Katalog NAPETA SEDANJOST / Catalogue TENSE PRESENT

Page 36

SUZANA BRBOROVIĆ (SI/DE)

“Moja umetniška praksa se navezuje na tradicijo in zapuščino arhitekture kot medija, ki aktivno oblikuje naše zaznavne prostore. Arhitektura kot glavna tema v mojih delih, je orodje s katerim želim uprizoriti in premisliti prostore, ki smo jih naredili za svoje. Pogosto zelo koncentrirana, moja platna raziskujejo mnogoterost in zasičenost določenega arhitekturnega fenomena, ki sam po sebi velikokrat ostane spregledan in na obrobju probleme znotraj družbene ureditve, ki so ostali v stanju pozabljenosti in skozi polpreteklo zgodovino kažejo tendence politične usmeritve, ki jih lahko apliciramo na percepcijo prostora tudi danes ali v bližnji prihodnosti. Zanima me kako lahko slika odraža nered in distopični pogled skozi perspektive, ki jih plastim eno na drugo, ter z njimi skušam upodobiti večpomenskost prostora v katerem bivamo. Geometrijska pojavnost in zavezanost ravni črti, je opazna v vseh mojih delih. Črta kot primarno likovno izrazno sredstvo, se navezuje na arhitekturne načrte in zmožnost človeka razmišljanja v okvirih kartezijanske mreže. Tudi sama se želim locirati znotraj te mreže in skozi vizualno podobo izraziti zgodbo, ki me v danem trenutku zanima. Ključna elementa znotraj mojega likovnega prostora sta tudi transparentnost in prepletenost. Izražena skozi lebdenje in lahkotnost nekaterih objektov, s tem pridobivajo na breztežnosti in ne-relevantnosti znotraj našega realnega prostora, ter kažejo odnos do arhitekture brez dodane vrednosti. Geometrijske in črtne ekspresije v kombinaciji z organskimi podslikavami na podlagi, raziskujejo svet pravil, utopij in ideologij, ki se danes kažejo kot prakse potrebne ponovnega premisleka in kritičnega vrednotenja. Skupni imenovalec vsake serije del je tudi skrbno izbrana barvna paleta, ki lahko namerno zavaja gledalca. Bodisi v slikarstvu ali v drugih medijih, barvni spekter ostaja pomembno konceptualno izhodišče v mojem delu. Po zgledu avantgarde zgodnjega 20. stoletja, mi dekonstrukcija in fragmentacija objektov omogočata uprizoriti vizualno izobilje oblik in struktur. Kompleksna narava del je posledica mojih notranjih procesov, ki se kopičijo in udejanjijo na veliko formatnih platnih.” (Suzana Brborović) 

“My artistic practice takes architecture as the main subject to recreate and rethink spaces built around us. Often very concentrated, my paintings explore the term saturation to its highest. Layering the realities of our surrounding, I want to create an outlook on the themes dealing with architecture and ideas about it, showing the past and present problems in evolving urbanism and how architecture defines our personal space. My artistic process takes me through researching of neglected, decayed and controversial buildings and what impact do they have on me and my setting. I am interested in how a painting can reflect a disorder or a dystopic view with emphasises on bending perspectives and settling in in pre-designed grids of our everyday life. The key elements in my work are dealing with transparency and intertwinement of objects with a feeling of lightness and flotation. Geometrical and linear expressions combined with organic underlayering explore the world of rules, utopias and great ideas that present themselves today as practices needing re-evaluation and critical observance. The portrayed buildings and objects are all part of my research on historically important development of the urbanism and architecture. Whether the topic is dealing with ideal cities, modernism, former industrial facilities or surveillance and defence architecture (such as bunkers from WW2) they all create a discomfort in thinking about them. My intention is to bring this discomfort directly to the viewer by creating paintings, which are expanding and overrunning the classical meaning of perspective and are rather employing the world as I see it: confused and concrete. The carefully chosen colour palette for each series demonstrates the overall feeling of the works and can be intentionally disorientating to the viewer. The deconstruction and fragmentation of objects (influenced by avant-garde of 20th century) are approaches I undertake to provide a visual abundance of shapes and structures.” (Suzana Brborović) 

Centralizacija / Centralisation, 2015 akril in tuš na platno / acrylic and ink on canvas

32

Detajl / Detail


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BIOGRAPHIES

16min
pages 90-100

TADEJ VINDIŠ (SI/UK

3min
pages 76-77

BIOGRAFIJE

14min
pages 86-89

SALVATORE VITALE (IT/CH

3min
pages 78-81

NAGRADA BELI APHROID 2019

0
page 84

THE WHITE APHROID AWARD 2019

1min
page 85

YoHa - GRAHAM HARWOOD & MATSUKO YOKOKOJI (UK

3min
pages 82-83

FORENSIC OCEANOGRAPHY

3min
pages 56-57

IVA TRATNIK (SI

3min
pages 74-75

ZORAN TODOROVIĆ (RS

3min
pages 72-73

CLAUDIA ROBLES-ANGEL (CO/DE

0
pages 70-71

ARMINA PILAV (BA/UK), ANA DANA BEROŠ (HR), RAFAELA DRAŽIĆ (HR), MIODRAG GLADOVIĆ (HR), MATIJA KRALJ (HR) & MAURO SIROTNJAK (HR

1min
pages 68-69

MLADEN MILJANOVIĆ (BA

3min
pages 66-67

MICHAEL TAKEO MAGRUDER (US/UK

7min
pages 62-65

BARBORA KLEINHAMPLOVÁ (CZ

3min
pages 58-61

BOŠTJAN DRINOVEC (SI

2min
pages 44-47

FORENSIC ARCHITECTURE

5min
pages 52-55

SUZANA BRBOROVIĆ (SI/DE

3min
pages 36-39

LANA ČMAJČANIN (BA/AT

1min
pages 42-43

BridA/TOM KERŠEVAN, SENDI MANGO, JURIJ PAVLICA (SI

3min
pages 40-41

CONNY BLOM (SE/SI

2min
pages 32-35

POZIV K TRANSFORMACIJI

4min
pages 26-27

CALL FOR TRANSFORMATION

6min
pages 28-31

NAPETA SEDANJOST: NOVO OSMIŠLJANJE VOJNE INFRASTRUKTURE

9min
pages 18-21

COMANDS AND DISPLAYS

3min
page 13

TENSE PRESENT: REPURPUSING WAR INFRASTRUCTURE

11min
pages 22-25

TENSE PRESENT

8min
pages 16-17

NAPETA SEDANJOST

6min
pages 14-15

UKAZI IN PRIKAZI

3min
page 12
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