The Red Bulletin November 2014 - ZA

SOUTH AFRICA

BEYOND THE ORDINARY

NOW

EAGLES OF DEATH METAL

R30

THE KNICK

24 hours in the desert with a madman

INSIDE 2014’S BEST NEW TV SHOW

OUT OF AFRICA

AWESOME GEAR

Classic surf showcase

To boost your st yle

CRIME FIGHTER Face-to-face with the man who broke open the Mafia

NOVEMBER 2014 R30 incl VAT (R4.20)

N O W H E ’ S TA K I N G O N THE DRUG LORDS

HARD ENDURO

Taming the Roof of Africa

MAKERS OF THE ORIGINAL SWISS ARMY KNIFE I WWW.VICTORINOX.COM

THE WORLD OF RED BULL

80

UP CLOSE TO ARCADIA

This is a festival stage like no other: it’s 20m tall, fires flames and can dance to the music

PETER RIGAUD (COVER), ALEX DE MORA (2)

WELCOME Roberto Saviano wrote a book about the Mafia, Gomorrah, so juicy with reallife crime stories that the real-life gangsters vowed to have their revenge. Eight years later, he’s still living in hiding; we spent three years working to secure a world-exclusive interview with him. In total contrast to Saviano’s coopedup existence, we showcase a portfolio of stunning surfing images from around Africa, courtesy of Alan van Gysen. We also go behind-the-scenes at the Roof of Africa to discover why this notorious motorcycle race is known as the ‘Mother of Hard Enduro’.

Plus: pro gaming’s tipping point, and Steven Soderbergh explains how and why he created The Knick, his bold, brutal TV show set in a New York hospital 114 years ago. Enjoy the issue!

THE RED BULLETIN

“I honestly expected to be a US senator by now” JESSE HUGHES, PAGE 60

09

44

NOVEMBER 2014

SWELL GUY

South African surf photographer Alan van Gysen opens his huge portfolio of breathtaking images

AT A GLANCE GALLERY 14 GALLERY Jaw-dropping images

BULLEVARD 20 WFL SCIENCE! Top tech, mad ideas and our own Nobel prizes

FEATURES 30 Roberto Saviano

On bestseller and Mafia hit lists

36 Starter’s orders

Start training now for the 2015 Wings For Life World Run

38

38 Roof of Africa

The hardest enduro in the world

44 Alan Van Gysen

Travelling around a whole continent in search of the best surf scapes

56 Steven Soderbergh

30 ‘I’M A MONSTER’

There’s no one the Mafia fears quite like Roberto Saviano. For that the Italian writer continues to live in fear of his life

58 Global supergroup The Roof of Africa extreme enduro returns to the mountain kingdom of Lesotho, the world’s highest country

36

HEINZ KINIGADNER

10

60 American eagle

In the desert with Eagles Of Death Metal frontman Jesse Hughes

ACTION

58 Double motocross champ and co-founder of the Wings For Life Foundation on how to boost your athletic ability

How two unknowns assembled the cream of rock and pop

THE TOUGHEST HARD ENDURO

MEXICAN MUSIC MASTERS

Camilo Lara and Toy Selectah reveal their ambitious follow-up to a song that spent more than 65 weeks at No 1

70 71 72 73 74 76 77 78 80 86 88 98

TRAVEL Get your pilot’s licence PRO TOOLS Wave-taming gadget TRAINING Get fit for rugby league MY CITY A musician’s Austin PARTY Drai’s Beach Club, Las Vegas MUSIC Erlend Oye’s top five tunes NEW MOVIES Interstellar GAMING What the pros play NIGHTLIFE The Arcadia Stage story SAVE THE DATE Unmissable events WHAT TO WEAR Active style essentials MAGIC MOMENT Slacklining

THE RED BULLETIN

ALAN VAN GYSEN, PETER RIGAUD, TYRONE BRADLEY, MARCO ROSSI, ROBERT ASTLEY SPARKE

From movies to TV: he’s got the knack with The Knick

5 0 1 . STA R T E D BY U S . F I N I S H E D BY YO U. ®

5 0 1® J E A N

AS ORIGINAL AS YOU ARE

©2014 ©20 14 Lev Levii Stra Stra trauss uss & Co. Oscar Osc ar Tan Tango/ go/005 go/ 005/RE 005 /REDB /RE DB

CONTRIBUTORS WHO’S ON BOARD THIS ISSUE “Jesse likes to party 24/7. He’s unpredictable, he can’t sit still and he can’t stop talking” Alex De Mora on Jessie Hughes.

More from both on page 60

ALEX DE MORA

RÜDIGER STURM

ALAN VAN GYSEN

For this month’s edition of The Red Bulletin, the London-based Brit, who counts Vice magazine, Nike and MTV among his clients, travelled to the California desert to shoot The Eagles Of Death Metal lead singer Jesse Hughes. “Jesse likes to party 24/7,” says De Mora. “He’s unpredictable, he can’t sit still and he can’t stop talking. But he’s also great to shoot because he will do almost anything for a good shot, from climbing big rocks to roadside karate kicks.”

View the results on page 60.

A regular in these pages, the German wordsmith’s latest Bulletin brief took him away from his usual task of interviewing A-list actors such as Nicolas Cage or Christian Bale. “None of those stars were as difficult to track down as Roberto Saviano,” says Sturm of the Italian author who has penned best-selling books about organised crime that were so successful he’s had to go into hiding. “It took three years to fix an interview – then I found him on my doorstep in Munich.” This world exclusive is on page 30.

The South African surf photographer has spent the last 15 years travelling to distant shores throughout Africa and the Atlantic Ocean, searching for unseen whitewhater-scapes and preserving them in his pictures. “It’s one thing to capture these special moments out in the field, but it’s another reliving them when I’m putting a portfolio together,” says Van Gysen. “You have the time to really appreciate what you’ve experienced.”

See for yourself on page 44.

THE RED BULLETIN WORLDWIDE

The Red Bulletin is published in 11 countries. This is the cover of the US issue. redbulletin.com

IN FOCUS

Behind the lens with Peter Rigaud The Austrian photographer is used to high-profile commissions for The New Yorker, Vogue and Forbes magazine, but shooting Italian crime writer Roberto Saviano for The Red Bulletin was more low key. “Saviano’s exposé on the Mafia has forced him into hiding,” says Rigaud.

“But the shoot was laid-back, despite the presence of his entourage of security guards.”

See the results from page 30.

12

Shooting in secret: Peter Rigaud (left) with Roberto Saviano

From undercover to the cover: Italian crime writer Roberto Saviano

THE RED BULLETIN

JHB/E

FROM R167 900 *

* Yaris price is subject to change and correct at time of going to print.

Model shown: Yaris 1.3 CVT 5 dr.

Choose the Yaris that’s right for you. Yaris 1.0 5dr, 1.3 5dr, 1.3 CVT 5dr and 1.5 Hybrid.

Visit www.toyota.co.za for more information.

10015796JB/

THE ALL NEW YARIS

VI EN NA , AU STRIA

HEAD BOY B-Boy Spolo takes to the floor at the Red Bull BC One Austria Cypher earlier this year, but all eyes will turn to Paris on November 29 when the Red Bull BC One World Final returns to the City of Light. With France producing two previous world champions – Lilou in 2005 and 2009, and Mounir in 2012 – the French capital boasts one of the most dynamic and accomplished B-Boy scenes in the world. Six regional finals, held in the USA, Brazil, Algeria, Finland, Croatia and Taiwan, will determine who gets the right to throw down on the biggest stage in breaking. redbullbcone.com Photography: Johannes Seidl

14

MAGALI E S B ERG , S O UTH AFRI C A

TALL TALE In the build-up to the 2014 Red Bull X-Fighters World Tour final at the Union Buildings in Pretoria, Spain’s Maikel Melero went game-watching at the Glen Afric Country Lodge wildlife sanctuary. The lions and elephants stayed clear of the big-air jumps, but one of the giraffes expressed an interest in his one-handed seat grab indy. Melero went on to finish the Tour in 10th place, as top spot was taken by Australia’s Josh Sheehan ahead of Levi Sherwood of New Zealand. redbullxfighters.com Photography: Jörg Mitter/Red Bull Content Pool

17

MAU I , U SA

IN THE LOOP The double loop is the most spectacular trick in windsurfing: a double forward somersault, complete with board and sail, which requires a steep wave and forceful forearms. Philip Köster was just 13 when he pulled off his first double loop and he became the youngest-ever PWA Wave world champ four years later. Now 20, this season the German is going for his third world title, which will include conquering the epic Ho’okipa Beach Park waves he’s practising his tricks on here. His recipe for success? “Never look at the scoreboard. Just get in the water and give it your all.” philipkoester.com Photography: John Carter/Red Bull Content Pool

19

BULLEVARD

NEW IDEAS

INVENTIONS

KNOWLEDGE

NOBEL P

RIZES

AWA R D E B U T W ED T H IS M O N T H ’V O W N W INE G O T O U R , NERS

A young man and the sea B oy a n S l a t w a n t s to r i d t h e w o r l d’s o c e a n s of p l a s t i c r u b b i s h There was just one thing Boyan Slat really wanted to do while on holiday in Greece and that was to surf the waves. But he couldn’t help noticing more plastic bags swimming in the water than fish. In his frustration, the Dutchman decided to rid the seas of rubbish and even gave up school for the effort. Now three years later, the 19-year-old has a concept that has experts convinced. His Ocean Clean Up project even has pessimists dreaming of a world in which the seas belong to the fish again.

And surfers too, of course.

Solar cover

Collection platform

A PACIFIC FREE OF PLASTIC

Floating barriers are installed in the five main ocean currents, effectively allowing the ocean to clean itself.

20

Particle filter

Buoys 1

2

Anchored to the seabed

5

3

4

Wind and tides move the rubbish towards the filters without the need for additional energy.

Direction of current Barriers about 300km long gather the rubbish in. No ocean life is harmed.

Battery section

Once gathered, the plastic is recycled, which makes money to finance the project.

THE RED BULLETIN

BULLEVARD Science | Future

Is this the perfect woman?

3 FUTURE PERFECT IDEAS

Clever inventions coming soon – but we want them now

ELECTRIC ROADS Bars built into the road provide vehicles with electricity. The first stretches of test road will open in Sweden in 2015, to offer a real-life Scalextric experience.

Not so noble T h e N o b e l P r ize m ay b e u n p re d i c t a b l e , b u t i t i s l o g i c a l t h a t t h e re i s n’t a p r ize fo r m a t h e m a t i c s One thing is certain, if it weren’t for dynamite, there would be no Nobel Prize.

The chemist Alfred Nobel made his fortune through the commercial exploitation of his explosive invention. Is the lucrative prize the result of an unclear conscience?

That’s how the legend goes, at any rate. Another uncorroborated anecdote explains why there is no award for mathematics.

A mathematical genius is said to have wooed Nobel’s beloved away from him, whereupon the wronged party promptly cancelled the prize.

GOING, GOING, GONG. These unfortunates didn’t win a Nobel Prize

TOC, MICHAEL O, DDP IMAGES, GETTY IMAGES(3)

GAMING CLUSTER Brainflight will make a researcher of every gamer as you fly through the complex world of nerve cells.

The result will be the first map of the brain’s neural network.

NO MAN Rosalind Franklin did crucial DNA research.

Her colleagues were honoured after she died.

NO DESIRE Jean-Paul Sartre didn’t accept honours on principle. Not even the Nobel Literature Prize.

NO BASIS As a cynical protest, in 1939 a Swedish politician nominated Adolf Hitler for the Peace Prize.

NO LUCK Mahatma Ghandi received the last of his five nominations shortly before he was murdered.

Beauty, so they say, is in the eye of the beholder.

In baroque times double chins were sexy. In the Victorian era plumpness was a status symbol. If The Red Bulletin were to play God, as artist Michael O has above, the female body of the future would have a little more skin on her bones. But his robotic creation might just be the pin-up girl of 2080.

THE RED BULLETIN

AIR-LECTRICITY Physicists from US company WiTricity have created a device to provide smartphones with power wirelessly.

They should tell the electric roads team how they do it.

“If I have a thousand ideas and only one turns out to be good, I am satisfied” Alfred Nobel (1833-1896)

21

BULLEVARD Science | Robots

Smarter than us Films like I, Robot and A.I. have shown us the future.

But when will it arrive?

Robots can cook pasta, wash our hair and look after the sick. They can drive cars, do the vacuuming and put out fires. But making them is often more complicated than the problem they’re meant to solve, which is why more often than not, they don’t get beyond the expensive prototype stage.

The only robots that will become part of our everyday lives will be ones we can afford. They will only become efficient assistants or emergency workers once they’ve learnt to think and act for themselves. This situation is a long way off, but our attempts to get there continue apace…

INTO THE WILD Google’s robotic packhorse, BigDog, being fine-tuned (right) and its successor, AlphaDog, during military training (below).

HUMAN 2.0

They look like us, play better music, and their smile is enough to melt anyone’s heart. Is it time to accept that the future belongs to robots?

22

THE RED BULLETIN

OBSOLETE ALREADY Sony’s AIBO RoboDog was born in 1999 and put down in 2006.

“HI, AM I HUMAN?”

GETTY IMAGES(2), SONY, LS3 ROBOT IMAGES COURTESY OF BOSTON DYNAMICS, PICTUREDESK.COM, KONRAD NORMAN, AI-LAB DER UNI ZÜRICH

Eugene Goostman is the first piece of software that can supposedly deceive chat partners into thinking he’s a 13-year-old boy from Ukraine. We tested him out

SEEING DOUBLE Robotics pioneer Hiroshi Ishiguro wanted to know if he could create a humanoid double.

The answer was yes, he could.

THE RED BULLETIN

REAL METAL The most literal metal act ever is robot band Compressorhead, which covers Motörhead on real instruments.

the red bulletin: You were the best of the bots in the Turing test, the liedetector test on being human. Did you cheat? eugene goostman: Everything I can do I learnt from you humans. ROFL! A third of your chat partners believed you were an actual human.

What can I say? To err is human.

Do we really need artificial intelligence?

You mean when you’ve done without natural intelligence for so long? ;) You’re very cheeky for a piece of software.

What would you like to be when you grow up?

A supercomputer. Like Deep Blue. Only I don’t want to spend my time with digital chess pieces.

Who do you want to spend your time with then?

Humans.

You’ll probably have to get through a more rigorous Turing test before that happens.

I didn’t cheat! What further proof do you need?! ...

Why are you saying that? ... Wbere comme¿ ... ¶¢][]] ... ERROR He’s more human than we first thought.

BLUE-EYED BOY This cute ROBOY smiles like he has a heart and soul.

But what really marks him out are his muscles and tendons.

23

BULLEVARD Science | Living

House of the future

1

Inventions that will change h ow we live in th e c o mfo r t of o ur ow n h o m e s

2

3 5

6

4

7 8

1 INTELLIGENT HOUSES could create more energy than they use with solar panels and air source heat pumps.

2 CONVERTIBLE WINDOWS have been developed by

a Dutch architecture firm to create a balcony that folds out from the wall in a few seconds.

3 LIFE AUTOMATION products use sensors to turn your house into a decision

maker. A device like WigWag can switch on lights when it gets dark or fire up the boiler when it gets cold. It also has a smartphone app.

4 SPRAY-ON LIGHTS use OLED technology

and can illuminate anything in the home, from walls to house plants.

cent of water and up to 80 per cent of the energy a regular shower consumes.

7 LIVING FURNITURE is made with living organisms to help regenerate itself

5 WATER-SAVING SHOWER from Swedish firm Orbital Systems saves up to 90 per

6 SMART IOTA is a WC that uses 50 per cent less water and folds itself away once you’re done.

8 SMART HERBS in a Click & Grow minigarden don’t need TLC – just NASA tech and electricity.

Tomorrow’s dinner today

CORBIS(5)

Here are the future delicacies you can try now (and one you can’t)

PEA DRUMSTICK Californian firm Beyond Meat makes veg proteins look finger-lickin‘ good.

24

PIZZA PATCH Like a nicotine patch, but with pizza. Still under development.

EDIBLE MIST Take a deep breath and consume caloriefree chocolate.

LAB BURGER The consistency is good, but the taste needs a little work.

UNREAL CANDY Enjoy sweets with a clearer conscience and 40 per cent less sugar.

THE RED BULLETIN

THE CONVERSE CONS WEAPON

DDB SA 39924/E

Pontus Alv. Everything is his weapon. More at CONVERSECONS.TUMBLR.COM

BULLEVARD Science | Living

Ctrl-P Possible Creation 3.0: if you can think of it, you can create it.

New hi-tech 3D printers make what has always seemed impossible, possible. The options are literally endless

4

LAUGHING IDEAS

EARGANIC A 3D printer would have presented Van Gogh with new options: it’s possible to print a personalised mould in which a human ear can be grown. It may have come a few years too late, but artist Diemut Strebe used it to do just that, with genes from the painter’s great-grandnephew.

SHUT IT The SpeechJammer shuts people up.

The hand-held box produces an echo of the speaker’s words, slowing any verbal torrent. It also exists as an iPhone app.

LIFE-SAVING BRA Medic Elena Bodnar has designed a bra that can be converted into two facemasks in an emergency.

26

SHOES Fold them up and fit them in your pocket, but they still smell.

INSTRUMENT Make sweet plasticky alto sax sounds with 41 components.

SEX TOY Download the Rock & Roll Sex Toy for your printing pleasure.

CAR The Urbee: prints in 2,500 hours, runs on ethanol and electricity.

YOU Make a mini action hero or wedding cake figure of yourself.

PRINTER Just print out the components and put them together. Easy.

DON’T GET BURNT The wasabi fire alarm sprays the sting of horseradish if it senses a fire risk, thus rousing stubborn sleepers from their dreams. But no, the fire isn’t put out using soy sauce.

Why one Nobel winner w a s re l u c t a n t to a c c e p t t h e p re s t i g i o u s a c c o l a d e The procedure has always been predictable: worthy scientist gets a call from Stockholm and comes over all surprised and honoured.

But the committee was taken aback by the reaction of Yves Chauvin to the news. The Frenchman was due to receive the award for chemistry in 2005 – for ‘the development of the metathesis method in organic synthesis’ – but refused to accept it. He claimed that his colleagues had played a much more important role than him in the research. But Chauvin came around and eventually agreed to receive the prize.

CAN TALK Shouldn’t we try something new?

THE RED BULLETIN

DIETMAR KAINRATH

FALSE BOTTOM Gustano Pizzi is making it safe to fly again.

Anyone trying to hijack a plane will fall through a trap door into a box that will then float down via parachute straight into the arms of the police.

Thank you, but no thank you

DIEMUT STREBE (2), RECREUS, ODD.ORG.NZ, PRIVECO, KOR ECOLOGIC INC, CORBIS, FORMLABS.COM, REUTERS

The Ig Nobel Prize is an annual award made to the most improbable researchers and their flights of fancy.

RED BLOODED PERFORMANCE INFINITI Q50 EAU ROUGE CONCEPT www.infiniti.co.za

INSPIRED PERFORMANCE

Model displayed: Infiniti Q50 Eau Rouge Concept. This is a concept car and is not available for purchase.

Concept cars are automotive studies and may look dierent when released. For more information on this and the Infiniti Q50, visit www.infiniti.co.za

BULLEVARD Science | History 1

The future’s bright B ygo n e m a g a z i n e s fo re to l d o f f a r- o f f d eve l o p m e n t s i n all their colourful u n p re d i c t a b l e g l o r y 1 MUSICAL EXPRESS This was to be the train with tracks of its own. The locomotive imagined by American Modern Mechanix And Inventions magazine in 1934 whistled jazz notes from two saxophones, and was driven by five huge vacuum valves, then most commonly found in radios.

Today’s equivalent would be a train with an engine fuelled by the flow of internet data, where every post, tweet or ‘like’ equates to a mile.

BLOG.MODERNMECHANIX.COM, UBKA.UNI-KARLSRUHE.DE, WWW.SCIENCE-ET-VIE.COM, POPULAR MECHANICS

2 IKEA SPACE STATION In 1956 Hobby magazine from Germany envisaged a cosmic community on a prefabricated vessel: think Ikea in space. Once people had built their abode, all they had to do was learn to live together in peace on the space station. That’s the one part of the vision in evidence today on the ISS. It’s just on Earth we seem to have a problem with it.

3 THE FEELING ROBOT Unimate was the world’s first industrial robot, patented in 1954 and limited to automated tasks. But in 1975, French magazine Science & Vie was inspired to dream up the robot of the future: one so sensitive that it could judge how lightly to tap an egg to break it.

4 ROCKET AIRPORT In August 1938, a passenger jet successfully completed the first non-stop flight from Berlin to New York in 24 hours and 56 minutes, which was quick for the time. American publication Popular Mechanics Magazine conjectured that, with time, passengers could be fired to the Moon in super-fast transport rockets.

2

28

3

4

THE RED BULLETIN

BULLEVARD Science | Visionaries

2014: winning looks

Superstar inventions This famous five have made more than just a name for themselves

STEVE MCQUEEN Put his foot down on screen; improved driving off it.

TURTLE T-SHIRT A pic of a numbered turtle locates the itch on Coppola’s back.

HEDY LAMARR The 1930s movie star helped the US Navy take on the airwaves.

TRAIN CONTROLS Young invented a single control unit to operate several trains.

You don’t need to be a genius to predict who’s going to win a Nobel Prize. There’s a system to choosing a winner, and we’ve decrypted it 2004

2005

2006

2007

2008

2009

2010

2011

2012

2013

2014

C H E M I S T RY | 2 0 /2 0 RU L E S

Glasses are not required to win: look for a repeat of 2005/06 in 2013/2014.

P H Y S I C S | M I G H T A N D M A N E

A head of hair increases chances of winning the prize for physics by 70 per cent.

E C O N O M I C S | S TAY T R I M

NEIL YOUNG Legendary rocker has a soft spot for model railways.

TORPEDO SIGNALS Lamarr was a pioneer of frequency hopping, now used in Wi-Fi. Would you choose to bestow upon a beardy bean counter? Exactly.

Glasses No glasses

Hair

No hair

Beard

No beard

MARLON BRANDO The Oscar winner was also a godfather of invention.

BUCKET SEAT The 1971 model was more secure for the driver and oozed cool.

FRANCIS FORD COPPOLA Has an itch that needs scratching.

SPORTS SHOES Brando came up with traction-optimising shoes for aquajogging.

THE RED BULLETIN

REINVENTING YOURSELF

* KOMA: KAINRATH’S ŒUVRES OF MODERN ART

GETTY IMAGES(5)

DIETMAR KAINRATH

KOMA*

29

There’s no one the Mafia fears quite like Roberto Saviano. For that the Italian writer continues to pay a high price. The Red Bulletin managed to track down the modern-day hero in hiding

30

WORDS: RÜDIGER STURM PHOTOGRAPHY: PETER RIGAUD

It was Friday October 13, 2006, when Roberto Saviano’s life took a brutal turn.

The Italian journalist was on a train from Pordenone to Naples when his mobile phone rang. It was the military police.

The Carabinieri had intercepted messages from incarcerated Mafiosi. The Camorra bosses wanted Saviano dead. A detachment of security forces was already waiting for him as his train drew into the station.

The 35-year-old has lived ever since with 10 bodyguards who take turns to watch over him. Like him, his parents and brother have had to leave their homes and go into hiding. And like him, they’ve lived under police protection for eight years.

What sparked all this subterfuge was the fact that Saviano had become too dangerous for the Mafia’s liking.

His best-selling book Gomorrah was published in 2006. It was an exposé of the Neapolitan Camorra and was more revealing than any Mafia book before it.

Initially, the Mafiosi felt flattered and gave each other copies of the book.

But it all changed when Gomorrah had

an Italian print run of 100,000 copies, and there were plans for foreign translations. That was far too much attention for the Camorra bosses, some of whom were mentioned by name.

The book has now been published in 43 countries. The film of the same name won awards in 2008 at Cannes, the European Film Awards and elsewhere.

Now there’s a TV series, also called Gomorrah, which portrays the power struggles within a Neapolitan clan, and is being hailed as Europe’s answer to The Wire. In Italy it’s been a ratings success and is set to be broadcast in 50 countries.

The international launch of the TV series is why Saviano has come out of hiding and made himself available for an interview. But only after a couple of false starts. First there was talk of a meeting in Rome. Then he wanted to answer the questions in writing. Then, out of the blue, there was an email from the a press department. He would be in Munich a few days later.

But what could be expected of this sort of interview? When Saviano appeared at a journalism festival in Perugia last year, every visitor was frisked for weapons and the venue had to be checked for bombs.

Personal details have been hard to come by when anyone has interviewed him in recent years. Information about his family remains vague. Some say it was just his mother and brother who had to move home and adopt new identities. Others talk of an aunt. No one mentions his father.

His love life doesn’t come up.

The natural journalistic reflex would be to probe. But would he give answers?

And if he did, should a piece of journalism really give clues to his potential killers?

Even the setting in which the interview takes place has something of the surreal about it. Downtown Munich is partially sealed off – for nothing more suspicious than a fun run. The corridors of the Hotel Bayerischer Hof where Saviano is staying are empty, but standing in the corridor leading to the suite where the

“You don’t feel solidarity when you fight against organised crime.

Some people think of you as a traitor”

33

interview will take place are two men in dark suits with the unmistakeable oversized physique of bodyguards.

As for the focus of everyone’s attention, Saviano doesn’t come across as someone whose life might end at any second. He has a focused gaze, a look of gentle relaxation on his face, his movements are deliberate, his voice calm. But appearances can be deceptive.

“I feel like I’ve been shot to pieces inside,” Saviano says, opening the conversation, the calm expression on his face unchanged. “I work out a lot. That helps. But I miss my familiar surroundings, my book collection. I’m always waking up in strange houses.” He mentions insomnia, but would rather that wasn’t printed. “For the last six months I’ve been abroad. The distance has helped me find a bit of inner peace again.”

Considering the light Saviano’s shone on what is traditionally an underground world, a first question to him must be: does he see himself as a hero? “You don’t

34

In his latest book, ZeroZeroZero, Roberto Saviano turns his attention to international drug trafficking

automatically feel solidarity when you fight against organised crime,” he says.

“Some people think of you as a traitor.”

Saviano has indeed been publicly criticised for his work, by footballer Fabio Cannavaro for one. The long-time captain of the Italian national team said that Gomorrah would create a false picture of the city of Naples. Disgraced former president Silvio Berlusconi though that Saviano was giving free publicity to the Mafia and painting Italy in a bad light.

Notwithstanding, Saviano is a national hero in his homeland, with fame that extends beyond his books. When the writer co-hosted a four-part TV series in November 2010 that dealt very critically with the state of the Italian nation, a peak of 11.4 million viewers tuned in.

Internationally he has long been seen as a crusader, a symbol of the fight against organised crime. He has given secret guest lectures in New York and has warned other nations against playing down the threat posed by the Mafia. He continues to work undeterred. His latest book, ZeroZeroZero, published in 2013, is about the global cocaine trade.

“I’m obsessed with the Mafia,” he says. “I have this feeling that I’m useless if I don’t devote myself to such matters.

I want to show readers a world they can’t imagine and yet very close to them.”

The Mafia has always been part of Saviano’s life. He comes from the Italian town of Casal di Principe near Naples. His father, a doctor, was beaten up for taking care of a Mafia victim when Saviano was a child. When Saviano was 16, the Camorra murdered Don Giuseppe Diana, a local priest. From the age of 18, he did odd jobs at companies that the Camorra controlled, which gave him his first direct contact with the underworld.

But he wasn’t immediately aware what a large part it would play in his future.

Inspired by writer and philosopher Ernst Jünger, in his late teens he wanted to join the French Foreign Legion. “I wanted to emulate him,” he says. “Thankfully they didn’t accept me. I was still wet behind the ears.” Saviano laughs briefly – the only time he does so during the interview.

Instead, perhaps still with Jünger in mind, he studied philosophy in Naples, after which he wrote for several Italian daily newspapers before turning his attention to the world of organised crime. He gathered material, hung around Mafia meeting places, waited tables at their weddings. “Today I’d be a lot more cautious,” he says. “When I think of how openly I promoted my first book, that was very rash.”

“I regret writing the book.

It’s made my life very difficult. I constantly have to change where I’m staying. The same applies to my family. I feel very guilty about it” There’s a short pause. And then a confession. “I regret writing Gomorrah,” he says. “It’s made my life very difficult.

I constantly have to change where I’m staying. I can’t go home. I live under guard.

The same applies to my family. I have terrible feelings of guilt towards them.”

But as Saviano admits, with that same serene expression on his face, his work hasn’t just changed his life on the outside.

“In ZeroZeroZero I wrote, ‘When you look into the abyss, you end up turning into a monster sooner or later.’ I’ve turned into a monster myself by analysing and studying the world of organised crime from every angle. I have difficulties developing real human relationships, like a member of the Mafia. I find it very hard to truly trust people. I’ve got used to always just seeing the darker side. Everyone has a brighter side but I’m mostly concerned with looking into the shadows. You even end up learning to think like they do.”

It’s perhaps this ability to get into a Mafioso’s head that’s made Saviano’s work on organised crime so gripping and, for him and the Mafia families, so dangerous. “A member of the organised crime world divides people into two categories,” he says. “Those who comply with the laws and those who follow the rules. Anyone who abides by the law has no power. But people who follow the rules have opted for real power. The rules were developed aeons ago. They are guided by real circumstances and are pragmatic, whereas laws are just constructs thought up by a group of people to rule over the general public.”

Suddenly the door opens. One of the bodyguards comes in and wants to clarify something with Saviano. For a moment he seems vexed and startled.

Yet the reason for the interruption is

The latest edition of Gomorrah ties in with the TV show, which has been broadcast in more than 50 countries

completely mundane – he wants to charge Saviano’s mobile phone.

Saviano quickly composes himself.

“Basically, my book changed the general perception of the Mafia considerably,” he says. “It showed that the Camorra isn’t an out-of-town problem, and is in fact rooted right in the middle of our society, diverting enormous amounts of money through legal channels. But for all the shadiness, there is also a small light at the end of the tunnel. My hometown, for example, elected Renato Natale mayor this year and he is against the clans.”

There are also signs of hope for him personally. In 2008, Mafia bosses Antonio Iovine and Francesco Bidognetti released a statement in which they blamed Saviano and others for their capture, thus increasing the threat to his life. Both are currently serving long sentences behind bars and set to face more charges this year, while Iovine has since turned informant. “If they are convicted for the threat they made against me, then things could improve for me,” says Saviano. “It would mean that the state comes down hard on an organisation that threatens other people.

Maybe then I’d have more freedom.

Maybe I’d even be able to move back to Italy permanently, provided the police allow me to. Ultimately they’re the ones who will decide what happens to me.”

With some momentum starting to build behind Saviano’s anti-Mafia stance, the big question is now how the Camorra and those like them can be defeated.

“One step would be to legalise drugs – first the less serious ones and then all, even the harder drugs,” says Saviano.

“That would see the Mafia lose one of its biggest and most important sources of income. Tightening laws against moneylaundering is also extremely important.

State contracts also need to be handed out within tighter parameters. Currently, it’s usually the company that makes the lowest bid which is awarded the contract.”

Saviano becomes optimistic at the talk of possible solutions. He quotes the magistrate Giovanni Falcone, who was murdered by the Sicilian Mafia in 1992. “The Mafia is a human phenomenon and thus, like all human phenomena, it will also have an end.”

Saviano gets up and says goodbye.

He seems small, almost fragile, not as you’d imagine someone taking on the world’s crime syndicates to look. “I’ll keep on fighting,” he says, gently and calmly, but with determination.

The TV series Gomorrah is released this month on DVD and on-demand services

HEINZ KINIGADNER

“I never stop. Ever” Double motocross world champ and co-founder of the Wings for Life Foundation on boosting your athletic ability and why it’s better to break sweat before breakfast Words: Werner Jessner Photography: Marco Rossi

the red bulletin: When you were still racing bikes [1988-98], you weren’t known to be a runner, were you? heinz kinigadner: Hang on a minute!

It’s true that I’m not the classic running type, but I used to run every day.

Was it really every day?

I did, because there are so many pluses to running. You can do it anywhere and unlike for other endurance sports, you only need a minimum of equipment.

How far did you run?

As far as I had to. My training schedule was usually for 45 minutes; 50 minutes later I was back home again. The top sportsmen of today, and this includes motorsport stars, would laugh at the way I trained back then, but when I was competing, professional endurance training was still in its infancy.

Who was your coach?

I didn’t have one, at least not when I won my first world championship title. I picked and chose what I thought was useful from various sources.

Such as running up the steep Himmelstiege [Stairway to Heaven] steps in the town of Feldkirch.

I’ll never forget it! Toni Mathis, who is an expert in his field, chased everyone up there. The name of the stairway probably comes from the fact that you think you’re in heaven when you’ve finally made it to the top and the pain subsides. You could run as slowly as you liked. The only thing you couldn’t do was stop.

What happened if you stopped?

No one did. The national ice-hockey team didn’t stop. Nor did the Swiss women’s downhill team. Nobody did.

36

And I didn’t either. I still stick to that principle today. When I go running, I never stop. Under any circumstances.

How often do you run now?

The Wings for Life World Run has got me motivated to go running more often again. Now I run twice a week on average [Kinigadner is 54].

How do you motivate yourself?

If you want to be healthy, there’s no getting around moving, regardless of how fast or far you go.

“The Wings For Life World Run has got me motivated to go running again” Are you a morning or evening runner?

I only run in the morning. No breakfast.

No coffee. I just get out the door and run. Any day you go running is a good day because it begins with that nice feeling of having achieved something.

What are your favourite places to go running?

I really like running on the island of Ibiza. The weather’s good there and it’s a great location. Perfect.

The second Wings For Life World Run will take place in May next year. What are your goals?

I won’t settle for 12km [his distance in the 2014 race]. This year it should be

at least 15km. Women aged 50 and over and men pushing prams won’t be overtaking me ever again.

Where will you race?

I have to fly to Greece the next day for the Hellas Rally, so probably Germany.

I really liked St Pölten last year.

How did you find the atmosphere during the race?

The more you’re overtaken, the more chilled it gets. You understand that people aren’t running to try to break records. They’re doing it for the cause and the good feeling that they get from making something happen. Plus, everyone’s got a story to tell. Sadly, I was running a little low on oxygen, so I tended to listen more than tell. Peter Wirnsberger, who’s a former alpine skier, was by my side for most of the time and he chatted away. He’s 56 now and he’s still in really good shape.

Lots of sports stars took part in the World Run, didn’t they?

The great thing is they’re doing it all of their own free will. In some cases, I only realised people had taken part after the event. Some I hadn’t seen for 30 years, such as my former motocross rivals. It’s true what they say: the whole world runs the Wings for Life World Run. kini.at

The starting pistol for the 2015 Wings for Life World Run will be fired simultaneously in more than 30 countries around the world on May 3, 2015.

Find the race near you and register now: wingsforlifeworldrun.com THE RED BULLETIN

High point Kinigadner was motocross world champion in 1984 and 1985, in the 250cc class, riding for KTM. Turning point Kinigadner’s son Hannes was confined to a wheelchair after an accident in 2003.

It was then that he brought his competitive career to an end and set up the Wings For Life Foundation alongside Red Bull cofounder Dietrich Mateschitz.

The non-profit foundation supports spinal injury research projects worldwide.

All of the Wings For Life World Run entry fees go into funding that research.

ON DECEMBER 4, THE ANNUAL ROOF OF AFRICA EXTREME ENDURO RETURNS TO TH E RUGGED MOUNTAIN KINGDOM OF LESOTHO, THE HIGHEST COUNTRY IN THE WORLD

Wor d s:

ANGUS POWERS P h otog ra p hy:

TYRONE BRADLEY

The vastness of the Lesotho landscape dwarfs riders as they tackle the gruelling Roof of Africa

39

Left and above: So daunting is the Roof that riders sometimes can’t believe where they are required to go. And the route takes its toll on all parts of the body

AT THE END of the second day of the 2013 Roof of Africa, lashed by wind and rain and hopelessly lost in the cloudwreathed mountains, nine riders didn’t make it home.

Seven were taken in by local farmers and given shelter in their rondavels, but two had to rough it and sleep under the stars, huddling together under a single space blanket as the temperature plummeted.

When day broke and the race organisers’ helicopter got airborne again, it didn’t take long to round up the stragglers. Three were suffering from hypothermia (including a Japanese rider who had been “treated like a king” and slept in the main room of a chief’s hut), but all nine walked away from the ordeal, chastened but intact. An hour later, for the rest of the field, the flag dropped on the third and final day of the race. Welcome to the Roof of Africa, the mother of hard enduro.

In extreme enduro, close calls come with the territory, but ultimately no one wants to die in the bundu. At this year’s race, newly introduced satellite tracking technology will provide a safety net, giving the organisers a better chance, weather permitting, of locating and recovering struggling riders before the situation becomes perilous. Not that satellite tracking will make the event any easier. “Last year 40

was probably the toughest it’s ever been,” says race organiser Peter Luck, referring to the perfect storm of diabolical weather and a super-gnarly route.

“And this year won’t be any better.”

A veteran like Alfie Cox might disagree. In his heyday, Cox won nine times, including four on the trot from 1988-1991, making him the undisputed king of the Roof. Back then, stages were 600km long, keeping riders in the saddle from first light at 4am until after sunset. The race was run in September, meaning that the highest passes were often covered in the last of the winter’s snows. And when it rained heavily, competitors had to swim their bikes across swollen rivers, then turn them

Left: Defending champion Graham Jarvis has won the Roof twice, but it has never been easy. Below: Keeping the bike under control is a challenge for even threetime winner Chris Birch

“THIS IS ONE OF THE HARDEST RACES BECAUSE OF THE HEAT, THE LENGTH OF THE RACE AND THE NATURE OF THE GROUND. IT ’S PUNISHING”

upside down to drain the carburettors so that the engines could be coaxed back into life.

The Roof has come a long way since then, and even further since it was first conceived in 1967 as a detour through Lesotho for a motor car rally route that started in Johannesburg and ended in Durban. The locals still regard the race as a drought-breaker thanks to its uncanny habit of bringing the rains, but nowadays the emphasis is on technical, physically draining stages that cover 150-200km and test the riders for only eight or nine hours per day. And as the legendary passes become progressively easier to conquer, new obstacles are added yearly: old favourites like Two Tits, Slide

41

Your Arse and Baboon’s Pass giving way to challenges like Donkey Pass, Snakebite and Gates of Hell.

At the Roof, the terms of engagement are deceptively simple. Obey the rules of the road.

Exercise caution travelling through villages. And riding through ploughed fields will result in instant disqualification. Apart from that, it’s a flat-out race against the clock, kicking off with the Round the Houses circuit through the centre of Maseru, a threelap supermoto-style course run under the benevolent gaze of King Letsie III. Then the afternoon time trial is the first opportunity to sort the men from the boys, and to establish a starting order for Day 2.

In extreme enduro, it’s the riders who can get their machines over the obstacles as efficiently as possible who prosper. Even more so at the Roof: the length of the stages means that those with

MASSIVE TOLL

“ THE TERRAIN TAKES A ON YOU PHYSICALLY. THE BETTER RIDER YOU ARE, THE LESS ENERGY YOU USE, WHICH ALLOWS YOU TO PUSH FASTER, LIKE GRAHAM JARVIS DOES”

This page: Above all else, efficiency on the bike is what counts.

Manhandling the machine wastes time and energy; floating over obstacles is the mark of a good rider

a solid background in trials riding waste less energy wrestling their 120kg bikes around.

The unrelenting challenges impress even the world’s top enduro riders. “I think this is one of the hardest races,” says Ben Hemingway, the experienced campaigner from England. “Because of the heat, the length of the race and the nature of the ground, the Roof is unique. It sounds really silly, but the ground is so hard. There’s a carpet of grass, but underneath it feels like iron. It gives your hands and your body a pounding. It’s punishing.”

In landscapes as vast as Lesotho’s, navigation skills are critical. Despite a marked track and

on-board GPS, even the race leaders can find themselves going astray. To appreciate the terrain the Roof runs through, consider this: Lesotho’s Maloti mountains rise up from the top of South Africa’s highest escarpment. The refuel points are so remote that the race marshals set up camp in the field days beforehand. And the paths the riders must follow snake up into the clouds. Wade Young, the wunderkind who won in 2012, is probably still having nightmares about it: when his engine blew last year, it took him two hours to get his machine down off the mountain.

BY A CERTAIN POINT, not too long into This page: Nothing compares to the relief of finishing a race so tough that even the top riders need assistance from spectators

the race, all competitors look the same – goggles off, dirt-smeared faces, bikes fouled with mud.

Supporters on the route are either motorcycle fans, sunburned and sweat-stained from the effort of manhandling their own bikes to the viewpoints, or Basotho youngsters wrapped in blankets, who have gathered from the isolated homesteads where their families eke out a living, herding sheep or tilling the rich dark soil with wooden, ox-drawn ploughs.

For riders pushed to their limits, any roadside assistance is invaluable. “The Roof is extreme endurance. Really, really intense,” says New Zealander Chris Birch, a former winner. “On one of the big long passes last year, some locals decided they liked me and stuck with me – pulling and yanking the bike – all the way to the top of the mountain. One had his belt looped around the front of the bike; the other had a rope. They must have run 2-3km with me. The terrain takes a massive toll on you physically. The better rider you are, the less energy you use, which allows you to push faster, like Graham Jarvis does.”

But Jarvis, the current master of extreme enduro, also took a beating on his way to victory last year. “The Roof is similar to Red Bull Romaniacs, but more physical because there are more rocks,” he says. “All the rocks are loose as well, and you don’t often get that. Last year, I had big crashes on the first two days. Just constant rocks, battering your body. If you fall off, it hurts.”

Further down the field, the rate of attrition doesn’t lie. At the front end of the race in 2013, the drop-out rate after Day 1 was zero per cent. After Day 2, it was 30 per cent – and conditions were so dire that after crossing the finish line Birch and Jarvis had to shelter in a spectator’s car because their support teams were still stuck out on the course. By the end of Day 3, 70 per cent of the top riders had failed to finish.

This year, race organisers are tight-lipped about new additions to the route, but for the 400 riders preparing to take on the 2014 Roof of Africa, some trepidation would not be out of place. And even if the satellite tracking device issued to every rider will reduce the unplanned camp-outs, in races this extreme, there are no guarantees. After all, racers have been stuck out overnight at Romaniacs too.

Jarvis’ response when he heard about the prospect of sleeping alone in the Lesotho mountains says it all.

“Bloody ’ell.” roofofafrica.info

43

OUT of AFRICA

Being a surfer in Africa means being committed. It means braving the wilderness of a rich and diverse surf frontier, and being prepared for everything that is sent your way. Being a surfer in Africa means travelling great distances for a single wave, and never wanting to go home when you find it. South African surf photographer ALAN VAN GYSEN opens his portfolio of breathtaking images for The Red Bulletin and reports on how his job means he’s always exploring

South African freesurfer Craig Anderson finds himself and lets it all sink in at one of the world’s most perfect waves, the sand point at Skeleton Bay, Namibia

45

“It’s difficult not to fall in love with Africa,” says Alan van Gysen, describing the mystery and opportunity that beckons to travellers before they’ve even set foot on the continent’s blood-red soil.

Based in Cape Town, a stone’s throw from Kommetjie beach, the 32-year-old has been photographing surfing since the late 1990s. “Africa is surrounded by a sea and three oceans that produce waves of every kind, most of which are unexplored throughout 38 countries,” he says. “That’s the attraction: there is something for everyone. An adventure for everyone. First World, Third World, in-between worlds: Africa holds the key to the door of your choosing. For instance, one of the world’s best waves right now, at Skeleton Bay in Namibia, has only been surfed regularly since 2011. And last year, an even newer wave appeared – this time in Angola, and it’s 3km long. Imagine what else is out there.

“What I love about Africa is that it offers a sense of freedom unknown to many living in the First World. Sure, that freedom often comes at a price, usually in the form of challenges to overcome. But isn’t that how the best discoveries are made? Like cultural discoveries on 24-hour bus rides. Or self-discoveries when your car breaks down in the desert. Or discovering a never-before-surfed wave when your ferry is cancelled and you have to take an alternative route. That’s what the journey and lifestyle of surfing is all about, and often you only appreciate it when your worn-out feet touch the wet sand for the first time at a wave you’ve never surfed before.”

46

American surfer Dane Gudauskas revels in the isolated perfection of this secret spot in Southern Angola. Free to experiment and surf for himself after a lengthy lay-off with a hand injury, it was everything that his soul needed Below left: South African freesurfer Andrew Lange expresses himself in Mozambique’s fading light

“Freesurfing, or soul surfing, is in every surfer’s heart.

From weekend warriors to grizzled tour campaigners, the search is always on for an empty wave, free of ego and hustle. Surfing purity and the satisfaction of heart and soul.

Surfers call it ‘stoke’, and it’s what fuels the surf addiction.

Few places offer as much of it as Africa.”

“North and West Africa see big swells at places like Morocco, Senegal and the Canary Islands, but few places offer bigger and more powerful waves than South Africa,” says Van Gysen.

“Open to the full force of deep Atlantic swells generated in the Roaring Forties, South Africa gets hammered by giant surf during the southern hemisphere’s winter months.

“Cape Town has a growing big-wave surfing community, and South Africans are becoming known for fearless and composed big-wave charging. And while some spots may not offer giant walls of water to tackle, there are many smaller, protected spots that light up when big swells wrap around the continent’s southern tip.”

Durban surfer Josh Redman leans off the bottom in style at a newly discovered wave in Hermanus, Cape Town Facing page: African sunsets are even more beautiful from the water, with Craig Anderson silhouetted at Cape St Francis

49

50

THE RED BULLETIN

“Unlike Australia, Hawaii and Indonesia, Africa doesn’t have much surfing culture,” says Van Gysen. “There are still communities which have no idea what surfing is. It’s a completely foreign concept, as alien as humans flying. People often go wild on the beach, imitating surf movements and looking at surfboards like they’ve fallen from the sky. One of the great gifts of travelling in Africa is the opportunity to immerse yourself in these communities and their cultures.”

This page and above left: Curious children in central Angola gather round Cheyne Cottrell and David Richards as they investigate a yet-to-be-named wave.

“After we left the surf, an adventurous young boy asked in Portuguese where the propeller was, assuming the surfboard was like a motor boat,” says Van Gysen.

“There is nothing like the excitement of surfing a new wave for the first time when you know no other surfers have been there before” Left: An aerial view of the remote desert suburb of Wlotzkasbaken in Namibia

Main image: Don’t be fooled by the colour: this is Cape Town, and it’s 9ºC Insets: “Hitting the road in search of empty waves is never black-and-white.

It’s true immersion; it’s about being one with your environment”

“The beauty of an empty, crystal-blue wave is what has driven surfers to surf since the birth of it all. To be able to stand inside and within a moving body of water is the ultimate feeling for any surfer and will forever remain the most timeless aspect of surfing. As a famous surfwear slogan goes: ‘Only a surfer knows the feeling’”

53

Tracking a surfer on a 2km-long wave in the middle of the desert is no mean feat. “Flying in from a neighbouring country, the helicopter had to wait hours for the thick Namibian fog to clear before landing on the sand in front of this wave,” says Van Gysen.

“The beauty here is in how the wave breaks: the crushing curve, the explosion of white water, the shadowy tube and the churned-up sand. Craig Anderson is amid the chaos and driving for the exit”

“Photography has always been about perspective. Whether from above or below, horizontal or vertical, the view is utilised to emphasise the moment. But how do you photograph one of the world’s longest waves, in the middle of the Namib desert with no vantage point? At the mighty Skeleton Bay – where there is no elevation for observation, just sea and sand stretching as far as the eye can see – a bird’s-eye-view from the clouds is the answer.”

Meet the photographer When Alan van Gysen first felt the tug of adventure 15 years ago, rather than spending his savings on travelling, he decided to make a living by sharing the surfing stories of his journey. A background in competitive swimming combined with studying classical music and art at school was the ideal preparation for the physical art form of surf photography. “I prefer to shoot from the water,” he says, “feeding off the energy and perspective of a moment and trying to encapsulate and share the beauty of the subject and location.” instagram.com/alanvangysen

55

Steven Soderbergh, will you ever make another movie?

He was the indie-movie master, George Clooney’s go-to guy and an Oscarwinning director. Now he’s made 2014’s most shocking TV series

The first moments of the first episode of The Knick go like this: a man awakens in a brothel and in the taxi to work injects cocaine between his toes. In the operating theatre, where this man performs pioneering surgery, his morning’s first patients, a mother and her unborn child, die on the table.

As opening salvos go, it’s perhaps the most shocking and attention-grabbing of any in the current so-called golden era of TV. It might also be a surprise to learn that the guy who wrote, directed and edited this and every other moment of the 10 hours of The Knick, set in a New York hospital in 1900, is the same guy who directed Erin Brockovich and Magic Mike. But Steven Soderbergh, for it is he, has made a successful career out of U-turns and new directions. The 51-yearold has won a Best Director Oscar, for Traffic, and made six films with George Clooney, including the Ocean’s trilogy.

All this after he became the godfather of independent cinema after his first film, Sex, Lies, And Videotape, in 1989.

Last year, Soderbergh said he was retiring from filmmaking. His new TV-making has brought him very firmly back into the spotlight. the red bulletin: Why did you say ‘no more films’ and then immediately do a 10-hour TV series? steven soderbergh: When I feel instinctively it’s time for a change, where I need to shift either what I am doing or how I do it, I take that very seriously.

Six years ago, I started to put in motion a plan that would put me in a different place, take me out of films to do something else. I just decided I wanted 56

to do something different. As it happens, I thought it was one thing and it turned out to be another. I thought it was, ‘Oh yeah, you should go learn how to paint.’ When in point of fact it was, ‘No, you should go find another medium where you can enjoy yourself, but not abandon all the things you really enjoy doing.’ So it all worked out.

Was it hard to go from film to TV? I had a moment when we got into the production and were shooting when I realised: ‘This is what I do, this is what

“I realised, ‘This is what I do, this is what I’m built for – this specific job’” I am built for, this specific job.’ That’s why I have done this for so long. I was lucky enough to find it early on. That did sort of shift my attitude about whether to take time off. I realised, ‘I like being here, I like doing this job.’

There is nothing wrong with that.

What did you find to be the biggest difference between films and TV? We had to shoot 570 pages in 73 days, so about eight pages a day, which is a healthy number. I knew we had the benefit of one of the most indestructible genres in television – the medical drama – but viewed through a lens

I hadn’t seen before. So I felt like we had the best of both worlds; it was fresh but also familiar, the audience goes, ‘Oh I know, it’s a show about a hospital,’ which it is. Then I made a list of things that I don’t want to do – with the musical score, for example, I didn’t want to hear a string anywhere in this, as it just screams period piece.

You directed all the first season of The Knick and will do the same for the second. Are you a control freak?

We basically scheduled the first season like a film and shot it and budgeted and [story]boarded it like a film, which is a very efficient way to work. Eleven months ago, I didn’t think I’d be sitting here talking about 10 hours of material that is in front of us and 10 hours of material that is behind us. My whole life I’ve moved in any direction that I thought was going to surprise me and engage me.

Is it rigorous on the actors, too?

It’s great to work with Clive [Owen, who stars as surgeon Dr John Thackery].

We wouldn’t have been able to pull off this schedule if he didn’t show up, totally prepared, ready to work. He has the same work attitude I do, which is ‘don’t make it harder than it needs to be’. We’re a really good match.

Do you miss making movies?

I’m always thinking about the next one.

I always operate under the assumption that whatever film you are making at the moment is basically annihilating everything that came before it. You are always starting from zero. If you are not thinking that way, you are probably not going to evolve. cinemax.com/the-knick/ THE RED BULLETIN

NICOLAS GUERIN/CONTOUR BY GETTY IMAGES

Words: Susan Hornik

Oscar pedigree Best Director award for Traffic; nominee for Erin Brockovich.

Screenplay nominee for Sex, Lies, And Videotape Is that really you?

Soderbergh directs under his own name, but uses pseudonyms for his cinematography and editing: check the credits for Peter Andrews and Mary Ann Bernard

CAMILO LARA AND TOY SELECTAH

“We all share a beat” Their first song together was No 1 for 16 months. Now these Mexican musical multitaskers are leading an astonishing global supergroup Words: Wookie Williams Photography: Robert Astley Sparke

When Camilo Lara and Toy Selectah last worked together in early 2013, they produced Como Te Voy A Olvidar, an electronic reimagining of traditional cumbia music, a style of Latin-American music a bit like salsa. The song spent more than 65 weeks at number one in the Mexican digital charts, so the idea of making a follow-up album was a no-brainer. Six studios, five countries and more than 80 collaborations later – including Boy George, Gogol Bordello frontman Eugene Hutz, Phil Manzanera of Roxy Music, Pink Floyd’s David Gilmour and Jamaican reggae producers Sly and Robbie – the duo have amassed enough material for their debut longplayer, Compass. The Red Bulletin caught up with them at Red Bull Studios São Paulo, the last stop on their international recording tour. the red bulletin: How do your influences inform your partnership? toy selectah: We grew up listening to cumbia, mambo, danzon and a lot of traditional rhythms from Mexico and the rest of the Americas. We listened to that before we listened to rock ’n’ roll. camilo lara: Being born in the mid1970s, our generation was discovering everything all at once. We were listening to Happy Mondays, The Stone Roses and De La Soul, but also Cypress Hill, and dub and drum ’n’ bass from the UK, and we incorporated those rhythms into the other sounds we’d heard.

Who first had the idea of giving cumbia an electronic facelift? cl: It all came together in 2001, when Toy produced Cumbia Sobre El Rio, a song by Celso Pina, the first track that really incorporated electronic beats with a traditional cumbia sound. It was the starting point for a whole generation of 58

musicians, including myself. He’s a clever guy and it resonated with a lot of people.

What’s so special about cumbia? ts: It’s how simple the rhythm is, it’s very pragmatic. It’s a state of mind, more than a certain musical pattern. It’s being from where we are. I would have a hip-hop state of mind if I was from New York, but I’m from Monterrey, so that changes things.

Why did you start working together? ts: We’ve been making records for years, and we’d never done anything original together, so we started exchanging music. I sent Camilo some beats and he started making stuff from that. He

“We wanted to show people that the dancefloor is the same everywhere; it’s a diplomatic place” got excited and we started talking about doing a collaborations album, because we hadn’t done that before either. Then Red Bull came in and helped us build this amazing network of different collaborators and musicians, working in creative hubs with people from very different backgrounds and tastes. cl: The idea was to get into the barrio, the hood, to get a taste of funk or rhyme or Bollywood – pieces of all kinds of rhythm – and translate that into our own sound. The hood is the same in Brazil as it is in Mexico or New York and LA. We wanted to show people that the dancefloor is the same everywhere; it’s a very democratic place where anyone

can share music’s energy. We tried to take our music into their hoods. If the collaborator was from India or Japan, or Brazil, we took our music and set it to their pitch. It’s a global album, but it all has a distinctive Mexican flavour.

So what made you decide to call the album Compass? cl: In one sense, it’s a fellowship. The name is a play on the word compas, meaning ‘buddies’. But it can also be interpreted as compass, because we’ve been looking for people everywhere to translate their music into what we do.

What was it like working with so many famous, even legendary, collaborators? ts: For me, working with Sly and Robbie in Jamaica really was a dream come true. cl: I was thrilled to learn that David Gilmore is a fan of my Mexican Institute Of Sound label. I contacted Phil Manzanera from Roxy Music to work on a track. He was recording with David, who joined in, too. The track I sent him ended up being recorded by Boy George.

It was crazy. All the collaborations have been fantastic. Toots and the Maytals, MC Lyte, Cornelius, Stereo MC’s, Crystal Fighters, Eugene from Gogol Bordello, Bonde Do Role. We’ve had a blast.

What connects your music and that of all these artists, who come from such a wide range of backgrounds? cl: It’s in the significance of the music.

Keep in mind that jungle, dubstep, trip-hop – all the rhythms that were happening in Brazil or the UK – were also happening in Mexico, so we speak the same language. It’s just music, we all share a beat, you know? ts: The beat is the force of human nature, the rhythm of the heart.

There’s rhythm in all of us.

Compass will be released in 2015. Follow @camilolara and @toyselectah on Twitter THE RED BULLETIN

Schools old and new Camilo Lara (left) and Toy Selectah are forwardthinking DJs and musicmakers, producing a mash-up of traditional Mexican music with many modern genres.

Remix masters Between them, the duo have worked with and produced remixes for Morrissey, Tom Tom Club, Placebo, Beastie Boys, 2manydjs, Chromeo, Diplo and Friendly Fires.

AMERICAN EAGLE The gods of rock put JESSE HUGHES on this earth to keep the flame alive.

At least, that’s what he believes.

A day and a night in the desert with the EAGLES OF DEATH METAL frontman Words: Andreas Tzortzis Photography: Alex de Mora

King of the wild frontier: Jesse Hughes

61

IT’S PAST 11PM IN THE CALIFORNIA DESERT, which is why Pappy And Harriet’s is closed. Strange, because the bar and restaurant is also a gig venue, but it’s a week night, so Jesse Hughes floors the gas pedal of his white Toyota Scion with 190,000 miles on the clock and heads south in the direction of his hometown.

Hughes is the 42-year-old lead singer of and brains behind American rock band Eagles Of Death Metal. He is driving towards Palm Desert, a small city in the Coachella Valley with a population of just under 50,000. This is where he spent much of his childhood after relocating with his mother from South Carolina at the age of seven following his parents’ divorce. It’s also where, in high school, he met rock prodigy Josh Homme and the place that would ultimately set him on a path to rock stardom – or a pastiched approximation of it, at least.

As he manipulates the steering wheel, he lights a cigarette and scrolls through his iPhone for Prince, or James Brown, or whatever artist he needs to emphasise the point he’s making at that moment.

The car makes herky-jerky movements as he navigates it at mildly alarming speeds down the twisty part of State Route 62, from Joshua Tree into the Low Desert. The subject of the Eagles Of Death Metal’s first performance at the Coachella Valley Music Festival, a few miles away, comes up. It was there he played in front of all the people who bullied him at high school.

“I didn’t know whether to be gracious or be a dick,” he says.

“I ended up being gracious. Danny DeVito introduced us on stage and it was like, ‘F--k all of y’all.’”

Clockwise from left: Hughes in his Toyota Scion; view from the driver’s seat; an Oldsmobile Cutlass in Hughes’s studio fleet.

Facing page: trying to be better than the Beatles

T

he chip on his shoulder is an important one. It’s rescued him from a nasty divorce and a job in video-store management, and led to a music career which most artists would kill for. He’s crafted four albums that feature catchy tunes that have provided a soundtrack to commercials hawking everything from beer to software programmes and sportswear, and providing reliable warmup for stadium rock bands. Eagles of Death Metal have been lavishly praised by the Foo Fighters and thrown off a Guns N’ Roses tour by Axl Rose on the first night, an episode Hughes commemorated with a new tattoo. He came to rock prominence with the help of Homme, who happens to be both the frontman of the Queens Of the Stone Age and his best friend in the music industry. That chip on his shoulder comes with controversial views, an offensive sense of humour and, fortunately for his music career, an almost scientific approach to forming a rock ’n’ roll band: write good songs, never let them know your true self and “kill rock and rape roll” at every waking moment.

“I’m trying to do anything for people to have a good time with me,” says Hughes. “I’m not trying to give people a good time because, forget that, I’m having a good time. You want to have a good time with me? Let’s do this. My dad had a quote: ‘There’s a rock ’n’ roll band that jacks off for everyone in the room to see.

And there’s a rock ’n’ roll band that tries to f--k everybody in the room. Which one would you like to be?’ So I’m trying to f--k everybody in the room.”

The band’s music is compulsively listenable. The sound is sparse: wailing guitars over a grinding bass line and a tight snare and bass drum beat. The lyrics are clever and soaked in Hollywood heartbreak and nights out in pursuit of the holy trinity, of which one is sex.

It’s music to dance to, music to lose yourself to. It’s pop rock, transmitted viscerally by the suspenders-wearing man in the driver’s seat of the Scion.

“The Beatles defined pop music,” he says. “It’s our obligation to make it better.

That’s what I’m trying to do, baby. I didn’t want any music that put up a velvet rope in any way. I didn’t want any snobbery.”

63

Desert god: Jesse Hughes. Facing page: what fills the Californian studio Rancho de la Luna, including Hughes’s girlfriend, Tuesday Cross

F

lash back to 10 hours earlier in Hughes’s apartment, a small duplex in a quiet part of Los Angeles’ Silver Lake neighbourhood. The garage door is painted white, a large section of which is badly splintered, apparently due to “knife-throwing action”.

Hughes calls this place a “House for Wayward Rockers”, in which late nights are inevitable and drama is never far away. The previous weekend, his girlfriend, former porn actressturned artist Tuesday Cross, had to lay down the law to a wild drunk woman. “It was awesome!” says Hughes.

“Righteous, bro! She was one of those chicks – I could see it coming. Her nose busting was a foregone conclusion.”

Behind a screen door and inside a room painted red and black is a jumble of art, books and kitsch paraphernalia.

On the tattered couch there’s a beaded skull pillow given to him by Jay Leno, and a shrunken head sits unassumingly on a shelf. Another shelf holds a Mak-90 assault rifle and a pair of old-school gun-powder loading pistols – a pair for him, a pair for Tuesday – modelled on the kind of guns used by Old West folk hero Wild Bill Hickok and the Confederate General Robert E Lee. In a large frame hanging on the wall is a Nazi armband which Hughes is convinced was worn by Hitler at one point because he’s got the official documentation to prove it was signed for by his valet. So, why does Hughes have a memento from a fascist genocidal regime on his wall? “Because we kicked their ass,” he shrugs. “We get to flaunt their stuff now.” The armband came from a wealthy collector of curiosities in Canada, who also gave him the shrunken head. “He wanted to use one of our songs in commercials and wanted to know much we’d want.

I just said, ‘A little head,’” says Hughes.

THE RED BULLETIN

“ I WROTE THE FIRST RECORD BASED ON ADVICE FROM BARRY MANILOW” He delivers the punchline deadpan before quickly moving on to the next anecdote. A conversation with Hughes is a full-on assault of pop culture punditry, peppered with controversial opinions and with heavy, sustained doses of right-wing politics. It appears the shy, picked-on kid he was in high school finally got the lungs to air his views – and to sing in a rock band.

“I honestly expected to be a US Senator by now,” he says. Hughes is also convinced that he could be the right antidote for America’s somewhat directionless conservative movement

of recent years. He doesn’t think that Barack Obama would be around had he been behind the scenes in the Republican political machine – though truth be told, it’s hard to imagine Hughes working behind the scenes of anything.

There’s no doubting that Hughes is much better at fronting a band than talking about politics. At the moment, he’s working on the first Eagles Of Death Metal album in more than five years. He wrote most of the lyrics in 2012, but has been waiting for the right moment to put them to tracks.

“The timing’s got to be right,” explains Hughes. “When we do a tour, if I know I can sell out a 1,000-seater, I’ll book the 500-seater because it looks better to have a bunch of people waiting outside.

I’m really looking at tomorrow.”

Hughes married young, and a messy divorce left him heartbroken and heading down a dangerous path of booze and drugs. It was at his lowest point that Homme visited him and took an interest in a few songs that Hughes had been recording on his computer. “Do you have any more of these?” he asked.

“I wrote the whole first record based on advice from Barry Manilow, which was: every song is a commercial pop song.” says Hughes. “It’s not a problem if you’re stealing something, as long as you’re honest about it. I didn’t steal from people that sucked. Every song has already been written in my opinion, so why make it hard? I’m not going to try to be like Poison, I’ll try to be like the Stones. At least I’m improving my odds of success.”

65

The album’s many tracks.

Above: Hughes and bandmate Davey Catching

In the early Noughties, Hughes was starting out in an industry that was already undergoing a tectonic shift in consumption habits, with the paranoia rampant in the music industry only amplified by that change. Trying to embody the ultimate rock ’n’ roll avatar was never going to be enough.

Guided by the self-empowerment books of Robert Greene, a favourite of rap impresarios like Jay-Z, Hughes’s approach was methodical. But it was his penchant for provocation that urged him into the limelight. After the release of Eagles Of Death Metal’s second album, Death By Sexy, in 2006, the band was invited on tour with Guns N’ Roses. The first night in Cleveland, Ohio, went down in rock infamy. After the band finished their set, Rose took to the stage and asked the crowd what they thought of the “Pigeons of Shit Metal” and then said they’d been kicked off the tour.

“I had a moment of panic, but then I realised I wanted Axl Rose to hate me,” he says. “I knew I needed it. It guaranteed that I was an awesome guy.”

Foo Fighters’ frontman Dave Grohl, already a friend of Homme and Hughes, rallied behind the band. Two years later, Eagles Of Death Metal released Heart On with a hip-shaking lead single, I Wannabe in LA, which might be the closest thing the band have to a global hit. The song was featured in Guitar Hero 5. But to Hughes, success is defined by Eagles Of Death Metal-dominated airwaves, soldout shows and more and more exposure.

That’s why the Nike ad soundtracked

“ I HAD A MOMENT OF PANIC, BUT THEN I REALISED I WANTED AXL ROSE TO HATE ME. I NEEDED IT” by an Eagles song, with over 70 million YouTube views and many comments asking about the song, is so important.

“In the mind of the average radio executive, 10 million views is still a platinum album,” says Hughes. “Even though the facade of it is exposed. But when they see 71 million, it’s able to impress them to seven platinum albums.

This s--t is gonna change their life.”

T

he mercury has hit 37°C in the California High Desert.

Hughes is supposed to be at the Rancho de la Luna recording studio near Joshua Tree, where he’s arranged to meet his friend and guitarist Davey Catching. But he’s late.

“He’s a f--king genius, but he’s on his own time,” says the world-weary Catching, a rock veteran and owner of the Rancho, a house and studio of ramshackle charm on 30 acres of empty desert. Catching’s beard makes him look a bit like Santa as a ZZ Top roadie.

He’s played with Eagles Of Death Metal for all but two tours. “Our audiences are half and half, girls and boys,” he says.

Among the distractions at the Rancho is a shooting range

THE RED BULLETIN

“A lot of my other bands, there’s lots of boys out there, who weren’t dancing, and it wasn’t as fun. Jesse does 100,000 per cent on stage to encourage that.

He is the best front guy I’ve ever seen.”

Hughes and his girlfriend roll up in the Scion a while later. They’ve been together for five years. She’s the quiet counter to Hughes’s craziness. “Tuesday’s the great insanity of my life,” he says.

Hughes greets Catching and the two mess around with a tomahawk axe before heading inside. In a room covered in thrift store trinkets, skeleton dolls, cheesy paintings and many, many guitars. Hughes hooks his iPhone up to the mixing console and plays songs from the forthcoming album. He hid them from prying eyes in a folder called Tony Robbins, named after the motivational speaker: “Because who’s going to want to check out Tony Robbins?”

The tracks are complete, but Hughes still needs to record his vocals. One is reminiscent of Gwen Stefani’s Hollaback Girl, another sounds like growling swamp rock. Hughes softly sings a few of the refrains as he stands next to the console moving his legs and smoking.

In 1990, Hughes saw a movie that would influence his rock ’n’ roll persona.

Controversial comedian Andrew Dice Clay plays the title character in The Adventures Of Ford Fairlane, a selfproclaimed ‘Mr Rock ’n’ Roll Detective’ who crudely stumbles from case to case, picking up women and generally being obnoxious along the way, a similarity which isn’t lost on Hughes.

“I took the rule that people only know what you tell them, and I took it very seriously,” he says. Hughes’s image is an unironic homage to the past: a little bit Joan Jett, a little bit rockabilly.

But the appreciation behind it all is earnest. In some ways, it’s sad that Hughes wasn’t born earlier, during a time more suited to his rock ’n’ roll bravado. Instead, he is here in the middle of the desert. But, of course, Hughes has an answer for that too.

“It just seems that the gods of rock have invested in me to keep the flame burning,” he says. “That’s OK, that’s why I’m on fire.” The strains of Stevie Wonder’s I Believe (When I Fall in Love) can be heard in the background. He pauses before getting to the point most dear to him: “You have to be killing rock and screwing roll. You have to be really horny. You have to really believe in it.

I believe in it. I believe that heroes are important… I believe in dancing.” eaglesofdeathmetal.com

67

Join Pioneers Festival: pioneers.io/festival

Access the Livestream at: redbulletin.com/pioneers

29 & 30 OctOber 2014

FAst. ForwArd. Future.

Join 2,500 inventors, hackers and troublemakers at Hofburg Imperial Palace, Vienna. be among the first to take a look at the future, from in-ear computers to flying cars. #PioneersFestival tickets: pioneers.io/festival

Livestream: redbulletin.com/pioneers

Global Partners

Glowing review: the light bulb that’s also a speaker MUSIC, page 76

Where to go and what to do

AC T I O N !

T R A V E L / G E A R / T R A I N I N G / N I G H T L I F E / M U S I C / P A R T I E S / C I T I E S / C L U B S / E V E N T S

High times GET YOUR PILOT’S LICENCE AT MICROLIGHT SCHOOL NEAR JOHANNESBURG

JHBFLYING.CO.ZA

TRAVEL, page 70

THE RED BULLETIN

69

ACTION!

TRAVEL

Bird’s-eye view: microlights can reach 5,500ft above sea level

AFTER THE FLIGHT STAY ACTIVE ON THE GROUND AROUND JOBURG

FREEFALL Now go down: try plunging 70m through the air inside the cooling tower of a decommissioned power station with SCAD Freefall. orlandotowers.co.za

Easy glider

MICROLIGHT HOW TO MASTER THE ‘WINGED MOTORBIKE’ AND BECOME A LICENSED PILOT IN THE SKIES ABOVE JOHANNESBURG

Prices start from R59,700 including transfers, accommodation and all tuition, based on a 30-day stay. jhbflying.co.za

70

LONG JUMP

ADVICE FROM THE INSIDE BODY MOVING “You don’t have to be super-fit to do this, but you have to be reasonably healthy,” says Gregson. “It is a strenuous physical activity, as microlights pick up turbulence easily and you’re changing height and direction by moving your body. You’ll find as you fly it’s workout enough to quickly get you where you need to be.”

World traveller: a microlight licence is global

After the highs of flying, canyoning, known as kloofing in South Africa, will take you to new lows, scrambling, abseiling, jumping and swimming your way to the bottom of a ravine in Magaliesberg. mountainguide.co.za

REVVED UP

Blue-sky thinking

“South Africa is an ideal place to learn,” says Ramos. “It offers great flying conditions almost all year, and you can build up to navigating tougher flights once you have the experience to handle them.”

Explore the rugged scenery of Daytona Adventure Park in Gauteng province with a little added adrenalin. Ride a quad bike over rocky terrain, dirt tracks and through forests. gauteng.net

THE RED BULLETIN

JHBFLYING.CO.ZA(2), ORLANDOTOWERS.CO.ZA, GETTY IMAGES(2)

Taking off in a microlight for the first time takes guts, but once in the skies, you get an exhilarating flying experience. “It’s like a motorbike in the sky,” says Roy Gregson, owner of Johannesburg Flying Academy. “It feels like you’re sitting on a dining room chair in the air. The beauty of microlights is they can take off and land in small areas, and you have an engine, so you don’t need to climb mountains like paragliders do.”

Gregson is passionate about microlights, having flown them for pleasure and in competitions for years. His company trains people to get their licence, so they can take to the skies solo. “Once you’ve had 25 hours of flying time, and passed the theoretical exams, within a month you can be flying 5,500ft above sea level anywhere in the world,” he says.

“You can travel a whole country this way.”

Luis Ramos, a 39-year-old IT consultant from Johannesburg, got his licence with JFA six months ago. “I’d never done anything like this,” he says. “At first you’re scared, they take off like a bat out of hell.

But as soon as I started training that bug bit me. The first time you fly solo feels like jumping out of a plane without a parachute. It’s terrifying, but then the feeling you get is indescribable. Once you have your licence you just want to take your friends up and show them this amazing new world you’ve discovered.”

ACTION!

PRO TOOLS

SH I P SHAPE

Safeguarded If a member of crew wearing a Quatix falls overboard, the watch automatically sends a manoverboard alarm

Detected Altimeter, barometer, three-axis digital compass and tidal info, all at a glance

FRANCK CAMMAS’ VITAL HIGH-SEAS EQUIPMENT

JULBO OCTOPUS WAVE Self-tinting and polarising lenses filter the reflection of light from the surface of the water. julbousa.com

Charged You can charge the battery via a USB port. In GPS mode it will last for up to 16 hours

Protected With its steel-reinforced plastic housing and silicon strap, this is waterproof at depths of up to 50m

MAGIC MARINE MX2 REVOLUTION JACKET A thin, cropped jacket perfect for use under the harness sailors often wear. magicmarine.com

Pinpoint precision S AILING TO WIN THE VOLVO OCEAN RACE, YOU NEED THE BEST KIT: THIS DEVICE IS CHIEF AMONG IT

VOLVO OCEAN RACE

Captain fantastic: Franck Cammas

THE RED BULLETIN

It wasn’t so long ago that skippers had to use navigation systems that were fixed in place on their boats. Now they can have a total positioning information system literally up their sleeves. “My Garmin Quatix is fantastic,” says Franck Cammas, skipper of the Groupama crew that won the 2011/12 Volvo

Ocean Race. “Whether it’s the route, velocity curve or air pressure, you can get all the details you need right here on your wrist.”

The 41-year-old Frenchman finds one feature particularly useful, especially on large vessels: “It can even operate autopilot via Wi-Fi.” cammas-groupama.com

DYNEEMA SK99 Top-notch, synthetic-fibre rope: tensile, light and thin, so it doesn’t give the wind much room to target. dyneema.com

71

ACTION!

WORKOUT “ I target one man and then try to run through him,” says Manu Vatuvei

THE QUAD KILLER

On the edge: wing wonder Manu Vatuvei

“Because my knees are so beat up, I work hard on strengthening my quads,” says Manu Vatuvei. “The wall sit looks easy, but it’s a killer.”

1

2

Power player

warriors.co.nz

72

Slide down the wall until your knees are at 90 degrees, thighs parallel with the floor, and hold for up to a minute.

Repeat as often as you can.

KNEES UP LOW IMPACT, HIGH RESULTS HERI IRAWAN

“It takes me longer to recover after a game than it used to,” says Manu Vatuvei, who is known as The Beast. Ice baths, a compression machine and an antigravity treadmill are some of the tools the 28-yearold winger uses to cope with the wear and tear on his body. Training typically includes a morning skills session on the field and a couple of hours in the gym in the afternoon. “We do more gym work than when I first started playing,” he says. “We used to do a lot of running and we’d get flogged pretty hard in training. Now it’s more scientific, with GPS units and heart rate monitors.” Vatuvei runs about 6km during a game, almost all high-intensity sprinting. It is his job to receive the ball from kick-offs and restarts and run full tilt at the opposition defence. “I’m bigger than most wingers [he is 189cm and 110kg], so I use my size and power rather than my speed,” he says.

“I target one man and then try to run through him.”

Stand with your back against a wall, engage your core muscles – and keep them engaged throughout the exercise.

The AlterG Anti-Gravity, developed by NASA engineers, lets those who pound it effectively run under reduced-gravity conditions. You set it to take the strain in a range of 20-100 per cent of your mass. “I’ve got no PCL [posterior cruciate ligament] in either of my knees, so I spend a lot of time on the AlterG,” says Vatuvei.

“I run at 70 per cent of my bodyweight, which reduces the load on my knees.”

GETTY IMAGES(2)

RUGBY LEAGUE A DECADE OF HARD RUNNING AND BRUTAL TACKLING HAS MADE NEW ZEALAND WARRIORS STAR MANU VATUVEI RETHINK HIS REGIME

THE RED BULLETIN

ACTION!

MY CITY

EXTRA KICK

AUSTIN

ST

VEZ

ST

RTO

N S PR

H S T

1 E

ING

7T

I N

3 B A

E

AL CHA

CAPITAL TIMES IN AUSTIN

ION

AR

6TH

REG

CES

ST

TER

W

AUSTIN, TEXAS

5TH

Y

W

W

HW

2

S R D

CE

SA

R C HA

VE

W

Z S T

R IV ER D

VD

SI

UT FOOTBALL

R S

S

LA

1S

T

MA

R

ST

D

BL

E

CO

4 5

TOP FIVE MESSING WITH TEXAS

Bobby Fitzgerald of Austin-based band Whiskey Shivers

With the bands

TAGGART SORENSEN, MARIO VILLEDA

AUSTIN DIVE BARS FUEL THE TEXAS CITY’S LATENIGHT MUSIC SCENE, BUT THERE ARE ALSO PLENTY OF PLACES TO SHOP, EAT AND GO A LITTLE BATTY “Focused fun” is how Whiskey Shivers’ fiddle player and vocalist Bobby Fitzgerald describes Austin, Texas, one of America’s most famously eclectic and independent cites. “Everyone here is trying to enjoy themselves and do what they love, but they’re all very serious about it. You gotta get stuff done,” he says.

That mindset makes Austin a prime destination for any dedicated band looking to enjoy the journey of (hopefully) getting their big break. Like everyone in the band, who’s musical style has been labelled “trashgrass” and “hardcore roots”, Fitzgerald was neither born nor raised in Austin, but quickly adopted the city as home. Contrary to the cut-throat nature of the music industry, the Austin scene is known for its good vibes. “Everyone wants to help everyone,” he says. “We’re all just trying to get to the same place.” whiskeyshivers.com

THE RED BULLETIN

LO

RA

DO

RI

VE

R

Nothing’s more Texan than football. And on Thanksgiving Day (November 27) you can catch the Texas Longhorns in action against local college rivals TCU.

see the largest urban bat colony in North America make its post-sunset flight. Don’t worry, they don’t fly above the bridge, but even from a distance, there is a distinct batty smell.

WURSTFEST

1 THE WHITE HORSE, 500 Comal St “A honky-tonk dive bar on the East Side. A taco truck outside, usually a couple of horses tied up out front. Bikes everywhere.

It’s loud, dirty and kinda smells like pee,” says Fitzgerald.

4 UNCOMMON OBJECTS, 1512 S Congress Ave This antique shop is like a museum of the absurd, but with a Texas bent: stuffed armadillos, cow-skin lamps and vintage bizarre dolls. The city’s motto isn’t Keep Austin Weird without reason.

EAST AUSTIN STUDIO TOUR

2 MELLOW JOHNNY’S

BIKE SHOP, 400 Nueces St Yes, it was founded by Austin’s very own He Who Shall Not Be Named, Lance Armstrong, but it has excellent weekly group rides you can take part in.

3 CONGRESS AVENUE BRIDGE, 111 S Congress Ave Stake out a spot on the bridge early in the evening in order to

Descendants of German settlers and fans of partying keep the beer and sausage tradition alive in New Braunfels (established in 1845 by a German prince) from November 2-11.

5 BOULDIN CREEK CAFE, 1900 S 1st St “I didn’t realise until a couple of months eating here that they don’t have meat on the menu, which is strange in Texas. But it doesn’t matter; it’s just so damn good,” says Fitzgerald.

Musicians and artists in the city’s coolest neighbourhood open their studios to the general public for two weekends: November 15-16 and 22-23.

73

ACTION!

PARTY

Durban d’n’b: George Kretsos on the decks at The Origin

CLUB STYLE TRENDS TO TAKE YOU TO THE FRONT OF THE QUEUE

JUMPER The ’90s revival continues: oversized jumpers in muted colours are in vogue. The same goes for sweaters with big typographical prints, like this one from N°21.

Code switching DURBAN THE ORIGIN IS AN EDM RABBIT HOLE THROUGH WHICH DURBANITES FALL AGAIN AND AGAIN

THE ORIGIN 9 Clark Road Durban theorigin.co.za

74

INSIDER INFO GEORGE KRETSOS, 26, IS A DJ, PROMOTER AND MODEL IN DURBAN

CLUBBING IN DURBAN IS UNIQUE BECAUSE… Missing just one party can feel like the end of the world.

DJS DURBANITES SHOULD KNOW… Veranda Panda, Madlove, Nomadik, I am Rogue and Bhashkar Lee. THE BEST LATE NIGHT EATERY IS… Spiga d’Oro on Florida Road.

They have great Italian food and the kitchen closes at 2am. Also the Glenwood Bakery on Monday nights.

They make the best pizza.

FOR A QUIET DRINK… You’ll often find me at Drop Kick Murphy’s.

JACKET About 35 years ago, London punks turned Barbour’s waxed coat into a fashion item.

It’s enjoying a comeback, thanks to Barbour fans like Alex Turner of the Arctic Monkeys.

THE RED BULLETIN

KEVIN SAWYER(4)

When Dax Tucker, Martin McHale and Marcus Holmes Newsolme named their club The Origin, it wasn’t out of nostalgia for a time when electro venue names tended to be all Lord-Of-The-Rings-y mystical. No, it was because they felt that if ever a club in Durban represented the beginning of something new, it was their three-storey EDM wonderland on the site of the old Winston Hotel. “The vision was simple,” says Tucker. “We wanted a venue that could stand shoulder to shoulder with the best of the European club scene, and make it a platform for underground electronic music.” Four dancefloors – each dedicated to a specific genre – have made good on this promise since the club opened in 2009. According to DJ George Kretsos, walking into The Origin is like leaving the known world behind. “This one time I spotted what I can only describe as a Tower of Twerk, only to realise it was my dancing girlfriend piggy-backing another girl!” Nuff said.

SHOES There’s a common theme in current shoe collections from Prada to Rick Owens: trainershoe hybrids in solid colours, like the LunarGrand by Cole Haan (above).

ACTION!

MUSIC

D U STFR EE Erlend Oye is a musical jack-of-all-trades: a DJ who sings, the head of indie pop band Whitest Boy Alive, the voice for electronic musicians such as Royksopp and one half of acoustic duo Kings Of Convenience. It was as part of the latter that the Norwegian had his breakthrough in 2001. The Kings’ melancholically mellow debut album, Quiet Is The New Loud, sparked a folk revival and influenced later bands from Fleet Foxes to Of Monsters And Men. Oye recorded his latest and second solo album, Legao, with an Icelandic reggae band: 10 pop gems that sound like Paul Simon using The Police as session musicians. Here the 38-year-old picks songs he has always found inspirational.

“ I feel like Sting” PLAYLIST AN OLD MASTER, AN UNRECOGNISED GENIUS AND A FLEDGLING FEMALE RAPPER: ERLEND OYE’S FIVE FAVOURITE TRACKS

facebook.com/erlendoye

1 Matias Aguayo

2 Bart Davenport

3 Dennis Wilson

“Dance music really badly needs to reinvent itself to be more interesting again. What we need more of is people who have mastered the engineering part of dance music, but still haven’t lost their childish, imaginative playfulness.

This track from 2009 shows the right direction. It’s mainly Aguayo’s voice: from the beat, to the bass, to the tune.”

“He is an unrecognised genius – but also is his own enemy when it comes to becoming popular. It’s like he realises he wrote something really brilliant, and then he’s afraid that this song could become popular, so he puts something really weird into it, like the bad guitar solo in this one. But once you know that, it just endears you even more to it.”

“This comes from a Beach Boys show in 1980, a couple of years before he died. He looks frayed by alcoholism and the rest of the band seem embarrassed. Then Wilson walks on stage and makes this touching emotional performance. Joe Cocker’s version sounds clichéd, but when Wilson sings it, it’s almost like a cry for help. It’s truly musical.”

4 Sting

5 Dena

“This song works nicely with a song from my new album called Send Me In. I like to think Sting wrote it for the rest of The Police saying, ‘If you think I’m a cool guy, let me go! I want to play fusion jazz!’

I can relate to that: a few years ago, when I had I song idea, first I was happy, but then I was sad, because I had to choose which of my bands I would give it to.”

“I met Dena in 2005 through friends in Berlin. She was a singer, but after a few years suddenly she was able to write great songs. The way she uses English is not correct [she is Bulgarian], but she turns it into her own language. She’s the only songwriter in Germany who I feel connected to. This song triggers my imagination, she writes good stories.”

Rollerskate

If you Love Somebody Set Them Free

76

F-ck Fame

Bad Timing

You Are So Beautiful

LISTEN TO YOUR VINYL TREASURES ON YOUR IPHONE: THE THREE BEST WAYS TO DIGITISE YOUR LPS

ION AUDIO ILP This USBcompatible recordplayer means you can copy LPs straight to your iPhone without a computer. Just plug it in and put the platter on. ionaudio.com

ADL GT-40 People with ageing hi-fi kit should fork out for a USB phono preamp like this one to rip high-quality digital files from their records. adl-av.com

S O U N D & VI S I O N A VERY BRIGHT IDEA

LIGHTFREQ

Recently funded on Kickstarter, this is a bluetooth and Wi-Fi-enabled light with a speaker in it, instantly turning any room into a dancefloor. It’s suitable for standard screw light fittings, and you control it via a smartphone app. The speaker is only 5W, but the sound is solid. In party mode, the light will strobe or pulse to the beat.

lightfreq.com

MAGIX VINYL & TAPE RESCUE Software that makes digitisation easy: starts recording as soon as the needle drops and noise filters ensure best sound. magix.com

THE RED BULLETIN

BUBBLES RECORDS

Norwegian good: Erlend Oye

L

IGHTS, CAMERA, ACTION!

Q & A

WES BENTLEY The American actor shot to fame aged 20 playing put-upon Ricky in 1999’s critically acclaimed American Beauty.

But his career soon stalled as a result of substance abuse problems. Now he’s clean and on the comeback trail with a key part in Christopher Nolan’s highly anticipated – and top secret – sci-fi movie Interstellar Words: Geoff Berkshire

Chris Nolan is known for imposing gagging orders while his movies are in production. Even now, after filming, you can’t really talk about Interstellar.

How much did you know about the movie when you signed up?

I didn’t even know what the project was about. I just went and read sort of a generally written scene for Chris that I knew had nothing to do with what the project was going to be. Luckily he asked me to do it. Then I went into the office and read the script for Interstellar under lock and key.

What was it like working with him?

I never saw a green screen, not one. We were able to see everything that all the moviegoers are going to see – it was there in front of us, which is unique.

You turned down the chance to work with Nolan earlier in your career. Why? A lot of people in town read for Batman Begins. I’m a big Batman fan and I’m a fan of Chris’s work, but at that time I was in a crazy place for many reasons – drugs was just one of them. I had a weird sense of integrity. I was young and idealistic and ignorant in a way. So I chose not to meet with him. I saw it as the kind of

“I read the Interstellar script under lock and key” movie I was avoiding at the time. I look back and I think, “That’s so stupid.”

Matthew McConaughey is the star of Interstellar. Is he really that “alright, alright, alright” kind of nice guy?

He’s one of the most genuine people I’ve ever been around. The pure focus he has, combined with everyone else finally giving him the credit he’s always

deserved. He carries himself in a way that shows he’s fully found himself.

You’re a big fan of soccer. Why? What I love about it is its fluid nature.

I learn something every time I watch the game, no matter what level. I’ll watch a high school game if it’s on TV. Interstellar is released worldwide from November 7: interstellarmovie.com

THE MILESTONES: BENEDICT CUMBERBATCH From teaching monks to spell to this month’s Oscar bait (The Imitation Game) and animated kids flick (Penguins Of Madagascar) it’s been quite a road for the best-named actor of his generation

GETTY IMAGES(2)

1976

Born Benedict Timothy Carlton Cumberbatch in Hammersmith, London, England Benedict Cumberbatch THE RED BULLETIN

1994

Spends several months teaching English at a Tibetan monastery

2005

Carjacked, abducted and held at gunpoint in South Africa, he talks his way to freedom

2010

Earns worldwide fame as a modernday Holmes in TV drama Sherlock

2012

Wins a Best Actor Olivier Award for playing both roles of Dr Frankenstein and his monster at London’s National Theatre

2013

Roles in five major movies including Star Trek Into Darkness, 12 Years A Slave and The Hobbit

77

ACTION!

GAMES

Crowd-puller: over 17,000 fans watched a DOTA 2 battle in Seattle

OLD GOLD NEW RETRO GAMES WITH PIXEL POWER

SHOVEL KNIGHT A side-scrolling platform game that delights in being 100 per cent 8-bit (that makes it worth 800 bitcents, right?).

Gamers of a certain age will love it. For Wii U PC and 3DS.

PRO GAMING WITH ONE GENRE NOW RULING TOURNAMENT PLAY, IS THIS THE TURNING POINT FOR VIDEOGAMES AS SPORT?

Toby Dawson, 29, better known as TobiWan, does live commentary for professional gaming matches

NewBee and Evil Geniuses are two superstar sporting teams who oppose each other with arrows, swords and magic spells. They’re among the best in the world at DOTA 2, a multiplayer online battle arena game in which the main idea is to fight your way into and through the opponents’ territory with the aim of usurping their base. They battle in huge arenas in front of live audiences numbering in the thousands, with many more following the action live online. This year, the number of real and virtual spectators for The International, the world’s biggest DOTA 2 contest, in Seattle, topped two million.

By winning the top prize, NewBee, from China, scooped over US$5 million.

DOTA 2 is the best-known MOBA game, along with League Of Legends. Other game

genres have been pro gaming’s top-level option, such as first-person shooter (Halo) and most notably, real-time strategy with StarCraft II, which is still widely played, but the popularity of DOTA 2 means that MOBA is the current choice.

Mainly played on PCs, with simple versions available on smartphones, MOBA remains a mystery to many who would consider themselves hardcore gamers.

That might change: when Apple launched iPhone 6, it showed off the device’s gaming capability with Vainglory, a seemingly rich and complex small-screen MOBA. So what’s so special about it? “Mainly that it’s so unbelievably complicated,” says Toby Dawson, aka TobiWan, a pro gaming expert. “DOTA 2 is one of the most difficult games there is. The players have to work together and if one of them makes a mistake, the whole team loses.”

NEW MOBA GAMES Transformers Universe

The never-ending saga of the giant robots shifts to the next level. Having conquered kids’ bedrooms and the box office, it now comes to gaming as an action-packed mix of MOBA and third-person shooter, in which teams of four players try to reduce their opponents to scrap metal.

Arena Of Fate

Playing in teams of five – standard for MOBA gaming – you preside over battles between icons of myth, legend and history. Does Little Red Riding Hood stand a chance against Nikola Tesla? Who would win a duel between Baron Samedi (left) and Baron Munchausen? Now you can find out.

78

LUFTRAUSERS At the controls of a tiny plane, avoid an entire army and chase the powerups in a pseudo WWII world of full-on dogfights.

For PC, Mac, PS3 and PS Vita.

TOWERFALL: ASCENSION Up to four players – in the same room; no online mode; how retro is that! – battle in an insanely addictive archery attack-athon. For PC, Mac and PS4.

THE RED BULLETIN

VALVE, ESL

MOBA mania

N I G H T L I F E

AT TAC K G I A N T This is a festival stage like no other: it’s 20m high, and weighs 50 tonnes, fires Words: Florian Obkircher 80

Scrap metal + high-tech = ecstasy: The Spider wonderstage at the Boomtown Fair Festival in the south of England

O F T H E S P I D E R flames, and shoots laser beams. Oh, and it dances along to the music with you Photography: Alex de Mora

N I G H T L I F E

A

t 2.30am on a Saturday in August, a combination of wind and rain has driven many revellers at the Boomtown Fair Festival back to their tents. Most of the stages dotted around the farmer’s field in Winchester, England, have long since fallen silent, but one, Arcadia, is still pumping out the beats. The area, about 100m wide, is hemmed in by a hexagon of sound systems and inside it feels like a ritual is being performed by an electronic cult. Red laser lights flit around jerkily in the mist as 5,000 people dance ecstatically in the mud, around a centrepiece like no other: a huge metal spider the size of a house, with green, luminous legs lifting it high above the devoted dancers below. It’s only just possible to make out the creature’s body, which looks like a Mad Max-style spaceship against the night sky.

Arcadia is a union of many kinds of artists, who have thrown their varied skills into the creation of the metallic beast: pyrotechnicians, laser artists, acrobats, musicians. They’ve been creating otherworldly structures together for eight years, the biggest, craziest, most fantastic stages anywhere in the world. Their creations are 360° “environments” that allow DJs and musicians to be surrounded by their audience. There’s not a cordon in sight. The crowd is no longer just watching the show, they’re a part of it.

At 20m tall and weighing 50 tonnes, The Spider is Arcadia’s biggest offering.

82

At Boomtown Fair, it has been the centrepiece of a wild party since 7pm, “but you haven’t seen anything yet,” says Pip Rush Jansen, head of Arcadia. He’s wearing a headset and a Hawaiian shirt under a red military jacket. He’s been on duty for 12 hours a day at the festival site for a week. It’s his job to keep an overview and manage The Spider show team of over 100, including assembly workers, light and sound technicians, crane operators and DJs. Rush has been creating metal sculptures for music festivals since his youth and, now 31, he’s made it his career. Eight years ago, he and his friend Bertie Cole, now Arcadia’s technical director, had an idea. “We found classic concert stages boring,” says Rush. “The audience gazes in one direction. It’s as if they’re watching TV.” The two founded Arcadia with the aim of making the stage itself into a star, a complete work of art combining lights, fire and music, all made from scrap metal and junk. Their first creation was Afterburner, a laser-beaming DJ turret made out of a decommissioned, towershaped jet engine. DJs have to climb up 11m carrying their record bags to reach the decks. Rush and Cole have created five more spectacular stages and shows since, including The Bug, a mobile armoured car-cum-DJ-stage, and The Spider, which will travel to Thailand in November. Afterburner is on the road too, currently entertaining in Australia.

Rush and Cole find the components they need for these spectacular stages at scrap yards. Every winter they traipse around scrap yards all over England, which is how they found the three legs for The Spider five years ago: they’re decommissioned customs scanners.

The party area at the Boomtown Fair Festival site looks like a post-apocalyptic industrial estate.

Steampunks and high-tech hippies dance beneath the huge metal Spider and around blazing lampposts (above). Pyrotechnician Sir Henry Hot (right), responsible for the fire show, checking gas canisters in a storage container

The Spider is made of junk and scrap metal. Its legs used to be customs scanners

The Spider hibernates in storage in Bristol, England. Later this year it will appear in Bangkok, Thailand (November 28-29) and then Rhythm and Vines at the Waiohika Estate near Gisborne (December 29-31)

N I G H T L I F E

Inside The Spider’s nerve centre: laser and pyrotechnicians, crane choreographers and production managers sitting at computer screens

“They were used to check freight containers in the Sahara,” Rush explains.

The Spider’s DJ turret is made of six old jet engines and the armour-like prosthetic knees used to be helicopter parts.

When not trawling through tips or running Arcadia’s unique festival dance parties, Rush lives on a caravan site on the edge of Bristol, England, along with the other six core members of the collective.

There they puzzle over new ideas, repair the existing stages and weld bits of scrap together to make new metal giants.

There’s also a lot of time spent assembling their creations. It takes three trucks to transport the The Spider. Once on site, the legs are laid out in a circle, then lifted by a crane and attached to The Spider’s head. Underground electric cables and hydraulic pipes connect to diesel generators the size of garden sheds on the edge of the site. It takes a 15-strong team three days to put it together. Then

the lighting and pyrotechnics experts get down to the fine-tuning.

“In 10 minutes exactly,” Rush says, looking at his watch, “at 2.45 on the dot, there’ll be a 15-minute show of what The Spider’s got to offer.” Rush takes off his headset. “It’s Sir Henry’s big moment.”

Sir Henry Hot is the head of pyrotechnics for Arcadia. He’s checking the connections on the 35 orange gas canisters held in a storage container at the base of The Spider one more time.

“This is where we pump the gas up from.

The 150-litre fuel tanks are attached to the head so that I can fire properly,” he says. Fifteen years ago, Hot was working

Fountains of fire shoot out of The Spider’s head with a hiss, the surge of heat intense

as a computer technician in a small town in north Germany. Then in his mid40s, he saw a psychologist for burnout, somewhat ironic given his true calling.

Hot had a life-long passion for fire, and he was advised to pursue it. So he learnt to breathe fire and studied pyrotechnics.

In 2009, he designed a unique system of nine cannons for The Spider, capable of shooting flames 25m into the air. The best part of the show, as far as he’s concerned, is the first time fire appears, when no one is expecting it. “The puff, the glaring light and the smell. People go crazy every time. You can feel the vibrations 5km away,” Hot says, his eyes glistening.

There are 30 seconds to go before The Spider lets loose. Tension is growing in the small control room 50m from the metal colossus. This is The Spider’s external nerve centre. Hot and seven other headsetwearing technicians stare intently at mixing desks and monitors. “Ready?” Everyone nods and gives the thumbs-up. Then the countdown begins. “Ten, nine, eight...”

The Spider’s music and lights stop.

And all of a sudden there is darkness.

People stop dancing and look up. Some start booing. What, is that it already? Or has there been a power cut? The answer comes in the form of muffled bass rumbling out of the sound system. Blue lasers beam from The Spider’s legs and out through a screen of fog. The beat comes back in. Three cranes on the main body of the Spider begin to move, and they’re in time with the music. They move down, then back up: The Spider is waking from its slumber. The crowd cheers.

The music is getting louder. Heavy synthesizer sounds come spiralling upwards. Hot places his index finger on the biggest button on the console in front of him. There is the crack of the bass drum and Hot lets loose. Three fountains of fire come shooting out of The Spider’s head with a hiss. The tower of flames is so dazzling that for a moment the crowd is blind, the surge of heat so intense that people check afterwards that they still have eyelashes. Hot grins when the crowd roars in surprise. And then presses the button again. And again.

The music gets quicker and quicker.

Hot pulls out all The Spider’s stops: the flame-throwers, robotic arms, CO2 jets and laser beams all move to the beat. All the components are in exact harmony, creating a torrid show of colour and sound.

What just before 3am had been a great show is now a post-apocalyptic party.

Despite the reality of the rainy night in England, it will last well into Saturday. arcadiaspectacular.com

85

ACTION!

SAVE THE DATE Red Bull Lion Heart: runners race up and down Lion’s Head

November 8

Heart of a lion The third annual Red Bull Lion Heart trail running race returns to the lung-busting slopes of the iconic Lion’s Head in Cape Town. Trail powerhouse AJ Calitz will be gunning for a hat-trick, but one misstep on the rugged course could spell disaster. The gruelling qualifying and knockout format will be tweaked this year, but that won’t stop race mastermind Ryan Sandes from chasing that maiden win. redbulllionheart.com

86

November 8

Rockabilly rebels Dusty rebels and their bombshells will once again gather at the Cape Town Ostrich Ranch to hark back to the glory years of the 1950s.

Hotrods and custom bikes will do dirt-track circuits; singlespeeder bike polo, skateboarding and dirtboarding are also on the menu, plus there are live performances from South Africa’s top rockabilly bands and burlesque shows. dustyrebelsandthebombshells.co.za

THE RED BULLETIN

DON’T MISS

November 1-2

High flyers

MORE DATES FOR THE DIARY

The 20th Cape Town International Kite Festival, also billed as Africa’s biggest kite fest, is set to take to the skies above Muizenberg in Cape Town.

Hundreds of kites will be on display during the weekend, assuming that the Cape Doctor makes its predicted seasonal appearance.

18 OCTOBER

SOWETO UNFILTERED

November 7-9

facebook.com/CTKiteFest

Wine, whales, wheels As the name suggests, the Wines2Whales mountain bike event is not just about riding bicycles. The route wends through Cape wine and apple farmlands before depositing riders on a beach near Hermanus. Thanks to some nifty scheduling, when the pros come out to play, the weekend warriors will already be at the finish line.

Sky time: see kites over Cape Town

wines2whales.co.za

Ubuntu Kraal Brewery, home of the awardwinning Soweto Gold craft beer, is hosting its inaugural craft beer, cider and music festival on the banks of the Klipspruit River. sowetogold.co.za

1

NOVEMBER

November 1

This is Sparta!

RUN A MILE The Durban leg concludes this national Run-a-mile street racing series, hosted by Born 2 Run Athletics Club. If you were ever halfway decent at the 1,500m at school, check it out.

The global Spartan Race Series hits the ground running when it debuts in South Africa with an obstacle course designed to test competitors’ resilience to the max. Strength, speed, agility, decision-making skills and good old-fashioned uithouvermoe will be required, whether it’s the Sprint option over 5km that you take on, or the Super challenge over more than 13km.

born2runac.co.za

15

za.spartanrace.com

NICK MUZIK/RED BULL CONTENT POOL, ERIC MILLER

NOVEMBER

November 1

November 2

November 15

November 22

Derby day I

Derby day II

Acid test

Sky running

The days of freewheeling, high-scoring Soweto derbies are long gone, but Kaizer Chiefs v Orlando Pirates can still be relied upon to stir emotions in FNB Stadium.

Chiefs outplayed the Sea Robbers over the course of last season, but neither team will have any problem getting themselves up for this one. psl.co.za

The days of competitive Manchester derbies also appear to be numbered.

Last year, Manchester City twice hammered their more illustrious neighbours by three-goal margins. Admit it, there’s a certain horrified delight in seeing how much further the once-mighty Manchester United can fall. manutd.com

First up for the Springboks on their end-of-year tour are Ireland at Aviva Stadium, but all eyes will be on the date with England at Twickenham. The hosts of next year’s Rugby World Cup are starting to look ominous, and the Boks will take huge confidence from humbling the English on home soil. scrum.com

The Salomon SkyRun is an extreme event, even when the weather plays ball (unlike last year). With 100km of selfsupported and self-navigated running at an average altitude of 2,200m, only the hardiest trail runners need apply for this route through the remote Witteberg range. Softies can opt for the 66km Lite race. skyrun.co.za

THE RED BULLETIN

NATIONWILD Trevor Noah and friends’ comedy tour through Mzansi is selling out fast, but you can catch the show at the last of its seven stops, The Space in Jozi. trevornoah.com

87

AG AINST THE

ELEMENTS Life has got a whole lot busier.

We live in a 24-hour society where we juggle multiple jobs and mastermind frenetic social lives Staying active is essential, and possessing the right gear is the secret to keeping two steps ahead.

So whether you’re gliding through the powder fields of Tahoe; getting barrelled at Teahupo’o; navigating the streets of Brooklyn at midnight or just dodging drizzle in London town, this is the kit that ensures you’re equipped for anything that life – and mother nature – throws at you.

HOT – W ET – DAR K – C OL D Photography: LUKE KIRWAN Words and Styling: OLIE ARNOLD Production: OTTER JEZAMIN HATCHETT 88

COTE & CIEL NILE RUCKSACK oki-ni.com A built-in hood shelters you from unexpected downpours.

LONDON UNDERCOVER 3D CAMO UMBRELLA londonundercover.co.uk Striking 3-D print camouflage so that you don't blend in.

STONE ISLAND LASERED DAVID-TC PARKA stoneisland.com Stay dry and turn heads with this water-repellent coat.

#1

W ET

TOMMY HILFIGER GILET tommyhilfiger.com The perfect mid layer to transition from the outdoors to inside.

RAIN WON'T STOP PLAY WITH THIS CLEVER GEAR DESIGNED TO KEEP YOU DRY

ARCTERYX PARSEC HOODED COAT arcteryx.com Extreme weather protection, delivered with an urban aesthetic.

ELEMENT DONNELLY HIKING BOOT eu.elementbrand.com Rare mix of stylish and practical: these will go the distance and avoid the usual rambler gags.

JBL REFLECT BT BLUETOOTH HEADPHONES jbl.com Wireless sound rids your life of unnecessary cables. And because they’re sweatproof, you can up the tempo physically, without risk of damage.

COLUMBIA PLATINUM 860 TURBODOWN JACKET columbia.com Warm and lightweight down manages your body heat, so you don't need bulky layers.

DC PLY SNOWBOARD dcshoes.com With graphics created by leading snow photographer Vincent Skoglund, this ride doubles up as a piece of art.

ROSSIGNOL SPARK AUDIO HELMET rossignol.com Integrated headphones turn the mountain into your own personal dancefloor.

#2

C OL D

KEEP WARM AND LOOK STYLISH WHILE ENJOYING YOUR FAVOURITE SNOW SPORTS NIKE COMMAND TRANSITIONS GOGGLES snowboard-asylum.com These game-changing lenses adapt according to the light, meaning there’s no need for spares.

MCNAIR HEAVY WEIGHT SHIRT mcnairshirts.com Treated merino wool will keep you warm and dry, so no jacket required.

BILLABONG SOLOMON GARAGE CREW CUSTOM FLEECE SWEATSHIRT billabong.com Retro styling with maximum warmth.

90

DC JUDGE SNOWBOARD BOOT dcshoes.com A unique closure system ensures a perfect fit with no laces to combat when your hands are frozen.

47382

ST

As seen on DStv/SuperSport

’S BE D L R O W THE

SPORT,

SUPER BALL ON

FOOT

vic, Ibrahimo z, Zlatan e u g ri d o es R es mar, Jam est leagu , like Ney world’s b rs e e h y t la m n p t ro io amp s. live f ’s bes orld of Ch the world 00 games W u r ,5 o u 1 y o r s y e g v n n o ri ch nly o erSport b more. Cat a Liga - o Only Sup and many liga and L s r e e d ll n u u M B s , e Thoma ns Leagu A Champio BPL, UEF

FINISTERRE STROMA COAT finisterreuk.com Shelter from the heat in this lightweight coat and stash beach essentials in the oversize pockets.

CONVERSE ALL STAR RUBBER TRAINER converse.com Rubber hi-tops add a new level of durability to this iconic design.

NEON MADERN NEOPRENE TOP neonwetsuits.com This bespoke service allows you to design your own wetsuit, ensuring you’ll stand out in the line-up.

#3 DIESEL DENIMEYE SUNGLASSES diesel.com Unique shading and material imperfections mean no two glasses are the same.

H OT

PROTECT YOURSELF FROM THE SUN WHILE KEEPING YOUR COOL

ADIDAS ORIGINALS JACKET adidas.com Channel your inner Californian pre- and post-surf for extra style points.

QUIKSILVER ORIGINAL BOARD SHORT quiksilver.com Old-school styling meets new-school construction.

VANS ISO 1.5 TRAINER vans.com Ultra-lightweight and supportive, these trainers make beach running a breeze.

NIXON LODOWN II WATCH nixon.com With over 270 beaches programmed, the ability to arrive for the right tide is at hand.

93

GORE MYTHOS 2.0 GT AS JACKET goreapparel.com Upgrade your dawn and dusk runs: waterproof and highly reflective jacket that improves comfort and safety.

GIRO EMPIRE ROAD SHOE condorcycles.com This high-performance, stylish shoe won’t look out of place in the mountains or the city.

LEZYNE ZECTO DRIVE PRO LIGHT condorcycles.com A versatile, powerful bike beam in white and red. It's also compact, waterproof, and rechargeable.

NIKE VISION RUN X2 NIGHT RUN SUNGLASSES nikevision.com Finally, lenses that enhance the light for those dusky evening runs.

#4

DAR K

TAKE BACK THE NIGHT: SEE OR BE SEEN AFTER THE SUN GOES DOWN

ASICS BASE LAYER TOP asics.com Muscle-support technology for improved performance and quicker recovery time.

What’s not to like?

NEW BALANCE FRESH FOAM 980 TRAINER newbalance.com An award-winning runner that provides ample cushioning while allowing you to feel closer to the asphalt.

NIKE CHEYENNE VAPOR 2 RUCKSACK nike.com Super-lightweight, the Vapor allows you to carry more without sacrificing stability or support.

94

PUMA PHOTO REAL CAMO JACKET puma.com The camouflage print keeps you under the radar when hammering out the miles.

Editorial Director Robert Sperl Editor-in-Chief Alexander Macheck Editor-at-Large Boro Petric Creative Director Erik Turek Art Directors Kasimir Reimann, Miles English Photo Director Fritz Schuster Production Editor Marion Wildmann Managing Editor Daniel Kudernatsch Editors Stefan Wagner (Chief Copy Editor), Werner Jessner (Executive Editor), Lisa Blazek, Ulrich Corazza, Arek Piatek, Andreas Rottenschlager Contributors: Muhamed Beganovic, Georg Eckelsberger, Sophie Haslinger, Holger Potye, Clemens Stachel, Manon Steiner, Raffael Fritz, Marianne Minar, Martina Powell, Mara Simperler, Lukas Wagner, Florian Wörgötter Web Kurt Vierthaler (Senior Web Editor), Andrew Swann Design Martina de Carvalho-Hutter, Silvia Druml, Kevin Goll, Carita Najewitz, Esther Straganz Photo Editors Susie Forman (Creative Photo Director), Rudi Übelhör (Deputy Photo Director), Marion Batty, Eva Kerschbaum Illustrator Dietmar Kainrath Publisher Franz Renkin International Advertisement Sales Patrick Stepanian Advertising Placement Sabrina Schneider Marketing and Country Management Stefan Ebner (manager), ­Manuel Otto, Elisabeth Salcher, Lukas Scharmbacher, Sara Varming Marketing Design Peter Knehtl (manager), Simone Fischer, Julia Schweikhardt, Karoline Anna Eisl Head of Production Michael Bergmeister Production Wolfgang Stecher (manager), Walter O Sádaba, Matthias Zimmermann (app) Repro Clemens Ragotzky (manager), Karsten Lehmann, Josef Mühlbacher Subscriptions and Distribution Klaus Pleninger (distribution), Peter Schiffer (subscriptions) General Manager and Publisher Wolfgang Winter Global Editorial Office Heinrich-Collin-Strasse 1, A-1140 Vienna Phone +43 1 90221-28800 Fax +43 1 90221-28809 Web redbulletin.com Red Bull Media House GmbH Oberst-Lepperdinger-Straße 11–15, A-5071 Wals bei Salzburg, FN 297115i, Landesgericht Salzburg, ATU63611700 Directors Christopher Reindl, Andreas Gall

96

THE RED BULLETIN South Africa, ISSN 2079-4282 Editor Angus Powers Chief Sub-Editor Nancy James Deputy Chief Sub-Editor Joe Curran Advertisement Sales Andrew Gillett, +27 (0) 83 412 8008, andrew.gillett@za.redbull.com Printed by CTP Printers, Duminy Street, Parow-East, Cape Town 8000 Subscriptions Subscription price R228, for 12 issues/year, www.getredbulletin.com, subs@za.redbull.com Mailing Address PO Box 50303, Waterfront, 8002 South Africa Office South Wing, Granger Bay Court, Beach Road, V&A Waterfront, Cape Town 8001 Tel: +27 (0) 21 431 2100

THE RED BULLETIN Mexico, ISSN 2308-5924 Editor Alejandro García Williams Deputy Editor Pablo Nicolás Caldarola Contributors Gerardo Álvarez del Castillo, José Armando Aguilar Proof Readers Alma Rosa Guerrero, Inma Sánchez Trejo

THE RED BULLETIN Austria, ISSN 1995-8838 Editor Ulrich Corazza Sub-Editor Hans Fleißner Advertisement Sales Alfred Vrej Minassian (manager), Thomas Hutterer, Romana Müller, anzeigen@at.redbulletin.com Subscriptions Subscription price €25.90 for 12 issues/year, getredbulletin.com, abo@redbulletin.at Printed by Prinovis Ltd & Co KG, D-90471 Nürnberg Disclosure according to paragraph 25 Media Act Information about the media owner is available at: redbulletin.at /imprint Austria Office Heinrich-Collin-Strasse 1, A-1140 Vienna

THE RED BULLETIN New Zealand, ISSN 2079-4274 Editor Robert Tighe Chief Sub-Editor Nancy James Deputy Chief Sub-Editor Joe Curran Country Project and Sales Management Brad Morgan Advertisement Sales Brad Morgan, brad.morgan@nz.redbull.com Printed by PMP Print, 30 Birmingham Drive, Riccarton, 8024 Christchurch Subscriptions Subscription price $45, for 12 issues/year, getredbulletin.com, subs@nz.redbulletin.com New Zealand Office 27 Mackelvie Street, Grey Lynn, Auckland 1021 Tel: +64 (0) 9 551 6180

Tel: +43 1 90221-28800 Contact redaktion@at.redbulletin.com THE RED BULLETIN Brazil, ISSN 2308-5940 Editor Fernando Gueiros Sub-Editors Judith Mutici, Manrico Patta Neto Advertisement Sales Marcio Sales (11) 3894-0207, contato@hands.com.br THE RED BULLETIN France, ISSN 2225-4722 Editor Pierre Henri Camy Assistant Editor Christine Vitel Translation and Proof Reading Susanne & Frédéric Fortas, ­Ioris Queyroi, Christine Vitel, Gwendolyn de Vries Country Channel Management Charlotte Le Henanff Advertisement Sales Cathy Martin 07 61 87 31 15 cathy.martin@fr.redbulletin.com Printed by Prinovis Ltd & Co KG, 90471 Nuremberg France Office 12 rue du Mail, 75002 Paris Tel: 01 40 13 57 00 THE RED BULLETIN Germany, ISSN 2079-4258 Editor Andreas Rottenschlager Sub-Editor Hans Fleißner Country Channel Management Christian Baur, Nina Kraus Advertisement Sales Evelyn Kroiss, evelyn.kroiss@de.redbulletin.com Martin Olesch, martin.olesch@de.redbulletin.com Subscriptions Subscription price €25.90, for 12 issues/year, www.getredbulletin.com, abo@de.redbulletin.com THE RED BULLETIN Ireland, ISSN 2308-5851 Editor Paul Wilson Associate Editor Ruth Morgan Music Editor Florian Obkircher Chief Sub-Editor Nancy James Deputy Chief Sub-Editor Joe Curran Advertisement Sales Deirdre Hughes 00 353 862488504, redbulletin@richmondmarketing.com Printed by Prinovis Ltd & Co KG, 90471 Nuremberg Ireland Office Richmond Marketing, 1st Floor Harmony Court, Harmony Row, Dublin 2, Ireland Tel: +353 (1) 631 6100

Country Project and Sales Management Rodrigo Xoconostle Waye Advertisement Sales +5255 5357 7024, redbulletin@mx.redbull.com Printed by RR Donnelley de Mexico, S de RL de CV (RR DONNELLEY) at its plant in Av Central no 235, Zona Industrial Valle de Oro en San Juan del Río, ­Q uerétaro, CP 76802 Subscription price $270, for 12 issues/year

THE RED BULLETIN Switzerland, ISSN 2308-5886 Editor Arek Piatek Sub-Editor Hans Fleißner Country Channel Management Antonio Gasser, Melissa Burkart Advertisement Sales Mediabox AG, Zürich; Zentrale, 044 205 50 20 contact@mediabox.ch Subscriptions The Red Bulletin Reading Service, Lucern; Hotline: 041 329 22 00, Subscription price 19 CHF, for 12 issues/year, www.getredbulletin.com, abo@ch.redbulletin.com THE RED BULLETIN United Kingdom, ISSN 2308-5894 Editor Paul Wilson Associate Editor Ruth Morgan Music Editor Florian Obkircher Chief Sub-Editor Nancy James Deputy Chief Sub-Editor Joe Curran Country Project and Sales Management Sam Warriner Advertisement Sales Georgia Howie +44 (0) 203 117 2000, georgia.howie@uk.redbulletin.com Printed by Prinovis Ltd & Co KG, 90471 Nuremberg UK Office 155-171 Tooley Street, London SE1 2JP Tel: +44 (0) 20 3117 2100 THE RED BULLETIN USA, Vol 4 issue 6, ISSN 2308-586X is published monthly by Red Bull Media House, North America, 1740 Stewart St, Santa Monica, CA 90404.

Periodicals postage paid at Santa Monica, CA, and additional mailing offices.

Editor Andreas Tzortzis Deputy Editor Ann Donahue Copy Chief David Caplan Director of Publishing and Advertising Sales Nicholas Pavach Country Project Management Melissa Thompson Advertisement Sales Dave Szych, dave.szych@us.redbull.com (LA) Jay Fitzgerald, jay.fitzgerald@us.redbull.com (New York) Rick Bald, rick.bald@us.redbull.com (Chicago) Printed by Brown Printing Company, 668 Gravel Pike, East Greenville, PA 18041, bpc.com Mailing Address PO Box 1962, Williamsport, PA 17703 US Office 1740 Stewart St, Santa Monica, CA 90404 Subscribe www.getredbulletin.com, subscriptions@redbulletin.com, Basic subscription rate is $29.95 per year. Offer available in the US and US possessions only. The Red Bulletin is published 12 times a year.

Please allow four to six weeks for delivery of the first issue.

For Customer Service 888-714-7317; customerservice@redbulletinservice.com

THE RED BULLETIN

Tshwane’s strength lies in the rich variety of its

natural, historical and cultural heritage. Its warm and pleasant climate – hot summers and cool, dry winters – makes it an ideal tourist destination all year round.

It is the home of jazz and is also renowned as the country’s capital of performing and visual arts, boasting several art galleries.

The State Theatre and smaller theatres regularly stage a wide variety exceptional productions in all genres and feature local and international artists.

For those who love to shop, Menlyn Park Shopping Centre – one of the biggest retail destinations in the southern hemisphere – is the place to be.

MAGIC MOMENT

Johannes Olszewski, 21, from Munich is balanced on a piece of nylon webbing 60m above the ground, on the cooling tower of an old coal-fired power station.

“We put up a 28m-long slackline the width of two fingers,” he says.

“When you’re up there you feel a chill to start with and then euphoria as you get closer to the end.” oneinchdreams.com

Rule number one: “Whatever you do, don’t look down” Rule number two: get the right musical accompaniment.

Johannes Olszewski swears by the reggae of Damian Marley

JAN FASSBENDER

Hainaut, Belgium, May 17, 2014

THE NEXT ISSUE OF THE RED BULLETIN IS OUT ON NOVEMBER 11 98

THE RED BULLETIN

JHB 47382/OJ As seen on DStv/SuperSport

WATCH OVER 150 PSL GAMES LIVE IN CRYSTAL CLEAR HD, WITH TOP NOTCH COMMENTARY IN 3 LANGUAGE OPTIONS - ENGL ISH, ISIZULU AND SESOTHO. DON’T JUST EXIST, LIVE IT LOUD.

9.58 Usain Bolt

The World’s Fastest Man. (Enough said.)