[READ ONLY]
10.3 10.4
The advent of the music video in pop music New development?
407 408
CHAPTER VII MINIMAL MUSIC
410
1. Introduction - Dada and Fluxus 1.1 Dada 1.2 Fluxus, the counterculture 2. Minimal Music in the U.S.A. 2.1 A brief history 2.2 Reception 2.3 The three main minimal musical streams 2.3.1 Loops and pulses 2.3.2 Minimal under the influence of conceptual art and Fluxus 2.3.3 Totalism 2.4 Ambient 2.5 A comparison between Downtown Music and Young Music 2.6 Sources and influences on Minimal Music 3. The pop band and minimal 4. European minimalism 4.1 Introduction 4.2 Louis Andriessen: De Tijd [Time] 4.2.1 Amsterdam and New York 4.2.2 The conceptual character of De Tijd 4.2.3 Composition of the ensemble 4.2.4 Time, metre, and eternity 4.2.5 The time bells 4.2.6 Further detailed analysis De Tijd 4.2.7 The pitch material of De Tijd 4.2.8 Harmonic reduction and underlying tone rows of De Tijd 4.3 God and melancholy, Arvo Pärt, Henryk Gorecki, Galina Ustvolskaya
ACKNOWLEDGMENTS BIBLIOGRAPHY INDEX ABOUT THE AUTHOR COLOUR PLATES I-XVI COLOUR PLATES XVII-XXXII
410 410 411 414 414 415 416 416 420 426 426 427 427 427 429 429 430 430 433 434 434 435 436 439 445 448
453 458 466 478 after 96
after 368
