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FROM VISUALIZATION TO VISUALIZATION YIM CHI CHUNG TIM 3035190359 DEPARTMENT OF ARCHITECTURE THE UNIVERSITY OF HONG KONG ARCH 2057 TUTOR: LIM JAE HYUN FALL SEMESTER 2015


CONTENT chaper I - visualization 3 - 18 drawing board c h a p e r II - a b s t r a c t i o n 19 - 25 translation of drawing board c h a p t e r III - e x p l o r a t i o n 26 - 43 exploration of prototype c h a p t e r IV - v i s u s a l i z a t i o n 43 -69 drawing room

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drawing is visualization of conceptual notions. Instead of literal translation from what one observes, drawing shows a greater influence in an analysis of a particular scenario. This project tries to produce drawings based on the analysis of a chosen object - a can opener. Differernt studies are done about the object on the basis on its motion, form, operating methods and scale. Drawings are produced based on different stages of studies.

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operating method

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a can opener undergoes a cycle when it opens a can. Its knob rotates such that the blade follows the pathway of can. The sketch shows the cycle by drawing the obervation of can opener from different perspective throughout the cycle.

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cycle the 1st drawing illustrate the circular pathway of the operation of can operner. It also illustrate the expansion of its arms at the central position.

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the sketch determines the extent that a can opener can archive in its motion of spanning. Different degrees of angle is resulted. A intriguing observation is resulted - the form of the object is determined by its motion. Different extend of motion results in different forms.

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span

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the 2nd drawing examines the object by protraying its span of rotation from a top to bottom perspective. It also breaks down internal components of the can opener to examine the relationship between operative components.


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scale

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e another

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expression

h of

drawing. The sketch protrays two different scales of the operative components of the can opener. They are layered in a certain orders. The notion of order also suggests the practicality of the object.

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scale two scales are applied in the drawing simultaneously, it shows the duality in terms of scale. The change in scale reveals more detail in composition of the object.Also two perspectives of viewing are applied - the plan and axonometric perspective.

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d u a l i t y

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o f

s i d e s


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The sketch continues the language of scale by scaling up all the operative components

in the previous

drawing. However, it removes the contrast in scale, it shows only a larger scale instead. The sketch shows the concept of axonometric drawing in ordering the components of can opener. Axises are crossed in order to show the relationship of positive and negative side of the object. 15


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coexistence coexistence is the major concept of the drawing board. This idea is conveyed by the action of disassembling the internal components of can opener and assembling them back in a virtual way. The drawing shows exaggeration “to scale” by enlarging the scale of drawing into a greater extent. Such exaggeration of scale inverts the percepted view towards to object from a normal perspective. The concept of scale eventually brings out the major concept of the drawing. The idea of coexistence also exists in its way “to locate” Two oppositely oriented axises are located to arrange the order of layering of the gears. The method of location embodies the concept of postive and negative side of the object. The protrayal of the gears’ motion tries “to model” the process of its operation. The drawing is not bound by the boundary, the board is “to enclose” the drawing, but it means to be infinite and continues beyond its boundary.

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abstraction refers to the process of extracting concepts from the

e x t r u s i o n ( n . )

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(

n

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drawing board

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(

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study model

concept models are made based

the concept models the lane t r u s iconveys on

the model futher explores the

on the idea of direct extrusion

guage motionmodels of the object. This the of concept intend to

concept of the organization of

from certain representative pat-

is because explore the the drawing, thickness toofa certain con-

drawing - the disassemblence and

tern from drawing board as a

extent, studies the of circular motion struction element the room as

assemblence of internal gears of

study of the abstraction from

of the a can opener. The model tends thickness further introduces

a can opener. This concept of con-

a

to spatial study experience this aspect to of the drawing. room.

structing drawing gives arises the

two

dimensional

drawing

to a three dimensional space.

sense of coexistence to the model.

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exploration shows the process of development of a chosen prototype suggested in the early stage of the project. The model of “concept� was developed in this project as the prototype shows a high flexibility and diversity in its development compared to the other two models that are translated from some literal maening.

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exploration model pattern - hexagon The model further explores the relationship of “coexisting space” based on the concept model

of

“concept” This model studies the overlapping of hexagons in order to form the “coexisting space”

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t o p

v i e w

a n g l e of v i e w i n g c h a n g e s

a n g l e of v i e w i n g c h a n g e s

a n g l e of v i e w i n g c h a n g e s

a n g l e of v i e w i n g c h a n g e s

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p

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e x t r u s i o n

v a r i a t i o n i n h e i g h t

i n c l i n a t i o n c u t


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The axonometric drawing reveals the form of the room. It shows the feature of the inclination cut. Also, the concept of coexistence between the idea of assemblence and disassemblence is shown.

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exploration model pattern - circle The model further explores the relationship of “coexisting space” based on the concept model of “concept” This model studies the overlapping of circles in order to form the “coexisting space”

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t o p

v i e w

a n g l e of v i e w i n g c h a n g e s

a n g l e of v i e w i n g c h a n g e s

e l e v a t i o n

a n g l e of v i e w i n g c h a n g e s

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o v e r l a p p i n g

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p

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e x t r u s i o n

v a r i a t i o n i n h e i g h t


a x o n o m e t i c d

The

r

shows

a

w

axonometric the

i

n

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drawing

connection

be-

tween space created by the

assemblence of four individual canbinets. At the central shaded area, it shows

the place of assemblence.

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draft model The model further develops the prototype of the circle patterned model. The development process is based on the exploration of

thickness

and the exaggeration of concept.

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disassemblence

the model is disassembled into parts to evaluate the impact as it stands itself. The photos reveal the obervation of the central part which carries the meaning of assembled space.

t o p

v i e w

angle of view i n g c h a n g e s

a n g l e o f v i e w i n g c h a n g e s

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disassemblence

the model is disassembled into parts to evaluate the impact as it stands itself. The photos reveal the obervation of the four individual cabinet that embodies the concept of disassembled space.

c a b i n e t

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#

1

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a s s e m b l e n c e

the

model

blence

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of

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assembled

cabinet

also

as helps

a

whole

to

visualize

to

study

the

interior

angle of view i n g c h a n g e s

the

prototype.

condition

of

the

Assemroom.

a n g l e o f v i e w i n g c h a n g e s

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i

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gap between walls


disassemblence

p e r s p e c t i v e s k e t c h

p e r s p e c t i v e s k e t c h

s (

e b

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s (

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the cabinets are modified with the concept of thickness. Instead of plane surface from literal extrusion of plan that the previous model has, the model shows the surface of curvature and trajectory.

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a s s e m b l e n c e

p e r p e c t i v e s k e t c h

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a x o n o m e t i c d

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The axonometric drawing examines the relationship between individual “disassembled” space and the sharing

“assembled” space. The shading area signifies the space

that is assembled where the circulation within the room ends.

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the final model is a visualization between the concept of the drawing board and the previous exploration and development of project. It visualizes a three diemensional space that gives the spatial experience generated from the concept of a two dimensional drawing. Such visualization also turns something conceptual into definable as it translates a drawing to a space. The definition

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is articulated by the function of space that activates actions of people within.


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The “room of coexistence� conveys the

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concept of conexistence in the drawing board - the assem-

blence and disassemblence of the gears of a can opener. The contrast in idea results in an intriguing tension. To further develop the relationship between the drawing room and drawing board. The pattern of circles are extracted as an initiation of the thinking process in the construction of plan of the room. Through the overlap of circles, pattern is resulted as the plan for the further development. The development process focuses on the thickness and spatial experience within. Thus, the final model is resulted.

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i n d i v i d u a l i t y “Individuality is assembled by idividualities� individuality of each unit represents the idea of disaasemblence

because its existence represents a uniqueness and inrreplacebility of the space. Within the individuality, the room contends the individualities within individual-

ity, that is the coexistence of space defined diversely

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d i s a s s e m b l e n c e

each of the cabinet is dissected to into individualities that

assemble the space since the cabinet is disassembled

into two spaces that are defined by actions taken within

but they are assembled into a individuality by the connection of transition space. The change of datum level also gives clues to the discrete separation of function.

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disassemblence

c a b i n e t # ( f r o n t

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1 )

c a b i n e t # ( f r o n t

2 )

c a b i n e t # ( f r o n t

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c a b i n e t # ( f r o n t

4 )


disassemblence

c a b i n e t ( b a c

# k

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c a b i n e t ( b a c

# k

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c a b i n e t ( b a c

# k

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c a b i n e t ( b a c

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disassemblence

t o p

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v i e w

angle of view i n g c h a n g e s

angle o f v i e w i n g c h a n g e s

e l e v a t i o n


a s s e m b l e n c e

1

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=

1

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a s s e m b l e n c e

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concept of assemblence is shown through the process of combining different units together.

A sharing space

- the central atrium is eventually resulted from the overlapping and combina-

tion of space. The final model shows an individuality by the assemblence of the other individualities.

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outside-in#1 central atrium

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o u t s i d e - i n # 2 r

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outside-in#3 datum

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inside-out #1 datum

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inside-out #2 roofs

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taking

the inspiration from Cabinet of Curiosities,

space is de-

fined by its nature of articulating different kinds of action within. The drawing room would like to convey similar ideas of function within a room. Thus, the room of coexistence is also defined by three kinds of function that is to “store”, to “view” and to “exchange”

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to view the 1st function of the room is to view as the room serves as the space to display drawing so that people can view the artwork within. the action takes place on the right hand side of each cabinet

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to store the 2nd function of the room is to store. The space to store further develops the language of the curve of the structure. The action takes place on the left hand side of each cabinet

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to exchange the 3rd function the room is to exchange. The action of exchange happens at the central atrium which is the sharing space of the room. the datum of atrium is raised

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p e r s p e c t i v e s k e t c h

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p e r s p e c t i v e s k e t c h

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The drawing tries to unfold the model and arrange the unfolded planes according to a certain order. The way of unfolding and ordering echoes with the concept used in the drawing board. The disassemblence of can openers and assemblence of gears in an axonometric order. The unfolding section also shows relationship between space. Level of datum is changed continuously throughout the section of cabinets. Also, the section clearly shows the dissection of space into two discrete function. The section is related with the plan of the room at the middle part of the drawing.

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