Arula Brand Book

Page 1

BRAND BOOK

1
FIRST EDITION 2021
3 Introduction OUR BRAND . . . . . . . . . . 4 Part I COLORS + PAPERS . . . . . . 13 Part II LOGO . . . . . . . . . . . . . 20 Part III TYPOGRAPHY . . . . . . . . . 25 Part IV GRAPHICS . . . . . . . . . . 36 Part V PHOTOGRAPHY 42 Contents

Our Brand

INTRODUCTION

Brand Manifesto

ARULA is her happy place.

ARULA is a world of inspiration where she creates the life she loves.

ARULA celebrates what makes her unique and reflects back her shining spirit. ARULA finds beauty in the details, and grace in the small moments of each day.

We believe that feeling beautiful has a halo effect.

We believe that real connections happen through lifting each other up.

We believe in the power of positivity and want to make smiles go viral.

We believe that a great outfit can change your mood and that great jeans make great days.

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Brand Voice

Fun-loving & Conversational

Spirited & Relevant

Inspiring & Uplifting

Personal & Approachable

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INSPIRED BY BEAUTY

Our Mission

WE’RE HERE TO ERASE INDUSTRY STANDARDS AND RAISE THE BAR ON THE MID AND PLUS SIZE SHOPPING EXPERIENCE . WE PROVIDE A CURATED SHOPPING DESTINATION AT THE INTERSECTION OF FASHION AND COMMUNITY .

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Our Guest

ALIVIA IS . . .

Passionate about giving back, wants to feel beautiful and be surrounded by positivity, loves to travel and is always looking for her next adventure (road trips are her new escape), believes her friends and family are everything, a dog mom, has a love of coffee that goes above and beyond her daily cup, loves a good photo opp, lives in the burbs but loves weekend trips to the city, drives a Jeep, a plant mom (but wishes for a greener thumb), and loves to make her space reflect her personality.

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She

YOUTHFUL SUBURBAN

BODY POSITIVE ON TREND

SELF AWARE

FEMININE

APPROACHABLE AUTHENTIC ADVENTUROUS

JUVENILE URBAN

BODY FLAUNTING

HIGH FASHION

SELF PROMOTING

SEXY

AUSTERE PRETENTIOUS

PASSIVE

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She is Alivia
isn’t

Our brand

IS REFLECTED IN OUR VISUAL IDENTITY . WE � VE PROVIDED THE GUIDELINES IN THIS BOOK TO HELP YOU TELL OUR STORY IN THE BEST WAY POSSIBLE .

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PART I

Colors & Papers

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Official Colors

COMPLIMENTARY COLOR

BOLD MAIN COLOR

LIGHT NEUTRAL COLOR

DARK NEUTRAL COLOR

METALLIC ACCENT

POP ACCENT COLOR

ACCENT COLOR

ACCENT COLOR

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COLORS & PAPERS

Official Colors

This color will be used for grabbing attention, highlighting important information, and used for calls to action. This color is memorable this is the brand identity color.

This color is a pop shade that pairs well with the main and complimentary colors.

This color is a neutral shade that pairs well with the bold and complimentary color. This will help ground the colors and can be used as an accent color.

This color compliments the bold brand color.

This neutral shade pairs well with the bold and complimentary color. This will help ground the colors and can be used as an accent color.

This color aligns with the rest of the color scheme and is used mainly for paragraph text and dark backgrounds.

This color will be used for the background and supporting elements. This color will not take the limelight and will be used to add depth to the brand

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Terracotta
Teal Warm Gray
Vivid Peach Coral Peach Light Peach Soft Blue
Deep
COLORS & PAPERS Bold Main Pop Accent Accent Complimentary Accent Dark Neutral Light Neutral

Official Colors

CMYK will be the most accurate when printing offset. Color can vary significantly on desktop printers so we can’t guarantee a color match on all printers. If you will be doing a large amount of in house printing, we recommend printing a color test sheet to determine a specific color mix for your printer. Please contact Robin Easter Design to set one up.

* in order of prefered printing technique

PANTONE uncoated and coated inks may be different because color can appear very different on a coated versus uncoated surface. Coated colors should only be used for coated materials such as stickers, vinyl, or matching paint colors etc.

RGB & HEX numbers are for on screen use only. Ink colors do not look accurate on screen, we try our best to simulate web colors on our monitors, but color varies wildly from screen to screen.

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PANTONE CMYK RGB HEX Uncoated · Coated 487 U · 486 C 0 · 44 · 41 · 0 237 · 162 · 139 eda28b 7625 U · 7416 C 0 · 70 · 71 · 0 234 · 119 · 108 ea776c 7605 0 · 22 · 14 · 0 234 · 196 · 190 eac4be 2707 18 · 5 · 0 · 0 199 · 219 · 244 c7dbf4 7608 U · 4039 C 9 · 66 · 59 · 20 171 · 110 · 95 ab6e5f 546 89 · 52 · 25 · 69 135 · 48 · 54 344044 Warm Grey 1 9 · 10 · 11 · 0 219 · 213 · 205 dbd5cd Vivid Peach Coral Peach Light Peach Soft Blue Terracotta Deep Teal Warm Gray PRINT WEB
COLORS & PAPERS

Color Usage

Some of the brand colors cannot be typeset on top of each other for contrast and readability.

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

LOREM IPSUM DOLOR

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COLORS & PAPERS

Color Usage

In most cases the colors should be used full strength, however there may be instances that call for screening of the colors.

To get a greater range of color in 1, 2 or 3 color printing, screening of the colors is recommended. The coral peach screened to 65%, 40% and 25% can replace the use of Light Peach in a 1 color print job. To acheive a very soft pink, the Light Peach may be screened.

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100% 65% 40% 25% COLORS & PAPERS

Official Papers

These five papers are critical to the look and feel of the Arula brand. No other papers may be used.

Do not use coated paper for Arula materials, except for materials which need to withstand the elements such as a banner or bumper sticker, etc. Everything else should be printed on these uncoated papers.

NOTE For informal materials printed in house, white copy paper may be used. Never use white copy paper for materials marketed to the public.

VIVID PEACH

Cards & Pockets

Color · Coral

Weights · 91T · 100C

SOFT BLUE

Mohawk Keaykolour

Color · Pastel Blue

Weights · 80T · 100C

TERRACOTTA

French Paper Co. Construction

Color · Brick Red

Weights · 70T · 80C · 100C

DEEP TEAL

Mohawk Keaykolour

Color · Holly

Weights · 80T · 100C

WHITE

Domtar Cougar

Color · White

Weights · 70T · 80T · 100T

65C · 80C · 100C · 130C · 160C

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COLORS & PAPERS

PART II

Logo

Margins + Ratio

The margin around the logo should always be at least equal to the height of the letters.

Proportions + Resizing

The logo must be resized proportionally. The logo should never be stretched in any way.

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INCORRECT
CORRECT MARGINS
MARGINS INCORRECT SIZING CORRECT SIZING
LOGO

Examples of Unacceptable Use

Do not change the proportion of elements in the logo

Do not alter the typography in any way

Do not alter the spacing or arrangement of elements in the logo

Do not use special effects such as beveling or drop shadows

Do not outline the logo

Do not skew or rotate the logo

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LOGO

Color Usage

The logo should primarily appear in vivid peach, but may appear in any of the brand colors. Some colors cannot be used on top of each other for contrast and readability.

23 LOGO

When Color Printing is Not Available

In applications where color printing is not possible, the logo should appear in either solid black, 50% black, 30% black or reversed out.

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100% BLACK 30% BLACK 50% BLACK REVERSED OUT
LOGO

PART III

Typography

25

Magnat is available in Poster, Head and Text faces. Characteristics of each face are optimized for specific uses. Text should be used for body copy and small type. Head for headers and larger type and Poster for very large type that you might find on a sign or poster.

The specimens to the right are enlarged to show the differences. The Text face appears clunky at larger sizes so should never be used for large type. The Display and Poster versions have thin places in the letterforms which would not print well at small sizes.

26 Head Poster Denim POSTER Denim HEAD Denim TEXT TYPOGRAPHY
Magnat

Within each face, Magnat is available in 18 weights (each with a matching italic). This provides a lot of flexibility for the future to give different marketing campaigns their own flavor or to evolve the brand to prevent it from getting stale. In 2021 for the launch, the brand primarily uses the weights called out in Peach.

27 Love Love Love Love Love Love Love Love Love Love Love Love Love Love Love Love Love Love POSTER Extra Bold Bold Semi Bold Medium Regular Light Extra Bold Bold Semi Bold Medium Regular Light Extra Black Bold Semibold Medium Regular Light DISPLAY TEXT TYPOGRAPHY
Magnat

The following are the most common uses of Magnat within the Arula brand.

EXAMPLES OF UNACCEPTABLE USE

HEADERS, CALL OUTS, SPECIAL TREATMENTS

Magnat Display Bold (or Poster Black for large scale)

DENIM DREAMS

Denim Dreams

SMALL HEADERS, CAPTIONS, SMALL CALLOUTS OR BITS OF TEXT

Magnat Text Medium

BRIDAL GOWNS

BODY COPY

Magnat Text Regular

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Never use Magnat Display or Poster for small text .

LOREM IPSUM

Never use Magnat Text Bold, Display or Poster for body copy .

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TYPOGRAPHY
Magnat

Trenda is available in 8 weights (each with a matching italic). As with Magnat, in 2021 for the launch, the brand primarily uses the weights called out in peach, the light, extra light and thin are not used.

29 Denim Denim Denim Denim Denim Denim Denim Denim Heavy Black Bold Semibold Regular Light Extra Light Thin TYPOGRAPHY
Trenda

The following are the most common uses of Trenda within the Arula brand.

EXAMPLES OF UNACCEPTABLE USE

HEADERS, CALL OUTS, SPECIAL TREATMENTS

Trenda Bold, Black or Heavy

DENIM DREAMS

Denim Dreams

SMALL HEADERS, CAPTIONS, SMALL CALLOUTS OR BITS OF TEXT

Trenda Bold, Black or Heavy

DENIM DREAMS SMALL AMOUNTS OF COPY

Trenda Regular, Semibold or Bold

Lorem ipsum dolor sit amet, consectetur adipiscing elit . Fusce suscipit, lorem sed grava dignissim, elit nunc lacinia elit, mattis con sequat dolor massa velit .

Never use bold, black or heavy for text longer than a sentence or two .

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TYPOGRAPHY
Trenda

Funky Signature only come in one weight. The font was chosen for its handwritten nature.

Funky Signature Denim

31 TYPOGRAPHY
Regular

Funky Signature

Script should be used sparingly and only for a few words at a time.

CALL OUTS, SPECIAL TREATMENTS

Perfect fit

EXAMPLES OF UNACCEPTABLE USE

Never use script for text longer than a few words .

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Never track out Funky Signature

Lorem ipsum

dolor sit

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TYPOGRAPHY

Tracking / Letter Spacing

Certain type treatments require additional space between letters.

MAGNAT in all caps should be tracked 100 to 200 .

Upper and lower case headers should be tracked 75 .

TRENDA in all caps should be tracked 100 to 200 .

Upper and lower case headers should be tracked 50 .

FUNKY SIGNATURE should never be tracked unless needed to connect disconnected letters .

33 TYPOGRAPHY
PERFECT FIT PERFECT FIT Perfect Fit PERFECT FIT PERFECT FIT Perfect Fit Perfect Fit
200 100 75 200 100 50 0

Paragraph Alignment

The Arula brand should primarily use left aligned or centered type.

LEFT ALIGNMENT

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CENTER ALIGNMENT

Centered text should only be used for smaller bits of copy . If you are typesetting more than a few paragraphs, left alignment should be used .

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EXAMPLES OF UNACCEPTABLE USE

The Arula brand should never use justified type . The effect is too rigid and feels uptight .

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34 TYPOGRAPHY

Type

Letters that curve to match photography or graphics may be used as a special treatment. It may be used in upper or lowercase. Trenda should be used primarily.

Y O U R DR E AM F I T

Y O U R DR E AM F I T

Y O U R DR E AM F I T

35 TYPOGRAPHY
c stek
Curved
Perf e c t p o

PART

IV

Textures & Shapes

36

Textures

Several textures have been created for the Arula brand. These tiffs are made to mimic soft fabrics and shadows. They can used at various scales and overlaid as one color.

NOTE As the brand grows, additonal textures may be created to reflect trends and changing seasons.

SINGLE COLOR OVERLAID

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GRAPHICS

Arch

An arch mirroring the curves of the Arula logo can be used as an graphic element or frame within the brand.

Full Arch

Haf Arch

As negative space

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GRAPHICS

Curves

Curve shapes have been created to use as an element within the Arula brand. These reference the curve of the human body while also bringing movement to photos and styling.

Within Photography

As a graphic element

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GRAPHICS

Curves

Because the shape references the human body, do not use more than two and a half waves.

Examples of usable portions:

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GRAPHICS

Examples of Unacceptable Use

The same rules of proportion and resizing that apply to the logo apply to the graphics. The graphics must be resized proportionally.

Never compress the graphics .

Never stretch the graphics .

Never rotate the arch

Never use more than two humps of the wave

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GRAPHICS

PART V

Photography

Photography Style

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PHOTOGRAPHY

The arch can be used as graphic element layered with photography. Make sure the arch never eclipses product.

Arch Examples PHOTOGRAPHY

The arch can also be used as a frame to hold photography, text and texture.

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Arch Examples

The arch can be used to create negative space.

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PHOTOGRAPHY

Curves Examples

46 PHOTOGRAPHY

Graphics Examples

Denim is what we want to be known for it's the base of her look and fit is critical to Alivia. We want to be her fit expert.

47 .C
PHOTOGRAPHY
DENIM
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PREPARED BY

865-524-0146

robineaster.com

132 West Jackson Avenue Knoxville, TN 37902

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