Golden Apricot Daily, 2009, #1

ÐÐ Ùß³ÏáõÛÃÇ Ý³Ë³ñ³ñáõÃÛ³Ý ³ç³ÏóáõÃÛ³Ùµ

#1

´³ñÇ ·³Éáõëï GOVERNMENT SUPPORT

GENERAL PARTNERS

SPONSORS

12-13 ÑáõÉÇëÇ, 2009 July 1213 2009

Welcome

Ìð²¶Æð/PROGRAM

No. 1, July 12-13 2009

2 N1, 12-13 ÑáõÉÇëÇ 2009

ÏÇñ³ÏÇ 12 ÑáõÉÇëÇ / sunday july 12 ØáëÏí³ Ï/Ã, ϳñÙÇñ ¹³ÑÉÇ×

ØáëÏí³ Ï/Ã, ϳåáõÛï ¹³ÑÉÇ×

ØáëÏí³ Ï/Ã, ÷áùñ ¹³ÑÉÇ×

îÇÏÝÇÏ. óïñáÝ, ÷áùñ ¹³ÑÉÇ×

ܳñ»Ï³óÇ ²ñí»ëïÇ ØÇáõÃÛáõÝ

Moscow Cinema, Red Hall

Moscow Cinema, Blue Hall

Moscow Cinema, Small Hall

Pupt. Theatre, Small Hall

Naregatsi Art Center

19.00 ´³óÙ³Ý ³ñ³ñáÕáõÃÛáõÝ/ Opening Ceremony

11.00

12.30 »Ññ³ÝÁ Éáõë³ÝϳñÝ»ñáõÙ/ Tehran in Photographs,

12.00

12.00 *ºñµ ÏÛ³ÝùÇ éÇÃÙÁ Ù³ñáõÙ ¿/When the Rhythm of Life Misses a Beat,

è. ê³ý³ñÛ³Ý/R. Safarian, Irn, 54’, AP, L/Farsi, Sbt/Eng, Arm

Ú. ². ÂÛáõñù»ñÇ /Y. A. Turkeri, Tur, 46’, DAB, L/Tur, Sbt/Eng

êÇñáí »õ »ñ³Ëï³·ÇïáõÃÛ³Ùµ/ With Love and Gratitude, *Ê××í³Í ½áõ·³Ñ»éÝ»ñ/ Bonded Parallels,

². سÝáõÏÛ³Ý/A. Manukyan, Arm, 29’, AP, L/Arm, Sbt/Eng

Ð. ¶³ÉëïÛ³Ý/H. Galstyan, Arm, 91’, FC, L/Nor, Arm, Sbt/‌Eng

Ø»ñÓ³íáñ ßñç³å³ï/Inside Ring

È. îÛáõ»É/L. Tuel, Fra, 95’, OF, L/‌Fr, Sbt/ Eng, Arm

12.55 *êáõë/Hush!, ´. ´³ß /B. Bas,

Deu/Fra, 52’. DAB, L/Tur, Sbt/Eng

*ØÇ Ù³ñ¹áõ ·ÛáõÕÁ/ The One Man Village,

ê. ¾É гµñ /S. El Habre, Lbn, 86’, DC, AN, L/Arab, Sbt/Eng

12.30

*γݳÝó ëå³ë»Éáí/ Waiting for Women,

¾. ì³·Ý»ñ/E. Wagner, UK, 35’, DC, L/ Esp, Sbt/Eng

13.55 гí³ï³ñÇÙÁ/Faithful,

Ü. î³ñ³ëáí³/N. Tarasova, Rus, 28’. DAB, L/Rus, Sbt/Eng 17.00 §àëÏ» ÍÇñ³Ý¦-Ç ÏÇÝá¹åñáóÇ Íñ³·ÇñÁ/GA Cinema School Program,

60’ 18.05 ²ñ³ñ³ï` ѳÛáó ³ÝÙ³ÑáõÃÛ³Ý ËáñÑáõñ¹Á/Ararat: The Sacraments of the Armenian’s Immortality,

*ØÛáõë ³÷Á/The Other Bank,

¶. úí³ßíÇÉÇ/G. Ovashvili, Geo/Kaz, 90’, FC, L/Geo, Abkh, Rus, Sbt/Eng

A. Melkonyan, Arm, 60’, DAB, L/Arm, Sbt/Eng

»ñÏáõß³µÃÇ 13 ÑáõÉÇëÇ / monday july 13 ØáëÏí³ Ï/Ã, ϳñÙÇñ ¹³ÑÉÇ×

ØáëÏí³ Ï/Ã, ϳåáõÛï ¹³ÑÉÇ×

ØáëÏí³ Ï/Ã, ÷áùñ ¹³ÑÉÇ×

Moscow Cinema, Red Hall

Moscow Cinema, Blue Hall

Moscow Cinema, Small Hall

10. 00 *²ß˳ñÑÁ Ù»Í ¿/ The World is Big,

10. 00 *ø»ñÍí³Íù/Scratch,

ê. Îáٳݹ³ñ»õ/S. Komandarev, Bgr/Deu/Svn/ Hun, 105’, DAB, L/Bulg, Germ, Ita, Slovenian, Sbt/ Eng 15. 00 ØáõÉïýÇÉÙ»ñÇ é»ÅÇëáñ ÚáõµÇÏ Øáõñ³¹Û³ÝÇ Ñáõß-»ñ»Ïá/Tribute to Animation Director Jubik Muradjan 16. 30 2-²ëë³-2/2-Assa-2, ê. êáÉáíÛáí/S. Solovyov,

118’, Rus, YP, L/Rus, Sbt/ Eng 19. 30 âáñë ·Çß»ñ ²ÝݳÛÇ Ñ»ï/Four nights with Anna

º. êÏáÉÇÙáíëÏÇ/J. Skolimowski, 87’, Pol/Fra, R, L/Pol, Sbt/Eng, Arm 22. 00 ²ß˳ñÑÁ Ù»Í ¿/The World is Big,

ê. Îáٳݹ³ñ»õ/S. Komandarev, Bgr/Deu/Svn/ Hun, 105’, DAB, L/Bulg, Germ, Ita, Slovenian, Sbt/ Eng, Arm

Ø. èáë³/M. Rosa, Pol, 89’, FC, L/Pol, Sbt/Eng

12. 00 *Ê»Éáù Ùݳ/Be Good,

Ä. ¶³ñëdz/J. Garcias, Fra/Den, 91’, FC, L/Fr, Sbt/Eng

14. 00 ì»ñçÇÝ ëó»Ý³ñÁ` ´áõÝÛáõ»ÉÇÝ ÑÇß»Éáí/ The Last Script ˜ Remembering Bunuel,

¶. àõññ»ëïÇ, Ê. ¾ëå³¹³/G. Urresti, J. Espada, /Mex/Ger, 118’, M, L/Esp, Sbt/Eng, Arm

16. 00 ÜíÇñíáõÙ ¿ γ۳ÏáÛÇÝ/ For Kayako,

Î. ú·áõñÇ/K. Oguri, Jap, 117’, R, L/Jap, Sbt/Eng, Arm 18. 00 ø»ñÍí³Íù/Scratch,

Ø. èáë³/Mi. Rosa, Pol, 89’, FC, L/Pol, Sbt/Eng, Arm 20. 30 ä³É³¹ÇÝÇÝ áñáÝ»ÉÇë/ Looking for Palladin,

². Îñ³ÏáíëÏÇ/A. Krakowski, Gtm/USA, 115’, FC, L/Eng,Esp, Sbt/ Eng, Arm *– Without Armenian Translation/²é³Ýó ѳۻñ»Ý óñ·Ù³ÝáõÃÛ³Ý Afg – Afghanistan Are – UAE Arg – Argentina Arm – Armenia Aus – Australia Aut – Austria Aze – Azerbaijan Bel – Belgium Bgr – Bulgaria Bol – Bolivia Can – Canada Chn – China Cmr – Cameroon Cze – Czech Republic Deu – Germany Dnk – Denmark Dza – Algeria Egy – Egypt Esp – Spain Fin – Finland Fra – France Gbr – UK Geo – Georgia Gtm – Guatemala Hrv – Croatia Hun – Hungary Idn – Indonesia

Ind – India Irn – Iran Irl – Ireland Isr – Israel Ita – Italy Jpn – Japan Kaz – Kazakhstan Kgz – Kyrgyzstan Kor – South Korea Lao – Laos Lbn – Lebanon Mex – Mexico Mkd – Macedonia Nld – Netherlands, The Pol – Poland Pse – Palestine Rom – Romania Rus – Russia Sgp – Singapore Srb – Serbia Svn – Slovenia Tjk – Tajikistan Tur – Turkey Ukr – Ukraine USA OF – ´³óÙ³Ý ýÇÉÙ/ Opening film FC – ʳճñϳÛÇÝ ýÇÉÙ»ñÇ ÙñóáõÛÃ/ Feature Competition DC – ì³í»ñ³·ñ³Ï³Ý

ýÇÉÙ»ñÇ ÙñóáõÛÃ/ Documentary Competition AP – гÛÏ³Ï³Ý Ñ³Ù³Ûݳå³ïÏ»ñ/ Armenian Panorama DAB – è»ÅÇëáñÝ»ñ ³é³Ýó ë³Ñ­Ù³Ý­Ý»ñÇ/ Directors Across Borders ODE – Ø»Ï ûñ ºíñáå³ÛáõÙ/One Day in Europe YP – ºñ»õ³ÝÛ³Ý åñ»ÙÇ»ñ³/Yerevan Premier R – è»ïñáëå»ÏïÇí/ Retrospective T – гñ·³ÝùÇ ïáõñù/ Tribute M – ì³ñå»ïÝ»ñ/ Masters MM – سñ·³ñ»ï Øǹ ÷³é³ïáÝÇ Íñ³·Çñ/Margaret Mead Festival Program MA – Üϳñ³Ñ³Ýí³Í ¿ г۳ëï³ÝáõÙ/ Made in Armenia CF – ö³ÏÙ³Ý ýÇÉÙ/ Closing Film

10. 00 ²ÝóáõÙ/The Shift,

Ø. ¶ÛáõñçÛ³Ý/M. Goorjian, USA, 120’, AP, L/Eng, Sbt/Arm 12. 00 гÛñ»ÝÇ ÑáÕ/Homeland,

Ü. 份×Û³Ý/N. Bezjian, Lbn/USA, 30’, AP, L/Eng, Sbt/Fr, Arm Ðå³ñï ƽ³Ý/Proud Iza,

². Îáݹá/A. Condo, USA, 20’, AP, L/Eng, Arm 16. 00 سÝñ³Ó³í³ñÇ Ñ³Éí³/ Semolina Halva,

¾. γåɳÝ/E. Kaplan, Tur, 12’, DAB, L/Tur, Sbt/ Eng î³ÝÁ` áã ÙdzÛݳÏ/Not Alone at Home, ú. ü»ïÇëáí³/O. Fetisova, Ukr, 52’, DAB, L/Ukr, Sbt/ Eng 18. 00 »Ññ³ÝÁ Éáõë³ÝϳñÝ»ñáõÙ/ Tehran in Photographs,

ܳÇñÇ Ï/à Nairi Cinema

16. 00 êï»É³/Stella, ê. ì»ñ»Û¹/S. Verheyde, Fra, 99’, ONE, L/Fr, Sbt/ Eng, Arm 18. 00 γϳÍ/Hesitation,

ì. ø³ñÇÙ-سëÇÑÇ/V. Karim-Masihi, Irn, 90’, AP, L/Farsi, Sbt/Eng, Arm 20. 00 ²µëáõñ¹ëï³Ý/ Absurdistan,

ü. лÉÙ»ñ/V. Helmer, Deu/ Fra, 87’, ODE, L/Rus, Sbt/ Eng 22. 00 γñ³Ù»É/Caramel,

Ü. ȳµ³ùÇ/N. Labaki, Fra/Lbn, 95’, AN, L/Arab, Sbt/Eng, Arm

îÇÏÝÇÏ. óïñáÝ, Ù»Í ¹³ÑÉÇ×

îÇÏÝÇÏ. óïñáÝ, ÷áùñ ¹³ÑÉÇ×

ܳñ»Ï³óÇ ²ñí»ëïÇ ØÇáõÃÛáõÝ

Pup. Theatre, Big Hall

Pupt. Theatre, Small Hall

Naregatsi Art Center

12. 00 ÐÛáõëÇë³ÛÇÝ ÉáõÛë»ñ/ Northern Lights,

è. ÜÇÉëáÝ/R. Nilsson, USA, 95’, R, L/Eng, Sbt/ Arm 14. 00 ì³ñå»ïáõÃÛ³Ý ¹³ë` èáµ ÜÇÉëáÝ/Master Class˜Rob Nilsson

10. 00 *ܳٳÏÝ»ñ ݳ˳·³ÑÇÝ/Letters to the President,

ä. ÈáÙ/P. Lom, Can, 72’, DC, L/Farsi, Sbt/Eng 12. 00 *òï»ëáõÃÛáõÝ, ÇÝãå»±ë »ë/Goodbye, How Are You?,

´. ØÇïÇã/B. Mitić, Srb, 60’, DC, L/Srb, Sbt/Eng

20. 00 èáëÉÇÝÇ Ñ»ïù»ñáí/ Tracing Roslin’s Route, ². ØáíëÇëÛ³Ý/A. Movsisyan , Arm, 35’, MA, L/Arm & Eng versions îÝÇó ïáõÝ/ From Home to Home,

². ¶³ëå³ñÛ³Ý, ê. Øáõñ³¹Û³Ý/A. Gasparyan, S. Muradyan, Arm, 30’, MA, L/Arm, Sbt/ Eng

*ä»ÏÇÝ 2008/Peking 2008,

¸. ¸Å³½·³/D. Drzazga, Pol, 39’, DC 18. 00 òï»ëáõÃÛáõÝ, ÇÝãå»±ë »ë/Goodbye, How Are You?,

´. ØÇïÇã/B. Mitić, Srb, 60’, DC ä»ÏÇÝ 2008/Peking 2008,

¸»ÕÓ ²ßáï/Peach

¸. ¸Å³½·³/D. Drzazga, Pol, 39’, DC, L/Pol, Sbt/ Eng

Ashot, /V. Kevorkov, Arm, 30’, MA, No dialogue

20. 00 سÛñ ÑáÕÇ å³ñ·»õÁ/ El Regalo De La Pachamama,

è. ê³ý³ñÛ³Ý/R. Safarian, Irn, 54’, AP, L/ Farsi, Sbt/Eng, Arm

Ü. 份×Û³Ý/N. Bezjian, Lbn/USA, 30’, AP, L/Eng, Sbt/Fr, Arm

². Îáݹá/A. Condo, USA, 20, AP, L/Eng, Sbt/Arm 20. 00 ²Ãáë É»éÁ/Mount Athos,

¾. ìÇ·»Ý/E. Vicken, Fra, 52’, AP, L/Fr, Sbt/Eng, Arm 21. 00 ÆÙ ³ß˳ñÑÁ/My World,

ì. Ô³½³ñÛ³Ý/V. Ghazaryan, Arm, 22’, AP, L/Arm, Sbt/Eng ÎáíϳëÇ ³½·³Ï³ÝáõÑÇÝ/ Caucasian Niece,

È. ø³É³Ýóñ/L. Kalantar, Arm, 18’, AP, L/ Rus, Sbt/Eng

ú. ü»ïÇëáí³/O. Fetisova, Ukr, 52’, DAB, L/Ukr, Sbt/ Eng 16.00 ²Ûëoñí³ Ù³ñ¹Á/Today’s Man,

È.¶áÃÉǵ /L. Gottlib, USA, 55’, MM, L/Eng, Sbt/Rus 17.00 ºë áõ½áõÙ »Ù ³åñ»É/I Wish to Live,

Ü. سٳïÏáõÉáí³/N. Mamatkulova, Kgz, 8’, MM, No dialogue 17.15 Êݹñ³Ýù/Request,

´. êÇÙáÝÛ³Ý/B. Simonyan, Arm, 12’, MM, L/Arm, Sbt/Eng 17.30 Üϳñ³Ñ³ÝáõÙ Ïñ³ÏÇ ï³Ï/ Shooting Under Fire,

ê. ØÇñ½á¨/S. Mirzoeff, Deu/Isr/Pse, 72’, MM, L/ Eng, Sbt/Rus

î. سóáõëÇï³/T. Matsushita, Bol/Jap, 104’, DAB, L/Quechua, Sbt/Eng

19. 00 гÛñ»ÝÇ ÑáÕ/Homeland,

Ðå³ñï ƽ³Ý/Proud Iza,

12.00 î³ÝÁ` áã ÙdzÛݳÏ/Not Alone at Home,

Editor in chief: André Waardenburg

¶É˳íáñ ËÙµ³·Çñ` ²Ý¹ñ» ì³ñ¹»Ýµáõñ· úñ³Ã»ñÃÇ Ñ³Ù³Ï³ñ·áÕ` ¶»Ýáýdz سñïÇñáëÛ³Ý ¶É˳íáñ ËáñÑñ¹³ïáõ` äÇï»ñ í³Ý ´Ûáõ»ñ»Ý Èñ³·ñáÕÝ»ñ` ÎÇë ¸ñÇ»ë»Ý, ¾íñÇ٠γ۳, ²ÝÇ Ô³ñ³µ³ÕóÛ³Ý, ¸³íÇà ì³ñ¹³½³ñÛ³Ý, ð³ýýÇ ØáíëÇëÛ³Ý, ÜáõÝ» гËí»ñ¹Û³Ý, γñÇÝ ¶ñÇ·áñÛ³Ý Èáõë³ÝϳñÇã` ²Éµ»ñï äáÕáëÛ³Ý

Journalists (English pages): Kees Driessen, Evrim Kaya General supervising manager: Peter van Bueren Coordinator Daily: Genofia Martirosyan Journalists: Ani Gharabaghtsyan, Karin Grigoryan, Nune Hakhverdyan, Raffi Movsisyan, Davit Vardazaryan Photos: Albert Poghosyan

3 N1, 12-13 ÑáõÉÇëÇ 2009

´²òØ²Ü üÆÈØ

г۳ëï³ÝÇ Ð³Ýñ³å»ïáõÃÛ³Ý Ý³Ë³·³Ñ ê»ñÅ ê³ñ·ëÛ³ÝÇ áõÕ»ñÓÁ §àëÏ» ÍÇñ³Ý¦ ÙÇç³½·³ÛÇÝ ÏÇÝá÷³é³ïáÝÇÝ æ»ñ­Ùá­ñ»Ý áÕ­çáõ­ÝáõÙ »Ù §àë­Ï» ÍÇ­ñ³Ý¦ 6-ñ¹ ÙÇ­ç³½­·³­ÛÇÝ ÏÇ­Ýá­ ÷³­é³­ïá­ÝÇ Ï³½­Ù³­Ï»ñ­åÇã­Ý»­ñÇÝ, Ù³ë­Ý³­ÏÇó­Ý»­ñÇÝ ¨ ÑÛáõ­ñ»­ñÇÝ: ²í³Ý­¹³­Ï³Ý ÏÇ­Ýá­÷³­é³­ïáÝÝ ³ñ­¹»Ý ï³­ñÇ­Ý»ñ Ç í»ñ ¹³ñ­Ó»É ¿ г­ Û³ë­ï³­ÝÇ Ùß³­Ïáõ­Ã³­ÛÇÝ Ï۳ݭùÇ Ï³­ñ¨­áñ ¨ ³Ý­÷á­Ë³­ñÇ­Ý»­ÉÇ µ³­Õ³­ ¹ñÇã, ³é³Ýó­ù³­ÛÇÝ Çñ³­¹³ñ­Óáõ­ÃÛáõÝ, áñ ѳ­Û³ë­ï³­ÝÛ³Ý Ñ³Ý­¹Ç­ë³­ ï»­ëÇ ¨ ºñ¨­³­ÝÇ ÑÛáõ­ñ»­ñÇ Ñ³­Ù³ñ ³Ù»Ý ³Ù³é í»­ñ³­×áõÙ ¿ Çë­Ï³­Ï³Ý ïá­ÝÇ, ÇëÏ ÏÇ­Ýá­³ñ­í»ë­ïÇ ëÇ­ñ³­Ñ³ñ­Ý»­ñÇ ¨ Ù³ë­Ý³­·»ï­Ý»­ñÇ Ñ³­Ù³ñ` ÙÇ Ûáõ­ñû­ñÇ­Ý³Ï ¹åñá­óÇ: î³ñµ»ñ Ùß³­Ïáõ­Ã³­ÛÇÝ ¨ ù³­Õ³­ù³Ïñ­Ã³­Ï³Ý ѳ­Ù³­Ï³ñ­·»­ñÇ ÷á­Ë³­¹³ñÓ ß÷áõÙ­Ý»ñÝ áõ ÷á­Ë³­¹³ñÓ Ñ³ñë­ï³­óáõ­ÙÁ ï»­ÕÇ »Ý áõ­Ý»­ó»É ÙÇßï, µ³Ûó ³Û­ëûñ ³Û¹ ·áñ­ÍÁݭóó­Ý»­ñÁ Ýáñ ó÷ »Ý ëï³­ó»É: ¸ñ³Ýù Ù»ñ ¹³­ñ³ßñ­ç³­ÝÇ Ï³­ñ¨­áñ ѳۭﳭÝÇß­Ý»­ñÇó »Ý, ¨ §àë­Ï» ÍÇ­ñ³­ÝÁ¦, Ñáõ­ëáí »Ù, ѳ­çá­Õáõ­ÃÛ³Ùµ ¿ Çñ³­Ï³­Ý³ó­Ý»­Éáõ ݳ¨ ³Û¹ ³é³­ù»­Éáõ­ÃÛáõ­ÝÁ: ÎñÏÇÝ áÕ­çáõ­Ý»­Éáí` ÷³­é³­ïá­ÝÇÝ Ù³Õ­ÃáõÙ »Ù ѳ­çáÕ Áݭóóù, É»÷­É»­óáõÝ ëñ³Ñ­Ý»ñ, ÇëÏ Ù³ë­Ý³­ÏÇó­Ý»­ñÇÝ` Ýáñ ëï»Õ­Í³­·áñ­Í³­Ï³Ý ѳ­çá­Õáõ­ÃÛáõÝ­Ý»ñ ¨ ѳ­Ù³­·áñ­Í³Ï­óáõ­ÃÛ³Ý Ýáñ »½­ñ»ñ, áñáÝù ϳ­ñáÕ »Ý í³Õ­í³ Ó»éù­µ»­ñáõÙ­Ý»­ñÇ ÑÇÙùÝ áõ ·ñ³­í³­Ï³­ÝÁ ÉÇ­Ý»É:

²É»Ý »ñ½Û³Ý. äñá¹Ûáõë»ñÁ ÙÇçÝáñ¹ ¿

Ð³Û ·³Ý·ëï»ñÝ»ñÁ µ³óáõÙ »Ý ÷³é³ïáÝÁ §Ä³Ý è»­ÝáÝ ³ß­Ë³ñ­Ñ³Ñé­ã³Ï ¹³ñ­Ó³í 1994 Ã. ÈÛáõÏ ´»­ëá­ÝÇ §È»­áݦ-áõÙ Ýϳ­ñ³­Ñ³Ý­ í»­Éáõó Ñ»­ïá,— µ³­ó³ï­ñáõÙ ¿ »ñ­½ Û³­ÝÁ,— ²Û­Ýáõ­Ñ»­ï¨ ݳ ÑÇ٭ݳ­Ï³­Ýáõ٠˳­Õ³­ó»É ¿ ³Ù»­ñÇ­ ÏÛ³Ý ýÇÉ­Ù»­ñáõÙ, ÇÝã­åÇ­ëÇù »Ý §²é³­ù»­Éáõ­ÃÛáõÝÝ ³Ý­Ï³­ï³­ñ»­ÉÇ ¿¦ (1996), §èá­ÝÇݦ (1998)` èá­ µ»ñï ¹Á ÜÇ­ñá­ÛÇ Ù³ë­Ý³Ï­óáõ­ÃÛ³Ùµ ¨ §¸³ ìÇÝ­ãÇÇ Ïá­¹Á¦ (2006): ºë ß³ï »ñ­ç³­ÝÇÏ ¿Ç, »ñµ ݳ ÁÝ­¹áõ­Ý»ó §Ø»ñ­Ó³­íáñ ßñç³­å³ï¦ ýÇÉ­ÙáõÙ Ýϳ­ñ³­Ñ³Ý­í»­Éáõ ³é³­ç³ñ­ÏÁ, áñáí­Ñ»­ï¨ Ýñ³ ßÝáñ­ÑÇí ѳۭϳ­Ï³Ý ÁÝ­ï³­ÝÇ­ùÇ å³ï­Ùáõ­ÃÛáõ­ÝÁ ѳ­Ù³ß­Ë³ñ­Ñ³­ÛÇÝ ×³­Ý³­ãáõÙ ¿ Ó»éù µ»­ñáõÙ¦: ²É»Ý »ñ­½ Û³­ÝÇ Ñ³­çá­Õ³Ï ·áñ­Í»­ñÇó »Ý §¾Ý­Ãá­ÝÇ ¼Ç­Ù»ñ¦ (2005) ¨ ¸³­ÝÇ­»É ÂáÙ÷­ëá­ÝÇ §Ìñ³·­ñ»­ñÇ ÷á­÷á­Ëáõ­ÃÛáõ­ÝÁ¦ ýÇÉ­Ù»­ñÁ: ì»ñ­çÇÝ ýÇÉ­Ùáí, Ñáõ­ÉÇ­ëÇ 14-ÇÝ Ïµ³ó­íÇ ÷³­é³­ïá­ÝÇ üñ³Ý­ëÇ­³Ï­ ³Ý ûñÁ: ²é³ÛÅ٠ݳ ·áÑ ¿ §Ø»ñ­Ó³­ íáñ ßñç³­å³­ïÁ¦ ýÇÉ­ÙÇ Ñ³­çá­Õáõ­ÃÛáõÝ­Ý»­ñÇó. §üÇÉ­ÙÁ í³­×³é­í»É ¿ ³Ù­µáÕç ³ß­Ë³ñ­ÑáõÙ, ¨ µ³­ ݳϭóáõ­ÃÛáõÝ­Ý»­ñÁ ¹»é ß³­ñáõ­Ý³Ï­íáõÙ »Ý¦: §Ø»ñ­Ó³­íáñ ßñç³­å³ï¦ ýÇÉ­ÙÁ ëÏëíáõÙ ¿ 1915 Ã. Âáõñ­ùÇ­³­ÛáõÙ Çñ³­Ï³­Ý³ó­í³Í ѳ­Ûáó »Õ»é­ÝÇ Å³­Ù³­Ý³Ï ³Ûñ­íáÕ ïÝ»­ñÇ ¨ ÷ɳ­ï³Ï­ í³Í ù³­Õ³ù­Ý»­ñÇ í³­í»­ñ³·­ñáõ­ÃÛ³Ý óáõ­ó³¹­ ñáõÙ­Ý»­ñáí: Ò³Û­ÝÁ ϳ¹­ñÇ »ï¨­Çó å³ï­ÙáõÙ ¿ ѳ­½³­ñ³­íáñ ѳ­Û»­ñÇ Ù³­ëÇÝ, áí­ù»ñ Ñ»­ï³­·³­ ÛáõÙ ³å³ë­ï³Ý »Ý ·ï»É üñ³Ý­ëÇ­³­ÛáõÙ: §¶á­Û³­ 鶴»­Éáõ ¨ ÇÝ­ï»·ñ­í»­Éáõ ѳ­Ù³ñ ѳ­Û»­ñÇ Ù»Í Ù³­ëÁ ÁÝï­ñ»ó ﳭų­Ý³­ÏÇñ ³ß­Ë³­ï³Ý­ùÇ ¨ ½á­Ñá­Õáõ­ ÃÛáõÝ­Ý»­ñÇ áõ­ÕÇÝ, áñáß Ù³­ëÁ` áã¦: üÇÉ­ÙÇ Ñ»­ï³­·³ ·áñ­Íá­Õáõ­ÃÛáõÝ­Ý»­ñÁ ï»­ÕÇ »Ý áõ­Ý»­ÝáõÙ Ý»ñ­Ï³­ÛÇë üñ³Ý­ëÇ­³­ÛáõÙ, áñ­ï»Õ ѳݭ ¹Ç­åáõÙ »Ýù ³ÛÝ Ñ³­Û»­ñÇÝ, áí­ù»ñ §ãÁÝï­ñ»­óÇݦ ³Û¹ áõ­ÕÇÝ: ¸³ س­É³­ù۳ݭݻ­ñÇ Ñ³Ý­ó³­íáñ ÏɳÝÝ ¿: Üñ³Ýó å³­ñ³·­Éáõ­ËÁ ë³é­Ý³­ñÛáõÝ ØÇ­ ÉáÝ ¿ (Ä³Ý è»­Ýá): Àëï »ñ­ ½ Û³­ ÝÇ. §ê³ ³½­ ·áõ­ ÃÛ³Ùµ Ñ³Û ÙÇ Ñáñ å³ï­Ùáõ­ÃÛáõÝ ¿, áí ÷áñ­ÓáõÙ ¿ Çñ áñ­¹áõÝ ï³É

ÝáõÛÝ Ù³­ýÇ­á½ ¹³ë­ïÇ­³­ñ³­Ïáõ­ÃÛáõ­ÝÁ, ÇÝã ÇÝùÝ ¿ ëï³­ó»É: ´³Ûó ݳ ëË³É áõ­Õáõ íñ³ ¿, ù³­ÝÇ áñ áñ­¹ÇÝ ëÇ­ñ³­Ñ³ñ­í³Í ¿ ÙÇ ·»­Õ»­óÇÏ ýñ³Ý­ëáõ­Ñáõ ¨ Çñ ѳ­Ù³ñ ÷ÝïñáõÙ ¿ ³Ù­µáÕ­çá­íÇÝ ³ÛÉ ³å³­·³: ²ÛÝ ÙÇ­³­Å³­Ù³­Ý³Ï ëÇ­ñ³­ÛÇÝ ¨ ¹»­ï»Ï­ïÇí å³ï­ Ùáõ­ÃÛáõÝ ¿` ÉÇ µ³½­Ù³­ÃÇí ÑáõÛ­½»­ñáí¦: س­É³­ùÛ³Ý ³Ýáõ­ÝÁ ѳñ­·³Ý­ùÇ ïáõñù ¿ ѳۭ ϳ­Ï³Ý ͳ­·áõ­Ùáí ýñ³Ý­ëÇ­³­óÇ é»­ÅÇ­ëáñ ²Ý­ñÇ ì»é­Ýá­ÛÇÝ` 1969 Ã. §êÇ­óÇ­ÉÇ­³­Ï³Ý Ïɳ­ÝÁ¦ ¹³­ë³­Ï³Ý ýÇÉ­ÙÁ ëï»Õ­Íá­ÕÇÝ, áõÙ Çë­Ï³­Ï³Ý ³ÝáõÝÝ ²ßáï س­É³­ùÛ³Ý ¿ñ:

n ÎÇë ¸ñÇ»ë»Ý ³ñ·Ù³ÝáõÃÛáõÝÁ` سñÇÝ» ²ëɳÝÛ³ÝÇ

äñá­¹Ûáõ­ë»ñ ²É»Ý »ñ­½ Û³­ÝÁ, áõÙ §Ø»ñ­Ó³­ íáñ ßñç³­å³ï¦ ýÇÉ­Ùáí ³Û­ëûñ µ³ó­í»­Éáõ ¿ §àë Ï» ÍÇ­ñ³­ÝÁ¦, üñ³Ý­ëÇ­³­ÛÇ ÏÇ­Ýá­³ñ­ï³¹­ñáõ­ÃÛ³Ý ³Ù»­Ý³­³½­¹áõ ¹»Ù­ù»­ñÇó ¿, §²É­ï»ñ ýÇÉÙ½¦ åñá­ ¹Ûáõ­ë»­ñ³­Ï³Ý ÁÝ­Ï»­ñáõ­ÃÛ³Ý ·É˳­íáñ ïÝû­ñ»Ý, üñ³Ý­ëÇ­³­ÛÇ åñá­¹Ûáõ­ë»ñ­Ý»­ñÇ ÙÇ­áõ­ÃÛ³Ý ¨ ýñ³Ý­ ëÇ­³­Ï³Ý ÏÇ­Ýá­³­Ï³­¹»­ÙÇ­³­ÛÇ Ý³­Ë³­·³Ñ: §ºë ê»­½³­ñÇÝ í»­ñ³­¹³ñÓ­ñÇ ÏÇ­Ýá¦,— ϳ­ï³­ÏáõÙ ¿ ݳ: üñ³Ý­ëÇ­³­Ï³Ý ÏÇ­ÝáÛÇ Ùá­ÉÇ å³ßï­å³Ý ¿ ¨ ϳ­ï³­Ï»ñ­·áõ­ÃÛ³Ý ý³­Ý³­ïÇ­Ïáë: ä³ï­íá É»­·Ç­ á­ÝÇ ßù³Ý­ß³­ÝÇ ³ë­å»ï ¿, ÇëÏ Ýñ³ Ùá­ïÇÏ ÁÝ­ Ï»ñ­Ý»­ñÇ ÃíÇÝ »Ý å³ï­Ï³­ÝáõÙ ÜÇ­Ïá­É Û³ ê³ñ­Ïá­ ½ÇÝ ¨ üñ³Ý­ëÇ­³­ÛÇ Ý³Ë­ÏÇÝ í³ñ­ã³­å»ï ¸á­ÙÇ­ÝÇÏ ¹Á ìÇÉ­å»­ÝÁ: ܳ ³ß­Ë³­ïáõÙ ¿ ÙÇ­³ÛÝ ³ÛÝ Ù³ñ¹­Ï³Ýó Ñ»ï, áñáÝó ëÇ­ñáõÙ ¿. êá­ýÇ Ø³ñ­ëá, ²É»Ý ¸»­ÉáÝ, é»­ ÅÇ­ëáñ­Ý»ñ ²Ý¹­ñ» î»­ßÇ­Ý», øñÇë­ïá­ý»ñ üñ³ÝÏ, ijÝ-س­ñÇ äá­õ³­ñ»... гñ­·³­ÉÇó ¿, Ýñµ³Ý­Ï³ï, µ³Ûó áã Ãáõ­É³­ÙáñÃ. Çñ»Ý ¹³­í³­×³­ÝáÕ­Ý»­ñÇÝ ãÇ Ý»­ñáõÙ: §Ð³­Û»­ñÁ ÙÇßï ³ëáõÙ »Ý, áñ »ñ­Ïáõ »ñ­ÏÇñ áõ­ ݻݪ г­Û³ë­ï³ÝÝ áõ üñ³Ý­ëÇ­³Ý¦,— Çñ ѳñ­ó³½­ ñáõÛó­Ý»­ñÇó Ù»­ÏáõÙ Ýϳ­ï»É ¿ »ñ­½ Û³­ÝÁ, áñÝ ³Ûë ûñ»­ñÇÝ áñ­å»ë §àë­Ï» ÍÇ­ñ³Ý¦ 6-ñ¹ ÙÇ­ç³½­·³­ÛÇÝ ÏÇ­Ýá­÷³­é³­ïá­ÝÇ å³ï­í³­íáñ ÑÛáõñ, ³é³­çÇÝ ³Ý­·³Ù ϳۭó»­ÉÇ Çñ å³ï­Ù³­Ï³Ý ѳۭñ»­ÝÇ­ùÁ: Üñ³ ݳ˭ÝÇ­Ý»­ñÁ üñ³Ý­ëdz »Ý ï»­Õ³­÷áË­í»É 1923 Ãí³­Ï³­ÝÇÝ: гۭñÁª µáõéÝ Ë³éÝ­í³Í­ùáí ÙÇ Ù³ñ¹, Ù»Í Ñ³­çá­Õáõ­ÃÛ³Ý ¿ ѳ­ë»É ï»ùë­ïǭɳ­ÛÇÝ µÇ½­Ý»­ëáõÙ, ÇëÏ Ù³Û­ñÁ áÕç Ï۳ݭùÁ ÝíÇ­ñ»É ¿ µ³­ ݳ­ëÇ­ñáõ­ÃÛ³Ý ¹³­ë³­í³Ý¹­Ù³­ÝÁ: ÆÝ­ùÁ` ²É»­ÝÁ, ÍÝí»É ¿ 1949 Ã. Ù³­ ÛÇ­ ëÇ 2-ÇÝ ö³­ ñÇ­ ½áõÙ: Üñ³ ÍÝáÕ­Ý»­ñÁ ßáõ­ïáí µ³­Å³Ý­í»­óÇÝ, ¨ ݳ Ùáñ, ï³ ïÇ, ùñáç ¨ Ùá­ñ³ù­ñáç Ñ»ï ÙÇ­³­ëÇÝ ³å­ñáõÙ ¿ñ µá­Ñ»­Ù³­Ï³Ý ȳ­ïǭݳ­Ï³Ý ó­Õ³­Ù³­ëÇ ÷áù­ñÇÏ ÙÇ µÝ³­Ï³­ñ³­ÝáõÙ: Üñ³ ³é³­çÇÝ Ù³ë­Ý³­·Ç­ïáõ­ ÃÛáõ­ÝÁ ¹³­ë³­í³Ý­¹áõÙÝ ¿ñ: 22 ï³­ñ»­Ï³­ÝáõÙ ³ñ ¹»Ý áõ­ëáõ­óÇã ¿ Þ¨­Ç­ÝÛÇ­áõÙª ÝáõÛÝ ³ÛÝ ¹åñá­óáõÙ, áõñ ¹³­ë³­í³Ý­¹áõÙ ¿ñ ¨ Ù³Û­ñÁ: ØÇ ù³­ÝÇ ï³­ñÇ ³Ýó ²É»­ÝÁ ³ñ­¹»Ý ¹³­ë³­Ëá­ëáõ­ÃÛáõÝ­Ý»ñ ¿ ϳñ­ ¹áõÙ êáñ­µá­ÝáõÙ, å³ßï­å³­ÝáõÙ ¿ ûϭݳ­Íá­õ³­ Ï³Ý Ã»½ ïÝï»­ë³­·Ç­ïáõ­ÃÛ³Ý µÝ³­·³­í³­éáõÙ: ìá­É»Û­µá­ÉÇ ¨ û­ÝÇ­ëÇ Ùá­ÉÇ »ñÏñ­å³­·áõ ²É»­ÝÁ ѳ­×³­ËáõÙ ¿ §è³­ëÇÝ·¦ ³ÏáõÙµ, áñ­ï»Õ ëϽµÇó ͳ­Ýá­Ã³­ÝáõÙ ¿, ÇëÏ ³Û­Ýáõ­Ñ»­ï¨ ÁÝ­Ï»­ñ³­ÝáõÙ Ä³Ý äáÉ ´»É­ÙáÝ­¹á­ÛÇ, ÈÇ­Ýá ì»Ý­ïáõ­ñ³­ÛÇ, ÎÉá¹ È»­É Ûáõ­ ßÇ Ñ»ï: ÎÇ­Ýá­ÛÇ ³ß˳ñ­ÑÁ Ññ³­åáõ­ñáõÙ ¿ ²É»­ÝÇÝ, ³ÛÝ­å»ë áñ` ÙÝ³ë µ³­ñá°í, ѳ­Ù³É­ë³­ñ³­Ý³­Ï³Ý ϳ­ñÇ­»­ñ³, ÙÝ³ë µ³­ñá°í, Ùáñ »ñ³­½³Ýù: ²É»­ÝÁ ³Ýó­ÝáõÙ ¿ §»ñϭϻݭó³Õ¦ Ï۳ݭùÇ. ¹³­ë³­í³Ý­¹áõÙ ¿ ö³­ñÇ­½áõÙ, ÇëÏ ³½³ï ų­Ù³­Ý³Ï áñ­å»ë ϳ­ Ù³­íáñ ³ëÇë­ï»Ýï û·­ÝáõÙ ¿ §³ëï­Õ»­ñÇݦ ¨ é»­ ÅÇ­ëáñ­Ý»­ñÇÝ: ÎÉá¹ È»­É Ûáõ­ßÁ í»ñó­ÝáõÙ ¿ Ýñ³Ý áñ­ å»ë ³ëÇë­ï»Ýï, ³Û­Ýáõ­Ñ»­ï¨ ²É»­ÝÁ áñáß Å³­Ù³­Ý³Ï ¹³é­ÝáõÙ ¿ Îɳ­áõ­¹Ç³ γñ­¹Ç­Ý³­É»Ç í³­ñáñ­¹Á: ÜáõÛÝ ³Û¹ ų­Ù³­Ý³Ï ݳ ͳ­Ýá­Ã³­ÝáõÙ ¿, ÇëÏ ³Û­Ýáõ­Ñ»­ï¨ ë»ñï ÁÝ­Ï»­ñáõ­ÃÛáõÝ Ñ³ë­ï³­ ïáõ٠ѳÛï­ÝÇ ß³ï ÏÇ­Ýá­³ëï­Õ»­ñÇ Ñ»ï: 곭ϳÛÝ

²É»­ÝÇ Ñ³­Ù³ñ áñá­ßÇã ¹»ñ ˳­Õ³ó ͳ­Ýá­Ãáõ­ÃÛáõ­ÝÁ åñá­¹Ûáõ­ë»ñ ²É»ù­ë³Ý¹ñ ØÝáõß­ÏÇ­ÝÇ Ñ»ï (§Ðá­Û³­ ϳ­åÁ¦, §ü³Ý­ý³Ý-ϳ­Ï³ã¦): ²É»Ý »ñ­½ Û³­ÝÁ ѳë­ï³ï áñá­ßáõÙ ¿ åñá­¹Ûáõ­ë»ñ ¹³é­Ý³É: §ºë ѳ­Ùá½­í³Í ã¿Ç, áñ ϳ­ñáÕ »Ù ɳí é»­ÅÇ­ëáñ ¹³é ݳÉ, ³Û¹ ÇëÏ å³ï­×³­éáí ëÏë»­óÇ ÙïÙï³É ³í»­ÉÇ ·áñͭݳ­Ï³Ý, Ç٠˳éÝ­í³Í­ùÇÝ ¨ Ùï³­Íá­Õáõ­ÃÛ³­ÝÁ ³í»­ÉÇ Ùáï µ³­ÝÇ Ù³­ëÇݦ,— Ëáë­ïá­í³­ÝáõÙ ¿ ݳ: 1973 Ã. ²É»­ÝÁ ÑÇÙ­ÝáõÙ ¿ ë»­÷³­Ï³Ý åñá­¹Ûáõ­ ë»­ñ³­Ï³Ý ÁÝ­Ï»­ñáõ­ÃÛáõ­ÝÁª T. Films-Á: §êϽµáõÙ »ë ³ñ­ï³¹­ñáõÙ ¿Ç ï³­ñ»­Ï³Ý 5-7 ýÇÉÙ, ÇëÏ ³ÛÅÙ ¹³ ³ÝáõÙ »Ù ³ñ­ ¹»Ý ų­ Ù³­ Ý³Ï ³é ų­ Ù³­ ݳϦ,— ³ëáõÙ ¿ ݳ: ²Û­¹áõ­Ñ³Ý­¹»ñÓ, Çñ åñá­¹Ûáõ­ ë»­ñ³­Ï³Ý ·áñ­Íáõ­Ý»­áõ­ÃÛ³Ý Áݭóó­ùáõ٠ݳ Ãá­ Õ³ñ­Ï»É ¿ Ùáï 50 ýÇÉÙ, Áݹ áñáõÙ` ѳëó­ñ»É ¿ ݳ¨ ˳­Õ³É ÙÇ ß³ñù ÏÇ­Ýáݭϳñ­Ý»­ñáõÙ: »ñ­ ½Û³­ÝÇ ýÇÉ­Ù»­ñÇó ³Ù»­Ý³­Ñ³Ûï­ÝÇÝ, û­ñ¨ë, §ºÏ­ íáñ­Ý»ñݦ »Ý (Les Visiteurs) ³Ý­½áõ­·³­Ï³Ý Ä³Ý è»­ÝáÛÇ Ù³ë­Ý³Ï­óáõ­ÃÛ³Ùµ: ²Û¹ ýÇÉ­ÙÁ ¹Ç­ï»É ¿ ³í»­ÉÇ ù³Ý 14 ÙÉÝ Ù³ñ¹: ºñ¨­³­ÝÛ³Ý Ñ³Ý­¹Ç­ë³­ ï»­ëÁ Ñݳ­ñ³­íá­ñáõ­ÃÛáõÝ Ïáõ­Ý»­Ý³ ï»ë­Ý»É »ñ­ ½Û³ÝÇ ³Ù»­Ý³­í»ñ­çÇݪ §Ø»ñ­Ó³­Ï³ ßñç³­å³ï¦ ¨ §Î³­ÝáÝ­Ý»­ñÁ ÷áË­í»É »Ý¦ ýÇÉ­Ù»­ñÁ: §ÈÇ­Ý»É åñá­¹Ûáõ­ë»ñ Ýß³­Ý³­ÏáõÙ ¿ ÙÇç­Ýáñ¹ ÉÇ­ Ý»É ï³­Õ³Ý­¹Ç ¨ ѳݭ¹Ç­ë³­ï»­ëÇ Ùǭ稦,— ³ëáõÙ ¿ »ñ­½ Û³­ÝÁ: ܳ ãÇ Ñ»­ï³Ù­ïáõÙ Çñ»Ýó ÷³é­ùÇ ·³­·³Ã­Ý³­Ï»­ïÇÝ ·ïÝíáÕ ³ëï­Õ»­ñÇÝ: §ÆÝÓ Ñ³­Ù³ñ Ñ»­ï³ùñ­ùÇñ »Ý ÙÇ­³ÛÝ ³Ý­Ñ³­çá­Õáõ­ÃÛáõÝ­ Ý»ñ, ·³­Ñ³­íÇ­ÅáõÙ­Ý»ñ ³å­ñ³Í Ù³ñ­¹ÇÏ: ºë ë³­ ÝÇ­ ï³ñ »Ù: ºë ÑÇ­ ³­ ÝáõÙ »Ù Ýñ³Ý­ óáí, áí­ ù»ñ ë³Ý­Ó»É »Ý ³ÉÇ­ùÁ, 볭ϳÛÝ ·Ç­ï»Ù ݳ¨, áñ ß³ï ³í»­ÉÇ Ñ»­ï³ùñ­ùÇñ ¿ ³ß­Ë³­ï»É ³ÛÝ Ù³ñ¹­Ï³Ýó Ñ»ï, áñáÝó ³Û¹ ³ÉÇ­ùÁ Í³Í­Ï»É ¿ ·ÉËá­íÇÝ ¨ ëáõ­ ½»É ѳ­ ï³Ï, µ³Ûó áñáÝù å³ï­ ñ³ëï »Ý í»ñ µ³ñÓ­ñ³­Ý³É ¨ í»­ñ³ÍÝ­í»É¦:

4 ѳñó ²É»Ý »ñ½Û³ÝÇÝ — гۭϳ­Ï³Ý ÏÇ­ÝáÝ ¨ Ñ³Û ÏÇ­Ý»­Ù³­ïá·­ ñ³­ýÇëï­Ý»­ñÁ ݳ˭ÏÇ­ÝáõÙ Ò»½ ͳ­Ýá±Ã ¿ÇÝ: — ²ÛÝ­ ù³Ý ¿É ã¿, ë³­ ϳÛÝ Ýñ³Ýù áõ­ Ý»Ý Ù»Í ï³­Õ³Ý¹ ¨ ëï»Õ­Í³­·áñ­Í»­Éáõ ÏÇñù: — Îó³Ý­Ï³­Ý³­ÛÇÝù Éë»É Ò»ñ ϳñ­ÍÇ­ùÁ §Ø»ñ­ Ó³­íáñ ßñç³­å³ï¦ ýÇÉ­ÙÇ í»­ñ³­µ»­ñÛ³É: — Ðñ³­ß³­ÉÇ ¿ Ä³Ý è»­Ýá­ÛÇÝ ï»ë­Ý»É ³½­·áõ­ ÃÛ³Ùµ Ñ³Û Ñáñ ¹»­ñáõÙ: ºë ß³ï Ñå³ñï »Ù ¹ñ³ ѳ­Ù³ñ: ܳ ѳ­Û»­ñ»­Ýáí ³ÕáÃù ¿ ³ëáõÙ: — üñ³Ý­ëÇ­³Ý í³­ñáõÙ ¿ ³½­·³­ÛÇÝ ÏÇ­Ýá­³ñ­ ï³¹­ñá­ÕÇ ß³­Ñ»­ñÇ å³ßï­å³­Ýáõ­ÃÛ³ÝÝ áõÕÕ­ í³Í ù³­Õ³­ù³­Ï³­Ýáõ­ÃÛáõÝ: àñ­ù³­Ýá±í »ù ¹³ ³ñ­¹Ûáõ­Ý³­í»ï ѳ­Ù³­ñáõÙ: — ÎÇ­Ýá­³ñ­ï³¹­ñáõ­ÃÛ³Ý Çñ ѳ­Ù³­Ï³ñ­·áí üñ³Ý­ëÇ­³Ý ³é³­çÇÝÝ ¿ ºí­ñá­å³­ÛáõÙ ¨ »ñÏ­ñáñ­ ¹Á` ³ß­Ë³ñ­ÑáõÙ, ²ØÜ-Çó Ñ»­ïá: ì³ï ã¿...

— Ò»ñ Ù³Û­ñÁ »ñ³­½áõÙ ¿ñ, áñ ¸áõù áõ­ëáõ­ óÇã ¹³é­ ݳ­ ÛÇù: ºñ­ µ¨¿ ã»±ù ½Õç³­ ó»É Ýñ³ »ñ³­½³Ý­ùÁ ãÇ­ñ³­Ï³­Ý³ó­Ý»­Éáõ ѳ­Ù³ñ: — г­í³­Ý³­µ³ñ ¹»é ³Û¹­ù³Ý ¿É áõß ã¿:

§àêκ ÌÆð²Ü¦. úð ºðÎðàð¸ Ñ»ï³Ñ³Û³ó óáõó³¹ñáõÃÛáõÝ

4 N1, 12-13 ÑáõÉÇëÇ 2009

»ñ¨³ÝÛ³Ý åñ»ÙÇ»ñ³

Êéáí³ñ³ñÇ í»ñ³¹³ñÓÁ È»­Ñ³­Ï³Ý ¨ »í­ñá­å³­Ï³Ý ÏÇ­Ýá­ÛÇ ¹³­ë³­Ï³Ý ºÅÇ êÏá­ÉÇ­Ùáíë­ÏáõÝ Ýá­ñ»Ý §Ñ³Ûï­Ý³­µ»­ñ»­óÇݦ γݭÝÇ Ý³­Ëáñ¹ ÷³­é³­ïá­ÝáõÙ. ÏÇ­Ýá­ÛáõÙ 17 ï³ñ í³ µ³­ó³­Ï³­Ûáõ­ÃÛáõ­ÝÇó Ñ»­ïá Ýñ³ §âáñë ·Ç­ß»ñ ²Ý­Ý³­ÛÇ Ñ»ï¦ ýÇÉ­ÙÁ µ³­ó»ó §è»­ÅÇ­ëáñ­Ý»­ñÇ »ñÏ­ ß³­µ³­ÃÛ³­ÏÁ¦: ØÇ ù³­ÝÇ ³ÙÇë ³Ýó êÏá­ÉÇ­Ùáíë­Ïáõ ýÇÉ­Ù»­ñÇ ÁÝï­ñ³­Ýáõ óáõ­ó³¹­ñáõ­ÙÁ ¹³ñ­Ó³í èá­ ï»ñ­¹³­ÙÇ ÷³­é³­ïá­ÝÇ ·É˳­íáñ Çñ³­¹³ñ­Óáõ­ÃÛáõ­ ÝÁ: ²Ý­óÛ³É ³ÙÇë êÏá­ÉÇ­Ùáíë­Ïáõ ÏÇ­Ýá­ÁÝï­ñ³­ÝÇÝ Ý»ñ­Ï³­Û³ó­í»ó Øáë­Ïá­í Û³Ý ÙÇ­ç³½­·³­ÛÇÝ ÏÇ­Ýá­÷³­ é³­ïá­ÝÇ Íñ³·­ñÇ ßñ糭ݳϭݻ­ñáõÙ, ÇëÏ ³ÛÅÙ Çñ ýÇÉÙ»ñÇó 6¬Á Ïï»ë­Ý»Ýù ݳ¨ ºñ¨­³­ÝáõÙ: 1960-1970-³Ï³Ý Ãí³­Ï³Ý­Ý»­ñÇÝ ºÅÇ êÏá­ÉÇ­ Ùáíë­ÏÇÝ É»­Ñ³­Ï³Ý áõ »í­ñá­å³­Ï³Ý ÏÇ­Ýá­ÛÇ ³ë­å³­ ñ»­½áõ٠˳­Õ³ó áã 峭ϳë ϳ­ñ¨­áñ ¹»ñ, ù³Ý Ýñ³ ·áñ­ÍÁÝ­Ï»ñ­Ý»ñ áõ µ³­ñ»­Ï³Ù­Ý»ñ ²Ý­ç»Û ì³Û­¹³Ý ¨ èá­Ù³Ý äá­É³Ýë­ÏÇÝ (ݳ Ýϳ­ñ³­Ñ³Ý­í»ó ì³Û­¹³­ÛÇ §²Ý­Ù»Õ Ññ³­ß³­·áñÍ­Ý»ñ¦ ýÇÉ­ÙáõÙ, ÇëÏ äá­É³Ýë­Ïáõ ѳ­Ù³ñ ·ñ»ó §¸³­Ý³­ÏÁ çñáõÙ¦ ëó»­Ý³­ñÁ): лÝó Ýñ³Ýó Ñ»ï 1960-³Ï³Ý Ãí³­Ï³Ý­Ý»­ñÇÝ ëï»Õ­Í»ó É»­Ñ³­Ï³Ý Ýáñ ÏÇ­ÝáÝ ¨ å³ï­é»ó-³Ý­ó³í ïá­ï³­ÉÇ­ ï³ñ §ºñ­Ï³­Ã» í³­ñ³­·áõÛ­ñÁ¦: г­Ù³­Ï³ñ­·ÇÝ Ñ³­ Ù³ñ­Ó³Ï Ù³ñ­ï³Ñ­ñ³­í»ñ ¿ñ å³­ñáõ­Ý³­ÏáõÙ ³ñ­¹»Ý Ýñ³ ³é³­çÇÝ ÇëÏ ýÇÉ­Ù»­ñÇ É»­½áõÝ` ÷áñ­Ó³­ñ³­ñ³­ ϳÝ, ëÛáõé­é»­³­ÉÇë­ï³Ï³Ý, ÏáÝÏ­ñ»ï ÇÙ³ëï­Ý»­ñÇó ½áõñÏ §Ð³­ïáõÏ Ý߳ݭݻ­ñÁ¦, §²Ýçñ­å»­ïÁ¦, §Ð»ßï ѳխó­Ý³­ÏÁ¦... êÏá­ÉÇ­Ùáíë­ÏÇÝ ³é³­çÇÝ­ Ý»­ñÇó Ù»ÏÝ ¿ñ, áñÁ ËÕ×áõÏ ëá­óÇ­³­Éǽ­ÙÇ Ù»ç ÝßÙ³­ ñ»ó ³Ý­ë³Ñ­Ù³Ý ëÛáõé­é»­³­Éǽ­ÙÇ ¹Ç­Ù³·­Í»ñ, ÇëÏ ³ñ­ï³­ùáõëï ûñǭݳ­Ï»­ÉÇ ëá­óÇ­³­ÉÇë­ï³­Ï³Ý ù³­Õ³­ ù³­óáõ Ù»ç` Ýñµ³½­·³ó ÙÇ Ù³ñ­¹áõ, ѳ­Ù³­ñÛ³ û áñá­ß³­ÏÇ­áõ­ÃÛ³Ý ãÓ·ïáÕ µ³­Ý³ë­ï»Õ­ÍÇ, ù³­ÝÇ áñ Ó¨­³­íáñ­í³Í ³Û¹ ¹³­ñ³ßñ­ç³­ÝáõÙ §Çñ ï»­ÕÁ ·ïÝ»­ ÉÁ¦ ѳ­í³­ë³­ñ³­½áñ ¿ñ ë»­÷³­Ï³Ý §»ë¦-Çó Ññ³­ ųñ­í»­ÉáõÝ: ²ÛÝ µ³­ÝÇó Ñ»­ïá, »ñµ Ýñ³ §Ò»é­ù»ñ¹ í»ñ¦ (1967 Ã.)` ëï³­Éǭݳ­Ï³­Ýáõ­ÃÛ³Ý ¿áõ­ÃÛ³Ý Ù³­ ëÇÝ ýÇÉ­ÙÁ §µ³Ý­ï»­óÇݦ å³­Ñáó­Ý»­ñáõÙ (Ýñ³

³é³ç­Ý³­Ë³­ÕÁ ï»­ÕÇ áõ­Ý»­ó³í ÙÇ­³ÛÝ 1985 Ã.), ºÅÇ êÏá­ÉÇ­Ùáíë­ÏÇÝ ï»­Õ³­÷áË­í»ó ²ñ¨Ù­ïÛ³Ý ºí­ ñá­å³: ÐÇ٭ݳ­Ï³­ÝáõÙ ³ß­Ë³­ï»ó Ø»Í ´ñÇ­ï³­ÝÇ­ ³­ÛáõÙ, ÇÝã­å»ë ݳ¨ ¶»ñ­Ù³­ÝÇ­³­ÛáõÙ, ´»É­·Ç­³­ÛáõÙ, ²ØÜ-áõÙ: 1991 Ãí³­Ï³­ÝÇÝ êÏá­ÉÇ­Ùáíë­ÏÇÝ ²Ý·­ÉÇ­ ³­ÛáõÙ Ýϳ­ñ³­Ñ³­ÝáõÙ ¿ ³Ù»­Ý³­ï³­ñû­ñÇ­Ý³Ï ëÛáõé­ é»­³­ÉÇë­ï³Ï³Ý ýÇÉ­ÙÁ` §ü»ñ­¹Ç­¹áõñ­Ï»¦ ³µ­ëáõñ­¹Ç ϳ­ï³­Ï»ñ­·áõ­ÃÛáõ­ÝÁ` ¶³Ùµ­ñá­íÇ­ãÇ Ñ³­Ù³­ÝáõÝ í» åÇ ÑÇ­Ù³Ý íñ³: ì»ñ­çÇÝ ï³­ñÇ­Ý»­ñÇÝ êÏá­ÉÇ­Ùáíë­ÏÇÝ ½µ³Õ­í»É ¿ ݳ¨ ÷áñ­Ó³­ñ³­ñ³­Ï³Ý ·»­Õ³Ý­Ï³ñ­ãáõ­ÃÛ³Ùµ ¨ ѳ­çá­Õáõ­ÃÛ³Ùµ óáõ­ó³¹ñ­í»É ºí­ñá­å³­ÛáõÙ ¨ ²ØÜ-áõÙ: ²Ý­ó³Í ï³­ñÇ É»­·»Ý­¹³ñ ³Û¹ Ëéá­í³­ ñ³­ñÁ, ÇëÏ »ñÇ­ï³­ë³ñ¹ ï³­ñÇ­Ý»­ñÇÝ` ݳ¨ µéÝóù³­Ù³ñ­ïÇ­ÏÁ, ˽»ó Çñ µ³½­Ù³­ÙÛ³ Ééáõ­ÃÛáõ­ ÝÁ` È»­Ñ³ë­ï³­ÝáõÙ Ýϳ­ñ³­Ñ³Ý­í³Í §âáñë ·Ç­ß»ñ ²Ý­Ý³­ÛÇ Ñ»ï¦ ýÇÉ­Ùáí Ý»ñ­Ï³­Û³ó­Ý»­Éáí ëÇ­ñá ÇÝ­ ïÇÙ ÙÇ å³ï­Ùáõ­ÃÛáõÝ: ê»­ñÁ, áñÇ Ù³­ëÇÝ Ëá­ëáõÙ ¿ êÏá­ÉÇ­Ùáíë­ÏÇÝ, ùÝùáõß ¿, ÷³­Õ³­ùáõß ¨ ÙÇ­³­Å³­ Ù³­Ý³Ï Ë»­É³­·³ñ: ²ÛÝ å³ï­ÙáõÙ ¿ ·³­í³­é³­ Ï³Ý ù³­Õ³­ùÇ ¹Ç­³­Ñ»ñ­Ó³­ñ³­ÝÇ ³Ýݭϳï ÙÇ ³ß­Ë³­ïá­ÕÇ Ù³­ëÇÝ, áñÁ ÙÇݭ㨠³Ï³Ýç­Ý»­ñÁ ëÇ­ñ³­Ñ³ñ­í³Í ¿ µáõÅù­ñá­çÁ: âѳ­Ù³ñ­Ó³Ï­í»­Éáí µ³­ó»É Ýñ³ ³é­ç¨ Çñ ½·³ó­ÙáõÝù­Ý»­ñÁ, ³Ù»Ý ·Ç­ß»ñ ëá­Õáë­ÏáõÙ ¿ Ýñ³ ë»­ÝÛ³Ï, ùݳ­µ»ñ ÉóÝáõÙ Ýñ³ µ³­Å³­ÏÇ Ù»ç ¨ ų­Ù»­ñáí ÝëïáõÙ ùÝ³Í ëÇ­ ñ»­óÛ³É ÏÝáç ÏáÕ­ùÇÝ: ²Û¹­å»ë ß³­ñáõ­Ý³Ï­íáõÙ ¿ ãáñë ·Ç­ß»ñ... ¸³ å³ï­ÙáõÙ ¿ ÷áù­ñÇÏ Ù³ñ­¹áõ Ù»ç óùÝ­í³Í ³Ý­Ñáõ­ÝÇ Ù³­ëÇÝ: ²ñ­ï³­ùÇÝ ½ëåí³­Íáõ­ÃÛáõÝ, Ý»ñ­ùÇÝ ë³ë­ïÇÏ É³­ñáõÙ` ³é³Ýó ¿Å³­Ý³­·ÇÝ ¿ý»Ïï­Ý»­ñÇ:

¹ÇÏ, ãϳ §×Çßï¦ áõ §ë˳ɦ... ê³ Ù»­Éá¹­ñ³­Ù³ ¿ Ïáñó­ñ³Í Ñݳ­ñ³­íá­ñáõ­ÃÛáõÝ­Ý»­ñÇ, ãϳ­Û³­ó³Í ѳ­ ñ³­µ»­ñáõ­ÃÛáõÝ­Ý»­ñÇ ¨ ³Û­É³­ë»ñ­í³Í ³ñ­Å»ù­Ý»­ñÇ Ù³­ëÇÝ: ²Û­É³­ë»ñ­í³Í µá­Éá­ñÇ` Ù»ñ ¨ Ù»ñ »ñ»­Ë³­ Ý»­ñÇ ÏáÕ­ÙÇó...¦: ²ÛÝ­å»ë áñ` í»­ñ³­¹³ñÓ Ý»ñ­Ï³­ ÛÇó....³Ý­óÛ³É: §ö³­É³­¹Ç­ÝÇÝ áñá­Ý»­ÉÇë¦ ýÇÉ­ÙáõÙ Ýϳ­ñ³­Ñ³Ý­ í»É »Ý ³Ù»­ñÇ­ÏÛ³Ý ÏÇ­Ýá­ÛÇ ³ÛÝ­åÇ­ëÇ í»­ï»­ñ³Ý¹»­ñ³­ë³Ý­Ý»ñ, ÇÝã­åÇ­ëÇù »Ý ´»Ý ¶³­½³­ñ³Ý, ³­Édz Þ³Û­ñÁ, ¸»Û­íǹ Øáë­ùá­áõÝ, ìÇÝ­ë»Ýà ä³ë­ïá­ñ»Ý, ÇÝã­å»ë ݳ¨ ɳ­ïǭݳ­Ù»­ñÇ­ÏÛ³Ý ³ëï­Õ»ñ ²Ý­Å»­Éǭϳ ²ñ³­·á­ÝÁ, 仹­ñá ²ñ­Ù»Ý­ ¹³­ñÇ­ëÁ ¨ Øá­ñ³­É»ë »Õ­µ³Ûñ­Ý»ñÁ:

ÎÇ­Ýá­é»­ÅÇ­ëáñ ê»ñ­·»Û êá­Éá­í Ûá­íÁ 1987 Ã.Ýϳ­ ñ³­Ñ³­Ý³Í §²ë­ë³¦ ýÇÉ­Ùáí ÷áñ­Ó»ó óáõÛó ï³É, û ÇÝã­å»ë ¿ Çñ»Ý ½·áõÙ ÁÙ­µáëï áõ Ý»ñ­ùáõëï ³½³ï »ñÇ­ï³­ë³ñ­¹Á ÏáÝ­ýáñ­Ùǽ­ÙÇÝ ëá­íáñ ѳ­ ë³­ñ³­Ïáõ­ÃÛ³Ý Ù»ç£ ä³ñ½­í»ó, áñ ¹³ µ³­í³­Ï³­ ÝÇÝ ï³Ý­ç³­ÉÇ Çñ³­íÇ­×³Ï ¿: ÎÇ­ë³Ï­ñÇ­ÙǭݳÉ, ÏÇ­ ë³­û­ÉÇ­·³ñ­ËÇÏ Ù³ñ­¹ÇÏ Ñ³Ý­·Çëï ϳ­ñáÕ »Ý ͻͻ­Éáí ëå³­Ý»É »ñÇ­ï³­ë³ñ¹ ´³­Ý³­Ý³­ÝÇÝ, ÇëÏ ¹Ç­³­ÏÁ` Íá­íÁ Ý»­ï»É. ϳñ Ù³ñ¹, ÇëÏ ÑÇ­Ù³` ãϳ, Ùݳ­ó»É ¿ ÙÇ­³ÛÝ »ñ­·Á, áñ­å»ë ë¨ Çñ³­Ï³­Ýáõ­ÃÛ³Ý Ù»ç ÍÝí³Í ÇÝã-áñ ï³­ñû­ñÇ­Ý³Ï áõ éá­Ù³Ý­ïÇÏ ÙÇ µ³­ÝÇ Ñ»ïù£ §²ë­ë³¦-Ý Å³­Ù³­Ý³­ÏÇÝ Ù»Í ³Õ­ÙáõÏ Ñ³­Ý»ó áã ÙÇ­³ÛÝ Ñ³­Ù³Ï­ñ»­ÉÇ áõ ßÇ­ï³Ï Ñ»­ñá­ëÇ Ñ³Ûï­ Ý³­µ»ñ­Ù³Ý, ³Û­É ݳ¨ ËáñÑñ­¹³­ÛÇÝ Áݹ­Ñ³­ï³­ ÏÇó ¹áõñë »Ï³Í ´á­ñÇë ¶ñ»­µ»Ýß­ãÇ­Ïá­íÇ áõ ìÇÏ­ ïáñ òá­ÛÇ ÁÙ­µáëï áõ ų­Ù³­Ý³­ÏÇ §ÝÛ³ñ­¹Á¦ ÷á­Ë³Ý­óáÕ »ñ­·»­ñÇ ßÝáñ­ÑÇí£ 20 ï³­ñÇ ³Ýó ê. êá­Éá­í Ûá­íÁ Ýϳ­ñ³­Ñ³­Ý»ó §²ë­ë³¦-Ç ß³­ñáõ­ ݳ­Ïáõ­ÃÛáõ­ÝÁ, áñ­ï»Õ ÙÇ­³­ÑÛáõ­ë»ó §å»­ñ»ëï­ñáÛ­ ϳ­ÛǦ ßñ­ç³­ÝÇ Ñ»­ñáë­Ý»­ñÇÝ, Ù»ñ ³Û­ëûñ­í³ í³Û­ ñÇ­í»­ñá Çñ³­Ï³­Ýáõ­ÃÛáõÝÝ áõ Ȩ îáÉë­ïá­ÛÇ §²Ý­Ý³ γ­ñ»­Ýǭݳ¦ í»­åÁ£ ²ÉÇ­Ï³Ý (î³­ïÛ³­Ý³ ¸ñáõ­µÇã), áõÙ ³é³­çÇÝ ýÇÉ­ÙáõÙ Ýñµá­ñ»Ý ëÇ­ñ³­Ñ³ñ­í³Í ¿ñ ´³­Ý³­Ý³­ÝÁ, ³ÛÅÙ Ó»ñ­µ³­Ï³É­í³Í ¿ áõ Çñ µ³Ý­ï³Ë­óáõÙ å³­ ÑáõÙ ¿ Ù»ÍÝ éá­Ù³Ý­ïÇÏ ²Ý­Ý³ γ­ñ»­Ýǭݳ­ÛÇ Ï۳ݭùÇ å³ï­Ùáõ­ÃÛáõ­ÝÁ£ ¸³ ÙÇ­³Ï ·ÇñùÝ ¿, áñÁ Ñ»­ñá­ëáõ­ÑÇÝ ï³­ñÇ­Ý»ñ ß³­ñáõ­Ý³Ï ϳñ­¹áõÙ ¿ (û¨ ·ñùÇ ³é³­çÇÝ 30 ¿ç»­ñÁ åáÏ­í³Í »Ý), ¨ í»åÝ û·­ÝáõÙ ¿ Ýñ³Ý ¹Ç­Ù³­Ï³­Û»É ³Ý³­½³­ïáõ­ÃÛ³­ÝÁ£ л­ïá ²Éǭϳ­ÛÇÝ µ³Ý­ïÇó ³½³­ïáõÙ ¿ ÙÇ é»­ÅÇ­ ëáñ (ê»ñ­·»Û س­Ïá­í»ó­ÏÇ), áí µ³Ý­ï³ñ­Ï۳ɭݻ­ñÇ Ù³­ëÇÝ ýÇÉÙ ¿ Ýϳ­ñ³­Ñ³­ÝáõÙ áõ ó³Ý­Ïáõ­ÃÛáõÝ áõ ÝÇ ¿Ï­ñ³­Ý³­íá­ñ»É îáÉë­ïá­ÛÇ í»­åÁ£ Àݹ áñáõÙ ª ýÇÉ­ÙÇ Ñ³­Ù³ñ ·áõ­Ù³ñ »Ý ïñ³­Ù³¹­ñáõÙ Æï³­ÉÇ­ ³­ÛáõÙ ³å­ñáÕ Ýáñ éáõë Ýáõ­íá­ñÇß­Ý»­ñÁ, áí­ù»ñ ³Ý­ÙÇ­ç³­Ï³Ý Ï³å áõ­Ý»Ý ²Éǭϳ­ÛÇ Ó»é­ùáí ëå³Ý­ í³Í ûÉÇ­·³ñË ÎñÇ­Ùá­íÇ Ñ»ï£ ê. êá­Éá­í ÛáíÝ Çñ ýÇÉ­ÙÁ §»ñ³Åß­ï³­Ï³Ý ÃñÇ­ É»ñ¦ ¿ ³Ý­í³­Ý»É£ ²Ûë­ï»Õ ÑÝãáõÙ »Ý ê»ñ­·»Û ÞÝáõ­ ñá­íÇ Ñ³Û­Ñá­Û³Ýù­Ý»­ñáí ÉÇ »ñ­·»ñÝ áõ Ù»ñ ų­Ù³­ ݳϭݻ­ñÇ Ù»­Í³­·áõÛÝ ³É­ï³­Ñ³ñ Úáõ­ñÇ ´³ß­Ù»­ïÇ Ï³­ï³­ñáõÙ­Ý»­ñÁ: ºí, ÇÝã­å»ë ݳ­Ëáñ¹ ýÇÉ­ÙáõÙ, í»ÑÝ áõ ëïá­ ñÁ, µ³ñÓñÝ áõ ó³Í­ ñÁ ³ÛÝ­ åÇ­ ëÇ å³Û­ÃÛáõ­Ý³í­ï³Ý· ½³Ý·­í³Í »Ý Ó¨­³­íá­ñáõÙ, áñÇ Ù»ç ³Ù»Ý áù ϳ­ñáÕ ¿ ¨° Çñ Ëáñ­ï³Ï­í³Í ÑáõÛ­ë»­ñÇ ÷ßñ³Ýù­Ý»­ñÁ ·ïÝ»É, ¨° ·ïÝ»É Ýáñ ÑáõÛ­ ë»ñ£ »¨, Çѳñ­Ï», ³Ûë Ýáñ ýÇÉ­ÙáõÙ ³Ý­Ñáõ­ëáõ­ ÃÛ³Ý ã³­÷³­µ³­ÅÇÝÝ ³í»­ÉÇ Ù»Í ¿£ ÜáõÛ­ÝÇëÏ »ñ­µ»Ù­ÝÇ ³½³­ï³­ÙÇï ´³­Ý³­Ý³­ÝÁ, áñÁ ýÇÉ­ÙÇ ¹ñí³·­Ý»­ñÇó Ù»­ÏáõÙ í»­ñ³­Ï»Ý­¹³­Ý³­ó»É ¿, ³ÛÅÙ ßáõ­Ï³­ÛáõÙ ³ñ¨­³­Í³Õ­ÏÇ ë»ñÙ ¿ í³­×³­éáõÙ£ Üñ³ ÷á­Ë³­ñ»Ý Ýáñ Ñ»­ñáë­Ý»ñ »Ý ·³­ÉÇë£ §²ë­ 볦-Ý ³í³ñï­ íáõÙ ¿ñ ì. òá­ ÛÇ §êå³­ ëáõÙ »Ýù ÷á­÷á­Ëáõ­ÃÛáõÝ­Ý»­ñǦ ѳÛï­ÝÇ »ñ­·áí: ÆëÏ §2-²ë­ë³-2¦-Á ³ëáõÙ ¿, áñ ³Û¹ ÷á­÷á­Ëáõ­ ÃÛáõÝ­Ý»­ñÁ »Ï»É »Ý£ ´³Ý­ï³ñ­ÏÛ³É ²ÉÇ­Ï³Ý Ñ³Ûï­ ÝÇ ÏÇ­Ýá­¹»­ñ³­ë³­Ýáõ­ÑÇ ¿ ¹³é­ÝáõÙ, Ýϳ­ñ³­Ñ³Ý­ íáõÙ ¿ Çñ ѳ­ Ù³ñ ѳ­ ñ³­ ½³ïª ²Ý­ ݳ γ­ñ»­ÝÇ­³­Ý³­ÛÇ ¹»­ñáõÙ ¨ ýǭݳ­ÉáõÙ Çñ³­Ï³­ÝáõÙ å³é­ÏáõÙ ¿ é»É­ë»­ñÇÝ® ¸³­ë³­Ï³Ý ëÛáõ­Å»Ý áõ Çñ³­Ï³­Ýáõ­ÃÛáõ­ÝÁ ÙÇ­³­ÝáõÙ »Ý£

n ²ÝÇ Ô³ñ³µ³ÕóÛ³Ý

n ÜáõÝ» гËí»ñ¹Û³Ý

n Ü»ÉëáÝ ²É»ùë³ÝÛ³Ý §âáñë ·Çß»ñ ²ÝݳÛÇ Ñ»ï¦, Ȼѳëï³Ý/ üñ³Ýëdz, 2008, ÑáõÉÇëÇ 13-ÇÝ, Ï/Ã. §ØáëÏí³¦, γñÙÇñ ¹³ÑÉÇ× (19:30):

˳ճñϳÛÇÝ ýÇÉÙ»ñÇ ÙñóáõÛÃ

Ø»Í ×»Õù ÷áùñ ù»ñÍí³ÍùÇó §ø»ñÍ­í³Íù¦-áõÙ ØÇ­Ë³É èá­ë³Ý Ñ»­ñáë­Ý»­ ñÇ ³å­ñ³ÍÝ áõ å³ï­Ùáõ­ÃÛáõ­ÝÁ Ý»ñ­Ï³­Û³ó­ÝáõÙ ¿ ǵ­ñ¨ ٳݭñ³­Ù³ë­Ýá­ñ»Ý Íñ³·­ñ³­íáñ­í³Í ϻխͳ­ ÃáõÕÃ` ÝáõÛ­ÝÇëÏ Ï³ë­Ï³­ÍÇ ï³Ï ³é­Ý»­Éáí, ³Ùáõë­ Ý³­Ï³Ý »ñ­Ï³­ñ³­ï¨ ëáõñµ ÙÇ­³ë­Ýáõ­ÃÛáõ­ÝÁ: λݭ볭µ³­Ýáõ­ÃÛ³Ý ¹áÏ­ïáñ æá­³Ý­Ý³Ý ³Ùáõë­ Ýáõ ¨ ÁÝ­Ï»ñ­Ý»­ñÇ Ñ»ï ïá­ÝáõÙ ¿ Çñ ÍÝÝ¹Û³Ý ù³­ é³ë­Ý³­Ù³­Û³­ÏÁ: îá­Ý³ËÙ­µáõ­ÃÛáõ­ÝÇó Ñ»­ïá Ñá­µ»­ ÉÛ³­ñÁ Ýí»ñ­Ý»­ñÇ Ãíáõ٠ѳÛï­Ý³­µ»­ñáõÙ ¿ ÙÇ ï³­ñû­ñÇ­Ý³Ï ï»­ë³·­ñáõ­ÃÛáõÝ, ÇÝ­ãÁ ÑÇ٭ݳ­Ñ³­ ï³Ï Ë»­ÕáõÙ ¿ §ÙÇ­³­å³­Õ³Õ¦ »ñ­ç³Ý­Ïáõ­ÃÛ³Ùµ ³å­ñáÕ ÁÝ­ï³­ÝÇ­ùÁ ¨ ϻݭ볭ë»ñ ³Ùáõ­ëÇÝ­Ý»­ñÇÝ ½ñÏáõÙ Ñá­·»­Ï³Ý ѳ­í³­ë³­ñ³Ïß­éáõ­ÃÛáõ­ÝÇó: âݳ­ Û³Í ï»ë³­Å³­å³­í»­ÝáõÙ Ëáë­ùÁ ùë³Ý ï³­ñÇ ³é³ç ï»­ÕÇ áõ­Ý»­ó³­ÍÇ Ù³­ëÇÝ ¿ñ, »ñµ Çñ»Ýù ¹»é ã¿­ÇÝ ¿É ѳݭ¹Ç­å»É: γ­ñá±Õ ¿ ÷áù­ñÇÏ ù»ñÍ­í³Í­ ùÁ Ù»Ï ï³ñ­í³ Áݭóó­ùáõÙ ³Ùáõ­ëÇÝ­Ý»­ñÇÝ í»­ ñ³­Í»É Ãßݳ­ÙÇ­Ý»­ñÇ:

n ð³ýýÇ ØáíëÇëÛ³Ý §ø»ñÍí³Íù¦, Ø. èáë³, Ȼѳëï³Ý, 2008, ÑáõÉÇëÇ 13-ÇÝ, Ï/Ã. §ØáëÏí³¦, γåáõÛï ¹³ÑÉÇ× (18:00):

ì»ñ³¹³ñÓ` áñï»ÕDZó... á±õñ... ºñÇ­ï³­ë³ñ¹, ѳ­çá­Õ³Ï áõ ÙÇ ùÇã Ù»­Í³­ÙÇï ÑáÉ­ÉÇ­íáõ­¹Û³Ý ·áñ­Í³­Ï³É æáß èá­ëÁ/David Moscow/ ¶í³­ï»­Ù³­É³­ÛáõÙ ¿. ·ïÝ»É »ñ­Ï³­ÏÇ ûë­ Ï³­ñ³­ÏÇñ, É»­·»Ý­¹³ñ, ³ñ­¹»Ý §Ãá­ß³­Ï³­éáõ¦ ¹»­ñ³­ë³Ý æ»ù ö³É­³­¹Ç­ÝÇÝ (´»Ý ¶³­½³­ñ³), ³é³­ ç³ñ­Ï»É Ýñ³Ý Ù»Ï ÙÇÉ­ÉÇ­á­Ý³­Ýáó ·áñ­Í³ñù, ëï³­Ý³É Ñ³­Ù³­Ó³Û­Ýáõ­ÃÛáõÝÝ áõ...í»­ñ³­¹³é­Ý³É Ðá­ ÉÇ­ íáõ¹, »Ã» Ñݳ­ ñ³­ íáñ ¿` Ñ»Ýó ÝáõÛÝ ûñÁ: лßï áõ ß³ï ³ñ³· Ãí³­óáÕ ³Ûë ׳٭÷áñ­¹áõ­ ÃÛáõ­ÝÁ, 볭ϳÛÝ, »ñ­Ï³­ñáõÙ ¿` µ³­ó³­Ñ³Û­ï»­Éáõ Ñ»­ñáë­Ý»­ñÇó Ûáõ­ñ³­ù³Ý­ãÛáõ­ñÇ ½·³­óáõÙ­Ý»­ñÁ, Ý»ñ­ ϳ­Û³ó­Ý»­Éáõ Ï۳ݭùÇ Çñ³­Ï³Ý ³ñ­Å»ù­Ý»­ñÁ, ³å³­ óáõ­ó»­Éáõ, áñ ÁÝ­Ï»ñ­Ý»­ñÁ ϳ­ñ¨­áñ »Ý ÷á­ÕÇó, ³éû ñÛ³ Ï۳ݭùÁ Ñ»­ï³ùñ­ùÇñ ¿ ¿Ï­½á­ïÇÏ ×³Ù­÷áñ­¹áõ­ÃÛáõ­ÝÇó, ÇëÏ Ï³­ÛáõÝ áõ íëï³­Ñ»­ÉÇ Ñ³­ñ³­µ»­ñáõ­ÃÛáõÝ­Ý»­ñÁ ·³­ÉÇë »Ý ÷á­Ë³­ñÇ­Ý»­Éáõ ÏñùÇÝ áõ ·³Û­Ã³Ï­Õáõ­ÃÛáõÝ­Ý»­ñÇÝ: ÆÝã­å»ë ÝßáõÙ ¿ é»­ÅÇ­ëáñ ²Ý­ç»Û Îñ³­Ïáíë­ÏÇÝ, §...³Ûë üÇÉ­ÙáõÙ ãÏ³Ý §É³í¦ ϳ٦ í³ï¦ Ù³ñ­

2-²ëë³-2

§ö³É³¹ÇÝÇÝ áñáÝ»ÉÇë¦, ². Îñ³ÏáíëÏÇ, ²ØÜ/¶í³ï»Ù³É³, 2009 ÑáõÉÇëÇ 13-ÇÝ, Ï/Ã. §ØáëÏí³¦, γåáõÛï ¹³ÑÉÇ× (20:30):

§2-²ë­ë³-2¦, ê. êáÉáíÛáí, èáõë³ëï³Ý, 2009, ÑáõÉÇëÇ 13-ÇÝ, Ï/Ã. §ØáëÏí³¦, γñÙÇñ ¹³ÑÉÇ× (16:30):

5 N1, 12-13 ÑáõÉÇëÇ 2009

INTERVIEW

No. 1, July 12-13 2009

гñáõÃÛáõÝ Harutyun ʳã³ïñÛ³Ý Khachatryan — ä³­ñáÝ Ê³­ã³ï­ñÛ³Ý, ÑÇ­ßáõÙ »Ù` 4-ñ¹ §àë­Ï» ÍÇ­ñ³­ÝǦ ų­Ù³­Ý³Ï ³ë³­óÇù, áñ ¹³ ³ñ­¹»Ý ¨ ÁÝ­¹³­Ù»­ÝÁ 4-ñ¹Ý ¿: 5-ñ¹Á Ñá­µ»­É Û³­ ݳ­Ï³Ý ¿ñ: ƱÝã ϳ­ë»ù 6-ñ¹Ç Ù³­ëÇÝ: — ÆÝÓ Ñ³­Ù³ñ 5-ñ¹Á ÙÇ ï¨­³­Ï³Ý ÷áõ­ÉÇ ³Ù­÷á­÷áõÙ ¿ñ: ØÇ Ýå³­ï³­ÏÇ, áñÁ Ù»Ýù áõ­Ý»­ÇÝù: ²ÛÝ ¿` Ù³ñ¹­Ï³Ýó óáõÛó ï³É ѳ­Ù³ß­Ë³ñ­Ñ³­ÛÇÝ ÏÇ­Ýá­³ñ­í»ëï, ëá­íá­ñ»ó­Ý»É ÏÇ­Ýá­Ã³ï­ñáÝ ·Ý³­ ÉáõÝ, »ñÇ­ï³­ë³ñ­¹áõ­ÃÛáõ­ÝÇó, ³ñ­í»ë­ï³­·»ï­Ý»­ ñÇó, Ùß³­ÏáõÛ­ÃÇ Ù³ñ¹­Ï³Ý­óÇó Ñ»­é³ó­Ý»É í³ï ÏÇ­Ýá­ÛÇ ³½­¹»­óáõ­ÃÛáõÝ­Ý»­ñÁ: êï³ó­í»ó: êï³ó­ í»ó г­Û³ë­ï³Ý µ»­ñ»É Ùß³­Ïáõ­Ã³­ÛÇÝ ÏÇ­Ýá, óñ»É ïå³­íá­ñáõ­ÃÛáõ­ÝÁ í³ï ÏÇ­Ýá­ÛÇó, Ïá­Ù»ñ­óÇ­áÝ, ¿ñá­ïÇÏ ýÇÉ­Ù»­ñÇó, ³ÛÝ Ñá­ë³Ý­ùÇó, áñÝ áõ­Õ»Õ­Ý»ñ ¿ Éí³­ÝáõÙ. ¹³ ³é³­çÇÝ ÷áõÉÝ ¿ñ: ºñÏ­ñáñ­¹Á »ñÇ­ ï³­ë³ñ­¹áõ­ÃÛ³Ý ßñç³­ÝáõÙ ÏÇ­Ýá­³ñ­í»ë­ïÇ áõ ÏÇ­ Ýá­³ñ­ï³¹­ñáõ­ÃÛ³Ý Ñ³Ý­¹»å Ñ»­ï³ùñù­ñáõ­ÃÛáõÝ ³é³­ç³ó­Ý»É ¿ñ, ÇÝ­ãÁ ¨ë ѳ­çáÕ­í»ó: ò³Ý­Ï³­ÝáõÙ ¿ÇÝù ݳ¨ ëï»Õ­Í»É ѳ­Ù³­ï»Õ ÏÇ­Ýá­³ñ­ï³¹­ñáõ­ ÃÛ³Ý »ñÏ­Ëá­ëáõ­ÃÛáõÝ ï³­ñ³­Í³ßñ­ç³­ÝáõÙ: ¸³ ¿É »Õ³í` è»­ÅÇ­ëáñ­Ý»ñ ³é³Ýó ë³Ñ­Ù³Ý­Ý»ñÇ Ý³­ ˳­Ó»é­Ýáõ­ÃÛ³Ý ï»ë­ùáí: ºí ÑÇ­Ù³ ³ñ­¹»Ý ų­ Ù³­Ý³ÏÝ ¿, áñ­å»ë­½Ç Éñçá­ñ»Ý ½µ³Õ­í»Ýù ³ÛÝ Ù³ñ¹­Ï³Ý­óáí, áí­ù»ñ áõ­½áõÙ »Ý ½µ³Õ­í»É ÏÇ­Ýá­ Ûáí, Ñ»­ï³ùñùñ­í³Í »Ý: î»ë³­Ï³Ý, ï»­Õ»­Ï³ï­ í³­Ï³Ý ÏñÃáõ­ÃÛáõ­ÝÇó, áñ ï³­ÉÇë »Ýù, ³Ýó­Ý»É Éáõñç, åñá­ý»­ëÇ­á­Ý³É, åñ³Ï­ïÇÏ ÏñÃáõ­ÃÛ³Ý` µ³­ ó»­Éáí §àë­Ï» ÍÇ­ñ³Ý¦ ÏÇ­Ýá¹å­ñá­óÁ, áñÁ ÷³­é³­ ïá­ÝÇ ³Ù»­Ý³­Ï³­ñ¨­áñ ½³­í³Ï­Ý»­ñÇó Ù»ÏÝ ¿: ²Û¹ ³éáõ­ Ùáí 6-ñ¹ §àë­ Ï» ÍÇ­ ñ³Ýݦ ³é³­ çÇÝÝ ¿: Ø»Ýù 6-ñ¹áõÙ óáõÛó »Ýù ï³­ÉÇë Ù»ñ áõ­ë³­ÝáÕ­Ý»­ ñÇ ³é³­çÇÝ ýÇÉ­Ù»­ñÁ, ù³Û­É»­ñÁ, ³ñ­¹ÛáõÝ­ùÁ í³ñ­ å»­ïáõ­ÃÛ³Ý ¹³­ë»­ñÇ, ³ß­Ë³­ï³­Åá­Õáí­Ý»­ñÇ, áñ ³Ýó­Ï³ó­ñ»É »Ýù: Æ ëϽµ³­Ý» §àë­Ï» ÍÇ­ñ³­ÝǦ ³Ù­µáÕç Ýå³­ï³­ÏÁ »Õ»É ¿ г­Û³ë­ï³­ÝáõÙ ÏÇ­Ýá­ ³ñ­í»ë­ïÁ Ýá­ñÇó áï­ùÇ Ñ³Ý­»­ÉÁ, ÇÝ­ãÁ ÇÙ ¨ Ù»ñ ³Ù­µáÕç ËÙµÇ »ñ³­½³ÝùÝ ¿: — ÆëÏ Ç±Ý­ãÁ ϳ­é³Ýӭݳó­Ý»ù ³Ûë ï³ñ­í³ ÁÝïñ­í³Í ýÇÉ­Ù»­ñÇ ¨ ÑÛáõ­ñ»­ñÇ ³éáõ­Ùáí: — Ø»Ýù µ»­ñ»É »Ýù ÏÇ­Ýá­É»½­íÇ, Ùß³­Ïáõ­Ã³­ÛÇÝ, Ñá­·¨­áñ ÏÇ­Ýá­ÛÇ, ³ë»­ÉÇ­ùÇ, Ùï³­íáñ ÏÇ­Ýá­ÛÇ ·áñ­ Í»ñ, µ»­ñáõÙ »Ýù ³ß­Ë³ñ­ÑÇ ÷³­é³­ïá­Ý»­ñáõ٠׳­Ý³ã­í³Í ýÇÉ­Ù»ñ, Ù³ñ¹­Ï³Ýó, áñáÝó ÏÇ­Ýá­É»­½áõÝ å»ïù ¿ Ñ»­ï³ùñ­ùÇñ ÉÇ­ÝÇ Ù»ñ »ñÇ­ï³­ë³ñ¹­Ý»­ñÇ ¨ ÏÇ­Ý»­Ù³­ïá·­ñ³­ýÇëï­Ý»­ñÇ Ñ³­Ù³ñ: ´»­ñáõÙ »Ýù ׳­Ý³­ãá­Õ³­Ï³Ý ýÇÉ­Ù»ñ, É»­Ñ³­Ï³Ý Ýáñ ÏÇ­ÝáÝ, áñÁ í³­Õáõó ÉñÇí ³Ý­Ñ³Ûï ¿ г­Û³ë­ï³­ÝÇÝ: àõ­Ý»Ýù ýñ³Ý­ëÇ­³­Ï³Ý, ·»ñ­Ù³­Ý³­Ï³Ý ÏÇ­Ýá: ²Û­ëÇÝùÝ` Ñ»­ ï³­Ùáõï »Ýù Ù»ñ ï³­ñ³­Í³ßñ­ç³­Ý³­ÛÇÝ ¨ »í­ñá­ å³­Ï³Ý ù³­Õ³­ù³­Ï³­Ýáõ­ÃÛ³­ÝÁ: — §àë­Ï» ÍÇ­ñ³­ÝÁ¦ ѳ­Ù³­·áñ­Í³Ï­óáõÙ ¿ ï³ñ­ µ»ñ ÷³­é³­ïá­Ý»­ñÇ Ñ»ï: ¸ñ³Ý­óÇó áñá±Ýù ϳ­ é³Ýӭݳó­Ý»­Çù, áñá±Ýù »Ý ³é³­í»É ϳ­ñ¨­áñ: — Ø»½ ѳ­Ù³ñ ³Ù»­Ý³Ï³­ñ¨­áñ­Ý»­ñÇó Ù»­ÏÁ èá­ ï»ñ­¹³­ÙÇ ÷³­é³­ïáÝÝ ¿`áñ­å»ë Ùß³­Ïáõ­Ã³­ÛÇÝ, Éáõñç ù³­Õ³­ù³­Ï³­Ýáõ­ÃÛáõÝ í³­ñáÕ: ºí äáõ­ë³­ÝÁ, áñÝ ³Û¹­åÇ­ëÇÝ ¿ ²ëdzÛáõÙ: ¸³ ݳ¨ Ù³ñ¹­Ï³­ÛÇÝ Ñ³­ñ³­µ»­ñáõ­ÃÛáõÝ­Ý»­ñÇó, ÷³­é³­ïá­Ý»­ñÇ ïÝû­ñ»Ý­ Ý»­ñÇ Ùï»ñ­Ùáõ­ÃÛáõ­ÝÇó ¿ ·³­ÉÇë: Ø»ñ ÷³­é³­ïá­ÝÁ ³Ù»­­Ý³­Åá­Õáíñ­¹³­í³­ñ³­Ï³Ý­Ý»­ñÇó Ù»ÏÝ ¿: Ø»½ Ùáï ϳ­ñáÕ »Ý ÏáÕù-ÏáÕ­ùÇ ÉÇ­Ý»É ìÇÙ ì»Ý­¹»ñ­ëÁ ¨ ëÏëÝ³Ï Ñ³Û é»­ÅÇ­ëá­ñÁ: Ø»½ ѳ­Ù³ñ µá­Éá­ñÁ ѳ­í³­ë³ñ »Ý: — ²Û¹ ³éáõ­Ùáí §àë­Ï» ÍÇ­ñ³­ÝÁ¦ ϳñ­Í»ë »ñ­µ»ù ¿É ³ëï­Õ³­ÛÇÝ ÷³­é³­ïáÝ ãÇ »Õ»É: — ²Ûá, ë³ é»­ÅÇ­ëá­ñ³­Ï³Ý, Ñ»­Õǭݳ­Ï³­ÛÇÝ ÏÇ­ Ýá­ÛÇ ÷³­é³­ïáÝ ¿: Þ³­ï»­ñÇÝ ÃíáõÙ ¿, û ×ã³­óáÕ ³ÝáõÝ­Ý»ñ ¨ ßá­áõ­Ý»ñ »Ý å»ïù, µ³Ûó Ù»½ ѳ­Ù³ñ ¹³ Íǭͳ­Õ»­ÉÇ ¿: ¸³ ã¿ Ù»ñ Ýå³­ï³­ÏÁ: Þá­áõµÇ½­Ý»­ëáí Ù»Ýù ã»Ýù ½µ³Õ­íáõÙ: — ÆÝã­å»±ë ѳ­çáÕ­í»ó ׷ݳ­Å³­Ù³­ÛÇÝ Çñ³­ ϳ­Ýáõ­ÃÛ³Ý Ù»ç ³Ý»É ³Ûë Ù³ëß­ï³­µÇ ÷³­é³­ ïáÝ, ·áñÍ, áñ ÏáÕ­ ùÇó ·ñ»­ û ³ÝÑ­ ݳñ ¿ ÃíáõÙ: — ¸», ׷ݳ­Å³­ÙÁ ß³ï ÷³­é³­ïá­Ý»­ñÇ íñ³ ³½ ¹»ó` Áݹ­Ñáõå ÙÇݭ㨠÷³Ï­í»­ÉÁ: ´³Ûó ÷³éù Ù»ñ Øß³­ÏáõÛ­ÃÇ Ý³­Ë³­ñ³­ñáõ­ÃÛ³­ÝÁ, ÷³éù Ù»ñ ·É˳­ íáñ Ñá­í³­Ý³­íá­ñÇÝ` §ìÇ­í³ ê»Éɦ-ÇÝ, áñáÝù ³Ù»Ý ÇÝã ³ñ»­óÇÝ, áñ­å»ë­½Ç Ù»Ýù Ñ»ï ãϳݷ­Ý»Ýù Ù»ñ ݳ­Ë³Ý­ß³Í ׳­Ý³­å³ñ­ÑÇó: Üñ³Ýù ³ë³­óÇÝ,

áñ ϳݷ­Ý³Í »Ý Ù»ñ ÃÇ­ÏáõÝ­ùÇÝ, ¨ å»ïù ¿ å³Ñ­ å³­Ý»Ýù áõ ãÏáñó­Ý»Ýù ³ñ­¹»Ý Ó»éù­µ»ñ­í³­ÍÁ: ÆëÏ Ó»éù­µ»­ñáõÙ­Ý»­ñÁ Ù»Ýù ·Ç­ï»Ýù: — ²ñ­ï³­ë³Ñ­Ù³Ý­óÇ ÑÛáõ­ñ»­ñÇó Ù»ÏÝ ³ë³ó, áñ ÇÝ­ùÁ ß³ï ùÇã ɳí ѳۭϳ­Ï³Ý ýÇÉ­Ù»ñ ·Ç ïÇ ¨ ãÇ Ñ³ë­Ï³­ÝáõÙ` ÇÝ­ãáõ å»ïù ¿ ÉÇ­ÝÇ É³í ѳۭϳ­Ï³Ý ýÇÉÙ áõ ãÝ»ñ­Ï³­Û³ó­íÇ Ó»ñ ÷³­é³­ ïá­ÝÇ Ùñóáõ­Ã³­ÛÇÝ Íñ³·­ñáõÙ: Êáë­ùÁ г­ñáõ­ ÃÛáõÝ Ê³­ã³ï­ñÛ³­ÝÇ §ê³Ñ­Ù³­ÝǦ Ù³­ëÇÝ ¿: — ºë ϳñ­ÍáõÙ »Ù, áñ ÷³­é³­ïá­ÝÇ ïÝû­ñ»­ÝÁ ÝÙ³Ý Çñ³­ íáõÝù ãáõ­ ÝÇ: ¸³ ¿ÃÇ­ ϳ­ ÛÇ Ñ³ñó ¿: Þ³ï ϳ­ñ¨­áñ ¿ ³ÛÝ­å»ë ³Ý»É, áñ ùá ·áñ­ÍÁ ãË³é­ Ý»ë ùá ³ñ­ í»ë­ ïÇÝ: §ê³Ñ­ Ù³Ýݦ ÇÝÓ Ñ³­ Ù³ñ ß³ï ϳ­ñ¨­áñ ¿: ºë ã»Ù áõ­½áõÙ Ù»­ÏÁ ˳é­Ý»É ÙÛáõ­ ëÇÝ: ¸ñ³Ýù Çñ³ñ Ï˳ݭ·³­ñ»Ý: — Æ ¹»å, ë³Ñ­Ù³Ý­Ý»­ñÇ Ù³­ëÇÝ. §àë­Ï» ÍÇ­ ñ³Ýݦ ³é³ÝÓ­ ݳ­ ó»É ¿ Ýñ³­ Ýáí, áñ ÙÇßï Ãáõñ­ù³­Ï³Ý ýÇÉ­Ù»ñ ¿ Ý»­ñ³­é»É, ³Ûë ï³­ñÇ Ý³¨` ³¹ñ­µ»­ç³­Ý³­·»ñ­Ù³­Ý³­Ï³Ý­ÙÇ ýÇÉ٠ϳ: ÎÇ­ÝáÝ Çñá±ù ÷³Ï ë³Ñ­Ù³Ý­Ý»ñ ãÇ ×³­Ý³­ãáõÙ: — ºë ÙÇßï ³ë»É »Ù, áñ ½ÇÝ­íáñ­Ý»­ñÁ å»ïù ¿ å³Ñ­å³­Ý»Ý ë³Ñ­Ù³Ý­Ý»­ñÁ, ù³­Õ³­ù³­Ï³Ý ·áñ­ÍÇã­ Ý»­ñÁ ù³­Õ³­ù³­Ï³­Ýáõ­ÃÛ³Ùµ ½µ³Õ­í»Ý, ÇëÏ ³ñ­í»ë­ï³­·»ï­Ý»­ñÁ ѳñ­Ã»Ý µá­Éáñ ³ÛÝ ËݹÇñ­Ý»­ñÁ, áñ ëï»Õ­Í»É »Ý ½ÇÝ­íá­ñ³­Ï³Ý­Ý»ñÝ áõ ù³­Õ³­ù³­ Ï³Ý ·áñ­ÍÇã­Ý»­ñÁ: ²Û­ëûñ, »ñµ ³Ù­µáÕç ³ß­Ë³ñ­ÑáõÙ Ýí³­½áõÙ »Ý ë³Ñ­Ù³Ý­Ý»­ñÁ, Ù»½ Ùáï ³í»­É³­ÝáõÙ »Ý: ¸ñ³Ý­óÇó å»ïù ¿ ³½³ï­í»É: ²ñ­í»ë­ï³­·»ï­ Ý»­ñÁ Çñáù ë³Ñ­Ù³Ý­Ý»ñ ãáõ­Ý»Ý: ²ñ­í»­ï³­·»­ïÁ å»ïù ¿ »ñÏ­Ëá­ëáõ­ÃÛ³Ý ûÕ³Ï ÉÇ­ÝÇ:

n ¸³­íÇà ì³ñ­¹³­½³­ñÛ³­Ý

As the festival is about to start, director Harutyun Khachatryan introduces some of the latest developments. With a new Golden Apricot MasterSchool and growing regional cooperation, the festival is looking increasingly beyond Armenian borders. ‘Co-productions are a necessary part of the future of Armenian cinema.’

In Armenia, the number 6 symbolizes balance – that’s why this year’s festival poster shows a girl on a tightrope. After five years of growing up, the Golden Apricot International Film Festival has reached maturity, with 158 films by directors from over 50 countries being shown. But festival director Harutyun Khachatryan is not resting on his laurels.

His focus is on the next generation of Armenian filmmakers.

How has the festival changed, compared to last year’s edition?

Khachatryan: ‘One of the main aims of the festival has been to introduce Armenian cinema to an international audience. That hasn’t changed, but this year, we are looking specifically at younger filmmakers. We want young Armenian filmmakers to get more involved with the art of cinema. At the same time, we hope their counterparts from countries in the Caucasus and the Black Sea region will become more interested in Armenian cinema.

That’s why in November 2008, we have started the Golden Apricot MasterSchool. By giving master classes and workshops, the school will teach young filmmakers about film making, by letting them

write, shoot and edit their own films. For example, Iranian director Abbas Kiarostami has given a workshop here in Yerevan for students from Iran, Turkey, Georgia and Armenia, which resulted in 17 short films been made.’

The cooperation with Turkish filmmakers has resulted in an Armenia-Turkey Cinema Platform, which has its own program at the festival with documentaries from both countries.

‘Last year, many Turkish filmmakers participated in a Turkish-Armenian cinema workshop and Turkish filmmaker Cem Oztufekci shot the first Turkish-Armenian co-production, called Home, at our MasterSchool. For five years now, we have taken our Armenian films to the Istanbul Film Festival and they have brought their films to Armenia. This created the basis for our cooperation, which we will do our best to continue.’

Has there been any political tension, concerning this cooperation?

‘Filmmakers are artists, and artists don’t have any borders. They can work with anyone they want. Artists should not be bothered by political issues. They must only be concerned with their art.

I regret that many politicians try to influence artists. It could very easily make the artist go mad.

Personally, I try to steer my art clear of politics. I find it only disturbs me.’

What is the role of co-productions in Armenian cinema?

‘Co-productions are a necessary part of the future of Armenian cinema. Our Armenian film production is very small. We should aim for more Armenian-Turkish, Armenian-Georgian and Armenian-Russian co-productions. This year we will gather international filmmakers, from Georgia, Turkey, Russia, Iran, and maybe Ukraine, and we will begin a number of small, new projects. Of course, we do not have the funds for larger ones.’

What else is new at this year’s festival?

‘The retrospective of Japanese director Kohei Oguri will be very interesting for Armenians. It is the first time we show Japanese movies. It will be something totally new to them.’

Has the international economic crisis affected the festival?

‘Many other festivals have had to close down.

But thanks to our sponsors and the Armenian minister of culture, we have no financial problems at the moment.’

Finally, why is your own film Border not being shown in competition?

‘That is a moral question. I cannot program my own film in competition. In general, I think you should not mix your art with your work.’

n Kees Driessen

OPENING FILM

6 No. 1, July 12-13 2009

Armenian gangsters open festival

F

rench-Armenian producer Alain Terzian has come to Yerevan to attend the screening of Inside Ring, the opening film of the festival. He is proud that famous French actor Jean Reno plays the lead.

‘Jean Reno became world famous after appearing in Luc Besson’s Léon in 1994’, explains Terzian.

‘Later, he played mainly in American movies, such as Mission Impossible (1996), Ronin (1998), with Robert De Niro, and The Da Vinci Code (2006).

I was very happy when he accepted the part in Inside Ring, because he gives a universal dimension to an Armenian family story.’

Alain Terzian has himself been involved in a number of successful productions, including Anthony Zimmer (2005) and Daniele Thompson’s Change of Plans, the film that will open French Day on July 14th. He is pleased with Inside Ring’s success so far. ‘The film has been sold all over the world and we are still negotiating more.’

Inside Ring starts with documentary footage of burning houses and ruined cities, during the Armenian Genocide in Turkey in 1915. A voiceover tells of the thousands of Armenians who afterwards fled to France. ‘To survive and become integrated, most Armenians opted for hard work and sacrifices. Some didn’t.’

The rest of the film is set in present-day France, where we meet some of those Armenians who ‘didn’t’—the criminal Malakian clan, led by coldblooded Milo (Jean Reno). Terzian: ‘It is the story of an Armenian father trying to give his son the same mafia style upbringing he himself received.

But he is wrong, because the kid is in love with a beautiful French girl and is looking for a completely different future. It is both a love story and a police story, with a lot of emotion.’

The name Malakian is a tribute to French director of Armenian descent Henry Verneuil, maker of the 1969 classic The Sicilian Clan, whose original name was Achod Malakian.

n Kees Driessen

Alain Terzian: The producer is a mediator

P

roducer Alain Terzian, whose Inside Ring has been chosen to open the Golden Apricot Yerevan Film Festival today is one of the most influential figures in the French film industry. He is also Chief Executive Officer of Alter Films, President of Union of French Producers and President of the French Film Academy.

‘Armenians always say they have two homeland countries: Armenia and France,’ he said in one of his interviews. Alain Terzian will be visiting Armenia, his historical homeland, for the first time, as an honorary guest of the 6th Golden Apricot Film Festival.

His ancestors moved to France in 1923. His father was a successful textile businessman; his mother was a philology teacher. Alain was born in Paris on May 2, 1949. Shortly afterwards his parents divorced and he grew up in a little apartment in the bohemian Latin Quarter living together with his mother, grandmother, sister and an aunt. His first profession was a teacher.

At the age of 22 he began teaching at the same school in Chevignie where his mother worked.

Several years later he was an economics lecturer at Sorbonne University having earned his PhD. An avid player or volleyball and tennis, Terzian was attending racing sporting club where he met Jean-Paul Belmondo, Lino Ventura and Claude Lelouch and soon afterwards they became friends.

He was captivated by the world of cinema and would say soon goodbye to the career of University professor cherished by his mother.

Alain lived a double life-he was teaching in Paris

and during his free time volunteered to work as assistant for film stars and directors.

For some time he worked as an assistant of Claude Lelouch, then as a driver for Claudia Cardinale. It was then that he made friends with many film stars, but friendship with producer Alexandre Mnouchkine was crucial for his future career—Terzian makes his final decision to become film producer. “I was not sure that I would make a good director and began thinking about something more rational that was close to my nature and thinking.’

In 1973 Alain founded his own producer company. ‘I used to make 5-7 films a year, now I make films from time to time.’ Nonetheless, he produced about 50 films and played as actor in some as well. Les visiteurs, starring Jean Reno, is one of his most well known films. Fourteen million people saw it. The Yerevan audience will have the opportunity to see his two latest films: Inside Ring and Change of Plan.

‘Being a film producer is like being a mediator between talent and the audience,’ says Terzian. He never hunts for stars, who have reached the peak of their glory. ‘Only people who have gone through failures interest me. I am an aid-man, I admire those who are on the ridge of the wave, but I know that it is more interesting to work with people who were conked down by this wave, thrown to the bottom and who are ready to swim to the surface and restart.’

n Nelson Alexanyan Translated by Murad Mkrtchyan

7 No. 1, July 12-13 2009

REVIEWS

Paradise Lost Two pillows on a perfectly made up bed. That’s one of the first images we see in Be Good, the debut film of French director Juliette Garcias. A young woman kneels on the floor and puts her head on one of the pillows. A man approaches the girl from behind; we can hardly see his face.

What’s happening here?

There’s something strange about Nathalie, the girl on the brink of maturity. She regularly causes uneasy situations by coming up with all kinds of

dubious stories: that her handball-playing Spanish fiancé has had an accident, that she has a relationship with a lawyer in London, that she likes to cut the nails of her piano-playing married boyfriend, that she is really called Eve. In the meantime, she works for a baker in a village in the French countryside.

She spies on an older married man with a small child in a mansion. Slowly but surely, the mystery unfolds. The suspense is carried by sensual visuals and Garcias’ astute feeling for atmosphere. We see

beautiful serene landscapes, but feel that things can turn bad every moment. Paradise will be lost.

Nathalie/Eve seems to be a strange girl. She puts her hand in a bucket filled with slimy snails and cuts her fingernails until they bleed. Garcias films it in such a way you can almost feel the snails and sense the pain Nathalie experiences. In an interview she explained her choice for her sensual imagery: “The girl experienced something that can hardly be expressed in words. That’s why I had to exchange

dialogue for a strong visual sense. The element of suspense is automatically related to the big taboo that encircles the main character. Her secret doesn’t immediately come to the surface. The viewer slowly gets clues, and will understand what has happened at the end of the film”.

Be Good/Sois sage (Juliette Garcias, France, 2009).

July 13: Moscow Cinema, Blue Hall (12.00); July 17: Moscow Cinema, Blue Hall (20.30).

This is a men’s village

The nurse and the cremator This year a special program is devoted to Jerzy Skolimowski (who was born in 1938), the great Polish director who already had a long, distinguished career. Six of his films will be shown during the festival, Four Nights with Anna is set in the rural, northeastern part of Poland, where time appears to stand still. Leon, who works in a crematory, is a somewhat dreamy, a bit slow-witted, middle-aged man, who cannot stand up for himself. As a result of this weakness, those around him repeatedly misunderstand and abuse him. Leon falls in love with Anna, a nurse, working in a local hospital, whose rape he once witnessed. Too shy to tell her about his feelings, he sneaks into her room when she is sleeping, washes the dishes, brings her flowers and even tries to put a diamond ring on her finger,

bought with his redundancy money.

Four Nights with Anna was heralded as Jerzy Skolimowski’s return to great form. Ascetic, but heavy with symbolism, with few, but carefully chosen locations, it brings to mind the cinema of Robert Bresson and Krzysztof Kieslowski, as well as the beginnings of Skolimowski’s own career, when the director was able to say much using minimal words. As in his early films, the music is given the role of conveying what the characters are unable to say: it is the music of their souls. This refers especially to Anna, who has little narrative autonomy, always being seen through Leon’s eyes.

Four Nights with Anna (Jerzy Skolimowski, Poland, 2008). July 13: Moscow Cinema, Red Hall (19.30); July 19: Moscow Cinema, Red Hall (15.00).

‘We are all in need of a woman’. ‘No problem, if the chicks are horny...’. ‘Finally that day we all get lucky.’ These conversations take place between the inhabitants, men only, of the remote Spanish village of Riofrio. Their everyday male talk hardly differs from the above mentioned, because all their thoughts and actions concern women from Madrid they are waiting for. They organized a busload of single women to come from Madrid to alleviate their loneliness. They wait for the women to have them as their guest at their tables, in their hearts, in their beds and ultimately in the hope to share their lives together.

Each second of the whole 35 minutes of this Chilean-German documentary is a unique exposition of the well-known truth about this world being masculine, besides showing how funny can men be in their world/village waiting for the women. In the final “lonely serenade” scene Chimeno, one of the characters, sings: “You’re part of me, why’ve you decided not to kiss me anymore? Without knowing why you left me, I want to live. I’ll have to live on.

And I’ll never know why you left.” DV

Waiting for Women (Estephan Wagner, United Kingdom, 2008). July 12: Puppet Theatre, Small Hall (12.00); July 17: Puppet Theatre, Small Hall (20.00).

Ðàì²Ü²ìàðܺð

8 N1, 12-13 ÑáõÉÇëÇ 2009