NEW RELEASES Street Date: 2.21.20 | Order Date: 1.31.20 Street Date: 2.28.20 | Order Date: 2.07.20 REDEYEWORLDWIDE.COM
GRIMES
MISS ANTHROPOCENE (2/21)
WHAT’S INSIDE: Courtney Barnett | King Krule | The Secret Sisters
SPOON
AVAILABLE NOW
A SERIES OF SNEAKS
LP: 191401149112 OLE-1491-LP Vinyl non-returnable
CD: 191401149129 OLE-1491-CD
KILL THE MOONLIGHT
LP: 191401149419 OLE-1494-LP Vinyl non-returnable
CD: 191401149426 OLE-1494-CD
TRANSFERENCE
Small Stakes The Way We Get By Something To Look Forward To Stay Don’t Go Jonathan Fisk Paper Tiger Someone Something Don’t Let It Get You Down All The Pretty Girls Go To The City You Gotta Feel It Back To The Life Vittorio E. Before Destruction Is Love Forever? The Mystery Zone Who Makes Your Money Written In Reverse I Saw The Light Trouble Comes Running Goodnight Laura Out Go The Lights Got Nuffin Nobody Gets Me but You
LP: 191401149617 OLE-1496-LP Vinyl non-returnable CD: 191401149624 OLE-1496-CD
134 Grand St New York, NY 10013 United States (212) 995-5882
Utilitarian The Minor Tough Execution Reservations 30 Gallon Tank Car Radio Metal Detektor June’s Foreign Spell Chloroform Metal School Staring At The Board No You’re Not
NOT EXPORTABLE
BEST S E L L E R S 01
ARCTIC MONKEYS AM
02
PURPLE MOUNTAINS PURPLE MOUNTAINS
03
PINEGROVE MARIGOLD
04
FKA TWIGS MAGDALENE
DOMINO RECORD CO.
DRAG CITY
ROUGH TRADE
YOUNG TURKS RECORDINGS
06
RADIOHEAD THE BENDS
07
BIG THIEF CAPACITY
08
PALE SAINTS THE COMFORTS OF MADNESS (30TH ANNIVERSARY REISSUE)
09
CHARLES WRIGHT & THE WATTS 103RD STREET RHYTHM BAND EXPRESS YOURSELF
XL RECORDINGS
SADDLE CREEK RECORDS
4AD
REAL GONE MUSIC
05
BIG THIEF TWO HANDS 4AD
10
DANIEL LOPATIN UNCUT GEMS: ORIGINAL MOTION PICTURE SOUNDTRACK WARP RECORDS
VINYL S P O T L I G H T PINEGROVE MARIGOLD ROUGH TRADE
FIELD MUSIC MAKING A NEW WORLD (Red Vinyl) MEMPHIS INDUSTRIES
LAURA NYRO MORE THAN A NEW DISCOVERY (Limited Violet Vinyl Edition)
DANNY BROWN UKNOWHATIMSAYIN¿
THUNDERCAT DRUNK
MAPACHE MAPACHE
BRAINFEEDER
YEP ROC RECORDS
MOOR MOTHER ANALOG FLUIDS OF SONIC BLACK HOLES
PURPLE MOUNTAINS PURPLE MOUNTAINS
REAL GONE MUSIC
DON GIOVANNI
VAMPIRE WEEKEND CONTRA XL RECORDINGS
COMING S O O N 3/06/20 JAMES HUNTER SIX - NICK OF TIME - DAPTONE RECORDS CAROLINE ROSE - SUPERSTAR - NEW WEST RECORDS U.S. GIRLS - HEAVY LIGHT - 4AD R GRUNWALD - OMA - OUTSIDE MUSIC JULIA BARDO - PHASE - WICHITA RECORDINGS
WARP RECORDS
DRAG CITY
FKA TWIGS MAGDALENE (Indie Exclusive Color Vinyl) YOUNG TURKS RECORDINGS
ORDER FORM Street Date: 2.21.20 | Order Date: 1.31.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
191400021129
CD-4AD-0211
Grimes
Miss Anthropocene
CD
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191400021181
LP-4AD-0211
Grimes
Miss Anthropocene
Vinyl
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191400021112
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Grimes
Miss Anthropocene (INDIE EXCLUSIVE TRANSLUCENT PINK VINYL)
Vinyl
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858275059120
CD-MP-454
Barnett, Courtney
MTV Unplugged Live In Melbourne
CD
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858275059113
LP-MP-454
Barnett, Courtney
MTV Unplugged Live In Melbourne (COLOR VINYL)
Vinyl
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191403013329
CD-TRUE-133
King Krule
Man Alive!
CD
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191403013312
LP-TRUE-133
King Krule
Man Alive!
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191403013381
LP-TRUE-133LE
King Krule
Man Alive!
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CD-DC-777
Six Organs of Admittance
Companion Rises
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LP-DC-777
Six Organs of Admittance
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CD-OUTS-9132
Cousins, Rose
Bravado
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Bravado
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CD-OUTS-9104
Cousins, Rose
Natural Conclusion
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Natural Conclusion
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Cousins, Rose
We Have Made A Spark
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Cousins, Rose
We Have Made A Spark
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Various Artists
20 years of fabric (CD)
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Priddy, Nancy
You’ve Come This Way Before
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LP-SUND-5572
Various Artists
Shake What You Brought! Soul Treasures From The SSS International Label (GOLD VINYL)
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CD-SUND-6342
Pleasure Seekers, The
What A Way To Die
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CD-XL-994
Penate, Jack
After You
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LP-XL-994
Penate, Jack
After You
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CD-JBR-0186
Califone
Echo Mine
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Califone
Echo Mine
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Califone
Echo Mine (INDIE EXCLUSIVE PURPLE VINYL)
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648401030815
LP-LBJ-308
Cayton-Holland, Adam
Adam Cayton-Holland Performs His Signature Bits
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659457241919
LP-STH-2419
Prophet
Don’t Forget It
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CD-TZA-8370
Zorn, John
Virtue
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Lost Society
No Absolution
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Lost Society
No Absolution
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CD-TVAS-1043
Various Artists
Various Artists - Guys Go Pop Volume 4 (1964-1966)
CD
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LP-JJR-2020001
Cuckoos, The
I Hate Love (COLOR VINYL)
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LP-MMYNI-001
McFerrin, Madison
You+I
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CD-SOJR-440
Soul Jazz Records presents
Apala: Apala Groups in Nigeria 1967-70
CD
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LP-SOJR-440
Soul Jazz Records presents
Apala: Apala Groups in Nigeria 1967-70
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887831005028
CD-GEOG-50
Spinning Coin
Hyacinth
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LP-GEOG-50
Spinning Coin
Hyacinth
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CD-SCRT-095
Wilsen
Ruiner
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Wilsen
Ruiner
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CD-ERATP-131
Dare, Douglas
Milkteeth
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Dare, Douglas
Milkteeth
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3700551782970
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Dare, Douglas
Milkteeth (INDIE EXCLUSIVE / COLOR VINYL)
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LP-CSN-130LE
Banoffee
Look At Us Now Dad (COLOR VINYL)
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LP-TLR-130
Bardo Pond
Adrop / Circuit VIII
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DEAL
ORDER FORM Street Date: 2.21.20 | Order Date: 1.31.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
711574898015
LP-TLR-130LE
Bardo Pond
Adrop / Circuit VIII (INDIE ONLY)
Vinyl
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790377051025
CD-THRILL-510
Wrekmeister Harmonies
We Love To Look at the Carnage
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790377051018
LP-THRILL-510
Wrekmeister Harmonies
We Love To Look at the Carnage
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790377510119
LP-THRILL-510X
Wrekmeister Harmonies
We Love To Look at the Carnage (COLOR VINYL)
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790377051728
CD-THRILL-517
Sightless Pit
Grave of a Dog
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790377051711
LP-THRILL-517
Sightless Pit
Grave of a Dog
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LP-THRILL-517X
Sightless Pit
Grave of a Dog (COLOR VINYL)
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Lightning Bolt
Ride The Skies
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LP-THRILL-499X
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Ride The Skies (COLOR VINYL)
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CD-RL-48
CP Unit
One Foot On The Ground Smoking Mirror Shakedown
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809236155825
CD-FIRE-558
Pictish Trail
Thumb World
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809236155818
LP-FIRE-558
Pictish Trail
Thumb World
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809236155870
LP-FIRE-558X
Pictish Trail
Thumb World (INDIE EXCLUSIVE / COLOR VINYL)
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809236150721
CD-FIRE-507
Groundhogs, The
Thank Christ for the Bomb
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LP-FUZZ-126
Las Cobras
Selva
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5055869592819
LP-HDB-047
Mhysa
Nevaeh
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LP-LAUNCH-180
Och
ll (COLOR VINYL)
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SI-WCK-1010
Johnny’s Uncalled Four
Please Say b/w Daydream
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634457009301
CS-HAUSMO-102
Harms, Davey
World War
Cassette
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634904053413
LP-XL-534T
Paul, Jai
BTSTU
Vinyl
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634457005266
CS-BRGR-1479
Elephant Stone
Hollow
Cassette
$4.65
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DEAL
Street Date: 2.28.20 | Order Date: 2.07.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
887828042623
CD-WIG-426
Real Estate
The Main Thing
CD
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887828042616
LP-WIG-426
Real Estate
The Main Thing
Vinyl
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887828042630
LP-WIG-426LE
Real Estate
The Main Thing (INDIE EXCLUSIVE)
Vinyl
$19.30
$28.99
607396647620
CD-NW-6476
Secret Sisters, The
Saturn Return
CD
$8.65
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607396536610
LP-NW-5366
Secret Sisters, The
Saturn Return
Vinyl
$13.30
$19.99
607396538119
LP-NW-5381LE
Secret Sisters, The
Saturn Return (Indie Exclusive Saturn Splatter Vinyl)
Vinyl
$13.30
$19.99
5054429137996
CD-COUNT-188
Big Gigantic
Free Your Mind
CD
$9.30
$13.99
5054429137989
LP-COUNT-188
Big Gigantic
Free Your Mind (COLOR VINYL)
Vinyl
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848064009610
LP-RGM-0961LE
Donnas, The
Gold Medal (Limited Black & Gold Splatter Vinyl Edition)
Vinyl
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848064010128
LP-RGM-1012LE
Tapscott, Horace Quintet
The Giant Is Awakened (Limited Neon Green Vinyl Edition)
Vinyl
$16.65
$24.99
701237211725
CD-SIG-2117
Ashton, Taylor
The Romantic
CD
$10.00
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701237703626
LP-SIG-7036
Ashton, Taylor
The Romantic
Vinyl
$13.30
$19.99
4062548005783
CD-STRUT-189
Various Artists
Cadence Revolution: Disques Debs International Vol. 2
CD
$10.00
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4062548005790
LP-STRUT-189
Various Artists
Cadence Revolution: Disques Debs International Vol. 2
Vinyl
$20.00
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634457835221
CD-TSR-206
Ratboys
Printer’s Devil
CD
$7.30
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634457835214
LP-TSR-206
Ratboys
Printer’s Devil (Limited Edition Mist Color Vinyl)
Vinyl
$14.65
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634457835245
CS-TSR-206
Ratboys
Printer’s Devil
Cassette
$6.00
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634457008045
CD-FRP-004
Loeb, Lisa
A Simple Trick To Happiness
CD
$8.65
$12.99
605633139648
LP-RGNET-1396LE
Patton, Charley
Rough Guide To Charley Patton � Father Of The Delta Blues
Vinyl
$13.30
$19.99
605633139723
CD-RGNET-1397
Various Artists
Rough Guide To The Roots Of The Blues
CD
$10.00
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605633139747
LP-RGNET-1397LE
Various Artists
Rough Guide To The Roots Of The Blues
Vinyl
$13.30
$19.99
DEAL
ORDER FORM Street Date: 2.28.20 | Order Date: 2.07.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
5054429138931
CD-BF-097
Wajatta
Don’t Let Get You Down
CD
$9.30
$13.99
5054429138924
LP-BF-097
Wajatta
Don’t Let Get You Down
Vinyl
$18.65
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5060384617473
LP-DISC-006LE
His Name Is Alive
Return To Never (Home Recordings 1979 - 1986 Vol 2) (COLOR VINYL)
Vinyl
$13.30
$19.99
708535795728
CD-SBR-7957
Babys, The
Anthology 2
CD
$14.00
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603784912288
CD-IARC-0030
Alabaster DePlume
To Cy & Lee: Instrumentals Vol. 1
CD
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603784912295
LP-IARC-0030
Alabaster DePlume
To Cy & Lee: Instrumentals Vol. 1
Vinyl
$14.00
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5060609660918
CD-TRU-376
Seshen, The
Cyan
CD
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LP-TRU-376
Seshen, The
Cyan
Vinyl
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5060609661991
LP-TRU-376X
Seshen, The
Cyan (INDIE EXCLUSIVE / COLOR VINYL)
Vinyl
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309272738100
CD-NS-122
Cunningham, Jeremy
The Weather Up There
CD
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309272738094
LP-NS-122
Cunningham, Jeremy
The Weather Up There
Vinyl
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309272738117
LP-NS-122LE
Cunningham, Jeremy
The Weather Up There (COLOR VINYL)
Vinyl
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648401030570
SI-LBJ-305
Big Net, The
Big Moon b/w Rufus
Vinyl
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4062548006148
CD-7K-014
Paschburg, Niklas
Svalbard
CD
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4062548006155
LP-7K-014
Paschburg, Niklas
Svalbard
Vinyl
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5053760055518
CD-CHIT-001
Ozell, Sunny
Overnight Lows
CD
$10.00
$14.99
5053760055525
LP-CHIT-001
Ozell, Sunny
Overnight Lows (COLOR VINYL)
Vinyl
$16.65
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634457007086
LP-PNKSLM-069
Holy
Ryder
Vinyl
$14.00
$20.99
5060180324285
CD-BWOOD-0219
Overall, Kassa
I THINK I’M GOOD
CD
$10.00
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5060180324254
LP-BWOOD-0219
Overall, Kassa
I THINK I’M GOOD
Vinyl
$13.30
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702224128026
CD-MD-282
Ocoeur
Everything
CD
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702224128019
LP-MD-280LE
Ocoeur
Everything (COLOR VINYL)
Vinyl
$14.65
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843563122945
LP-EIS-100
Shell of a Shell
Away Team
Vinyl
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5055274709734
LP-AMB-2001
Masin, Gigi
Calypso
Vinyl
$21.30
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634457006263
CS-BRGR-1469
Mudrick, Thomas
Ten Dollar Soup Collection
Cassette
$4.65
$6.99
DEAL
NEW RELEASES Street Date: 2.21.20 | Order Date: 1.31.20
GRIMES MISS ANTHROPOCENE Tracklist
CD/LP 1 / A1 2 / A2 3 / A3 4 / A4 5 / A5 6 / B1 7 / B2 8 / B3 9 / B4 10 / B5
So Heavy I Fell Through the Earth (Algorithm Mix) Darkseid (Grimes & PAN) Delete Forever Violence (Original Mix) 4ÆM New Gods My Name is Dark (Algorithm Mix) You’ll miss me when I’m not around Before the fever IDORU (Algorithm Mix)
LP 4AD-0211-LP Download Card Included
Limited Indie Retail Translucent Pink LP 4AD-0211-LPE Download Card Included
CD 4AD-0211-CD
Grimes started producing music when she had to learn the program Logic for her neuroscience class. Shortly thereafter she had a viral myspace page, which allowed her to start booking shows and focus full-time on music. She lived in a crack den in Montreal with no heat (where she got frostbite twice and her neighbor was bludgeoned to death in the hallway), playing raves until her 2012 breakout, Visions, which was recorded during a 2 week speed binge wherein she did not leave her bedroom. Upon the success of this album, Grimes attempted to enter society as a regular human, which has clearly not gone super well but has nonetheless been entertaining. She’s since become an award winning music video director as well as a music writer, producer, engineer, singer-songwriter. She’s toured globally to sold out crowds, headlined festivals, and is now moving into the space of corporate surrealism. She recently had experimental eye surgery only available to the upper class. She is putting out her final earth album February 21st 2020.
505 Eno Street Hillsborough NC 27278 redeyeworldwide.com 877.733.3931
Selling Points
• • • •
Grimes’ 4AD catalog has sold over 1 million albums worldwide Massive press coverage Billboards, snipes and digital advertising campaign Live appearances at Art Basel + 2020 festivals and headline dates
Also Available: Art Angels LP + CD
Visions LP + CD
Available from: February 21st, 2020 4AD 134 Grand Street, New York, New York 10013
On October 22nd Courtney Barnett performed a unique and special show at the invitation of MTV in her hometown of Melbourne. The “Unplugged” performance features Barnett as you’ve never heard her before, warm, vulnerable and emotional. Under a garland of lights and a canopy of florals in the outdoor courtyard of Howler, Barnett performed a stirring set of eight songs to an intimate audience including “Depreston”, “Avant Gardener” and “Sunday Roast”. Joined by her usual band Dave Mudie and Bones Sloane, she also enlisted cellist Lucy Waldron. Barnett made the night even more iconic by inviting some of her favorite musicians to collaborate including legendary songwriter Paul Kelly, angelically-voiced New Zealander Marlon Williams and Milk! Records label-mate Evelyn Ida Morris. The performances included covers of Leonard Cohen, Archie Roach and Seeker Lover Keeper as well as a never-before-heard original track from Courtney herself titled “Play It On Repeat”.
HIGHLIGHTS - Received a 7.3 review from Pitchfork, and additional press support from Rolling Stone, NPR, SPIN, GQ, NY Times, LA times, billboard and many more. - Appeared on Seth Meyers, CBS This Morning, SNL, Ellen, Jimmy Kimmel and Jimmy Fallon - Grammy Nominated Artist of 2015: Best New Artist - Played major global festivals such as Coachella, Bonnaroo, Lollapalooza, and Newport Folk Festival, toured with The National, Blur, Spoon, and others in addition to headlining her own sold out tours playing in iconic venues such as Greet Theatre, Prospect Park Bandshell, and The Anthem. More dates in 2020. US SALES HISTORY: Tell Me How You Really Feel - 45.3K (41% LP; 37% CD) Sometimes I Sit and Think - 162K (27% LP; 35%CD)
The Double EP: A Sea of Split Peas 69.9K (27% LP; 32% CD)
TOUR DATES Jan. 20: Nashville, Tennessee @ Ryman Auditorium Jan. 23: Wilmington, Delaware @ The Queen Jan. 24: Northampton, Massachusetts @ Iron Horse Music Hall Jan. 25: Woodstock, New York @ Levon Helm Studios Jan. 27: Pittsburgh, Pennsylvania @ Carnegie Lecture Hall Jan. 28: Cleveland, Ohio @ Gartner Auditorium, Cleveland Museum of Art
Jan. 29: Bloomington, Illinois @ Castle Theatre Jan. 31: Pioneer Town, California @ Pappy & Harriets Feb. 1: San Luis Obispo, California @ The Fremont Theater Feb. 2: Sonoma, California @ Old Redwood Barn, Gundlach Bundschu Winery Feb. 4: Boise, Idaho @ Knitting Factory Concert House Feb. 8: Estes Park, Colorado @ The Stanley Hotel
TRACK LISTING 01. Depreston 02. Sunday Roast 03. Charcoal Lane (feat. Paul Kelly) 04. Avant Gardener 05. Nameless Faceless (feat. Evelyn Ida Morris) 06. Untitled (Play It On Repeat) 07. Not Only I (feat. Marlon Williams) 08. So Long, Marianne ARTIST TITLE LABEL STREET DATE
(6:36) (6:38) (5:52) (6:17) (5:32) (6:42) (4:45) (6:54)
Courtney Barnett MTV Unplugged (Live in Melbourne) Mom + Pop Music February 21st, 2020
CONFIGURATION CD CD UPC 858275059120 CATALOGUE # MP459
CONFIGURATION LP UPC CATALOGUE # DESCRIPTION
LP 858275059113 MP459 Exclusive Aqua Blue Vinyl
TOP MARKETS: NYC, LA, Chicago, Austin, San Fransisco, Washington DC, Portland, Seattle, Denver and Boston
SOCIALS 258K LABEL REDEYE RADIO
Hallie Anderson Lori Miller David Jacobs
hallie@momandpopmusic.com lori@redeyeworldwide.com david@momandpopmusic.com
WWW.MOMANDPOPMUSIC.COM
PUBLICITY TOURING
Grace Jones Katie Nelson Marshall Betts
229.6K
227K
gracej@grandstandhq.com katien@grandstandhq.com marshall.betts@paradigmagency.com
1140 BROADWAY SUITE 1505 NEW YORK NY 10001
COURTNEYBARNETT.COM.AU
KING KRULE MAN ALIVE! SELLING POINTS • MASSIVE HEADLINING DATES ACROSS NORTH AMERICA PLANNED IN APRIL 2020 • LIMITED RED VINYL INDIE EXCLUSIVE EDITION • 850k SPOTIFY MONTHLY LISTENERS, 420K FOLLOWERS • NEARLY 60k THE OOZ EQUIV. ALBUMS, OVER 100k 6 FEET BENEATH THE MOON (US ONLY) • PERFORMED ON CONAN, NPR’S TINY DESK CONCERT • NEW FOUR TRACK PERFORMANCE VIDEO ON YOUTUBE “A masterpiece of jaundiced vision from one of the most compelling artists alive.” Pitchfork, 9.0 review of The OOZ. “Timelessly cool.” - The New York Times
TRACKLISTING 01. CELLULAR 02. SUPERMARCHÉ 03. STONED AGAIN 04. COMET FACE 05. THE DREAM 06. PERFECTO MISERABLE 07. ALONE, OMEN 3 08. SLINKY 09. AIRPORT ANTENATAL AIRPLANE 10. (DON’T LET THE DRAGON) DRAAG ON 11. THEME FOR THE CROSS 12. UNDERCLASS 13. ENERGY FLEETS 14. PLEASE COMPLETE THEE
“He is the kind of storyteller who knows what makes a memorable story: a blend of the everyday and the unexpected, relatable situations told with perfect timing.” - The New Yorker Like any great artist on the rise, Archy Marshall’s life is moving fast. There’s a lot to catch up on, after 2017’s sprawling masterpiece, The OOZ, broke through amid Mercury Prize nominations and mind-blowing media plaudits. Unlike that record, Man Alive! doesn’t aim to present any kind of narrative thread, or Brexit-era stateof-the-nation address, just a collection of snapshots and stories, artfully sequenced into a dazzlingly coherent whole. Man Alive! is available on CD, standard single LP black vinyl and as a limited red vinyl edition sold exclusively at independent record stores. Red Indie LP TRUE-133-LPE 191403013381 *Non-returnable Black LP TRUE-133-LP 191403013312 *Non-returnable CD TRUE-133-CD 191403013329
134 Grand St New York, NY 10013 United States (212) 995-5882
RELEASE DATE: FEBRUARY 21, 2020 NON EXPORTABLE
505 Eno Street Hillsborough NC 27278 United States (877) 733-3931
DC777 LP/CD Street Date: February 21, 2020 No Export To Europe Or Australia; Send This Companion To All Other Quadrants Track Listing Pacific Two Forms Moving The Scout Is Here Black Tea Companion Rises The 101 Haunted And Known Mark Yourself Worn Down to the Light
LP
CD
Drag City Inc. P. O. Box 476867 Chicago, IL 60647 312.455.1015 sales@dragcity.com
Also from Six Organs of Admittance School of the Flower LP DC282
Six Organs of Admittance is back after 3 years with a new record, new techniques in sound generation, and a new attitude. Companion Rises has a driving force only hinted at with previous releases. Manipulating the rhythmic DNA from songs such as the bass-dominated “Taken by Ascent” (on his last record, Burning the Threshold), Ben Chasny has grown a new sound creature in his lab that is as welcoming as it is terrifying and as fun to listen to as it provocative and intriguing. Methodologically, Companion Rises sometimes recalls the early-mid low-fi work of Six Organs, with modern techniques swapping digital processes in for the analog ways of the early days, and algorithmic programs creating the rhythms rather than Ben’s overdubbed hand percussion. Also like those early records, Companion Rises has Ben creating all the sounds, doing all the recording and mixing the entire record himself. But do not mistake this as some sort of return to an older sound. One listen and it is obvious that this Six Organs of Admittance release is all in the present. One thinks of Octavio Paz’s oft-used metaphor of the concentric circle, as Companion Rises returns to a similar place but is much farther out from the center. Sonically, Ben’s songs are bursting with ideas, harmonically rich, gorgeously arranged; often presenting two versions at once, overlaying electric and acoustic treatments that interlock like two shards that form a single key. Companion Rises plays like a mutant joining of avant and good-time forces, as if Faust produced The Revolution instead of Prince, or This Heat recorded on top of Amon DüüI’s classic “Paramechanical World,” but left a few of the original tracks to bleed through. Waves of electric fields wash across the record like a charged Pacific Ocean and guitar solos slice through at various intervals in a warped and fractured way of shreddage, not totally unlike the imagined sound of Eddie Hazel jacking into the CPU in Tron. Thematically, many songs on Companion Rises seem to navigate a similar Stellar-Gnosticism that 2012’s Ascent explored, but with a completely different set of stories. Whereas Ascent was locked into a narrative concerning a sentient Jupiter, Companion Rises presents a handful of folk-tales whose topics span in scope from panspermia to specific constellations, all written in a way that eschews new age presentation tropes and embraces the now. With Companion Rises, Ben has created a Sci-Folk record that feels totally in the right place welcoming in the new decade.
The Sun Awakens LP DC312
Shelter From the Ash LP/CD DC348
RTZ 2xCD DC383
Luminous Night LP/CD DC409
Asleep On the Floodplain LP/CD DC453
Ascent LP/CD DC519
Hexadic LP/CD DC616
Hexadic II LP/CS DC643
0
90771 55721 6 LP 5572 Artist: Various Artists
Title: Shake What You Brought! Soul Treasures From The SSS International Label Gold Vinyl LP File Under: Soul/Funk UPC: 090771557216 Release Date: 2/21/20
INCLUDES: SAM DEES
Lonely For You Baby
SOUTHERN SOUL SIZZLERS FROM NASHVILLE! Some serious swagger emerged on Shelby S. Singleton’s SSS International label, including the funk-soaked, Allen Toussaint-penned “There’s A Break In The Road,” Mickey Murray’s relentless “Sticky Sue,” Bettye LaVette’s standout revival of “Piece Of My Heart,” and more sensational workouts! Cut by Kevin Gray and pressed on gold vinyl at Third Man Pressing! Inaugurated in 1967, the Nashville-based SSS International label’s wide-ranging catalog encompassed pop, country and rock, as well as a particularly strong soul roster, releasing a slew of terrific platters through the early ‘70s. In addition to producing hits for his Nashville-based label, Singleton also had an uncanny knack for picking up other splendid masters—Betty Harris and Robert Parker were produced in New Orleans, while Mickey Murray, Sam Dees, and Clifford Curry contributed stunning sides to the fertile catalog from other soul capitals. Activity at SSS International wound down after the new decade commenced, but we can certainly be glad he devoted so much quality time to this slamming southern soul.
DANNY WHITE
Natural Soul Brother
MICKEY MURRAY Sticky Sue
JO JO BENSON Having My Glory
BETTY HARRIS
There’s A Break In The Road
MICKEY MURRAY Hit Record
BETTYE LAVETTE Piece Of My Heart
• STONE SOUTHERN SOUL AT ITS MOST RIGHTEOUS, ON LP FOR THE FIRST TIME! • CUT BY KEVIN GRAY AND PRESSED ON GOLD VINYL AT THIRD MAN! • DANCEABLE LATE ‘60s SIZZLERS!
JOHNNY BARFIELD AND THE MEN OF S.O.U.L. Soul Butter
CLIFFORD CURRY Soul Ranger
ROBERT PARKER The Hiccup
MR. JAMO
Shake What You Brought With You (Part I)
JOHNNY ADAMS Proud Woman
JAKE PORTER
I Wanta Make Her Love Me Till The Cows Come Home
WWW.SUNDAZED.COM
CALIFONE ECHO MINE 1. 2. 3. 4.
Romans Bandicoot Night Gallery / Projector Howard St & The Beach Nov 1988 After 11 5. Flawed Gtr 6. Echo Mine 7. Carlton Says: Find It. It’s Still There 8. Snow Angel V1 9. By The Time The Starlight Reaches Our Eyes 10. Snow Angel V2
CD-JBR-0186
LP-JBR-0186
LP-JBR-0186X
• Calfione’s first new album in 7 years • LTD Indie Exclusive Cream Vinyl • Original Line-up w/ Ben Masserella & Brian Deck On February 21st, 2020 Jealous Butcher Records will be releasing Califone’s first new album since 2013’s Stitches (Dead Oceans). The album is Echo Mine and it also happens to be the score to a dance performance of the same name created by Robyn Mineko Williams. Califone’s leader Tim Rutili has this to say about making the album: “The movement and the music started together and grew together, like two clear entities. At times totally intertwined and at other times bouncing off one another, sort of like reflections. But, somehow, always connected and listening.” “Ben Massarella, Brian Deck and I worked in a way that felt like a return to home; Brian handling the engineering, electronics, drums and overall sound of the piece, Ben adding percussion, feel, essential textures and colors. I felt like my job was to hover over all of it like a moth. Find melody in everything. Leave openings for everyone to work at the top of their creativity. We made our album, Roomsound, in much the same way (almost 20 years ago). Three of us in the studio – Be humans. Play together as much as possible. A good feel beats perfection every time. Add other musicians to add other voices and other colors, to do the things we can’t do.” The inaugural performance of the Echo Mine dance will take place on December 7th in Chicago at The Harris Theatre. The dance is itself a collaboration of sorts as it was inspired by and created alongside Chicago dance icon Claire Bataille a founding member of Hubbard Street Dance Chicago. Robyn tells us more about that process: “The original idea for what we came to refer to as “our secret little project” was to make a solo for Claire to dance, 25 years after she’d last performed on stage. A month after our first rehearsal together, Claire was diagnosed with pancreatic cancer. She agreed to continue working on our project throughout the last months of her life. Grace and grit personified. It was a most extraordinary gift to spend this time with her. Before she passed, Claire gave me her blessing to continue and make the piece my own.” Tim continues: “Robyn is an abstract painter. I’m not sure how to explain what she does, but we all felt it deeply while creating this music. Watching Robyn and the dancers rehearse, I had a similar feeling to being in front of a Rothko painting. There is a deliberate precision to the dance and movement that pulls the specifics of a story into abstract forms that illuminate the dream logic, the unseen edges and colors that deepen emotions all around what it is to be a human in a physical body – beyond words.” The album Echo Mine will be available for preorder beginning November 19th along with the release of the first song from the album Snow Angel V2. “Snow Angel was written to a rehearsal video of the dancers working through some of Robyn's ideas for Echo Mine - the movement seemed to ask for something familiar & dream-like. There is some irreversible interplanetary destruction going on in this song, right on top of some gauzy memory and deep winter quietude - Add to that a GREASE/TWIN PEAKS version of 1950s style drama and melancholy.” Califone will be heading out on tour in support of Echo Mine this coming spring, with dates to be announced as they become available.
P.O. BOX 8554 • OMAHA, NE 68108-0554 / 4538 EAGLE ROCK BLVD • LOS ANGELES, CA 90041 P: (402) 558-8208 • INFO@SADDLE-CREEK.COM • SADDLE-CREEK.COM
ADAM CAYTON-HOLLAND Adam Cayton-Holland Performs His Signature Bits February 21st, 2020
• Saddle Creek’s first ever comedy record! Originally released digitally by Comedy Central • LP only limited to 500 copies pressed on translucent yellow-orange vinyl. • LP includes digital download.
"Consistently combines sharp observation with a rambunctious spirit all foregrounded by his great talent for painting detailed, layered pictures with words.” - The Comedy Bureau "Cayton-Holland wastes no time addressing the obvious: He’s a rascal. And he wants to discuss everything from his audience’s least favorite race, to Satanism and condoms full of
TRACK LISTING 01. Intro 02. Least Favorite Race 03. Real Rascal 04. I Choose a New Destiny 05. Birds, Birds, Birds 06. Ballad of Jake the Roadie 07. I Can't Go Back to Prison 08. Nü Testament 09. A Reasonable Amount of Dogs 10. Hot Dogs and Hot Dog Tongs 11. Pfft. Canadians 12. Harper Lee 13. Sketchy Reggie
Slurpees.” - The Laugh Button "He’s got a wife, three dogs, and a modest Ford Escape. He listens to ‘90s rock radio and enjoys bird-watching. On paper that sounds quaint at best and boring as hell at worst. However, this is the life he was destined for, and he has a gift for making it absolutely hilarious with the help of a healthy dose of Surrealism." - Vulture
Adam Cayton-Holland is a national touring comic who has appeared on Conan, The Late Late Show with James Corden, Comedy Central Presents, @midnight, The Meltdown with Jonah and Kumail, Happy Endings, Deadbeat, Flophouse, Hidden America. He has been named one of Esquire’s “25 Comics to Watch,” as well as one of “10 Comics to Watch” by Variety. Along with his cohorts in The Grawlix he created, wrote and starred in “Those Who Can’t,” which aired for three seasons on truTV. Adam’s writing has appeared in Village Voice, Spin, The A.V. Club, The New York Times, Esquire and The Atlantic. His first book, Tragedy Plus Time, is available everywhere. Born-and-raised in Denver, Colorado, Adam has released three albums to-date: “I Don’t Know If I Happy,” “Backyards,” and “Adam Cayton-Holland Performs His Signature Bits” - the latter of which was voted one of Vulture’s Top Ten Albums of 2018.
Artist: Adam Cayton-Holland Title: Adam Cayton-Holland Performs His Signature Bits Catalog #: LBJ-308 Formats: LP Street Date: February 21, 2020 Box Lot Quantity: 30 LP Genre: Comedy FOR MORE INFO CONTACT retail@saddle-creek.com
LP
(Single LP jacket, yellow-orange vinyl)
NOT EXPORTABLE OUTSIDE THE US LP NOT RETURNABLE
Adam has long-admired Saddle Creek, viewing them as that amazing label in Omaha making the rest of the country come to them. He is beyond honored to be the first comedy artist on Saddle Creek. More info: www.adamcaytonholland.com
505 ENO ST. HILLSBOROUGH, NC, 27278 redeyworldwide.com Tim Jones tim@redeyeworldwide.com
1:01 1:30 4:11 3:00 5:09 11:38 3:12 4:22 2:59 6:41 2:39 2:55 1:21
Prophet - Don’t Forget It KEY SELLING POINTS produced album from - Self Prophet, a follow-up to his 2018
Mndsgn produced album Wanna Be Your Man
Press coverage in NME, DIY Mag, The Guardian, Bandcamp Daily, Q, Mixmag, Loud & Quiet, Musikexpress
- Radio play on KCRW, BB6 Music: Tom Ravenscroft, Lauren Laverne, Gilles Peterson
-
Artist Title Catalog # Label Genre Barcode Format Release Date
Prophet
Don’t Forget It
STH-2419LP
Stones Throw Records
R&B / Funk / Soul
LP: 0659457241919
LP
1/31/20
TRACK LIST 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16.
Intro
Don't Forget It
Be the One for You
In My Ear
Do You Think
Think about It
Human Like
Game to Make Love
I Don't Care
I Am I Is
Come on Hard
Diamond Ring
Never the One for Me
Don't Cry
Whatever
So Much Love
DESCRIPTION
Don’t Forget It is the third album from Prophet, produced by Prophet himself. Prophet’s cult following began from his 1984 album Right On Time, a record collector gem that was followed decades later by his 2018 album Wanna Be Your Man, produced by Mndsgn and released on Stones Throw Records. Fans of Prophet include Tyler The Creator, who sampled Prophet’s “Wanna Be Your Man” to create “PEACH FUZZ”. Prophet produced and recorded this latest album in Los Angeles at Stones Throw Studios.
Guys Go Pop Volume 4 (1964-1966)
Teensville CD
TV1043CD
0736373141476
The fourth and final volume of Teensville's critically acclaimed Guys Go Pop series examines an alternate mid-sixties universe that wasn't swept up by the British Invasion. Expect huge arrange-ments featuring horns, strings and things played by top session musicians, double-tracked vocals, tender lyrics about love and romance, and a youthful, innocent optimism. The eighty minute CD features a whopping 35 tracks and includes a full-color 28 page booklet containing artist information, annotations and fun facts.
1 Joel Christie – Since I Found You 2 Vern McEntire – Give Me Enough Love 3. Peter Ford – Blue Ribbons 4. Ray Lynn – Miss Temptation 5. Alan David – I Can’t Go Wrong 6. Johnny Peters – When You Ask About Love 7. Kenny Chandler – Sunshine Sweetheart 8. Lemme B. Good – I Can’t Stop Myself 9. Mike Berry – It Comes And Goes 10. Bruce Scott – You Can’t Lose Something You Never Had 11. Peter Anathan – No More Love 12. Ray Stevens – It Only Hurts When I Laugh 13. The Heatwaves – I’ll Do My Crying Tomorrow 14. Mark Loyd - She Said No 15. Chance Eden – Barefoot Through The Grass 16. Grady Lloyd – Lay Down Your Arms 17. Wayne Newton – Happy is Gone 18. Ken Kirkham – There’s Gonna Be A Fight 19. Trade Martin – Spend Your Life With Me 20. Buddy Wayne – Melony 21. Steve Alaimo – Pardon Me (It’s My First Day Alone) 22. Don Charles – I Could Conquer The World 23. Josh White Jr. – Do You Close Your Eyes 24. Ray Whitley – Just A Boy In Love 25. Paul Anka – Cindy Go Home 26. John Summers – That’s A Magic Moment 27. James Darren – Counting The Cracks 28. Alan David – Dancing Lessons 29. Leon Martin – I Think Of Losing You 30. Peter Ford – Don’t Keep it To Yourself 31. Joel Christie – It’s All Right Now 32. Vern McEntire – The Good With The Bad 33. Lee Brackett Little Miss Wonderful 34. Bryan Davies – I’m Gonna Make You Cry 35. Bobby Vee – There’s Something About You
Madison McFerrin is an independent singer-songwriter based in Brooklyn, NY. In December of 2016, she quietly introduced her soulful take on a cappella to the world when she self-released Finding Foundations: Vol. I. After one listen, tastemaking DJ, Gilles Peterson, snatched up her standout track, “No Time to Lose,” for his Brownswood Bubblers compilation. In February of 2018, she gave her listeners more of her distinctive sound when she self-released Finding Foundations: Vol. II.
ARTIST: TITLE: LABEL: REL. DATE: LP:
MADISON MCFERRIN YOU+I DIGGERS FACTORY 21 FEBRUARY 2020
MMYNI00A / 3760300310472
Tracklist: 1. re: Intro 2. No Room 3. TRY 4. Unwise 5. Know You Better 6. Fallin 7. No Time To Loose (Sin 8. Insane (Single Edit) 9. Milky Way 10. Gravity
Following her SXSW 2018 debut, Madison performed at Pitchfork’s Rising Artist showcase at Northside Fest, OctFest, Paris Avant Garde showcase and inaugural Midwinter Event at the Art Institute of Chicago. Along with these noteworthy performances, Madison has also dazzled European crowds with her onewoman show of looping hypnotic harmonies live from London to Poland. This year, Madison plans to build upon this momentum by pairing her timeless voice with modern production on her new EP, You + I, which quickly had its lead single “TRY” rack up 580K+ views in her debut COLORS session.
Soul Jazz Records Presents
APALA Apala Groups in Nigeria 1964-69 21st February 2020
Soul Jazz Records new ‘Apala: Apala Groups in Nigeria 1964-69’ is the first ever collection of Apala music ever to be released outside of Nigeria. The album focusses on a wide selection of recordings made in Nigeria in the 1960s, a time when Apala music was at the height of its popularity. Apala is a deeply rhythmical, hypnotic and powerful musical style that combines the striking nasal-style vocals and traditions of Islamic music, the Agidigbo (thumb piano), and the equally powerful drumming and percussion rhythms and techniques of the Yoruba of Nigeria. The most significant figure in Apala music is undoubtedly Haruna Ishola who features throughout this album. Ishola holds an almost mythological status in his role as populariser of Apala music in Nigeria. Ishola’s singing was believed to be so powerful that, without proper restraint, it could kill the recipient of his music. Apala is a popular music that also functioned as a form of cultural resistance – Apala music involved no western instrumentation and is sung in the Yoruba language, its aesthetic an implicit cultural rejection of the British Empire’s colonial rule over Nigeria which lasted from 1901 until independence in 1960. Apala music was popular and widely accepted in Nigeria due to its philosophical and profound lyrical content alongside the complex rhythmic patterns of this heavily percussive style, which highlighted many of the percussion instruments of south-west Nigeria. th
Apala is one of a number of popular urban styles of music that came out of Nigeria in the 20 century and sits alongside the more well-known (in the West) styles of Fuji, Highlife, Juju and Afrobeat. Of these modern forms Apala remains perhaps the most ‘roots’ style (sometimes described as ‘neo-traditional’) due to the authenticity of its sound. It has similar Islamic roots to other neo-traditional styles of Nigeria – including Waka and Sakara – examples of which are also included on this collection contextualising the music of Apala.
These recordings were originally made and released locally by Decca and EMI Records as well as a variety of independent labels in Nigeria and have never been released outside of the country before. Soul Jazz Records are releasing this album as a deluxe double gatefold vinyl (+ download code), CD, slipcase and booklet, both containing full text and photography.
Tracklisting 1. Haruna Ishola and His Apala Group – Ewure Ile Komoyi Ode 2. Adebukonla Ajao and Her Group – Aboyin Ile 3. Rapheal Ajide and His Apala Group – Adura Fun Osiwowo 4. Haruna Ishola and His Apala Group – Orin To Mo Gbon Wa 5. R.A. Tikalosoro and His Group – Agilinti Lomu 6. Adebukonla Ajao and Her Group – A.B.D. Alawiye 7. Haruna Ishola and His Apala Group – Asa Ko Gbodo Wole Gbeiyele 8. Adeleke Aremu & His Group – Egbe Arowolo 9. Haruna Ishola and His Apala Group – Rufai Baolgun 10. R.A. Tikalosoro and His Group – Kiniun Kuro Leran Amu Sere 11. Haruna Ishola and His Apala Group – S. Aka 12. Adebukonla Ajao and Her Group – Lekele Bale 13. Kasumu Adio and His Apala Group – Odale Ore 14. Ayisatu Alabi and Her Group – Oko Lolomo 15. Jimoh Agbejo Bo Ogun and His Group – Oriki Ibeji 16. Ayisatu Alabi and Her Group – Omo Olobi 17. Rapheal Ajide and His Apala Group – Orin Aje 18. Adebukonla Ajao and Her Group – Sunday Babayemi
st
Release Date:
21 February 2020
Artist:
Soul Jazz Records Presents
Title:
APALA: Apala Groups in Nigeria 1964-69
Label:
Soul Jazz Records
Format 1:
CD, Cat. No: SJRCD440, UPC: 5026328104409
Format 2:
Double LP, Cat. No: SJRLP440, UPC: 5026328004402
5
0 263 28 1 044 09
Redeye contact: Will Savery 877-733-3931 x287 will@redeyeworldwide.com
5
0 263 28 0 044 02
No shipments outside of North America.
SPINNING COIN HYACINTH
TRACKLISTING 1. Avenues of Spring 2. Feel You More Than World Right Now 3. Get High 4. The Long Heights 5. Despotic Sway 6. Ghosting 7. Laughing Ways 8. Black Cat 9. Soul Trader 10. Never Enough 11. Slips Away 12. It’s Alright 13. Thing of The Past
CATALOG NUMBER: GEOG50 RELEASE DATE: February 21st, 2020 FILE UNDER: Alternative “S” CD Boxlot: 30 UPC: 887831005028
Praise for previous album Permo: "the romantic tropes of indie pop made malleable to fit Spinning Coin’s struggles with money, love, and alcohol. They do it all effortlessly, and therein lies their charm." BANDCAMP "a dash of the abstract, a lot of jangly-but-forceful 1992-era Ride, and a not small amount of skillfully employed pedal effects." FLOOD "Promising new Glasgow, Scotland indie guitar-pop" UNDER THE RADAR OVERVIEW
LP w/ DOWNLOAD Boxlot: 20 UPC: 887831005011
Vinyl is non-returnable
Hyacinth is the second album from Spinning Coin. A brave step forward, Hyacinth is an album full of poetry, light and warmth of heart, and presents a band holding nothing back. It registers a number of changes for the group since their debut LP Permo in 2017: personnel changes, geographical changes, a new context, an ever-changing world outside. Throughout Hyacinth, there is joy in spades, but also melancholy, and a checked fury, threading the group’s political vision through their reflections on the personal and the interpersonal. Made in France at Black Box Studios, Hyacinth is a beautiful patchwork of a record, a group spinning off in various directions, sometimes all at once. It’s experimental, pop, psychedelic, and it’s got so much love and humanity about it.
SELLING POINTS GEOGRAPHIC 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com
• Spinning Coin are Sean Armstrong (vocals, guitar), Jack Mellin (vocals, guitar), Rachel Taylor (bass, vocals, keyboards) and Chris White (drums). • College and non-commerial campaign to impact on album release. • LP includes download card.
WILSEN RUINER Street Date: February 21, 2019
With producer Andrew Sarlo (Bon Iver, Big Thief, SASAMI) at the helm, WILSEN’s new album RUINER dissolves both the heavy reverb and ethereal moments found on their first recording by instead letting the band’s essentials – drums, bass, guitar, and vocals – have centre stage. In the album’s opening moments, you might hear a knotted wash of guitars and Wilson (Tamsin Wilson – the singer) softly humming, for a very brief moment returning you to their dreamscape but sharply, a driving rock rhythm comes into focus and so too does a revitalized band.
“Making this record was somewhat of a coming of age process,” Wilson explains,“We’re getting older and becoming more deliberate, less precious, less measured. Overthinking less & trusting instincts.” CAREER HIGHLIGHTS
• Notable syncs in Netflix’s Orange is the New Black, MTV’s Catfish, Mythos, Pretty Little Liars and AT&T advertising • Over 10 million combined streams for Wilsen’s music online • Strong Spotify and Apple Music support included in key playlists such New Music Friday US & CA, The Most Beautiful Songs in the World, Evening Chill, Today’s Acoustic As Heard on TV, The A-List Alternative, Best of the Week, Breaking Alternative and many more. • Past media and radio support from NPR, Stereogum, Interview Magazine, DIY, Consequence of Sound, Brooklyn Vegan, Paste, Nylon, Noisey, Pop Matters, UPROXX, Exclaim!, VEVO, CBC Music, Indie88, BBC 6 Music, The Line of Best Fit, i-D Magazine, KEXP, WNYC, Open Air, KRCC, KAXE, WYCE and more
SELLING POINTS
• Nation-wide US tour supporting POLIÇA in Spring 2020 (see all dates below) • First single “Ruiner” launched on Oct. 29, 2019, since then it has been featured in Beehive Candy, Brooklyn Vegan and Consequence of Sound • Opinion Police album review • The Autumn Roses, Austin Town Hall, Heartbreaking Bravery, Skope Mag, That Buzzing Sound articles • American Songwriter and Bionic Buzz album announcement • New album Ruiner produced and mixed by Andrew Sarlo (Bon Iver, Big Thief) and mastered by Sarah Register (Sia, Ariana Grande, Moby, Depeche Mode) • Featured interview with Interview Magazine to be released around street date
US TOUR DATES (w/ POLIÇA)
3/19: Madison, WI - High Noon Saloon 3/20: Chicago, IL - Thalia Hall 3/21: Detroit, MI - Deluxx Fluxx 3/25: Boston, MA - Brighton Music Hall 3/27: New York, NY - Webster Hall 3/28: Philadelphia, PA - Union Transfer 3/29: Washington, DC - 9:30 Club 3/31: Columbus, OH - The Basement 4/1: St Louis, MO - Off Broadway 4/2: Maquoketa, IA - Codfish Hollow Barn 4/10: Minneapolis, MN - First Avenue 4/16: Seattle, WA - Neptune Theatre 4/18: Portland, OR - Wonder Ballroom 4/20: Sacramento, CA - Harlow’s 4/21: San Francisco, CA - The Fillmore 4/22: Los Angeles, CA - Teragram Ballroom 4/24: Phoenix, AZ - Crescent Ballroom 4/25: Albuquerque, NM - Sister 4/27: Austin, TX - Scoot Inn LABEL: Secret City Records FILE UNDER: Alternative EXPORT: No Export BOX LOT: 30 CD / 25 LP
PAST CATALOGUE:
6
80341
95001
3
6
80341
LP-SCRT-095
CD-SCRT-095
TRACKLIST (same for CD & LP)
06. Birds 07. Wedding 08. Birds II 09. Feeling Fancy 10. Fuse 11. Moon
Black standard 12" vinyl Printed inner sleeve with lyrics Download coupon included 01. Ruiner 02. Align 03. Down 04. Wearing 05. YNTOO
95002
0
4-panel cardboard jacket w/ matte finish
I GO MISSING IN MY SLEEP (CD/LP) Tote bags + Exclusive Riso Prints + Free show tickets available for Indies. Reach to your account rep. for more info
SIRENS (CD/LP) Secret City Records 7665 Boul. Saint-Laurent, Suite 200, Montreal, QC H2R 1W9
Contact: Juliette Devert juliette@secretcityrecords.com Facebook: @secretcityrecords Twitter: @secretcityrecords Instagram: @secretcityrecords
Redeye Distribution 505 Eno St, Hillsborough, NC 27278 USA Contact : Jeep Ward jeep@redeyeworldwide.com
DOUGLAS DARE MILKTEETH Format: CD, LP, Limited Ed. LP (incl. Download Code + insert) File under: Electronic · Box Lot: 50 CD / 20 LP Street Date: 02/21/2019
Label:
Erased Tapes
Catalogue No.:
ERATP131CD ERATP131LP
Barcode (EAN):
3700551782956 (CD) 3700551782949 (LP)
Distributor:
Redeye
Territory:
NA only
Ltd. Edition on Clear Vinyl (indie only): Catalogue No.:
ERATP131LE
Barcode (EAN):
3700551782970 (LE)
Track listing: 1. I Am Free 2. Red Arrows 3. Heavenly Bodies 4. The Piano Room 5. Silly Games 6. The Joy In Sarah's Eyes 7. The Stairwell 8. Wherever You Are 9. The Window 10. The Playground 11. Run
Official Websites: https://www.erasedtapes.com/artist/douglasdare http://douglasdare.com/ PR Agent: julian@erasedtapes.com
English songsmith Douglas Dare returns with his third and most stripped back studio album to date, Milkteeth, released on 21 February 2020 with Erased Tapes. Produced by Mike Lindsay — founding member of Tunng and one half of LUMP with Laura Marling — in his studio in Margate in just twelve days, Milkteeth sees Douglas become confident and comfortable enough with his own identity to reflect on both the joys and pains of youth. In doing so, he has established himself as a serious 21st century singer-songwriter with an enduring lyrical poise and elegant minimalist sound. Douglas Dare grew up on a farm as the youngest member of a large extended family, where he was often found in his own private world, dancing in his mother’s pink ballet dress. “Only now do I feel free to express my inner child again, and am giving myself permission to play dress up,” says Dare of Milkteeth’s cover shot, in which he wears soft makeup and is draped with layers of white linen, acting the part of a Greek muse. “I never felt like I fit in. I was different, odd. I wanted to dance and sing and dress up and on a small farm in rural Dorset that really stuck out.” Where previously he has been known as a piano player, for Milkteeth Dare picked up a new instrument, the autoharp, and as soon as he sat down with it, songs poured out – he wrote the album’s first single Silly Games, in under an hour. “Instinctual feelings about childhood and innocence were the catalyst,” he explains. “Then with the autoharp, it all just clicked – I could see the album laid out ahead of me.” Milkteeth opens with I Am Free, which loops piano and lyrics in an intimate dance, comparing the seemingly inexorable freedom of childhood to flying. The Playground is a song Dare says he’s wanted to write for years, about a yearning for childhood innocence and simplicity. While Red Arrows tells a story of vulnerability, of craving parental comfort, The Joy In Sarah’s Eyes is a Jeff Buckley-esque ballad for a new generation. In Heavenly Bodies there is an unhurried darkness that nods to Leonard Cohen’s songwriting, and is also the first time Dare has played the guitar on record. The melodies on Milkteeth are deliberately simple; Dare wanted it to feel familiar right from the first listen. In between these songs sit instrumental pieces – The Piano Room, The Stairwell, The Window – named for the spots they were recorded in, moments for stillness and reflection. Marking his arrival in 2014 with the release of his acclaimed debut Whelm and establishing his musical dexterity on the much darker follow up Aforger in 2016, Dare’s star keeps growing. In 2017 he was asked to contribute a re-interpretation of Dance Me to the End of Love to the Leonard Cohen exhibition A Crack in Everything at the Contemporary Art Museum of Montréal, currently showing at The Jewish Museum in New York before opening at the Contemporary Jewish Museum in San Francisco in September 2020. He was invited by Robert Smith to perform at his Meltdown Festival at the Southbank Centre in 2018, followed by the David Lynch-curated Manchester International Festival alongside Anna Calvi in 2019. Dare’s music speaks of his own experiences of universal themes like love, loss, and childhood. Perhaps most importantly, his music gives a voice and a sanctuary to anyone who’s ever felt unusual or out of place. Whether he’s singing of the pain of those in the Magdalene Laundries as on Whelm, describing coming out to his parents on Aforger, or processing his own childhood isolation on Milkteeth, Dare has a graceful honesty and an abiding clarity of vision in his simple and distinctive sound.
Banoffee Look At Us Now Dad Out February 21, 2020 on Cascine Banoffee is a Melbourne-born, Los Angeles-based singer/songwriter and producer with a transgressive and deeply vulnerable approach to music. She has toured with Taylor Swift on a worldwide stadium tour as part of Charli XCX’s troupe, and represents the new wave of mutant pop bubbling up from the queer club underground. She has been described as one of pop music’s “recent great forward thinkers” (FACT) and is known for infectious melodies that belie more unsettling, experimental textures and beats. Look At Us Now Dad is Banoffee’s debut album, and it is an uplifting, optimistic journey that celebrates survival in the face of abuse and adversity. Featuring collaborations with SOPHIE, Empress Of, Cupcakke & Umru, and co-produced by Banoffee & Yves Rothman, it is a kinetic hybrid of experimental club sounds and earworm pop.
Tracklisting: A 01. Tennis Fan (feat. Empress Of) 02. I Lied (Interlude) 03. Fuckwit 04. One Night Stand 05. Count On You 06. Don’t Go Sharing Your Clothes (Interlude) 07. Contagious B 08. Chevron 09. That Sorta Stuff (Interlude) 10. Permission 11. This Is For Me 12. Ripe (feat. Cupcakke) 13. I Let You Down (Interlude) 14. Look At Us Now Dad
Artist: Banoffee Title: Look At Us Now Dad Label: Cascine Genre: Indie / Pop / Electronic Street: February 21, 2019 Format: LP w/ download card Box Lot: 20 Export: North America, South America, Europe CSN130-LP UPC: 600246986023
Selling Points: ● Album includes features and production from Empress Of, SOPHIE, CupcakKe, umru ● Tour history with Charli XCX (opening for Taylor Swift), Empress Of, King Princess, Wafia ● Favorable press coverage from The FADER, NYLON, FACT, PAPER, i-D, Line of Best Fit ● PR from Grandstand (US) and Inside Out (UK) ● Radio promotion from Terrorbird Media ● Vinyl pressed on clear wax, with LP encased in custom-printed PVC sleeve, limited to 500
Stephen Svacina // Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 http://www.redeyeworldwide.com/ stephen@redeyeworldwide.com
Nick Passarelli // Cascine 56 Bogart St, Ste 229, Brooklyn, NY 11206 http://www.cascine.us nick@cascine.us
Bardo Pond ADROP / CIRCUIT VIII LP-TLR-130LE | LP-TLR-130 Street Date: February 21, 2019
Format: Indie Only Silver Vinyl 2xLP (with download) UPC: 711574898015
Where do you start with Bardo Pond? Ever since their first release in 1992, these Philadelphia stalwarts have continually amazed all comers with not only their songcraft and musicianship, but also with their steadfast and singular artistic vision. Close to thirty years and sixty releases later the trip continues unabated, their one true goal of flawless musical unity with the galaxy pressing ever forward. Not only have they outlasted many of their peers – and labels – with this pursuit, but their quest has created hyperdevoted fanbase but also a pool of folks sympathetic to Bardo Pond’s cause but a little intimidated of their deep catalog and unsure of just exactly where they are supposed to start. For these folks on the fringes, Three Lobed Recordings steps forth to definitely answer that central Bardo Pond question: start with Adrop and Circuit VIII. These two multi-movement suites drill down to the exact Bardo essence, each displaying how the band’s longest-running lineup at a sustained creative peak could so easily hit all of the facets of their sound and experimentation in equal measure. That said, these two albums serve not only as starting points but also as reminders to the Bardo faithful of why they have ridden with the band for so long. As Gerard Cosloy points out within his essay contained in this newly remastered double LP release that places the complementary Adrop and Circuit VIII albums alongside one another, “to have ever viewed (Bardo Pond) thru the mere prism of “psychedelic” was myopic-to-the-max…” It is true as that is normally the phrase that is tossed around when it comes to discussing Bardo’s trajectory. Space rock? Hard rock? Art rock? God damned rock and roll? Hard to pin down avant garde experimentation? All of these elements – and psychedelia, naturally – play an essential role in the Bardo experience. The true beauty and where they separate themselves from the other denizens in the kosmiche sandbox is how all of these sounds mesh for them into one impossible to recreate whole. The structure and content of Adrop and Circuit VIII prove and re-prove this thesis in spades. Adrop makes up this release’s first LP and its suite format covers all manners of territory over its thirty-three minute running time. In almost equal measure the listener is enveloped in a droney opening movement whose hazy, guaze-y atmospherics phase in and out, a middle movement where the brothers Gibbons’ dueling guitars set out straight through the ionosphere with the band’s full might and propulsive fury behind them, and then concluding with a final phase of fingerpicked acoustic guitars augmented when needed by percussion and flute. Circuit VII takes almost the inverse tack as after a short drone introduction a close to ten minute long multitracked acoustic guitar workout. Those guitars dissolve into a highly spaced wash of electric guitars alongside flourishes and gurgles which slowly build into a towering Sabbath-worshipping sludge monolith. This fury eventually recedes a bit to allow Isobel Sollenberger to turn in an extended run before the track trails away in a roiling and textured electric guitar grind. Good luck finding a more out way to spend forty-four consecutive minutes. Adrop and Circuit VIII were originally released in 2006 and 2008 by Three Lobed Recordings as installments within two of the label’s formative limited edition CD subscription series. Subscribers quickly understood how these performances were special and stood as high water marks within the band’s catalog. That cherished position has remained and grown over time for those hip to the their existence. The barriers have been lifted and this newly assembled double LP makes things easy for old heads and new heads alike. Where do you start with Bardo Pond? Adrop / Circuit VIII is the answer.
Format: Black Vinyl 2xLP (with download) UPC: 711574897919
A. (i) Invisible Fire, (ii) The Rebis part 1 (15:39) B. (i) The Rebis part 2, (ii) Latona (18:12) C. Circuit VIII part 1 (21:30) D. Circuit VIII part 2 (20:46)
SALES POINTS - The vinyl debut of two fan favorite titles originally released in 2006 and 2008 as limited edition CDs. Bardo Pond fans tend to be hardcore catalog completists. - 140g black vinyl 2xLP housed within a gatefold cover bearing new essay by Gerard Cosloy (Matador Records) (with multi-format download). Silver vinyl 2xLP available in limited quantities to indie accounts. - “…a public safety hazard when played on a freeway drive…” Cameron MacDonald, Pitchfork - “…they move from bleary-eyed stoner drift to howling-guitar psychedelia, from seraphic harmonies to acoustic-slide tangents…” Grayson Haver Currin, Pitchfork - “Philadelphia’s Bardo Pond have been an underground fixture for so long that it can become easy to overlook them… it is a comfort to take the time to idle in their enveloping glow.” Matthew Murphy, Pitchfork - RIYL: Psych rock, heavy rock, Spacemen 3, Mogwai, Godspeed You! Black Emperor, Dinosaur Jr., Sunburned Hand of the Man, self improvement, introspection.
Three Lobed Recordings PO Box 2345 Jamestown, NC 27282 www.threelobed.com
Distributed by Redeye / 505 Eno Street / Hillsborough, NC 27277 / stephen@redeyeworldwide.com / (877) 733-3931 ext 249
Wrekmeister Harmonies We Love To Look at the Carnage
CD BOX LOT CD 50
Thrill - 510
790377-A51025
LP BOX LOT LP 25 Vinyl is non-returnable
790377-A51018
Blood Orange Color LP BOX LOT LP 25 Vinyl is non-returnable
790377-510119
LISTEN HERE We Love to Look at the Carnage the 5th album by Brooklyn’s Wrekmeister Harmonies, J.R. Robinson, and Esther Shaw, features frequent collaborator Thor Harris (Swans, Shearwater) percussion and Jamie Stewart (Xiu Xiu) electronics. The album was tracked in a cabin in the woods and mixed with Martin Bisi (Sonic Youth, Swans) at his BC Studios. Wrekmeister Harmonies, known for their large ensemble performances and intense recordings, create immense tension with spare arrangements and instrumentation. We Love to Look at the Carnage charts a restless journey beginning in the middle of the night and ending in the wee hours of the morning. Robinson’s brooding lyrics grapple with phantoms both real and imagined, apparitions amplified by the feverish anxiety of insomnia. Shaw’s ethereal vocals dueling with Robinsons baritone create a delicious tension. Her stellar keyboard and violin work are on full display providing moments of calm. In keeping with the album’s stark lyrical content, much of We Love to Look at the Carnage was written in relative isolation. During the deep freeze of the New York winter, the duo decamped from their home in Brooklyn to a cabin in Woodstock. Wrekmeisters music has always drawn heavily on literature, this one is no exception. Influenced by Marcus Aurelius’ Meditations, they find strength in stoicism. He explains: “hanging a more positive frame on the circumstances through the practice of negative visualization, …. things could always be worse”. We Love to Look at the Carnage, traverses an emotional landscape, through a metaphorical night with moments of calm between the dark storms. It is a celebration of the beauty of endurance, the hope in stoically moving against the dark forces that invade our thoughts and lives. The spare instrumentation a potent reflection of the isolation of the insomniac.
ALSO AVAILABLE : The Alone Rush CD/LP (Thrill 458) Light Falls CD/LP (Thrill 421) Night of Your Ascension CD/LP (Thrill 403) Then It All Came Down CD (Thrill 360) You’ve Always Meant So Much To Me LP (Thrill 339)
Follow Wrekmeister Harmonies: Chicago / London Ph : 312.492.9634 sales@thrilljockey.com
GENRE : Rock / Experimental FILE UNDER : “W” Wrekmeister RELEASE DATE : Feb. 21, 2020 NO EXPORT (JAPAN, S. AMERICA EXPORT OK) TRACK LISTING: 1. Midnight To Six 2. Still Life With Prick Cancer 3. Coyotes of Central Park 4. The Rat Catcher 5. Immolation
SALES POINTS Features Thor Harris (Swans & Shearwater) and Jamie Stewart (Xiu Xiu) Recorded with Martin Bisi (whose worked with Sonic Youth, Boredoms, Swans) at the BC Studios Comes in limited-edition blood orange vinyl housed in full color inner sleeve and jacket featuring art by Esther Shaw European tour currently planned for Spring 2020, US dates to follow For fans of Godspeed, Dirty Three, Chelsea Wolfe, Emma Ruth Rundle, Marissa Nadler “...an immensely rewarding listen that takes both his band—and the hybrid genre he’s helping invent—to new heights.” - Pitchfork “A kind of grisly immersion therapy.” - Invisible Oranges “While Wrekmeister share a lot - in terms of worldview and sonic tricks - with more funeral doom bands, they approach their exploration of the nooks and crannies of human despair with far more nuance. Instead of bludgeoning with a single, overwhelming wave of misery, Light Falls drags the listener through a long, slow journey that allows them to really appreciate the fine, grim details.” - 8/10, Decibel Magazine
@thrilljockey
Sightless Pit Grave of a Dog Thrill - 517
CD BOX LOT CD 50
79037H-A51728
LP BOX LOT LP 25 Vinyl is non-returnable
79037H-A51711
Translucent Pink Color LP BOX LOT LP 25 Vinyl is non-returnable
790377-517118
GENRE : Industrial FILE UNDER : “S“ Sightless RELEASE DATE : Feb. 21, 2020 NO EXPORT (JAPAN, S. AMERICA EXPORT OK)
LISTEN HERE
TRACK LISTING:
Sightless Pit may be a new name in heavy music, however its members are anything but, some of the most groundbreaking artist of the genre. Lee Buford (The Body), Kristin Hayter (Lingua Ignota) and Dylan Walker (Full of Hell) recorded their debut Grave of a Dog at Machines with Magnets with Seth Manchester (The Body, Lightning Bolt). Fans will recognize immediately Buford’s singular percussion and production, Walker’s venomous howl and Hayter’s virtuosic voice. The three share a bleak vision of existence and a willingness to follow each other into the musical abyss. The album recording process was extensive and intentional. Stretching over the course of two years, recording sessions by individual members shaped songs and continued to shape and inspire the next session be it by an individual or a pair. Walker describes the album’s core themes as being “about the anonymity of struggle, the darkness of a lifetime wasted warring against nature, god and everything else, only to be defeated... nothing... the end.” Throughout the album, Sightless Pit embody those struggles through building oceans of tension. A diversity of instruments and arrangements subvert expectations at every turn and bring new depth to each passage with the band utilizing samples of contra bassoon and Rufai mystic rituals while doing away with guitar entirely. Sightless Pit is a group of expansive ideas, extensive experience working together and shared vision. Over the course of the eight tracks, the trio reflect the extremes and emotional weight of their world view through elegiac dirges, driving beats, explosive crescendos. Together, three strong voices unite to create a work of remarkable clarity of expression of enormous sorrow, futility and most of all, beauty. ALSO AVAILABLE : Remixed CD/2xLP (Thrill 506) I Have Fought Against... CD/2xLP (Thrill 460) Ascending a Mountain... CD/LP (Thrill 447)
Chicago / London Ph : 312.492.9634 sales@thrilljockey.com
1. Kingscorpse 2. Immersion Dispersal 3. The Ocean of Mercy 4. Violent Rain 5. Drunk On Marrow
6. Miles Of Chain 7. Whom The Devil Long 8. Sought To Strangle 9. Love Is Dead, All Love Is Dead
SALES POINTS Sightless Pit may be a new band, but all three members are longtime fan favorites from groups that are pushing the limits. Composed of Lee Buford (The Body), Kristin Hayter (Lingua Ignota), and Dylan Walker (Full of Hell), with additional vocals by Ben Eberle (Sandworm) Comes in limited-edition translucent pink Artists have 70k combined followers on Instagram and 100k together on Facebook Between their respective bands there is 125K monthly listeners on Spotify Full of Hell & Lingua Ignota named as Roadburn’s Artist in Residence “Some of the most captivating heavy music around right now.” - Rolling Stone on The Body “A wild experiment that somehow works” -Decibel Magazine on Lingua Ignota’s Caligula, their #2 ranked album of 2019 “Grindcore, hardcore, and death metal meet within their music to produce something feral and unknowable... There’s just something about them, a reason that they’ve been met with such acclaim and fervent fandom.” -Pitchfork on Full of Hell
@thrilljockey
Lightning Bolt Ride The Skies Thrill - 499 LP BOX LOT LP
25
Baby Blue Sky Color LP BOX LOT LP 25 Vinyl is non-returnable
79037H-AE9916 790377-499117
GENRE : Metal FILE UNDER : “L” for Lightning Bolt RELEASE DATE : Feb. 21, 2020 NO EXPORT (JAPAN, S. AMERICA EXPORT OK)
LISTEN HERE
TRACK LISTING:
Ride the Skies is the 2nd album by Lightning Bolt, and this re-release makes it available to fans for the first time since it’s original release. Compared to their first album it’s cleaner, tighter, recorded in studio rather than live. Which is not to say this is boring or sanitized in any way, Lightning Bolt never fail to make magic, filling a space with loud, raw sound. Sounds of synth or guitar turn out to be bass, and riffs become patterns, become a beat in the background, become a wall of noise, become a clear sound above it all. Lightning Bolt are known for the sound that truly comes into it’s own in this album. Outside of their 7 acclaimed albums, they’re known for frequent & exhilirating live shows, and this reputation has created a market for their older titles. Ride the Skies is rereleased with deluxe packaging featuring jacket art that was designed by Brian Chippendale for the original release but has never been realized until now. Recent Thrill Jockey Lightning Bolt re-releases seem to move as quickly as the Brians playing live, as old and new fans jump at the rare opportunity to finally get an old favorite in a shiny new jacket. “on Ride the Skies, Gibson makes his bass do things ... resulting in some of the most distinctive tones ever to be produced from the instrument. Brian Chippendale... rounds off the dynamic duo of Brians that is Lightning Bolt. With a style that’s similarly frantic, though decidedly more conventional than his fellow Brian, Chippendale completes the musical package nicely, intensifying the furious energy that makes Ride the Skies so fucking awesome.“ -Pitchfork
ALSO AVAILABLE : Lightning Bolt 2xLP (Thrill 498) Sonic Citadel CD/2xLP (Thrill 505) Wonderful Rainbow LP (Thrill 501) Fantasy Empire CD/2xLP (Thrill 380)
1. Forcefield 2. St. Jacques 3. 13 Monsters 4. Ride The Sky
5. The Faire Folk 6. Into The Mist 2 7. Wee Ones Parade 8. Rotator
SALES POINTS Available for the first time new since its original release 20 years ago. Never before seen jacket art, wrapped in a 3-panel 2-sided printed wrap with full art as initially conceived by Lightning Bolt and created by Brian Chippendale. All 2019 Lightning Bolt releases sold out of mail-order limited-edition color vinyl before their release date. Lightning Bolt’s most recent music video, “Blow To The Head” was illustrated by Caleb Wood and garnered over 75k views across Vimeo and YouTube in the month after premiered nationally on Adult Swim. Lightning Bolt will be touring Europe & the US starting late 2019 and continuing thru 2020. Lightning Bolt’s Sonic Citadel charted in Billboard (#22 hard rock & #23 Heat seakers) in 2019 “Listening is akin to the scene in The Wizard Of Oz where a sepia tone gives way to Technicolor; it opens up new vistas to the sound, while giving the band an opportunity to exhibit more involved musicianship. It’s less a blur and more a detailed map of planned aggression.” - NPR _____________________________
COMING SOON: Hypermagic Mountain 2xLP (Thrill 502)
Follow Artist Name Chicago / London Ph : 312.492.9634 sales@thrilljockey.com
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The Groundhogs - Thank Christ for the Bomb Fire Records CD
FIRECD507 809236150721 Celebrating its 50th Anniversary, ‘Thank Christ For The Bomb’ is released with bonus tracks on CD. A hugely influential album cited as the embryo for punk, grunge and beyond. Featuring epic 1970 concepts from this far reaching trio much praised by Underworld’s Karl Hyde, Captain Sensible, Stephen Malkmus and a host of others. ‘Thank Christ For The Bomb’ is a visionary tale of cold war fear, alienation and everyday drama. “This is a masterpiece!” New Musical Express. A thinking man’s rumination on alienation, the album is a game of two halves; side one tackling the thermo nuclear threat while side two traces riches to rags alienation in everyday London. Also featuring Radio 1 sessions and live versions of key tracks including a lengthy take of ‘Soldier’ recorded for the BBC’s In Concert series. 1 Strange Town 2 Darkness Is No Friend 3 Soldier 4 Thank Christ for the Bomb Side 5 Ship On The Ocean 6 Garden 7 Status People 8 Rich Man, Poor Man 9 Eccentric Man 10 Garden (Radio 1 sessions) 11 Eccentric Man (Radio 1 sessions) 12 Garden (Live At Leeds) 13 Eccentric Man (Live At Leeds) 14 Soldier (Radio 1 Sessions)
Las Cobras – Selva Fuzz Club LP
FC126V12
5060467885690
Emerging out of the small Uruguayan city of Canelones, in 2017 a new band named Las Cobras released their debut recordings – a 9-track album called ‘Temporal’ – and instantly became a name on the tongues of those tapped into the trans-Atlantic psychedelic underground. A couple of years on and the duo comprised of Leandro Rebellato and Sofía Aguerre are now gearing up to release their highly-anticipated sophomore album ‘Selva’ (translating from Spanish to ‘Jungle’.) On their debut Las Cobras magnificently fused together a cocktail of proto-punk and murky shoegaze with traces of afrobeat and Tropicalia, but throughout ‘Selva’ the band can be found taking all of those elements and cranking them up to 11
1 Voices, 2 Down Low, 3 Misterio, 4 Evil In Your Eyes, 5 La Hocemos Mal, 6 Ida, 7 Llamaras Mi Nombre, 8 Selva, 9 The Color Of Dawn
www.redeyeworldwide.com
stephen@redeyeworldwide.com
MHYSA ~ NEVAEH Catalogue Number Street Date Format U PC Box Lot
: : : : :
LP-HDB-047 02/21/2020 LP 5055869592819 25
Mhysa, the newest addition to the Hyperdub roster, is ‘a popstar for the cyber resistance’ hailing from Maryland via New York. ‘Nevaeh’ is lo-fi R&B with a bedroom feel and challenging lyricism focussed on identity and black experience for the online generation. She started ‘Nevaeh’ in late 2017, shortly after the release of debut album ‘Fantasii’, recording at home with some input from Lawd Knows, a frequent collaborator on her Scraaatch project. It is Mhysa’s intimate reflection on the black femme experience from multiple vantage points : sex and sexuality, self-love and self-discovery, black empowerment and lineage, and pleasure or the lack of it. She describes the album as “a prayer for Black women and femmes to be taken to or find a new and better world away from the apocalypse ... a safe space, a sort of negro heaven.” ‘Nevaeh’ is deeply personal but easily relatable, its intimacy heightened by scattered acapella moments and interludes referencing black pop culture, where Mhysa’s delicate voice is laid bare, while other tracks reprise the melancholic R&B her mother raised her on, updated through a queer lens. Conversely, several of the album’s tunes have found space in Kode9’s club sets over the last year, like the mischievous ‘Sanaa Lathan’ and skeletal ‘w_me’. Of this record’s progression from the last, Mhysa sought “to be more vulnerable and experiment with vocal range…to write more complicated vocal melodies that would be harder to do”, with her production now experimenting with new techniques, and (often self-taught) live instrumentation, as is her family tradition.
A1. Opening Skit A2. Float A3. before the world ends A4. na na drift A5. when the saints (Interlude) A6. sad slutty baby wants more for the world A7. ropeburn A8. w_me Interlude A9. w_me B1. no freedom B2. breaker of chains B3. Sanaa Lathan B4. honey, sweetie, baby B5. bbygurl B6. brand nu B7. BELIEVE Interlude B8. no weapon formed against you shall prosper B9. when the saints (reprise)
www.hyperdub.net
Och – II
Rocket Recordings LP LAUNCH180 Fluorescent Yellow/Black Splatter 5055869572293
‘Och’ - Swedish for ‘and’ - are poised to release their first album for Rocket Recordings. This trio - of whom little is known other than a kinship to their labelmates Flowers Must Die - have created eight exploratory journeys in which the listener can plot out a psychic course that traverses the likes of the meditative trancestates of vintage Popol Vuh, the chemically-altered mania of Guru Guru. synthdriven propulsion akin to French iconoclasts Heldon and Lard Free, and naturally the bucolic raptures of the band’s erstwhile national forebears such as Trad Gras Och Stenar and Älgarnas Trädgård, not to mention more recent exponents of the same lineage such as Hills and Dungen, Yet the entire vision the band conveys on this delirious travelogue is both timeless and paradoxically fresh. Just as their name invokes an ampersand, so this record is no less than a gateway who knows where; proof positive that audial dimensions beyond the everyday - at the hands of Och - are as accessible in 2020 as ever they were, not to mention still more potent. 01. Jag är här, jag är här 02. Baum Baur 03. Åkkså 04. Den såmm bor i Tarim 05. Färgen ur rymden 06. Pelennor's fält 07. Nu:64 08. Pandemi på Händelö
JOHNNY’S UNCALLED FOUR P L E A S E S AY
b/w
DAY D R E A M
B oy d o we h a ve a t r e a t f o r yo u ! Ava i l a b l e f o r t h e f i r s t t i m e o n v i ny l i n 5 5 ye a r s , we h a ve t wo s o u g h t a f t e r s i d e s f r o m l e g e n d a r y O h i o t e e n c o m b o , J o h n ny ' s U n c a l l e d F o u r. T h e A s i d e , " P l e a s e S a y " , wa s o r i g i n a l l y r e l e a s e d v i a a s c a r e p r e s s i n g o n t h e g r o u p s ' ow n " M a g i c L a b e l " a n d h a s s i n c e b e e n r e i s s u e d o n s eve r a l C D c o m p i l a t i o n s ( P s yc h e d e l i c S t a t e s , Te e n a g e Re b e l l i o n t o n a m e a f ew ) . T h e t r a c k wa s r e c o r d e d a t t h e i n f a m o u s G a t ewa y Re c o r d i n g s i n P i t t s b u r g h , a n d p e n n e d by s i n g e r, J o h n G o l d e n - a n d i f t h e n a m e s o u n d s f a m i l i a r t h a t ' s b e c a u s e i t i s t h e e J o h n G o l d e n o f G o l d e n M a s t e r i n g f a m e . T h e t r a c k i s a m o o d y, a n g s t r i d d e n s l i c e o f t e e n r o c k t h a t wa s a h e a d o f t h e c u r ve w i t h r e g a r d s t o t h e p r ove r b i a l g a r a g e r o c k ex p l o s i o n o f 19 6 6 .
The B side, "Daydream", originally
r e l e a s e d a s t h e B - S i d e t o t h e i r i n s a n e l y r a r e d e b u t s i n g l e o n t h e o b s c u r e WA M r e c o r d s l a b e l ( Yo u n g s t ow n , O H ) , i s a s u b l i m e i n s t r u m e n t a l b a l l a d w h o s e b r e e z y f e e l a n d g o r g e o u s g u i t a r m e l o d y w i l l t a ke yo u r m i n d b a c k t o t h e c a r e f r e e s u m m e r s o f a d o l e s c e n c e . I n a t i m e w h e n eve r y g a r a g e i n t h e c o u n t r y h a d s o m e k i n d o f r a c ke t b l a r i n g o u t o f i t , J o h n ny ' s U n c a l l e d F o u r we r e o n e o f t h e f ew g r o u p s w h o s e u n d e n i a b l e c r a f t e l eva t e d t h e m b eyo n d t h e c e m e n t c o n f i n e s o f t h e i r s u b u r b a n h o m e , a n d i n t o t h e ye a r 2 0 2 0 f o r a w h o l e n ew g e n e r a t i o n o f r a b i d r o c k n r o l l f a n s t o d evo u r. A m u s t f o r f a n s o f N u g g e t s , B a c k F r o m t h e G r a ve , Pe b b l e s , Te e n a g e S h u t d ow n , e t a l . G e t i t n ow !
A R T I S T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . J O H N N Y ’ S U N C A L L E D F O U R T I T L E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P L E A S E S AY b / w D AY D R E A M LABEL....................................................................................WICK C ATA L O G N O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W C K - 1 0 1 0 R E L E A S E D AT E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F E B R U A RY 2 1 , 2 0 2 0 F O R M AT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 5 R P M 7 ” V I N Y L O N LY B O X L O T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 5 NO EXPORT
DAPTONE RECORDS 115 Troutman S t., Brookl yn, NY 11206 • phone 718 366 3849 • dap t onerecords.com
HAUSU MOUNTAIN
Doug & Max HausuMountain @gmail.com 847-220-1755
Providence-based producer and hardware beat kingpin Davey Harms has been grafting the textures and intensity of noise onto technoid rhythmic grids since the mid 00s, before “mutant techno” was a common placeholder for this style. As that wave crested and many of its practitioners lurched off in other directions, Harms continues to fine-tune his practice and do what he does best: incite head-banging mosh pits in the club, or inject a bit of the club, however bonkers his vision of it may be, into the basement noise gig. His output under the monikers Mincemeat or Tenspeed, World War, and his given name always keeps us guessing, this time manifesting as an album credited to Davey Harms with the title of World War. The album caps off a loose trilogy of releases on Hausu Mountain, with Soundsystem as World War (HAUSMO64, 2017) and Cables as Davey Harms (HAUSMO41, 2016). World War offers one of Harms’s most coherent and precisely dialed-in programs to date, as his production tactics expand to include a wider arsenal of percussion tones and dynamic narrative arcs within the space of any single track. Harms excels in a state of constant forward motion, his beats compounding and complicating without ever losing their jagged groove and searing in-the-red intensity. Flecked with neck-jerking beatdrop moments and passages of abstracted electronic grit, his sessions gather mass and Artist: Davey Harms layers of complementary rhythm as they streak through time. Album: World War The composite effect evokes the forward momentum of a giant metal machine barreling down an empty highway, or the Label: Hausu Mountain augmented body of the Six Million Dollar Man leaping over Cat#: HAUSMO102 a wall as his limbs swing in heavily traced delay trails. World Formats: Cassette 6 34457 00930 1 War gives off heavy Robocop vibes, but only if Robocop could Release Date: 02/21/20 (click album art to stream) smile, dance, and have a good time with his friends instead of, RIYL: Pharmakon, Dan Friel, Container, Chris & Cosey, you know, fighting an evil corporation and avenging his family. Bonnie Baxter, Dreamcrusher, Alberich, Emptyset, Davey Harms’s trademark hardware thump renders his sessions Demdike Stare, Wolf Eyes, Helena Hauff. in bone-crushing detail, as contrasting levels of distortion and C30 - Yellow tape with black imprints. Pro-dubbed clarity compete for real estate in the mix. While much of his past at AtoZ audio. Artwork by Aaron De Muth. music could be characterized as a squall of feedback and static “...reshaping techno through the murky lens of noise noise, World War deploys distortion in a more tactical fashion, as of his home state of Rhode Island. Having released one particular texture within a palette of various fidelities and several EPs, LPs and tapes under the Mincemeat Or intensities. On a bar-by-bar basis Davey Harms populates his Tenspeed moniker, Harms’s newer productions under tracks with enough abstracted electronic voices and hard-swung, his own name pick up where ex-Yellow Swan Pete syncopated drum patterns to keep his beat structures continuSwanson’s Punk Authority and fellow Rhode Islander ally evolving. Lead synth elements jitter back and forth between Ren Schofield’s Container project left off. There’s a barely tonal note centers and sketch out some semblance of succinct sense of exploration... a stuttering acid house melody, while pitched drums burst though the mix in maniacal groove buried in a haze of rushing static that gets in- cycles of activity. Rhythmic phrases that might constitute an encreasingly carved into a sidechained beat as hi-hats tire track’s focus in other hands appear here for only a few secand kick drums threaten to burst the speakers.” - Wire onds before getting reshuffled and reconfigured into new forms. While this production style caters to the attention deficit, Davey “...a mangled, blown-out dancehall rhythm, with buck- Harms never seems like he’s spazzing out beyond the point of ets of heavy, crashing echo. It’s heavily disorienting, no return. His sense of songcraft and narrative development but it’s clearly more fun than it is menacing.” unites the fast turnaround of the ideas in each of his tracks into - AllMusic a roadmap for listeners to follow, complete with onset after onset “Harms’ beats hammer away as gritty fuzz piles up around them, and he’s obsessed with grinding a of new pleasures and obstacles. single rhythm into your skull like a trepanner’s drill, Even when his grids form over until it produces the kind of epiphanies intended by more legible tones, Davey Harms mantras. In other words, it sounds like Harms is DJing maintains a deep-seated commitment to ego obliteration and for a dancefloor in his head, with the bouncing the transportive power of bodybodies replaced by firing neurons.” - Pitchfork shaking beat music, conveyed in “...clotted jackhammer noise and repetitive sirens the cyclical arcs and zany tonal hammering at your skull.” - Chicago Reader palettes that animate his music.
NEW RELEASES Street Date: 2.28.20 | Order Date: 2.07.20
OVERVIEW Over the last decade, Real Estate have crafted warm yet meticulous, pop-minded music, specializing in soaring melodies that are sentimentally evocative and unmistakably their own. While 2017’s In Mind longed for normalcy against the backdrop of a life as strange as a touring musician’s. The Main Thing brings that longing to a universal and urgent place, acknowledging the anxieties inherent in protecting a quiet existence. What emerges is a superlative collection of interrogative songs as full of depth, strangeness and contradictions as they are lifting hooks.
TRACKLISTING 1. Friday 2. Paper Cup (feat. Sylvan Esso) 3. Gone 4. You 5. November 6. Falling Down 7. Also A But 8. The Main Thing 9. Shallow Sun 10. Sting 11. Silent World 12. Procession 13. Brother CATALOG NUMBER: WIG426 RELEASE DATE: February 28, 2020 FILE UNDER: Alternative “R” CD Boxlot: 30 / UPC: 887828042623
“I’ve got this family, and I feel this responsibility to gild this crazy world,” says guitarist, singer and primary songwriter Martin Courtney. The record’s most sentimental moments, then, are crystallized home movie flashes directed at Courtney’s children. “I can’t imagine what will be / in your earliest memories,” he sings on “You.” These mentions are set against darker realities; on “A Silent World,” he pleads, “Can’t let you wander off / Out in this wicked world.” Then there’s guitarist Julian Lynch’s first authored song for the band, “Also A But,” in which disembodied vocals intone “a poison bloom” and “mushroom cloud” apocalypse, set against sci-fi synths, unresolved guitars and propulsive drums. Instead of exploiting the juxtapositions between these opposing emotional modes, Real Estate embraces cohabiting contradictions. “It didn’t feel dark to me,” Courtney clarifies. “To me, it’s the normal stuff.” This duality is built into the arrangements themselves, interlocking emotionally with the nuance of the lyrics. “Gone,” about casting out toxic phantoms of the past, sets ominous descending strums against dirge-y drum machine before clearing the air with a lilting guitar lead. “Procession,” hallmarked by a bright, two-note motif set under shifting chords and beats, pits hometown pining against generational complacency. The effect is like gazing through a rearview mirror masked by fog, a sentimentalism so obfuscated you’re forced to look forward instead. “We create our own nostalgia. I’m constantly moving so I have more to reflect on,” explains Courtney. “If you look at the first record, it was a wistful feeling we wanted to explore. As we get older, the complexity has become more obvious,” adds bassist and singer Alex Bleeker. That’s paralleled in the album artwork itself; the band enlisted Bjorn Copeland of Black Dice, whose visual work focuses on recycling byproducts of consumer excess, to mimic the layout of Days. Bleeker describes their intention as “the understated Real Estate layout run through Bjorn’s pedalboard.” The effect is uncanny, reflective of this record’s astute self-awareness. A working title for Real Estate’s fifth album was Special Album. Instead, they settled on The Main Thing. In part, it’s a reference to the Roxy Music song: “Even before we decided where to record or who to record it with, I knew it needed to sound that good,” enthuses Courtney. “Which is an impossible goalpost, and a good thing.” But the “main thing” has another meaning for the group: a declaration of music making’s centrality to their own senses of self. “We discovered through the care and attention that we brought to this record that making music to resonate with other people is our catharsis,” says Bleeker. “The ‘main thing’ is following your path of inspiration, and hoping to inspire that in people around you. Hopefully the album itself will re-affirm peoples’ commitments to themselves and to each other, as it did for us.” Classic Real Estate reference points are still here – Yo La Tengo, Felt, Steely Dan – but they’re refined into hazier grooves, expanded into extraterrestrial sonic layers, deepened into slow-rolling phases. You can’t hit an impossible goalpost, but you can come close. Pouring all their hopes, dread, excitement, love and labor into these pristine arrangements, Real Estate made The Main Thing a special album indeed.
DOUBLE LP w/ DOWNLOAD Boxlot: 20 / UPC: 887828042616
SELLING POINTS Vinyl is non-returnable
INDIE EXCLUSIVE LP w/ DOWNLOAD Boxlot: 20 /UPC: 887828042630 Vinyl is non-returnable
• The band’s catalog has scanned 200k+ units in the US. Each studio album on Domino 2011’s Days , 2014’s Atlas, and 2017's In Mind has scanned more than 160k+ album sales in the US, almost 50% physical. • Publicity campaign by Shore Fire Media (Bon Iver, St. Vincent, Bruce Springsteen). Previous album campaign highlights include TV performances on Conan, CBS Saturday Morning, and Letterman.
• Triple A & non-commercial radio campaign for "Paper Cup (feat. Sylvan Esso)" leading into release. Previous singles from 2017's In Mind charted top 20 in Mediabase Triple A charts. • Deluxe LP is a limited edition tip-on gatefold LP jacket with a centrally mounted square illustration on the cover, printed inner sleeves, and black 2xLP vinyl. Standard LP is a standard gatefold LP jacket, printed inner sleeves, and black 2xLP vinyl.
TOUR DATES
DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com
04-09 Detroit, MI - El Club 04-10 Chicago, IL - Thalia Hall 04-11 Minneapolis, MN - First Avenue 04-13 Omaha, NE - Slowdown 04-14 Kansas City, MO - The Truman 04-15 St. Louis, MO - The Ready Room 04-16 Indianapolis, IN - The Vogue 04-17 Nashville, TN - Brooklyn Bowl 04-18 Atlanta, GA - Variety Playhouse 04-20 Chapel Hill, NC - Cat’s Cradle 04-21 Washington, DC - 9:30 Club 04-22 Philadelphia, PA - Union Transfer
04-23 Boston, MA - Royale 05-07 Oakland, CA - Fox Theater 05-08 Los Angeles, CA - Fonda 05-09 San Diego, CA - Belly Up 05-10 Phoenix, AZ - Crescent Ballroom 05-12 Dallas, TX - The Granada Theatre 05-13 Austin, TX - Stubb’s 05-14 Houston, TX - White Oak Music Hall 05-18 Denver, CO - Gothic Theatre 05-19 Salt Lake City, UT - Urban Lounge 05-21 Seattle, WA - Neptune Hall 05-22 Portland, OR - Revolution Hall
BIG GIGANTIC FREE YOUR MIND
Release Date: February 28, 2020 Big Gigantic release their first full-length with Counter Records. Available on 2LP and CD. Free Your Mind is about living as the best version of yourself. Showing up fully for yourself and for those you love. Getting clear about what you want and working towards it. Being grateful for all you’ve been given and using that gratitude to spread positivity. Big Gigantic have enlisted a group of featured artists for the album, including Ashe, Louis Futon, The Funk Hunters, Pell, TOBi, Pell, Nevve and Jennifer Hartswick. The band will be doing a full 3D immersive tour in 2020, with stops in Austin, Detroit, DC, Atlanta, New Orleans and more. They will also bring their annual Rowdytown festival to The Shrine in Los Angeles, The Greek Theatre in Berkeley and The Brooklyn Mirage.
CAT NO: COUNT188 UPC: 5054429137989 Box Lot: 15
￫ 2LP 140g colored vinyl ￫ 6mm spine ￫ 12” gatefold ￫ Printed inner sleeves
CAT NO: COUNTCD188 UPC: 5054429137996 Box Lot: 35
￫ Remus spine ￫ Gatefold sleeve ￫ On-body printing
SIDE A 1. Daybreak 2. Let The Speakers Blow 3. Free Your Mind (Feat. Jennifer Hartswick) 4. Burning Love (Feat. Kidepo) SIDE B 1. St. Lucia (Feat. Felly) 2. Higher (Feat. The Funk Hunters) 3. Friends (Feat. Ashe) SIDE C 1. Where I Wanna Be 2. You're The One (Feat. Nevve) 3. Supergiant (Feat. TOBi) SIDE D 1. Baad (Feat. Pell & Louis Futon) 2. Moonlight (Feat. Trella) 3. Ain't Got Nothin' (Feat. Lyle Divinsky)
naretail@ninjatune.net ninjatune.net
SELLING POINTS • All-Female Band The Donnas Famously Formed in 8th Grade to Play a School Talent Show • They Adopted the Name The Donnas as a Backhanded Ramones Homage, with All Four Members Taking the First Name of Donna as Opposed to the Last Name of Ramone • Early Donnas Recordings Consisted of Gleefully Unapologetic, Pop-Punk Paeans to Adolescent Alienation and Hedonism from a Decidedly Female Perspective • But the 2004 Release Gold Medal, Their Sixth Album Overall and Second for the Atlantic Label, Took Them in a Different Direction • Produced by Avril Lavigne Producer Butch Walker • The Supercharged Album Single “Fall Behind Me” Was a Throwback to Their Earlier Sound • But the Rest of the Record Veered Towards ‘70s Psychedelia, Even Employing Acoustic Guitars • Album Graphics Followed Suit, Featuring Peter Max-Like Squiggles and a Faux Black Light Poster • Gold Medal Is Cited by Lead Singer Brett Anderson a.k.a. Donna A. as Her Favorite, and Is Probably the Band’s Crowning Artistic Achievement • Real Gone Music’s Reissue Includes Reproductions of the Original Poster and Printed Inner Sleeve • Black and Gold Splatter Vinyl Edition
iBarcoder Trial
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gold medal (Limited Black & Gold Splatter Vinyl Edition) STREET DATE: FEBRUARY 28, 2020 Famously formed in 8th grade for a school
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UPC: 848064009610 FORMAT: Regular Weight Black and Gold Splatter Vinyl PACKAGING: LP Jacket with Printed Inner Sleeve and Poster LIMITED EDITION: 750 Copies BOX LOT: 30
SONGS
talent show, The Donnas began as a self-styled co-ed answer to The Ramones,
Side A
each taking the first name of Donna (as opposed to the last name of Ramone), and playing gleefully unapologetic, poppunk paeans to adolescent alienation
1. I Don’t Want to Know (If You Don’t Want Me) 2. Friends Like Mine 3. Don’t Break Me Down
and hedonism from a decidedly female
4. Fall Behind Me
perspective. But by the time of 2004’s
5. Is That All You’ve Got
Gold Medal, their sixth album and second for the major label Atlantic, the group has clearly—dare we say it?--matured. With the notable exception of the single (and career highlight) “Fall Behind Me,” Gold Medal marks a move away from the Donnas’ harder/faster ethos towards a more polished
for Me Side B 1. It’s So Hard 2. The Gold Medal 3. Out of My Hands
(acoustic guitars…whaaat?) pop sound veering towards ‘70s psychedelia
4. It Takes One to Know One
under the helm of Avril Lavigne producer Butch Walker. And you can tell it
5. Revolver
from the album’s graphics, which flash vintage, Peter Max-esque squiggles on the front cover and feature a faux black light poster inside (which we have reproduced for this reissue along with the original printed inner sleeve). The result was an album that lead vocalist Brett Anderson a.k.a Donna A. deems her favorite, and one that stands as probably the band’s crowning artistic achievement. Our reissue comes in black and gold splatter vinyl, and is limited to 750 copies…an overlooked early-oughties gem!
• Limited to 750 Copies
"
The Donnas
6. Have You No Pride
• The Release of The Giant Is Awakened in 1969 on the Flying Dutchman Label Did Indeed Herald the Arrival of a Giant in West Coast Jazz • Pianist/Composer/Bandleader Horace Tapscott Went On to Form the Pan Afrikan Peoples Arkestra, or P.A.P.A., Its Name a Homage to Tapscott’s Like-Minded Predecessor and Peer, Sun Ra • P.A.P.A. in Turn Became Part of a Larger Umbrella Arts Organization, Union of God’s Musicians and Artists Ascension (UGMAA), Which Enlisted Musicians, Singers, and Poets to Celebrate African-American Music
Horace Tapscott Quintet: The Giant Is Awakened (Limited Neon Green Vinyl Edition) STREET DATE: FEBRUARY 28, 2020 The title of Horace Tapscott’s debut release is
SONGS
apt, if not self-referential, for indeed a giant of West Coast jazz had awakened with this, the
Side One
• Under Tapscott’s Leadership, UGMAA Fostered the Careers of Such Notable Jazz Musicians as Arthur Blythe, David Murray, Butch Morris, Wilber Morris, Jimmy Woods, Nate Morgan, and Sinclair Greenwell, Jr. (a.k.a. Guido Sinclair)
pianist/composer/bandleader’s 1969 album
• Arthur Blythe Appears on The Giant Is Awakened Billed as Black Arthur Blythe
name is an homage to Tapscott’s predecessor
• Fellow UGMAA Member, Writer Stanley Crouch, Contributes Liner Notes
part of a larger umbrella organization, Union of God’s Musicians and Artists
on to form two groups crucial to the flowering of modern jazz in the Los Angeles area, the Pan Afrikan Peoples Arkestra (or P.A.P.A.; the
Side Two 1. The Dark Tree 2. Niger’s Theme
and peer, Sun Ra), which eventually became Flying Dutchman Records p 1969 Flying Dutchman Records, Licensed from Ace Records, Ltd.
Ascension (UGMAA). Out of UGMAA came a host of LA-bred musicians, singers, and poets, including Arthur Blythe (who goes by Black Arthur Blythe on this recording),
ENGINEER: EDDIE BRACKLETT COVER & LINER PHOTOGRAPHS: IRV GLASER DESIGN: ROBERT FLYNN
Stanley Crouch (who wrote the original liner notes), David Murray, Butch Morris, Wilber Produced by BOB THIELE
Morris, Jimmy Woods, Nate Morgan, and Sinclair Greenwell, Jr. (a.k.a. Guido Sinclair).
HORACE TAPSCOTT: piano BLACK ARTHUR BLYTHE: alto sax DAVID BRYANT: bass WALTER SAVAGE: bass EVERETT BROWN: drums
And anchoring it all was Tapscott himself; as Kamasi Washington, whose vision of a RGM-1012
• Both P.A.P.A. and UGMAA Were Huge Influences on Kamasi Washington, Whose Vision of a Large, Los Angeles Community-Based Ensemble Owes a Lot to Tapscott
1. The Giant Is Awakened 2. For Fats
for the Flying Dutchman label. Tapscott went
THE GIANT IS AWAKENED FOR FATS THE DARK TREE NIGER’S THEME
SELLING POINTS
• Original Copies of The Giant Is Awakened Fetch Hundreds of Dollars
large, Los Angeles community-based ensemble echoes that of P.A.P.A. and UGMAA,
• First-Ever LP Reissue
in L.A., from both a purely musically and socially conscious perspective.” Now, Real
• Lacquers Cut from High Resolution Audio Sources • Neon Green Vinyl Pressing • Limited to 1000 Copies • Released to Honor Black History Month iBarcoder Trial "
!"#$! #%#%&
"
UPC: 848064010128 FORMAT: Regular Weight Neon Green Vinyl PACKAGING: Gatefold LP Jacket LIMITED EDITION: 1000 Copies BOX LOT: 30
HORTACE TAPSCOTT QUINTET - THE GIANT IS AWAKENED
Gone Music is proud to present the first-ever LP reissue of The Giant Is Awakened (original copies go for hundreds of dollars), taken from high-resolution audio sources and complete with original gatefold artwork. Neon green vinyl pressing limited to 1000 REAL GONE MUSIC
• Original Gatefold Album Art Featuring Crouch’s Notes
said in 2015: “Horace is one of the most important figures in the foundation of music
copies…a foundational document of West Coast modern jazz!
N E W
F R O M
S I G N A T U R E
S O U N D S
TAYLOR ASHTON
THE ROMANTIC On February 28, 2020, Canadian singersongwriter, Taylor Ashton will release his debut solo album The Romantic on Signature Sounds. Heralded for his “rich, compelling voice” (Exclaim! Magazine), Ashton released four albums of heady progressive folk with the Vancouverbased Fish & Bird before moving to New York City in 2015. For a solo debut, The Romantic is wonderfully collaborative and finds Ashton working with different players from song to song. Ashton writes, “The album is like a supernaturally good party - the musical conversation flows naturally, different people come and go who bring different energies but it keeps a consistent tone. Thematically, The Romantic is a document of Ashton’s identity as an expatriate Canadian living in the U.S., “processing change and loss and seeing the beautiful painful passage of time, from twelve different angles.” With his solo debut, Ashton brings his wide-ranging and richly textured folk-pop to a larger audience, appealing to an equally wide-range of fans from traditional old-time music to Harry Nilsson, Joni Mitchell, and Bill Withers.
TRACK LISTING 1. Feels Like Yesterday 2. Straight Back 3. Pretenders 4. Anyway 5. Fortnight 6. If You Can Hear Me 7. Nicole 8. Everybody Used To Be A Baby 9. The Curse 10. Fallen Down Tree 11. Speak in Tongues 12. Where You Belong
ARTIST: Taylor Ashton TITLE: The Romantic LABEL: Signature Sounds Recordings GENRE: Singer/Songwriter KEY NORTH AMERICA MARKETS: New York, Boston, Vancouver WILL APPEAL TO FANS OF: Iron & Wine, Sufjan Stevens, Harry Nillson
Signature Sounds Recordings
32 Masonic St. Northampton, MA 01060 USA Contact: Jared Libby - jared@signaturesounds.com
FORMATS AVAILABLE: CD, LP STREET DATE: 2/28/2020 CD UPC: 701237211725 LP UPC: 701237703626 CD BOX LOT: 50 LP BOX LOT: 30 CD CAT NUMBER: SIG-CD-2117 LP CAT NUMBER: SIG-LP-7036
Redeye Worldwide
505 Eno St. Hillsbourough, NC 27278 USA Contact: Lori Miller - lori@redeyeworldwide.com
CADENCE REVOLUTION: DISQUES DEBS INTERNATIONAL VOL. 2 Strut present the second volume in a series of compilations taken from the archives of Disques Debs International, the longest-running and most prolific label of the French Caribbean. Set up by the late Henri Debs in the late ‘50s, the label has continued for over 50 years, releasing hundreds of records and playing a pivotal role in bringing the creole music of Guadeloupe and Martinique to a wider international audience. Volume 2 of the series focuses on the label’s ‘70s output and the development of the unique Cadence sound, pulling disparate influences into a Pan-Caribbean blend of rhythms, styles and languages that dominated the dancehalls, clubs and concerts of the decade. Based in a small but state-of-the-art studio on the first floor of Henri Debs’ Club 97-1, just outside Pointe-à-Pitre in the town of Gosier, the label hosted sessions from the cream of local and regional talent, hothousing ideas into over 100 LP and 45 releases over the decade that reflected an increasingly confident creole identity. Groups like Les Vikings, Super Combo and Typical Combo along with a host of lesserknown bands were in fierce but friendly competition in the bals, dances and concerts in Guadeloupe, across the region and into Metropolitan France. Haitian Compas, Congolese influences from le Ry-Co Jazz, cadence-lypso and reggae from Dominica and a heavy dose of jazz and Puerto Rican salsa were thrown into the mix alongside local biguine, quadrille and gwo ka to power an unrivalled recorded output. Compiled by Hugo Mendez (Sofrito) and Emile Omar (Roseaux), ‘Cadence Revolution’ is released in conjunction with Henri Debs et Fils and Air Caraibes. The package features previously unseen photos from the Debs archive with both formats featuring extensive liner notes and an interview with singer and trombonist Christian Zora (Les Maxel’s, Energy).
KEY POINTS:
• First in-depth compilation of Cadence music, an overlooked chapter in Caribbean musical history. • Second instalment in Strut’s exclusive series from the Disques Debs International vaults • Majority of tracks unreissued since their original release • Includes unseen photos, extensive liner notes and interviews
Tracklisting: 1. A1 SUPER COMBO – MOIN DOMI DÉRHÔ 7.25 2. A2 LES VIKINGS – AMBIANCE (GUHE HUIAMO) 2.22 3. A3 TYPICAL COMBO - PIENSALO BIEN 3.39 4. A4 GUADAFRICA COMBO – MOIN CE ROI ROI 5.34 5. C4 GALAXY – DISCO FUNK 5.01 6. B2 KOUMBIT – LAGÉ YO 3.43 7. C2 SMOKE – LINA FEMM’ FOLL 3.42 8. B3 LES RAPACES – MUSIC PASSE PARTOUT 5.14 9. C3 H.W.T. BAND - GOOD TRIP 5.52 10. B4 MIDNIGHT GROOVERS – STRANGER (Disques Debs version) 4.52 11. D1 TI CELESTE – MOIN ENVIE DANSER ON BELLE BIGUINE 3.30 12. D2 BIENVEILLANCE ABYMIENNE - TI JENES AN NOU 4.32 13. D3 GUY CONQUETTE – PING PONG 4.08 14. B1 EDOUARD BENOÎT – MAUVE CHAUFFE 4.49 15. C1 RICO ET PI YO – PAS COLER LA 5.28 16. D4 TABOU N.2 – EXPERIENCE 3.34
FOR FANS OF:
Kassav, Irakere, Zouk, Les Vikings, Gwo Ka, Erick Cosaque, Sofrito, Henri Guedon, Fania, Ibo Combo, Haiti Direct, Fania, Lebron Brothers, Kiki Gyan, Coupé Cloué, David Murray, Exile One, Grammacks, Malavoi.
WEB LINKS www.strut-records.com
For more information please contact: adam@k7.com
RE L E ASE DAT E : 28th F E BRU ARY 2020 ART IST : VARIOU S T IT L E : CADE N CE RE VOL U T ION : DISQU E S DE BS IN T E R NAT I O NA L V O L UM E 2 CAT. N O : ST RU T 189CD / ST RU T 189L P CON F IGU RAT ION : 1CD / 2L P PACKAGIN G : 1CD DIGIPAK W IT H 16PP BOOKL E T. 2L P IN SIN GL E SL E E VE W IT H 4PP 12” BOOKL E T BAR CODE : CD: 4062548005783 / L P: 406254800 5 7 9 0
Printer’s Devil • For fans of Hop Along, Rilo Kiley, Courtney Barnett, Nirvana. • US college radio campaign through Pirate Promotions (steve@piratepirate.com). • Press campaign handled by Will Osiecki (will@topshelfrecords.com). • Music video planned for second single single “I Go Out at Night”. • Music video for lead single “Alien with a Sleep Mask On”. • 2019 & 2020 SXSW Performing Artist. • Recent touring includes UK, Europe, Japan, and full US runs with PUP, Soccer Mommy, Wild Pink, Diet Cig, Foxing, Vundabar. • Full US headline tour spring 2020. “[M]assive hooks and sweeping cavernous melodies that will stick in your head for days and days.” -POST-TRASH “[O]n the surging new “Alien With a Sleep Mask On,” Ratboys have energetically reemerged as an unstoppable power-pop force with cinematic ambitions” -MTV Upheaval and change are themes spread throughout the songs on Printer’s Devil but all the while, singer-songwriter Julia Steiner embraces moments of uncertainty as a necessary part of growing. Steiner wrote the record with guitarist Dave Sagan while she was experiencing a dramatic shift in her own foundations, demoing out songs in her Louisville, Kentucky childhood home, which had just been sold and emptied out. With years of touring under their belts, Steiner and Sagan have welcomed a newly consistent four-piece lineup and the band’s comfortable core is tangible—transforming a once acoustic duo into a full-scale indie-rock band with a clear identity. The rhythm section brings the band not only consistency, but a jolt in line with Steiner and Sagan’s growing sonic aspirations: big-chorus power pop songs like “Alien with a Sleep Mask On” and “Anj” sound massive and larger than life, while the band’s dynamics beautifully thread together intimate folk and alt-country songs like “A Vision” and “Listening”. Building off their previous albums—AOID (2015) and GN (2017), which feature bright, youthful Americana narratives centered around soft vocal cadences and fluid, melodic lead guitars—Ratboys captures the bombastic, electrified fun of their live show in a bottle on Printer’s Devil and showcases their growing chemistry as a band. redeye distribution 505 Eno Street Hillsborough, NC 27278 tim@redeyeworldwide.com
p: Johnny Fabrizio
TSR206 LP / CS / CD ^ ^ ^ retail exclusive: coke bottle clear with black swirl vinyl w/ DL code
Ratboys
STREET DATE February 28, 2020 LABEL Topshelf Records CATALOG # TSR206 TRACKS 10 FILE UNDER Rock / Pop BOX LOT 30 LP / 15 CS / 30 CD DOWNLOAD CODE Yes EXPORT yes, no CD in Japan LP UPC 6 34457 83521 4
CD UPC 6 34457 83522 1
6
34457 83521 4
34457 83522 1
CS 6 UPC 6 34457 83524 5
6
34457 83524 5
Over the last thirteen years, Topshelf has released 200+ albums by 80+ artists from all around the world. Our roster’s catalog spans a wide and eclectic array of musical styles and genres. To check out hand-picked suggestions for other artists on our roster we think you might also enjoy, visit the below URL and select any artist you like: topshelfrecords.com/like
topshelf records 3607 NE 13th Ave Portland, OR 97212 info@topshelfrecords.com
MUSICROUGHGUIDES
The Rough Guide to
Charley Patton Father of the Delta Blues
Rough Guide Vinyl Release The Rough Guide To Charley Patton: Father of the Delta Blues Cat No: RGNET1396LP Label: World Music Network Street date: February 28, 2020 File Under: Blues Format: 1 x Vinyl LP Box lot: 20LP/ct Note: Item is not returnable
Marketing points: • Charley Patton epitomised the life of the wandering bluesman and was a towering example to all those that followed • Arguably the true ‘King Of the Delta Blues’ and among America’s most important musicians in the twentieth century
When it comes to the Delta blues, all roads lead to its father figure Charley Patton. An immensely gifted performer, Patton served as a major influence on other legendary bluesmen who followed including Robert Johnson, Muddy Waters and Howlin’ Wolf.
Some Summer Day (1930) 03:01 Some These Days I’ll Be Gone (Take 1) (1930) 03:09 Moon Going Down (1930) 03:16 Elder Greene Blues (Take 1) (1929) 03:02 Banty Rooster Blues (1929) 03:03 Hang It On The Wall (1934) 02:45
• Following on from the success of other blues titles in the Rough Guide range • Charley Patton was a hell-raiser extraordinaire, bona fide celebrity, travelling bluesman and musician like no other • A supremely versatile bluesman whose repertoire also included spirituals, ballads and songster pieces
Side B 01 02 03 04 05 06
• Considered by many as the single most important figure in the history of traditional blues • Experience the never-before heard clarity of his mesmerizing guitar licks and gravelly voice
Side A 01 02 03 04 05 06
• Limited edition LP-only collection of lovingly remastered tracks
Bird Nest Bound (1930) 03:12 Jim Lee Blues (Part 1) (1930) 03:04 I’m Goin’ Home (1929) 03:05 Going To Move To Alabama (1930) 03:01 Dry Well Blues (1930) 03:21 Troubled ‘Bout My Mother (1934) 02:58
• Charley Patton’s legend strides across the Delta like no other bluesman of his generation
LP 6
05633
13964
8
Available for instore co-op campaigns, listening posts and racking / Servicing all blues magazines, radio programmes and websites
Redeye
505 Eno St, Hillsborough, NC 27278 Contact: Jeep Ward jeep@redeyeworldwide.com www. redeyeworldwide.com
World Music Network (UK) Ltd US Label enquiries, contact: Connie Kirch connie@2jakes.net www.worldmusic.net
MUSICROUGHGUIDES
The Rough Guide to the roots of
The Blues Reborn and Remastered
The Rough Guide To The Roots Of The Blues Cat No: RGNET1397CD Label: World Music Network Street date: February 28, 2020 File Under: Blues Format: CD digipak & digital download Box lot: 55 ct/CD CD UPC: 605633139723 Digital UPC: 605633139730
Marketing points: • Featuring the greatest names in early blues music including Blind Lemon Jefferson, Bessie Smith, Charley Patton and Ma Rainey • The perfect overview of the many different styles and key performers of early blues on one album
From the earthy guitar-driven country blues of Blind Lemon Jefferson and Charley Patton to the sequined glamour of the classic blues singers Bessie Smith and Ma Rainey, this Rough Guide charts the early recorded history of the blues through its key pioneers. Track-List 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25
Kansas Joe & Memphis Minnie When The Levee Breaks 03:09 Scrapper Blackwell Kokomo Blues 03:01 Ma Rainey Stack O’Lee Blues 02:52 Blind Blake West Coast Blues 03:12 Henry Thomas Fishing Blues 02:42 Memphis Jug Band Stealin’, Stealin’ 02:56 Victoria Spivey T.B. Blues 03:12 Blind Lemon Jefferson See That My Grave Is Kept Clean 02:52 Cow Cow Davenport Cow Cow Blues 03:08 Blind Willie Johnson Mother’s Children Have A Hard Time 03:19 Dick Justice Brown Skin Blues 03:11 Bo Weevil Jackson Devil And My Brown Blues 02:49 Mississippi John Hurt Got The Blues, Can’t Be Satisfied 02:50 Hambone Willie Newbern Roll And Tumble Blues 02:59 Clarence “Pinetop” Smith Pinetop’s Boogie Woogie 03:12 Texas Alexander Section Gang Blues 02:53 Blind Willie McTell Statesboro Blues 02:30 Speckled Red The Dirty Dozen 03:11 Charley Patton Screamin’ And Hollerin’ The Blues 03:06 Jimmie Rodgers Blue Yodel No. 1 (T For Texas) 03:23 Bessie Smith St. Louis Blues 03:09 Papa Charlie Jackson All I Want Is A Spoonful 02:38 Weaver And Beasley Bottleneck Blues 02:52 Tampa Red & Georgia Tom It’s Tight Like That - No. 2 02:40 Tommy Johnson Canned Heat Blues 03:36
• An incredibly diverse selection of tracks including bottleneck guitar, barrelhouse piano, classic songster tunes and vaudeville blues • An album which traces the development of blues music during its early recorded history of the 1920s • A unique insight into the first great wave of blues artists who remain an inspiration to this day • Timeless tracks by pioneering artists who sowed the seed for rock ‘n’ roll • A seamless collection of seminal tracks which are as relevant now as when they were first recorded • Includes classic tracks by guitar greats Blind Blake, Mississippi John Hurt and Blind Willie Johnson • Following on from the success of other blues titles in the Rough Guide range • Lovingly remastered using pioneering restoration techniques
CD 6
0 5 6 3 3
1 3 9 7 2
3
Total Playing Time: 76:24
Available for instore co-op campaigns, listening posts and racking / Servicing all specialist music magazines, radio programmes and websites
Redeye 505 Eno St, Hillsborough, NC 27278 Contact: Jeep Ward jeep@redeyeworldwide.com www. redeyeworldwide.com
World Music Network (UK) Ltd US Label enquiries, contact: Connie Kirch connie@2jakes.net www.worldmusic.net
MUSICROUGHGUIDES
The Rough Guide to the roots of
The Blues Reborn and Remastered
Rough Guide Vinyl Release The Rough Guide To The Roots Of The Blues Cat No: RGNET1397LP Label: World Music Network Street date: February 28, 2020 File Under: Blues Format: 1 x Vinyl LP Box lot: 20LP/ct Note: Item is not returnable
Marketing points: • Featuring the greatest names in early blues music including Blind Lemon Jefferson, Bessie Smith, Charley Patton and Ma Rainey • The perfect overview of the many different styles and key performers of early blues on one album
From the earthy guitar-driven country blues of Blind Lemon Jefferson and Charley Patton to the sequined glamour of the classic blues singers Bessie Smith and Ma Rainey, this Rough Guide charts the early recorded history of the blues through its key pioneers. Side A 01 02 03 04 05 06 07
Mississippi John Hurt Got The Blues, Can’t Be Satisfied (1928) 02:50 Cow Cow Davenport Cow Cow Blues (1928) 03:08 Blind Willie McTell Statesboro Blues (1928) 02:30 Ma Rainey Stack O’Lee Blues (1926) 02:52 Blind Lemon Jefferson See That My Grave Is Kept Clean (1928) 02:52 Henry Thomas Fishing Blues (1928) 02:42 Papa Charlie Jackson All I Want Is A Spoonful (1925) 02:38
Side B 01 02 03 04 05 06
Charley Patton Screamin’ And Hollerin’ The Blues (1929) 03:06 Blind Willie Johnson Mother’s Children Have A Hard Time (1927) 03:19 Bessie Smith St. Louis Blues (1925) 03:09 Jimmie Rodgers Blue Yodel No. 1 (T For Texas) (1927) 03:23 Clarence “Pinetop” Smith Pinetop’s Boogie Woogie (1928) 03:12 Blind Blake West Coast Blues (1926) 03:12
• An incredibly diverse selection of tracks including bottleneck guitar, barrelhouse piano, classic songster tunes and vaudeville blues • An album which traces the development of blues music during its early recorded history of the 1920s • A unique insight into the first great wave of blues artists who remain an inspiration to this day • Timeless tracks by pioneering artists who sowed the seed for rock ‘n’ roll • A seamless collection of seminal tracks which are as relevant now as when they were first recorded • Includes classic tracks by guitar greats Blind Blake, Mississippi John Hurt and Blind Willie Johnson • Following on from the success of other blues titles in the Rough Guide range
LP 6
05633
13974
7
Available for instore co-op campaigns, listening posts and racking / Servicing all blues magazines, radio programmes and websites
Redeye
505 Eno St, Hillsborough, NC 27278 Contact: Jeep Ward jeep@redeyeworldwide.com www. redeyeworldwide.com
World Music Network (UK) Ltd US Label enquiries, contact: Connie Kirch connie@2jakes.net www.worldmusic.net
WAJATTA DON’T LET GET YOU DOWN Release Date: February 28, 2020 Wajatta — the musical duo of Reggie Watts and John Tejada — return with their second album, Don’t Let Get You Down, to be released by Brainfeeder in February 2020. Coming from different worlds, but sharing a passion for the rich history of electronic music, beat-boxer / comedian / musician Watts and electronic music artist / DJ / producer Tejada bring out the best in each other’s formidable skill sets. Where the duo’s debut album Casual High Technology hinted at the broad stylistic possibilities inherent in the marriage of Watts’ elastic, soul-stirring vocals and Tejada’s layered, melodically inventive productions, Don’t Let Get You Down makes good on that promise. Wajatta is a mash-up of the artists last names. Having grown up with similar musical influences, Austrian-born Tejada and German-born Watts draw from their love of electronic music. Exploring the intersection between influences and innovation, the two describe Wajatta's music as “electronic dance music with its roots in Detroit techno, Chicago house, '70s funk and New York hip hop.” It’s a sound that is both familiar and wholly original — and, like all great dance music, ultimately life-affirming, as Watts vocalizes, sometimes without words, the joyful energy of his and Tejada’s funky, shape-shifting productions. “That’s the great thing about working with John,” Watts says with an infectious grin. “He’s so steeped in the history of this music. I just pick up on that and run with it.”
CAT NO: BF097 UPC: 5054429138924 Box Lot: 15
￫ 2LP black vinyl ￫ 5mm spined sleeve ￫ Pink paper inners ￫ Includes MP3 download
CAT NO: BFCD097 UPC: 5054429138931 Box Lot: 35
￫ CD softpack ￫ Artwork by Maggie Jung
SIDE A 1. Renegades 2. Little Man SIDE B 1. Don’t Let Get You Down 2. Realize 3. Tonight SIDE C 1. 138 2. January 3. Marmite SIDE D 1. Depth Has a Focus 2. Another Sun 3. All I Need Is You
naretail@ninjatune.net ninjatune.net
HIS NAME IS ALIVE RETURN TO NEVER Home Recordings 1979 - 1986 Volume 2
CAT NO: DISC6 UPC: 5060384617473 RELEASE DATE: 28th February 2020 Overview:
Second volume in a trilogy exploring the teenage tape experimentation of Warren Defever aka His Name Is Alive. Echo-drenched guitar instrumentals, field recordings and gorgeous ambient tones pulsate through the analogue murk, also taking in dalliances with greyscale industrial drone, musique concrète and even a burst of 4-track noise pop reminiscent of the early work of The Jesus And Mary Chain. Inner sleeve essay and interview once again by Mike McGonigal, the man behind Third Man’s recently launched Maggot Brain magazine and the author of books on My Bloody Valentine and Galaxie 500. Praise for His Name Is Alive’s All The Mirrors In The House (Home Recordings Volume 1): “These lo-fi, smudged worlds of sound, bled to cassette in Defever’s bedroom, feel remarkably prescient. His minatures have a particularly blissed-out, sun-kissed resonance, and a psalmic simplicity that’s as evocative as it is peaceable.” - Uncut “An astonishing document of lo-fi alchemy.” - Pitchfork “Sounds as good as any "ambient" release you've heard in the last five years” - The Quietus “It's fairly impossible to point out stand out tracks because the album as a whole is superb.” - Pop Matters “The next transmission from a man still making the everyday sound otherworldly.” - The Wire “A superb place to start investigating the work of this genuninely intriguing musician” - Electronic Sound
Clear Vinyl
Box Lot: 25 / Ⓟ & © 2020 Disciples
All copies pressed on clear vinyl, each side plays continuously with no banding between tracks. Vinyl contains printed inner sleeve with full liner notes. Includes download card for the digital edition of the album which is 15 separate tracks.
Tracklist: A1 Return To Never
B1 My Thoughts Are To Thee Drawn
A2 Lake Night
B2 Guitar Echo
A3 Morning Machine
B3 Forever Getting Lost
A4 Early Version
B4 Chords
A5 Piano V
B5 From The Night Tape
A6 To Remember
B6 Descending B7 Last Thing Thought Of B8 Whitesnake B9 Gone
NO EXPORTS ALLOWED For more info please contact Matthew: matthew@warprecords.com (Disciples) or: perry@redeyeworldwide.com (Redeye Distribution) www.redeyeworldwide.com
• Follow-Up To The Platinum •
• • •
Release ANTHOLOGY Features the singles & videos “I See You There” & “Not Ready To Say Goodbye” New performance video for the classic hit “Isn’t It Time” On tour in 2020 with the Rock The Night Away tour Advertising plans focused on Social Media, Email Blasts and Retail Co-Op DISC ONE
DISC TWO
If You’ve Got The Time Give Me Your Love Wrong Or Right Isn’t It Time Love Don’t Prove I’m Right Every Time I Think Of You Head First Back On My Feet Again Midnight Rendezvous True Love, True Confession Anytime Darker Side Of Town Postcard Turn And Walk Away When Life Goes Right Not Ready To Say Goodbye Postlude In G
Grass Is Greener Every Side Of You I See You There Sunrise & Goodbyes I’ll Have Some Of That All I Wanna Do These Days Uncivil War It’s A Gas Saved My Life After Midnight Stay The Night
Born in 1976, THE BABYS exploded onto the UK rock scene proving to be a competitive force in the Bad Company tradition, and pioneering the sound that become known as the “‘80s Power Rock Ballad.” Billboard chartclimbers like “Every Time I Think of You”, “Midnight Rendezvous” and “Isn’t It Time” helped to launch them into worldwide recognition while also helping to carve out their permanent place in music history. THE BABYS classic songs have withstood the test of time—with their hits still being played continuously around the globe, and influencing bands of ‘the day’ and emerging artists respectively. Reunited by co-founders TONY BROCK and WALLY STOCKER, new members include ROCK VAULT vocalist JOHN BISAHA and BOYSTOWN guitarist JOEY SYKES, THE BABYS set about to re-record and re-image their classic hits and cut 15 new classic songs that comprise this 2 disc set.
S THE Y B A B
G Y L O O T H A N
29 tracks 2 disc set
A P O R T I O N O F T H E P R O C E E D S O F T H I S C D W I L L B E D O N AT E D T O U N I C E F RELEASE DATE: 2-28-2020 ARTIST: THE BABYS TITLE: ANTHOLOGY 2 CATALOG: CD-SBR-7957 CD CONFIGURATION: 2 CD FOLDER UPC: 7 08535 79572 8 BOX LOT: 40 UNITS GENRE: ROCK
REDEYE: 505 Eno Street, Hillsbourough, NC 27278 • CONTACT: Lori Miller: lori@redeyeworldwide.com
2
Alabaster DePlume To Cy & Lee: Instrumentals Vol. 1 To Cy & Lee: Instrumentals Vol. 1 has a suitably individual genesis. Alabaster DePlume was working for Ordinary Lives, a charity in North Manchester UK which supports people with disabilities to live in their own homes and to live fulfilling lives. Specifically, he was working with the titular Cy and Lee. His job was to get the guys socializing and he did this by making up songs with them. They’d make up melodies together, humming tunes in the house when they needed something calm, or when they were haring round the city in a battered car. DePlume would record these impromptu sessions in his phone, then go to the studio and use the material as starting points for songs. He also ran music sessions for Cy, Lee and their friends. “People would focus on a central point, tuning in to one another. There are things we can’t put into words, which can be expressed with sound and music. These guys have fewer words than us, some of them have none. When we put some feelings into a music expression – that’s liberation.” It’s a method he uses in live shows wherever possible, placing himself and the musicians in the round. The aim is to maximize the creative benefits that a community of players and listeners can bring to the music. It’s a collectivist and humanist approach to making music that sits underneath everything he does. This is music made for a reason. “I like the idea that we’re not just doing frivolous decoration. We’re doing work for society. I like to listen for what needs to be said.” IARC0030 / LAT 0°17 07’02.2020” / TRC-005 Alabaster DePlume – To Cy & Lee: Instrumentals Vol.1 Format/Release Date:
LP/CD/Digital – Feburary 28th, 2020 RIYL: Arthur Russell’s First Thought Best Thought, The Ex, Don Cherry’s Holy Mountain, Mulatu Astatke, David Byrne’s Lead Us Not Into Temptation, The Dirty Three
Vinyl LP – 603784912295
Alabaster DePlume is a Manchester UK-born, London-based bandleader, composer, saxophonist, activist and orator. He’s a resident at the legendary London creative hub Total Refreshment Centre, a recording artist for the off-grid Scottish Hebridean island label Lost Map, and now the latest arrival into Chicago-based International Anthem’s growing family of progressive musical explorationists. Whilst much of his music contains vocals – often whispered imperatives – this is a collection of instrumentals. The music of To Cy & Lee… contains naturally elegant orchestration wrapped around something visceral and primordial. The music is filled with space, inspired, he says, by computer games and Japanese animation, particularly Joe Hisaishi’s soundtrack for Castle In The Sky. The record combines new compositions alongside bygone instrumentals and under-stated lullabies that feel like they’ve been picked from between the cracks of civilization. DePlume purposefully brings together players of different skill levels and different backgrounds so they have to interact differently, placing them in unusual situations in which to record. “I wanted to destroy the idea of correct so we were playing it different ways for fun. We had a very magical time playing the tunes.” This is activism expressed through gorgeous music that breaks down barriers by encouraging that most powerful emotion: connectedness. International Anthem Recording Co. 3231 S Halsted St #222 Chicago, IL, 60608 www.intlanthem.com
CD – 603784912288
No r t h & S o u t h Ame r i c a n Di s t r i b u t i o n : Will Savery – will@redeyeworldwide.com La bel Con t a c t : Scottie McNiece – scottie@intlanthem.com
THE SESHEN CYAN
Out 28th February, 'CYAN’ is the third full length LP from San Francisco Bay Area-based band The Seshen. Taking its name from a colour that is both strong and soft, the LP unravels the progression that has been made since 2016’s ‘Flames and Figures’, both as a band and as individuals; “Since ‘Flames and Figures’, a lot has been taking place both internally and externally.” Lyricist and vocalist Lalin St. Juste recollects, “we were on tour for the last album during the 2016 US election. There was an intense heaviness, a familiar one, one that extends generations and it just sunk in even further.” The battle to overcome this heaviness, felt as a result of political and social issues and through Lalin’s own experiences with combating depression, fuels ‘CYAN’. “I was at the edge of myself,” she confesses. “This album is about pulling back the layers of who I am in order to push through sadness and grab onto what’s underneath”. From the opening lines of the LP on “Take It All Away”, these ideas are displayed - “I think it’s been too long that I’ve been your puppet / Cut these strings, I don’t want any of it”, she sings. Led by exposed yet bold musical endeavours from bassist/producer Akiyoshi Ehara, the album sees The Seshen delve into uncharted eclectic realms; “I think that there’s a lot more rawness on this record” Aki muses. Anchored by Lalin’s sly, silvery vocals (which draw frequent comparisons to Erykah Badu) and cerebral yet playful rhythms from producer-bassist Aki, The Seshen’s music pulls from a deep well of electronic influences, R&B, and indie rock. Drummer Chris Thalmann, keyboard/synth player Mahesh Rao, percussionist Mirza Kopelman and sequencer Kumar Butler make the music three-dimensional, blending live and digital instrumentation for a mercurial, transportive sound. Since 2012, the Seshen’s live show has earned them critical acclaim and a dedicated fanbase on multiple continents, as they’ve shared stages with the likes of Hiatus Kaiyote, Petite Noir, tUnE-yArDs, and Thundercat.
ARTIST: THE SESHEN TITLE: CYAN RELEASE DATE: 28th Feb 2020 CAT NO: TRULP376 / TRULP376x LABEL: TRU THOUGHTS CONTACT: DIST@TRU-THOUGHTS.CO.UK FILE UNDER: ALTERNATIVE / ELECTRONIC - S FOR FANS OF: FKA TWIGS, LYKKE LI, LITTLE DRAGON, JAMES BLAKE, SAMPHA BARCODE: Black LP - 5060609660901 CYAN LP - 5060609661991 (indie only) CD - 5060609660918
Black LP
Cyan LP
CD
- Shared stages with Hiatus Kaiyote, Petite Noir, tUnE-yArDs and Thundercat - Previous radio support from Lauren Laverne (BBC 6 Music), Steve Lemacq (6 Music), Tom Ravenscroft (6 Music), Don Letts (6 Music), Nemone (BBC 6 Music), John Kenney (Radio X), Jason Bently (KCRW) and more - Previous coverage on THUMP (Vice), Clash, Line Of Best Fit, Afropunk, OkayPlayer, Earmilk and more. -Out on CD, black vinyl and cyan vinyl (indie only) SIDE A 1. Take It All Away 2. 4AM 3. Still Dreaming 4. Head To Head 5. Close Your Eyes 6. 1000 Lights SIDE B 7. Faster Than Before 8. Don’t Answer 9. Can’t Pretend 10. Dive 11. Stones 12. Wander
www.tru-thoughts.co.uk
Chicago drummer and composer Jeremy Cunningham wrote The Weather Up There in response to the loss of his brother Andrew, who died in a home invasion robbery in 2008. Co-produced by Jeff Parker and Paul Bryan, and engineered by Paul Bryan and John McEntire, this new work confronts the tragedy of violence and examines the acute ripple effect on several people’s lives through the lens of memory, response, and collage. Further deepening the textural and emotive impact, Cunningham formed a “drum choir” for these recordings, comprised of close mentors and colleagues Mike Reed, Makaya McCraven, and Mikel Patrick Avery. Cunningham also taps regular collaborators Ben LaMar Gay, Jaimie Branch, Tomeka Reid, Dustin Laurenzi, Matt Ulery, and Josh Johnson. “Jeremy is a rare drummer who possesses both insane skills and immaculate taste. His tunes have that same sensibility— they are layered and sophisticated while remaining visceral and hummable.” - Yoni Wolf (Why?) “Jeremy Cunningham’s upcoming recordisatestamenttohiscommitment to sound, feel and creativity that sets him apart from other drummers. I am inspired by his vulnerable and honest approach to music both as a drummer and composer.” - Makaya McCraven “I’ve had the pleasure of watching Jeremy grow into one of the most visionary composer/bandleaders on the scene today. It was truly an honor for me to work with him on The Weather Up There.” –Jeff Parker
Artist: Jeremy Cunningham Album Title: The Weather Up There Catalog #: NS122 Release Date: 2/28/20 CD Digipak 309272738100
Standard Black Vinyl LP 309272738094
“Hazy Sky” Blue/White Swirl LP (Indie Exclusive) 309272738117
RIYL: Jeff Parker, Makaya McCraven, Resavoir, Tony Williams
Label Contact: Adam Downey adam@northern-spy.com
Distribution Contact: Will Savery will@redeyeworldwide.com 877-733-3931 x287
SADDLE CREEK DOCUMENT SERIES DOCUMENT 011: The Big Net - Big Moon b/w Rufus
TRACKLIST 1. Big Moon 2. Rufus
5:06 5:14
Artist: The Big Net Title: Big Moon b/w Rufus Catalog #: LBJ-305 Formats: 7" Street Date: February 28, 2020 Box Lot Quantity: 84 Genre: Alternative RADIO PROMOTION College, Commercial & Specialty radio@saddle-creek.com (402) 558.8208
An exercise in simplicity, The Big Net is the musical project of Kevin Copeland (guitar, vocals) Andrew Emge (drums) and Logan Miley (bass). Attempting to maximize the emotive power of the trio, the band’s style drives down the highway somewhere between drone and country, folk and rock. With Corey Rubin on bass and secondary vocals, their first self-titled record explored more of those rock roots: recorded live in two days with minimal overdubs, trying to capture the freewheeling magnetism that can come alive in a room. Released as part of Saddle Creek’s Document Series*, the band’s two new songs - "Big Moon" and “Rufus" - were recorded that same weekend. The idea of The Big Net is and has always been immediacy, letting that tangible thing in the air be itself and tuning into “song” at its most genuine. Both songs make good on those aspirations. “Big Moon” is quite literal. Written during a particularly lonely period in Copeland’s life, he would sing so that he could fall asleep and from that process the song seemed to “float in all at once.” “Sometimes all you have is yourself, and the moon, or a guitar, or a bed, or the ground under your feet, and that's ok. Those things will always hold you,” Kevin says of the song.
MASTER USE LICENSING jeff@saddle-creek.com INTERNATIONAL LICENSING & DISTRO robb@saddle-creek.com FOR MORE INFO CONTACT retail@saddle-creek.com
7” spineless jacket, download card, insert “zine”
NOT EXPORTABLE OUTSIDE THE US 7” NOT RETURNABLE
Suitably, "Rufus" was tuned into to the same kind of frequency, pulled from the ether as if it had somehow always existed. “When our friend Corey was playing bass with us, most rehearsals before everyone’s gear was even set up; someone was off and everyone else would catch up,” Copeland says. “Somewhere in that soup, an idea would come through. I remember latching onto what became the verse of “Rufus” and, when Andrew and Corey were out getting some air, I just played it over and over and that melody seemed to float right in.” The band have just finished recording a new, more exploratory LP, again captured in a single room over two days. With Copeland as the primary songwriter, the group continues to interpret earnest emotion in song through their hypnotic and dynamic sensibilities. For now, though, we have this new 7” single; an exercise in vulnerability, in trusting your impulses, in the magic that can be found within. * Taking inspiration from the original concept behind the founding of Saddle Creek, as an attempt to highlight our home city through music and art, we began the Document Series in 2017. Each release featured in the Document Series is comprised of an exclusive record featuring unreleased music from artists outside of the label's roster, along with a specially curated zine created by the artist.
S A DDLE C R E E K
S C
P.O. BOX 8554 • OMAHA, NE 68108-0554 / 4538 EAGLE ROCK BLVD • LOS ANGELES, CA 90041 P: (402) 558-8208 • INFO@SADDLE-CREEK.COM • SADDLE-CREEK.COM
505 ENO ST. HILLSBOROUGH, NC, 27278 redeyworldwide.com Tim Jones tim@redeyeworldwide.com
SUNNY OZELL OVERNIGHT LOWS
SUNNY OZELL - OVERNIGHT LOWS ‘Overnight Lows’ gleams with engaging melodies and intelligent wordplays, performed with a sophisticated fluency in pop, jazz, soul and Americana dialects that makes it a delight to behold. Players on the record include Jay Bellerose (Robert Plant, Alison Krauss), Tyler Chester (George Ezra), Andy Hess (The Black Crowes, David Byrne) and Rich Hinman (Sara Bareilles). The album was recorded at Village Studios in Los Angeles. Sunny and her husband Sir Patrick Stewart now divide their time between Brooklyn and Los Angeles, and it was on the West Coast that her new album came into being, sculpted from lyrical and musical sketches that she carried in her pocket during Overnight Lows’ careful incubation. The album displays Sunny's love of language and an intimate, soulful delivery, from the cruising feel of 'Driving Highways' at one end — with its clever incorporation of a key line from Dobie Gray's 1970s soulful singalong 'Drift Away' — to the bluesy, smoochy 'Take You Down' at the other. “Almost like self-analysis,” she adds, “I went back through it and thought 'Holy shit, there's a lot about night in here, and not sleeping, and wrestling with memories.” ARTIST: TITLE: LABEL: REL. DATE:
SUNNY OZELL OVERNIGHT LOWS CHITIN RECORDS 28 FEBRUARY 2020
CD: LP:
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LP IS PRESSED ON B BLUE VINYL TRACKLIST: 1. Driving Highways 2. Comes And It Goes 3. All That I Am 4. In The Sun 5. Not Afraid
6. Saint Ursula 7. The Garden 8. Hammer and Nail 9. Downstream 10. Take You Down
HOLY - RYDER PNKSLM069 Street date: February 28, 2020 Formats: Vinyl & digital File under: Alternative / Indie UPC (vinyl): 634457007086
Tracklist: 1. 3000 years in show biz 2. The Ryder 3. Flames 4. Hot on the Heels of Love 5. Deep Water 6. ILY wild horse 7. Can u hear me calling? 8. You shine on me (feat. Boys) 9. My fata morgana 10. Forget about life 11. Aries
Stockholm, Sweden based HOLY aka Hannes Ferm is back with his third record Ryder, a massive step forward for the young artist. After 2018’s hugely ambitious three-years-in-the-making glam-psych odyssey All These Worlds Are Yours which was released to acclaim from the likes of Consequence of Sound, Bandcamp Daily, Prog Magazine, The Line of Best Fit and more, Ferm decided to take a step in the opposite direction. Teaming up with producer Jacob Haage (El Perro Del Mar) for Ryder, Ferm’s delivered an intimate synth pop record melding experimentation with conventional pop songwriting and again showcasing his ear for melodies, breaking new ground while still staying true to playfulness and immediacy that’s been HOLY’s signature from the start. Press for HOLY “It’s a journey towards the unknown and awesome beauty beyond our atmosphere, like the Spiders from Mars soundtracked a rocket launch.” – Consequence of Sound “A pervasive feeling of alienation feeds into the dynamism of the album, especially its title track.” – KEXP “…blending artful audio chaos with vintage, ‘60s melodies.” – The Line of Best Fit “dreams up a work of genius” – Prog Magazine “a more romanticized version of garage rock, sweet and a little bit noisy” – Stereogum “charming and wisplike, Ferm’s voice practically levitating over the guitars” – Wondering Sound “A garage-pop-of-sorts anthem for the disenfranchised” - GoldFlakePaint ALSO AVAILABLE: PNKSLM036-LP All These Worlds Are Yours LP (2 x black 12” vinyl, gatefold sleeve) UPC: 634457855014
Exclusively distributed by Redeye worldwide excluding UK & Scandinavia. Any enquiries: lori@redeyeworldwide.com
PNKSLM036-CD All These Worlds Are Yours LP (digipack CD) UPC: 634457855021 PNKSLM Recordings P.O. Box 90145 12021 Stockholm Sweden www.PNKSLM.com info@PNKSLM.com © 2019 PNKSLM Recordings
PNKSLM011-LE Stabs LP (12” black vinyl) UPC: 634457858213
One of the few genuine-sounding, full-scope amalgams of contemporary hip-hop and jazz to surface in recent years - NY TIMES There’s an exploration of both thoughtfulness and playfulness, both the sanctity of lineage and the irreverence of real innovation, both high art and popular music - NPR
ARTIST: Kassa Overall TITLE: I Think I’m Good LABEL: Brownswood Recordings
Vinyl: 5060180324254
FORMAT: 12” Vinyl, CD & DD 12” VINYL BOXLOT: 20
CD: 5060180324285
CAT NO: LP BWOOD0219LP CD BWOOD0219CD DD - BWOOD0219DD
DD: 5060180324247
Announce Date: 7th January 2020 Digital Date: 28th February 2020 Physical Date: 28th February 2020 TRACKLIST: 1. Visible Walls 2. Please Don’t Kill Me (feat. Joel Ross & Theo Croker) 3. Find Me (feat. J Hoard) 4. I Know You See Me (feat. J Hoard & Melanie Charles) 5. Sleeping on the Train 6. Show Me a Prison (feat. J Hoard & Angela Davis) 7. Halfway House 8. Landline (feat. Carlos Overall) 9. Darkness in Mind (feat. Sullivan Fortner) 10. The Best of Life (feat. Aaron Parks) 11. Got Me a Plan 12. Was She Happy (For Geri Allen) (feat. Vijay Iyer) 12” VINYL TRACKLIST: A1. Visible Walls A2. Please Don’t Kill Me (feat. Joel Ross & Theo Croker) A3. Find Me (feat. J Hoard) A4. I Know You See Me (feat. J Hoard & Melanie Charles) A5. Sleeping on the Train A6. Show Me a Prison feat. J Hoard & Angela Davis) B1. Halfway House B2. Landline (feat. Carlos Overall) B3. Darkness in Mind (feat. Sullivan Fortner) B4. The Best of Life (feat. Aaron Parks) B5. Got Me a Plan B6. Was She Happy (For Geri Allen) (feat. Vijay Iyer)
Will Savery Label Manager T. 877-733-3931287 redeyeworldwide.com
On I THINK I’M GOOD, the second full-length from Seattle-raised, Brooklyn-based drummer and composer, Kassa Overall, the fast-rising musician masterfully dissolves the barriers between hip hop and jazz music. Taking cues from Karriem Riggins, Madlib and Flying Lotus, Overall matches jazz improvisation with beatmaker ingenuity. He’s ambitious as much as he is accomplished, dicing with serious subject matter as he leaps between the record’s soulful, kaleidoscope trip of ideas. The record features a cadre of New York’s brightest up and comers, including Joel Ross and Morgan Guerin, as well as some of its big hitters, such as Brandee Younger and Theo Croker. It even features an especially recorded cameo from legendary activist and author Dr. Angela Davis. It’s an album that speaks to the contemporary state of America. Overall wrestles with the abhorrent American prison system, the ebbs and flows of romantic relationships, and his experiences of grappling with mental health and hospitalisation. I THINK I’M GOOD conveys a singular feeling of intimacy, a byproduct of Overall’s indie hustle and uncanny at-home and on-the-fly production methods. It’s the perfect vehicle for Overall’s delicate meditations, weighing up emotions of despair, but never drowning out the feeling of a fragile but vital hope.
Unit 12, First Floor The Laundry Building 2-18 Warburton Road London E8 3FN
FELIX READ T. +44 2076 845304 W: WWW.BROWNSWOODRECORDINGS.COM E: FELIX@BROWNSWOODRECORDINGS.COM
Ocoeur
Everything Street Date: 02/28/2020 Catalog #: MD280 Label: n5MD Format: Clear LP / Digipak CD Box lot: LP - 20 / CD - 30 File under: Ambient, Modern Composition
LP • 702224128019 CD • 702224128026
TRACKLISTING CD 01. Ascent 02. Everything 03. Current 04. Glow 05. Dawn 06. Dusk LP A1. Ascent A2. Everything A3. Current A4. Glow B1. Dawn B2. Dusk
HIGHLIGHTS • 5th Album from Bordeaux based Ocoeur
Everything is the 6th album by Bordeaux-based experimental electronic music composer Franck Zaragoza's Ocoeur epithet. For this new full-length, Zaragoza quantumly pushes the Ocoeur sound into the depths of synth-based ambient enclaves. Zaragoza blends such "ambience," at the opportune times, with his now trademark careening sound-design focused beat work. The album's closing tracks, the 20-minute pairing of "Dawn" and "Dusk," find Zaragoza tempering his sound to near minimal to share his exemplification of long-form ambient bliss. The beauty in these two works displays an archetypal signpost to Everything's overall intentions: We currently, collectively, have our heads down, gazing into a device, as any subway or bus trip will attest. We tend to miss so much around us, and by interacting through these devices, communication often is somewhat cold and solitary. It's becoming essential more than ever to slow down and engage with "everything" around us. Zaragoza's aspirations for "Everything" is quite simple: for it to be the soundtrack to the palpable interactions with your environment and those in it. Everything is out on Feb 28th on 180-gram ultra clear vinyl and digipak compact disc.
• Previous press coverage by I-D magazine, Headphone Commute, Crack, Cyclic Defrost • Ocoeur shared the stage with the likes of Fennesz, μZiq, Arovane and Kangding Ray • 180 gram ultra clear vinyl w/download card. Limited to 250 units worldwide
505 Eno St Hillsborough, NC 27278
4096 Piedmont ave #551 Oakland CA 94611 mikec@n5md.com
GIGI MASIN CALYPSO (APOLLO RECORDS)
Apollo Records present a masterpiece of ambience and beyond – ‘Calypso’ – the stunning new album by Venetian maestro Gigi Masin. The LP is inspired by the mythical Greek island of Ogygia and its alleged real life counterpart Gavdos – also known unofficially as Calypso – a place of extreme beauty, which upon visiting had a profound effect on the musician. “ Gavdos gives you profound sensations in every corner, as here you can find enchantment, mystery, the getting lost to forget, to erase and drown the memories in a light and salty water. A place new and ancient, between cedars that have seen exiles, pestilences, blood and an desperation, isolation and abandonment, it’s the absolute of a life that every heart in love seeks, desperately, in the arms of Calypso, divine among the goddesses. An infinite love, and the infinite horizon of our dreams”, says Masin, eloquently. T he aqueous and sky-filled vistas of his native Venice are deeply intrinsic, but the best and simplest way to describe ‘Calypso’s sound might simply be Aegean, as every track takes you directly and vividly there – to timeless Greek beauty, glistening seas, picturesque landscapes and the sun’s bright, balmy heat. But, much more than just pleasant dapples of twinkling of audio balm, ‘Calypso’ is music of the gods, goddesses and heroes, subliminally capturing all the celestial beauty, awe, romance and adventure of an epic saga. ‘Calypso’ marks a new phase in Masin's musical evolution after re-releases and retrospectives on the Music From Memory label and new releases with the Gaussian Curve trio alongside Jonny Nash and Young Marco. Aptly released on Apollo, Masin joins a label who count other classics like Aphex Twin’s ‘Selected Ambient Works 85 - 92’, plus Biosphere’s ‘Microgravity’ and ‘Patashnik’ in its catalogue. C limbing in incremental steps to the pantheon’s summit, Masin now is close to reaching his rightful place alongside giants like Brian Eno, Laurie Spiegel, Ryuichi Sakamoto, Tangerine Dream and Midori Takada.
A1 A2 A4 A4 B1 B2 B3 B4 C1 C2 C3 C4 D1 D2 D3 D4
‘Calypso’ ‘Bellamore’ ‘Nefertiti’ ‘If ’ ‘Anemone’ ‘Khalifa Golf Club’ Slide’ ‘Mayo Slide ‘Susan Maybe’ ‘Amaranta’ ‘Coraline’ ‘How To Disappear In A Kiss’ ‘Cry Winds Or Flames’ ‘Enter Venus’ ‘On Demons And Diamonds’ ‘The Water Sibyl’ ‘Your Name Is My Infinite’
KEY POINTS
WEB LINKS
- Brand new album from Ambient legend Gigi Masin - For fans of: Brian Eno, Midori Takada, Aphex Twin, Huerco S - Double LP with 12 page booklet - February live shows in San Francisco, Los Angeles and New York
- instagram.com/gigi_masin - facebook.com/ApolloRecs
RELEASE DATE: 02.28.20 ARTIST: GIGI MASIN TITLE: CALYPSO CAT NO: AMB2001 CONFIGERATION: 2LP BARCODE: 5055274709734 GENRE: ELECTRONIC / AMBIENT
fabriclondon.com music@fabriclondon.com +44 (0) 207 336 8898 London, United Kingdom
CASPA & RUSKO FABRICLIVE 37 fabric 74 CD ............................... 0802560007426
JAMES MURPHY & PAT MAHONEY FABRICLIVE 36 fabric 72 CD ............................... 0802560007228
DIPLO FABRICLIVE 24 fabric48 CD ............................... 0802560004821
KODE 9 & BURIAL FABRICLIVE 100 fabric200 CD ............................... 0802560020029 4xLP ............................ 0802560020012
Redeye worldwide 505 Eno St. Hillsborough, NC,27278 redeyeworid wide.rom
FOUR TET FABRICLIVE 59 fabric118 CD ................................ 0802560011829
fabric presents The Martinez Brothers fabric203 / fabric203LP CD ............................... 0802560020326 2xLP ............................. 0802560020319
fabric presents BONOBO fabric201 / fabric201LP CD ................................ 0802560020128 2xLP ............................. 0802560020111
NINA KRAVIZ fabric 91 fabric181 CD ................................ 0802560018125
fabric is one of the world’s most revered nightclubs. Launched in an era when so-called superclubs were taking hold of London, fabric was the opposite – a dark labyrinth set in a disused meat cellar, hidden deep beneath a derelict industrial stretch of the city. The sprawling building occupies the former site of Metropolitan Cold Stores in Farringdon, and since its opening weekend in October 1999, the club has welcomed millions of clubbers worldwide and held a place at the heart of club culture. fabric Records, the club’s beloved mix series, was founded in 2001. Alternating between fabric and FABRICLIVE, the series became an outlet for showcasing established and emerging names that reflect the values of the club and sounds played within its four walls every weekend. The series ran monthly across 100 editions until 2018. FABRICLIVE represents the finest in dubstep, drum & bass, jungle, breaks and experimental beats, whilst fabric covers house and techno, the breadth of talent displaying the far-reaching arms of both nights. The seminal series wrapped up in 2018 with closing instalments from fabric residents Craig Richards, Terry Francis and club founder Keith Reilly, alongside UK innovators Kode9 & Burial for FABRICLIVE. In 2019, the fabric presents series launched with an inaugural mix from Bonobo. The new label reimagined the iconic mix series into quarterly releases with an expanded roster of artists involved. It covers the wider range of calendar nights now on offer at the club and maintains the series’ place at the forefront of electronic music culture.
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505 ENO ST. HILLSBOROUGH, NC 27278
REAL ESTATE LEE “SCRATCH” PERRY THE MAIN THING HEAVY RAIN (12/06))
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WHAT’S INSIDE: Rose Cousins | The Donnas | Big Gigantic | Six Organs of Admittance