portugal
Shift Design
JoĂŁo Pacheco
BP Portugal
BP is one of the most wanted places to work in Portugal. This company values it’s HR as one of the most important assets a company can have. This image was created to identify the actions that the HR department develops to increase the well being of the employees.
Portugal
336
Design firm
Designer/s
Client
Portugal
Shift Design
Ricardo Pinto Correia
BP Portugal
When BP first started acting in Portugal 75 years ago, it was important to let people know of it and gain reputation. After all it is one of the eldest companies in Portugal.
337 Portugal
Country
Country
Design firm
Designer/s
Client
Portugal
Shift Design
Ricardo Marques
TTerra Auditoria, Projectos e TĂŠcnicas Ambientais, Lda.
This company dedicates itself to the management of natural resources. The idea that stands for this brand is the link between human intelligence and earth limits.
Portugal
338
Design firm
Designer/s
Client
Portugal
Shift Design
JoĂŁo Pacheco
Singer portugal
This logo was designed for a new concept of store where people can find books, music, a whole world of machines (computers, audio systems, video, wash machines, ovens etc.) and, at the same time, they can enjoy a nice cup of coffee. The idea was to develop a brand that could transmit coziness, happiness and culture.
339 Portugal
Country
Country
Design firm
Designer/s
Client
Portugal
Shift Design
JoĂŁo Pacheco
Sociedade de Desenvolvimento do Norte da Madeira This project wanted to join in 7 hectars culture, fun, leisure and knowledge. The result was an outdoor museum where you can find Madeira’s history, present and aspirations for the future. Implemented in the area of Santana, the project pleases the local people
Portugal
340
as well as tourists.
Design firm
Designer/s
Client
Portugal
Bürocratik
Adriano Esteves
Capa
Corporate Identity for a law Company settled in Portugal and named with the four partners initials: Candeias, Castanheira, Pereira, Almeida. When read in Portuguese, Capa sounds like “K” (11
th
letter
of the Roman alphabet). The brand is a stylization of this CAPA-K analogy. 341 Portugal
Country
Country
Portugal
Design firm
rui(lucio)carvalho.dESiGNER
Designer/s
rui(lucio)carvalho.dESiGNER
Client
Asa Editores SA
Lua de Papel (Paper Moon) is an imprint of ASA, a Portuguese major publishing house. It publishes mainly non-fiction aimed at a broad audience on the following areas: self help, management, mind, body & spirit, sex, parenting and religion.
Portugal
342
Portugal
Design firm
ASSEC-SIM!
Designer/s
Nuno Lages
Client
Fifun Lda.
The idea of the Fifun logo is to emulate the manufacture of yarn, showing a continuous, dynamic circuit linking the different phases of the process. The dot on the “i” works as a dynamic feature, running through the process (representing the bobbins and cones). This harmonious, coherent logo stylises and blends typographic elements. The play on words using fios (string) and fun, helps create a name that describes the company’s business while giving it a dynamic, cheerful image.
343 Portugal
Country
Country
Portugal
Design firm
ASSEC-SIM!
Designer/s
Nuno Lages
Client
Anil - Associação Nacional dos Industriais de Lanifícios
The fact that the Texvision logo was going to be used in a variety of media meant that its design had to bear in mind the limitations of easy legibility even when in small print. The clear, straight forms create a logo that reflects transparency, organisation and objectivity.
Portugal
344
The use of the national colours (Portugal) not only accentuates the geometrical form of the letters but also identifies the Texvision project’s setting.
Design firm
Designer/s
Client
Portugal
Bürocratik
Adriano Esteves
Biomondego
This logo was designed for a Nutrition Center named Biomondego (Mondego is the river’s name of the 3
rd
biggest Portuguese city Coimbra, where the company is settled). The leaf merged into the “B“ glyph drawn with very organic shapes gives the mood the client wanted: a natural, healthy, peaceful Identity. The colours reinforce the nature extension which applied to beauty/healthy photos complete the Identity. The main identity incorporates the “B” into the name and the outdoor applications reinforce the “B” brand as the nature meets your favourite nutrition spot.
345 Portugal
Country
Country
Design firm
Designer/s
Client
Portugal
A&L Criatividade e Comunicação, Lda. Paulo Afonso
NewSourcing Lda.
Company operating in the outsourcing providing services in Accounting, Financing and Human Resources. The idea was to create an image that is dynamic, young, well balanced and with a transparent position in the market.
Portugal
346
Design firm
Designer/s
Client
Portugal
Vestigio - Consultores de Design, Lda. Emanuel Barbosa
Sensicasa
This logo was developed for an interior design company in the city of Porto (Oporto) in Portugal. This company creates sofisticated interiors for high-profi le clients with very classical taste by using elegant antiques and custom handmade pieces of furniture that sometimes mixes contemporary design styles with classical furniture from 18
th
or 19 th century.
The logo was intended to appeal to their target audience and to reflect the style that this company wants to reflect in all their communications.
347 Portugal
Country
Country
Design firm
Designer/s
Client
Portugal
Bürocratik
Adriano Esteves
32dent - Laboratório de Prótese Dentária
Corporate Identity for an Esthetic Dental Prosthetics Laboratory named 32dent. With goals of freshness, young, credibility & distinction the 32dent brand reflects a warm smile. The tight Helvetica kerning of the type is justified to match the tooth tight spaces and this family rigid geometric
Portugal
348
structure amplifies the letter-tooth analogy. The numerals were given the thin variation for a lighter and more concise identity.
Design firm
Portugal
Shift Design
Designer/s
João Pacheco, Sofia Oliveira
Client
Automóvel Club de Portugal
Portugal has one of the highest rates of car accidents. The Portuguese Auto Club (ACP) thought that it is important to involve children with this problem because they are going to be tomorrow 's drivers. The easiest way to reach them was through a character in which they could see themselves. That’s why Junior, a young race driver, has been created.
349 Portugal
Country
Country
Portugal
Design firm
ASSEC-SIM!
Designer/s
Nuno Lages
Client
Biofun, Produtos Biológicos do Fundão, Lda.
The idea of the Biofun logo was to create a fresh, up-to-date, eye-catching image. The arrows and the circle in the ‘O’ of Biofun represent renewal, transformation and innovation. The logo also associates the concepts behind the name: bio for biological products while fun, not only refers
Portugal
350
to the company’s location in the city of Fundão but also gives an idea of enjoyment (accentuated by the rounded shapes). The predominance of green makes the connection with the land and natural products.
Romania
Capital
Bucharest (44°25’N 26°06’E)
Largest city
Bucharest
Language
Romanian
Government Area Population Calling code
Republic 238,391 km2 22,303,552 +40
Country
Design firm
Designer/s
Client
Romania
Brandient
Bogdan Dumitrache
GSK/Europharm
Global pharma player, GlaxoSmithKline took over Europharm in 2004 - a turning point for the Romanian company and a premise for the new brand platform designed by Brandient. The name, the dominant color and the symbolic “serpent” are associated with Europharm,
Best of Nation • Romania
352
Design firm
Designer/s
Client
Romania
Brandient
Cristian “Kit” Paul
Domo Retail SA
Domo is a leading electronics and white goods retailer in Romania, developed by a group of local entrepreneurs over the past 10 years. Marking the transition from entrepreneurship to corporation as well as facing a tougher competition, in 2005 Domo decided to refresh its identity and to reposition the business. On the new positioning “home of home appliances”, Brandient designed a brand full of life and joy, having a pleasant and unpretentious relationship with the customer. The optimistic design of the logo is spatial, dynamic and colorful, and the playful striped balls became quickly a brand property.
353 Romania
Country
Country
Design firm
Designer/s
Client
Romania
Brandient
Bogdan Dumitrache
Albalact SA
A visionary approach toward branded milk products propelled Albalact, a regional dairy, among the top fi ve competitors on the Romanian market. At this stage, the company needed a new philosophy, a new identity, and a new image to support the quick and successful evolution. The new corporate
Romania
354
identity engages subtly the elements of freshness, nature and care for quality. The spirited mixture between a heart, a cow udder and a milk flow reflects them, while the design uses green, white and blue to endorse the association with nature and freshness.
Design firm
Designer/s
Client
Romania
Brandient
Cristian “Kit� Paul
Radiocom
The National Radio comunication Society is the leader in Romanian broadcasting with a coverage of over 98 percent of the country. Aiming to redefine its identity and image, and expand the business into telephony and Internet. the new Radiocom logo was designed: a modern logo, which breathes technology and supports the idea of progress. The visual identity of Radiocom is represented by a wave field optically forming a tower, a construction aspiring to development, maturity/ advance, and performance. The logo lines are perpendicular, communicating power, credibility and stability.
355 Romania
Country
Country
Design firm
Designer/s
Client
Romania
Brandient
Cristian “Kit” Paul
Smartree Ltd.
Rebranding of a company called previously humanresources. ro, with an impressive portfolio of web-based HR applications, but little recognition on the local (Romanian) market. The generic name and the poorly-designed corporate identity were not doing justice to a strong professional
Romania
356
& entrepreneurial culture. The outstanding logotype, designed with an embedded “digital tree”, completed the core of the new brand identity. The coherent positioning and brand rhetoric inspired the employees to take it further (e.g. they act with smartitude) and thus the organization became a brand builder.
Design firm
Designer/s
Client
Romania
Synopsys
Ovidiu Hrin
Domono
Domono, a german/romanian Hosting company, wanted a logo and all corporate elements had to change. A key element that had to stay was the “fist”, as their former slogan was “the fist of hosting”. It didn’t have to be written anymore but it had to be integrated onto the logo. A server rack shape is depicted in perspective creating a tangible 3d object giving it stability and depth .
357 Romania
Country
Country
Design firm
Designer/s
Client
Romania
Synopsys
Ovidiu Hrin, Adnan Vasile
Redland Software
As Redland Software develops software applications for a wide range of products and services, Liverpool based Software company asked to develop a new logo that is not constrained to a particular field, and make it as wide as possible. The solution was to depict as simple as possible the powerful
Romania
358
name of the company and use it in advantage with something that any potential customer can sketch quickly on a paper and most important remember it practically and instantly.
Design firm
Designer/s
Client
Romania
Synopsys
Ovidiu Hrin
Im-Brand
“I think... I feel... I engage... therefore Imbrand”. This is the place where intelligent, immersive, integrated brand creation and impact media unite to create a dynamic sensory experience. In today’s I want – I change – grab the world, a good brand isn’t just about a well designed logo, a cool name or a catchy phrase. Brand is about culture, people and generating an experiential presence that captivates. The solution had to be as neutral as possible but in the same time it had to stand out. The type treatment was done with the most delicate attention to detail and proportion.
359 Romania
Country
Country
Design firm
Designer/s
Client
Romania
Synopsys
Ovidiu Hrin
Allure
Allure, a newly established, trend setting health and fitness club, needed a refined, stylish visual identity. The type in the logo was reconstructed from scratch based on an actual font which has been dramatically changed. The curved (blue) element in the logo depicts a woman’s fi t
Romania
360
body (caught between the two L’s “ALLURE’s hands that shape the body...“ while the last, fresh green element, tells customers that everything inside the Allure Health Club is 100% natural .
Russia
Capital
Moscow (55°45’N 37°37’E)
Largest city
Moscow
Language
Russian
Government Area Population Calling code
Semi-presidential federation 17,075,400 km2 143,202,000 +7
Country
Design firm
Designer/s
Client
Russia
McCann Erickson Russia
Oleg Pudov
Fund of Social Communications
The Fund logo symbolizes main tasks of the fund, which are: research of social relationships, social justice for all social groups, information flow.
Best of Nation • Russia
362
Design firm
Designer/s
Client
Russia
Fashion Graphics
Igor V. Kopayev
First Rate
First Rate was organized as a new philosophic restraint rating. Its mission is to rate the most popular places in Moscow and help people in search of restraints, cafĂŠs, pubs, night clubs, etc. It also represents a new service for victualers that can find out their mistakes and change them. 363 Russia
Country
Country
Design firm
Designer/s
Client
Russia
Icom Design Studio
Victor Goloubinov
Lightstar
“Light Star” is a company of light sources. They needed a trade mark for the industrial and trading company of the lighting equipment. The solution is a sign as an abbreviation “LS” (first letters of words “Light” and “Star”), stylized in the form of an electric light bulb a more
Russia
364
easily “read out” symbol of the lighting device. The logotype is constructed by the same design principles and with the use of the same graphic elements, as a sign.
Design firm
Designer/s
Client
Russia
McCann Erickson Russia
Oleg Pudov
Russian Student Festival of Advertising
Russian Student Festival of Social Advertising is the development area for young talents. The social themes of this festival give students wide opportunities for ultimate self-expression. So we can see how delicate sprouts become bright flowers.
365 Russia
Country
Country
Russia
Design firm
OP DESIGN
Designer/s
Oleg Pudov
Client
Capitel Energo
Abbreviation “C” and “E” shows two merging equal parts of the circle. All masterpieces and discoveries were made in attempt to achieve unity and integrity. Open circle of the sign “CE” symbolizes craving for perfection, for ideal state.
Russia
366
Design firm
Designer/s
Client
Russia
Fashion Graphics
Igor V. Kopayev
Forte & Piano Ltd.
This logo was designed for a wellestablished Russian piano dealer that works with very famous Austrian company such as Bรถsendorfer and the wellknown Deutsche fabric Schimmel. Forte & Piano was founded in 2001 and was seeking since then for a good corporate identity for their business. The essence of the problem was to find a very simple, clear, intelligible and beautiful style.
367 Russia
Country
Country
Russia
Design firm
OP DESIGN
Designer/s
Oleg Pudov
Client
Replika
Replika (in english: reprise) is the verbal expression of a thought, an unexpected idea that influences us through the movie. And the movie itself starts with the reprise “Action” and ends up with “Cut”.
Russia
368
Serbia and Montenegro
Capital Largest city Language Government Area Population Calling code
Capital Largest city Language Government Area Population Calling code
Belgrade (44°48’N 20°28’E) Belgrade Serbian Republic 88,361 km2 9,778,991 +381
Podgorica (42°47’N 19°28’E) Podgorica Serbian Republic 14,026 km2 630,548 +381
Country
Serbia and Montenegro
Design firm
Zoran Borenovic
Designer/s
Zoran Borenovic
Client
Restoran Pogodjena Patka
This logo was designed for a restaurant named “Pogodjena Patka� (Shot Duck) established in the autumn of 2005 and situated in the centre of Belgrade, Serbia. This restaurant offers many varieties of interantional cousine and gathers people from a wide spectrum of society,
Best of Nation • Serbia and Montenegro
370
connected by a dynamic, witty and casual spirit.
Serbia and Montenegro
Design firm
Ljubica Rapaic
Designer/s
Ljubica Rapaic
Client
Forestry School
The logo is part of a visual identity carried out for the Forestry High School of Kraljevo, Serbia and Montenegro. The logo emphasises the focus of the institution: pencil, which subtly indicates the educational role and the tree, which represents the school’s educational subject. 371 Serbia and Montenegro
Country
Country
Serbia and Montenegro
Design firm
Jovan Rocanov
Designer/s
Jovan Rocanov
Client
WebHouse
This logo was designed for an internet service provider. The letters, derived from the company’s name W(eb) H(ouse), inside a thin frame, express the plug-in symbol. Clear graphic style suggests a modern and efficient company.
Serbia and Montenegro
372
Slovenia
Capital Largest city Language Government Area Population Calling code
Ljubljana (46°03’N 14°30’E) Ljubljana Slovenian, Italian, Hungarian Parliamentary republic 20,273 km2 1,967,000 +386
Country
Design firm
Designer/s
Client
Slovenia
OS, Design Studio
Toni Kancilja, Katarina Hribar
Norik sub Ljubljana
Norik Sub is the best dive centre in Slovenia, providing the highest quality of service. Norik Sub offers full range of services like watersports shop, different training courses, guided cave, sea or river dives, dive trips, hires, services and repairs dive equipment. The target audience is amateur
Best of Nation • Slovenia
374
and professional divers and swimmers. The shape of the Norik Sub sign reminds of an octopus. It has eight endless waves that are shaped in a circle like a globe of Earth that actually presents the ocean itself as a deep secret world.
Design firm
Slovenia
OS, Design Studio
Designer/s
Toni Kancilja
Client
Milan Glavina
Milan Glavina Tyson is a Slovenian artistic photographer, specializing in the beauty of life under the sea and nature of the great outdoors. Tyson travelled frequently in pursuit of new locations to dive as well as capture specific photograph images. He is a frequent diver in the Adriatic Sea and Slovenian lakes. His logo symbolises an artistic “fish eye� that sees everything from close-ups to infinity. Two fish graphics are placed in the shape of the symbol of infinity, a symbol that is also used on photo lenses.
375 Slovenia
Country
Country
Design firm
Designer/s
Client
Slovenia
OS, Design Studio
Katarina Hribar
DO Nanbudo klub
DO Nanbudo is a Slovenian organization of japanese martial arts of Nanbudo. Its idea is to represent the Universe, the Earth, and the Moon - the three cosmic elements that are always in interdependence. The “D” represents the Moon, the “O” represents the Earth
Slovenia
376
and the red circle surrounding them represents the Universe, which is also the basic concept of Nanbudo. The “Do” in Japanese means the Way.
Design firm
Designer/s
Client
Slovenia
OS, Design Studio
Toni Kancilja
Klub trmastih Preddvor
SAM is an acronym for Slovenian Apine Marathon, an international marathon, which follows the path from Preddvor, around StorŞic ˇ and over the slopes of the Karawanken-mountains, which is the longest Slovenian mountain range. The dinamyc sign symbolises up-and-down hills running. 377 Slovenia
Country
Country
Design firm
Designer/s
Client
Slovenia
n/a
Katja Zeilnka Skelavaj
Kemijski institut
National Institute of Chemistry. The trademark consists of capital letters “K” and “I”, symbols of chemical activity, designed as test tubes, .
Slovenia
378
Spain
Capital Largest city Language Government Area Population Calling code
Madrid (40°26’N 3°42’W) Madrid Spanish Parliamentary monarchy 504,782 km2 43,378,820 +34
Country
Design firm
Designer/s
Client
Spain
Estudio David Cercós
David Cercós
Dr. Carlos Trénor
Corporate identity for a physician established in Valencia, specializing in rehabilitation and evaluation of body damage.
Best of Nation • Spain
380
Design firm
Designer/s
Client
Spain
El Paso, Galería de Comunicación Alvaro Pérez
Lazar, Servicios Integrales de Jardinería
Naming and logo design for Succus, a company specializing in plants, flowers, trees, gardens and their care.
381 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Alberto Herencia - Oz
Alberto Herencia
Ă“pera
The identity for a natural product delicatessen that satisfies the needs of an exclusive, cultured audience. In Spanish, the word-play in this brand identity is achieved through a synthesis of the word opera in english (Ă“pera in spanish) and the visual pun of a realistic pear rendering
Spain
382
(pear=pera in Spanish) to bring an unexpected element of distinction to the brand name.
Design firm
Designer/s
Client
Spain
El Tipo
José Gil-Nogués Villén
Crazy Media SL
Spain’s first exclusive service of home delivery of chefs.
383 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Intuitiva
Tere Ribau, Cae PiĂąol
Intuitiva
Intuitiva is a graphic design company based in Barcelona with a women’s team working for cosmestic, culture clients, and institutions.
Spain
384
Design firm
Designer/s
Client
Spain
Rafael Celda y Asociados
Rafael Celda
Multicanal
Television channel dedicated to gastronomy.
385 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Neretto
Patrizia Cospito
FDS consulting
FDS Consulting Company is located in Barcelona and Madrid (Spain). and sells services for development of franchising & retail clients. Company and services are in continuous evolution (also an Arquitectural and Design department is there) and asked for a brand like an abstract
Spain
386
and dynamic icon: two modular organic shapes make an arrow that seems to move continually.
Design firm
Designer/s
Client
Spain
El Paso, Galería de Comunicación Alvaro Pérez
Io Community
Flexbrand design for a company with one objective: build affinity.
387 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Alberto Herencia - Oz
Alberto Herencia
Up Marketing Solutions
Seeking to communicate the ultimate objective of this marketing consulting firm, both the name and the visual identity was created to capture, raise and increase the opportunities and possibilities of this group of young entrepreneurs to approach its clients.
Spain
388
Design firm
Designer/s
Client
Spain
Rafael Celda y Asociados
Rafael Celda
Grupo Recoletos
Television channel transmitted through optical fi bre (Televisiรณn Digital Terrestre) belonging to Grupo Recoletos.
389 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Estudio David Cercós
David Cercós
Susana Martínez Diseño de Interiores
This logo was created for an interior designer.
Spain
390
Design firm
Designer/s
Client
Spain
Wayava
Anna GimĂŠnez, Anna Puig
Wayava ComunicaciĂł S.L.
Wayava is a graphic design and comunication studio specialized in brand design for companies at a local level (Barcelona). A metaphor between the gardening process (growth and bloming) and the creation of a corporative identity (concept and graphic design) helps to clearly represent the concept: Wayava is the space in which ideas grow up.
391 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Rafael Celda y Asociados
Rafael Celda
Ministerio de Educaciรณn cultura y deporte
Plan organized by the Ministry of Education, Culture and Sports to foment reading.
Spain
392
Design firm
Designer/s
Client
Spain
Alberto Herencia - Oz
Alberto Herencia
Grafia SA
A Spanish and Italian-based information design and information simplification consultancy sought to communicate the simplification of component parts of information making the “whole” more comprehensible and readily accessible. The composition of the “G” letterform relates to the ultimate objective of the corporate mission.
393 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Alberto Herencia - Oz
Alberto Herencia
Hechizoo
Name and logo for home accessories and decorative items manufacturing and distribution company. The word “hechizo” in spanish means a magical spell which is cast with the objective of transforming something through charm and magic. The addition of an extra “O”
Spain
394
(Hechi-Zoo) allows the reference to the inclusion of small animals, each and everyone charmed, to become ambassadors for each one of the different product lines (baskets, rugs, curtains, placemats etc.).
Design firm
Designer/s
Client
Spain
Royo + Izarra
Javier Royo Espallargas
Regional Government of Castilla-La Mancha
This logo was designed for the Regional Government of Castilla, La Mancha (Spain), specially dedicated to promove the responsible edification in the region. This funny building who carries a flower wants to bring the citizens closer to the Urbanism Ministry and also wants to remind the responsability of all (citizens and gobernors) in the edification of our cities. This logo is made for young people looking for a state subsidiez apartment /house.
395 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Alberto Herencia - Oz
Alberto Herencia, Antonchu Solano Globomedia
This new corporate identity for the largest privately owned conglomerate in Spain addresses the shift towards communications and entertainment rather than the usual statements of corporate magnitude, scope and reach. Semiotically, the icon makes
Spain
396
reference to an icon of popular, grass-roots entertainment for spanish audiences: the goat atop a ladder is the Iberian equivalent of a monkey atop a hand-cranked hurdy gurdy. The image has achieved differentiation, distinction and renown for the group within the sector.
Design firm
Designer/s
Client
Spain
El Paso, Galería de Comunicación Alvaro Pérez
Taurobulia
Logo for a spanish company specializing in the world and culture of the brave bull.
397 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Alberto Herencia - Oz
Alberto Herencia
Purever Coldkit
Logo for a refrigerated, antiseptic food-storage and transportation chamber manufacturer. The brand name was created to emphasize the corporate competency in maintaining the freshness, integrity, and wholesomeness of the foods that are harbored in these chambers prior
Spain
398
to their distribution and commercialization.
Design firm
Designer/s
Client
Spain
Rafael Celda y Asociados
Rafael Celda
Grupo Latino de Radio
Colombian Radio channel, part of Grupo Latino de Radio. Through the use of a graphic icon (radio waves), the visual identity of Caracol Radio describes its business activity. The three circles, an integral part of the brand, serve both as a representation of radio waves as well as a transmitter of values and attributes such as energy, growth and intelligence.
399 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Zen ComunicaciĂłn Visual
Manuel LĂłpez Parras, Carmen BarrĂŠs Pitra S.A.
Pitra is the biggest Ferry line connecting Ibiza island with the peninsula and the archipelago. Umafisa, another line of the same company, shares the symbol, using the name set in the same typeface and place.
Spain
400
Design firm
Designer/s
Client
Spain
Alberto Herencia - Oz
Alberto Herencia
TelefĂłnica
Logo designed for a brand owned by Telefonica, the national Spanish telecommunications media content and entertainment group, responsible for the staffing and management of entertainment and musical concerts and events, as well as the staffing of openings and celebrations where models and hostesses receive and accompany audience members in their access to the “experience�. The graphic identity utilizes a luminous spotlight shape to emphasize its belongingness to the entertainment sector.
401 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Rafael Celda y Asociados
Rafael Celda
Cope
FM broadcaster belonging to the Cope station.
Spain
402
Spain
Design firm
Alambre Estudio
Designer/s
Alambre Estudio
Client
Dhemen
The industrial design studio Dhemen needed a graphic identity for their new atypical nutcracker. The solution was to use the onomatopeia “crik” as the sound of a cracked nut and also the “!” sign instead of letter “i” to reinforce the onomatopoeic meaning of the logo. 403 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Rafael Celda y Asociados
Rafael Celda
Grupo Latino de Radio
Graphic representation of the broadcaster’s name: Bésame (Kiss me), a pan-American radio station which broadcasts romantic music, part of Grupo Latino de Radio. The letters “sa” have been modified to create a heart.
Spain
404
Design firm
Designer/s
Client
Spain
Zen Comunicaciรณn Visual
Paco Udina, Manuel Lรณpez Parras Efa
Oganisation and management of Events. Spain United Kingdom G Manager.
405 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Valladares Diseño y Comunicación José Jiménez Valladares, Giovanni Vega González Turismo de Tenerife S.L.
Logo for the internal promotion of the amiable treatment to the tourist by the citizens of Tenerife.
Spain
406
Design firm
Designer/s
Client
Spain
Royo + Izarra
Javier Royo Espallargas
Sigüenza City Council
This logo was designed for the City Council of Sigüenza (Guadalajara, Spain), a medieval town full of heritage, legend and tradition. Probably the Cathedral is the most representative building. th It was built in the 12 century
and used as a defensive fortress. It presents both Romanesque and Gothic elements and seems to be a medieval fortress with two Romanesque turrets. For this reason, it is also known as Fortis Seguntina. The City Council of Sigüenza required a logo for the tourism and the two romanesque turrets (symbol of the city) were taken for this design.
407 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Valladares Diseño y Comunicación José Jiménez Valladares
Auditorio de Tenerife
Logo for a remarkable Santiago Calatrava’s building, home of the Tenerife’s Symphonic Orchestra (OST). In this Opera House, concerts, opera, meetings and many other events are celebrated. This building was created as a symbol of the city of Santa Cruz de Tenerife.
Spain
408
Spain
Design firm
Alambre Estudio
Designer/s
Alambre Estudio
Client
Musi-k
“Musi-k” is a project which unites theatre and concerts. That’s why in this logo the letters are placed just as if they were on stage.
409 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Zen Comunicaciรณn Visual
Paco Udina
Alpetrol Terminal
Alpetrol Terminal, under construction actually, is a Spanish-Swiss company that is going to be the best oil logistic centre in southern Europe, storing and distributing hidrocarbons in the port of Algeciras, Cรกdiz.
Spain
410
Design firm
Designer/s
Client
Spain
El Paso, Galería de Comunicación Alvaro Pérez
ONCE - Organización Nacional de Ciegos de España
This logo was designed for the Blind people’s National Organization of Spain.
411 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Alberto Herencia - Oz
Alberto Herencia
NH Hoteles
As the international business hotel chain, NH Hotels, sought to identify and distinguish a new line of modern, high-style, high-fashion hotels aiming to select urban audiences within its national markets, the NH new identity was created to synthesize the service product profi le as contemporary
Spain
412
and trends-conscious for the clients that demands this criteria for selection and preference over other brands.
Design firm
Designer/s
Client
Spain
EMvisual
Elias Megido
Tejas tejados y canalones del norte
Tejanort is a small company dedicated to the repair of tile roofs. This logo tries to represent its activity at a glance.
413 Spain
Country
Country
Design firm
Designer/s
Client
Spain
Intuitiva
Cae PiĂąol, Tere Ribau
Capellas Music
Capellas Music is a spanish fi lm music composer internationally renowned for his work.
Spain
414
Design firm
Designer/s
Client
Spain
Valladares Diseño y Comunicación José Jiménez Valladares, Giovanni Vega González Chafiras S.A.
Logo redesign for a chain of hardware stores, facing strategy’s change in order to expand outside the Canary Islands.
415 Spain
Country
Sweden
Capital Largest city Language Government Area Population Calling code
Stockholm (59°21’N 18°4’E) Stockholm Swedish Constitutional monarchy 449,964 km2 9,067,049 +46
Design firm
Designer/s
Client
Sweden
Redmanwalking.com
Fredrik Lewander
Tackle Design by BROMANoDELL AB
This logo was designed for BROMANoDELL, a new brand in the tackle business. Mr Johan’s Broman and Mr Mikael’s Odell long-standing knowledge of fishing and tackle is combined ans designed in one brand. A hook symbolizes each of them. Together, they symbolize every fisherman’s dream: fish! 417 Best of Nation • Sweden
Country
Country
Design firm
Designer/s
Client
Sweden
Redmanwalking.com BrandInternet Fredrik Lewander
Dobb Produktion AB
Dobb, a newborn TV-Company in Sweden, aims to be in the frontline of the television media. The digital technology changeover will make it possible for more people to produce, send, watch and be touched by television than ever before..
Sweden
418
Design firm
Designer/s
Client
Sweden
99 Design Creative Services
Olรถf Baldursdottir
BioHygien AB
Corporate identity for BioHygien AB, a company that supplies systems and professional high performance biotechnological cleaning products used by the industrial, commercial and institutional cleaning industry.
419 Sweden
Country
Country
Design firm
Designer/s
Client
Sweden
Monk
Fredrik Lewander
Sportnik.com
Sportnik.com is a Swedish internet community built on behalf of junior teams in different kinds of sports. The different features on the site help for example team leaders to communicate with their team members and the team members’ parents. When and were the next game
Sweden
420
is, when the next practice is and so on. In short Sportnik.com is the home ground of your team on the internet.
Design firm
Designer/s
Client
Sweden
A4
Pelle Anderson
Metro
The Metro logo was created to help build a strong identity for the new free-of-charge daily compact Metro, launched in Stockholm 1995. It was designed by the founder and designer of the newspaper, Pelle Anderson. A new paper needed to be very visible, easy to distinguish not only from other dailies, but also from the downmarket free-of-charge weeklies. The logo was an important way to achieve this. The globe symbol as the letter “O� came naturally. It was also a way of showing that Metro had wider ambitions than to be just another local paper, with just local news.
421 Sweden
Country
Country
Design firm
Designer/s
Client
Sweden
99 Design Creative Services
Olรถf Baldursdottir
The Icelandic Embassy in Stockholm
Logo for events held in Stockholm promoting Icelandic culture and trade between Iceland and Sweden.
Sweden
422
Design firm
Designer/s
Client
Sweden
Redmanwalking.com
Fredrik Lewander
Ezteem AB
Ezteem is created for the modern man who cherishes high quality and contemporary design. Inspired by today’s urban lifestyle, Ezteem is destined to create its own style, by mixing the best of today’s design with yesterday’s traditions.
423 Sweden
Country
Country
Design firm
Designer/s
Client
Sweden
itchy pixel
Rory Lawton
itchy pixel
Logo for the Digital Media Consultancy company, founded in Sweden in June 2004, specialized in providing independent expert advice on technology behind digital image, audio and video encoding. Target audience: telecommunications and broadcast media industries. The logo design was focused on
Sweden
424
a strong emphasis of Red, Green and Blue, the component colours of most digitally encoded media. The logo’s idea took form from pixels on a computer monitor, where the two letters “I” and “P” could be represented, by a simple array.
Switzerland
Capital Largest city Language Government Area Population Calling code
Bern (46°57’N 7°27’E) Zürich German, French, Italian, Romansh Direct democracy, Federal republic 41,285 km2 7,252,000 +41
Country
Design firm
Switzerland
Atelier Bundi
Designer/s
Stephan Bundi
Client
Science et Cité
Wissenschafts Café (Science Café), Switzerland, a panel for scientists to talk about their views.
Best of Nation • Switzerland
426
Design firm
Designer/s
Client
Switzerland
ARD Design International
Rahel Witschi
Unidrink AG
Unidrink AG is a new company, resulting of a merge between 2 important Swiss companies in the production of soft drinks. Its products are intended for a wide clientele and its distribution covers the whole Swiss territory.
427 Switzerland
Country
Country
Design firm
Designer/s
Client
Switzerland
Design 3
Luethy Jolanda
Trendinformation
The client’s wish was a logo in the style of Bauhaus.
Switzerland
428
Design firm
Designer/s
Client
Switzerland
Design 3
Luethy Jolanda
Efeu Bijoux
Logo for Ivy Jewellery Goldsmith and Silver Studio. The ivy leaf in the firm’s name has been reduced in shape to represent one side of an ivy leaf but more importantly as an abstract element in a piece of jewellery (e.g. brooch) or an element in a necklace. The aim was to visually underline the name, and at the same time to display the craftsmanship. The upwards swing in the logo mirrors optimism. The logo can also be used without text very useful for small details (e.g. punching), an important feature in jewellery.
429 Switzerland
Country
Country
Design firm
Designer/s
Client
Switzerland
Atelier Bundi
Stephan Bundi
Bern Billett
Bern Billett is a ticket agency in Switzerland, The perforation of a ticket has been used as the characteristic element . The logo can be used in different colours.
Switzerland
430
Design firm
Designer/s
Client
Switzerland
Atelier Bundi
Stephan Bundi
Kunstmuseum Bern/Gegenwart
Museum of contemporary Art, Berne, Switzerland (Contemporary=Gegenwart). The logo can be used in different colours.
431 Switzerland
Country
Country
Design firm
Designer/s
Client
Switzerland
nothing from outer space
Bastiaan van Rooden
Swissflirt
The Swissflirt logo is today a widely known symbol for the place “where people meet“, the largest online dating portal of Switzerland. An entire generation of Swiss singles in search of their ideal partner trusts in this winged heart and its promise of happiness.
Switzerland
432
Design firm
Designer/s
Client
Switzerland
MottazDesign
Luc Mottaz, Julien Notter
Centre Professionnel du Nord Vaudois
Logo for a public professional school (mechanical, electronic, software and commercial graduations), Yverdonles-Bains, Switzerland.
433 Switzerland
Country
Country
Design firm
Switzerland
Atelier Bundi
Designer/s
Stephan Bundi
Client
Science et CitĂŠ
Foundation for Science and Society (Switzerland). The logo symbolizes the collaboration between science and society.
Switzerland
434
Turkey
Capital Largest city Language Government Area Population Calling code
Ankara (41°1’N 28°57’E) Istanbul Turkish Republic 780,580 km2 73,193,000 +90
Country
Design firm
Designer/s
Client
Turkey
Asha Aysegul Ozbey
OzbeyArt
Catana Fish Restaurant
Catana is one of the Istanbul’s top ten restaurants. It serves mostly fish and a variety of seafood and offers a view of the Bosphorus. This luxurious restaurant has an elegant, modern and traditional decoration.
Best of Nation • Turkey
436
Turkey
Design firm
Okan Usta
Designer/s
Okan Usta
Client
Social Organizations Society
Logo for Social Organizations Society.
437 Turkey
Country
Country
Turkey
Design firm
Okan Usta
Designer/s
Okan Usta
Client
Palamut Group
Logo for a group of companies.
Turkey
438
Country
Turkey
Design firm
Client
Deniz Marlali
Carmen Fashion Company.
Logo for Carmen Fashion Company.
439 Turkey
Designer/s
United Kingdom
Capital
London (51°30’N 0°7’W)
Largest city
London
Language
English
Government Area Population Calling code
Constitutional monarchy 244,820 km2 59,834,300 +44
Design firm
Designer/s
Client
United Kingdom
Heath Kane Design
Heath Kane
Belle and Baz
Belle and Baz (aka Isabel “mum” and Sebastian “son”) is a stylish new range of baby bags/apparel designed for fashion-forward (proud) mums. The logo was designed to reflect the subtle emotional qualities of the brand and its product. On close inspection the logo can be decoded to signify: a motif for Belle and Baz (initials), a butterfl y (representative of elegance and beauty) and/ or conjoining love hearts (representative of a mother’s love for her child and vice versa).
441 Best of Nation • United Kingdom
Country
Country
Design firm
Designer/s
Client
United Kingdom
Heard Creative
Simon Collins
Heard Creative
Designed for a “free-thinking” London based design agency. This logo reflects their ability to generate great ideas, their bold approach to design and their team’s diverse skills. It has been designed to be memorable and fun and versatile too: online it grows from tiny seeds, when watered,
United Kingdom
442
springs up out of the hole and then bounces about. Offline, it’s extremely striking sitting on its black background (which is just as much part of the design) and stands out from the crowd.
Design firm
Designer/s
Client
United Kingdom
Clusta
Matthew Clugston
Street Inc
Street Inc is a print agency based in Birmingham, UK. They handle printing in all formats on all media. They primarly serve the direct marketing, and hand-to-hand promotions industries with clients often being night clubs, events organisers and promoters. Street Inc is commissioned by leading design agencies to help them sell their product to design savvy, more youth orientated audiences. Street Inc needed to communicate it’s youthful, forward thinking personality clearly and effectively.
443 United Kingdom
Country
Country
United Kingdom
Design firm
Mytton Williams
Designer/s
Client
Bob Mytton, Matt Judge
Commission for Rural Communities
The Commission for Rural Communities is a new operating division of the Countryside Agency. Its remit is to provide advice to the government to ensure that policies reflect the real needs of people living and working in rural England. It required a new identity that would clearly differentiate
United Kingdom
444
it from that of the Countryside Agency and the new division for landscape, access and recreation. As the organisation has a long name, it was decided to develop a distinctive and easily identifiable mark. The new symbol combines a ‘C’ with a speech bubble to reflect its role as a ‘voice’ for rural communities.
Country
United Kingdom
Design firm
Mytton Williams
Client
Bob Mytton, Tracey Bowes
Ink
Ink a team of copywriters, wanted to create a visual identity to help launch its new company in the UK. Ink needed to appeal to the country’s best and most “cynical designers”, looking both creative and affordable. The solution was to focus on words, the company’s tool, rather than imagery. The aim was to communicate the nature of the business, but at the same time introduce an element of wit to reflect the company’s personality and show off its copywriting skills. An exclamation mark was added to the company name. This was applied across the launch material using just one typeface, Futura and a simple colour palette of black and grey.
445 United Kingdom
Designer/s
Country
Design firm
Designer/s
Client
United Kingdom
Graphic Design John Rooney
John Rooney
Bury Art Gallery and Museum
The Museum and Archive had undergone a major refi t, therefore the new identity had to reflect the modern approach of the updated spaces, whilst being inclusive to the whole community. The target audience, is the local community (and beyond) with an interest in both contemporary
United Kingdom
446
visual communication in the Gallery and local history in the Museum space. Branding is carried across print, exhibition graphics, touch screen displays and museum signage. This logo has 12 seasonal colourways, which can be juxtoposed to make various colour combinations as the year moves on.
Design firm
Designer/s
Client
United Kingdom
Urban River Creative Ltd.
Chris Broadhead
Saba Prams Ltd.
Saba Prams was established with the intention of developing a pre-production prototype of a child’s push chair which converts into a pedal tricycle. The abstract marque was created from the Saba name and was heavily influenced by the method in which the pram transforms and evolves. The branding created was focussed to appeal to a European audience with a fresh, clean and stylish colour combination.
447 United Kingdom
Country
Country
Design firm
Designer/s
Client
United Kingdom
Differentia
Steve Pardue
Mesmac North East
To be used in the gay and bisexual community to promote services provided by Newcastle City Council. The target audience could be described as vulnerable in many cases and young in a lot of cases. The colours of the logo represent the international rainbow
United Kingdom
448
colours of inclusivity. The logo was twelve months in the making and went through a number of consultations with community groups, involving workshops and ideas sessions. The logo can be said to have been truly created by positive collaboration and has successfully appeared on all of the literature from safe sex guides to clinic lists.
United Kingdom
Design firm
Pixelburn Ltd.
Designer/s
Scott Warren
Client
Pixelburn Ltd.
Innovative design for Pixelburn Ltd, a new motion graphics company in the UK. Understating the obvious but keeping a strong visual link to the “burn� aspect, to ensure individuality and strong corporate identity.
449 United Kingdom
Country
Client Index 348
32dent - Laboratório du Prótese Dentária 342
Asa Editores SA
419 Bluebird Cargo
3s Management Consultancy
180
Askja
345
4by4 l/S
243
Associazione Culturale Rest-Art
A - Huset (fictional)
220
Associazione Illustratori
214
Bodensee-Oberschwaben Verkehrsverbund
A&O Design
286
At Home Records
182
BP Portugal
A. Georgiadis P. Papalamprakopoulos Co.
408
Auditorio de Tenerife
140
Bregenzer Festspiel und Kongresshaus GmbH
185
Austurbaer
189
349
Automóvel Club de Portugal
269
Autonom Health Gesundheitsbildung GmbH
159
68
BlueMar 98
103 101 326 173
Brodokomerc
AED Society 166
BTcino
Albalact SA 354
64 “Albert Heijn” Super Market
Bury Art Gallery and Museum
302 Allure
271
Banca Intesa
336, 337
Cafe Gusto
360 Alpetrol Terminal
233
Basilicata University
162
Cantina la Vis e Valle di Cembra
410 Ambu A/S
107
Client Index
450
94 Amnesty International
85
Capellas Music
Beldizajn
110 344
Capa
Batronic
106
275 Anil - Associação Nacional dos Industriais de Lanifícios
441
446 430
195 117
232 67
341 350
Arthaus Filmtheater
Casa dei Fiori
BGM Gastro GmbH
Arena Riga 290
Cartamundi
Bexcom
Anyos Park 55
Carmen Fashion Company
Bern Billett
Anke Lambrecht 161
Capitel Energo
Belle and Baz
Biofun, Produtos Biológicos do Fundão, Lda.
138
Casa Vinicola Canella S.p.A. 414 Casale Group
BioHygien AB Catana Fish Restaurant Biomondego Central Groucho Black Box Berlin Blu
Centre Professionnel du Nord Vaudois
Blue Cargo
Cesarini Sforza Spumanti S.p.A.
366
255
Croatian Ski Association
133 Die Praxis
230
Culcha Candela
245 Dipartimento di Scienze Botaniche Università degli Studi di Palermo
Chipright 439 Cicala 02 77
157
Danone
90
Davidson Consulting
244 Dj Wood
Cineteca di Bologna 58
376 DO Nanbudo klub
City of Andria 242
402
De Nederlandsche Bank
218
Delicious Caffe
383
Detuscher Golf Verband
Comune di Genova Direzione Settore Musei
194
Dhemen
Comune di Narni
197
Conerobus S.p.A.
91
Conleos GmbH
84
Consule d.o.o.
86
418 Dobb Produktion AB
Co.R.Fi.La.C. 274
353 Domo Retail SA
Commission for Rural Communities 436 215
357 Domono 380 Dr. Carlos Trénor
433
60 Dr. Strobl 240
316 Dsm
415
71 DuPont Refinish 198 Eamonn McGoldrick Cope
148
Corner sas
120
Crazy Media SL
332
Creativeooze
307
Crisis Pregnancy Agency
202
Croatian Handball Association
142
227
254 Edizioni d’If di Antonietta Caridei
252
405 Efa
246, 250
429 Efeu Bijoux
229
69 Ega: Frauen Im Zentrum
444
322 Electric Puha
263
114 Emil Aaltonen Memorial Fund Croatian National Tourist Board
403 170 Energieagentur Ravensburg GmbH
451 Client Index
203
257
Enò wine bar restaurant
285
399, 404 Forte & Piano Ltd.
295
Entente Touristique de Sud
363
389 Freelab S.r.l.
144
Ernst Kalff Distillery
137
105
Estupendo
188
HRT - Hrvatska Radiotelevizija Croatian Radiotelevision
352
Hrvatsko Narodno Kazalište u Zagrebu
Freeple 62
Hungarian Design Council
French National Railways Company 328
Europabevegelsen
276
280
Huslab
442
Hydrosol
394
Iceland Dance Company
168
Icelandic Film Centre
108
Icon Impact GmbH
124
Ideapark Ltd.
291
IDS sa_international distribution system
Fund of Social Communications 65
Exit 14
371 Gemeente Amsterdam
306
Experimentadesign Lisbon
367 Gestione S.p.A.
145
Eyedentity GmbH
234 GIGA
82
Ezi Mik d.o.o.
217 Gilbeys
423
Ezteem AB
123 Globomedia
226, 256
F.lli Gancia & C.
362 Grafia SA
187
Fastland
320, 321
93 Green Campus - Audit Team
260
Fattoria il Gambero
248
386
FDS consulting
228
236
Federazione Italiana Canoa e Kayak
200
Festival Opatija
396
Fiat Company
393
Client Index
452
Group Renault
Il Cannito 81
Grupo Latino de Radio
Ink 177
Grupo Recoletos 89
Inpraxis 116
GSK/Europharm 122
inpunkto 169
Haberkorn Ulmer 343
Fifun Lda.
134
Fine Art AG
Im-Brand
74
Intuitiva 184
Hacking Team 127
Io Community 190
Heard Creative
ISS istituto Superiore di Sanità
Hechizoo
Itä-Helsingin Melojat
HGP Lautsprecher
itchy pixel
Hjerteforeningen
JMC Paper
Horizon Enfants et Sida
John Levins & Co.
Hotshots, Ltd.
Jupi - Ac d.o.o.
Finiper S.p.A. First Rate Flashtec Fleur De Mer Fondazione Magica Cleme
146
Katholische Kirchengemeinde Tuttlingen
113
378
219 Municipality of Eindhoven Loyalty World
221
247
201 Murgiamare M. Dolianitis - E. Tairis Co.
KBC 377
319 Museumvereniging Mandarina Duck- Plastimoda
Kemijski institut 258 225
KI ONE di Bruins Rosemary
359
Klub trmastih Preddvor
445
Kombacha
204 Manning Construction
167
183 Matadex
66
309 Mater Private Hospital 448 Mentis Cura
156
Konzeptum GmbH
431
151
Kunsthaus Graz am Landesmuseum Joanneum
268 “Menzis” Insurance Company
421
384
333 75
Mesmac North East 375
Kunstmuseum Bern/Gegenwart 387
129
Metro
224
Microsoft Poland
381
Milan Glavina
165
Ladri di Carrozzelle 222
392
Lannoo 115 L’Atelier d’Images Lavazza
303
Lazar, Servicios Integrales de Jardinería
364
210 207
147
179
Ministerio de Educación cultura y deporte
153 288
128 83
minigram
Mjólka 385
Leaf Holland 171
Movie Members
311
MRS GRUPA
175
Multicanal
304
Lightstar
270
Ligue Francaise de Football 79 Linette
305
453 Client Index
424
409
Musi-k
284
New Mood
59
Pani Projection and Lighting Vetriebs GmbH
125
331 Régie Publicitaire Tempo 249
Paterlini S.p.A 181
New School Health Education Program
95
53 Paul Pierre
325 346
NewSourcing Lda. NH Hoteles
265
Nine Hotel
192
Noel Devereux
104
Noir
163
Norbert Kurzawa
Client Index
Replika
259
Restoran Pogodjena Patka
398
Ristorante da Celeste chef Giuliano Tonon
Photographers Colin Eick & Gaute Gjøl Dahle
253
Rockhal, Etablissement Public Centre de Musiques Amplifiées
Piranha Bar
355
Pitra S.A.
160
Russian Student Festival of Advertising
Pixelburn Ltd.
289
Saba Prams Ltd.
Planstatt Senner
358
Satama Interactive Ltd.
Politecnico di Milano
296
Schroth GmbH & Co.KG
Polska Organizacja Turystyczna
395
Science et Cité
273 78
374
Norik sub Ljubljana
196
299
Obvion
193
235
Oceano Mare
102
282
Oikos Associati Visual Communication
329
411
118
Per Vers 63
ONCE - Organización Nacional de Ciegos de España
Regione Sardegna
Peer Pressure 267
454
152 Pboy
438 412
Regional Government of Castilla-La Mancha
208
Seafood
Portofino Marine Protected Area 216
Ontwerpwerk
400
308
Semeraro Casa&Famiglia S.p.A.
Posta of Kosova
301
368 Ontwikkelingsmaatschappij Parkstad Limburg
449
370 164
Sensicasa
ProCom 241
Ópera 382
Sensei
Pro Sky Travel GmbH
272
Public Image
Sensis
Purever Coldkit
Sigüenza City Council
Quattroassociati
Simass Group
Radiocom
Singer portugal
Rail.One GmbH
Skischule Alpendorf GesBR
Re & Re
SLS Wonen Housing Corporation
Optik Mayr Organdino OT- Optima Telekom Ltd. OUT Palamut Group Palazzo dei Pio Comune di Carpi
297
335, 340 Studios S.p.A. Social Organizations Society
390 Susana Martínez Diseño de Interiores
Sublink 365
Sociedade de Desenvolvimento do Norte da Madeira
447
Solstice
126
266 Sviluppoumbria S.p.A.
223
432 Swissflirt 100 Taburet
Soprintendenza Archeologica di Pompei
61
239 417 Tackle Design by BROMANoDELL AB 186
Sosalt S.p.A. 426, 434
251 Tango Blu 327
Sparibìll 213
397 Taurobulia 72
Spectator Newspapers 238
97 Tdr d.o.o. 420
Sporting Club Olve Edegem 277
237 Teatro di Sardegna S.c.r.l. 315
Sportnik.com 347
413 Tejas tejados y canalones del norte 150
Sre 300
261 Telecom & Capital Express 154
Stadt Ravensburg, Ordnungsamt 407
401 Telefónica 141
Stadt Ravensburg 262
121 The Corporation 209
Stadt Singen 339
422 The Icelandic Embassy in Stockholm 158
Stone Homes Construction Limited
318 The People’s Valley
57 313
Straßburger Modeaccessoires Stuttgart
356
Street Inc
437
Studio Bavoljak
443 87 212 88
111 The Theatre Academy of Finland 139 Theater für Kinder 199 Thérapie. Health & Beauty Clinc 155 Tomobil
455 Client Index
112
428
Trendinformation
205 Volunteer Centres Ireland
149
TrueDesign
391 Wayava Comunicació S.L.
338
TTerra Auditoria, Projectos e Técnicas Ambientais, Lda.
372 WebHouse
406
Turismo de Tenerife S.L.
135 Weitblick. Jörg Bartholomä & Alexa Hansen GbR
293
Uab Atradimu Studija
206 Wemakedesign
231
Ucina
312 Wish
427
Unidrink AG
76
Universiteit Antwerpen
314 WoningNet
388
Up Marketing Solutions
323 Work2
131
Usa Rice Federation Inc.
310
281
V.I.P. Very Important Party S.r.l.
136 ZDF TiVI
Vancas
317 Zishi Nomad Design
283
Varese Chamber of Commerce
174 Zisimopoulou Stamatia S.A.
279
Varide Cicognani
143
VDI Technologiezentrum GmbH
264
Vimar
278
Vincenzo Bona
132
Visicon GmbH
96
Client Index
456
92 Wizard
73
Vlaamse Radio & Televisieomroep
World Trade Center
Agency Index 55
9 Marketing
403, 409 Alambre Estudio
72 Art’illerie bvba
Av. San Antoni, baixos
Paseo de los Olmos 14 6° izq
Edmond Thieffrylaan 99
AD 400, La Massana, Andorra
20016, Donostia, San Sebastian, Spain
2640, Antwerp (Mortsel), Belgium
market@9mk.com
administracion@alambre.net
art.illerie@pandora.be 53 AS D-Line
419, 422
99 Design Creative Services
382, 388 Alberto Herencia - Oz
Dardania 9/2, Lam.1-1, Lokali 2
P.O.Box 460, 191 24
393, 394 Alcantara, 52
10000, Pristina, Kosovo, Albania
Sollentuna, Sollentuna, Sweden
396, 398 28004, Madrid, Spain
lirijon@gmail.com
gustaf@99design.net
401, 412 alberto.herencia@oz.com.es 436 Asha Aysegul Ozbey
421
245
60, 65 67
A&L Criatividade e Comunicação, Lda.
64 alexgrimm, design
Ethem Efendi Cad. Eralp Sok. Ray 2
Rua Prof vitorino Nemesio n∫ 189 - 189A
Lessingstrasse 32/1
Apt. D:12 Erenkoy
Galiza, 2765-362, Estoril, Portugal
8010, Graz, Austria
81080, Istanbul, Turkey
pafonso@criacom.pt
alex@alexgrimm.com
asha@ozbeyart.com
A4
280 Andrea Fanti
222, 237 Asili & Boassa 257 Via Ponchielli 33
Bondegatan 21
via Bartolomeo Panizza, 3
11633, Stockholm, Sweden
20144, Milano, Italy
09129, Cagliari, Italy
pelle@a4.se
fantiand@tin.it
s.asili@tiscali.it
AD Positive
318, 322 ankerxstrijbos
343, 344 ASSEC-SIM! 350 Rua Dr. AntÛnio Pl·cido da Costa, 16 c/v
Via Ammiraglio Cagni 61 A
maliesingel 27
90146, Palermo, Italy
3581 BH, Utrecht, Netherlands
6200-051, Covilha, Portugal
info@adpositive.it
menno@ankerxs.nl
neves@assec.pt
A-design I Mooslechner
427 ARD Design International
426, 430 Atelier Bundi
& Stranig OEG
Rue du Simplon 40
Hauptstr. 64
1800, Vevey, Switzerland
CH-3067, Boll, Switzerland
5531, Eben, Austria
info@ard.ch
bundi@atelierbundi.ch
431, 434 Schlossstrasse 78
info@a-design.com 218, 246 Artefatti Ad&P
182, 183 Auglysingastofan Dagsverk
250, 270 Corso Cavour 184
185, 188 Tryggvagata 11
70031, Andria, Italy leo@artefattiadp.it
189 101, Reykjavik, Iceland kristjan@dagsverk.is
457 Agency Index
346
325, 326 327
Awchat & Olsen Design
352, 353 Brandient
Akebergv 24
354, 355 59, Aviatorilor blvd
0650, Oslo, Norway cathrine@awchatolsen.com 209
152
81, 82 83, 85 87, 97
227
Barry Lunn
Agency Index
148
193, 195
mihai.bogdan@brandient.com 63 Buchberger/Willerstorfer
175 161, Sygrou Ave. 171 21, Athens, Greece contact@christrivizas.gr 443 Clusta
Pust, Caherconlish
Reinlgasse 36/11
31 - 41 Bromley St, Digbeth
N/A, Limerick, Ireland
1140, Wien, Austria
B9 4AN, Birmingham, United Kingdom
barry@amideon.com
helmut@buchberger.cc
andrew.bowyer@clusta.com
beau bureau Kommunikationsdesign
167 Büro für Strategisches Design
171 Colell&Kampmann Design GmbH
Hochstadenstrafle 27
Balthasarstrafle 60
Grofle Elbstrafle 210
50674, Koeln, Germany
50670, Cologne, Germany
22767, Hamburg, Germany
beau@beau-bureau.de
rolfes@b-f-s-d.de
m.colell@colellundkampmann.de
Beldizajn Gavazzijeva 11b
138, 158 Büro Uebele Visuelle Kommunikation 166 Heusteigstrafle 94a
304, 315 Coppen Advertising & Marketing Geldropseweg 45
10000, Zagreb, Croatia
70180, Stuttgart, Germany
5611 SC, Eindhoven, Netherlands
bel-dizajn@zg.htnet.hr
info@uebele.com
gerard@coppenam.nl
Besanopoli S.r.l. Via Melzo,6
458
356 011854, Bucharest, Romania
173, 174 Chris Trivizas
341, 345 Bürocratik 348 Rua Guerra Junqueiro, Bloco C, 96
177 Csordizájn EszÈk utca 18.
20129, Milano, Italy
3000-276, Coimbra, Portugal
1114, Budapest, Hungary
mfranzini@besanopoli.it
adriano@burocratik.com
info@csordi.hu
Biographics Design
121, 129 Cadix
205, 207 Dcoy Design
Wrangelstr. 90 DG Rechts
10, Boulevard des Batignolles
14 Fitzwilliam Quay, Ringsend
10997, Berlin, Germany
75017, Paris, France
Dublin 4, Dublin, Ireland
berlin@biographics.de
daniel.ricau@wanadoo.fr
gavan@dcoy.ie
Bite! Associates Ltd. Fitzgerald House, Grand Parade
122, 123 Carrè Noir 127 82, bd des Batignolles square Monceau
135 Deernsundjungs Design Juliusstrafle 25, Vorderhaus
na, Cork, Ireland
75017, Paris, France
22769, Hamburg, Germany
john@bitedesign.com
judith.thepot@carre-noir.fr
ilka@deernsundjungs-design.de
439
Deniz Marlali
448 Differentia 4th Floor, Cathedral Buildings,
via Cantore 17
Atatutk Cd. Hafiz imam Sk.
Dean Street, NE1 1PG, Newcastle
20092, Cinisello Balsamo, Italy
Pamukcugil apt 2/9 ssahrayicedit
upon Tyne, United Kingdom
elitra@elitradesign.it
erenkoy, 34734, Istanbul, Turkey
steve@differentia.co.uk 413 EMvisual
dmarlali@gmail.com 184 Dóra Ísleifsóttir, Börkur Arnarson 228
241 élitradesign
(freelance designer)
C/ Juanin de Mieres 2, 2° b
Deft - design gruppe
(freelance designers)
33207, Gijon, Spain
Piazza Giovanni da Verrazzano, 37
Egilsgata 18
info@emvisual.com
00154, Rome, Italy
101, Reykjavik, Iceland
m.elia@deft.it
dix@internet.is
380, 390 Estudio David Cercós Padre Vioas 16
428, 429
Design 3
141, 150 d-werk gmbh
46019, Valencia, Spain
Bruggerstrasse 37
154, 159 Seestr. 35
estudio@davidcercos.com
5400, Baden, Switzerland
162, 164 88214, Ravensburg, Germany
design3@tiscali.ch
170 jassniger@d-werk.com
105 Estupendo Sollergade 55, 2 floor
197, 199 Design Factory 204, 208
100 Capel Street
305, 307 Eden Design & Communication
DK-2200, Copenhagen N, Denmark
320, 321 Nieuwe Prinsengracht 89
mv@estupendo.net
Dublin 1, Dublin, Ireland
1018VR, Amsterdam, Netherlands
meave.queally@designfactory.ie
m.koning@edendesign.nl
104 e-Types Vesterbrogade 80B, 1
Designbolaget Ryesgade 3F, 2. floor
381, 387 El Paso, Galería de Comunicación 397, 411 Sagunto, 13
2200, Copenhagen N, Denmark
28010, Madrid, Spain
due@designbolaget.dk
elpaso@elpasocomunicacion.com
1620, Copenhagen V, Denmark mari@e-types.com 323 Eyedesign BNO Molenvliet 69
133
designkunst
383 El Tipo
Steintorweg 2
URIA 32, 2
20099, Hamburg, Germany
33003, Oviedo, Spain
info@designkunst.com
mail@el-tipo.com
3335LH, zwijndrecht, Netherlands info@eyedesignbno.com 363, 367 Fashion Graphics Sheremetyevskaya str, 37/1, ap. 126 127521, Moscow, Russia boss@f-gr.com
459 Agency Index
100
187, 190
194
260
Fastland
216, 271 Fragile S.r.l.
225 Hangar Design Group
Egilsgata 18
Via Mascheroni 19
Via Terraglio 89/b
101, Reykjavik, Iceland
20145, Milano, Italy
31021, Mogliano Veneto (TV), Italy
dix@internet.is
info@fragiledesign.it
press@hangar.it
Fergal Keane
238 Galessi Luca Egidio
442 Heard Creative
12 Sandyford Hall Rise, Sandyford
Via Rollo 14
4 Underwood Row
D18, Dublin, Ireland
24020, Villa di Serio, Italy
N1 7LQ, London, United Kingdom
studio@fergalkeane.com
gildino@inwind.it
mark@heardcreative.co.uk
Ferrariodesign
253, 277 Ginette Caron Communication Design
441 Heath Kane Design
Via Vigevano 33
Piazza S. Ambrogio, 29
35 Muswell Hill Rd
20144, Milano, Italy
20123, Milan, Italy
N10 3JB, London, United Kingdom
laura@ferrariodesign.it
ginette.caron@fastwebnet.it
mail@heath-kane.com 134 Heller&C
231, 249 263
Firma Srl
106, 107 Gramstrup Design
Lindenstrasse 20
Corso Dogali 3A
Ewaldsgade 3
50674, Cologne, Germany
16136, Genova, Italy
2200, Copenhagen, Denmark
heller@5th-floor.info
bveruggio@firma.it
lene@gramstrup.dk 144 Heye & Partner GmbH
137
Agency Index
460
Flashtec
446 Graphic Design John Rooney
Ottobrunner Str. 28
Adelmannsgasse 1
57 Provis Road, M21 9EN,
82008, Unterhaching, Germany
73479, Ellwangen/Jagst, Germany
Manchester, United Kingdom
petra.urban@heye.de
info@geschenkideen.ws
john@rooney4.wanadoo.co.uk 291 Hotshots Communications
103
Foobar.nu
110, 111 Hahmo Design Ltd.
3 Zakusalas embankment
Simon Vinther Nielsen,
112, 113 Unioninkatu 3 A 2
LV-1509, Riga, Latvia
Amagerbrogade 22, 4. th.,
114, 117 00130, Helsinki, Finland
hotshots@hotshots.lv
2300, Copenhagen S, Denmark
jenni.huttunen@hahmo.fi 364 Icom Design Studio
svn@foobar.nu 181 Halli Civelek
Sokolniky park, Exhibition center,
Borgartun 30b
5 pavilion, office # 97
105, Reykjavik, Iceland
107113, Moscow, Russia
email@icomefromreykjavik.com
viktor@icomisp.ru
293
Idente
372 Jovan Rocanov
272 Laura Mangano
Elniu g. 23-20
Diljska 7, 11000
(Freelance Designer)
LT 08101, Vilnius, Lithuania
Belgrade, Serbia and Montenegro
Via Papa Giovanni XXIII 21
sigitas@idente.lt
jovan@rocanov.com
20093, Milano, Italy laura.mangano@fastwebnet.it
264, 274 275
Ino Chisesi & Associati
71, 73 Kan Design
Via Sibari 6
74, 75 Raapstraat 14
20141, Milan, Italy
76, 77 2000, Antwerp, Belgium
Industriestr. 5
chisesidesign@chisesidesign.it
78, 79 hans@kandesign.com
65197, Wiesbaden, Germany
142, 143 Lekkerwerken
cremer@lekkerwerken.de 156
Inpraxis
146 KITATM Berlin, Visual Playground 124 Les Z
Nigerstrasse 4
Rodenbergstr.10
81675, M¸nchen, Germany
10439, Berlin, Germany
30 Rue Saint Augustin
a.kranz@inpraxis.com
jens@lausenmeyer.com
75002, Paris, France Emiliz@wanadoo.fr
384, 414
Intuitiva
89, 96 Krepelnik Graftwerk 94 Libra d.o.o.
Doctor Trueta, 149
Ivana Luppisa 15
08005, Barcelona, Spain
51000, Rijeka, Croatia
veslarska 8
alba@intuitivagrafica.com
sasa@krepelnikgw.com
51000, Rijeka, Croatia maja@libra.com.hr
itchy pixel
108 Krogh&Co Designbureau
Angemarken 5
Klerkegade 19
41320, Goteborg, Sweden
1308, Copenhagen, Denmark
rorylawton@itchypixel.com
dk@krogh.dk
66, 68 Lichtwitz 69 Mariahilferstrasse 101/3/55 A-1060, Wien, Vienna, Austria mail@lichtwitz.com
252
Jack Blutharsky Group
233 La Cosa 230 Lirici Greci Comunicazione
Contra Porta Padova 49
Via Calabria, 16
36100, Vicenza, Italy
87100, Cosenza, Italy
Via Palestro 27
oz@thankyoufortheroses.com
lacosa@lacosa.net
60124, Ancona, Italy info@liricigreci.it
163
Jakob Maser Design Friedrich-Ebert-Strafle 69 48153, Munster, Germany mail@jakobmaser.com
461 Agency Index
424
371
251, 262
268
Ljubica Rapaic
243 Matteo Capitini Studio
Josipa Senera 7/17, 11000,
via Castello, 6
Belgrade, Serbia and Montenegro
28065, Cerano, Italy
ljubica.rapaic@sternoskop.co.uk
matteo.capitini@tiscali.it
Lord Picchio Design
362, 365 McCann Erickson Russia
299, 302 Millford Brand-id 303, 309 Darwinweg 10 313 2333 CR, Leiden, Netherlands smantjes@millford.nl 165 minigram
5 Villa Maria Loc. Quercione
11 bolshoi karetnyi pereulok
Zehdenicker Strasse 21
29027, Piacenza, Italy
127051, Moscow, Russia
10119, Berlin, Germany
lordpicchio@lordpicchio.com
pudof@yandex.ru
studio@minigram.de
Luca Laurenti (Mklane)
151 Melanie Guhlmann
57, 58 Modelhart Grafik-Design
Piazza Garibaldi 61
(Freelance Designer)
00047, Marino, Italy
Am Weiher 5
5600, St. Johann / Pg., Austria
collateral@alice.it
55299, Nackenheim, Germany
design@modelhart.at
59, 61 Ing.-Ludwig-Pech-Str. 1
mrguhlmann@gmx.de 213
M. Luisa Piras (Freelance Designer)
255, 266 Molly & Partners 247 Metaformadesign Viale Romagna 2
05100, Terni, Italy
San Donato Milanese, Milano, Italy
20133, Milano, Italy
info@mollydesign.com
m.luisa.piras@tiscali.it
a.giardina@metaforma.at 317 MoloM
224 MACStudio Comunicazione
Agency Index
462
Via G. di Vitalone 14
via Eugenio Curiel 16, 20097,
115, 118 Metsäranta Art & Design
kerkstraat 5, Haren
Via Muratori, 32
Hiekkajaalanranta 1 C 34
9751 BA, Haren, Netherlands
10126, Torino, Italy
00980, Helsinki, Finland
zishi@nomad-design.com
b.santagata@macstudio.it
antti@metsaranta.com 420 Monk
235, 279 Matitegiovanotte
311 Michel van der Sanden Design
Rottnerosbacken 33
via schio 49
Noordsingel 204-206
12348, Farsta, Stockholm, Sweden
47100, ForlĂŹ, Italy
3032BM, Rotterdam, Netherlands
fredrik@fredriklewander.se
simone.verza@matitegiovanotte.com
michel@mvds-design.nl 433 MottazDesign Rue de la Maison-Rouge 8, CH-1400 Yverdon-les-Bains, Switzerland luca@mottaz.ch
62
Motterdesign
265, 282 Oikos Associati
244, 286 Osvaldo Casanova
Steinebach 7
Viale Regina Margherita 1/C
(freelance designer)
6850, Dornbirn, Austria
20052, monza, Italy
Contra Porta Padova 49
s.motter@inode.at
isabella@oikosassociati.com
36100, Vicenza, Italy oz@thankyoufortheroses.com
444, 445
Mytton Williams
437, 438 Okan Usta
15 St James Parade
Cumhuriyet Mah. Bosna Cad. 23/8
BA1 UL, Bath, United Kingdom
G.O.P., 34265, Istanbul, Turkey
carole.bayliss@myttonwilliams.co.uk
okanusta@yahoo.com
88, 92 Parabureau 98 Domagojeva 16 10000, Zagreb, Croatia igor.stanisljevic@inet.hr
378
n/a
131, 139 ondesign
Bratov Babnik 48
145, 161 Cremon 11
1000, Ljubljana, Slovenia
168, 169 20457, Hamburg, Germany
skerlavaj@siol.net
info@ondesign.de
126 Patrick Perrier 13 rue de la RÈpublique 69001, Lyon, France mail1@patrickperrier.com
Neretto Virgen del Carmelo 23
153
186
332 Pejot
Prinsestraat 37
Odynca 67/38
estudio@neretto.com
2513 CA, Den Haag, Netherlands
02-644, Warsaw, Poland
e.annink@ontwerpwerk.com
mail@pejot.com
Nieschlag und Wentrup 281 Orazio Fabbri Comunicazione
116 Pen&Pen
48149, Munster, Germany
Via Ossi 79
Maistraatinkatu 5
info@nieschlag-und-wentrup.de
47100, Forlì, Italy
00240 hki, helsinki, Finland
project@oraziofabbri.it
pen.pen@kolumbus.fi
nothing from outer space Effingerstrasse 4
374, 375 OS, Design Studio
3011, Bern, Switzerland
376, 377 Dunajska cesta 156
spot@nothing.ch 179, 180
312 multidisciplinary design
08022, Barcelona, Spain
Johann-Krane-Weg 27
432
301, 306 Ontwerpwerk,
O! Armuli 11 108, ReykjavÌk, Iceland einar@oid.is
140, 155 Pfeil & Bogen Auf der Grede 7
1000, Ljubljana, Slovenia
93059, Regensburg, Germany
design@studio-os.si
d.rosenhammer@pfeilundbogen.org
463 Agency Index
386
449
Pixelburn Ltd. 81D Kneesworth Street
417, 418 Redmanwalking.com 423 Rottnerosbacken 33
SG8 5AH, Royston, United Kingdom
12348, Farsta, Stockholm, Sweden
scott@pixelburn.co.uk
fredrik@fredriklewander.se
335, 336 Shift Design 337, 338 Av. José Gomes Ferreira 15, 4°, 339, 340 Miraflores - Algés 349 1495-139, Lisbon, Portugal ghipolito@shiftdesign.pt
157
Productsdesign
147 revoLUZion 328, 329 Skin Design
Virchowstr. 49
Uhlandstrafle 4
45147, Essen, Germany
78579, Neuhausen, Germany
Sagveien 23A
ml@productsdesign.de
info@revoluzion.de
0459, Oslo, Norway hege@skin.no
259
Public Image Piazza Amendola, 1
196, 198 Rob O’Reilly 203 6 Brookvale Downs, Rathfarnham
290 St. Brothers Brand Agency
84014, Nocera Inferiore, Italy
D14, Dublin, Ireland
136 Brivibas Str., Ofice - 2
mktg@pibn.it
rob@zinc.ie
LV-1012, Riga, Latvia elina@brothers.lv
385, 389
Rafael Celda y Asociados
392, 399
Dario Aparicio 25
Willibald-Alexis-Str. 41
402, 404
28023, Madrid, Spain
10965, Berlin, Germany
Brondkaervej 3, 2.th Valby
rafa@celdayasociados.com
info@rotbraun.de
2500, Valby, Denmark
132 Rotbraun 101 Søren Severin (Student)
soren@super-duper.dk
Agency Index
464
212, 234
Raineri Design
248, 258
Via Moncenisio, 24
Puerta Nueva 9
25136, Brescia, Italy
19250, Siguenza, Spain
Via De Cristoforis 11
pressoffice@raineridesign.com
design@royoizarra.com
21100, Varese, Italy
273
395, 407 Royo + Izarra 283 Studio Benzoni
claudio@benzoni.it 226, 232
RBA Group S.r.l.
342 rui(lucio)carvalho.dESiGNER 215 Studio FM Milano
239, 240
Viale Premuda 38/a
rua da quinta das lavadeiras, 38 5∫drt,
242, 256
20129, Milano, Italy
1750-239, Lisboa, Portugal
via Manfredini, 6
276, 285
vanessa.meris@rbadesign.it
rui.lucio.carvalho@gmail.com
20145, Milano, Italy info@studiofmmilano.it
220
Rebelot Via Moncucco 22 20142, Milan, Italy info@rebelotdesign.com
236, 254 Studio Guida Via P. Scura 26/e
120, 125 TEAM CREATIF 128 89 Rue De Miromesnil
406, 408 Valladares, diseno y comunicacion 415 Avenida Asuncionistas, 12 - 3° ofc.5
80134, Napoli, Italy
75008, Paris, France
38006, Santa Cruz de Tenerife, Spain
feguida@studioguida.net
isabelle.colders@team-creatif.com
pepe@valladaresdc.net
90 Studio Imago
331 To Design
136 Velvet Mediendesign
Smidhenova 1
ul. Drzymaly 9/2
osterwaldstr. 10
10430, Samobor, Croatia
77-100, Bytow, Poland
80805, Munich, Germany
mirko@studioimago.hr
biuro@todesign.pl
contact@velvet.de
84, 86 Studio International 91, 93 Buconjiceva 43 95 HR-10000, Zagreb, Croatia boris@studio-international.com 102 Superduper Graphics
219 TRE intermedia network Via Della Grada 11
308, 310 Vermeulen 316 Marconistraat 13
40122, Bologna, Italy
6372 PN, Landgraaf, Netherlands
mr.c@trelink.it
rvermeulen@vermeulen-totalidentity.nl
149 TrueDesign
347 Vestigio - Consultores de Design, Lda.
Brondkaervej 3, 2.th Valby
Hopbach Str. 15
Rua Chaby Pinheiro, 191
2500, Valby, Denmark
34355, Staufenberg, Germany
4460-278, Senhora da Hora
soren@super-duper.dk
ruben-emme@the-truedesign.de
Matosinhos, Portugal info@vestigio.com
447 Urban River Creative Ltd. 295, 296 Vidale-Gloesener
Rozenlaan 115
Windsor Hall, Burrow Street, South
3051 LP, Rotterdam, Netherlands
Shields, ne331pp
p.weverling@syndicat.nl
Newcastle upon tyne, United Kingdom
2114, Luxembourg, Luxembourg
chris@urbanriver.com
gioia@vidalegloesener.lu
357, 358
Synopsys
359, 360
Str.Evlia Celebi Nr5. Ap.11
160 V8 Werbeagentur
297 10, rue Malakoff
214 Vitamina
300226, Timisoara, Romania
Kohlenhofstrafle 60
Via Tabiano Villamozza 77
ovidiu@synopsismedia.com
90443, Nurnberg, Germany
43039, Salsomaggiore Terme,
himmelseher@v8-werbeagentur.de
Parma, Italy
217, 261 Tangram Strategic Design 278, 284 Viale Michelangelo Buonarroti 10/C 28100, Novara, Italy agrimaldi@tangramsd.it
max_pitis@hotmail.com
465 Agency Index
319 Syndicat
391
300, 314
Wayava
Via Savignano 13
08026, Barcelona, Spain
92019. Sciacca. Italy
hola@wayava.net
info@zeronove25.it
Weijsters & Kooij vormgevers Ruijterstraat 16
192, 202 206
221
333
D6, Dublin, Ireland tara@zinc.ie
Wemakedesign
13. Janvara Sreet 33
D8, Dublin, Ireland
LV-1050, Riga, Latvia
nik@wemakdesign.com
arta@mooz.lv
xbrand
Agency Index
370 Zoran Borenovic
Via Tortona 15
Karadjordjeva 8/76
20100, Milano, Italy
11080, Zemun, Serbia and Montenegro
mauro@xbrand.it
zdiz@net.yu
Xenium
Zelig Via Chiaia 149/a 80121, Naples, Italy francesca@zelig-web.com
410
288, 289 Zoom!
2 Janeville, off st kevins parade
norbert.mikolajczyk@gmail.com
400, 405
210 10 Castlewood Place, Rathmines,
studio@weijsterskooij.nl
42-200, Czestochowa, Poland
223, 267
200, 201 Zinc Design Consultants
5361 GC, Grave, Netherlands
Schillera 4/17 466
229, 269 ZeroNove25
C/ Industria 304 2-3
Zen Comunicaciรณn Visual Pedro Muguruza,8 28036, Madrid, Spain manuel.lparras@zen.es
Designer Index 192, 206 Adam Gallacher 358 341, 345 348
280 Andrea Fanti
Adnan Vasile
161 Andrea Schaffors
Adriano Esteves
217 Andrea Sempi
444, 445 Bob Mytton 352, 354 Bogdan Dumitrache 84, 86, 91 Boris Ljubicic 93, 95
156 Andreas Kranz 205
184 Börkur Arnarson
Aine Cassidy 138, 158, 166 Andreas Uebele
204
263 Bruna Arena
Alan Fitzpatrick 165 Anja Klausch
382, 388 Alberto Herencia 393, 394 396, 398 401, 412
384 Cae Piñol 391 Anna Giménez 414 Cae Piñol 391 Anna Puig 229, 269 Calogero Di Leo
291
Aldis Ozolins
167 Ansgar Rolfes
233
Aldo Presta
396 Antonchu Solano
216
Alessandro Boscarino
247 Antonella Giardina
Alessandro Cocchia
284 Antonella Trevisan
236 Carla de Luca 400 Carmen Barrés 325, 326, 327 Cathrine Olsen 223, 267
447 Chris Broadhead Alessia Arban
115, 118 Antti Metsäranta
228
Alessio Facchini
113, 114 Antti Raudaskoski
173, 174, 175 Chris Trivizas 160 Christian Frik 64
Alexander Grimm
209 Barry Lunn
144
Alexander Bartel
432 Bastiaan van Rooden
124
Alexandre Théallier
156 Christiane Schäffner 166 Claudia Burtscher 71, 74, 76, 77 Bavo Van Hecke 281 Claudio Barasi 381, 387 397, 411
Alvaro Pérez
147 Bernd Luz 283 Claudio Benzoni 142 Bjoern Pust
136
Andrea Bednarz
100 Claus Due
467 Designer Index
221
199, 204 208
Conor Clarke
353, 355 356
Cristian “Kit” Paul
316 121, 129
75 Eveline Tromp
106, 107 Gramstrup Design
194 Fergal Keane
128 Guy Ringelstein
323 Folkert Kattemölle
181 Halli Civelek
Cuijpers
230 Francesca Di Giorgio
Daniel Ricau
228 Francesco Bufardeci
73, 75, 76 Hans Kan 78, 79 187 Haraldur Civelek
140, 155
Daniela Rosenhammer
236, 254 Francesco E. Guida 441 Heath Kane
302
Danny Klein
259 Francesco Galdo
David Cercós
266 Francesco Maria Giuli
227
Davide Besana
138 Frank Geiger
317
Dawaa Huizinga Molom
310 Frans
137 Heike Burmeister 380, 390
63 Helmut Buchberger 57, 58, 59, 61 Herbert O. Modelhart 88, 92, 98 Igor Stanisljevic 439
Deniz Marlali
74, 76, 77 Frederik Wollants
Diego Braghin
417, 418 Fredrik Lewander 420, 423
363, 367 Igor V. Kopayev 122 184, 187, 190 468 Designer Index
135 Ilka Zentgraf
Dóra Ísleifsdóttir 304, 315 Gerard der Kinderen
301, 306
Ed Annink
180, 186
Einar Gylfason
264, 274 Ino Chisesi 275
261 Gianluca Barbero 265, 282 Isabella Garlati 253, 277 Ginette Caron 413
55 Ivan Leanizbarrutia Zugasti
Elias Megido 235, 279 Giovanni Pizzigati
347
81 Ivana Unlik
Emanuel Barbosa 406, 415 Giovanni Vega González
303
Erik de Graaf Jeroen de Kok 96 Goran Stimac
218, 246 250, 270
81, 82, 83 Ivica Belinic ´ 85, 87, 97
Ettore Lorusso 197, 199 Grainne Carvill
163 Jakob Maser
142
Jan Künzel
291 Janis Skujenieks 395, 407 Javier Royo Espallargas 123, 127 Jean- Christophe Cribelier 72 Jef Beirinckx
216 Julia Maquieira 433 Julien Notter 300, 314 Karin Kooij 374, 376 Katarina Hribar
53 Lirijon Kadriu 153 Lisa Nieschlag 371 Ljubica Rapaic 433 Luc Mottaz
152 Katja Becker
238 Luca Egidio Galessi
187 Jeff Ramsey
378 Katja Zelinka Skerlavaj
268 Luca Laurenti (Mklane)
117 Jenni Kuokka
158 Katrin Haefner
247 Luciano Marino
146 Jens Lausenmeyer 335, 336 João Pacheco 339, 340 349
182, 183, 185, Kristjan Thor Arnason 188, 189
428, 429 Luethy Jolanda 213 M. Luisa Piras
134 Lars Heller 331 Magdalena Fornal 153 Lars Wentrup
193, 195 John Foley
148 Manel Moedano 260 Laura Ferrario
446 John Rooney
251, 262 Manlio Tenaglia 272 Laura Mangano 219 Manuel dall’Olio 469
220 Laura Rota 116 Jorma Pulkkanen
400, 405 Manuel López Parras 108 Lene Perez Dortekrogh
301 Jorn Dal 383 José Gil-Nogués Villén 406, 408 José Jiménez Valladares 415
271 Marco Miglio 218, 246 Leonardo di Renzo 250, 270 245 Leonardo Recalcati
255 Marco Piroli 241 Marco Sironi
66, 68, 69 Lichtwitz
231, 249 Marco Venturini
308 Lindelauf
216, 271 Mario Trimarchi
372 Jovan Rocanov 371 Julia Kleiner
Designer Index
104 Jonas Hecksher
308
Mark
105 Morten Lindblad
157
Martin Loskyll
310 Naus
136
Martin Potsch
120 Nick Craig
224
Massimiliano Padrini
239
Massimo Cecchi
214
Massimo Pitis
290 Niluta Bahmane
444
Matt Judge
132 Nora Bilz
243
Matteo Capitini
443
Matthew Clugston
357, 358 Ovidiu Hrin 359, 360 436 Ozbey Art 405, 410 Paco Udina
300, 314 Niel-Jan Weijsters 55 Paolo Ramos 192, 202, 206 Nik Dillon 143 Patrick Jacobi 126 Patrick Perrier 125 Patrik Roussel 333 Norbert Mikołajczyk 386 Patrizia Cospito 343, 344, 350 Nuno Lages 318, 322 Paul Wolterink
316
Maurice
221
Mauro Conta
437, 438 Okan Usta 346 Paulo Afonso
197, 208
131, 139, 145 Olav Jünke 161, 168, 169 362, 365 Oleg Pudov 366, 368
151
Melanie Guhlmann
318
Menno Anker
311
Michel van der Sanden
271
Michele De Lucchi
312 Ontwerpwerk
228
Michele Elia
281 Orazio Fabbri
265
Michele Salmi
179 Örn Smári Gíslason
90
Mirko Cakanic
470 Designer Index
332 Pawel Jonca
Meave Queally 110, 111, 112 Pekka Piippo 421 Pelle Anderson 94 Olja Hirnig 132 Pia Schneider 419, 422 Olöf Baldursdottir 331 Przemyslaw Fornal
244, 252 Osvaldo Casanova 286
385, 389 392 Rafael Celda 399 402, 404 427 Rahel Witschi 337 Ricardo Pinto Correia
338 Ricardo Marques 196, 198 Rob O’Reilly 203
349 Sofia Oliveira 101, 102 Søren Severin
141, 164 Tom Maier 374, 375 Toni Kancilja 377
63 Stefan Willerstorfer 241 Roberta Sironi
445 Tracey Bowes 157 Stefan Wulf
257 Roberto Boassa 424 Rory Lawton 149 Ruben Emme
185 Trausti F. Traustason 222, 237 Stefano Asili 257 426, 430 Stephan Bundi 431, 434
342 rui(lucio)carvalho.dESiGNER
150, 154 Ulrich Julius Jassniger 159, 162 170 278 Valentina Ziliani
152 Stephanie Podobinski 326, 327 Salil Awchat 448 Steve Pardue
226, 232 Vanessa Meris 240, 256
89, 96 Sasa Krepelnik 299, 309 313 Stijn Braun
60 Vero Neubacher
449 Scott Warren 207 Susan Carberry
364 Victor Goloubinov
143 Sebastian Cremer 204 Susan Madigan 62 Siegmund Motter 271 Susanne Gerhardt
212, 234 William Raineri 248, 258 273
133 Sybs Bauer MA (RCA)
144 Wolfang Biebach
295, 296, 297 Silvano Vidale 171 T. Kampmann 442 Simon Collins
200, 201 Zinc 210
319 Taco Sipma 103 Simon Vinther Nielsen
177 Zoltán Csordás 384, 414 Tere Ribau
276 Simona Anfossi
370 Zoran Borenovic 60, 65, 67 Thomas Stranig
199 Siobhan Costigan 242, 285 So Young Yoon
295, 296 Tom Gloesener 297
Designer Index
471
293 Sigitas Guzauskas