The Red Bulletin May 2013 - IE

A BEYOND THE ORDINARY MAGAZINE

THE STRYPES: EXCLUSIVE INTERVIEW

IRELAND’S BEST NEW BAND HIMALAYAN NIGHTMARE

CHEATING DEATH HIGH ON K2

BPAI KE E R S ’ RADISS E EUR 2.00

May 2013

THE BEST MOUNTAIN

BIKE TRAILS ON EARTH

MAY 2013

Helly HAnSen CATwAlk

Thomas Coville Professional Sailor and Ocean Adventurer

Scandinavian Design is the cornerstone in all Helly Hansen gear. The optimal combination of purposeful design, protection and style. This is why professional sailors, mountain guides and discerning enthusiasts choose Helly Hansen.

COnFIDenT wHen IT MATTeRS Helly HanSen are prouD To be THe official cloTHing parTner To THe volvo Dun laogHaire regaTTa 11 – 14TH July 2013, irelanD

Photo Christophe launey Š

THE WORLD OF RED BULL

May 32

WORLD’S BEST BIKE TRAILS

WELCOME

There is no let-up in the popularity of cycling, and mountain biking in particular is booming.

MTB fans are as likely to fly halfway around the globe as go for a ride in their local park: our globetrotting Bikers’ Paradise guide is your passport to the world’s best off-road cycling. Also experiencing a peak in popularity is a Hollywood actor who has overcome serious personal problems to become a worldwide box-office star. In an exclusive interview with The Red Bulletin, Mark Wahlberg talks about his beliefs, his background and the right time to tell the kids that Daddy was in jail. And still at the movies, we’ve got a rare peek behind the curtain with the people who combine science, illusion and raw physical prowess to make the likes of Wahlberg look great on screen: the stuntmen. All this and much more. We hope you enjoy the issue.

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OLGA KURYLENKO

The star of action and art-house movies on modelling myths and flying spaceships with Tom Cruise THE RED BULLETIN

COVER PHOTOGRAPHY: JOHN WELLBURN/RED BULL CONTENT POOL. PHOTOGRAPHY: MATTIAS FREDRIKSSON, UNIVERSAL

From Canada to Asia, the best mountain biking locations on Earth, as chosen by pros in the know

KENYA

CALLING JOIN OUR TRI-ADVENTURE CHALLENGE

B CLIOUM NT M KENYA

WHITE WATER RAFT THE TAN A RIVER

CLOUE CY m THR GH

130k AR SPECTACUL SCENERY

At the summit

The open road To receive more information text your email address to:

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(Standard SMS rates apply)

www.ShowYourConcern.net

Charity number: CHY 5745

THE WORLD OF RED BULL

May AT A GLANCE BULLEVARD

68 SKATE OR DIE

It’s tough to be young at the Pine Ridge Indian Reservation. Yet in a place where poverty, suicide and alcoholism are permanent obstacles, skateboarding is changing lives forever

10 PHOTOS OF THE MONTH 16 NEWS Sport and culture on the quick 19 WHERE’S YOUR HEAD AT? Star of The Hangover Part III Bradley Cooper 20 KIT EVOLUTION Scooters through time 22 HERO Brooke Candy: hot in hip-hop 24 ME & MY BODY Derek Wedge 28 LUCKY NUMBERS Unbreakable records 30 WINNING FORMULA Skate science

FEATURES 32 Bikers’ Paradise No better biking on Earth

44 Mark Wahlberg

Exploring the dark in life and on film

48 Olga Kurylenko

Star of Oblivion and To The Wonder

50 Nick Ryan

A CHAMPION REBORN

After thrilling the world on two wheels in MotoGP, Casey Stoner now races touring cars in Australia. We ask him why

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52 Casey Stoner

LUPE’S FIRST LOVE

62 Katherine Sparkes

What happened when Grammy winner and rhymesayer Lupe Fiasco, a certified car freak, went to America’s best body shop

Swapping two wheels for four Mixing business with philanthropy

66 Gautam Gambhir

Cricket’s deep thinker speaks out

68 Pine Ridge Reservation How sport can save young lives

76 Lupe Fiasco

The rapper converses in car speak

MORE BODY & MIND

84 SWIM THE WORLD

Pools carved in ice, 1km long, 57 storeys up, in paradise or as wild as the deep blue sea: the world’s most splendid swimming 08

66 THE LEADER

Gautam Gambhir, opening batsman and captain of the Indian Premier League’s most talked-about team. No pressure...

84 86 88 90 94 96 98

TRAVEL World’s best swim spots GET THE GEAR A stuntman’s essentials TRAINING Squash tips from a pro NIGHTLIFE Food, drink, music & more SOUNDS OF 2013 The Strypes SAVE THE DATE Events for your diary MIND’S EYE With Stephen Bayley

THE RED BULLETIN

PHOTOGRAPHY: JAY HANNA, EDGE PHOTOGRAPHICS, EMILY SHUR, CORBIS, GETTY IMAGES

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‘I nearly died making a movie on K2’

D U BAI , UAE

ALTITUDE TRAINING When British architect Tom Wright designed the helipad at the luxury Burj Al Arab hotel, he did not foresee it being used by other motor vehicles. Spanish freestyle motocross champ Dany Torres warmed up there ahead of the Dubai stop of the Red Bull X-Fighters World Tour. Anyone can pop a wheelie, but Torres tricked out 321m above the Arabian Gulf: bold moves.

Full 2013 tour info: www.redbullxfighters.com Photography: Balazs Gardi/Red Bull Content Pool

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PU R MAMARC A , ARG E NTI NA

F1 GOES WILD

“I couldn’t go flat out. We were going through a village, after all.” It wasn’t a normal day behind the wheel for Infiniti Red Bull Racing’s Neel Jani.

The Swiss-Indian driver took the 800bhp RB7 on a show run in the north-west tip of Argentina. (Also on Jani’s South American schedule: donuts on a runway before a fighter jet landed in his tyre smoke.) His drive through the village – its inhabitants prefer ‘town’, but let’s not quibble – ended on something of a high note.

“A storm broke out and things got really exciting.”

Neel’s logbook: www.neel-jani.com Photography: Gustavo Cherro/Red Bull Content Pool

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AL AI N , UAE

DESERT WAVE The oasis town of Al Ain, on the border between Oman and the UAE, is an hour’s drive from the sea and yet is becoming a surfing hotspot. At the Wadi Adventure Park pool, the artificial breakers created at the touch of a button can tower up to 3m high.

Australian surfing ace Sally Fitzgibbons was impressed in the desert: “It’s like surfing on Mars.”

Artificial surf’s real deal: www.wadiadventure.ae Photography: Trent Mitchell/Red Bull Content Pool

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Bullevard Sport and culture on the quick

Anyone for Venice?

From June 1, the Venice Biennale will showcase the work of 150 artists from 37 countries.

Here are four top talents of note

1. SARAH SZE Representing the USA with signature works: site-specific sculptures of everyday items.

2. TAVARES STRACHAN For The Bahamas, his installation includes a video re-enacting a 1909 North Pole expedition.

WOOD YOU BELIEVE IT How to make something old very, very new indeed As far as Ferruccio Laviani is concerned, furniture is at its most interesting when tradition meets modernity. And ‘meets’, for the Italian designer, is two artistic eras colliding without airbags. “I feel like the rebellious son from a good home who takes his grandmother’s heirlooms to a squat and makes something new out of them,” says the 52-year-old. This approach was writ large in F* The Classics!, his recent collection for Italian furniture store Fratelli Boffi, which featured a series of pieces that reimagined venerable home furnishings in exactly the manner as the name suggests.

A chest of drawers and an occasional table with what appear to be holes made by a laser beam. Tables with parts from 1753 and 2053. Most impressively of all, there is Good Vibrations, Laviani’s handmade oak cabinet (right), which gives the impression of being on pause on VHS video. “I like the idea of having an item of furniture in the home that looks like it’s suffering from interference,” he explains, “that really strikes you when you walk past it.”

Furniture for the digital age: Laviani’s wooden cabinet

www.laviani.com 3. JOANA VASCONCELOS Aptly for Venice, the Portuguese pavilion will be floating, says the artist, noted for her fabric work.

PHOTOTICKER

EVERY SHOT ON TARGET

Have you taken a picture with a Red Bull flavour? Email it to us at: phototicker@redbulletin.com 4. AKRAM ZAATARI The still and moving image artist is showing Letter To A Refusing Pilot on behalf of Lebanon.

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Every month we print a selection, with our favourite pic awarded a limited-edition Sigg bottle. Tough, functional and well-suited to sport, it features The Red Bulletin logo.

New York

BMX biker Edwin De La Rosa cruises through the streets of the Big Apple.

Stan Evans THE RED BULLETIN

Fresh as ever

Music of 10, 20 and 30 years ago that still dazzles

2003: FOUR TET, ROUNDS A gentle electronica masterpiece, never to be surpassed as the ideal soundtrack for cocktails on a space station.

New kid on the block: Sebastian Fuchs (right) has partnered with Julius Brink

PHOTOGRAPHY: FERRUCCIO LAVIANI, GUARDIAN NEWS & MEDIA LTD., TAVARES STRACHAN, GETTY IMAGES, PICTUREDESK.COM, IMAGO (2), TIM LÜDIN/RED BULL CONTENT POOL (2)

The Olympic champion’s choice When Jonas Reckermann retired, Germany’s beach volleyball Olympic champion Julius Brink had to find a new partner. The man he Sebastian Fuchs chose is Sebastian Fuchs, who is 26, 2.03m tall, with long arms and a jump as good, anyone’s. Former indoor volleyball player Fuchs can’t wait to begin the quest for gold at Rio 2016 with his new workmate. “Of course, it’s highly motivating to form a team with the best defensive player of the last four years,” he says. “Julius is a wonderful sportsman who gives 100 per cent in every training session, every rally.

He’s an example when it comes to attitude.”

They are friends as well as colleagues.

“I’ve come to know Julius as a very helpful, fun-loving person. Team spirit is extremely important to him and I now get to make the most of that on a daily basis.” www.fivb.org

1993: PJ HARVEY, RID OF ME Accused of being both “bloodless” and “bloody”, this cry of rage from a 24-year-old is pure rawness on record.

IN HER SIGHTS Beitske Visser, 18, is Europe’s most talented female racing driver. Having sweated a Schumacher, she now wants a crack at Vettel   : In 2012, you finished eighth in the ADAC Formel Masters, the a German open-wheel series, winning a race as both a rookie and the only woman on the grid. Are you setting your sights seven places higher this year?  : Absolutely.

It’s realistic, too, because I’ve learned to adapt well to faster, formula-style racing cars.

What comes next?

The Formula One World Championship title. That’s what I want.

Sebastian Vettel will have something to say about that.

He’s my idol. It’d be a dream to race against him. We have followed a similar path, as he was a member of the

Red Bull Junior Team before he raced in Formula One. NASCAR star Danica Patrick is considered the world’s best female racing driver.

Do you look up to her?

I do, but of course I want to be better than her.

You’ve already made one well-known racer squirm: Ralf Schumacher. How did that come about?

At a kart race in Germany, I led for much of the race and he was in second. He knocked me off on the last lap and got a 10-second penalty. He got angry and protested. The penalty was cancelled, but it was funny to see how annoyed he was that a young lady was quicker than him. www.redbulljuniorteam.com

1983: TALKING HEADS, SPEAKING IN TONGUES The moment when art school punks dipped a toe into the mainstream lingers on and on.

Dreams of F1: Beitske Visser

WE HAVE A WINNER!

Nogaro In France, Sébastien Loeb began the FIA GT Championship with a PB in qualifying.

François Flamand THE RED BULLETIN

Colombo The six captains with the trophy at the Red Bull Campus Cricket World Final in Sri Lanka. India won.

Dimitri Crusz

Pretoria

Arms aplenty at South African street dance contest Red Bull Beat Battle.

Mpumelelo Macu

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Bullevard

Waking the city Red Bull Harbour Reach is taking over Liverpool’s Albert Dock on June 8, showcasing the best in British wakeboard talent. The event will test the agility and creative thinking of 14 of the world’s top professionals, making use of the city’s unique waterfront features. For the first time at Red Bull Harbour Reach, two amateur wakeboarders will get the chance to test their skills against the best – by earning a starting berth at The Road To Red Bull Harbour Reach eliminator, held a week before the competition proper.

Online entry: www.redbull.co.uk/harbourreach

Sets appeal: Krystal Klear

IN THE MIX The eclectic sounds of DJ and producer Krystal Klear, aka Dublin-born Manchester resident Dec Lennon, 25, are inspired by soundtracks and will never get boring Initial inspirations “I’d describe my stuff as ‘retro sounding, modern fitting’.

My first memory of music is dancing as a wee kid to The Power Of Love from the Back To The Future soundtrack.”

Medicinal music “If I couldn’t make and play music, I’d sit around depressed.

There’s a constant list of little achievements, from discovering one of your heroes likes your tunes to playing an amazing gig.

Playing a good gig never gets old.”

Home advantage “Getting into the Red Bull Music Academy in 2011 is one of the best things I’ve done. They’ve got a stage at Life Festival in Ireland this month and I’m really looking forward to playing it. The support I get at home is overwhelming.”

Back to the future, part two “When I’m old, I picture myself on a flight back to Dublin from my home in New York after working on an album with Jessie Ware. Or happily married, cooking breakfast for my kids while reading the Sunday supplements. Either will make me happy.”

Rock pool Following an online application process that attracted hundreds of entries, 15 new bands have been given the chance to record at Red Bull Studios and play at this summer’s Download Festival. An expert panel of judges, including UK alt-rockers Don Broco, made the call, and the bands have been in the studio, recording a live session and interviews, before the public vote that will decide on a final eight for Download, which is at Donington Park on June 14-16. Visit the Red Bull Studios website between May 17-24, watch the live performances and select your favourite. www.redbullstudios.com/downloadfestival

Renz Byrne and his band Never Means Maybe won a slot at Download 2012

Life Festival, Mullingar, Ireland, May 24-26: www.life-festival.com

WORDS: RUTH MORGAN. PHOTOGRAPHY: SIM BRADLEY/RED BULL CONTANT POOL, DAN WILTON/RED BULL CONTENT POOL, NICK PICKLES/RED BULL CONTENT POOL

Throw me a line: amateur wakeboarders welcome

If you only knew

how much pacifying power the local countryside has, you could already be soaking up its energy.

Mikulov

stories.czechtourism.com

Bullevard

WHERE’S YOUR HEAD AT?

BRADLEY COOPER

He’s gone from Bradley Who-per? to major movie star – and a great actor – in four short years. Women want to be with him, men do not want to be on a stag party with him

The Artist

Cooper has excelled playing pill-poppers alongside Robert De Niro: in Limitless and, most impressively, in Silver Linings Playbook.

Without Daniel Day Lewis doing his thing, Brad’s work in SLP might have won him an Oscar. Said De Niro: “He is very good and is going to get better and better.”

BC: 1975AD

Bradley Charles Cooper was born on January 5, 1975, in Philadelphia, Pennsylvania.

He bears scars from typical boyhood injuries, and for a while carried marks from mental anguish. “I was ashamed of so many things,” he told The Hollywood Reporter, of his at-times uncomfortable upbringing.

Brad Vibes

Bradley Copper is goodlooking: there, we said it. All who know him say he’s no alpha. “People think he is playing a version of himself, and that couldn’t be further from the truth,” said Hangover director Todd Phillips. “He is very vulnerable… there’s a warmth to him you would never know.”

Rue Bradley

Cooper speaks fluent French, honed during a six-month university exchange in the Aix-en-Provence, and dusted down for French media. He later studied at the Actors Studio in New York. In 2011 he became the first graduate of the drama school to be a guest on TV chat show Inside The Actors Studio.

Future Cooper

WORDS: PAUL WILSON. ILLUSTRATION: LIE-INS AND TIGERS

Warm Streak

Early TV work includes kissing, and being brushed off by, Carrie in Sex And The City, and a stint presenting the travelogue Globe Trekker, including an eyes-averted dispatch from a Croatian nudist beach. His first role of note, also on TV, was as a journalist/spy on 46 episodes of Alias.

Cured by Hangover

In 2009, the douchey groom in Wedding Crashers – that was who Bradley Cooper was then – Ed Helms from the US version of The Office and stand-up Zach Galifianakis starred in a bachelorweekend comedy called The Hangover. A world laughed; The Coop flew onto the A-list.

THE RED BULLETIN

Aged 12, Cooper saw The Elephant Man – “[It] haunted me… I could not stop crying.”

He played the role on stage last year, and hopes to do so again on Broadway in 2013.

He is also working on a script of the sci-fi novel Hyperion, “A specific thing I fell in love with,” he said.

Eight-figure Deal

Released in May, The Hangover Part III sees Cooper leading the Wolfpack on a trilogy-ending, hair-raising, giraffe-harming adventure.

The first two films took almost US$1 billion at the global box office; each of the three stars was paid US$15 million for this final hurrah.

www.facebook.com/thehangover

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KIT EVOLUTION

SCOOT SWEET

The kid brother of the motorcycling family has aged gracefully, retaining its good looks and getting fitter with each passing decade

CLASSY CHASSIS

Rumi acquired knowledge in aluminium processing through its work making components for the aviation industry. Its die-cast aluminium scooter bodywork was years ahead of other firms using welded steel.

BRIGHT IDEA

The Formichino’s 10in wheels made it nimble.

The headlight was linked to the fork via a cable that meant the bike lit bends as it was turning into them: very advanced for 1954.

THE HORSES

Two-cylinder, two-stroke engine with a double downdraft carburettor: music to the ears of scooter riders of the day. With 6.5bhp, the little terror could comfortably reach 100kph.

1954 RUMI FORMICHINO 125 Italian manufacturer Rumi, based in Bergamo, began building scooters and motorbikes after World War II and got the country moving again. Spectacular in terms of both style and technology, the Formichino, Italian for ‘little ant’, is seen as the pinnacle of the scooter art. The company shut up shop in 1962 and its founder, Donnino Rumi, returned to his actual vocation as a sculptor and artist.

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The simple elegance of a single dial and a fuel tank on which was mounted the sole headlight www.formichino.com

THE RED BULLETIN

Bullevard

EASY RIDE

Adjustable windshield, storage under the seat: this is a bike designed to be comfortable and practical. Optional extras include heated seat and handlebars, a top case and tyrepressure monitoring.

GREAT BODY

BMW combines die-cast aluminium bodywork with steel.

The 15in rear wheel is held in place by a swinging arm, while ABS disc brakes function as reliable anchors.

POWER UP

PHOTOGRAPHY: KURT KEINRATH

Two-cylinder, four-stroke, eight-valve, automatic gearbox, electronic fuel injection, catalytic converter: the BMW’s quiet engine generates 60bhp and accelerates to 175kph.

2013 BMW C 600 SPORT Maxi-scooters combine the motorway capabilities of a motorbike with protection from the elements and the practical components of a scooter. They are seen mostly in cities and suburbs, but also have the potential to be opened up on winding country roads.

The BMW C 600 Sport is almost 10 times more powerful, weighs over twice as much and is about one-and-a-half times bigger than the Formichino.

THE RED BULLETIN

A comprehensive set of gauges and digital readouts controlled by an onboard computer www.bmw.com

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Bullevard

TAKING THE RAP

BROOKE CANDY

A rising star of hip-hop hops across the Atlantic into the hip world of catwalk fashion

Born July 20, 1989, Oxnard, California, USA She says “A really strong, feminist chick.”

They say “A post-apocalyptic Li’l Kim.” (‘They’ are Vice magazine.)

Twitter followers 19,166 and rising American idol Julianne Moore, whom Candy hearts.

Distinguishing features Tattoo of sofa on right arm.

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Whether with thigh-length pink braids, live gecko jewellery or unfiltered frankness, outspoken SoCal rapper Brooke Candy likes to leave an impression.

The 23-year-old first appeared last year in the video for synth-pop artist Grimes’ hit Genesis, looking every bit the futuristic warrior she professes to be. She’s since opened for Azealia Banks, recorded with UK singer-songwriter Charli XCX and released three singles of her own, including Das Me, the video for which has been viewed over a million times on YouTube and features a lot of gold lamé.

Now the provocative performer is dipping her toe into the world of fashion, tackling snake issues and planning to take over the planet.   : People think Brooke Candy is a stage name, but is it really your birth name?  : People make that assumption every day, but I can prove it’s my name. I’ll show you my birth certificate.

How did you get started?

When I was a teenager, I discovered I could rap. This guy I was seeing encouraged me to try it, and when I realised I was good I started taking it seriously.

I don’t really remember any of the raps I wrote back

then, though. A lot of stuff about getting money – something I still find important.

Female rap has never been higher on the agenda.

How do you feel about being grouped with other performers such as Azealia Banks?

For some reason, everyone is ready to hear girls rapping right now, but there have been all these amazing girls rapping for the last decade-and-a-half.

It’s good for me, I guess. I’m still coming up, but I got a lot of attention when I released Das Me. Women in the music industry still have it way harder. You would never ask ASAP Rocky how he likes being compared to Kendrick Lamar and Chief Keef, but just because I’m a chick I get compared to these other girls in the industry. It’s bullsh–t.

What was the idea behind the living accessories – geckos and a snake as a hat – you’ve worn in videos?

I just relate to freaky creatures. I’m a reptile whisperer.

I have a pet corn snake, but he is stubborn.

What can you tell us about Red Bull Catwalk Studio in London next month?

It’s an amazing project. I’m writing an original track for designer Alex Mattsson, to showcase his latest collection to at London Fashion Week. I’m really happy to be working with him: his stuff is sick and I love working in London. I got the chance to meet him before we set this up, and I bought one of his sick hats.

Why have you got a tattoo of a sofa on your arm?

I got it when I was really lazy, and it reminds me every day to not be a lazy ass b–tch. The future is world domination.

Red Bull Catwalk Studio: www.redbull.co.uk/catwalkstudio THE RED BULLETIN

WORDS: RUTH MORGAN. PHOTOGRAPHY: VINCENT URBANI

On trend: Brooke Candy has written a track for London Fashion Week

THE TASTE OF CRANBERRY. THE EFFECT OF RED BULL.

THE RED EDITION FROM RED BULL.

Bullevard

ME AND MY BODY

DEREK WEDGE

The Ice Cross Downhill World Champion, 30, on muscle, hustle and homemade safety equipment www.redbullcrashedice.com

DREAD ALERT

3

My hair is my trademark.

I’ve been letting it grow for 15 years and have had dreads for the last 10. Sadly, they’re not very practical for ice cross downhill. I had to cut a hole in the back of my compulsory race helmet to accommodate them.

SICK TRICKS

4

Aged four, I was hit by a car and broke my right leg.

After that it grew slower than my left leg, and it played a part in the herniated disc I suffered two years ago. My back still isn’t right – I feel queasy doing jumps on the ice. I have to work hard to keep my back strong.

1 THIGH STAKES

2 SLIGHT ADVANTAGE I weigh 69kg and took over from 100kg monster Kyle Croxall as Ice Cross Downhill World Champion: size isn’t everything in our sport. Croxall hustles opponents; I rely on speed, thanks to strong leg muscles and a relatively light upper body.

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LIFE MAP

5

So far, I’ve walked away from the Ice Cross Downhill World Championship just with cuts and bruises, but I have other, longer-lasting physical mementoes. The scars on my elbow and knee are from skating. The tattoo by my hip shows my mother’s initials.

THE RED BULLETIN

CREDIT: WORDS: ARKADIUSZ PIATEK. PHOTOGRAPHY: THOMAS STÖCKLI

Hurtling down an ice track on skates at 60kph means that heavy crashes are inevitable. Even if you don’t fall, pain is guaranteed. Your thighs burn from the strain for minutes after every race.

THE TASTE OF LIME. THE EFFECT OF RED BULL.

THE SILVER EDITION FROM RED BULL.

B U L L E VA R D

HARD & FAST

Top performers and winning ways from around the globe

A week after finishing second in the bouldering event at the Military Winter Games, Kilian Fischhuber of Austria registered a Climbing World Cup win in Millau, France.

FULL DISCLOSURE Two brothers follow a smash-hit single with a debut album of uplifting, melodic club anthems. Well, that’s half right…

A year ago, only serious clubgoers and music bloggers knew about the melodic bangers being made by two brothers in their bedrooms in Reigate, south-east England. It was a secret that would not be kept for long: in February, White Noise, by Disclosure featuring AlunaGeorge, reached number two in the UK singles chart. After many late nights at the Red Bull Studio in London, Howard Lawrence, 18, and Guy Lawrence, 21, assembled a debut album that betrays the brothers’ love of house and garage music. “Everyone loves garage,” says Howard.

At a Saber World Cup event in Antalya, Turkey, Ukrainian fencer Olga Kharlan (second from left) won after narrowly beating American Olympic champion Mariel Zagunis.

A Hollywood-scripted victory for Marvin Musquin at the Indianapolis 250 Supercross: the French motocross racer overtook every other rider to go from dead last to first place.

Guy (left) and Howard Lawrence

  : What a difference a year makes. : I was in college and doing Disclosure. Eventually I got kicked out because I would turn up to class seven hours late, saying, “Sorry I was in Hamburg” or something. The teachers didn’t take too kindly to it.

Is it hard for two brothers to make music? : If one of us makes something, and the other person doesn’t like it, the usual response is ‘Get rid of it.’ There’s no bullsh–t in between. It is a good thing. We get through it quicker. : We don’t really argue that much.

What can we expect from the album? : The only idea was that we definitely wanted to have 50 per cent fully vocal tracks that could work well for people to catch on to and sing along to, and 50 per cent club tracks. : Just having solid garage music for 50 minutes is kind of relentless. You’ve got to have some variation in there, in every form: speed, concept, feel, melody.

Settle (PMR/Island Records) is out in early June: www.disclosureofficial.com

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THE RED BULLETIN

WORDS: FLORIAN OBKIRCHER. PHOTOGRAPHY: ATHENA ANASTASIOU, GETTY IMAGES, HEIKO WILHELM, NFFU.ORG, CUDBY S./KTM IMAGES. ILLUSTRATION: DIETMAR KAINRATH

Hawaiian surfer Carissa Moore emerged victorious at Bells Beach to secure two wins in a row in Australia (the other was at Margaret River) and take the lead on the ASP World Championship Tour.

THE TASTE OF BLUEBERRY. THE EFFECT OF RED BULL.

THE BLUE EDITION FROM RED BULL.

Bullevard

LUCKY NUMBERS

THE UNBREAKABLES Some records are there to be broken. Others, meanwhile, are there to be forever puzzled over and admired from afar. Like, very afar

2,857

Michael Phelps

Wilt Chamberlain

The best ice-hockey-player of all-time is, fittingly, a Canadian: Wayne ‘The Great One’ Gretzky, who broke 61 NHL records in his career (1979-1999). Some of those marks have been bettered, but the 2,857 season points he scored in his career – 894 goals and 1,963 assists – will never be topped. The leading active player, Jaromir Jagr, has 1,653 points.

An Olympic gold medal is the peak of many careers in sport.

Exceptional athletes like Larisa Latynina (gymnastics), Mark Spitz (swimming) and Carl Lewis (track and field) scooped nine of them. US swimming star Michael Phelps brought his career to a close after the 2012 Olympics with 18 golds. He amassed a total of 71 medals at Olympics, World Championships and Pan Pacific Championships.

Jack Burke

100

“He looked like a Rolls-Royce in a field of Volkswagens,” said racetrack manager Chick Lang, of the fastest flat racehorse in history. Thoroughbred stallion Secretariat romped home 31 lengths ahead of the rest of the field at the 1973 Belmont Stakes in 2m 24s, winning the US Triple Crown in the process. No other horse has ever run the 1.5-mile course in less than 2m 26s.

Georgia Tech annihilate Cumberland

111

Andy Bowen and Jack Burke met in a New Orleans boxing ring on April 6, 1893. There still wasn’t a winner after seven hours and 19 minutes, there being no fixed number of rounds in a bout at the time. When the gong sounded for round 111, the two human punchbags, at this point boxing with broken knuckles, remained in their corners. At 4.43am the judge called no contest: after all that, it was a draw.

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On March 2, 1962, basketball legend Wilt Chamberlain scored 100 points for the Philadelphia Warriors against the New York Knicks. Only Kobe Bryant of the LA Lakers has ever scored more than 75 points in an NBA game: 81, against the Toronto Raptors in January 2006. Of the 22 instances of a player scoring 65 points or more, Chamberlain did it 15 times.

222

Secretariat

Wayne Gretzky

Cumberland College took to the field against Georgia Tech in Atlanta on October 7, 1916.

Cumberland had discontinued its American football programme, but not fulfilling the fixture would have resulted in a then-huge fine of US$3,000. A hastily assembled team conceded 32 touchdowns and lost 222-0. It could have been worse: it was 126-0 at half-time.

THE RED BULLETIN

WORDS: ULRICH CORAZZA. PHOTOGRAPHY: GETTY IMAGES (3), PICTUREDESK.COM (3)

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18

WINGS FOR ALL TASTES.

THE TASTE OF CRANBERRY, LIME OR BLUEBERRY. THE EFFECT OF RED BULL.

Flipping marvellous: “The kickflip is my favourite trick,” says pro skateboarder Torey Pudwill

Bullevard

WINNING FORMULA

THE KICKER

PHOTOGRAPHY: ATIBA JEFFERSON/RED BULL CONTENT POOL. ILLUSTRATION: MANDY FISCHER

A skater and a scientist reveal the secrets of the kickflip, skateboarding’s classic trick PHYSICS ACTIVITY “If you want to take off on a skateboard, you have to use its leverage,” says Dr Martin Apolin, physicist, sports scientist and lecturer at the University of Vienna. “The board tips up over its rear axle if you shift your weight onto the back foot (fig. 1 and 2).

“As the leverage at the front is much longer, the board’s centre of gravity, CoG, located roughly in the middle, rises much more rapidly. Even if the tail, the rear end of the board, touches the ground, that doesn’t prevent this movement occurring. Due to inertia, the board flips up and takes off, a bit like if you were to hit down on the prongs of a fork. The board now rotates anti-clockwise around the depth axis. But how do you get it to rotate around the longitudinal axis too?

“The angular momentum, L, of an isolated system, eg the skateboard, is constant. Or to put it another way, the board cannot begin to rotate around the longitudinal axis by itself.

It needs to be set in rotational motion by torque, M – that is to say, a force that works independently of the body’s centre of gravity. Thus M = ∆L/∆t. Our skater does this by bringing his front foot over the outer corner of the nose (the front end of the board). This makes the board spin around its depth axis and around its longitudinal axis (fig. 2 to 5).

“Now skater and board fly through the air in isolation until the board has spun once around its longitudinal axis. During this stage of flight, the skater makes use of inertia once again. The skater and board’s horizontal speed is preserved during the free flight because air resistance is negligible. At the end of the trick (just after fig. 4) the skater touches the board with his rear foot, stops it – thus again producing torque – and gets back on.

“To put that into numbers, the board’s longitudinal rotation lasts about 0.2 seconds (from fig. 2 to just after fig. 4), meaning it has to rotate at some 5rps or 300rpm! While doing so, the board also turns up to 90 degrees around the depth axis, in a clockwise direction. At the moment the skater ‘gets back on’ the board, at the highest point in its trajectory, we can calculate the change in height using h = (g/2)t² = 0.2m. A vertical ‘kick speed’ of v = √2gh = 2m/s is therefore required. If you kick off more slowly, the board will need to rotate more quickly. The challenge is to quickly co-ordinate two rapid partial movements.”

PHYSICAL ACTIVITY “An average skater has to practise the kickflip for about a year before mastering it,” says US pro skateboarder Torey Pudwill (left). “The best way to train first is on grass. You can land the trick safely there, then gradually build in confidence.”

Put “pudwill kickflip” into YouTube to see the man in action: www.youtube.com

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Mountain-bike heaven: pick your favourite venue and ride until the sun goes down

32

THe WO R L d ’ S B e ST BIke TRAILS

Breathtaking views, great journeys, uninterrupted mountain biking. Where should you go if time and money are no o b j e ct ? H e r e a r e e i g h t d r e a m d e st i n a t i o n s for that ultimate adventure on two wheels

photography: ale di lullo

words: werner Jessner

1

WI LDE RN E S S TRAI L FRASE R RIVE R CA NA DA

BRITI SH COLUM BIA I S TH E MOUNTAI N BI KE R’S GREATE ST NATURAL PLAYGROUND

LOCAL GUIDE DARREN BERRECLOTH Freeriding legend

GETTING THERE British Columbia is the mountain biker’s greatest natural playground. Your starting point is Williams Lake, a seven-hour drive north-east of Vancouver. The Fraser River stretches for almost 1,400km, from the Rocky Mountains to Vancouver. The locations Berrecloth refers to can only be reached by boat.

COSTS River trips start at C$125.

ACCOMMODATION A tent by the river.

WHEN TO GO July to September.

OFF YER BIKE Salmon fishing and then a barbecue with eagles, bighorn sheep and bears for company. www.jetboatadventures.com

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PHOTOGRAPHY: JOHN GIBSON/RED BULL CONTENT POOL, MATTIAS FREDRIKSSON (2), CREDIT: CRISPIN CANNON/RED BULL CONTENT POOL (2), IAN HYLANDS/RED BULL CONTENT POOL (2)

“My bike and I travel the world, always on the lookout for the perfect location. The mighty Fraser River, Western Canada’s lifeline, is practically in my front yard and provides perfect conditions. The ground is hard enough to shape crazy lines, but still soft enough for good grip.”

2

Th e classic whistle r cana da

“Whistler has history in the MTB world.

It was the first place where a ski resort became a full-on bike resort in the summer.

That means the trails there have grown and evolved to a greater extent, too. Because of Whistler’s reputation, people from all over make the move to town.

There are always people here keen to ride, which is another big reason why Whistler has one of the best riding environments.”

local guide Brandon Semenuk 2012 Freeride Mountain Bike World Tour champion

People move to whistle r for th e mountai n bi ki ng

getting there Just under two hours by car from Vancouver. accommodation From hotels to apartments, Whistler is ideal for every budget and every group size. costs Day passes start at C$56. when to go June to September. off yer bike There is no off yer bike. In summer, everything here revolves around mountain biking. You can have a good time people-watching as you sit and have a beer and eat burgers downtown. bike.whistlerblackcomb.com

3

NON-STOP GRI P BIG WATE R USA

LOCAL GUIDE DARREN BERRECLOTH Freeriding legend

“I sought out this destination for [new mountain biking film] Where the Trail Ends for three weeks. The bentonite terrain is navigable every which way and when it comes to scenery, Utah is one of the most beautiful places on Earth. Even though I grew up by the water, I’m discovering the magic of the desert more and more.”

36

GETTING THERE Flight to Las Vegas or Salt Lake City, then a threeto four-hour drive. Big Water is a designated recreational area, so biking here is not just allowed, it’s encouraged.

ACCOMMODATION Big Water is a small town with just over 400 inhabitants.

There are a few rooms for the few tourists.

COSTS Free to ride.

WHEN TO GO Pretty much all year round.

OFF YER BIKE The Grand Canyon may be unbikeable even for the most experienced freerider, but it’s still worth making a detour for (at about 320km south). www.bigwatertown.org

photography: Scott Markewitz/Red Bull Content Pool, Ian Hylands/Red Bull Content Pool

Utah is one of th e most beauti ful plac e s on Earth

4

H I MALAYAN FOOTH I LLS MUSTANG N E PA L

“Sick downhills, flowing single trails and sleek cross-country routes against the breathtaking backdrop of the Himalayas. My favourite trail leads to what used to be the royal city in Mustang, Lo Manthang, which UNESCO has described as unique.”

TRAI LS WITH A BREATHTAKI NG MOUNTAI N BAC KDROP

PHOTOGRAPHY: BLAKE JORGENSON/RED BULL CONTENT POOL (2), CREDIT: CHRISTOPH MALIN, RICHARD BULL, HOLZKNECHT SEEFELD

LOCAL GUIDE MADS MATHIASEN Tour guide

GETTING THERE Mustang lies in the shadow of Annapurna. The nearest airport is at Jomsom, and the nearest large one at Kathmandu. Here you start your journey with guides.

ACCOMMODATION In tea-houses run by locals.

Alternatively; camping.

COSTS The Upper Mustang permit costs US$500 and is valid for 10 days. You should budget for between US$100 and US$250 a day in Nepal.

WHEN TO GO Mid-April to the end of June.

OFF YER BIKE Contemplate the fragility of man while standing in the shadow of Dhaulagiri and Annapurna, respectively the world’s seventh- and 10th-highest mountains. www.himalayan-trails.com

5

ALPI N E VARI ETY TYROL AUST R I A

“Thanks to our mountains, the conditions for biking in the Tyrol are ideal.

The infrastructure has not been up to scratch, but that is changing now. The Nordkette mountain range near Innsbruck, Steinach am Brenner and Serfaus combines scenery with fun riding.”

LOCAL GUIDE GEORGY GROGGER Bike-park developer

GETTING THERE Fly to Innsbruck or Munich.

ACCOMMODATION Widely available at all price points: this is a place geared for visitors.

COSTS Day tickets for the bike parks cost around €30.

WHEN TO GO Late summer, with its clear air, bright colours and well-rutted tracks.

OFF YER BIKE Innsbruck has an almost Italian sense of urbane relaxedness (helped by a large population of students) to counter the cliché of men yodelling in lederhosen. www.tyrol.com

CONDITIONS FOR BI KI NG I N TH E TYROL ARE I DEAL

39

6

TH E OTH E R PE LOTON ALPE D’ HUE Z F R A NCE

LOCAL GUIDE RENÉ WILDHABER Six-time Megavalanche winner

“Megavalanche in Alpe d’Huez is the world’s biggest downhill marathon and is open to both amateurs and professionals. About 2,000 bikers make a 2,500m descent from the summit of Pic Blanc. The quick riders manage it in 50 minutes; slow ones take half the day.”

GETTING THERE A classic mountain drive around 21 hairpin bends made famous by the Tour de France. Nearest airports are Turin and Grenoble.

ACCOMMODATION An apartment or hotel will form part of the package you book to take part in the race.

COSTS The race and lift ticket costs €55.

WHEN TO GO Megavalanche week is July 8-14, 2013.

OFF YER BIKE Tartiflette, the speciality of the French Alps, made with onion, potato and bacon under a ton of melted cheese.

It could feed an army. www.megavalanche.com

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A 2, 500M DE SC E NT, I N 50 M I NUTE S OR HALF A DAY

photography: Stefan Hunziker, Lukas Maeder/Red Bull Content Pool

7

HOTTE ST PEAKS TURPAN, GOBI DE SE RT CH I NA

LOCAL GUIDE JACK HO Tour guide and organiser

CREDIT: PHOTOGRAPHY: JOHN WELLBURN/RED BULL CONTENT POOL, GRAEME MURRAY/RED BULL CONTENT POOL (3), JACK HO

MOUNTAI NS AS I F MADE FOR DOWNH I LL

“The flaming mountains of Turpan look as if they were made for downhill.

They form a picturesque playground, as you can see in Where the Trail Ends. Turpan is the hottest place in China.

Even the toughest mountain bikers lose their enthusiasm in summer temperatures of over 40 degrees.”

GETTING THERE Beijing, then a domestic flight to Urumqi, then a three-hour drive to Turpan.

ACCOMMODATION In a hotel. Budget for US$50 per night.

COSTS Visa US$120, domestic flight about US$400, shuttle buses on site depend on the route and number of people.

WHEN TO GO March, April and October are when the temperatures are most bearable.

OFF YER BIKE Turpan lies on the Silk Road which means the most varied of cultures have left their mark here for 2,000 years. www.wherethetrailends.com

8

WOODLAN D PARADI SE ROTORUA N EW Z E A L A N D

TH E BE ST-VALUE TOP- C LAS S TRAI LS

LOCAL GUIDE BROOK MACDONALD World-class downhiller

“Rotorua’s got it all: endless XC trails and a great downhill course. Both are just a few minutes out of town and you can ride them all year round. Only Whistler is better – especially its downhill – but Rotorua is a lot better value.”

GETTING THERE Auckland’s international airport is four hours’ drive north.

ACCOMMODATION Motels, cottages and lofts attuned to bikers’ needs very close by. Alternatively, hire a mobile home in Auckland.

COSTS Shuttle bus NZ$10.

WHEN TO GO January, when it’s summer and the weather is warm.

OFF YER BIKE Relax in Rotorua’s thermal springs. www.riderotorua.com

More mountain bike action in The Red Bulletin tablet edition

43

MARK WAHLBERG

FROM

SINNER TO SAINT Words: Rüdiger Sturm Photography: Dewey Nicks/Trunk Archive

Mark Wahlberg is quiet – his gestures, his glances, his fading sentences – and the reason is obvious: lack of sleep combined with an overdose of interviews.

But there’s an underlying intensity that cannot be extinguished by temporary fatigue. It’s exactly the same kind of presence the 41-year-old has on screen. He seems innocuous at first, but his authenticity creeps up on you, and it feels more real than with 99 per cent of other actors. That goes for his roles in thrillers and dramas 44

In a good place: having seen the grittier side of life, Wahlberg is now on the straight and narrow

such as Three Kings, The Departed, The Fighter and Broken City, as well as the blockbuster comedy Ted and this year’s Pain & Gain, in which he does both funny and fierce. This quiet force doesn’t stem from his Hollywood experiences, or from his days rapping as Marky Mark. It is the aura of a person who has fought much harder battles.   : Is it fair to say that you used to be a bad boy? : Let’s say, I was a petty criminal for a while, but I was lucky enough to be able to get clean, unlike most of my friends from that time, who are dead or in jail.

Today, the only real vice I have is golf.

You even served 45 days of a two-year sentence for assault. How does a jailbird become a Hollywood star?

Sometimes I ask myself that question.

I just had a drive and a desire to turn my life around. I was completely committed to do something positive.

Not that I ever thought I would have this kind of journey. But I worked very, very hard. Coming from nothing inspires you to go out there and make something happen. Some people are complacent and content with the situation that they are in, but I had other plans.

When exactly did you decide to change your life?

It’s a process. Hearing the sound of the jailhouse doors closing – that was one of those moments. For me it was like, “Wow, this is not where I want to be. This is not the direction I want to go in. I have to start to get my head in the right place.”

Isn’t that easier said than done?

Of course, because I still lived in the same neighbourhood after I got out. I didn’t want to be in the gang anymore, but I had to see those guys every day. And if you are not with them, you are against them.

It becomes that much more difficult.

What happened? Were you attacked?

I had quite a few confrontations and altercations, but I didn’t want to fall back into that whole thing. And now I want to inspire other kids to do the same. It’s why I created a foundation for children in difficult neighbourhoods in the Boston area where I grew up.

Is this why you choose to play characters on the wrong side of the law – this year’s Broken City and Pain & Gain being just two examples?

Yes, it is, because for these I am able draw on my life, and I always try to find roles that I can identify with. Here I use all of 46

my experiences in a positive way, and because of that I can convey the feelings of these characters better than through some technique or method. Whereas sometimes, when I see other actors playing such parts, I go, “This doesn’t ring true to me.”

So you’re revisiting your old demons when you’re acting?

Exactly. For me, acting is exploring a dark side of myself, and that’s why I like extreme characters. The whole thing is therapeutic. At the end of a day of work, I like to feel gratified by having exorcised my aggressions, my passions, my emotions – so I can say that I have tamed my demons.

To what extent are your children aware of what you experienced?

They are still young: nine, six, four and three. And I’m not telling them anything until I have to. I will wait until the last possible second.

But you will tell them about it?

I certainly don’t want to hide my past.

But I don’t want it to make it seem: “Daddy went through bad stuff and he came out OK. We can do what we want, it will work itself out.” Because that’s not the case. I don’t know any other success stories of people who survived the kind of place I grew up in and the choices that I made and still have the freedom and the luxury to talk about it.

Will you be more understanding if one of them wrecks your car?

We’ll see. We’ll cross that bridge when we get there.

Overall, your jail time seems to have had a pretty positive effect on you.

Not with regards to my relationships with women. I was a very nice guy early on – the first time I fell in love, and when I was in jail, she denied me, she didn’t want to wait for me. I don’t want to blame her now, but my heart was broken, and I decided: I am never giving my heart to a girl any more. Everything, but not that. And I ended up hurting a lot of people along the way. It was not until I met my wife and we had our daughter that I went, “Oh my God, this is

BUILDING

T H E GR E AT

WAHL

Mark Robert Michael Wahlberg was born in Boston, USA, on June 5, 1971, the ninth of nine children. By the age of 14, he was freebasing cocaine. Two months before he turned 17, he attacked a man with a piece of wood, and served 45 days of a two-year jail sentence. Aged 20, he had a US number one hit single, Good Vibrations, as frontman of Marky Mark and The Funky Bunch. The eighth of those nine Wahlberg kids, Donnie Wahlberg, of New Kids On The Block, produced his younger brother’s record.

In 1992, he appeared, splendidly sixpacked, in Calvin Klein underwear adverts that resonated worldwide. He parlayed that fame into acting, first with a small part in a 1993 TV film, The Substitute; his first lead role, in Fear, came in 1996. A year later, as porn star Dirk Diggler in Boogie Nights, he showed his acting chops and more besides. Star turns in films as diverse as Three Kings, Planet Of The Apes and I Heart Huckabees followed. Playing a diamond-hard cop in The Departed in 2006 won him a Best Supporting Actor Oscar nomination. He has produced four TV shows for HBO, including Entourage – based on his Hollywood experiences – and Boardwalk Empire.

THE RED BULLETIN

Serious side: “My faith and belief are set in stone”

happening to me for a reason.” So now I have the utmost respect for women and I teach my boys that. They shall not take the path that Daddy took.

What is the most important lesson that you’re teaching your kids?

To love and to serve God. From this, everything else will follow.

So you are a believer?

I’m a practising Catholic. I go to church every Sunday, because I have a lot to repent. You have a long way to go if you don’t want to end up in hell. I start the day by getting on my hands and knees and reading my prayer book.

My faith is what has enabled me to be the father and the husband that I am. To accomplish all the things that I have set out to accomplish, personally and professionally.

What do you say when other people don’t take your faith seriously?

Everybody’s entitled to their own opinion.

I’m not going to change mine. I am a pretty open-minded guy, but my faith and belief are set in stone, even though I don’t try to beat people over the head with it.

A lot of Christians were willing to die for their religion. Would you be able to?

I would hope so. But you never know.

Remember what Jesus said to Peter: “Before the cock crows, you’ll betray THE RED BULLETIN

me three times.” And he did, even though he was one of his most beloved apostles.

Are there other situations in life when your faith comes in handy?

Dealing with loss, dealing with heartache.

My sister passed away the same day my first daughter was born. My dad passed away – those are difficult things to deal with, but because of my belief in heaven I wanted to celebrate the life and the experiences that I had with him. So my faith helps me to realise what’s important.

Do you think your dad is alive in some other form of existence?

Oh my God: I see him so much in my younger son. Even the way he moves

“HEARING THE JAIL DOORS CLOSE WAS A LIFECHANGING MOMENT”

around, the way he talks. He is grumpy.

My son’s got this old man thing going on. It’s incredible. He has all my dad’s mannerisms. My wife sees it, too.

As a devout Christian, you must be familiar with ‘turning the other cheek’.

What does a former gang member and current action star make of this?

It is hard to put into practice, but I try to as much as possible. But it’s hard, because there is a part of me who is like, “You do something to me, I’m going to mess you up and then maybe you can forgive me.”

When was the last time somebody had to forgive you?

That would be my wife. My sons are obsessed with paintball guns, and they asked me whether they could shoot somebody. I said no, but I have a friend who has been in a couple of movies, where he takes real punches. He is very tough. So they went, “Can we shoot him?”

I said, “You have to ask him.” So he said yes, and we started shooting at him. We were dying laughing, and we got it on video where we kept watching it. Until my wife found it. She was so upset with me. I got yelled at no end. I was in the doghouse for that for a long time.

Your wife calls the shots. Have you made many sacrifices for her?

I had to make some tough decisions, for sure. When I met her, I was living with five or six of my friends in an apartment, but I knew that there could be something special with her. So I decided that I was going to move out of that apartment and buy my first home. All of my friends were planning on coming with me, but when I actually bought the house, I said, “I hate to break it to you guys, but you are not coming with me.” I got rid of all of them.

Don’t you miss those times?

Those guys were bad influences, we were all partying too much. You’d be amazed how much you can accomplish once you stop drinking and going out at night.

Sometimes I’m up at 4.30 in the morning to play basketball; at 6.30 I get the kids out of bed and get them off to school.

Are they nice kids, as opposed to the young Mark?

Of course – but my four-year-old always tries to punch me in the nuts. Sometimes he gets me when I’m not looking, and it really hurts. Then again, when I see him I can’t help but laugh, and that’s the best medicine. Everybody should laugh and smile a little bit more.

Then make us smile right now.

Just think of me filming Boogie Nights, with a huge rubber penis glued to the real one. www.brokencitymovie.com www.painandgainmovie.com

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Name Olga Kostyantynivna Kurylenko Born November 14, 1979, Berdyansk, Ukraine Languages Russian, English and French First role Carole, in a 2001 episode of adventure TV show Largo Winch. The credits misspelled her as ‘Kutylenko’.

Serious role Marina, Ben Affleck’s lover in art-house drama To The Wonder (2012).

“I can dismantle a Rohrbaugh R9 pistol in eight seconds”

OLGA KURYLENKO

Future Perfect The Franco-Ukrainian actress, darling of both action and art-house movies, talks modelling myths, firearms and rallying in spaceships with Tom Cruise Interview: Andreas Rottenschlager

Olga Kurylenko’s new film is the sci-fi action flick Oblivion, in which she co-stars with Tom Cruise. The former model has form in big-budget adventures: her career took off in 2008 when she played the role of agent Camille Montes in Quantum Of Solace: a no-nonsense Bond girl who goes through blood, sweat and bullets to avenge her parents’ murder.

PHOTOGRAPHY: UNIVERSAL

  : Can you still take a Rohrbaugh R9 pistol apart in eight seconds?  : The weapon I used in the Bond film? Of course I can. I spoke to my shooting trainers quite recently. They’re still amazed today how I could dismantle the thing so quickly. By the end of filming I could do it quicker than them.

When did you last call Daniel Craig?

I haven’t ever. He never gave me his number!

What’s your most vivid childhood memory of Berdyansk?

I would swim in the sea until I was blue in the face. I used to spend whole days on the beach when I was a child. My mother couldn’t get me out of the water.

A modelling scout discovered you when you were 13 and you moved to Paris alone when you were 16. What did your mother give you for the journey?

She said, “Be happy. You’re going to see Paris. That’s your reward, even if your

Olga Kurylenko was born in Berdyansk in southern Ukraine, a grey, industrial city on the Sea of Azov, in 1979. Her parents divorced when she was three, and she grew up with her mother and Space time: Kurylenko with Tom Cruise in Oblivion grandmother in an apartment they career goes wrong.” She could never have shared with several adult relatives. She afforded to send me on such a trip. There’s learned to play piano and took ballet a Russian saying: “See Paris and die.” I’ve classes. These were the final years of always been fascinated by the city. a collapsing Soviet Union.

Two years later you were on the cover of Vogue. What do you think of find-aYou grew up in very modest model TV shows? circumstances. How did that affect you?

If I had a daughter, I wouldn’t let her take When you’re living on the breadline, you part in them. I don’t think competition learn at some point to deal with it. You is good for children’s minds, when you realise how little you need to survive. constantly have to wonder what will happen I think it’s harder to come from a rich if you lose. I just started working. I would home and then become poor. I can afford take my daughter to one side and explain a comfortable lifestyle now. But I don’t need to her how the business really works. any more than I was used to in the past.

THE RED BULLETIN

In Oblivion, Tom Cruise plays one of the last men standing on a destroyed planet Earth – a human version of the Pixar robot Wall-E. Alongside him appears Kurylenko, playing a mysterious woman who emerges from a crashed spaceship. The film, set 60 years from now, is a blizzard of special effects hiding an interplanetary conspiracy.

What will life be like in 2073?

I hope that our planet will still be here.

Maybe we won’t drive cars any more, but fly through the air on bubbleships [the futuristic spacecraft featured in Oblivion] instead. That would stop us getting stuck in traffic jams in the morning.

What is Tom Cruise like?

Tom is the consummate professional. He doesn’t just come onto set and act. He discusses every single scene, right down to the finest details. We sat down at a table before we started filming and ploughed our way through the script. Both of us had the opportunity to make suggestions regarding our characters or to improve the dialogue. Tom is very conscientious about his work and he expects the same commitment from the people he’s working with.

What was the greatest challenge on the set?

We had this bubbleship prototype.

The cockpit was suspended on a crane.

It could be rotated to simulate the nosedives you see in the film. It felt as if you were sitting in a washing machine on the spin cycle. It took me a month of training to finally stop feeling sick!

Oblivion is out now: www.oblivionmovie.com

49

NICK RYAN

High Drama While filming on K2, the director came close to those whose story he tells in a gripping new movie about the mountain’s fatal draw

Before location shooting in Pakistan for his award-winning film The Summit, Nick Ryan felt the need to make out a will. It remains sealed, but he endured potentially fatal oxygen deprivation and a death-defying helicopter ride high in the Karakoram mountain range.

Ryan, an energetic 43-year-old Dubliner, lived to tell two tales: his world altitude record for filming from a helicopter – flying close to the summit of K2 – and a raw, harrowing documentary of a doomed 2008 expedition on the same peak.

The film’s success in January at the Sundance Festival, where it won a Best Editing award, led to the rare accolade, for a film of this type, of a general cinema release in the USA this autumn. Seamlessly splicing reconstruction footage with video shot on the expedition, Ryan tells the story of the 11 climbers who lost their lives in one disastrous day on the world’s secondhighest, and most dangerous, mountain.

“For a lot of people, this is kind of a first-world problem,” says Ryan, of the fateful trip, though he could just as easily be talking about his own experience.

“It’s a choice to climb a mountain, and people can find it hard to sympathise with those who do it, but I hope people see the film and feel differently” Climbers in his film talk of ‘summit fever’, the impulse to strike for the top of a mountain even when conditions suggest otherwise. The syndrome could explain the crew’s excitement after a week spent waiting for clearance at a Pakistani army base 70 miles from K2.

Ryan, cameraman Stephen O’Reilly and engineer Mike Wright, and a team of army pilots agreed to set off for a glacier beneath K2 at dawn on their final day.

Gambling that once they got close to K2 no one would head back, Ryan manned the joystick controls of the Cineflex camera as the pilots climbed 50

Portrait: Clíona O’Flaherty

for the fabled Bottleneck area near the summit, site of the ’08 tragedy. “When you see K2, it strikes fear into your heart,” says Ryan. “It stands out on its own like a big, jagged tooth. It’s like looking at a monster that has been haunting you for years.

“I had oxygen, but not enough for an entire flight. You’re meant to put the mask to your face every five minutes,

“Looking at K2 is like looking at a monster that has been haunting you for years” but I was so busy operating the camera that I forgot to take any. I’m looking at the Bottleneck and I hear, ‘Mr Nick, we can’t fly any higher.’ I said, ‘How high are we?’ The pilot said, ‘23,500 feet.’” That’s 7,162m, about 1,200m above the safe operating ceiling of the single-engined Eurocopter Ecureuil. Ryan knew then why his pilots’ squadron is known as

the Fearless Five. O’Reilly, in a second helicopter, shot still photos at 7,620m.

The euphoria didn’t last. A subsequent lower-altitude flight, with Wright taking O’Reilly’s place in the second helicopter, almost ended in tragedy. Ryan began to feel what he thought was the onset of flu. Wright’s Ecureuil suffered engine failure and plummeted towards earth.

Remarkably, the pilot managed to crashland on a tiny platform without injury.

When Ryan’s chopper doubled back to search, they were amazed to find Wright and crew waiting safely for them.

After landing, Ryan’s pilots toiled to clear a clogged fuel line, as his socalled flu morphed into hypoxia – the altitude sickness caused by a lack of oxygen, which can be fatal. Getting Ryan down to a safe altitude took priority, and the pilots again pushed the envelope in a treacherous take-off.

As the helicopter weaved in and out of massive glacial boulders, in the struggle for lift, Ryan found himself detached from the peril of his situation by the dizzying effects of his illness. It helped him to understand the kind of decisions faced by fellow Irishman Ger McDonnell who, having achieved a life’s ambition to scale K2 in 2008, died on the descent trying to help fellow climbers to safety.

McDonnell broke the mountaineer’s golden rule about protecting your own life first, a decision central to the story of The Summit and one for which Ryan now has greater empathy.

“Anybody watching the film would like to think that they would do what Ger did. Everyone thinks they would do that, but we’re showing a situation where that isn’t always the case. What I thought of the climbers and what they were doing in 2008 versus what I think in 2013 is quite different. I hope people get that.” www.thesummitfilm.com

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FILM STILLS: NICK RYAN

Words: Declan Quigley

Peak performance: Nick Ryan’s The Summit is out later this year

Name Nick Ryan Born April 21, 1969, Dublin

CREDIT:

Directing Pilots Aside from The Summit, Ryan has made two shorts about airmen: A Lonely Sky (2006) and The German (2008) Two By Two Ryan was invited to search for Noah’s Ark on Mount Ararat by Apollo astronaut James Irwin. Unfortunately, he couldn’t go. (Irwin went, several times, but did not find it.)

BRAVE NEW WORLD WHY DOES A WORLD CHAMPION CHANGE SPORTS AT THE PEAK OF HIS POWERS? AT CASEY STONER’S FIRST SUPERCARS RACE AFTER HIS SUCCESSES ON TWO WHEELS, THE RED BULLETIN FINDS OUT

PHOTOGRAPHY: MARK HORSBURGH

Words: Josh Rakic

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PHOTOGRAPHY: GETTY IMAGES (2), MARK HORSBURGH

Clockwise from above: Stoner is surrounded by fans at the Clipsal 500 in Adelaide; (l-r) Jamie Whincup, Casey Stoner and Mark Webber in the pitlane during the Top Gear Festival in Sydney, Australia; the reluctant celebrity poses by his Holden Commodore during the launch of the Dunlop Development V8 Supercar Series in Adelaide

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ead lowered, a low-slung cap worn as a sort of protective visor, it’s obvious Casey Stoner is uncomfortable. He’s trying to nudge his way through a heaving crowd desperate to get a piece of the two-time MotoGP world champion.

Politely smiling and waving for photographs, putting his signature to paraphernalia along the way, he struggles through the noise on the most pressing of adventures – that of the prerace bathroom search. There’s a sense of anxiety around the self-described introvert, because while Stoner, at 27, has a dozen years of Grand Prix motorcycle racing behind him, fame and fortune remain uneasy companions.

Today, in Adelaide, on the second of two race days at the Clipsal 500, he has no chance of avoiding the limelight.

Stoner is the star attraction on the weekend of his eagerly awaited V8

Supercars debut, driving for the Triple Eight Race Engineering team in the Dunlop Development V8 Supercar Series.

Stoner’s defection to the second tier of Australian touring cars from the highest level of two-wheeled racing with the Honda factory team, is as exciting for local fans as it is disappointing for MotoGP. It is no coincidence, and testament to Stoner’s standing in his home country, that Australian broadcasters are in Adelaide to show a race from this series live for the first time.

When Stoner’s decision was announced, it was a puzzle. Why pick a little-known Australian series instead of the World Rally Championship, NASCAR or IndyCar? “I’m not looking to go out and beat the world again. I’m looking to race where I can enjoy life and settle, and not drag the family around the globe,” says Stoner. In 55

“I’M NOT A HERO. I’M JUST A BLOKE WHO LIKES HIS FAMILY, FISHING, RACING AND WINNING”

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PHOTOGRAPHY: GETTY IAMGES (2), DANIEL KALISZ, MARK HORSBURGH

Clockwise from left: getting mentally and physically prepared for a race; Stoner picks up speed during race two of the Dunlop Development V8 Supercars Series; taking the wheel; these boots are made for racing

the team truck, away from the hustle, his baby daughter Alessandra a bundle of smiles on his knee. “V8 Supercars is something I’ve enjoyed watching for many years and I’ve always had an interest in racing in this championship.”

Stoner says that, well into his teenage years, he largely kept to himself and, other than the company of wife Adriana, spent most of his eight years in MotoGP in relative isolation. It’s not that he is anti-social, it’s more to do with the fact that he finds solace in his home life.

“Some people want to be famous and be well-known and go to all the parties and be seen in all the magazines, but that’s not us,” Stoner says. “It never has been. I’ve loved motorbikes and cars since I was a kid and just happened to be pretty good at it. It’s never been about the money for me. I’m not a hero, just a bloke who likes fishing, bikes, a few beers with his mates, his family and racing. And winning,” he says, with a grin.

He’s not pretending to be an I’m-notfamous superstar. One thing Stoner is not is false. At home, wearing simple blue jeans and plaid shirt, with the trademark short-back-and-sides that’s served him well since he broke into MotoGP in 2006, Stoner is everything he claims to be and nothing more. He doesn’t easily adapt to change, nor pretend to. On his move from Ducati to Honda, after the 2010 MotoGP season, he took with him as many key 57

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Clockwise from above: Casey takes time out With fellow Australian champion Jamie Whincup; round one at the Clipsal 500; on goes the helmet and he’s ready to race

Stoner’s car and motorcycle race number, arrived at Honda after working for Ferrari and Renault in F1, at the same time as Stoner. Along with superbike rider Chaz Davies and Alpinestars athlete support manager Chris Hillard, he forms Stoner’s group of close friends. The three are in Adelaide to offer their support.

“If you are one of the few let in to that circle, it’s something that must be treated carefully and respectfully,” Edwards says. “In private, away from the limelight, Casey has a great sense of humour and is a very warm and generous person. It’s a shame that 99 per cent of people will never see this side of him.”

Stoner’s only special request is an insistence on lactose-free meals, but he does it to prevent a serious allergic reaction that would sap his strength.

Where possible, he eats what’s served to everyone else in the Triple Eight garage.

He prefers not to stand out, but rather be an equal part of the team. He persistently refers to “us” rather than “me” when speaking about his racing. He knows what he likes and, more specifically, he knows what he doesn’t like – being a hero.

“Many people misunderstand Casey and especially his attitude towards the media and fans,” Edwards says, “but I know he is genuinely grateful for the people who support him. He’s just very shy and he honestly doesn’t like all the attention. With the media, he

PHOTOGRAPHY: MARK HORSBURGH (2), DANIEL KALISZ

staff as possible, to stay surrounded by people who had earned his trust over several years. Those who know him well viewed his move to V8 Supercars with some trepidation, knowing that from a work standpoint at least, he would be well out of his comfort zone.

“He’s very careful who he lets in to an incredibly small circle of trust,” says Honda Racing communications manager, Rhys Edwards.

Edwards, who has the number 27 tattooed on his left wrist, in honour of

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“IT’S A SHAME THAT 99 PER CENT OF PEOPLE DON’T SEE WHAT CASEY IS REALLY LIKE”

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Power ranger: Stoner has been following V8 supercars as long as he has motorbikes

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PHOTOGRAPHY: MARK HORSBURGH (2)

understands it’s part of his job, but that doesn’t mean he has to like it.”

On race weekends, Casey Stoner, Superstar, shows up for high-paying corporate partners and fans. Around those he knows and works with, Regular Casey Stoner laughs loudly and talks openly, taking as much interest in the people he’s talking to as they do in him.

Begin a conversation on Australian sport, one of his favourite subjects, and, as can be the case in his press conferences, he’s quick to give no-holds-barred opinions.

In the immediate aftermath of Saturday’s race, Stoner is being chauffeured in a golf buggy from the garage to a press conference. (In Saturday’s race, Stoner made up 16 positions, from starting 30th to finishing 14th, in his second-ever race on four wheels. On Friday, starting 12th, a burst tyre ended his race after only a few laps.)

Talk turns to the plight of the Socceroos, Australia’s football team. As the national team’s problems are being solved, an Italian fan spots Stoner and gives chase.

Lugging a large bag and a camera, the fan charges after the golf buggy. From the back of the buggy, Stoner’s media man calls out to explain they can’t stop, that Stoner is already running seriously late for a press conference – which is true – but the fan pushes on regardless.

With the hot Adelaide sun beating down, it seems only a matter of time before the tifoso calls it quits. He doesn’t.

He’s covered half the track, overcome grass and dirt and at least two securityenforced zones he had no place entering.

The media man alerts Stoner.

“Really? That’s commitment,” Stoner says, with genuine astonishment. “I’ll pay that. Stop the cart.” The driver halts and Stoner welcomes the fan with a friendly arm over the shoulder.

“All I want is a photo, please,” he squeezes out in between deep breaths.

“Casey, you are my favourite – my hero. I love the way you race.”

This kind of thing happens many times over the weekend. The Italian marathon man didn’t have memorabilia to be signed and then sold on eBay. “A genuine fan, the type I can appreciate,” Stoner says. “He didn’t expect anything or demand anything.

He tried his best, was polite and showed he was a genuine bike fan. I get that. It’s all the fans who put three replica bikes in front of you and just expect you to sign them without saying so much as ‘hi’ or ‘thank you’ who get to me.”

There’s a sense that, after years of worldwide travel, being back on his THE RED BULLETIN

“FANS WHO WANT BIKES SIGNED WITH NO ‘HI’ OR ‘THANKS’: THEY GET TO ME” home soil is making Stoner happy.

He didn’t come back to Australia for the money, knocking back a $15 millionplus offer to remain in MotoGP, and leaving the peak of one sport for the mid-range of another.

“If I could live anywhere in the world, anywhere at all, it would be Australia,” he says with utter certainty, with his wife Adriana in total agreement.

“I love it here and always have. And if I never had to go back overseas, I probably wouldn’t. Expect for the US. We love visiting America. But

THE SPEC V8 SUPERCARS Cars with 5-litre, 600hp V8 engines that push the speedo needle to 300kph, are found at the start line of the Dunlop Development V8 Supercars series, Australia’s second-tier touring car championship. In 2013, there are seven race weekends, each with two races. Of the 30 drivers competing this year, 14 drive a Ford Falcon, and 16, including Casey Stoner, drive a Holden Commodore – souped-up versions of cars that are touchstones of Australian motoring.

I couldn’t be happier to be home. It’s been so long since we’ve had our family and friends living so close by.”

Stoner is a laconic Australian who, if not for his notoriety, wouldn’t look out of place behind the counter of a tackle shop with a straw hat. Away from racing, he drives a Holden Commodore – the Australian everyman’s classic, which happens to be the regular version of his ride in V8 Supercars. He won five BMWs while in MotoGP – two of which he gave away – yet he’s more excited talking about Holdens and Subaru compacts.

Like his fellow red-blooded Aussies, Stoner isn’t immune to the allure of brute power and the roaring noise of a V8 engine. He has followed V8 Supercars for as long as he has motorbikes. With his move to race cars, his bucket list is all but completed before his 28th birthday.

Returning to his hotel after Saturday’s efforts, Stoner points out the garden where he proposed, “clumsily” he says, to Adriana. He is a man content. In that frame of mind, and given his previous achievements, then you’d say it’s sooner rather than later that the champion of two wheels will be tasting success on four. www.v8supercars.com.au

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KATHERINE SPARKES

Bright Spark Swimming with sharks, 20,000 football shirts and baked buildings in Thailand: the MD who takes pleasure in business success Words: Ruth Morgan

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n an unseasonably cold spring Tuesday in Bristol, Katherine Sparkes is sitting in a café staring out at swimmers braving the icy waters of an outdoor pool, worrying about her front crawl. In September, she’ll be taking to chilly Californian waters to swim from Alcatraz to San Francisco, battling strong currents and avoiding sharks, and she’s a bit rusty.

“When I kick my legs I somehow manage to go backwards,” she says.

“I’ve got a long way to go. When I see any sort of water now, I feel like I should be practising.”

This year, she’ll also be taking part in a nighttime rollerblading marathon in Paris, a 260km bike ride in Italy and climbing a mountain in Brazil, for what will be a total of 13 challenges in aid of her charity, the Flamingo Foundation. She runs it alongside her innovative company Flamingo, which specialises in corporate social responsibility, and which Sparkes founded when she was just 22. If anyone can take on these varied new skills, she can. “I’ve become a jack of all trades,” she says. “One minute I’m in a corporate meeting with CEOs, the next I’m up a ladder grouting tiles in a centre for the elderly, or sleeping in a hammock in Kenya.”

Sparkes ably fits into these disparate worlds. Today she is dressed smartly, makeup applied, patent beige heels in place, looking every bit the company director, but she’s the first to admit she prefers khakis and kids in Kenya. “I’m far happier in the middle of nowhere, 62

Portrait: Shamil Tanna

wearing combats and rolling around with the local children, with my hair all over the place,” she says.

Thanks to the success of her business, Sparkes often shows her non-corporate side. Now 32, she’s travelled to Africa to help build schools and to Thailand to construct children’s playhouses from

“I always knew that I wanted to do something that helped people” baked mud. She has also run numerous successful projects, collecting everything from suits for homeless UK jobseekers and bras to use as currency, helping widowed women in Africa start their own businesses, to unwanted musical instruments for needy children around the world. Sparkes and her Flamingo team match businesses up with these

sorts of sustainable charity projects, which they often come up with, and then run.

“Corporate social responsibility is about giving back to the community in which you operate,” Sparkes says. “We help all sorts of companies do that. We make sure our work is sustainable, with a long-term impact. Until 10 years ago, no one in the UK had heard of the term CSR, including me. I was just doing something that had always made sense to me: if a company does something good, they get the rewards as much as the people they help. They get great, cost-effective press coverage, awards, a better profile – young people are more likely to work for socially responsible companies. Everyone benefits.”

It’s a neat model that works.

Sparkes’ business has grown year-onyear since she founded it, bringing her a long way from the basement of the shared flat where she started out. At 22, she was a journalism graduate dipping her toe into the world of PR in London, with no experience of running a company. “I always knew I wanted to do something that helped people,” she says. “When I realised there was something in this idea I just started it. People have this idea that entrepreneurship is really difficult to get into, but that’s a myth.

I didn’t have any money, I didn’t have a five-year business plan. All I had was a second-hand computer.”

It helped that Sparkes had childhood experience of making something from nothing. As a girl, she collected aluminium cans for charity appeals, and organised THE RED BULLETIN

Age 32 Born Bristol, UK Top 10 Named one of JCI’s Ten Outstanding Young Persons of the World 2012 Top tip Become a trustee for a charity: “People think you can’t do this until you’re old, but charities love having young, dynamic people on the board. It will give a great overview of how a business is run.”

Helping hand: Sparkes’ philanthropy reaches worldwide, including (left) Build-A-SchoolIn-A-Month in Kenya

“I’ve always cut out the red tape.

We don’t have long, ineffective meetings: we crack on” in these pubs, including donations from famous people and MPs, so the chain got great publicity, then we distributed these to townships in South Africa in time for the World Cup. We then took 10 pub managers from the company out to Cape Town to meet the kids they’d helped. It was brilliant. They’d never experienced anything like it. We encourage this handson approach; we don’t want companies just to hand us an oversized cheque.”

From top: Shade Aid, through which unwanted sunglasses are given new homes in developing countries; the Little Learners project, encouraging disadvantaged youngsters to be excited by reading

various collections and fundraisers at school. “I guess that kind of evolved into what I’m doing now,” she says. “I struggled with the idea that you spend most of your life working, as I wanted to be able to do something good with most of my time. The solution was to find a job that would allow me to do that.”

Sparkes’ first client was the owner of a large pub group where she had worked part-time. After eventually persuading him to employ her, he was sold on her business model, and is still a client today.

“We did a fantastic project with the pub group for the last World Cup,” she says.

“They wanted to promote their showing the football on TV, but that’s not interesting to the press. Instead, we came up with Project Fair Play, which asked people to donate unwanted football shirts to kids in Africa. We got 20,000 shirts collected 64

In good company Katherine Sparkes was recognised one of Junior Chamber International’s Ten Outstanding Young Persons of the World in 2012, alongside other young achievers including: Bobby Kensah, UK After a tough upbringing, Kensah devotes his time to tackling youth issues including knife crime, bullying and gang involvement. He also established the Phase One Network to help disadvantaged young people find work.

Tendai Concilia Wenyika, Zimbabwe Social activist Wenyika is the founder of both the Zimbabwe Young Women’s Network and the Zimbabwe Entrepreneurs Youth Association, inspiring young people to become community activists and fight for their voices to be heard.

Aisling Neary, Ireland Nurse Neary uses her medical skill around the world, reaching the remote and underprivileged.

She also raised the money to build the first school in an impoverished Ghanaian village.

www.flamingo-creative.co.uk www.jci.cc THE RED BULLETIN

ADDITIONAL PHOTOGRAPHY: FLAMINGO CREATIVE (3)

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any of Sparkes’ clients have received awards for their involvement in CSR, and last year, she herself was honoured, when she was recognised

by Junior Chamber International, a voluntary organisation for young people effecting positive change. With past members including Al Gore and John F Kennedy, an award from JCI is a highprofile accolade. They named Sparkes one of their Ten Outstanding Young Persons of the World for her work in CSR and community action.

“It was a huge award to get,” she says.

“I never thought I’d be chosen. It was really exciting going out to Taipei for the awards ceremony, and it was inspiring to spend time with the other winners and share ideas. A great experience.”

Sparkes may now have an international award, an office in Bristol, five members of staff and up to 20 freelancers working for her at any one time, but, 10 years on, her general business philosophy hasn’t changed. “I still don’t have a business plan,” she laughs. “Any plan I make is redundant the following week. I think a lot of it is about gut instinct and being quick to adapt and evolve. We can shrink and grow as needed, and I’ve always cut out the red tape. We don’t mess about with long, ineffective meetings: we crack on. It’s about having an impact, planting a seed with these companies that will hopefully grow.”

With her business thriving, Sparkes is no longer a jack of all trades, but a master of one. All she needs to do now is nail that front crawl.

GAUTAM GAMBHIR

The Leader Cricket is the most mentally demanding team sport – so try being captain of the most scrutinised team in its most scrutinised league. One man excels at it

Roger Federer is called Roger Federer, not Roger Genius, and therefore does not have to live up to his name every time he lifts a racket. (That he lives up to the name Roger Genius almost every time he’s picked up a racket is because he is a genius, not a Genius.) Conversely, with a surname that suggests ‘flash of lightning’, and an ego that burns equally bright, Usain Bolt was born to be the fastest man alive. So pity poor Gautam Gambhir.

The Indian batsman’s surname means ‘intense’ or ‘deep’ in Hindi. That sums up his approach to cricket, for better and for worse. He is a thinker, in a game that gives pause for thought, and won’t be the last cricketer to have to brace himself under the weight of his mind’s work. Yet steely focus has made him a fearsome player, opening the batting for clubs and country, and a respected leader.

He is the captain of Kolkata Knight Riders, reigning champions of the Indian Premier League, world cricket’s most scrutinised competition, and he has been vice-captain and stand-in captain of the India national team. Only seven players have scored more than his 20 hundreds for India. Despite being dropped from the national side earlier this year, he is still spoken of as a potential future India captain. On the day his demotion was announced, he immediately took to Twitter to congratulate the players who took his place in the squad.

Equally rare is the sportsman, like Gambhir, who uses social media to announce the books he’s choosing from to fill the rest of a day after practice: biographies of Hitler and Australia batsman Justin Langer, Malcolm Gladwell’s instinct book Blink, something by Hindustani literature great Premchand. Gambhir also likes to put in extra training sessions on top of his teams’ compulsory work-outs.

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“Practising on my own is a personal decision.” says Gambhir. “Everyone thinks about their game in their own way, and you have to do what you feel is best for you.”

In 2007, when he was dropped for the World Cup, what he felt was best for him was to give up cricket entirely.

“It’s not about what I have achieved. It’s what the team does” “Ask any sportsman, and he’ll tell you he wants to play in the biggest events.

Missing the World Cup, I feel even now that I should have been in that side, and for a time then, I thought, ‘I don’t want to play cricket, I want to do something else.’

I think it was a blessing in disguise that I didn’t have any other options, so I turned

around and said to myself, ‘Forget about worrying if you play for India or not. For now it’s about scoring runs, for my club, my state or India, and going back home happy. That will give you maximum happiness.’ When I started doing that, everything fell into place.”

Six months after that low point, Gambhir was back playing for India, top-scoring for them as they won the 2007 World Twenty20 tournament, including 75 off 54 balls in the final victory over Pakistan. In 2009, he was briefly the number one ranked Test batsman in the world. In the 2011 World Cup final, he anchored India’s home-soil win over Sri Lanka with 97, again top-scoring in the biggest game.

“It’s not about what I have achieved,” says Gambhir, and when he talks, he looks you straight in the eye. “It’s what the team does. I’ve always thought about the team first. We want to see India get back to the number one world Test ranking. In 2011, we were number one and it was a great feeling. When you are part of the team that slips down to number three or number four, it hurts you big time, and the way we performed overseas was humiliating.

My goal is to get India back to number one.”

In the meantime, there’s the notinconsequential task of defending the Indian Premier League title. Despite suffering from jaundice at the start of the competition, Gambhir was in fine run-scoring form in the early matches.

“I think being captain helps to get the best out of me when I’m playing. I want to make players feel important, because it’s not a successful captain that makes a successful team, it’s the other way around.”

Leading from the front, Gambhir is gambhir and all the better for it. www.redbullcampuscricket.com THE RED BULLETIN

ADDITIONAL PHOTOGRAPHY: GETTY IMAGES

Words: Paul Wilson Photography: Andreas Jakwerth

“I think being captain helps to get the best out of me when I’m playing”

Born October 14, 1981, Delhi, India India Debut April 11, 2003, in a one-day game versus Bangladesh in Dhaka.

He opened the batting and scored 11 Highest India Score 206, in a Test match against Australia in Delhi, October 2008 No Film Favours Despite playing for Kolkata, a team partowned by Bollywood legend Shah Rukh Kahn, Gambhir will not be tapping up his boss for a job post-cricket: “I love watching movies, but I would not want to be in them.”

There are few places as tough to be young as America’s Pine Ridge Indian Reservation. But in a place where poverty, suicide and alcoholism are constant companions, skateboarding is changing the old ways, offering hope and saving lives

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Jake Roubideaux, 14, carves up the Wounded Knee 4-Directions skatepark

E or DIE Words: Andreas Tzortzis Photography: Jay Hanna

The skatepark has given rise to a culture and support network for kids and young adults (like Joe Mesteth, above) facing the harsh realities of reservation life

E lijah Battese watches Bobby ollie a bike set up at the other end of the pool, getting 20 or 30cm off that lip, and landing it cleanly. The other kids go oooh.

“I think I can jump that,” he says in a preteen mumble, grey-blue eyes fixed on the bike. Between him and it is a 2.5m drop into a bowl that flattens out and then rounds up again to the lip.

The pool is smooth, and the concrete looks polished. It has two bowls and continues on for a flat stretch over to where the old tennis courts used to be. That’s where the skaters used to hang out, back when the skaters were just a couple of freaks who didn’t play football or basketball.

Now between the basketball courts and the unruly grass and dirt divots of the powwow grounds stands this alien creation, which looks as weird here in South Dakota’s Pine Ridge Indian Reservation as it does natural in Venice Beach or New York. It is covered with kids on beat-up second-hand or donated skateboards, skating and bailing, carving up the bowl like it’s 1970s LA in the middle of a drought. There’s nothing smooth about their style, and most of their tricks end in a tumble.

But they’re skating. And if they’re skating, then they’re not at home in fractured households; they’re not driving around the reservation in beaten-up cars necking smuggled-in booze; and they’re not standing at the edge, wondering if anyone would miss them if they were gone.

There is nothing simple about the place where Eli and his friends are growing up. There’s little tying it to the fashionable cool of a sport now firmly in the mainstream – nothing but the singular obsession to land a trick, the clack of the boards, and the whir of polyurethane wheels on concrete.

And so with that noise all around him, Eli gathers himself, puts his back foot onto the board at the edge of the bowl and drops in, his waist-length braid whipping out behind.

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he story of how the Wounded Knee 4-Directions skatepark was built in Pine Ridge began just before Eli and his friends were born 12 years ago. But the story of why is far older, its roots entwined in broken treaties, mistreatment, and a spiralling sense of sadness and self-loathing that haunts the Pine Ridge reservation.

A litany of depressing statistics tells the modern story of the Native Americans who originally inhabited this country. And the Pine Ridge Reservation, home of the Oglala Lakota Sioux, has been the powder keg for more than a century. From the broken Fort Laramie Treaty of 1868, to the massacre at Wounded Knee, to the militant American Indian Movement of the 1970s, Pine Ridge has been the flashpoint of the American government’s failed policies toward its indigenous population.

Life expectancy for a man on the Pine 71

When Leroy Janis (left) started skating on the reservation more than a decade ago, he was one of the outcasts. Today, he serves as a mentor to kids like Jaydin Thomas Peters (right), who flock to the park

Ridge Reservation, roughly the size of the state of Connecticut, is 47. Unemployment affects up to 90 per cent of the population, with most living on about US$3,000 a year. Alcoholism persists despite a ban on alcohol, disintegrating family structures and eroding tribal spirit.

A poor diet means that close to half the population suffers from diabetes.

Old cars rot on unruly front lawns, houses hold multiple large families, and new buildings, save for the gleaming hospital, are scarce. Among nine districts, Pine Ridge is the centre of the tribal council, its main street boasting two stop lights. There’s a Subway, a Pizza Hut and a Shell petrol station.

Then there’s the most shocking statistic: a suicide rate among the youth that is 150 per cent higher than the national average. Over a 45-day period in 2009, the Oglala Lakota Sioux Public Safety Department reported 90 suicides or suicide attempts.

Tiny DeCory’s phone, the one she keeps in her pocket as a sort of onewoman suicide hotline, was ringing off the hook during that time. It still does, in fact: teens overdosing on pills, others calling up and simply saying, “I want to kill myself,” prompting her to hop in her car and speed over.

“There are a lot of factors that contribute,” says DeCory, a longtime youth advocate and unofficial auntie to countless reservation kids. “You’ve got single mothers with their kids and there’s no income. Economics has taken its toll, 72

and it’s going to get worse. We know about the kids who go on Facebook and say ‘eff my life’, and I know which ones, because it’s constant.”

There is enough there to make anyone despondent, and DeCory, whose reputation for straight talk and action is well known on the reservation, has a cloudy vision of the future. But amid the panicked phone calls and sad messages, she’s noticed something else lately: Facebook updates of smiling kids and skateboards; cellphone videos posted of tricks pulled off successfully; shots of the smooth grey contours of the skatepark – the birth of a genuine alternative?

“We have rodeo and we have powwows and we have our basketball players. But we finally have a new culture,” she says.

“And it’s skateboarding.”

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he white SUV pulls into the dirt parking lot next to the skatepark mid-morning on a sunny spring Saturday. The back is covered in a growing collection of skate-brand stickers, including one for Wounded Knee Skateboards. Walt Pourier and Jim Murphy step out, and their arrival causes a small stir – high fives and half-hugs among the dozen or

“I got some problems going on right now.

But I feel free when I’m on a skateboard”

so kids at the park. They’re well acquainted with their benefactors.

The pair take in the scene in front of them, one that a year before seemed impossible. “Murf and I get in the car and we drive out of here and we think, ‘Man, we’re doing it!’ ” says Pourier, his voice trembling. “It’s emotional, but it’s such a happiness too.”

Born and raised here, Pourier is all too familiar with the challenges faced by the skateboarders. Now living in Denver, where he has a successful graphic design business, he returns frequently. “A lot of my family is still here, a lot of friends, and we come back often for ceremonies and family reunions, and, unfortunately, for a lot of funerals,” he says.

Skateboarding was nonexistent on Pine Ridge in Pourier’s day. Basketball, football and track were the measure of status – they still are. But Pourier, a bundle of giddy energy with feathered hair and highlights straight out of a John Hughes film, showed an oddball streak even back then. Enamoured of the sport after he came across it in California, he’d lay down plywood and try tricks.

He says he once hit 90kph on the highway. “I don’t skate anymore,” says Pourier, now 47, the beginning of a grin spreading across his face. “I usually fall.

And I make strange noises when I fall.”

Equal parts clown and eloquent advocate for the youth, Pourier saw skateboarding as a way to connect young people to the ancient traditions and culture of the Oglala Lakota Sioux, traditions that would give them the sense that they’re part of something bigger.

“Kids nowadays might not pay attention to the story of the white buffalo,” he says. “So we put it on a skate deck.”

The decks come courtesy of Murphy, or Murf, as he’s known to pretty much everyone. A former skater on the legendary Tony Alva’s team, his vert style faded when street skating came into vogue in the mid 1990s, but his love for the sport, which gave his 13-year-old self focus when his father left the family, never did.

Working full-time as a stained-glass restorer, Murf and his good friend, the late New York skateboard advocate Andy Kessler, started a company. As a joke, they decided to pay homage to their failing bodies and call it Wounded Knee.

“We laughed, and then I said if we’re gonna call it Wounded Knee, we should talk about what happened in South Dakota,” he says.

Schoolbooks used to refer to it as a battle, between the Sioux and the remnants of the 7th Calvary, who were THE RED BULLETIN

Clockwise from top left: Elijah Battese (middle) and Jaydin Peters (right); Will Peters; Elijah, Taylor Gunhammer, and Leroy Janis bomb a hill; park fans

From the early 1800s, the tribes of the Great Sioux Nation presided over the Great Plains of North America. The 1868 Fort Laramie Treaty confined the largest group, the Lakota Sioux, to an area in what is now south-west South Dakota, forcibly transforming a warrior culture into a farming society.

The Pine Ridge Reservation was formally established in 1889. A year later, 300 Sioux were massacred by the 7th Cavalry at Wounded Knee Creek. In 1973, Wounded Knee was once again the scene of a standoff with the US government, when members of the activist American Indian Movement occupied the site, protesting for better treatment.

The 71-day armed confrontation raised awareness of the plight of Native Americans and led to changes in reservation life, including a cultural revival.

While the tribal council maintains jurisdiction over the reservation, including its public safety and fire departments, the state and federal governments are still involved.

Of an estimated 2.5 million Native Americans, 40,000 live at Pine Ridge today, the majority of them below the poverty line.

In 1980, the longest-running court battle in US history came to an end when the Supreme Court awarded US$106 million to the Sioux, determining that seven million acres of land were unjustly taken by the government. But the tribes have refused the money, seeking the land’s return.

guarding the reservation in the winter of 1890, but Wounded Knee was a massacre, one prophesied by the Sioux chief Sitting Bull. Three hundred Sioux, including women and children, were gunned down, their bodies left to freeze for a few days before they were dumped in a mass grave.

Wounded Knee Skateboards feature designs inspired by Native American culture and come with an information sheet detailing the massacre and its ramifications. “We always fantasised about going out to Pine Ridge and, in honour of those who died at Wounded Knee, building skateparks,” he says.

“But it seemed far-fetched.”

In 2007, Murf was involved in an exhibit the Smithsonian put on about Native American skateboarders. Through it, he got in touch with Pourier.

Pourier’s connections got things going, and Grindline, a skatepark manufacturer, offered to build one for a reduced price.

Pourier and Murf secured a US$10,000 grant from the Tony Hawk Foundation, which focuses on building public skateparks in low-income communities, which was matched by two of the foundation’s board members. Jeff Ament, Pearl Jam’s bassist,

“It’s not about building skateparks, it’s about changing mindsets” Walt Pourier

a former skater who grew up near a reservation in Montana, also chipped in.

Construction began in September 2011. The park opened a few weeks later, on October 16, to a big ceremony, during which Pourier was given a tribal flag, an honour typically reserved for elders.

Murf was given a woven ceremonial blanket. The kids were given an outlet and a support network.

“This skatepark gives them more of a reason to live. It’s something to look forward to, it occupies their minds,” says Murf. “You can deal with all of these emotions you’re feeling, or why you’re depressed or why you’re angry. You can work it out on a skatepark, and you’ve got a family of skaters to support you.”

Most of the kids at the park come early and stay late. The Saturday Pourier and Murf visit is no exception. Reservation dogs trot around, sniffing the air for the first hints of the barbecue that’s getting started. The dirt parking lot is riven with gullies and bumps carved out by the rough weather. Old Pontiacs with headlights missing, Fords with plastic in the windows, some newer imports, pull in slowly.

Among the skaters criss-crossing the park, one stands out. Under a mane of dyed pale-orange hair pulled back in a ponytail, the right side of Joe “Crazy J” Mesteth’s face is covered in a design of silver and blue paint.

“He’s a bit opposite of the norm on this reservation,” says Pourier. “I think the skating is keeping him alive. He’s living the idea that skateboarding saves lives.”

Crazy J’s biography follows a typical thread. He was raised by his grandparents, as his parents struggled with alcoholism.

Though he worked for the tribal president at one point, he says he’s also had to sell drugs in the last year to make ends meet.

“The problems here probably don’t compare to the problems out there,” says Mesteth in a quiet voice. “If I was living out there in the white world I could probably hustle around for rent money.

Here, you either got the last name, or you’re selling drugs to get money.”

But Crazy J isn’t some thug hustler.

His home at the moment is a gold and blue Chevy Suburban, because he has to get away from a family caught up in some alcohol-fuelled feud. He’s parked it next to the skatepark, his sanctuary.

“Whenever I’m on a skateboard, I feel free,” he says. “I got some problems going on right now, but down here, I feel free.”

Earbuds in, he skates the bowl with coiled concentration, his knees bent, absorbing the curves of the concrete as he carves around. When he’s not skating, THE RED BULLETIN

ADDITIONAL PHOTOGRAPHY: CORBIS (1), WOWNDED KNEE

The Sioux

From left: Gunhammer, Jaydin, Jake, Janis, and Elijah break from their afternoon skate session

The ancient belief is the undercurrent to the pair’s fervent commitment to skateboarding and its impact here. They plan three more parks for Pine Ridge.

“We can’t wait another week, we can’t wait another two weeks,” says Pourier.

“We’ve buried too many kids here, and it’s something no one should have to go through. It’s not about building skateparks, it’s about changing mindsets.”

T

he’s the first to slide in if a board or a piece of trash goes flying down into the bowl and whisk it away. The younger kids flock to him when he sits down, and he dispenses trick advice or helps fix their skateboards. He’s a role model, and Murf’s made him an official member of the Wounded Knee Skateboards team.

“There’s so many problems that plague every one of these kids, stuff they’re not even aware of,” says Mesteth, at 25 one of the elder statesmen at the park. “I’m trying to make a mobile skate shop out of my car. I want to go out and find the kids, really utilise what I’ve got with me.”

Murf estimates that for every kid out on a board, there are probably a hundred who want one and can’t afford it. Getting more boards out to those who need them has been the guiding philosophy of his company, and probably the reason he’s never turned a profit.

The SUV is full of Wounded Knee decks – prizes in a mini contest Murf and Pourier have organised during their visit. As hot dogs grill on the barbecue, parents, friends and toddlers sit along a concrete ledge watching the action.

The judges are lenient, and everyone gets a chance to participate. There’s no PA system, just two volunteers shouting out the names of the contestants. Murf, decked out in a Wounded Knee hoodie and his hair in a ponytail, provides THE RED BULLETIN

colour commentary over the noise of the boards.“C’mon man, you got this!” he shouts. “One more trick!”

The camaraderie is striking. Whoops and shouts of encouragement greet every trick, whether it’s landed or not. “It’s amazing how, since October, everyone is just killing it out here,” says Murf. “These kids could be skating at the same level as those kids in California. You just need to build them the same level of stuff.”

At the end of the contest, decks are handed out to the winners of categories like ‘best trick’ and ‘most improved’. Eli, who started skating the day the park opened six months previously, wins a deck for ‘most heart’.

“I’ve lived here most of my life,” he says.

“There’s been not much to do until I got this skateboard. If it wasn’t for Walt and Jim, I wouldn’t be able to be as good as I am right now. I’m pretty sure all of the others feel the same way.”

Of course, to Pourier and Murf, skill level takes a backseat to empowerment.

One of Pourier’s favourite sweatshirts is a black hoodie with the words “iNative: 7G, The Nations’ First Network” printed on it.

“There are two parts to the prophecy of Sitting Bull. One was that it ended at Wounded Knee, with the massacre,” he says.

“The second half was that it also begins at Wounded Knee, through the seventh generation, this generation of youth.”

he afternoon sun has begun its slow descent past the hills and copses of cottonwood trees that separate the skatepark from the high school, the dying rays bathing the dozen or so skaters and friends hanging out on cars and park benches.

Jaydin Thomas Peters’ gold helmet catches a glint, the bright light matching the grin across his face. In a place looking for success stories, Jaydin is an obvious one. He’s won awards for native grass dancing, and he excels at school. He’s been raised by his grandparents, a stoic woman by the name of Lena and a Bob Marley-loving, Lakota language and culture teacher named Will. “The kid’s tough, he’s grown up here,” says Will Peters, peering through dark John Lennon glasses. “His mom’s in and out of the picture. He knows how it goes.”

The Peters’ house is a neat and basic prefabricated one-storey building typical of the reservation. The room in the basement Jaydin shares with his brother is tidy, the beds arranged like your typical dorm room, posters of the Denver Broncos on the wall. Among his prized possessions is a little wooden box, the front of which carries a drawing of a Lakota warrior astride his horse. Inside are gifts from family members: a knife blade, the choker given to him by his mother, a bracelet of porcupine quills.

“I only take them out for wakes,” he says.

There’s plenty to keep Jaydin down, but if it does, he hides it well. Five years ago, when he started skateboarding, the wooden ramp built on the old tennis courts was the only place near his house to skate.

But here he is at the edge of the bowl with Eli, his cousin, watching his friend Jake Roubideaux drop in and get some nice air on the other side. “See what Jake just did? And everyone was clapping?” he says. “That really gets your heart going, knowing these people are here for me.”

He pauses and looks out again.

“Here, we don’t consider best or worst,” he says. “There’s no ‘I’m better than you.’ Everyone’s equal.”

For more info: www.strongholdsociety.org www.redbull.com/skateordie

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G R A M M Y W I N N E R , O P I N I O N AT E D R H Y M E S AY E R , O L D C U S T O M CAR FREAK: THE MANY GUISES OF LUPE FIASCO, ONE OF HIP-HOP’S MOST CONTROVERSIAL AND SKILLED ARTISTS Words: Caroline Ryder Photography: Emily Shur

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The sit-down: Lupe Fiasco in car heaven at the Old Crow Speed Shop, Burbank, California

T HERE’S A UNIVERSAL LANGUAGE SPOKEN

BY CAR ENTHUSIASTS, O N E T H AT T R A N S C E N D S ALL BARRIERS OF CLASS, RACE, AND GENDER. IT’S CALLED “CAR SPEAK”, AND IT’S A LANGUAGE O F AUX I L I A RY F U E L TA N KS, VA LV E T R A I N S , COMPRESSION, SEQUENTIAL FUEL INJECTION, A N D VA LV E S P E R CYLINDER. A L A N G UAG E T H AT I S C O M P L E T E LY MEANINGLESS TO THOSE WHO DON’T SPEND S U N D AYS W I T H THEIR HEADS JAMMED UNDER A C A R B O N N E T, BUT A LANGUAGE RAPPER LUPE FIASCO SPEAKS F L U E N T LY. At the Old Crow Speed Shop, a remarkable vintage car museum/workshop in Burbank, California, birthplace of hot rod culture, the Grammy award-winning hip-hop star is deep in car speak with the owner and fellow engine enthusiast Bobby Green.

In the shop are 1932 Fords, ’40s hot rods, and other incredibly rare soup-ups dating from the early 1900s to 1945. “I need one of those,” says Lupe, pointing at a ’32 Ford, “but it’s too high. I need it a little lower.” He notices a Lakester, and nods approvingly. Conceived by hot-rodders in the late ’40s, Lakesters look like giant silver bullets that sit low to the ground, and are still raced on the dry lake beds of Southern California or the salt flats of Bonneville, Utah. Even though he and Green, who looks like the fifth Mumford & Son, come from very different worlds, the same juice runs through their veins – petrol – and Green is impressed with Lupe’s knowledge.

“You know about Lakesters? That’s awesome. Very few people who walk in here know too much about them.”

This is a side of Lupe not everyone knows about. To millions of hip-hop fans, he’s known as that rare breed, the socially conscious rapper, the prodigy who collaborated with Kanye even before he had released his first single, the entrepreneur who runs two clothing lines and the artist who has racked up no less than 12 Grammy nominations since 2006.

Not that Green had ever heard of him. “I am

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Boy racer: a young Lupe turned his dad’s Chevy pick-up into a lowrider

not in that musical world, but I looked at your videos and I could tell that even though we are worlds apart, we are very like-minded.” And it’s true. Lupe Fiasco (real name Wasalu Muhammad Jaco), has been reading lowrider magazines since eighth grade, and for years cars have been as huge as passion for him as music.

Lupe acquired his automotive addiction when he was a kid, growing up in the projects in Chicago. His father, a Black Panther supporter, karate instructor and beloved community activist, THE RED BULLETIN

introduced him to the joys of customisation. “My father had normal cars that he would crazify,” says the rapper. “He drove a post van, and that was the family car until he had more kids and had to get a station wagon.

But he had this big church van that he got his martial arts students to paint orange – bright orange – using house paint. He kept markers in the car and everyone that he met he would have to sign the van. We would be driving around in this gigantic 20-seater orange van THE RED BULLETIN

covered with signatures from random people around the city of Chicago.”

Green’s jaw drops to the ground.

“I love that orange van story,” he says.

“You love it now,” Lupe sighs. “You wouldn’t have loved it if you were me, and your dad was coming to high school to pick you up in a bright orange ’70s van, covered in writing.”

It was around this time that the young Lupe decided to take on his first rebuilding project, turning his dad’s blue Chevy pick-up truck into

a lowrider. He had no experience, nor any idea how to go about it. He didn’t even know how to drive.

“I remember looking at it and thinking, ‘OK, I have to somehow cut this, and drop this.’ Working on it made me think about how cool it would be to own my own car, and paint it and soup it up. But money was the issue. I was like, ‘I’m poor, so I can’t afford a car.’”

Not for long, though.

Lupe had been making mixtapes for a few years already, recording songs in his 79

Sim dolutat aliquis Child of the ’60s: alisLupe’s dolutate faci blaocurrent re minisi. passionSequat is for lor suscidunt lorerci anythingutfrom the ncipsumsan ut nulpu1960s, particularly tetum iureXKs modo etum Jaguar nim zzrit amcon

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father’s basement. He joined a gangsta rap group called Da Pak which was signed to Epic, before signing a solo deal with Arista Records, where he met Jay-Z, who helped him get a deal at Atlantic Records. His debut solo album in 2006, Food & Liquor, explored Islam, poverty and racism, and earned him four Grammy nominations, a Grammy win for the song Daydreamin’, and a bundle of cash.

Lupe was the break-out rap act of the year and finally, he had the means to indulge his lifelong car fetish.

“I started out with Ferraris,” he says.

“I bought four – the 575, 456 and two 400s. I wanted to have a collection of every Ferrari with four seats. I was being THE RED BULLETIN

naïve though, because I went to get the cars serviced – it was like ‘Hey, you know that 456? $50,000 please.’ So that wore off. The maintenance, the impracticality.”

He came upon the storied Daytona Coupe, a racing car built to take on Ferraris in the mid-’60s, only six of which were ever built. “A Ferrari-killer built in ’65? I said, ‘I got have that.’ And that started the whole thing of me getting into ’65 cars and that whole racing scene.

The ’60s is where I am at. Anything ’60s, all the Jaguar XKs, literally anything that is two-door ’60s, I’m like mad for.”

The most he ever spent on a car was his first Ferrari, which set him back $130,000. Later, when he sold it back to

the dealer he bought it from, he only got $80,000 for it – his first lesson in dealing with dealers. Nonetheless, you get the feeling that even if he couldn’t afford to drop $50,000 on a car, his passion would have been just as strong. It’s not just about the vintage sportscars for him, either – one of his favourite cars is his pick-up. It reminds him of his dad, who in 2007 died of Type 2 diabetes. “He had an old stepside Cheyenne with bullhorns on the front and a coach cover on the back – a real canvas coach cover, like from the 1860s or something.”

His father was Gregory Hamza Jaco, a Green Beret turned sensei whose Tornado School of Martial Arts was at the heart of the vibrant martial arts scene on Chicago’s South Side. While his father may have had more eccentric tastes when it came to customising his vehicles, he and his son certainly shared the same passion for social justice.

Unlike many of his music peers, Lupe rejects the display of misogyny in hip-hop. A practising Muslim, he is ardently pro-Palestine, and was escorted off the stage at an event celebrating President Barack Obama’s second term after telling the audience he did not vote for the President, before launching into an anti-war song. “I don’t hate Obama,” he clarifies, “I hate injustice.” He pauses, correcting himself, saying he’s hesitant to use the word ‘hate’ these days. He also does not like to be called “political” or “angry”. The last two years, he says, he’s been reading a fair amount of nihilist philosophy, from Nietzsche to Kierkegaard to Baudrillard, all of whom explored the inherent meaninglessness of all human existence. Only the smooth curves of a ’65 Jaguar, perhaps, can soothe Lupe’s nihilist angst these days, although even his relationship with cars has been evolving.

“When I started collecting cars, I had that initial ‘I have to have everything’ feeling. Now I just need to be able to see the thing I am thinking about, then I’m cool... two or three cars that I am going to have forever. Not just as a 30s, mid-life crisis thing [he just turned 31], but as something that I’ll drive when I am 70.”

Green nods his head, deep in thought.

He knows exactly the feeling that Lupe’s describing. “That’s the thing about a car hobby, you learn about yourself and you grow with the hobby,” he says. “Because every different style of car has a different personality. You learn about yourself.

And eventually you’re like, ‘That car is me.’ It’s your discovery of self, as a car.” www.lupefiasco.com

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Flight of fantasy: what it takes to make Spider-Man fly on page 86

Contents 84 TRAVEL The world’s most amazing swimming pools 86 GET THE GEAR Stunt co-ordinator Andy Armstrong’s tools of the trade 88 TRAINING How squash champion Karim Darwish gets match-fit 90 NIGHTLIFE Whatever gets you through ’til dawn 94 THE Sounds of 2013 Irish blues boys The Strypes 96 SAVE THE DATE Events for your diary

photography: rex features

98 MIND’S EYE Columnist Stephen Bayley

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MORE BODY & MIND

1. HIGHEST

MARINA BAY SANDS, SINGAPORE From the rooftop infinity pool, hotel guests watch the metropolis teem 200m down below. www.marinabaysands.com

AWAY DAYS

Swim the world

SPECTACULAR TRAVEL ADVENTURES

A kilometre long, 57 storeys up, surrounded by ice, in paradise or as wild as the deep blue sea: these are the world’s most superlative pools COOL POOLS

6. PARADISE

5 4

1 3

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ALILA UBUD, BALI Perched over the Ayung River, on a hillside terrace in an area of lush rainforest, an infinity pool its occupants hope lasts forever. alilahotels.com/ubud

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MORE BODY & MIND

2. WILDEST

BONDI ICEBERGS, AUSTRALIA Waves break into this ocean pool, tucked in the corner of Sydney’s Bondi Beach. www.icebergs.com.au

3. LARGEST

WORDS: ULRICH CORAZZA. PHOTOGRAPHY: CORBIS (3), IMAGO, REUTERS, MAURITIUS IMAGES

SAN ALFONSO DEL MAR, CHILE Plenty of room poolside at this resort: five years in the making and, at 1,013m long, 20 times the length of an Olympic pool. www.sanalfonso.cl

5. HOT AND COLD

BLUE LAGOON GRINDAVÍK, ICELAND Stay warm testing the thermal spa’s energising properties: even in winter (average temp, -2°C), the mineral-rich water’s a balmy 40°C. www.bluelagoon.com

4. THE DEPTHS

NEMO 33, BRUSSELS, BELGIUM This 34.5m-deep indoor pool has caves and viewing areas for filming and diving instruction. www.nemo33.com

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3

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WORDS: FLORIAN OBKIRCHER. PHOTOGRAPHY: ANNIE COLLINGE

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Action men: Andy Armstrong and his son, James (right), are currently working on The Amazing Spider-Man 2

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M O R E B O DY & M I N D

GET THE GEAR A PRO’S ESSENTIALS

How SpiderMan swings Stunt co-ordinator Andy Armstrong makes cars explode and superheroes like Spider-Man and Thor fly through the air. His is no ordinary workshop

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7

1. High-speed winch Whenever Spider-Man swings through the air, he is pulled by this winch, on a tiny strand of the cable on the black spool.

We can pull in literally hundreds of feet of cable and it will pull at a constant speed up to 20ft/s.

2. Crash-test dummy The art of stunt designing is to make something look as dangerous as possible while keeping it repeatable and as safe as possible. We work out that fine line with plastic dummies that weigh the same as a person.

3. Ratchet It runs on compressed air or nitrogen and allows us to pull or throw the stuntman backwards and forwards a long way. You see it used in a lot of movies, if there’s an explosion and someone is blown backwards.

8

5

4. AMSPEC stunt pads These big, soft pads are where the stunt performer or actor can land if we don’t need to see the ground. Nowadays, we use them more and more, because they can be digitally removed.

5. Action Factory fire gel It’s a water-based flameretardant that we put on exposed skin in a fire scene. It will stop flames licking across your body and causing a lot of damage. It usually dries up after 40 seconds, which sounds a lot, but if you’re on fire for 20 seconds it feels like three minutes.

6. NOMEX overalls We use the same fire-resistant overalls as racing drivers, but under our clothes, so the stunt looks as authentic as possible.

When we were making Hoffa, I warned Danny DeVito, who was directing and acting, about the fire scene. But when he saw me on fire he forgot his part and shouted, “Put him out!”

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7. Toy cars With every vehicle stunt we do, we always start off placing toy cars on a map everywhere a real car is going to be in the movie.

We play the scene with each stunt driver moving the car he’s going to drive in the scene. It’s literally like children playing with toys, but it makes everybody understand what the action is.

8. Fire extinguishers We have at least two fire extinguishers next to every person at the point where they are going to be set on fire and other fire extinguishers where they are going to move to. We also have people hidden with fire extinguishers between the two points. On a big film set with a lot of explosions, we’ll get through 100 fire extinguishers.

9. Apple iPad We shoot every action sequence on video and put it onto an iPad, so when I go on the film set and we do the real thing, everybody from the camera operator to costumes can see what’s going to happen. You could be 20 minutes describing it or two minutes looking at it on an iPad. For a film like The Amazing Spider-Man 2, I have 200 prerecorded scenes on my ‘bible’.

10. Hybrid device A neck-restraint system for car crashes made of carbon fibre.

You wear it on your shoulders, so if you have a hard impact or get upside down, your head can’t extend too far and break your neck. In The Green Hornet, my son, James, did a very violent crash. He’s driving a pick-up truck, the back gets blown up, and it somersaults and lands on its roof. Wearing one of these, he was uninjured.

Taurus World Stunt Awards, May 10, Hollywood. Details at: taurusworldstuntawards.com

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The winner of 22 squash tournaments trains 20 hours a week on court

KARIM DARWISH’S OFF-SEASON TRAINING MONDAY 9am: warm-up run of 2km in 8 minutes, then 15 minutes of stretching.

9.45: on-court footwork drills: about 50 reps total of various moves.

11.30am-1pm: technique work, eg stroke drills.

6-7.30pm: practice matches with Egypt national team teammates.

TUESDAY 6-8pm: national team practice; stretching; an hour’s massage.

WEDNESDAY 9.30am: the ‘champion killer’, about 40 mins total: 4 x 800m (each at 2m30s-2m40s), then 5 x 400m (7075s), then 6 x 200m (30s), with 1 min break between each individual run.

12-1pm: solo on-court technical training, eg practising drop shots.

6-7.30pm: national team practice.

THURSDAY 9.30am: circuit training, with 4 sets of the following: 12-15 leg presses, shoulder shrugs and bicep curls and tricep curls; 30 dead lifts; 40 sit-ups.

11am-12.30pm: technique work.

FRIDAY Day off.

TRAINING WITH THE PROS

Against The Wall

KARIM DARWISH To be world number one takes love of your sport and devotion to it – and that includes breaking through the pain barrier

“Squash is my life,” says Karim Darwish, 31, who held the world number one spot for 11 months in 2009, the year he won his first team world championship (a second came in 2011).

He works on his strength, speed and stamina in the off-season, in June and July, at home in Egypt. “I want to give 120 per cent every time I train, so I can call on that 100 per cent every time I compete. Sometimes getting out of bed in the morning hurts, but that shows I’m making progress,” he says. It’s a regular wake-up call-to-arms if, like Darwish, your training features a routine known as the champion killer. www.psaworldtour.com

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SUNDAY 9-10.30am: circuit training.

11am-12.30pm: technique and tactics.

6-8pm: national team practice.

MY TRAINING TIP

It’s all about movement “The most important thing in squash is footwork – and that starts with the correct choice of footwear. The shoes need to be extremely light, well padded and mustn’t slip. I currently wear Asics Gel Blade 3. You run about 15km over the course of a squash match, which makes it all the more important to learn to be economical in the way you move.

The best way to do this is with some on-court training. Sprint from the centre of the court and back, to each of the four corners in turn, then repeat that set of four shuttle runs eight times.”

Darwish’s data checked at the Thalgau training centre, Austria

THE RED BULLETIN

WORDS: ULRICH CORAZZA. PHOTOGRAPHY: TOMISLAV MOZE/RED BULL CONTENT POOL

WORK OUT

SATURDAY 9.30am: running: 8 x 400m (68-72s each, with 1 min break between), warm-down and stretching.

11.30am-1pm: technique and tactics.

1-1.45pm: solo shot training.

6.30-8pm: national team practice.

MUST-HAVES! 1

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1 NORTH FACE MEN’S CERESIO JACKET Designed with rugged lines, the Men’s North Face Ceresio jacket is a comfortable soft-shell jacket for all outdoor sports and cold weather layering. Made with TNF Apex Aerobic fabric. The hand pockets are zipped for added security of valuables and an additional zipped sleeve pocket is useful for a ski pass, cash or phone. Moulded cuff tabs and a hem-cinch cord allow for fine adjustments to the fit. As a layering piece or outer layer, the North Face Ceresio jacket is a mountain favourite.

RRP: €105. Member’s Price: €99.75.

2 GOPRO HERO3 BLACK EDITION–SURF The wi-fi enabled HERO3: Black Edition is the most advanced GoPro, ever. No expense was spared during its development, resulting in a GoPro that is 30 per cent smaller, 25 per cent lighter and 2x more powerful than previous models.

Wearable and gear mountable, waterproof to 60m, capable of capturing ultra-wide 1440p 48fps, 1080p 60 fps and 720p 120 fps video and 12MP photos at a rate of 30 photos per second, the HERO3: Black Edition–Surf is one of the world’s most versatile cameras. Capture all of your best moments with the HERO3: Black Edition–Surf. RRP: €449.

3 O’NEILL MEN’S LS BODHI TOP A classic lightweight hooded top for kicking back in, the the men's long-sleeve Bodhi top is ideal for when it is not quite T-shirt weather out there and has the additional option of being buttoned up at the neck when a breeze kicks in. This regular-fit, long-sleeve top with a drawstring hood has colourful horizontal stripes and a small O’Neill logo on the chest for a simple yet stylish look.

RRP: €50. Member’s Price: €47.50.

4 O’NEILL’S MEN’S EPIC 3/2 WETSUIT O’Neill’s Men’s Epic 3/2 wetsuit, part of the Epic Series, now has many of the same sick features as their high-end Psycho Series: FluidFlex Firewall chest, double-seal neck closure, Lumbar Seamless Design (LSD), and re-engineered covert blackout zip. The sharp style lines also help to make this Epic 3/2 wetsuit… epic! Extra features that help make this wetsuit one of the best-value suits in the industry include Krypto knee padz, strategic seamless paddle zones and the glued and blindstitch seam construction. Go catch some waves!

RRP: €150. Member’s Price: €142.50.

5 O’NEILL MEN’S VERT SHORTS O’Neill board shorts never disappoint, allowing you to be comfortable and relaxed while catching those waves. The top-quality O’Neill Men’s Vert shorts are boxed shorts with an elasticated waist and feature a small embroidered logo on the leg. Perfect for hanging by the beach, snorkelling or surfing some serious waves, throw on these Vert shorts and stand out from the crowd with the vibrant colour.

RRP: €36. Member’s Price: €34.20.

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PROMOTION

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6 KEEN KANYON SANDALS The Kanyon offers classic Keen protection and all-conditions performance in a summer style that’s light in weight. The webbing upper is lined for quick-dry comfort next to skin, and features an easy-to-adjust bungee lacing system. Other features include a compression molded EVA midsole and footbed, a non-marking rubber outsole and multi-directional lug pattern with razor siping for improved traction. Aegis Microbe Shield controls the bacteria and fungi that cause odours, stains and product deterioration. Aegis technology is free of environmentally harmful substances. RRP: €85.

All items available from 53 Degrees North, Blanchardstown, Carrickmines, Cork and online: www.53degreesnorth.ie

M O R E B O DY & M I N D

Nightlife Whatever gets you through ’til dawn

OUT NOW

ACTION

“I have a soft spot for pitiful heroes” Talib Kweli The rapper whose rhymes educate and entertain in equal measure is back with another slice of hip-hop gold Talib Kweli was an outsider from the start. When he first appeared on the scene with his socially conscious rap, in 1995, the Brooklynite stood in stark contrast to the gangsta scene with his poetic, politicised lyrics. Now the 37-year-old is one of the world’s most admired and successful rappers, seen as a hip-hop scholar, yet one who, for all his profundity, still knows how to get a party started. His new solo album reflects this split personality.

The Red Bulletin: The chanting which opens the album is like a demonstration.

Talib Kweli: The force behind the Arab Spring impressed me. That comes across especially in the intro and the outro. The album is like a day in one’s life. It’s about politics, relationships and my place in the music business.

What are the advantages of releasing music on your own record label?

There was more money [on major labels] in the 1990s. Back then I spent a lot of time in the studio creating, whereas now I have to be a businessman, too.

I like the challenge, and it

Talib Kweli's new album, Prisoner of Conscious, is out now: www.talibkweli.com

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also gives me independence. Kendrick Lamar, who appears as a guest rapper on my new album, became successful first on the internet, without the support of a major record label.

You studied to be an actor. If your new album was a film, who’d be the director?

Wes Anderson. He’s very consistent, but surprising at the same time. In his films there are always characters who first come across as pitiful, but very quickly you find yourself rooting for them. We both have a soft spot for that kind of hero.

Dark runs THE IN THING: With the calendar of daylight-hours races full to capacity, nighttime runs through major cities are becoming increasingly popular.

START RIGHT: In summer, post-midnight conditions can be ideal: not too hot, less distraction as the city sleeps. Allergy sufferers enjoy the fact that the pollen count is usually lower at night.

WATCH OUT: Running at night requires greater concentration, because of the darkness. The biological clock also has to adjust to running late, which should be accounted for during training.

Headlamps and hi-vis kit are recommended.

THEY SAID IT

“Life is something that happens when you can’t get to sleep” Fran Lebowitz, American writer

THE RED BULLETIN

WHAT SUP

Vanilla Garden “This drink has an ingredient, parsley, which, at first glance, you’d think has no place in a cocktail,” says barkeeper and cocktailsmith Michael Steinbacher from the Mayday Bar at Hangar-7 in Salzburg. “However, the herb combines perfectly with ginger ale and Angostura bitters.” An almost non-alcoholic drink (the bitters are 44.7 per cent proof) with a sharp taste at first, the Vanilla Garden develops an incomparably tangy flavour, with parsley and vanilla overtones.

CLUB OF THE CLUB

MONTH

PHOTOGRAPHY: DOROTHY HONG/VISION MUSIC, GETTY IMAGES, FABRIK (3), FOTOSTUDIO EISENHUT & MAYER

Gateway to another dimension Fabrik Every weekend, 3,500 clubbers turn a former factory outside Madrid into a rave village ruled by world-class DJs Scantily clad men breathe fire alongside scantily clad women dancing in giant cocktail glasses. Laser beams whoosh above the crowd as ceiling-mounted cannons fire volleys of dry ice onto the dancefloor. The huge sound system thumps out trouser-shaking bass while the DJ is enthroned on the stage, his 3,500 subjects in thrall to the beat.

Fabrik is the embodiment of the superclub, a dance music palace whose literally dazzling light show gives it the impression of a gateway to another dimension. In 2003, Daniel Perellón opened Fabrik on the outskirts of Madrid, with the sole aim of creating a venue that could rival the best clubs in the world. He succeeded, and a decade on he’s still running a worldclass operation. In addition to the three floors – each of which would already count as a large club on its own – there are small restaurants,

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INGREDIENTS

METHOD

4 lime wedges 10 parsley leaves 2tsp vanilla sugar 120ml ginger ale Angostura bitters Crushed ice

Muddle the lime, sugar and nine of the parsley leaves in a caipirinha glass. Add a dash of bitters, ginger ale and crushed ice. Stir until the sugar dissolves.

Dip the last leaf in sugar; garnish.

an in-house boutique and several chill-out and VIP areas. Such an expanse demands an appropriately commanding master of ceremonies: on Saturdays, leading techno and progressive DJs such as Umek, Steve Bug, Ben Sims, 2manydjs and Carl Cox are at the decks. Sunday nights are for costume parties, with themes including the world of Tim Burton.

When Alice in Wonderland is dancing to throbbing house beats with Edward Scissorhands, the portal to another world has been well and truly opened.

FABRIK Av de la Industria 82 28970 Humanes de Madrid, Spain www.grupo-kapital.com/fabrik

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M O R E B O DY & M I N D

NIGHTLIFE

1

On the rise: Phoenix's Thomas Mars (left) and Deck D’Arcy

DAN FLAVIN (1933-1996)

“My wife [Mars is married to film director Sofia Coppola] gave me a Dan Flavin étude, a study, for my birthday.

It’s very inspiring for the light show we’re working on. The beautiful thing is, I heard that neons are not going to live forever. Some colours, I think red and black, die faster than others. Flavin is very popular now, but his works have a short lifetime.”

2 DONALD JUDD (1928-1994)

“He lived in Texas and worked in furniture and architecture, and now there are manuals on the internet that tell you how to make your own pieces in his style. So you question the value of the object: he didn’t do it himself, he just made the plans. These wooden pieces can be incredibly hard to craft, but anyone can make them.”

TAKE 3

“Some colours die faster than others” Phoenix The Grammy-winning indie titans like their modern art as they like their songs: cool, original and provocative When Paris four-piece Phoenix conquered America in 2009 and sold two million copies of their art-pop fourth LP, Wolfgang Amadeus Phoenix, they were as surprised as anyone.

Before this breakthrough, the band had struggled for almost a decade, despite a

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promising start in the ’90s as label mates of Daft Punk and Air. “We were a bit lost in our own world and we thought no one was listening,” says frontman Thomas Mars. Now the group – Mars, bassist Deck D’Arcy and guitarist brothers Laurent Brancowitz and Christian Mazzalai – are back with fifth album Bankrupt! that repeats the winning formula found on Wolfgang.

Recent fortunes have meant they’ve been able to indulge their common interest in art. “We are all into these very American artists like Dan Flavin and Edward Ruscha, the postbeatnik generation whose work is instinctive and fresh,” says Mars, of his passion for late20th-century American minimalism. “When people ask us why we called the record Bankrupt!, I’m tempted to give an Ed Ruscha answer: because it’s just there.” Here, Mars tells The Red Bulletin which post-modern US artists get his creative juices flowing. www.wearephoenix.com

3 EDWARD RUSCHA (1937–)

“With these super-American artists, it’s all or nothing when they talk. I love that when Ed Ruscha talks, he doesn’t give anything away. People ask him why he paints, why he chose blue for that layer, and he says, ‘There is nothing to explain.’ For us, it’s comforting there’s no added cerebral element, that it’s all there; nothing else. I met him once and he’s very cool.”

THE RED BULLETIN

NIGHT SNACK

Mexico Shrimp Cocktail Veracruz style On Mexico’s Caribbean coast, there is one street food dish that rules above all others

WORDS: KLAUS KAMOLZ. PHOTOGRAPHY: GETTY IMAGES (4), CORBIS (2), DDPIMAGES, IMAGO, FOTOSTUDIO EISENHUT & MAYER

SHRIMPS, SHRIMPS, SHRIMPS Bubba, Forrest Gump’s friend, could talk endlessly of shrimp dishes. He would be in heaven in the Mexican state of Veracruz, a paradise for seafood lovers.

There are tacos with shrimps, omelettes with shrimps, rice with shrimps. You can grill them, fry them, bake them or eat them raw. But the local speciality is a cocktail, served everywhere, as a matter of course, in the glassware of fine restaurants or in a plastic cup on the street.

OUT THE PINK This is not the shrimp cocktail you’re thinking of, drowning in a thick, pink mayonnaise-andketchup sauce. The Veracruz shrimp cocktail is much lighter and fresher. In brief: boil the shrimps and marinate in garlic, spring onion, chili, olive oil and lime juice. Purée tomatoes, dice avocados and chop coriander; stir together with chili sauce to make the base of the dish. Top with the shrimp, and you’re done.

Queue for crustaceans: people go loco for coctel de camarones in Mexico

THE RED BULLETIN

HOW IT’S MEANT TO BE The cocktail, or coctel de camarones, as you’ll find it on restaurant menus and the boards

by palapas, the Veracruz snack stalls, comes with the crisp accompaniment of salty crackers (or tacos or nachos) and, for afters, a toro or el torito, a drink made with evaporated milk, fruit (guava, mango, berries, whatever’s around) water and a generous glug of white rum.

CLOSE RELATIVE A variation of the shrimp cocktail, which also contains crab and lobster, is known as vuelve a la vida, which means ‘back to life’. This is because that three-seafood cocktail is a particular favourite with those trying to cure a hangover.

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The Strypes (from left): Evan Walsh, Pete O’Hanlon, Ross Farrelly and Josh McClorey

The Cavan club

THE STRYPES This upstart four-piece, combined age 65, are guys beyond their years, masters of the blues despite being green around the gills

Out now: the band’s debut single Blue Collar Jane is their first release on Mercury Records

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It’s early evening at Yellow Fish Studio and the infectious sound of driving rock ’n’ roll has come to a halt. Set in scenic English countryside, in East Sussex, this is a home from home for Irish quartet The Strypes, natives of picturesque County Cavan. After an eventful day, another track cut, now the waiting game before the first post-mix playback. Time is filled playing a few hands of cards and jamming. It wasn’t supposed to be like this.

“We started out playing in the bedroom for a bit of fun,” says the effervescent and articulate Evan Walsh, the band’s drummer.

“I’ve known Josh [McClorey, guitar] and Pete [O’Hanlon, bass] since we were three or four years old, and my parents’ record

collection fascinated us since then – everything from early Chuck Berry to Dr Feelgood.

Those records inspired us.”

After a barnstorming show at the 2011 Flat Lake Festival in Co Monaghan, the band began gigging locally and were soon booked for shows countrywide.

“The natural next step was the EP, which was recorded in a mate’s granny flat in Belturbet,” says Walsh, of 2012’s Young, Gifted & Blue. “It was a real DIY effort: we wrote the press release, designed the sleeve and released it on Friday 13. It went to number one on the iTunes blues chart and within days we were offered a slot on The Late Late Show and loads of UK labels were getting in touch. It just took off.”

THE SOUNDS OF 2013 #5 The band also took off time from their education: all four were under 16 when they played Flat Lake. None of them can still legally chug a beer backstage.

“Ross [Farrelly, vocals] is still only 15,” says Walsh, “so he’s still attending school, for the moment, anyway. Last September, the rest of us took an indefinite break from education. We can always go back in our 20s. This an opportunity that’s simply too good to pass up.”

The upcoming debut album won’t stray far from the hard, driving rhythm and blues that had record labels competing for The Strypes’ signature last year (the contest was won by Mercury Records, home of Arcade Fire, Jake Bugg and Chase & Status).

THE RED BULLETIN

M O R E B O DY & M I N D

WORDS: EAMONN SEOIGE. PHOTOGRAPHY: JILL FURMANOVSKY, ANDREW BENGE/GETTY IMAGES

“We don’t wear dark suit jackets all the time, but you won’t catch us in trackies” “We’re trying to get all the recording done inside two weeks,” says Walsh, “capture that punk rock spirit, in an analogue studio and with no overdubs.”

The band have eased into a working method that seems to be succeeding, with its guitarist at the forefront of song creation.

“We’re all into the same music,” says McClorey, “and I’m also a major fan of people like Elvis Costello, Joe Jackson, and the Black Keys: all amazing songwriters. I normally sketch the basic melody and lyrics on an acoustic and then we develop the ideas as a band – and, no, I don’t get all the money. I just bring a basic idea, then we as a band make the track come to life. It’s a fully collaborative process.”

There have also been some notable outside collaborations in the last 12 months.

“Playing Abbey Road with Paul Weller for Channel 4 was a little bit special,” says McClorey.

“I’ve also got to know Miles Kane fairly well. His Last Shadow Puppets album was a huge inspiration when I first started writing. This is all a great adventure. At times I think, ‘You should still be in school.’”

At the end of last year, The Strypes met Elton John, after signing for his talent agency, Rocket Music.

“He’s such a normal guy, real easy to talk to,” says Walsh.

“The whole mystique of celebrity doesn’t interest us. For us, these people are musicians; great piano players, guitarists, songwriters.

We met Jeff Beck last September after a gig we did in Ronnie Scott’s in London. He was in the audience and that was also cool as we’re all huge Yardbirds fans.”

Inspired by sharp-dressed bands like The Yardbirds and

THE RED BULLETIN

Alice Cooper and Noel Gallagher were in the crowd when The Strypes’ played London’s Old Blue Last this year

The Byrds, The Strypes cut quite a dash. “We don’t wear dark suit jackets all the time, but we like to look good. You won’t catch us in trackies,” says O’Hanlon.

“The look is something that’s happened organically,” adds Evan. “We look at pics of the bands we admire and cobble together stuff we pick up from second-hand shops.”

Farrelly, meanwhile, is far more down to earth than you would imagine a 15-year-old frontman to be.

“I’m really enjoying the experience and just keeping a level head,” he says. “Back home, everyone’s wishing us to do well.

Hopefully, some of our records make it big, but I’m not interested in fame. For me, it’s about making music and playing gigs. The label and the management company have been great, they respect us as musicians, which is important.”

Respect is coming from bookers and promoters all over the world.

“I’m really looking forward to playing Japan,” says McClorey.

“We’re flying there for a Tokyo show in late April and returning for a full tour in October, with gigs in Europe in May to come too. A couple of days ago we played a sold-out show in Liverpool. Loads of people were singing the words to our first single, Blue Collar Jane. It just blew me away.”

Need to know THE LINE-UP Ross Farrelly – lead vocals, harmonica Josh McClorey – lead guitar, vocals Pete O’Hanlon – bass guitar, harmonica Evan Walsh – drums DISCOGRAPHY Blue Collar Jane (single, 2013) Young, Gifted & Blue (EP, 2012)

The story so far Aged, 17, Josh McClorey and Pete O’Hanlon are The Strypes’ elder statesmen.

Evan Walsh is 16 and Ross Farrelly is only 15. They’ve known each other since they were knee-high growing up in Cavan Town. McClorey, O’Hanlon and Walsh first played live, with two other friends, as part of a school Christmas concert.

Ross joined in 2011, and the current four-piece line-up made its debut at a Girl Guide function at Cavan Rugby Club. Thanks to stripy jumpers worn by some band members, Walsh’s younger sister Becky gave the band its name, The Stripes, later tweaked with a ‘y’ in homage to a favourite band, The Byrds. The Walsh household’s record collection fast-tracked the boys’ musical education, they first played covers of The Beatles and The Rolling

Stones, then graduated to John Mayall & The Bluesbreakers, The Yardbirds and early Fleetwood Mac. A major inspiration was the direct, punchy sound of ’70s pub rockers Dr Feelgood.

The Strypes released a debut EP of four blues covers, Young, Gifted & Blue, in April 2012, to immediate acclaim, and were signed to Mercury Records last December. This year, there has been a UK tour, the recording of a debut album and a first single on Mercury, Blue Collar Jane. Coming up are two trips to Japan, further UK shows, and from May, a series of headline shows and festival appearances across Europe, with the much anticipated album due for release sometime before the end of the year. www.thestrypes.com

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M O R E B O DY & M I N D

Save The Date May & June

Solange stars at Field Day

MAY 17-19, JUNE 7-9

Pitch parties

Athletes : ( f.l.t.r.) Rachel Ather ton, Dan Ather ton, Gee Ather ton, Marc Beaumont, Danny MacAskill, Mar tin Söderström, Richie Schley and Kenny Belaey. Germany, Continental production plant, Korbach, bicycle building section. Continental employee, Ulf Günzel | w w w.conti-bicycletires.com

Rugby sevens is not the lesser version of the 15-man game. With fewer players and shorter playing times, there’s more scope for scoring. One of two events putting this theory into practice is the Manchester 7s Festival, held at Broughton Park FC, with accompanying live music and fancy dress. In its wake comes the Edinburgh 7s Festival, a three-day sports binge with a varied menu in addition to the rugby, including the British Invitational Masters Beach Volleyball tournament. www.mr7s.com www.edinburgh7sfestival.com

MAY 24–26

Fête accompli Since 2007, Field Day festival has united two polar opposites. Nowhere else will you see cutting-edge music alongside village fête activities like a sack race and the egg-and-spoon. It’s a winning combination. This year, Victoria Park in east London will be hosting Bat for Lashes, electronic duo Mount Kimbie, Mrs Jay-Z’s sister Solange and the glass-breaking bass of TNGHT. Plus, from the Red Bull Music Academy in New York, three acts as fresh as they come: Rudi Zygadlo, Throwing Snow and Koreless will grace the Red Bull Music Academy stage. www.fielddayfestivals.com

Ulf’s friends!

M O R E B O DY & M I N D

MAY 22-26

WORDS: RUTH MORGAN. PHOTOGRAPHY: JIM COSSEY/DIVA DESCENT, GETTY IMAGES, REX FEATURES

Little big screen There is no multiplex in the picturesque village of Schull in County Cork, Ireland, but each year its population almost doubles when it hosts the Fastnet Short Film Festival. The entire village is turned into a multiscreen cinema, with films shown in the village hall, pubs, restaurants, clothes shops, hairdressers and even projected onto buildings. Established pros rub shoulders with first-time filmmakers in categories from drama to documentary, and get advice from industry figures, who in the past have included Steve Coogan and director Jim Sheridan. www.fastnetshort filmfestival.com

Bobbed up in Cork: Steve Coogan

Der Kaiser 2.4 Projekt

Girl power: female-only riding at Diva Descent MAY 25-26

Sign up, get down For the last three years, Diva Descent has run one of the only amateur all-female downhill mountain bike race series in the world.

The UK women’s scene is going from strength to strength, partly thanks to British pro riders such as world champion Rachel Atherton, so this year Diva Descent is offering a swelling number of amateurs a coaching weekend before the 2013 race series kicks off in July.

They’ll learn from a host of international pros in the ideal MTB location of Innerleithen in the Scottish borders. www.divadescent.com

Rubber Queen 2.4/2.2

Baron 2.3

Race King 2.2

Danny’s 2.4 Trial Projekt Prototype

Ulf serves anyone! with

Handmade in Germany

R

acing is life, and anything that happens before or after is just waiting. People argue about the source of this wonderful truth, but it was Steve McQueen in Lee H Katzin’s 1971 film Le Mans, about the classic French 24-hour road race.

Once upon a time, racing drivers, even actors pretending to be racing drivers, dealt in metaphysics. Something has been gained now that they have media profiles to burnish rather than intellectual distractions to indulge, but something has been lost as well. Wit, for example.

I love the way that sport gives rise to metaphors of general validity. I’m told that, when asked to explain a catastrophic failure to turn an embarrassingly easy corner, burly Australian Formula One world champion Alan Jones said: “Easy, mate.

Brain fade.” Who has not known this mild-sounding but disturbing condition?

Then there was another favourite Australian racing driver, Frank Gardner.

“What went wrong, Frank ?” “Shits were trumps and I ’ad an ’andful.” And Gardner on a particularly brutal Chevrolet Camaro: “Shakes the bloody buttons off your overalls. This is why they invented zippers.” If Immanuel Kant had been at the wheel, no finer exposition of pure reason could have been expected.

Or what about that great NASCAR driver – I cannot remember whether it was Junior Johnson, AJ Foyt, Richard Petty or Parnelli Jones, but I mention them all because I like the names so much – who flipped his Chevy at 200mph on a banked oval track and proceeded, inverted, down the straight at largely undiminished speed, with sparks and smoke and flame everywhere? Requested to comment at a post-race interview, the experience was calmly described as “like arc-welding with your shirt off”. Genius.

The physical extremity of motorsport has often stimulated philosophical reflection. Mario Andretti, winner of the F1 world championship, Indy 500 and Daytona 500, and the only man to win

Mind’s Eye

On Great Terms Forget post-match witter: Stephen Bayley mines sport’s golden wit and wisdom motor races in five decades, once said, “If everything seems under control, you are simply not going fast enough.” How true.

Tennis is different to racing, not least because, unless playing very carelessly, death is unlikely. At least, the accidental sort. I have certainly thought about very deliberately ending it all after following a gruesome double-fault with a feeble plop into the net. But the apparent simplicity of thwacking a ball to and fro across a net is deceptive.

No other game punishes the player with such cruel psychological exposure.

On court, you are revealed in all your clumsy foolishness, eased only occasionally by a flash of inspiration or moment of co-ordination. Baldassare Castiglione, author of The Courtier, a timeless guide to renaissance manners published in 1527, knew about tennis’s subtleties. He advised the ambitious courtier to learn to play well (and, incidentally, to throw

rocks with style), but he also advised on the politics of losing. Your career, he wrote, is more likely to be advanced if you let your master dominate.

Of course, professional tennis players want ruthlessly to win, even as they acknowledge the strictures on decorum laid down by scarlet majors at the base in Wimbledon, the inheritors of Castiglione’s code of gentlemanly manners. This is why tennis’s glum heroes have evolved a language, verbal and non-verbal, of evasion. The lowered head and upraised palm indicates, “yes, I know I have just been an absolute bastard”. When they mumble “too good” they mean “I hate you”.

But the expression I like best is “unforced error”. The concept raises important semantic questions about the difference between an error (which is mild) and a mistake (which is deeply regrettable).

The implications are profound. With the ball in play and apparently under control, an unforced error occurs when one of the players, apparently not under pressure, loses the point. He has made an error all by himself. The notion is resonant with cringe-making culpability and shaming personal failure.

Who is to say the error was not in fact forced by the opponent’s indefatigable patience in unaggressive returning?

Unforced errors are waiting for us everywhere. Successful people manage to get something to go wrong for other people first; they force unforced errors.

Maybe they force brain fade.

The term “unforced error” is not an ancient one in tennis. In fact, it dates not from the renaissance, but from the 1980s and the first experiments in computer analysis of sport. It is not a scientific concept, but a subjective opinion required for the stats to work. It is maddening and contradictory, possibly even beautiful and profound. Just like sport itself.

Stephen Bayley is an award-winning writer and a former director of the Design Museum in London

THE RED BULLETIN United Kingdom: The Red Bulletin is published by Red Bull Media House GmbH General Manager Wolfgang Winter Editor-in-Chief Robert Sperl Deputy Editorin-Chief Alexander Macheck Publisher Franz Renkin UK & Ireland Editor Paul Wilson Contributing Editor Stefan Wagner Chief Sub-editor Nancy James Deputy Chief Sub-editor Joe Curran Production Editor Marion Wildmann Chief Photo Editor Fritz Schuster Deputy Photo Editors Ellen Haas, Catherine Shaw, Rudolf Übelhör Creative Director Erik Turek Art Director Kasimir Reimann Design Martina de Carvalho-Hutter, Silvia Druml, Miles English, Kevin Goll, Carita Najewitz, Esther Straganz Staff Writers Ulrich Corazza, Werner Jessner, Ruth Morgan, Florian Obkircher, Arkadiusz Piatek, Andreas Rottenschlager Corporate Publishing Boro Petric (head), Christoph Rietner (chief-editor); Dominik Uhl (art director); Markus Kucera (photo director); Lisa Blazek (editor); Christian Graf-Simpson, Daniel Kudernatsch (app) Head of Production Michael Bergmeister Production Wolfgang Stecher (mgr), Walter Sádaba Repro Managers Clemens Ragotzky (head), Karsten Lehmann, Josef Mühlbacher Finance Siegmar Hofstetter, Simone Mihalits Marketing & Country Management Barbara Kaiser (head), Stefan Ebner, Stefan Hötschl, Elisabeth Salcher, Lukas Scharmbacher, Peter Schiffer, Julia Schweikhardt, Sara Varming Advertising enquiries Georgia Howie +44 (0) 203 117 2000, or email georgia.howie@uk.redbulletin.com, Deirdre Hughes +35 (0) 386 2488504. The Red Bulletin is published in Austria, France, Germany, Ireland, Kuwait, Mexico, New Zealand, South Africa, Switzerland, the UK and the USA. Website www.redbulletin.com. Head office: Red Bull Media House GmbH, Oberst-Lepperdinger-Strasse 11-15, A-5071 Wals bei Salzburg, FN 297115i, Landesgericht Salzburg, ATU63611700. UK office: 155-171 Tooley Street, London SE1 2JP, +44 (0) 20 3117 2100. Austrian office: Heinrich-Collin-Strasse 1, A-1140 Vienna, +43 (1) 90221 28800.The Red Bulletin (Ireland): Susie Dardis, Richmond Marketing, 1st Floor Harmony Court, Harmony Row, Dublin 2, Ireland +35 386 8277993. Printed by Prinovis Liverpool Ltd, www.prinovis.com Write to us: letters@redbulletin.com

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P ANd O -H IP H N O S IP H S F LY IN G S P A C EU IS E H IS R E A L L O v E W IT H T O M C R KO Olga Kurylen

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M O U N TA IN b Ik E TR A

IL S O N EA R TH

Your MoMent.

Beyond the ordinary

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The new

OPEL ADAM

AUTO EXPRESSION. ONE CAR. MILLIONS OF LOOKS.

“Ich Bin ADAM”. Be unique and choose a car where you call the shots. The new Opel ADAM lets you give “Uniformity Das Boot” with the greatest level of personalisation for any car ever.

From €14,995 including 5 year warranty and finance options to suit you at your local Opel dealer. www.opeldealersireland.ie

Terms and conditions apply. RRP excludes delivery and related charges. Offer available at participating Opel dealers. Warranty is 5 years/100,000km full warranty - full terms and conditions available in warranty and service handbook. Model shown for illustrative purposes is ADAM Slam 1.4i (100 PS) in Papa don’t Peach with Two Tone White Pack RRP €17,625 inc options. CO2 emissions 119 g/km. Fuel consumption combined 5.1 l/100 km; CO2 emissions combined 119 g/km (according to R (EC) No. 715/2007).