THEQUESTFOR IDENTITY
-PTSD is more evident in communities that stress traditional gender roles (men having more social power than women) because women in this type of culture feel more emotionally vulnerable.
Whyarewomenmoreproneto developingPTSDafteratraumatic
event?
2.TEND & BEFRIEND
Coping Strategy: taking care of people around them, while befriending is the process of reaching out to people around them to find relief. if their social network does not give the support or if they feel rejected and abandoned
Perceptionsfromthe younggeneration
18
20
Egyptianidentityto meisapersonwho s goodwithpeoplethey dontknow,closeto god,theirbeliefsand linksittoeverything theydo
Tomeanegyptian identityisaspacefor sharedvalues, commonrespectinthe streetsandthefeeling ofacommonground thatexistsamongus
16 Egyptiansarevery humblepeopleandwi l alwaysgivetotheworld Whetheritistopeop e, natureandthe surroundingwillalways havespacewithintheir lives
Problem Definition:
Lack of Wellness Centers in the Region (Suez - Red Sea)
ARTIFICAL SURROUNDING FORCING ATTITUDES LACK OF SOCIAL INTIMACY WITH SURROUNDING COMMUNITY
socially engaged context
why
3. HORMONES
women
StressHormone
Time&Setting-Permanent
, when the bra n is developing and they are at increased risk for PTSD later n fe"
IsliKaymaz
A city's identity is what the insiders (citizens) and what outsiders (visitors) perceive, feel and remember about it.
supportoneanother womenengaging buildingasafecommunity thatunderstandsdifferent stagesofgrief
Resource:PTSDismorelikelyinwomenthanmen.NAMI. (n.d.).RetrievedOctober10,2022,from https://www.nami.org/Blogs/NAMI-Blog/October2019/PTSD-is-More-Likely-in-Women-Than-Men
Thesis Statement
A safe haven for women offering a platform to express themselves, offer the tools that will help fight against trauma and help them formulate a community to engage socially, build a community and support one another.
ThomasBerry
The natural world is the larger sacred community to which we belong. To be alienated from this community is to become destitute in all that makes us human. To damage this community is to diminish our own existence.
1. CULTURE & GENDER ROLES
3
STRANGER
"Women respond more strongly with their stress hormone system relat ve to men The impl cat on of th s is that women may be more eff cient n ncorporat ng the trauma, and ink ng that experience with very strong fearful, terrifying emot ons making t harder to recover T me & Sett ng - Permanent " Men exper ence violence-related traumas often at an older age wh le women are l ke y to exper ence sexual assaults and sexual abuse at a younger age
Thenatureofthepacehashepedmanypeopletousenature asahostforseveralwaystodiscovertheridentties Whatmakesitspecial? Thisapproachisnotusedmanycties nEgyptandwouldalways befarfromcairowhch sconsideredthecaptalandmostly vstedbytourists MedicalTourismApproach a new city targeting tourists An integration with the nature is the main approach towards the site selection process Surfing the Tides of Emotion Importanceof AnalyzingtheCityObjectives WHY EL GALALA CITY? a new city which aims to use topography aplacethat offersanintegration withseveral natureaspects 1 2 3 No common language in Architectural Buildings Segregationbetween Activities GatedCommunitieswithin acitythattargetstourists existing
What Happens Before?
Before the session, your music therapist will assess your needs and your strengths. You may discuss:
WhatarethebenefitsofArttherapy?
One of the best ways to combatstress,istomakeart!
Studyafterstudyhasshown that drawing, doodling, coloring, and simply creating something for 20 plus minutesreducescortisol.
Researchhasprovedthatart can help process pain and provide a direct connection betweenthemindandbody to help with the healing process.
Expressivearts,suchasvisual arts, movement, drama, music, and writing, foster deep personal growth and community development. Expressivearttherapyallows users to laugh, let go, and relax, which helps decrease depression, anxiety, and stress.
Music therapy is the clinical use of music to accomplish individualized goals such as reducingstress,improvingmoodandself-expression. It is an evidence-based therapy well-established in the health community. Musical skills or talents are not required to participate.
Listening Singing
Art Therapy Music Therapy
WaystoPracticeSelf-CarethroughArt
Whodomusictherapistsworkwith?
Victims of trauma and crisis. If you’ve experienced trauma and crisis, you might have anxiety, stress and pain. Music therapy can help you with decreasing those three experiences, improving your mood, feeling confident and in control and providing a nonverbal outlet for emotions.
Physical
Self Expression Stress Management 1
Whatarethebenefitsofmusictherapy? Emotional
Cognitive
Healing Expressive
Therapy Boosts SelfEsteem
Trauma
What is it? Playing Instruments Composing Music Physical Health Social Functioning Emotional Wellbeing Musical Skills
History& Triggers Cognitive Skills
Music cal s up repressed emot ons Reduce fee ngs of isolations Management/ d straction from pain Relax Improved Sleep Reduce Asthma Episode ncreased Sense of contro Coping Sk ls Lessen effects of dementia 2 3 4 1 2 3 1 2 3
Respond throughArt Mindful Creativity Collageyour Thoughtsor Visions Individual Sculpting Individual Photography Individual Painting Individual Activities
Shock and Denial
Anger
Participants can view the billboards and access the spine using a road made for cyclers as if they are in a main road.
Depression and Detachment
Dialogue and Bargaining Acceptance
Stages of Grief
How is it useful for my project?
Different stages of grief will help form a logic of assembling my activities across the context and willdictatetheinitial formation process of my model by which I will proceed with my design.
Every phase is important because it helps in the final idea of the program which is maintaining women ' s wellbeing found the peace of mind and learned how to balance between the body, mind and soul.
-All the phases complete done another and helped in the character development.
1
2 3 4 5
Organizing Principles Purpose
Nesting Technique
It offers a gradient of experience in a singular space :
How is it beneficial?
Trauma leads to black-and-white thinking; healing means needing the gray space between the extremes.
Phenomenologically speaking, nesting layers can span many different extremes such as compression/ expansion, introversion/extroversion, and domestic/ professional in a single space
Purpose: The goal of trauma-informed design is to create environments that promote a sense of calm, safety, dignity, empowerment, and wellbeing for all occupants These outcomes can be achieved by adapting spatial layout, thoughtful furniture choices, visual interest, light and color, art, and biophilic design.
changing perceptions
Trauma Informed Architecture
Empathy in Architecture: Using Trauma-Informed Design to Promote Healing
Traditional Nested
Sensory Boundaries
By creating sensory boundaries, we can preserve a sense of security, well-being, and wonder while limiting stimuli that negatively impact the fight, flight, freeze, and fawn responses.
Identity Anchors
The Connection To Self, Community, Landscape, And History. Building a sense of self, cultivating relationships with others, and connecting to the past, present, and future are all crucial for people to heal from trauma. Identity anchors are a way for people to see themselves in the environment and to be part of something bigger.
Designs Triggering Trauma
Disruptive Sounds
footsteps, doors slamming, overhearing someone have an episode, buzzing lights or appliances)
Unpleasant scents (e g body odor, mildew, cigarette smoke, perfumes)
Visualnoise lack of exits, unclear waynding, blindturns ,indistinguishable repeating doors and corridors, stains on doors and walls
Lackof securityof belongings open windows, broken securitycameras, marginalized stairwells
Program Sheet
Space
PersonalBoundaries
SocialIntimacy"Togetherness"
"In spite of rapid social changes in Egypt, the majority of people, especially in rural areas, belong to the extended family hierarchy It is considered shameful to care for an elderly demented person away from family surroundings"
Family is a part of a whole
How do we create a comfort zone for different groups to share their activities
How do things remain interconnected to avoid people grouping alone
Macro Scale Public SemiPublic
Zones Roadtooverlapping connections VS.
Dynamic Engaged Nature Micro Scale Calm Semi Private Private Zone
Peaceful
This proposal is driven by the ways in which various programs and spaces could extend the experience of transitioning from urban citizen to private resident. By expanding the gradient, residents could be encouraged to participate in spontaneous activities of neighborliness.
ExtendingthePublicGradient
The top circle represents the most private way do users to engage w th the outdoor nature since it is a necessary design element in all stages
A B
A mediator is always needed to break privacy that exists between res dential and social spaces us ng andscape or a play of masses and pkatforms
Multidiverse
languagecreated 1USERGROUPS .
2.Earth&Water
Mountains Sea
TranslationintoArchitecture
UnityThroughDiversity
Exchangeofdifferentcultures Exchangeofdifferentviews
Interconnected WarmComfort Zone
TranslationintoArchitecture
exclusive ntegration with nature
The transition between the mountains and having the sea as a backdrop view will be witnessed as a main circular view for the plot This will allow the user to gain inspiration from 2 different segments of nature which also creates a diverse platform of integration with nature
This could be achieved by creating adjustable architecture that can be easily framed and controlled by the user They are not tamed to behave in a certain way since they are a diverse community and need to make their common unique language in the plot
Climatic Data Environmental Site Analysis
Prevailing Wind Direction
In this area prevailing wind comes from north, north east and north west directions This means that openings and ventilation should be directed towards this direction for prevailing desired winds.
Shading Directions
In the south direction horizontal shading is required In east and west directions vertical shading devices are needed However in north, north east and north west shading is not needed.
Slope & Topography
Angles of Vision Views /Surrounding
SkyCityResidential
Gated Community
Vista
Building will act as a vista for all means of transportation coming from main road towards this line of vision
The orientation of the build ng relevant to the four directions allows the designer to know where to shade and where to locate open ngs in building
Importance of landscape in ind rect evaporative cooling n summer and act as a buffer for privacy
Residential compounds are usually gated They rely on silent areas of the community and a serene area that is not commercial
Language
mportance of windows to red rect sunlight in summer and welcome more light in w nter
Gate communities choose a modern approach towards design their elevations which does not make it relevant to language of the mountains
Promoting Walkability Towards Vista
Apartments - Stand alone Villas
231 m length 100 m width
Form Generation Process
Zoning Topography-Viewport
StagesofGrief TheSpine
Modelling Trials
MusicTherapy Building
MusicTherapy Building
The rs stageofdesgnngtheformwastomake sure tiscosesttothestreetsncei wasmy irst gridto ollow t sthemos pub cactvtysnce muscneedstobeheardbyotherwomentoreach outand ee famliar nanonverba way t saso hghyheardbythewomen n hespineand heartwhchmakes tsstatements ronger
ArtTherapy Building
The first stage o desgning he form was to make sure t s conformingtotopographyl ne since t was my second grd o o ow The topography line s mpor ant since t dictates the open smooth vew of the horzon by whch s radial and competely open to the sea vew
Zoning Topography-Viewport
n ths stage of mode ng focused on refectng on the process women go through n the therapy center to re ect on their heaing stages and her ab ty to gradualy transton from occupyng rgd spaces unt becomng moredynamic and fud
StagesofGrief TheSpine
n ths stage the spne s he man drver o he bu dng by whch revoves around al eements and alows the women to unders and he fna stage of hea ng n the curved ke shape whch reflects on he neghborng forms 2
2 Social Hub
Th s orm s ocated a he far r ght corner of the bu ld ng s nce t requ res the most topography accord ng to the d feren ypes of ar performed by women in the space and the leve of pr vacy t reu res dur ng a certain healing stage
In th s e emen spec f ca y the v ewport s b ocked s nce mountains ex st a ong the para le v ew of the e ement t s mport to respect the harshness of the mounta n and re ect the same anguage
n h s stage s nce was se t ed on the ex er or form from contextua reason ng the zoning o act v t es needed o address different leve s of hea ng throughout the bu ding
The shape gets ts r gid y back and has the rad a end ng tha causes a contrast w h ts dent ty that respec s the harshness o he mounta n t is brought closer to the sp ne
Zoning Topography-Viewport
StagesofGrief TheSpine
ArtTherapy Building Social Hub
In ths stage of modeling focused on re ec ng on he process women go through n he therapy cen er to refect on ther hea ng stages and ther ab i y to gradua y transtion rom occupyng rgid spaces un l becomng moredynam c and fud
n h s e ement spec f ca y he v ewpor is blocked since moun a ns ex st along he para e v ew o the e ement I s import to respect the harshness o the mountain and ref ect the same anguage
The rs stageofdesgnngtheformwastomake sure tiscosesttothestreetsncei wasmy irst gridto ollow t sthemos pub cactvtysnce muscneedstobeheardbyotherwomentoreach outand ee famliar nanonverba way t saso hghyheardbythewomen n hespineand heartwhchmakes tsstatements ronger
n his stage he spne s the man drver of the bu ding by whch revoves around a eemen s and a ows he women to understand the na stage o hea ng n he curved lke shape which reflects on the neghborng orms
The frst stage of desgnng the orm was to make sure t s conform ngtotopography ine snce i was my second grd to fo ow The topography ne s importan snce dcta es the open smooth vew o the horzon by whch is rada and completey open to the sea vew
1
-4 Floor Plan Scale 1:200
Structural Details
Early Stages
One to one diagnosis: Special attention is given to the concept of d agnosis which is main stage nearest to entrance
Nesting Technique
Human scale: break up large spaces nto sma ler b ts with perforated walls, use of rugs and comfortab e he ghts
Trauma Informed Architecture
Less Industrial Less industrial materials: use of wood and natural fibers: insulation of sound and transmition of good scents
Sensory Boundaries
Thresholds gentle transition between indoor/outdoor spaces Creating Threshholds
Identity Anchors
Icebreaker elements: things that spark conversat on among strangers like work of art or a sublime view
Icebreaker elements things that spark conversat on among strangers like work of art or a sublime view
Visua nose
Membranes not dividers
Designs Triggering Trauma
Windows for interior rooms perforated screens or three quarter walls footsteps doors slamming, overhearing someone have an epsode buzzing ights or applances)
lack of exits, unclear waynding, blndturns ,ndistngushable repeating doors and corrdors, stainsondoorsand wals
Uncomfortabe sensations noadjustablethermostat narrow halways,bucklingdoors,nofresh air
nsttutional materials f uorescent ights, ceil ng ti es gener c furniture
Disruptive Sounds
Unpleasant scents (eg body odor, mldew cigarettesmoke perfumes)
Lackof securtyof belongings openwindows,broken securitycameras, marginalizedstairwels
Early St
Through Levels
Group introductory session: Specia attention is given to the concept of diagnosis which is main stage nearest to entrance.
Seating Arrangements
Sitting face-to-face across a desk or table may be perceived as confrontational, whereas sitting corner to corner, without a barrier in-between can invite conversation and trust.
Vegetation as a therapeutic element: Special attention is given to the conintegration of pottery and vegetation as a therapeutic element
Spatial Layout
Rediscovering identity through art: understanding the power of art in the healing process and translation of emot ons
Art Installation
Seating facing outwards: In waiting or common areas, orient seating so users are facing out from sheltering walls
Nature paintings and photography are associated with increased mood and reduction in stress levels
PotteryMakingStages
Limiting harsh lines: Avoid abstract work with harsh lines and colors
Art can create a v sual distraction that alleviates stress
Create “spatial availability” with clear sight lines, high ceilings, and minimal barriers. This can increase a person’s sense of safety and decrease a perceived sense of crowding or being trapped
One to one diagnosis: Special attent on is given to the concept of diagnosis wh ch s ma n stage nearest to entrance
Stage 1: Pottery Making Stage 2: Adding the Wh te Base Stage 3: Carving & Painting
Stage 4: Baking - Kiln Space
Vegaetation infusedpottery Introductory Sessions
Art Therapy
Art therapy in the mezzanine floor is exposed to vegetation as a ma n therapeutic e ement that help users engage w th nature in d fferent methods through vegetation, mountain skylight and a side view of the sea
Main circulation
Main entrance leads to different zones according to the consultation prov ded at the beginning of the project that determines the state of the women patients and needs
Healing Stages The Heart
StageOne PrivateZone
Vegetation as a therapeutic element: Special attention is g ven to the conintegration of pottery and vegetation as a therapeut c element
Semi - Public
Thisspace sdesgnedtoactasabufferbetween housngunitswhicharethecalmestspaces nthe programandmoredynamicspaceswhichcaterfor moreactivty soundandpartcipaton
Spatial Layout
More Exposed Zones are designed for patients n a more healed state that wou d give them the capac ty to engage with other people in a group therapy ke environment
More exposed Zones
Create “spatial availability” with clear sight lines, high ceilings, and minimal barriers This can increase a persons sense of safety and decrease a perceived sense of crowding or being trapped
Semi - Private
Thisspace sdesgnedtoactasabufferbetween housngunitswhicharethecalmestspaces nthe programandmoredynamicspaceswhichcaterfor moreactvity soundandpartcipaton
Semi - Private
Thsspaceisdesignedtoactasabufferbetween housinguntswhicharethecalmestspacesinthe programandmoredynamcspaceswhichcaterfor moreactivty,soundandparticipation
Main Hall
Arts Library Galleries are ma n extens ons to he mee ng ha to help the women become exposed to real ife examples that wou d he p them better understand the process of art and mus c herapy Meeting Point Designed to be a space to inspire women w th inspirational figures that have designed s milar products
Flatslabdesgn sdesignedto supportlargedistancesthathave agridof8metres nthebuiding design ThisgridisfollowedinLevel0 andLeve -4 nordertorespectthe activityofstudios
Space Truss Structu Systems
D mensions Shad ng Pattern Spacetrusspaterninsped thehozontashadingdevcen orderoeduceglareandmtae simashadngaspertheinta srucuasystemgeometry
Thespacetrusssystemis designedtohaveitscomponents every1metredifference The membersare40mm nthckness andaredesgnedtosuuport largespansgreaterthan15 metres
Spacetrusspatterninspired thehorzontalshadingdevcein ordertoreduceglareand imitatesimilarshadngasper the nitia structura system geometry
Flat
80cm 8 0 c m LghtweightStructure HeavyweightStructure 1 GRID/ 2 COLUMNS 1111
Thespacerusssysems desgnedtohavescomponents every1metredfferenceThe membersare40mmnthckness andaedesgnedtosuuportarge spansgreaterthan15metes 25cm 65cm ADA
part s facing east It s highly exposed to undesired rays of sunshine at this stage. The arches absorb the ight and a glare exists at a min ma eve that does not reach the corr dor only the per pheries
This part is fac ng east It is not exposed to undesired rays of sunshine at this stage. A g are does not exist at th s time
Th s part is facing east. It is not exposed to undes red rays of sunshine at this stage A glare does not exist at this time.
Techniques
This part s facing east It s not exposed to undesired rays of sunshine at th s stage. A glare does not ex st at this t me
This part is fac ng east It is high y exposed to undesired rays of sunshine at this stage The arches absorb the l ght and a glare exists at a m nimal level that does not reach the corridor on y the peripher es
Th s part is facing east. It is h ghly exposed to undes red rays of sunshine at this stage The arches absorb the ight and a glare exists at a minimal eve that does not reach the corridor only the peripheries.
part is fac ng east. It is minimal y exposed to undesired rays of sunsh ne at this stage The shading device absorbs the light and a glare ex sts at a minimal level that does not reach the corridor only the peripheries.
This part is fac ng east It is high y exposed to undesired rays of sunshine at this stage The shading device absorb the l ght and a glare exists
Th s part is facing east It is not exposed to undes red rays of sunshine at this stage A glare does not exist at this time.
12PM 3PM
Environmental
-4Entrance From the spine 8AM
This
Central
12PM 3PM
Heart of Model 8AM
Experiential Stair 3PM This
Spine
8AM 12PM
3PM
8AM 12PM
Areas
Th s part is facing east It is not exposed to undes red rays of sunshine at this stage A glare does not exist at this time.
This part s facing east It s not exposed to undesired rays of sunshine at th s stage A glare does not ex st at this t me This part is fac ng east It is minimal y exposed to undesired rays of sunshine at this stage The shading device absorbs the ight and a glare exists at a m nimal level that does not reach the corr dor only the peripheries Workshops
KeyPlan
Accessiblecirculationramps AccessibleStairs OccupancyLoad AccessibleBathroom ADA Compliance