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s is our hero the leg y not notice a nto his but we can't k which bons by bull
theme song of misery the other men stering moved along are feet losh through take the es.
ango has a hback. flashbacks are ly the lead character most on him or his aracters tance we see at the ion.
go houlders and ars of the hilda being led ck.
oor, and far off tance, a up on the istance he l; "sold." then reabouts seen again.
beat down on mbers;
ve pen one hundred designed
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ed by the big d in front lock. ay rm in the e (what the untry). sky above the
e
me in...
ance" nd is replaced
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ty, a bull of a gs a axe ee stump ever simply by w if he's been r the last d today.
y teenage aundry on ngs up a white rs a aside she see's;
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ble, with two ed to r behind the ne in the o other nazi oming up untry road m.
his axe in the houlder, approaching. e comes to the me, her teenage germans g. mily in french, h;
ut the door.
seventies soul
rame.
dess dressed in
ine that flies
approximate
-mover slowly
dits apear and
active black d e she's in her
he end of the
oms and we a hrough the s e the plane for
ag picks up the
woman the woman on
western-style r torn. the high
black blood.
screen man's e with the name e ping away the
y little as the
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T
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S O U L OF THE SCENE Music from Quentin’s Movies
y, is the white
n who stands
ook the world oses our age, the he and greed are s. rs bill stands he
self he is pure.
coffee shop in
morning. while med, ber of people ching ing eggs.
e a young man . the working-class d, man, smokes
1