8 minute read
Pretpremijere Serije Avant Premiere Series
Kotlina / The Hollow
Kotlina / The Hollow
Bosnia and Herzegovina, 2022, Colour, 50 min, S1E1-2 Režija / Director: Danis Tanović, Aida Begić Uloge / Cast: Feđa Štukan, Boris Ler, Ida Keškić, Mario Knezović, Vedrana Božinović, Izudin Bajrović, Admir Šehović, Alban Ukaj
Tijelo nepoznatog muškarca otkriveno je u vrtu Zemaljskog muzeja u Sarajevu. Viši inspektor Edib Pašić je pozvan na uviđaj. Nesretan slučaj ili ubistvo migranta, kako se misli u prvi mah, slučaj je za njega i mlađeg kolegu, inspektora Medu Zeca, sasvim nevažan, nezanimljiv medijima. Ipak, novinarka portala Sloboda Ajla Pašić slučajno se zatiče na mjestu zločina. U Sarajevo se isti dan iz zatvora vraća Senči, Edibov ratni drug sa druge strane zakona. Nestanak leša iz mrtvačnice i skriveni motivi zaposlenih u Muzeju, vode inspektore u mrežu korupcije, pritisaka, ličnih neuspjeha, neimaštine, beznađa i međunarodnog kriminala. Istražujući slučaj, prisiljeni su zaroniti u današnje Sarajevo i donijeti odluke koje je teško opravdati, ali lako razumjeti.
The dead body of an unidentified man is discovered in the botanical garden of the National Museum in Sarajevo. Senior Police Inspector Edib Pašić is called to the scene. Pašić and his young colleague, inspector Medo Zec, do not place much importance on what they first believe was the accidental death or murder of a migrant, and the case initially draws no media attention. However, Ajla Pašić, who works as a
Mama i tata se igraju rata 2 / Mom and Dad are Playing War 2
journalist for local news site SLOBODA, stumbles upon the crime scene by chance. That same day, Edib’s war-time friend, Senči, returns to Sarajevo after a stint in prison. The disappearance of the body from the morgue and the ulterior motives of the museum’s employees draw the inspectors into a corrupt, pressurefilled network of personal grievances, poverty, hopelessness, and international crime. As they investigate the case, they must dive into the present-day Sarajevo and make decisions that are hard to justify – but easy to understand.
Serbia, 2022, Colour, 55 min, S2E1-2 Režija / Director: Gordan Kičić, Marko Manojlović, Mina Đukić Uloge / Cast: Gordan Kičić, Nina Janković Dičić, Lena Lazović, Nebojša Ilić, Vojin Ćetković, Jelena Gavrilović, Amila Terzimehić, Katrina Gojković
Veljko Radisavljević dobija vijest da mu je otac preminuo. Zbog toga mora da se vrati u Srbiju sa Kamčatke gde snima treću sezonu serije SLOVENI. Očeva oporuka u kojoj mu direktno saopštava da je njegov najveći poraz, ali i saznanje da njegova kćerka Vida veoma pati za njim, i da zbog toga razvija negativne osobine poput laganja i manipulisanja, učinit će da Veljko odluči da ostane mnogo duže u Beogradu nego što je prvobitno bilo planirano. Za to vrijeme i ostali junaci prolaze kroz velike i ozbiljne emotivne i identitetske krize koje će u kulminaciji sezone dovesti do napuštanja poslova na kojima su bili nesretni, rastanaka sa emotivnim partnerima, izricanja neprijatnih istina, ali i rekonekcije sa najbližima.
When Veljko Radisavljević is informed of his father’s death, he has to return to Serbia from Kamchatka, where he is filming the third season of the television series "Slovens." He remains in Belgrade far longer than he had intended – on the one hand because he comes to realise his daughter Vida misses him very much, and on the other because in his father’s will, the old man states plainly that his son is his biggest disappointment. Meanwhile, various other characters are going through emotional and identity crises that culminate in decisions to leave partners or jobs that make them unhappy and to reveal uncomfortable truths – but also to reconnect with the people who are closest to them.
Metropolitanci / Metropolitans
Croatia, 2022, Colour, 51 min, S1E1-2 Režija / Director: Igor Šeregi Uloge / Cast: Rene Bitorajac, Dejan Aćimović, Dijana Vidušin, Nataša Janjić, Linda Begonja, Siniša Popović, Roko Sikavica, Filip Juričić
U predgrađu glavnog grada zubar Petar i njegova supruga Marija brinu o stabilnosti odnosa u naselju, poljuljanoj izgradnjom bloka zgrada socijalno poticanog stanovanja. Godinu i po dana nakon razornog potresa, koji je teško oštetio centar grada, političari u naselje privremeno smještaju nastradale stanovnike čiji su stanovi i dalje nesigurni za život. Lokalni moćnik Pavić započne otkupljivanje njihovih porušenih stanova ispod cijene, udruživši se s gradskim mafijašem Musom. Petar im se suprotstavlja prihvaćajući dužnost predsjednika mjesnog odbora. Među doseljenicima iz centra je i Dunja, bivša Petrova velika ljubav. Životne drame malih ljudi iz potpuno različitih sredina, s različitim stavovima i ciljevima, međusobno se prepliću i tvore vibrantni život metropolitanskog predgrađa – glavnog junaka serije.
Dentist Petar and his wife Marija are struggling to maintain the cohesion of their community on the outskirts of their nation’s capital, which has been disrupted by the construction of a council building. A year and a half after a devastating
Metropolitanci / Metropolitans U klinču / The Clinch
earthquake ravaged the centre of the city, the local authorities use the building as temporary housing for people whose homes are still unsafe. A local strongman joins forces with the city’s mafia boss, and starts buying the displaced peoples’ destroyed flats at bargainbasement prices. After accepting the post of chair of the local council, Petar confronts them. Meanwhile, among the newly arrived in the municipality is Petar's old flame Dunja. The personal dramas of young people from different walks of life, who have conflicting aims and expectations, intertwine to give rise to a vibrant social life in a suburb on the outskirts of the capital – the true star of the series.
Pad / The Fall
Serbia, 2022, Colour and B&W, 50 min, S1E1-2 Režija / Director: Bojan Vuletić Uloge / Cast: Milan Marić, Jovan Veljković, Krešimir Mikić, Dejan Cicmilović, Dubravka Drakić, Petar Novaković, Ljuba Bandović, Milica Janevski, Anđela Jovanović, Miodrag Krčmarik, Kemal Rizvanović, Boris Isaković, Vahid Džanković, Izudin Bajrović, Svetozar Cvetković
Priča serije počinje kasno uveče 30. jula 1993. godine, u trenutku kada dva brata, Ivan i Stojan, stižu do stana svog ujaka, nedaleko od mjesta na kome se u Podgorici upravo desio sukob sa tragičnim posljedicama. Priča se nastavlja u istražnom zatvoru SPUŽ . Paralelno, upoznajemo odnos Ivana i njegovog ozbiljnog i racionalnog oca Nikole. Ove dvije priče se usložnjavaju i proširuju, osvjetljavajući s jedne strane zavodljiv život jedne od najvećih glumačkih zvijezda Jugoslavije, ali i mračnu stranu devedesetih, korumpirano sudstvo i zatvorski polusvijet.
On the evening of 30 July 1993, brothers Ivan and Stojan arrive at their uncle’s flat. Not far away, a tragic clash took place just moments earlier. It continues in the local detention unit. A parallel story explores the relationship between Ivan and his serious and rational father, Nikola. The two stories expand and become increasingly complex to shed light on the exciting life of one of Yugoslavia’s biggest acting starts, but also on the dark secrets of the 1990s – the nation's corrupt judiciary and imprisoned low lifers.
Trigrad
Slovenia, 2022, Colour, 50 min, S1E1-2 Režija / Director: Sonja Prosenc Uloge / Cast: Marko Mandić, Katarina Stegnar, Gaber Trseglav, Mirjam Korbar, Jernej Kogovšek
Priča o muškarcu koji prolazi krizu identiteta i pronalazi novi dom u mistično lijepoj divljini. Također, ovo je priča o muškarcu koji mora ukloniti kletvu koju je iz ljubavi prema njegovom ocu bacila njegova majka. Nakon očeve smrti, Črt se poslije trideset godina odsustva vraća u rodno selo Trigrad kako bi prodao porodičnu farmu. Naizgled idilično selo, lijepo poput razglednice, krije mnoge misteriozne, nadrealne, a povremeno i užasavajuće svjetove. Ono što je počelo kao Črtova jednodnevna poslovna posjeta rodnom selu, prerasta u istraživanje porodične historije i mračnih događaja koji su preobrazili to mjesto.
The story of a man going through an identity crisis, finding a new home in a mystically beautiful, feral landscape. The story, too, of a man who must break the curse set by his mother out of love for his father. Thirty years have passed when Črt returns to his birth village, Trigrad, upon his father's death, to sell the old family farm. Behind the idyllic facade, on a sunny day resembling a sugary postcard, many layers of a mysterious, surreal, at times terrifying world are hidden. What starts as a one-day business deal turns into an exploration of Črt's ancestral history and the grim events that reshaped this place.
U klinču / The Clinch
Serbia, 2022, Colour, 50 min, S1E1-2 Režija / Director: Danilo Bećković, Nebojša Radosavljević Uloge / Cast: Mihajlo Veruović - Vojaž, Branka Katić, Nikola Kojo, Đorđe Mišina, Ivana Zečević, Anita Ognjanović, Matija Ilić, Teodora Dragićević, Svetlana Bojković, Sergej Trifunović, Nebojša Dugalić, Miloš Petrović
U KLINČU je serija o odrastanju, onom pravom, o trenucima u kojima mladi ljudi na prelasku iz srednjoškolskog perioda života postaju studenti, zaposleni ljudi, kad počinju da ostvaruju ili se razočaravaju u svoje ambicije. To je period u kom život dijeli prve prave šamare, period u kom treba ostati na nogama. To je period u kom svako od nas shvata ko su mu pravi prijatelji, da život nije bajka za koju su nas spremali roditelji. To je period u kom počinje priča našeg glavnog junaka Aljoše. Aljoša je dvadesetogodišnji mladić na životnoj prekretnici, koji pokušava da balansira između očekivanja svog oca, ambicija svoje majke, vlastitih teško ostvarivih ambicija i ljubavi kojoj se bliži neizbježni kraj.
THE CLINCH is a coming-of-age series about real adolescence, about moments in life when young people on the threshold of adulthood complete high school and become university students or find jobs, and start to fulfil or become disappointed with their ambitions. It is a period when life starts slapping us down and we must find a way to stay on our own feet. A period when every one of us realises who our true friends are and that life is not the fairytale our parents have been preparing us for. A period of life in which the story of twentyyear-old Aljoša begins – just as he is at a turning point of his life, trying to achieve balance between his father’s, his mother’s, and his own,highly improbable ambitions, and a love that is nearing its inevitable end.
