Lesedi #23

Page 36

Matobo Rock Art in its Landscape Understanding Role(s) of Rock Art in Later Stone Age Foragers Territoriality

Léa Jobard Léa Jobard is a CNRS PhD student at TRACES laboratory (University of Toulouse) and at IFAS-Research (Johannesburg). She conducts her research under the supervision of François Bon and Camille Bourdier on the function of rock art in the territorial structuring of Later Stone Age communities.

As archaeology developed with new discoveries, it quickly appeared that similarities between the remaining artifacts found in sites separated by many kilometres were signs of recurrent visits by the same human group or of exchanges between different groups. In Southern Africa, settlement studies at all scales and based on different materials have flourished since the 1970s (Parkington, 1976). In the Matobo Hills, Nick Walker proposed a model of settlement patterns in the longue durée by Middle and Later Stone Age populations, mostly based on socioeconomic behaviour (Walker, 1995). However, knowing that rock art sites are highly significant for Southern African foragers (Deacon, 1988), we are led to wonder what role rock art played in the settlement pattern, what social function it had and if it changed through time – and how we can answer those questions. In this article, I will give a general overview of my PhD research, addressing each of these issues.

The Matobo Hills paintings and Nick Walker’s model Located in Matabeleland South Province (Zimbabwe), a 2 000 km² granite massif forms the Matobo Hills. Erosion caused by the presence of many streams and rivers created a hilly landscape of valleys and inselbergs, kopjes, block fields, rock shelters and caves (Scharsich et al., 2017; Walker, 1995; Fig. 1 and 2). Nowadays, the climate

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Lesedi #23 | Field notes | IFAS-Research | November 2020

is generally temperate, with a four-month rainy season followed by warm, then cold and dry seasons (Nhamo, 2012; Walker, 1995). Despite variations in time and space, rainfalls are generally higher in the Matobo than in the surrounding areas and many natural reservoirs keep water even after the end of the rainy season (Walker, 1995; Fig. 1). After the cold and dry conditions of the Late Glacial Maximum (23 000-18 000 BP), climate conditions gradually improved. The Younger Dryas event brought colder and drier weather between 12 700 BP and 10 200 BP (Chevalier & Chase, 2015). Then, from 8 500 BP, temperatures rose, reaching a maximum around 7 000 BP before decreasing, and rainfall constantly increased until 2 000 BP (Chevalier & Chase, 2015). Currently, the vegetation is typical of the Zimbabwean highveld, mostly covered with forest mixed with shrub and grassland, in contrast with dry savanna of the surrounding lowveld (Scharsich et al., 2017; Walker, 1995). Moreover, the alternation between alluvial valley and rocky hills creates a particular patched environment with a rich and diverse biodiversity not found in the lowveld around the Matobo Hills (Fig. 1). Past environment of the Matobo is poorly known, but it is trusted that it was as diverse as today (Walker, 1995). Since the Early Stone Age, human groups have visited the Matobo Hills and hints of their successive occupation are well preserved in many rock shelters (Pomongwe


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Bilan des recherches engagées depuis Mélanie Duval & Stéphane Hœrlé

0
page 80

Dateless substance. White Pigments in the Rock Art of Southern Africa Alice Mullen

16min
pages 69-73

La mise en tourisme des sites d’art rupestre dans le massif du Drakensberg

13min
pages 74-79

Le contexte performatif de l’art rupestre San David Witelson

16min
pages 64-68

Matières colorantes ferrugineuses, pigments de l’art rupestre et comportements des populations Later Stone Age à Leopard Cave (Erongo, Namibie) Guilhem Mauran

16min
pages 53-59

Rock Art in Mozambique: Hunter-Gatherers’ Space, Symbolism, and Tools Décio Muianga

9min
pages 60-63

Phytanthropes. Human-Plant Conflations in the Rock Art of Zimbabwe Stephen van den Heever

10min
pages 48-52

The Diversity of the Common. The Significance of Spatial Motif Variation in Studying Cultural Variability using Rock Art in Zimbabwe Ancila Nhamo

15min
pages 42-47

Matobo Rock Art in its Landscape. Understanding Role(s) of Rock Art in Later Stone Age Foragers Territoriality Léa Jobard

14min
pages 36-41

Introduction: The Rock Art of the Hunter-Gatherers of Southern Africa Léa Jobard, Carole Dudognon & Camille Bourdier

12min
pages 5-8

Introduction : L’art rupestre des chasseurs-collecteurs d’Afrique australe Léa Jobard, Carole Dudognon & Camille Bourdier

13min
pages 9-12

Silozwane, étude d’un palimpseste rupestre des Matobo Carole Dudognon

15min
pages 27-32

Approche interdisciplinaire de la paroi ornée. Pomongwe Cave et le programme MATOBART Camille Bourdier, Carole Dudognon, Millena Frouin, Ancila Nhamo, Todini Runganga & Stéphanie Touron

17min
pages 13-18

Les sous-sols de l’art rupestre à l’abri Pomongwe (Matobo, Zimbabwe) Guillaume Porraz, Precious Chiwara, Magnus M. Haaland, Joseph Matembo, Thubelile Mnkandla, Kelvin Machiwenyika, Todini Runganga, Chantal Tribolo, Aurore Val & Camille Bourdier

11min
pages 19-22

Rock Art Conservation: Floor Stabilisation at Nswatugi Rock Art Site, Matobo Hills Cultural Landscape Senzeni Khumalo, Charity Nyathi, Kelvin Machiwenyika & Todini Runganga

7min
pages 33-35

Diversity in Late Stone Age Art in Zimbabwe. An Elemental and Mineralogical Study of Pigments (Ochre) from Pomongwe Cave, Matobo Hills, Western Zimbabwe Jonathan Nhunzvi, Ancila Nhamo, Laure Dayet, Stéphanie Touron & Millena Frouin

9min
pages 23-26
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