Svenja Siever_Y4 | Unit 14 | Bartlett School of Architecture by UNIT 14

SVENJA SIEVER YEAR 4

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Y4 SS

THE LIVING POWERHOUSE

@unit14_ucl

All work produced by Unit 14 Cover design by Charlie Harris www.bartlett.ucl.ac.uk/architecture Copyright 2021 The Bartlett School of Architecture, UCL All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system without permission in writing from the publisher.

@unit14_ucl

SVENJA SIEVER YEAR 4 Y4 SS

svenja.siever@hotmail.com @svenja_siever

THE LIVING POWERHOUSE A FISH TRADING HUB CHARGED BY STREAM ENERGY IN GENEVA Geneva, Switzerland

his project explores the possibilities of achieving differentiated spaces in civil construction, making highly industrial architecture exciting to explore and inhabit. In line with the Energy Strategy 2050, the aim MW XS GVIEXI E GIRXVEPMWIH ƼWL XVEHMRK LYF MR XLI SYXWOMVXW SJ +IRIZE QEHI WIPJ WYƾGMIRX F] electricity generated by a hydro dam. Through exploration via CFD analysis, the dam’s shear walls are adapted to the unequal horizontal pressures acting on them. This material distribution method creates interesting cavities within the walls and generates the dam WTMPP[E] EPPS[MRK [EXIV XS ƽS[ XLVSYKL WTIGMƼG programmes. Raceway tanks integrated into the building are YWIH XS VIZMXEPMWI IRHERKIVIH QMKVEXSV] ƼWL and supply the open market and restaurant. Wastewater is treated biologically by a constructed [IXPERH ƼPXIV [LMGL LIPTW XS VIWXSVI XLI [IXPERHW of the surrounding Ramsar Reserve. Concrete surfaces, explored with a series of fragments, are treated with numerous processes: :EVMEXMSR MR XI\XYVI ERH GSQTSWMXMSR MRƽYIRGI acoustics, insulation, slip resistance, and the formation of moisture. Overall, the dam functions as a central trading hub, serving as a place for cultural exchange while also TVEGXMGEPP] JYPƼPPMRK XLI NSF SJ TVSHYGMRK IRIVK] JSV surrounding households.

Research + Brief Development 1 Research + Brief Development

1.1 Architecture as a Machine Windmills of Nashtifan

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Average Wind

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Nashtifan /BTIUJGBO 5D]DYL .KRUDVDQ 3URYLQFH Razavi Khorasan

Province

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Wind 15-25 km/h :LQG NP K Black Winds can reach up to#MBDL 8JOET DBO SFBDI VQ UP 100 km/h during LN I EVSJOH 4FQUFNCFS September and December

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Structure of vertical windmill Asbad 1 2 3 4 5 6 7 8

retaining bar revolving axis vertical blades timber axis (incl. bark) brick vault millstone mount + powder channel wheat funnel collecting tray

Mill Construction 1 2 3 4 5 6

slot for blade joist vertical blades wire (bracing) reinforcement joist wooden nail blade joist

1 brick (structural)

Chamber structure 1 2 3 4 5 6

brick barrel vault timber mill components clay for moisture control straw for insulation mortar as binder water drainage

1.2 Concrete: Material Capabilities Antoni Gaudí

Branched Columns Sagrada Familia

Load transfer system

Vaulted Ceiling Sagrada Familia

3/5 a

2/5 a

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Cross Section Columns at Nave 8

Proﬁles

Column 1 Corridor

Proﬁles

Column 2 Exterior Wall

Column 1 Corridor

Column 2 Exterior Wall Column 1 Corridor

Load Tranfer Side Isle

3/5 a

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Vault Structure Sagrada Familia

Chain Model Antoni Gaudí

Anchor points Stress Lines

Gravity

Deformation Simulation

Adjust strength of membrane

Flipped model Cross Section

1.3 Concrete: Proportion + Atmosphere Paul Rudolph, Peter Zumthor

Paul Rudolph Milam House, Florida Rudolph creates complex and interlocking spaces by playing with proportions. Different subdivisions and masses make the user relate to every space differently. Height differences are also part of the ﬂoor plan of Milam House. Paul Rudolph also uses light and shadow to effect speciﬁc spacial atmospheres.

Peter Zumthor Thermal Bath, Vals Zumthor plays with positive and negative spaces to create public and private subdivisions. Some of the columns also act as niches. The architecture radiates a sense of groundedness.

Floor Plan Thermal Bath Vals

Section Thermal Bath Vals 11

1.4 Fragment Study Light and Materiality

Section

Fragment I following the landscape

Section

Fragment II digging into the landscape 12

Fragment III opaque - transparent

Section

Fragment IV Connecting landscape and culture 13

1.5 Switzerland: Cultural Context The moated castle of Europe

1.6 Environmental Context Native Fish: Popular yet endangered

1.7 Site Pinpointing

The glaciers of Switzerland are melting as fast as never before. Here is a comparison of the state in 1850 and 2010. Particularly affected rivers will be the Rhone River, Aare River, Reuss River and the Ticino River as they arise from the alpine glaciers. The Rhone River has lost around 20km3 of water since 1850. All remaining glaciers together will lose around 50km3 in 2085. The melting glaciers supply the Swiss reservoirs with additional water. This would enable new locations with hydropower plants to be developed in order to use the additional melt water.

A new ﬁsh trading hub for Geneva

Why Geneva? Geneva is the most populous city of Romandy, the French-speaking part of Switzerland. It is a global city, a financial centre, and a worldwide centre for diplomacy due to the presence of numerous international organisations. Geneva is known for great fishing opportunities and fine dining restaurants. However, there is no centralised fish trading hub, only a few wholesalers in the outskirts. Lake Geneva and big parts of the Rhone River are part of the Ramsar area of protected wetlands, an aspect that can be picked up in the design, too. The aim of the architecture will be to bring people and fish closer together. The fish is also an early Christian symbol, which, with the background of the Camino de Santiago leading through Geneva, gives the whole thing another spiritual dimension.

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1.9 Lake Geneva: A Ramsar Wetland Site Wetland Conservation and Usage

In nature, wetland systems are considered the kidneys of our planet, filtering out a large proportion of the sediment and harsh chemicals that build up in aquatic ecosystems. There is no biological filter that outperforms a constructed wetland. Water flows into the bottom of the constructed wetland filter and is pushed upward. It goes up through gravel and plant roots, which filter the water. This design can be used on many applications where serious filtration is in order, for instance in fish cultivation ponds with heavy fish loads. It makes it very easy to filter large bodies of water and remove suspended solids without using chemicals.

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Restaurant with open kitchen programme diagram

Kobe Steakhouse Japan

Full programme diagram

Archade Food Theatre London

Idea: Open Teppanyaki stove kitchen with mountain view

1.11 Economic Offers Stakeholders

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Design Development 24

2 Design Development

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2.8 Material Treatment Catalogue 01 Concrete Mixture Composition

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Detailed Design 40

3 Detailed Design

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General Arrangement + Final Drawings 4 General Arrangement + Final Drawings

59 57

4.1 Site Plan

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All work produced by Unit 14 Unit book design by Charlie Harris www.bartlett.ucl.ac.uk/architecture Copyright 2021 The Bartlett School of Architecture, UCL All rights reserved. No part of this publication may be reproduced or transmited in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retreival system without permission in writing from the publisher.

UNIT @unit14_ucl

INNER FORM 2021

G14 is a test bed for architectural exploration and innovation. Our students examine the role of the architect in an environment of continuous change. As a unit, we are in search of new leveraging WHFKQRORJLHV ZRUNÀRZV DQG PRGHV RI SURGXFWLRQ VHHQ LQ GLVFLSOLQHV RXWVLGH our own. We test ideas systematically by means of digital and physical drawings, models and prototypes. Our work evolves around technological speculation and design research, generating momentum through astute synthesis. Our propositions are ultimately made through the design of buildings and the in-depth consideration of structural formation and tectonic constituents. This, coupled with a strong research ethos, generates new, unprecedented, viable and spectacular proposals. I t the centre of this year’s academic exploration was Buckminster Fuller’s A ideal of the ‘The Comprehensive Designer’: a master-builder who follows Renaissance principles and a holistic approach. Fuller referred to this ideal as somebody who is able to realise and coordinate the commonwealth potentials of his or her discoveries without disappearing into a career of expertise. Like Fuller, PG14 students are opportunists in search of new ideas and architectural synthesis. They explored the concept of ‘Inner Form’, referring to the underlying and invisible but existing logic of formalisation, which is only accessible to those who understand the whole system and its constituents and the relationships between. This year’s projects explored the places where culture and technology interrelate to generate constructional systems. Societal, technological, cultural, economic and political developments propelled our investigations and enabled us to project near-future scenarios, for which we designed comprehensive visions. Our methodology employed both bottom-up and top-down strategies in order to build sophisticated architectural systems. Pivotal to this process was practical experimentation and intense exploration using both digital and physical models to assess system performance and application in architectural space. Thanks to: DaeWha Kang Design, DKFS Architects, Expedition Engineering, Hassel, Knippers Helbig, RSHP, Seth Stein Architects, University of Stuttgart/ ITKE and Zaha Hadid Architects.

All work produced by Unit 14 Unit book design by Charlie Harris www.bartlett.ucl.ac.uk/architecture Copyright 2021 The Bartlett School of Architecture, UCL All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retreival system without permission in writing from the publisher.

UNIT 14 @unit14_ucl