sutil é um magazine digital mensal e sem formato pré-definido sobre Amor, Arte, Cultura, Tecnologia, Moda & Estilo e Tendências, editado pela Puri Produções. Número 19 // sutil is a digital magazine released monthly without any pre-format defined about Love, Art, Culture, Technology, Fashion & Style, Trends, published by Puri Productions #19
CO P Y RIG HTS A LL RES E RV E D BY P URI P RO DUCTI O NS 20 19 .
EDITION & DESIGN
M.I.K.A.
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ISSUU [ ht tps :/ / is s uu.c om/ s uti l ma ga zi ne ]
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} editorial I've already said in some of our 18 editions something about the origin of my mother's family that it came from Galicia to Bahia in the XIX. Anyone who knows me better will yawn at first, but the story is really so much longer. He my grandfather Manuel Malvar , was more Moorish than Iberian as his surname reveals giving were from the Philippines at the time of the Spanish colonization in that archipelago… Arriving here, and becoming just a boy, fell in love until married with grandma Lourdes, an mestizo girl who can't even say if she was more indigenous than black or more black than indigenous, but she was from Salvador. On the paternal family side, the situation has similarities: my grandfather Souza was Portuguese, also recently landed in Brazil, coming from the interior of Portugal, and here, in Rio de Janeiro, he met my grandmother Maria, a remnant of a indigenous family from the Puri tribe who lived in a small farm in Cachoeiras de Macacu's mountain [between Teresópolis and Rio Bonito]. Entangled, they're downing to a semirural area of Baixada. From them to me the life jumped. That was really other times… Malvar came to Rio following one him sisters and my child mother who was well done your life as a housekeeper in a mansion in Botafogo and with her tailor husband, member of the samba's group Bafo de Onça too, and here he would get a job at the club of the electricity company workers, located in Grajaú. Soon, he gained the trust of the directors and was invited to live in the clubhouse to take care of all yard [forest, soccer field, sports court, restaurant etc]. This was a good restart for my mother who spent much of her teenage years taking care of the younger ones, studying and attending a Protestant church since returned to home. Soon she would be working in one of Tijuca's bustling department stores, fashionable in the 60s, right in the IêIêIê movement, hitting the pompous Saenz Peña movie hall circuit and attending fastfoods as they said. The Souza's had 8 children, but this Manuel lost my grandmother early, when my father was only 8 yearsold. He was raised by his older sister, among a backyard full of ducks and banana trees, the street soccer, the school, the trips til the old station Engenheiro Neiva where could took some cash selling candies because there was the frenzy spot of that region while the military enlistment time don't come. In the Army, he completed his service and decided that he would pursue the profession of ongoing technical draftsman. He found himself in this business. He became so adept that after a short time in construction he was absorbed by the boom in the infrastructure area and was specialized in hydroelectric energy. They got married and move to another apartment inside the club too, and almost 2 years later I was born. I lived there during my early 4 years… Soon and after this and my brother's birth, my father was promoted to designer project and we went to Brasilia, block 416 North. I'll never stop again. I'd changing between neighborhoods, cities, states and countries. It's my movie; everyone has one. Today, as a pro journalist and amateur writer, I already started a doc about the centenary brazilian soccer match FlaFlu that I didn't workout but that 'fell' on the filmmaker Walter Salles's office going out a year late, and did some lowcost vid reports. I confess that I didn't target make movies even though I've already published some stories that I even consider potential scripts. I think about it because the president has declared that Ancine is going into extinction, and that it's worth remembering what this cia meant in such a stateowned Brazil for most of its existence.
} interview ALEXANDRE CANHETTI VOCALS OF @Gods&Punks
ODYSSEY OF ROMANTICS
AT THE 2ND ALBUM OF A TRILOGY, THE CARIOCA ROCK BAND REACHES MATURITY IN HIS PHONOGRAPHICAL PRODUCTION AND CLIMB VARIOUS DEGREES TO THE INTERNACIONAL SCENE
w _by m.i.k.a.
riting about music is becoming increasingly rare. I am not talking about media products, both specialized or generalist, but about the number of artists by which styles multiplied until this eve of the 3rd decade of the millennium.
This makes the conversation more demanding. Choosing one of many bands requires a much more eloquent motivation than a few years ago. Only the group itself can push us to this move, especially when coming from the national underground like Gods & Punks. From Rio de Janeiro, these guys are building a career without great secrets or strategic news, but with very relevant results: 2 albums and 2 EPs now by the label @AbraxasRecords, frankly being the last 'Enter the Ceremony of Damnation' the apex of this tetrad, which tells with the biggest 'soundcheck' I know: 'The Sounds of the Earth', 'Into the Dunes of Doom', plus the b-sides called 'Ceremony of Damnation' in advance. The differential is obviousness. Good songs very well arranged, recorded, mixed and introduced by creative art covers [by @CristianoSuårez, brazilian designer from Alagoas who is creating some pieces like the controversial @DeadKennedys commemorative brazilian tour poster]. If we are going to start referring, note @Mastodon now because the list is long. When I listen 'Enter‌', I was taken to a trip thru @BlackSabbath with #Ozzy, golden moments from @Rush and a lot of Alt-Metal stuff. Maybe this was simply definable as the Stoner Rock. But the G&P not only obtained an identity as
they managed to publish one of the best album of 2019, without geographical or style boundaries. Just the dating of the route to understand that the band has been locked for at least 5 years in studio to reach this level. Composing and producing good albums, cohesive from the cover approach already sounds like vintage stuff, and they assume it despite the age of the members and without intending any marketing hook. The group's name itself goes directly to another weird heavy metal name [is the title of a @MonsterMagnet's song], ambiguously further from them than @Pixies. Yes, there is a weird trace on Gods & Punks that suits them well. The themes are dense, almost epic. A diary-related odyssey of a would-be author or imaginary character from a typical graphic novel of the 70s and 80s, moving through existentialist science fiction, supernaturality, and footsteps on a daily basis. They get dark at times, but they don't convince: 'Enter the Ceremony of Damnation' thrills. } sutil Since are you together? Is the first band for all Gods and Punks members or it's a project planned by members of other groups? } Alexandre Canhetti The band was formed by me and my brother @PedroCanhetti in 2013, who is our guitar solo. We called some friends to play together some songs that we had composed til that first meeting, among them was @Psy which is our lead guitar, but at that time was the drummer. Since then we
have changed several times the formation of the band, but when #Danilo and #Arthur joined the group stabilized and we could solidify this identity that we have actually. } sutil In the description of this 4th. release that accompanies the tracks in your spreadsheets the band assumed that you wanted to excel yourselfies and in our opinion you did it. And now? Are you going on the road or are imminently dedicated to compose and record? } Alex We're already getting ready for the next album, which will be the best for now. It will be the first album made out of the attic we've ever used to reheasals since 'The Sounds‌', and that influences us a lot. The songs are much more experimental now, to trip. } sutil I have a belief that a lot of people will be surprised because the early age of the band members. Especially in your last album had a big movement til the origins of Hard Rock, being experimental and at the same time come out like Rock pieces‌ Listen you the classics or it's just sounding like new for you? } Alex We are listen everything and I think that's very good to create a more original sound for the band. We have to enjoy this kind of Black Sabbath or Rush a lot but overall, in my opinion, that's a mix of everything we need to make a more singular sound as a band. } sutil Stoner and Doom Metal are currently the most wordy styles on the music scene. Everyday is coming out new albums, EPs or singles. What is the relationship between the band, Abraxas Records and @666MrDoom?
} Alex This bands is being the style getting very saturated and there are thousand of bands doing the same things, singing about the same themes, with a proposed and wanting to fit a profile that we are increasingly looking to move away. There is a World of themes, images, sounds and approaches that the Stoner, the Doom and Prog could be running, so we are really trying to get away from the cliche that you see on pages about Stoner. If you took what we presented in 2016, it's certainly not like we are playing today. We are working hardly to grow as musicians, doing something better than we did yesterday. So, we are praised for this booking by Abraxas, for the 666MrDoom and for all the other great pillars of the stoner/doom world scene have made for the music as a whole. It's will much easier and profitable for them if they're just spotlight more of the same. } sutil In addition to the conceptualization and the songs, the production has a great merit in the result of 'Enter‌'. You co-produced the album at @EstúdioMata, from Niterói, Brazil. Can you talk about this last record process til the final step? } Alex We always recorded every song live, only in one or two takes. To begin the job we were recording all instruments, all together into the same room, and lastly the voices, when I sang alone at my home, usually recording all themes on the same day, in one or two takes too, to make it all sounding so much 'spontaneous'. The extra-tracks are triggered by guest musicians. Arthur is our mixer and the master came with us together. This was a busy process because we had a schedule proposal to release this album near the Christmas and we are recording it all very close to meet this deadline. It was a very intense time.
} sutil Will you do a concert soon? } Alex The band's next gig will be in September in Nova Iguaรงu, but before still this month we'll record the new album that will be release in October.
} album
THE SOUNDS OF THE EARTH - EP [ 2016] NO LABEL
INTO THE DUNES OF DOOM [ 2017] NO LABEL
CEREMONY OF DAMNATION - EP [ 2018] ABRAXAS RECORDS
1. 2. 3. 4. 5.
1. 2. 3. 4. 5. 6. 7.
1. Welcome to the Ceremony 2. Ground Zero 3. Blood Moon Sky
Eye in the Sky The Tusk Black Apples Universe Gravity
} Gods & Punks is
Dunes of Doom Civilization Rise From the Sand Signs of Life Mushrrom Clouds Subatomic Wormhole The Encounter
Alex Canhetti [vox], Pedro Canhetti [guitar solo],
Psy [lead guitar], Danilo Oliveira [bass] e Arthur [drums]
} visual
THE DAY THE EARTH MULTIPLIED IT OWN SIZE RECENTLY STUDIES ABOUT GALAXIES ARE APPLICABLE AT THE PLANET CORE STRUCTURE AND BEHAVIOR AND REVEALS THAT, BEYOND ROTATING, THE UNIVERSE PULSES
NLR [NARROW LINE REGION]
WITH IDENTICAL MODELS, THE EARTH'S CORE AND THE CALLED 'AGN' SHOW US HUGE CHANGES IN THE LIGHT AMBIT WHEN THERE OCCUR SOME ALTERNANCE ON IT FLOW BETWEEN THE SENDERS AND RECEIVERS. INFO: B.SAXTON / NRAO / AUI / NSF
BLR [BROAD LINE REGION]
_by m.i.k.a.
T
here is a certain gap between scientific discoveries and the dissemination of news to the public, but this is understandable. It is not easy to explain new things. And learning is not guaranteed even by the basics in each branch of Knowledge, such as @AlbertEinstein's Relativity, so complex that it's always
subjected to proving tests where other advances usually come from. Perhaps this is why it is even necessary to measure how much and when information that significantly changes paradigms should be shared, as precipitation or too much delay can either make us completely disregard it or break pillars that underpin our own civilization. Fortunately, we are beginning to experience a period of less burden on this managerial responsibility, as there seems to be a new and real wave underway, which ratifies concepts, adds consistent proposals and broadens the perceptual territory of general human knowledge simultaneously, regardless of whether it core, from Science or Spirituality, and eliminating what is self-eradicating. It is not a little change. Bringing it to a more common daily plan it's like failing to take ingredients to make a dish or come to realize one during a tasting. In practice, the final list will be result containing the same products if we are able to assimilate all during our inspiration and chewing, but the process is radically different: we will aren't going around a series of ingredients trying to make some recipe, but understanding a ready-made one from what we know about and using our own senses.
In Cosmology this dimension gains proportions of almost immeasurable discrepancies, but it has been worse. Not only language but the most preliminary ideas of scientists, though absurd to most today, are accepted as such thanks to information. And as the number of astronomical events has increased in the last three decades, images captured by powerful telescopes and missions sent into space that allow us to increasingly visualize the Universe, a new culture that we might even call transcendent is emerging, if this were not an almost reductive term for what is coming‌ Looking at some of these files, @sutil realized that there is an analogy between the structure of the Earth's core and the so-called #AGN [Active Nuclei of Galaxies], and this is very illuminating and complementary to our recent guidelines on this topic, especially about the report 'Perfect Imprecision' published in the late issue. In searching this intricate subject but in the light of these recent events, we come to the conclusion that the relationship between the planet's core and the Sun is so close that when there were those disconnects and reconnections between them due to eclipses, and all that has as described, the Earth suffered contractions followed by expansions of levels well above what the indicators used to see regarding the behavior of the Universe. Did you feel something? Consciously, maybe not. But with the exception of one or another catastrophic climate manifestation at certain points as we have already reported too, even though satellites and telescopes are so
recent in the history of mankind, it seems to the planet that this was just a routine. However, looking at the data, and since neither the Sun nor the Earth are alone in the World, we can say that everything has changed after such discoveries regarding this pulsating motion of the Universe and its present amplitude. Before viewing our graphs, see below what the @Hubble telescope processed while looking at the galaxy #NGC3137 to understand this analogy [image released by @SpaceToday]:
Peak of 0.9 on the NLR High Frequency Scale, at 6 climbs detected by the telescope, plotted on the graph in Green color
WAVE LENGTH AND FREQUENCY RATE
Considerable and simultaneous point of change at high frequencies of Narrow Region Line and in Broad Region in galaxy's AGN
High frequency stability line of the waves light [0.17 blue spectrum]
WAVE LENGTH STANDARD RULER [Å]
Low frequency stability line of the waves light [0.0 red spectrum]
HOW THE EARTH PULSE DURING A ECLIPSE
This is the planet and its core in proportional sizes applied to the Chronotrigonometer [see published booklet on our @Issuu profile]
Focusing only on the core we realize the similarity between its structure and that of the AGN, with the synchrotron radiation having surface exits composing the poles
INTERNAL CORE RADIATION EXTERNAL CORE MANTLE UPPER MANTLE CRUST
Considering the frequency of the waves of light and the Hubble graphic on the previous page, this is the core pattern detectable before any interference
As occurred in the NGC 3137 AGN [see the first peak in the graph], when the eclipse ended and the part of the core that was covered up by the shade received solar radiation again, there was an instantaneous rise in the high frequency value throughout the interior of the Earth, as occurs in a flash of light indoor
If we understand the size of a galaxy as the length of the light it emanates from the center, we can say that at this peak of the blue spectrum frequency wave on the planet meant that it expelled. The peak is intense because the Sun has rediscovered that of the core
Interestingly that after this peak and a retreat to the high frequency stability value of the core an even sharper second peak occurs, but coming only from the external core, as if this region were still under a dispute between the value of the Sun and the rest of the core
The instability continues, but as long as the frequency from the external core tends to stable values, that of the upper mantle initiates a sequence of peak shorter intervals and reaching even higher level
To the highest peak of this entire realignment phase high frequencies of the nucleus with those of the Sun after eclipse, the wave was multiplied countless times relative to its pattern before returning to the standard
We would need to visualize an image of the planet captured during the eclipse to prove it but we can also suggest that the intensity of these high frequency peaks could be seen from space, as if the Earth had shone
:
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