30th Annual New York Book Show (Professional & Scholarly)

SCHOLARLY

COVERS AND JACKETS

COVER OR JACKET SERIES

Job Name: 13504

PDF Page: txc4_13504.p219.pdf

IN B E ST Y GOR C AT E

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Job Name: 13504

PDF Page: txc4_13504.p220.pdf

THE WHEEL

RICHARD W. BULLIET

PUBLISHER/IMPRINT Columbia University Press

PREPRESS/COMPOSITION Newgen

PUBLICATION DATE 01/19/16

PRINTING/BINDING Edwards Brothers Malloy

FORMAT Hardcover

COVER/JACKET ART DIRECTION Julia Kushnirsky

TRIM SIZE 6 x 8”

COVER/JACKET DESIGN Jordan Wannemacher

PRODUCTION STAFF Jennifer Jerome

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Images provided by the author

TEXT DESIGN Jordan Wannemacher T YPEFACE New Baskerville ITC Pro, Gotham TEXT STOCK 70#

COVER/JACKET PRINTING Phoenix Color

CASE MATERIALS Rainbow “Spruce” with “Spanish” embossing and gold foil Headbands: black JUDGES COMMENTS

Thoughtful, intentional use of wheel design that works on multiple levels and is carried through the cover, jacket flaps, running feet, space breaks, and around the author photo.

Sensuous text paper that allows photos to print well. Large gutters give breath to the entire spread.

COVER/JACKET STOCK & FINISH 80# jacket stock with matte lamination and spot UV 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p221.pdf

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PDF Page: txc4_13504.p222.pdf

THE ENCYCLOPEDIA OF ANTIQUE CARPETS ABRAHAM LEVI MOHEBAN

PUBLISHER/IMPRINT Princeton Architectural Press PUBLICATION DATE 12/15/15 FORMAT Hardcover TRIM SIZE 12 ½ x 8 ¾” PRODUCTION STAFF Janet Behning TEXT ART DIRECTION Benjamin English TEXT DESIGN Benjamin English ILLUSTRATOR/PHOTOGRAPHER Various

T YPEFACE Plantin MT Pro, Berthold Akzidenz Grotesk Light TEXT STOCK 157gsm Golden Sun Matt Art PREPRESS/COMPOSITION Asia Pacific Offset PRINTING/BINDING Asia Pacific Offset COVER/JACKET ART DIRECTION Paul Wagner COVER/JACKET DESIGN Benjamin English COVER/JACKET PRINTING Asia Pacific Offset

COVER/JACKET STOCK & FINISH JHT cloth with foil stamping CASE MATERIALS 3mm board OTHER COMPONENTS Slipcase: JHT wrapped over 3mm board with 4/c printed woodfree panel wrapped over JHT JUDGES COMMENTS

A magnificent exercise in restraint. Cover contains no copy, simply a lush carpet design that is also evoked on the endpapers.

Interiors have marvelous attention to detail and are of high production quality. The disciplined design plays up the meticulously silhouetted carpet images.

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Job Name: 13504

PDF Page: txc4_13504.p223.pdf

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Job Name: 13504

PDF Page: txc4_13504.p224.pdf

ON INEQUALITY

HARRY G. FRANKFURT

PUBLISHER/IMPRINT Princeton University Press PUBLICATION DATE 09/29/15 FORMAT Hardcover TRIM SIZE 4 ½ x 7” PRODUCTION STAFF Erin Suydam TEXT ART DIRECTION Maria Lindenfeldar TEXT DESIGN Chris Ferrante

T YPEFACE Berthold Akzidenz Grotesk and Sabon Next Lt Pro TEXT STOCK 55# Natural High Opaque PREPRESS/COMPOSITION Integrated Publishing Solutions PRINTING/BINDING Maple Press COVER/JACKET ART DIRECTION Maria Lindenfeldar COVER/JACKET DESIGN Chris Ferrante

COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH Scuff-free matte film CASE MATERIALS Printed Case JUDGES COMMENTS

Bold title design on cover is carried through to the interior. Appropriately simple page design. The black-and-white color scheme evokes the content. Trim size is intimate and inviting.

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Job Name: 13504

PDF Page: txc4_13504.p225.pdf

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PDF Page: txc4_13504.p226.pdf

A CANADIAN GIRL IN SOUTH AFRICA E. MAUDE GRAHAM

PUBLISHER/IMPRINT The University of Alberta Press

ILLUSTRATOR/PHOTOGRAPHER various

PUBLICATION DATE 05/22/15

T YPEFACE Fayon, Verlag

FORMAT Paperback

TEXT STOCK 55# Enviro Cream

TRIM SIZE 6 x 9”

PREPRESS/COMPOSITION Alan Brownoff

PRODUCTION STAFF Alan Brownoff

PRINTING/BINDING Houghton Boston Printers

TEXT ART DIRECTION Alan Brownoff

COVER/JACKET ART DIRECTION Alan Brownoff

TEXT DESIGN Alan Brownoff

COVER/JACKET DESIGN Alan Brownoff

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY archival COVER/JACKET PRINTING Houghton Boston Printers COVER/JACKET STOCK & FINISH Matte lamination JUDGES COMMENTS

Smart design. Unique placement of running heads and folios down the sides of the pages. The evocative photos, which bleed off the page, draw you in with their elegant arrangement and complement the text.

Breaks out of the typical template for this type of book.

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Job Name: 13504

PDF Page: txc4_13504.p227.pdf

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Job Name: 13504

PDF Page: txc4_13504.p228.pdf

SPIRALS

110

ON E TW O

NICO ISRAEL

E RE TH R F OU FIV E

TWINNED TOWERS

learned that, instead of the first model of the Monument to the Third International, the House of the Unions (Дом союзов) had decided to exhibit a samovar. This displacement, or replacement, represented the very beginning of a process that would eventually lead, in 1933, to the exhibition “Artists of Russia” in which Tatlin’s artworks, in a gesture not unlike that of the notorious “Degenerate Art” exhibition in Germany, were relegated to a small hall dedicated to “Formalist excesses,” and state-sponsored art critics derided him as “no artist whatsoever.”101 Tatlin— who, after building the model of the tower, worked for several years on Letatlin, the individualized aerial bicycle that he hoped could be mass produced—ended up not soaring to the sky like Dedalus (or, for that matter, Leonardo), but, mostly unappreciated, painting portraits and still-lives of flowers, with nary a spiral in sight. Meanwhile Yeats, in the last decade of his life, still clung to his vision of gyres “running on,” yet increasingly scorned the sort of artist or poet “now growing up . . . all out of shape from toe to top,” and retreated to the solidity of localized native stone, singing, at times bitterly, of human unsuccess.

L’HABITE EN SPIRALE DUCHAMP, JOYCE, AND THE INELUCTABLE VISIBILITY OF ENTROPY

Language is just no damn good—I use it because I have to, but I don’t put any trust in it.

•

MARCEL DUCHAMP, IN CALVIN TOMPKINS, THE BRIDE AND THE BACHELORS

Anemic a little. . . .Your head it simply swirls •

JAMES JOYCE, ULYSSES

� � � Their inevitable “failures” aside—the word “fail” is etymologically related not only to “lacking” but also to “falling”—Tatlin’s and Yeats’s twinned spiral towers of the early post–Great War period amply demonstrate the durability of their makers’ grand and totalizing ambitions, ambitions that include not only ways of making art (with or without “Personality”) but also ways of activating history and theatrically giving shape to the future. Although spirals later in the twentieth century never again achieved quite the earnest, energetic grandiosity with which they were associated in Yeats’s and Tatlin’s work, and although that grandiosity would, in fact, itself come to be derided, the spiral ambition itself still must be admired, wondered at.

Next we explore two equally wonderful forms of spiraling, though ones associated less with energy than with entropy: those of James Joyce, who of course had his own interest in flying, Dedalus-like, and that of Marcel Duchamp, who had his own notions of spirals “running on.”

PORTRAIT OF THE ARTIST AS A THRUSTING SPIRAL In 1929, the editors of the newly formed, Paris-based English-language publishing house Black Sun Press commissioned a drawing of James Joyce from the Romanian sculptor Constantin Brancusi for a limited edition of fragments of the ongoing Work in Progress that they planned to publish later that year.1 Brancusi produced two drawings that certainly resembled Joyce but did not have the modern signature style sought by the editors, so the editors asked the artist to try again. This time, Brancusi created a far more abstract work, titled Symbole de Joyce, consisting of three vertical, straight lines of varying lengths spaced at intervals along the paper and, on the right half of the drawing, a large Archimedean spiral (figure 28). Brancusi later commented that this portrait captured le sens du pousser (the sense of pushing or thrusting) he thought to be his model’s

PUBLISHER/IMPRINT Columbia University Press

TEXT STOCK 60# Nature’s Natural, 360-1ppi

COVER/JACKET EFFECTS GRL 900 matte pigment stamping

PUBLICATION DATE 02/24/15

PREPRESS/COMPOSITION Cenveo Publisher Services

FORMAT Hardcover

PRINTING/BINDING Thomson-Shore

CASE MATERIALS 80# Rainbow “Bamboo” with “Antique” embossing Headbands: red and black

TRIM SIZE 6 x 8”

COVER/JACKET ART DIRECTION Julia Kushnirsky

PRODUCTION STAFF Jennifer Jerome

COVER/JACKET DESIGN Lisa Hamm

TEXT ART DIRECTION Julia Kushnirsky

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY ”Idéia visível,” ©1956 Waldemar Cordeiro

TEXT DESIGN Lisa Hamm T YPEFACE Text: Garamond Premier Pro Display: MrEaves San OT

COVER/JACKET PRINTING Brady Palmer

JUDGES COMMENTS

Inventive chapter-opener art corresponds to the cover design and carries over to the back cover. The color of the endpapers complements the jacket flaps. Jacket has attractive tactile finish. Trim size is perfect choice to contain the spiral shape and the book’s proportions are appropriate to its content.

COVER/JACKET STOCK & FINISH 100# C1S with gritty matte UV 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p229.pdf

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Job Name: 13504

PDF Page: txc4_13504.p230.pdf

WORKS OF CICERO

MARCUS TULLIUS CICERO, EDITED BY PHILIP FREEMAN

PUBLISHER/IMPRINT Princeton University Press

T YPEFACE Stempel Garamond and Futura

COVER/JACKET PRINTING Phoenix Color

PUBLICATION DATE 03/29/16

TEXT STOCK 55# Glat Offset Cream

COVER/JACKET STOCK & FINISH Velvet matte

FORMAT Hardcover

PREPRESS/COMPOSITION Integrated Publishing Solutions

COVER/JACKET EFFECTS Pantone colors

TRIM SIZE 4 ½ x 6 ¾”

PRINTING/BINDING Maple Press

CASE MATERIALS Three-piece case

PRODUCTION STAFF Erin Suydam

COVER/JACKET ART DIRECTION Maria Lindenfeldar

JUDGES COMMENTS

TEXT ART DIRECTION Maria Lindenfeldar

COVER/JACKET DESIGN Karl Spurzem/Jason Alejandro/Pamela Lewis Schnitter

TEXT DESIGN Karl Spurzem/Jason Alejandro/Pamela Lewis Schnitter

Enticing trim size, comfortable to hold; readable font size, makes ancient text accessible; clever juxtaposition of bilingual text.

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Bridgeman Images 2 01 6 N E W YO R K B O O K S H OW

Job Name: 13504

PDF Page: txc4_13504.p231.pdf

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PDF Page: txc4_13504.p232.pdf

WORKS OF MARTIN BUBER MARTIN BUBER

PUBLISHER/IMPRINT Princeton University Press PUBLICATION DATE 10/27/15 FORMAT Paperback TRIM SIZE 5 ½ x 8 ½” PRODUCTION STAFF Erin Suydam TEXT ART DIRECTION Maria Lindenfeldar TEXT DESIGN Amanda Weiss

T YPEFACE Adobe Caslon Pro, ITC Caslon 224 Std and Montserrat

COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Amanda Weiss

TEXT STOCK 55# Glat Offset

COVER/JACKET PRINTING Phoenix Color

PREPRESS/COMPOSITION Integrated Publishing Solutions

COVER/JACKET STOCK & FINISH Scuff-free matte film

PRINTING/BINDING Maple Press

JUDGES COMMENTS

COVER/JACKET ART DIRECTION Maria Lindenfeldar COVER/JACKET DESIGN Amanda Weiss

Inviting margins, creative cover design that carries through to half-tile page; contentappropriate use of the Star of David, clearly altered; successful use of unconventional 1950s colors that evoke the period of the books’ original printing.

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Job Name: 13504

PDF Page: txc4_13504.p233.pdf

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THE AGE OF SUSTAINABLE DEVELOPMENT JEFFREY D. SACHS PUBLISHER/IMPRINT Columbia University Press PUBLICATION DATE 03/03/15 FORMAT Paperback TRIM SIZE 7 x 9” PRODUCTION STAFF Jennifer Jerome COVER/JACKET ART DIRECTION Julia Kushnirsky COVER/JACKET DESIGN Lisa Hamm COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Felix Pharand-Deschénes/Globaïa COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 10pt C1S metallized stock with scuff-free matte lamination COVER/JACKET EFFECTS 6/c printing with 4/c process and 2 hits of opaque white JUDGES COMMENTS

Perfect pairing of luminescent design and metallic foil.

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Job Name: 13504

PDF Page: txc4_13504.p234.pdf

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THE LOST GARDEN LI ANG

PUBLISHER/IMPRINT Columbia University Press PUBLICATION DATE 11/24/15 FORMAT Paperback TRIM SIZE 6 x 8” PRODUCTION STAFF Jennifer Jerome COVER/JACKET ART DIRECTION Julia Kushnirsky and Vin Dang COVER/JACKET DESIGN Vin Dang COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Antonis Minas COVER/JACKET PRINTING Edwards Brothers Malloy COVER/JACKET STOCK & FINISH 10pt C1S with matte UV lamination JUDGES COMMENTS

Poetic images with beautiful color choices and integration of lettering. Back cover is as welldesigned as the front.

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Job Name: 13504

PDF Page: txc4_13504.p235.pdf

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IN THEIR VOICES RHONDA M. ROORDA PUBLISHER/IMPRINT Columbia University Press PUBLICATION DATE 12/08/15 FORMAT Paperback TRIM SIZE 6 x 9” PRODUCTION STAFF Jennifer Jerome COVER/JACKET ART DIRECTION Julia Kushnirsky COVER/JACKET DESIGN Milenda Nan Ok Lee COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Image source: Getty Images COVER/JACKET PRINTING Edwards Brothers Malloy COVER/JACKET STOCK & FINISH 10pt C1S with matte lamination JUDGES COMMENTS

Powerful image combined with restrained typography creates a beautiful cover.

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Job Name: 13504

PDF Page: txc4_13504.p236.pdf

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A TASTE FOR BROWN BODIES HIRAM PÉREZ

PUBLISHER/IMPRINT New York University Press PUBLICATION DATE 10/30/15 FORMAT Paperback TRIM SIZE 6 x 9” PRODUCTION STAFF Charles B. Hames COVER/JACKET ART DIRECTION Adam B. Bohannon COVER/JACKET DESIGN Adam B. Bohannon COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Tino Rodriguez COVER/JACKET PRINTING Sheridan COVER/JACKET STOCK & FINISH 12pt C1S with Velvet matte JUDGES COMMENTS

Romantic and soulful image with understated typography.

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Job Name: 13504

PDF Page: txc4_13504.p237.pdf

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PICTURE TITLES

RUTH BERNARD YEAZELL PUBLISHER/IMPRINT Princeton University Press PUBLICATION DATE 10/02/15 FORMAT Hardcover TRIM SIZE 6 1∕8 x 9 ¼” PRODUCTION STAFF Sharyn Zasada COVER/JACKET ART DIRECTION Maria Lindenfeldar COVER/JACKET DESIGN Pamela Lewis Schnitter COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Edgar Degas, courtesy of Getty COVER/JACKET PRINTING Friesens COVER/JACKET STOCK & FINISH Scuff-free matte film CASE MATERIALS Natural Cloth JUDGES COMMENTS

Simple, effective, elegant, risky, and intelligent.

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Job Name: 13504

PDF Page: txc4_13504.p238.pdf

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STRANGE GLOW

TIMOTHY J. JORGENSEN PUBLISHER/IMPRINT Princeton University Press PUBLICATION DATE 02/23/16 FORMAT Hardcover TRIM SIZE 6 1∕8 x 9 ¼” PRODUCTION STAFF Erin Suydam COVER/JACKET ART DIRECTION Maria Lindenfeldar COVER/JACKET DESIGN Jess Massabrook COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Jess Massabrook COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH Scuff-free matte film COVER/JACKET EFFECTS Glow-in-the-dark spot UV CASE MATERIALS Three-piece case 1” Arrestox B Navy Vellum on boards with Rainbow “Felt Gray” JUDGES COMMENTS

Perfect marriage of design and content. Yes, it really glows in the dark!

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Job Name: 13504

PDF Page: txc4_13504.p239.pdf

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VIOLENCE AND CIVILITY ETIENNE BALIBAR PUBLISHER/IMPRINT Columbia University Press PUBLICATION DATE 05/19/15 FORMAT Hardcover TRIM SIZE 6 x 9” PRODUCTION STAFF Jennifer Jerome COVER/JACKET ART DIRECTION Julia Kushnirsky COVER/JACKET DESIGN Chang Jae Lee COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Adhoc Photos/Corbis COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 100# C1S with matte lamination COVER/JACKET EFFECTS Spot UV on handwritten type CASE MATERIALS Multicolor 80# “Rouge” with “Linen” finish Headbands: red JUDGES COMMENTS

Unconventional font. You can really feel it dripping!

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Job Name: 13504

PDF Page: txc4_13504.p240.pdf

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STEM CELL DIALOGUES

SHELDON KRIMSKY PUBLISHER/IMPRINT Columbia University Press PUBLICATION DATE 06/23/15 FORMAT Hardcover TRIM SIZE 6 x 9” PRODUCTION STAFF Jennifer Jerome COVER/JACKET ART DIRECTION Julia Kushnirsky COVER/JACKET DESIGN Faceout Studio, Charles Brock COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Getty Images, Silvia Riccardi COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 100# metallic stock with matte lamination COVER/JACKET EFFECTS 4/c process with white CASE MATERIALS Rainbow “Turquoise” with “Burnished Leather” embossing and B29 stamping Headbands: black JUDGES COMMENTS

Organic integration of artwork and type.

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Job Name: 13504

PDF Page: txc4_13504.p241.pdf

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THE HILLARY DOCTRINE

VALERIE M. HUDSON AND PATRICIA LEIDL PUBLISHER/IMPRINT Columbia University Press PUBLICATION DATE 06/30/15 FORMAT Hardcover TRIM SIZE 6 x 9” PRODUCTION STAFF Jennifer Jerome COVER/JACKET ART DIRECTION Julia Kushnirsky COVER/JACKET DESIGN Jordan Wannemacher COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Win McNamee/Getty Images COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH Metallic stock with matte lamination COVER/JACKET EFFECTS 4/c process with white CASE MATERIALS Rainbow “Ruby” with “Burnished Leather” embossing and gold Headbands: blue JUDGES COMMENTS

Type, layout, and use of foil all come together to make a cover that is elegant and stately without being cliché.

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Job Name: 13504

PDF Page: txc4_13504.p242.pdf

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SCHOLARLY COVER OR JACKET SERIES

LIBRARY OF ARABIC LITERATURE VARIOUS

PUBLISHER/IMPRINT New York University Press PUBLICATION DATE 10/15/15 FORMAT Paperback TRIM SIZE 5 ½ x 8 ¼” PRODUCTION STAFF Charles B. Hames COVER/JACKET ART DIRECTION Charles B. Hames COVER/JACKET DESIGN Nicole Hayward COVER/JACKET ILLUSTRATION/ PHOTOGRAPHY Various COVER/JACKET PRINTING Phoenix Color COVER/JACKET STOCK & FINISH 12pt stock with Velvet matte lamination JUDGES COMMENTS

Wonderful art choices and sensitivity to color.

Consistent design that takes into consideration different title lengths and various types of art.

Beautiful front- and back-cover branding.

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Job Name: 13504

PDF Page: txc4_13504.p243.pdf

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