Visualizing Cross-country Borderlands- An Architecture towards peace (Dissertation)

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WAY FORWARD Now, for connecting the study of borderlands way forward for thesis, we need to understand that the main aim is to emphasize the needs of both states' local populations; re-imagine the physical rigidity of this border, moving beyond the elements of war and conflict that have plagued the region until now. It entails reinterpreting the physical border, transforming it into a shared space for residents of both territories. The logic behind creating a mutual space on borderland is to give locals a sense of belonging without any divisions or barriers separating them. The border should resemble a place where locals from both sides could come to reunite, eat, learn, and celebrate together. This will be a platform where they can express their collective identity, catering to their communal needs. Aside from successful integration, the center will provide visitors with a variety of social spaces that will elicit "cohesive nostalgia.” Certain nostalgic qualities involved in the project to generate a number of programs include timelessness, spatial dichotomy, and in-group binding. The programme would be divided into five basic categories: being with each other, commemorating, eating, acquiring knowledge, and expressing. It also entails the creation of a qualitative storyline through the incorporation of certain elements (native craft, music, food, activity, etc.) that will foster a feeling of belonging and shared identity. The main emphasis would be to create an integrated check post (ICP) along with passenger terminal and cultural interpretation center at the international border. It is still in a vague state in order to determine the site for the project but the ideation would be to select India-Sri Lanka border or India – Nepal border. A site of area around 50-60 acres have to selected for serving the purpose and intent of the research.

Figure 47 Artists are turning the U.S.-Mexico border fence into the world’s longest peace-themed mural

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Figure 46 Monumentality across India- Pakistan Border

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Figure 47 Spatial analysis of monumentality across India-Pakistan border

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Figure 45 Land custom stations in NE-India

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Figure 48 Border peace parade at Attari-Wagah border

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peace-themed mural

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Figure 43 ICPs across India-Nepal, Pakistan and Bangladesh borderlands

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Figure 42 Location of ICPs along Indian Borders

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Figure 41 Integrated Check post at Attari-Wagah Border

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Figure 40 Integrated Border control: Cross country movement

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Figure 33 Border in Baarle-Hertog, Municipality of Belgian

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Figure 36 Typical Illustration of International borderline

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Figure 37 Border management and control aspects

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Figure 34 Evolution of the Netherlands- Belgium Border

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Figure 35 The Belgian-Dutch Border at different locations of Baarle town

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Figure 18 India- Bangladesh Border

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Figure 10 India – Pakistan Border fencing; Cross- Border landscape

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Figure 31 Border walls across the globe

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Figure 19 Land ports Authorities: India- Bangladesh Border

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Figure 23 Varieties of International land borders

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Figure 22 The Akhaura- Agartala Border complex site plan

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Figure 15 Analysis of The Wagah- Attari Border complex site plan

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Bhutan and China

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Figure 4 Borders across the globe

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Figure 2 Pablo Picasso’s most-recognized Cubist painting: Guernica

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Figure 1 Border wall as Architecture (Ronald Rael and Virginia San Fratelli

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Figure 5 Border security: Fencing and watch tower surveillance

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Pakistan border

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Figure 3 9/11 Twin tower attack

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Figure 6 Walled border: International boundary demarcation approach Figure 7 Crossing the bridge into Canada, from the US: Ambassador Bridge, Open Border of India-Nepal Boundary, Indian and Pakistan border officers at the Indian-

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Figure 8 India and it's borderlands Figure 9 India and its international boundaries: Sri Lanka, Myanmar, Pakistan, Nepal,

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