PEÑAFRANCIA 2017 SPECIAL SUPPLEMENT
Viva la Virgen! means freedom from oppression
T
he Himno a Nuestra Señora de Peñafrancia, popularly known as “Resuene Vibrante,” composed by Fr. Maximo Juguera, c.m., in 1924, has a third strophe which people don’t usually sing. It is the most melodious and, perhaps, the most sophisticated part of the Himno, and its lyrics, the most poignant and most poetic. It says: Los pobres y tristes te buscan con fe te miran llorando les miras tambien. Al punto sus lagrimas se truscan en bien y a casa gozosos les vemos volver. which roughly translates to: The poor and the burdened seek you with faith. They gaze at you with tears and you look at them too. Your own tears blend with theirs and they return home filled with joy. In this third strophe, Fr. Juguera describes, in a rather narrative manner— as compared to the first two estrofas, which are in lyric form, an essential character of the Peñafrancia Devotion: Marian preferential gaze at the poor and the oppressed. It is a short story of the lowly, coming to Our Lady’s presence, seeking her mercy and charity, her hope and faith, because they knew what graces can be obtained from her Son through her aid. A little more than 200 years already since it was introduced in Bikol, Fr. Juguera, saw the devotion to Our Lady of Peñafrancia in 1924 as something more than just a mere tradition—nostalgic, romantic, sentimental, a pledge to fulfill or celebrate annually; he saw it as an opportunity for earnest colloquy with Christ, through her Blessed Mother. /NEXT PAGE