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MODE Double Trouble 82 Gilded Age 88 Visions of Zenith 100 The Graduating Class... 120 Fall’s Swag 130 Life’s a Beach 136 Down to the Last Detail 152 STYLE Belle of the Fall 19 Zoom in 20 Since 1854 22 Be a Power Puffa Girl 28 Coming into Bloom 30 Dab Hand 34 Girl Power 36 Show Them Who’s Boss 44
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BIJOUX Perlée Gates 49 Bling Ring 50 Diamonds are Forever 52 Go for Gold 54 What Maisie Knows 60 BEAUTY Lip Service 70 Floral Geometry 74
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LIVING Worth the Salt 161 Fine Dining in a Post Pandemic World 162 RENDEZVOUS Edito 16 Style News 40 Finale 170
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no 134 – october 2020 EDITORIAL EDITOR-IN-CHIEF IAN LEE
SALES & MARKETING VP, SALES & MARKETING AILEEN SOH
FASHION & DIGITAL WRITER ABIGAIL LEONG
ASSOCIATE DIRECTOR, SALES & MARKETING CHOO YEW MENG
DIGITAL WRITER KIMBERLY ONG
MANAGER, SALES & MARKETING YIZHONG AW
ART ART DESIGNER LESLIE WONG
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CHIEF FINANCIAL OFFICER ELLIN ZHAO MANAGEMENT
CEO/PUBLISHER OLIVIER BURLOT EXECUTIVE DIRECTORS JULIAN PEH GAËL BURLOT
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no 134 – october 2020 DIRECTION Global Co-Chairmen and Members of executive and administrative boards Marie-José Susskind-Jalou Maxime Jalou
INTERNATIONAL AND MARKETING Director International Licenses, Business Development & Brand Marketing Flavia Benda Global Head of Digital Product Giuseppe De Martino
Global Chief Executive Officer, Director of Executive and Administrative Boards Benjamin Eymère
Global Digital Project Manager Babila Cremascoli
Global Deputy Chief Executive Officer, Member of Executive and Administrative Boards Maria Cecilia Andretta
Global Media & Marketing Strategist Louis du Sartel
Global Chief Creative Officer Stefano Tonchi
Global Head of Content and Event Experience L’Officiel Allegra Benini
Global Artistic and Casting Director Jennifer Eymère
Global Editorial Content and Archives Giulia Bettinelli
Executive Assistants Céline Donker Van Heel c.donkervanheel@editionsjalou.com Giulia Bettinelli g.bettinelli@lofficielitalia.com
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L’OFFICIEL LIVING
Édito
Two is widely acknowledged as being better than one, and so here’s presenting the Double-A issue, spotlighting the season’s most relevant accessories as edited by L’Officiel Singapore, and an irresistible art scene cool to match. Going hand in hand with this month’s theme are models and style stars Natalie Prabha and Nia Atasha, who channel the spirit and energy of the late graffiti artist, Jean-Michel Basquiat, by donning Coach’s Fall/Winter 2020 collection. Where other top extras are concerned, here’re all the goodies packed into the issue’s pages: actress Maisie Williams shows off Cartier’s precious Pasha; top local model Layla Ong mingles with Louis Vuitton’s latest Since 1854 jacquard canvas offerings; and Singaporean face Kaci Beh works Saint Laurent’s look-at-me cocktail earrings and latex leggings. If you so desire, go beyond fashion accessories and get acquainted with Shanghai Tang’s home fragrance sets, Singapore’s eco-conscious jewellery labels, and lipsticks that double as accoutrements. The art house inspiration runs throughout much of the October issue too, with a series of inspired fashion shootings – think pages of a mini retro yearbook, postcard-style shots by an idyllic beach, snaps from an antique-filled home located in New Orleans, and a fashionable escape into the Icelandic dunes. There’s more: Discover the Tiffany & Co. pieces featured in Death on the Nile, Jonathan Anderson’s arty and much-anticipated Moncler tie-up (exclusive interview alert), and colourful selftaught abstract artist Tunku Khalsom.
IAN LEE EDITOR-IN-CHIEF IAN@HEART-MEDIA.COM Nia & Natalie wear Coach PHOTOGRAPHY CHUAN LOOI / YIPIEYAYA STYLING MONICA MONG HAIR CK LIOW MAKEUP CAT YONG STYLING ASSISTANTS AMELIA TAN & NOEL KHOO MODELS NATALIE PRABHA & NIA ATASHA / THE MODELS LAB KL
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STYLE L’OFFICIEL
Belle of the Fall New for the season, the Miu Belle bag brings together Miu Miu’s signature codes in one desirable accessory WORDS ABIGAIL LEONG
Long before the e-MIU-ticons monogram was a twinkle in Miu Miu’s eye (the logotype debuted on the Spring/Summer 2019 runway), matelassé leather was the unmistakable signature of the luxury house. Synonymous with the label’s independent spirit and fine craftsmanship, matelassé has graced countless Miu Miu accessories from shoulder bags and pouch tricks to smartphone holders and AirPods cases. Now, for Fall/Winter 2020, the distinctive motif adorns a brand new handbag: the refined and retro-chic Miu Belle. Characterised by a ’40s-esque shell silhouette that luxuriates in plush quilting, the Miu Belle arrives this season in two sizes, both finished with a smoothly curved, gold-tone frame and a glossy kiss lock clasp inspired by jewellery. More capacious than it seems thanks to the malleability of the leather used, the larger variant features arched tubiform handles, while the smaller pochette can be carried by hand or slung over the shoulder by means of a detachable cannular chain. Crafted via an innovative process wherein panels of high-quality leather are paired with wadding and elastic cloth and then quilted to achieve a ruched effect, the bag comes in a variety of seasonal and classic colours, such as black, blush pink, hunter green and magenta. With a proudly individual sense of style, the Miu Belle is an embodiment of the sophisticated yet rebel attitude that is a hallmark of Miu Miu design.
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L’OFFICIEL STYLE
Zoom in We take you behind the fittings of Saint Laurent’s Fall/Winter 2020 collection and get up-close to some of our fave extras of the season Images Courtesy of Saint Laurent
Gold-tone metal earrings with rhinestones, and gold-tone metal chain necklace
Leather belt with vintage Saint Laurent Monogram, wool jacket, blouse and latex leggings
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STYLE L’OFFICIEL
Latex top and earrings in oxidised silvertone metal, enamel and glass
Brushed wool blazer, latex bra, latex pencil skirt, leather corset belt, shawl, gold-tone metal earrings with rhinestones, and gold-tone metal necklace
Lola 110m pumps in Toile Jacquard Monogramme YSL, and latex leggings
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since
That happens to be the year of Louis Vuitton’s founding, and the name of the Maison’s latest line of jacquard canvas bags (cue the Dauphine, Neverfull, Petit Noé and more) and ready-to-wear PHOTOGRAPHY JOEL LOW STYLING IAN LEE ALL CLOTHING AND ACCESSORIES LOUIS VUITTON
HAIR & MAKEUP GREGO OH USING MARC JACOBS BEAUTY & KEUNE SG PHOTOGRAPHY ASSISTANT ALFIE PAN MODEL LAYLA ONG / BASIC MODELS
L’OFFICIEL STYLE
Be a Power Puffa Girl Just ahead of this month’s much-anticipated release of the 1 Moncler JW Anderson collection, the incredibly busy Jonathan Anderson took some time off to chat exclusively with L’Officiel Singapore about the drop WORDS IAN LEE
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STYLE L’OFFICIEL
You have your hands pretty full with various creative roles. What made you say “yes” to being a part of Moncler Genius? I think Moncler Genius is just an incredible concept and project. I love to work and be busy, and the Moncler teams were so easy to work with, it never felt like a stretch. What comes to your mind when one says “Moncler”, and how would you say you injected JW Anderson into the brand through this project? Performance and perfection. Moncler is so wellmade. I think JW Anderson brought a bit of agitation to the brand. Shaking things up a bit.
While designing it, how did you differentiate between this collection and your other brands? It’s about identifying the strengths of the brands and the teams. With Moncler, they are the best at doing puffa, so we really designed into that. With your work, there’s always a sense of looking back in order to create something new. Was looking at archive JW Anderson pieces something you knew you wanted to do right away? It wasn’t something I wanted to do straight away, but then I looked back at things I always wanted to make out of puffa. It was more about the things I had always imagined in puffa, but that we didn’t have the technology to do at the time. Was it hard narrowing things down to 31 looks? How did you decide on the final pieces to “inflate”? It was hard, but after starting to work on it, you start to see what pieces are the strongest and it all comes together. You’re someone who really enjoys collaborations. What was the biggest challenge and what did you like most about this one? The biggest challenge was to edit because there were so many good things. And the most amazing thing about working with Moncler is their openness to trying new things. What are your thoughts on Moncler Genius as a creative club and platform for designers? I think it’s a very modern idea for Moncler and it seems to be working very well. In the tricky times we live in, the collection comes across as really positive, fun and bright. What are some items you’re most excited about? I’m glad you think so, because I really wanted to project this idea of optimism. I think with the colours and patterns, there is almost this idea of childish fantasy. Like it was hard to edit, it’s really hard to pick a favourite – but I do love the prints.
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Coming into Bloom It’s easy to burgeon and look as eyecatching as bold, vibrant blossoms with Shanghai Tang’s resolutely chic Fall/ Winter 2020 pieces
PHOTOGRAPHY JOEL LOW CREATIVE DIRECTION & STYLING IAN LEE ALL CLOTHING, ACCESSORIES AND HOME FRAGRANCE PRODUCTS SHANGHAI TANG
HAIR & MAKEUP GREGO OH USING MAKEUP FOREVER & KEUNE SG PHOTOGRAPHY ASSISTANT ALFIE PAN MODEL VIVIEN ONG / MANNEQUIN
L’OFFICIEL STYLE
Dab Hand Artisanal jewellery handcrafted right here in Singapore? Yes, please. These labels are redefining the notion of local treasures WORDS ABIGAIL LEONG
RULE OF THREE
Made with upcycled glass beads and pearls gathered during Caroline’s wanderings overseas, the new YOU line comprises one-off creations in buoyant shades, each necklace reflecting the unicity of its wearer, while the refreshed Charms & Hoops collection features petite pendants of differing shapes and semi-precious stones that can be threaded onto earrings for an extra dash of fun. What’s more, 3125 donates 10 per cent of all proceeds to Tamar Village, a non-profit that supports youth at risk in Singapore, so you’ll look good and do good at the same time.
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Images via Instagram (@threeonetwofive)
“She is clothed with strength and dignity, she can laugh at the days to come.” So reads the verse in the Book of Proverbs that homegrown label 3125 gets its name and inspiration from. Six years ago, LASALLE graduate Caroline Goh turned her school project into an independent enterprise with the aim of instilling confidence in other women through the medium of jewellery. Sourcing materials like natural gemstones and freshwater pearls from Southeast Asia, Japan and China, Caroline crafts every item by hand in her studio along Jalan Sultan, with designs built around themes such as fruit, flowers, seashells and the like.
STYLE L’OFFICIEL
PEDAL TO THE METAL
Images via Instagram (@stelliyah)
In an era of commercialisation and mass production, local jeweller Stelliyah (a sobriquet of founder Stella Lim) stands out from the crowd – head and shoulders above, in fact. Unwavering in its commitment to uphold artisanal traditions, the brand melds age-old metalsmithing techniques with thoughtful design to propose unorthodox alternatives to typical bling. Assiduously forged by Lim herself in a workshop in Joo Chiat, Stelliyah’s accoutrements take cues from diverse ethnic cultures around the world and across the centuries, including the ancient Etruscans, the Indigenous Peoples and the Tuaregs of North Africa. Latterly, Lim has introduced a series of truly one-of-a-kind rings and earrings in sterling silver and coloured gemstones like pink sapphire and emerald, where she crafts only one edition of each style for sale. Besides these singular pieces, Stelliyah also fashions custom engagement rings and wedding bands, infused with a rustic feel, for the couples that dare to go off the beaten path.
BE BOLD Envet’s moniker is derived from an African word that loosely translates as “something bold”, which pretty much sums up what you need to know about this promising young label. Prompted by local designer Anita Rusli’s adventures abroad, particularly in Istanbul, the brand’s statement-making jewellery is a jaunty mélange of lively hues, quirky motifs and meticulous handiwork, captured in 925 silver, colourful beads and keshi pearls.
Images via Instagram (@envet_)
Key to the Envet aesthetic is the “Evil Eye” symbol, an ocular amulet dating back several millennia that is believed to ward off the malevolent gaze of an adversary, and is widely found across the Levant and the Mediterranean. Materialising as diminutive goldplated charms and teardrop-shaped beads, the “Evil Eye” appears on handcrafted tassel earrings and multi-purpose strands that can be adapted into necklaces, bracelets, anklets, belly chains or mask chains. Recognising the urgency of advancing an eco-conscious approach, Envet recently launched the 2nd Life project, in which the bits and bobs left over from experimental prototypes are repurposed to create entirely new, exclusive trinkets, thus mitigating its environmental impact. It also dovetails with the company’s existing Eco-Wrap initiative, whereby customers can opt for green packaging made of biodegradable coconut shell, bamboo and eceng gondok – talk about a win-win situation.
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Girl Power
Images © Laura Marie Cieplik
For Dior’s latest, Maria Grazia Chiuri borrows the ’70s phrase, “I Say I” from Italian activist, Carla Lonzi. And we take that to mean: you do you. That’s certainly no uphill task with the collection’s multitude of mix-and-match separates and stackable accessories
Bar jacket in wool, silk shirt, wool knit pants, polyamide fishnet tie, cotton fishnet socks and D-Lucky Charms ring in metal with red resin
Intarsia and tie-dye cashmere sweater, silk shirt, wool skorts, polyamide fishnet tie, cotton fishnet socks, lambskin beret, 30 Montaigne belt in calfskin, and Lucky CD set of rings in metal with crystals
Jumpsuit in viscose, cotton fishnet socks and Teddy-D Ballerina in perforated glazed calfskin, with decorative button and 3 cm heel
Wool and silk gilet, wool and silk pants, cotton and linen T-shirt, bag, D-Lucky Charms bracelet in metal with glass pearls, resin and lacquer, Lucky CD set of rings in metal with crystals, and CD Navy ring in metal
Intarsia cashmere sweater, wool skirt, and Saddle Bag
Intarsia cashmere sweater, silk shirt, wool skirt, Dior Oblique silk square, 30 Montaigne belt in calfskin, Dior Tribales earring in metal with freshwater pearl and lacquer, Lucky CD set of rings in metal with crystals, and D-Lucky Charms necklace in metal with resin and lacquer
L’OFFICIEL NEWS
Dream A Little Dream It’s a rags-to-riches tale with all the elements of a gripping drama. An impoverished young boy from a small town in the Italian South dreams of one day becoming a shoemaker. In his teens, he moves first to Naples, and then on to America, to pursue his passion. Settling in California, he soon becomes Hollywood’s go-to choice for fine footwear, before returning to his homeland in the ’20s to found his own company in Florence. Enduring various trials and tribulations such as the Great Depression and World War II, he flourishes and thrives in the years following, transforming his marque into a household name that is revered and desired even today.
Three years in the making, Guadagnino and Thomas worked closely with the Fondazione Salvatore Ferragamo and the Museo Salvatore Ferragamo to weave together this cinematic masterpiece. Enthralling, elucidative, and evocative in equal measures, the documentary is a must-watch for all fashion aficionados (and otherwise).
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WORDS ABIGAIL LEONG
That man is none other than the late Salvatore Ferragamo, and his remarkable story is now the focus of a feature-length documentary directed by Luca Guadagnino (he of Call Me by Your Name and Suspiria fame) and written by journalist Dana Thomas. Premiered out of competition at the Venice Film Festival, Salvatore: Shoemaker of Dreams traces the designer’s journey from humble village origins to fashion royalty in precise strokes, replete with flickering archival footage, anecdotes shared by his wife Wanda Miletti Ferragamo and his family, and talking heads like Martin Scorsese, Christian Louboutin, Manolo Blahnik, and Deborah Nadoolman Landis.
NEWS L’OFFICIEL
Sicily Calling
Free Rein
The sun-drenched state of Sicily never ceases to be a source of inspiration to Dolce & Gabbana, so much so that the Italian label even has a handbag dedicated to the island – introduced in 2009, the Sicily top-handle remains one of the brand’s most emblematic styles to date. Revamped last year as the Sicily 58 and 62 (after the birthyears of Domenico Dolce and Stefano Gabbana), the bag continues to evolve for Fall/Winter 2020 in the form of the Sicily 62 Soft. Crafted in supple, textured Vitello Tahiti calfskin, the accessory is defined by a clean, geometric shape, conspicuously unadorned save for leather-trimmed cylindrical details and the laser-etched enamelled plate bearing the house logo on the front. Find the Sicily 62 Soft in four sizes and understated hues like black, umbre and cream.
Gucci’s Alessandro Michele is not averse to popping into Liberty London whenever he’s in the British capital, so perhaps it was only a matter of time before he struck up a partnership with the famed emporium – that time being the Fall/Winter 2020 season. Delving deep into Liberty’s heritage, Michele sought out lesser-known designs in order to express the idea of transposing a memory from the past into the present – a leitmotif of his creative vision at Gucci. Summoning a mood of childlike innocence, vintage floral prints in cheerful colourways, interspersed with the words “Gucci Liberty”, bloom over ready-to-wear pieces such as blazers, smock dresses and lacetrimmed slips, as well as accessories like headbands, bucket hats, the Horsebit 1955 duffle bag and the Tennis 1977 sneakers.
Deep Pockets With a history as rich and fascinating as Burberry’s at his fingertips, it isn’t surprising that Riccardo Tisci cites the brand’s archive as his wellspring of creativity. Having come across a soft luggage in checks from the ’80s, Tisci decided to reframe the style in a contemporary context, and thus, the Pocket bag was born. Featuring a simple, structural silhouette in hardwearing canvas edged in topstitched leather taping (referencing Burberry’s military and equestrian roots), this tote is classic with a capital “C”, while an external pocket, ample interior and detachable shoulder strap means it’s refreshingly practical too. Stamped with a circular graphic or Horseferry logotype on the titular front pouch, the Pocket bag arrives in three sizes and a variety of striking prints and colour combinations.
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L’OFFICIEL NEWS
Know Your ABCs Here’s a dictionary you’ll actually want to read cover to cover: The A to Z of Victoire de Castellane. Commemorating 20 years of Dior Joaillerie, the Maison has blessed our coffee tables with a new tome that showcases the whimsical, fantastical designs of its longtime artistic director. Written by Olivier Gabet – the director of the Musée des Arts Décoratifs in Paris – and brought to life with hundreds of photographs and illustrations by de Castellane herself, the book spans 60 words across 18 chapters, highlighting concepts that are central to Dior Joaillerie, such as Asymmetry, Colour, Opal, Lacquer (aka the fourth gold) and No (as in, a word never heard in the atelier since “everything is possible”).
Shine Bright All that glisters is not gold – just ask Onitsuka Tiger, whose P-TRAINER™ PRZM has some serious shimmer going on. The latest in a line of chunky, unisex sneakers, this space-age model flaunts a high-shine, iridescent upper in vivid “pink glo”, “peacoat” blue and “spice curry” bronze, complemented by a holographic finish on the Tiger-striped outsole. Equipped with OrthoLite™ and FLYTEFOAM™ Propel technology for enhanced cushioning in the insole and midsole, respectively, the P-TRAINER™ PRZM is comfortable enough to pound the pavement in, and also chic enough for a night on the town.
Homegrown labels Bynd Artisan and Ying the Label are back with another “eco-llaboration”, arising from their common values of mindful consumption and sustainable production. Upcycling surplus fabric and leather offcuts, the brands have imagined a capsule of limited edition, reversible Renewal Bags, which are handpainted with watercolour prints on one side and contrasted by a monochrome layer on the other. Available in four nature-inspired patterns – “Bouganvillea in Scarlet”, “Bravery in Forest”, “Gentle Winds in Rose” and “Mountain in Midnight” – each tote is finished with a sturdy leather handle that can be personalised with up to 15 letters.
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WORDS ABIGAIL LEONG
In A Bynd
NEWS L’OFFICIEL
X Factor There was nary a sneaker in sight when Felipe Oliveira Baptista made his debut for Kenzo during Paris Fashion Week back in February, and now we know why. The Franco-Japanese house recently launched the all-new Kenzo Sport line, an athletic-influenced wardrobe for both genders that coolly blends streetwear accents with functional silhouettes and technical materials. Anchoring the collection is an X-shaped symbol, formed from diagonal renderings of the Kenzo name, and scattered liberally on oversized T-shirts, lightweight parkas, leggings, ergonomic sneakers, belt bags, baseball caps and more in a mostly monochrome palette with hints of red and green.
Animal Instinct If you need proof that the once-humble flip-flop has found a firm footing in fashion, how about the fact that Saint Laurent is teaming up with Havaianas for the second year running? As part of the Maison’s Rive Droite concept, the two labels have put their heads together once more for a high-fashion take on a casual design: in leopard print. Crafted from Havaianas’ proprietary rubber blend, and paired with matte black straps, Saint Laurent’s latest collaboration comes at a time when many of us are seeking fuss-free pieces to wear at home – although you could probably wear this pair for a stroll along Orchard Road too. And when we all start travelling again, you can toss these babies in your suitcase for that much-anticipated beachside getaway.
New Kid On The Block Born and bred in Manhattan, it’s safe to say that Coach knows a thing or two about city slicker style. And with the ’80s art scene on creative director Stuart Vevers’ mood board for Fall/Winter 2020, Coach’s latest take on cosmopolitan chic sees its decades-long heritage merged with the gritty soul and eclecticism of downtown NYC. Conveying the spirit of the season is the new City Block series of handbags, the fruit of Vevers’ ongoing exploration of the archives, which encompasses halfmoon, triangle, quadrilateral, circle and cuboid shapes in monogram canvas or glovetanned leather (riffing on Coach’s iconic wristlet). Dipped in neutral and bright tones, and scrawled with graffiti-esque motifs, the different bags can be stacked one on top of another like children’s building blocks to mimic the striking skyline of the Big Apple.
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Show Them Who’s Boss Silken bow blouses, lace and look-at-me cocktail earrings get edgy the Saint Laurent way – with lots of leather, latex and chunky chain detailing
PHOTOGRAPHY JOEL LOW STYLING IAN LEE ALL CLOTHING AND ACCESSORIES FROM SAINT LAURENT
HAIR & MAKEUP GREGO OH USING YSL BEAUTY & KEUNE SG PHOTOGRAPHY ASSISTANT ALFIE PAN MODEL KACI BEH / BASIC MODELS
BIJOUX L’OFFICIEL
Perlée Gates
Van Cleef & Arpels unveils the Perlée diamond pavé ring, a contemporary reinterpretation of the 1948 Tartelette bague WORDS ABIGAIL LEONG
Epitomising the concept of looking back in order to think forward, Van Cleef & Arpels is known for dipping into its sizeable archive to revive, reappraise and reimagine iconic jewels from its century-plus history. This year, the Maison goes a step further by uniting not one, but two pieces of heritage in a single design with the latest addition to its fine jewellery repertoire: the Perlée diamond pavé ring. A modern interpretation of the classic Tartelette bague from the ’40s, here contemporised with the intricate beading that characterises the Perlée collection (itself a technique dating back to the ’20s), the refreshed ring flaunts a bold signet silhouette with sensuous curves and fluted gadroons reminiscent of a
scallop seashell. Celebrating the interplay of light, texture and volume, each sparkler is crafted by hand in rose, yellow or white gold, and its gently vaulted, elliptic dome crowned with 37 brilliant-cut diamonds of varying diameters and a total of 2.28 carats. Stunningly sophisticated on its own, Van Cleef & Arpels’ new diamond pavé ring harmonises brilliantly with other favourites within the Perlée family, such as the gemstone-studded clovers and couleurs bracelets, earrings, pendants and rings, as well as the lucky four-leaf clovers of the Alhambra series, whose contours are similarly edged with dainty gilded grains. Selfexpression has never looked more luxurious.
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L’OFFICIEL BIJOUX
Bling Ring Express your love and affection for your significant other with Harry Winston’s sumptuous selection of diamond-studded engagement rings and wedding bands in white, rose and yellow gold WORDS ABIGAIL LEONG
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BIJOUX L’OFFICIEL
“Talk to me, Harry Winston, tell me all about it,” Marilyn Monroe famously sang in the ’50s film, Gentlemen Prefer Blondes. And when it comes to sumptuous wedding rings crafted from top-drawer gemstones, Harry Winston no doubt has plenty to say. After all, it’s not for nothing that Mr Winston was widely considered the “King of Diamonds”, or that his eponymous house played a not-so-small role in the romance between Jacqueline Kennedy and Aristotle Onassis, and Jennifer Lopez and Marc Anthony (ill-fated though the latter was). This Fall, the New York-based jeweller continues to celebrate this symbol of love and dedication by shining a spotlight on a handful (a fingerful?) of contemporary classics from its HW Logo collection, which, as its name might suggest, honours the iconic insignia of the luxury house. Take, for example, the HW Logo engagement ring, an exceptional interpretation of the diamond solitaire that avails of Harry Winston’s signature platinum setting – wherein a minimal
amount of metal is used to maximise the fire and brilliance of each gem – to accentuate a brilliant-cut centre stone of 0.5, 0.7 or 1.0 carat. Adding a touch of character are the logotypes “H” and “W” that flank either side of the scintillating diamond in polished platinum or micro pavé, representing not only the brand’s initials, but also the titles of husband and wife. The HW Logo band ring, meanwhile, highlights Harry Winston’s octagonal emblem in a next-gen iteration of the traditional wedding token. Recalling the structural silhouette of Mr Winston’s preferred cut for gemstones (the emerald cut), the distinctive lozenge has stamped the label’s creations for over five decades, and here, it graces a number of youthful but sophisticated wedding bands in 18-karat white, rose and yellow gold. Arriving in two variations, one set with a single precious stone and the other haloed by a total of 33 brilliant-cut diamonds, this style can be worn alone or stacked according to the individual taste of its wearer.
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L’OFFICIEL BIJOUX
Diamonds are Forever Tiffany & Co. looks ahead to a stunning fourth quarter of 2020 with a cameo in the hotly-tipped film Death on the Nile and the launch of the Diamond Craft Journey initiative WORDS ABIGAIL LEONG
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BIJOUX L’OFFICIEL
With an all-star cast that includes Gal Gadot, Armie Hammer, Letitia Wright, Emma Mackey, Ali Fazal and more, Kenneth Branagh’s Death on the Nile (an adaptation of the Agatha Christie novel) is indubitably one of the most anticipated releases of 2020. And if the recently-released trailer is anything to go by, it seems the unofficial award for biggest scene-stealing performance belongs not to one of the aforementioned actors, but rather the resplendent Tiffany & Co. diamond necklace donned by Gadot’s character, Linnet Ridgeway Doyle, on that fateful cruise. Garlanded by some 95 carats of cushion- and brilliant-cut precious stones, the sublime necklace boasts the famed canary yellow Tiffany Diamond at its heart – or at least, the gem’s sparkling stunt double, given that the actual rock is quite literally priceless. Unearthed as a rough stone weighing over 287 carats from the Kimberley mines in South Africa, this extremely rare diamond was procured by founder Charles Lewis Tiffany, and subsequently taken to Paris to be cut into its current cushion shape of 82 facets and 128.54 carats under the supervision of then-chief gemologist Dr. George Frederick Kunz. Unparalleled in colour, radiance and fire, the Tiffany Diamond is a celebrity in its own right. A subject of ceaseless fascination, the jewel has headlined numerous exhibitions around the world, and is on public display at the company’s Fifth Avenue flagship, where it attracts hundreds of admirers every day (under nonCOVID circumstances). Worth millions, this showstopper has been worn by only three women in the 143 years since its discovery: Mrs. Mary Whitehouse to the 1957 Tiffany Ball; Audrey Hepburn in a 1961 photoshoot for Breakfast at Tiffany’s; and Lady Gaga on the red carpet of the 2019 Oscars. That is, until its first-ever on-screen cameo, courtesy of the multitalented Gadot.
By now firmly rooted in the realm of legend, the thrilling tale of the Tiffany Diamond is just the first of many stories the American label plans to chronicle about the precious stones that pass through its hallowed halls. From October, Tiffany & Co. is boldly going where no jeweller has gone before, sharing with its clients the full craftsmanship journey of its newly sourced, individually registered diamonds (of 0.18 carats or larger), from the time a gemstone is mined to the day it is wrapped up in that distinctive robin’s-egg blue box. A huge leap forward in terms of transparency and traceability in a notoriously opaque industry, the Diamond Craft Journey (DCJ) comes after Tiffany & Co.’s Diamond Source Initiative of 2019, and is the culmination of 20-plus years of investment in vertical integration, underscoring the luxury house’s dedication to not only quality, but also safeguarding the well-being of people and planet. Each step in the production process is clearly laid out in the DCJ scheme, starting with the brand’s trusted suppliers in Australia, Botswana, Canada, Namibia, Russia and South Africa; through its preparation site in Belgium; then on to its cutting and polishing facilities across Mauritius, Botswana and Southeast Asia; followed by grading at its gemological laboratories in the U.S., Cambodia and Vietnam; and finally, setting by the artisans attached to its New York workshops. Such information will be readily available via the sales professionals at Tiffany & Co. stores as well as on the Tiffany Diamond Certificate that will accompany every purchase. At all stages, discerning customers can rest assured that the highest sustainability standards are upheld and that all labour practices are respectful of human rights. So, the next time you’re on the hunt for a beautiful bauble, do remember to add another “C” to the factors you should consider: cut, colour, clarity, carat, and conflict-free. And let’s hope that where Tiffany & Co. leads the way, the rest will follow.
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L’OFFICIEL BIJOUX
Go for Gold Dior Joaillerie introduces a treasure trove of novelties as part of its 2020 fine jewellery and watch collection, including additions to the Rose des Vents, Mimirose, Oui and La D de Dior series WORDS ABIGAIL LEONG ALL IMAGES COURTESY OF DIOR AND THOMAS LOHR
In the rarefied realm of bijoux, 20 odd years doesn’t feel like such a long time when you consider most marquee brands have centuries’ worth of heritage to their names. Dior Joaillerie, however, is living proof that age is but a number – having just entered the third decade of its existence, the jewellery division of the storied French house has already built a precious legacy of ingenuity, individuality and impeccable savoir-faire, thanks in large part to its artistic director, the inimitable Victoire de Castellane. An iconoclast after Christian Dior’s own heart, de Castellane was and is a breath of fresh air in the milieu of Place Vendôme, injecting a heady shot of technicolour adrenaline to the concept of haute joaillerie via exuberant yet elegant designs imagined with empowerment in mind. Never one to shy away from experimentation, de Castellane’s work at Dior has come to be defined by the use of bold asymmetry, avant-garde hues and unorthodox pairings of precious and ornamental stones, along with elements drawn from the Maison’s archives, from couture techniques to classic silhouettes to Monsieur Dior himself. This year, following on from its milestone 20th anniversary, Dior Joaillerie continues its trailblazing journey into the annals of bijoux history, introducing several captivating novelties to its signature fine jewellery and watch collections, such as Rose des Vents, Oui and La D de Dior, in addition to the all-new Leaves of Love series.
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BIJOUX L’OFFICIEL
Under The Rose Of the hundreds (maybe even thousands) of creations that Victoire de Castellane has dreamt up over the years for Dior, perhaps none is more imbued with symbolism than the Rose des Vents token. Inspired by the wind rose (or “rose des vents” in French) engraved in the floor of the Dior family home in Granville, Normandy, the multi-pronged motif incorporates the couturier’s preferred number (eight), figure (star) and flower (rose), while also paying tribute to his passion for travel and the divinatory arts. Rendered in yellow gold with a tiny diamond at its core, the compass rose is mounted on talismanic medallions of coloured gemstones, and encircled by twisted gold granules that nod to ship rigging and the rhythm of ocean waves. Among the latest Rose des Vents inclusions are a statement bib necklace with four splendid strands of malachite and mother-of-pearl; a polychrome choker in pink opal, turquoise, carnelian, tiger’s eye and more; a hand jewel ornamented in vibrant lapis lazuli; and reversible bracelets and earrings of onyx and mother-of-pearl that unite the pointed star motif with the radiant sun and somnolent moon of Rose Céleste.
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L’OFFICIEL BIJOUX
C’est Mimi What’s better than two roses in your bouquet of baubles? Well, three. And the Maison’s Mimirose is as lovely as they come. Launched on the occasion of Dior Joaillerie’s vicennial birthday, the collection marries the codes of the now-discontinued Mimioui line of rings, which marked the luxury house’s first foray into fine jewellery, with that of Rose des Vents. The refined simplicity of the former, distinguished by the delicate chain links employed in lieu of a solid band, is enriched with the rice grain setting of the latter. The result is an exquisite array of rings, bracelets, necklaces and earrings in white, yellow or rose gold, topped off with glittering diamonds, emeralds and rubies. Victoire de Castellane once remarked that Mimioui was akin to the “lingerie of jewellery”, and it’s a description befitting of its successor too – meant to be held close to the skin like a secret, the Mimirose collection is intimately and alluringly feminine.
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BIJOUX L’OFFICIEL
Ivy League Flowers are not the only botanical delights to flourish in the garden of Dior iconography. Christian Dior inherited his enthusiasm for horticulture from his green-fingered mother, Madeleine, who transformed the landscape of Villa Les Rhumbs into a veritable Eden where her children spent the languid summer days. Lily-of-the-valley and roses were Monsieur Dior’s favourite blooms, but ivy also held special meaning to the couturier as an emblem of fidelity and eternal devotion (a perennial plant, ivy carries the motto of “I die where I attach myself”). Acknowledging its significance to the label’s founding father, de Castellane reinterprets this evergreen vine with a childlike eye in the limited edition Leaves of Love series, where its poetic curves and verdant tones are brought to life in yellow gold and malachite, and sprinkled with diamonds like the morning dew. Twining gently around the wrists, fingers and clavicle, these pieces convey the invigorating beauty of nature into the everyday.
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L’OFFICIEL BIJOUX
Say Oui The Oui collection, on the other hand, brings out the whimsical streak in Dior’s (and de Castellane’s) personality with its playful take on the language of romance, accompanied by a sizeable serving of quintessential Parisian charm. Inscribed in deft cursive, threads of yellow and rose gold punctuated by diamonds spell out the word “oui” on necklaces, bracelets and rings, joined not long ago by the sweet sayings of “je t’aime” (I love you) and “toi [et] moi” (you and me) on double rings and asymmetrical earrings. Celebrating love in all its forms, Dior’s Oui offerings are ideal for the woman who isn’t afraid to wear her heart on her sleeve – and on her jewellery.
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BIJOUX L’OFFICIEL
Smooth Operator Rounding out Dior Joaillerie’s treasure trove of curios this year is the small but mighty La Mini D de Dior Satine. Residing at the intersection between haute couture and horology, the timepiece is easily identifiable by its supple and lustrous Milanese mesh bracelet, which taps on the art of passementerie to mimic the fluidity of a silk ribbon. Typically decorated with diamonds on the bezel, a new model sees the flexible knit metal strap integrated with a 19mm stainless steel case that is subtly worked with a matching textile pattern, and complemented by a clean dial in white or pink mother-of-pearl, applied diamond indices and polished Dauphine hands. Powered by a Swiss-made quartz movement and water-resistant up to 30m, La Mini D de Dior Satine is a keeper in more ways than one.
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What
MAISIE KNOWS
Putting Game of Thrones behind her, the 23-year-old British actress is ready to forge her own path, both with a new crop of films and as a brand ambassador for Cartier’s Pasha collection WORDS JULIEN WELTER PHOTOGRAPHY MARILI ANDRE
STYLING JENNIFER EYMERE HAIR KAZUE DEKI MAKEUP MICKAEL NOISELET MANICURE MARIEKE BOUILLETTE PHOTO ASSISTANT VALENTINE LACOUR STYLING ASSISTANT KENZIA BENGEL DE VAULX
Juste un Clou necklace in yellow gold with diamonds, Clash de Cartier ring and Juste un Clou ring in white gold, and Juste un Clou bracelet in white gold with diamonds, Cartier Shirt, Coperni Leather pants, Acne Studios
Juste un Clou necklace in yellow gold with diamonds, Clash de Cartier ring in white gold, Juste un Clou ring in white gold with diamonds, Juste un Clou bracelet in white gold with diamonds, and Pasha de Cartier watch, Cartier Sweater, Ottolinger OPPOSITE PAGE: Pasha de Cartier watch, Cartier Sweater, skirt and boots, Coperni
Last Fall, Maisie Williams turned heads during Paris Fashion Week, wearing matching outfits (and makeup) with her boyfriend, Reuben Selby, while sitting front row at Thom Browne. This year, the actress spent her summer in Paris, building partnerships with brands such as Cartier, Jacquemus, Courrèges, and awaiting her next chapter: “As an actress, the best advice I received was to put my personality aside in order to find one that matches each role. In fashion, it’s different — you have to understand exactly who you are to be able to represent the brand and the look.” It’s nearly impossible to forget Arya Stark’s personality. The ruthless warrior Williams played on Game of Thrones for eight seasons, from ages 13 to 21, was beloved among a cast of distinct, oversized personalities. Arya begins as a mischievous young girl and grows into an avenging assassin — a tomboy surviving in a male-dominated world. And it can’t be easy to experiment with one’s masculine side when also becoming a young woman; nor to build one’s own character when playing someone else. With short hair and a flattened chest, Arya had to grow up very fast and learn how to protect herself. Williams too. Both Arya and Williams silenced their critics: the pretenders to the throne for Arya, and the internet trolls who disparaged Williams’ looks. Both subverted feminine stereotypes. We’ll never forget Arya discussing her period between two battles, and reminding Jon Snow that women continually see more blood than men. Now Williams is free to take back her own body, and become herself. For all that, Williams is still not finished with blood and violence, and joins the Marvel Cinematic Universe in her role as Rahne in the latest X-Men movie: The New Mutants. Sitting amid the horror and superhero genres, The New Mutants is a real lockdown movie, perfect for a generation traumatised by the global pandemic: “the young mutants are in lockdown in a medical centre, apparently to protect themselves and understand their powers, since they don’t know their nature or how big they can get,” she says. “My character is discovering her sexuality, falling in love with another girl, and they are protecting each other instead of fighting. It offers a new perspective to the Marvel movies. It’s somewhere in between The Breakfast Club and Stephen King.” In an ironic twist, Williams also released two other projects that deal with confinement this year. In the TV series Two Weeks to Live, she stars as Kim, a young woman who has been raised in violent doomsday-prepper isolation for years. She rejoins society to avenge the death of her father, and quickly finds herself mixed up in a prank gone horribly wrong. Williams also stars in The Owners, a horror film based on a graphic novel, in which a group of young lawless kids try to break into an old Victorian mansion owned by an elderly couple. “It’s set in the ’90s, so I created a style for it, full of denim and with bleached hair. Like everyone else, I’m obsessed with ’90s style,” says Williams.
As an actress, the best advice I received was to put my personality aside. In fashion, it’s different—you different —you have to understand exactly who you are. The actress has also recently invested her time and resources in Daisie, an app that connects creators to one another. Daisie is Williams’ answer to everyone who asked her how to succeed; a question that Williams still doesn’t know the answer to (she scored an audition for Game of Thrones — only her second audition ever — at age 12, with no acting experience). The platform’s mission is to create relationships and help build a new, modern path to talent discovery. Williams also has her own production company, Pint-Sized Pictures. “I created Pint-Sized Pictures with two girlfriends to showcase unknown women’s talents. We’re working on music videos, short and long films, and sometimes shows. As for the name, it’s because I’m short, the height of a pint!” she says. From supporting creative talents and mentoring young women to establishing her own style in acting and fashion, in addition to speaking out in support of animal rights, Williams is very much a product of her generation. She’s determined to make up for all that lost time after the many years she spent in Westeros.
Clash de Cartier ring in white gold, and Juste un Clou ring in white gold with diamonds, Cartier Dress, Ottolinger
Juste un Clou necklace in yellow gold with diamonds, Clash de Cartier ring in white gold, Juste un Clou ring in white gold with diamonds, Juste un Clou bracelet in white gold with diamonds, and Pasha de Cartier watch, Cartier Bodysuit and jacket, AlaĂŻa Skirt and boots, Coperni OPPOSITE PAGE: Same as above.
L’OFFICIEL BEAUTY
Lip Service From Gucci to Hermès, fashion Maisons are the “newcomers” that are stepping into the beauty fray by dressing our pouts in luxe lipsticks
Gucci Beauty
WORDS JOYCE FAN
Luxury fashion houses dabbling with beauty. Groundbreaking? Not exactly. Chanel and Dior were early pioneers of “the perfume strategy” after debuting the widely acclaimed Chanel No. 5 and Parfums Christian Dior back in 1921 and 1947, respectively. Considered to be way ahead of their time then, these two fashion-andbeauty juggernauts would soon diversify beyond designer perfumes and step into scientific skincare and colour cosmetics, which have celebrated great success through the decades. From there, it was only a matter of time before the other reputable couture houses, such as Givenchy and YSL, as well as Burberry, made equally daring moves to go beyond their core offerings and capitalise on their rich heritage coupled with the more accessible beauty industry.
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Jimmy Choo
BEAUTY L’OFFICIEL
Fast forward to present time, the beauty scene has enjoyed significant growth while fashion powerhouses constantly push for innovation and actively broaden their product categories. In recent months, there has been a surge of high-end fashion labels aiming for a bigger slice of the lucrative beauty pie. What is even more interesting to note is that they are making their debut in the realm of cosmetics with the one item every fashionista simply cannot go without: a good lipstick. Which begs another question: why are lipsticks so indispensable? We know that a quick swipe of lipstick instantly makes a bare face look polished. Apart from being one of the most widely used beauty products, it is also a great base to set the precedence for future releases. What’s more, just like discovering your favourite signature scent, there is a joy in finding your very own shade of lipstick.
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Carolina Herrera
L’OFFICIEL BEAUTY
Gucci leads the pack with what various media outlets dubbed “Comeback of the Year”. After halting its makeup line in 2015, Gucci Beauty shook the beauty scene in May 2019 when it rolled out a strong collection of lipsticks with a whopping 58 shades, backed by an unexpected campaign featuring provoking images of crooked and gapped teeth. Within the first month of its launch, the Italian fashion house went on to sell over one million units, in addition to sparking an encouraging debate on conventional beauty standards. Shortly after, footwear specialist Jimmy Choo jumped on the lipstick bandwagon with the unveiling of its capsule collection of makeup and perfumes. The new Seduction collection comprises nail polishes, fragrances and — you guessed it — 10 seductive lipstick shades including classy red, hot pink and more muted hues. Its elegant nude-tinted casing with a dash of gold glitter, along with the finishing touches of the JC monogram and iconic python print, arguably make the prestige lipsticks as covetable as the house’s best-selling stilettos.
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Hermès
BEAUTY L’OFFICIEL
Carolina Herrera’s first foray into makeup is nothing short of impressive too. On top of putting out 36 lipsticks in three different finishes, the Herrera elegance is more attainable than ever as the brand takes customisable creations to the next level. We are talking about wearable elements in the form of gilded cases, eye-catching tassels and unique charms — all offering endless possibilities to transform your lipstick into a ready-to-wear accessory or statement jewellery piece. This year’s most groundbreaking entry in the world of lipsticks, however, goes to Hermès. For a legacy brand that has never played with makeup, dipping its toes in cosmetics has come as a welcome surprise. Its rouge collection made headlines for all the right reasons, offering a total 24 refillable shades, which are strongly influenced by the brand’s incredible archive of leather and silk. A tricoloured case by Pierre Hardy, which turns it into a collectible item, further complements the range while an accompanying lip brush, leather carry case and mirror (doubling as a necklace) adds to the luxury allure. And that’s not all. One can look forward to the unveiling of new products every six months — hinting at bigger and more exciting things to come in the makeup space.
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Jewellery, Karl Lagerfeld
Bright and bold is the way to go for that instant mood-lift PHOTOGRAPHY PATRICK GLOCKER & BIANCA GLOCKER MAKEUP LUKAS KUCIEL & JULIA WATKINS / BORNTHISWAY AGENCY STYLING SHIMA KHAZEI / BORNTHISWAY AGENCY MODEL LARA BUETTGEN / MODELWERK
Top, OOF Jewellery, Karl Lagerfeld
Blazer, Hugo
Top, No.1
Double Trouble Art house quirk, off-beat colours, collage-style and downtown chic –– all the things to love about Coach’s Fall/Winter 2020 offerings
PHOTOGRAPHY CHUAN LOOI / YIPIEYAYA STYLING MONICA MONG ALL OUTFITS AND ACCESSORIES COACH FALL/WINTER 2020 COLLECTION
MAKEUP CAT YONG HAIR CK LIOW MODELS NATALIE PRABHA & NIA ATASHA / THE MODELS LAB KL STYLING ASSISTANTS AMELIA TAN & NOEL KHOO
Dress and belt, Chanel
GILDED AGE An artful, antique-filled home and a model with painterly beauty tell a timeless tale for Fall/Winter 2020 PHOTOGRAPHY CHRIS SCHEURICH STYLING ALI MCNALLY
Dress and gloves, Sportmax
Dress, belt and boots, Saint Laurent
Jacket and shoes, Louis Vuitton Pants, Chanel
Jacket, skirt and boots, Versace
Robe, boots and earrings, Armani
On both pages: Coat, belt, shoes and hat, Givenchy
Dress and necklace, Alexander McQueen
Dress and boots, Tory Burch
Jacket, bra, pants and boots, Salvatore Ferragamo
MODEL FAITH DENHAM / NOMAD MGMT SHOT ON LOCATION IN NEW ORLEANS, LOUISIANA. SPECIAL THANKS TO HELENE FLORENCE.
visions of Escape into the Icelandic dunes and marvel at their opulent organic textures
PHOTOGRAPHY ZUZANNA BLUR PRODUCTION MIRRA ELISABET VALDÍSARDÓTTIR STYLING MIRRA ELÍSABET VALDÍSARDÓTTIR & ZUZANNA BLUR MODEL MATTA / ESKIMO MODELS PHOTOGRAPHY ASSISTANT KARL WES
Dress, Fendi. Boots, Versace
Dress and ring, ChloĂŠ Boots, Kalda Hat, Kenzo
Coat and earrings, ChloĂŠ Leather jacket and skirt, Hildur Yeoman Boots, Kalda
Jacket, top and pants, Heliot Emil Boots, Versace
Belt (worn as top), skirt and boots, Kenzo Gloves, vintage
Coat and earrings, ChloĂŠ Leather jacket and skirt, Hildur Yeoman Boots, Kalda
Leather jacket, Celine Hat, Versace Shoes, JW Anderson Tights, Kronkron Earrings, Hlín Reykdal Belt, stylist’s own
On both pages: Dress, Fendi Boots, Versace
Jacket, vintage Shoulder pads, JW Anderson
Jacket, vintage Shoulder pads, JW Anderson Pants, Heliot Emil Earrings, HlĂn Reykdal
Jacket, top and pants, Heliot Emil Boots, Versace
Skirt (worn as dress), JW Anderson Boots, Kalda Belt, Celine Belt, Hildur Yeoman
Top, Versace Skirt, Heliot Emil Boots, Celine
Dress, JW Anderson Earrings, HlĂn Reykdal Gloves, vintage
Dress, JW Anderson Shoes, Chloé Earrings, Hlín Reykdal Gloves, vintage
The Graduating Class... … of L’Officiel Singapore, October 2020. See who scored top honours and in which outfits PHOTOGRAPHY BRENDAN WIXTED STYLING CHARLIE WARD
HAIR AKIRA MAKEUP SOO PARK MODELS BABA / RED MODEL MANAGEMENT, CAROLINE / THE LIONS MODEL MANAGEMENT, DIANA / ELITE MODELS, FISHER / THE SOCIETY MODEL MANAGEMENT, AWAR / RED MODEL MANAGEMENT, MINNIE / NEW YORK MODEL MANAGEMENT, FAITH / SUPREME MANAGEMENT, WILLOW / DNA MODEL MANAGEMENT, JAYCHELLE / SUPREME MANAGEMENT
Diana “Wool coat, Marc Jacobs. Enamel necklace and earrings, Roxanne Assoulin.”
Anwar “Dress, Miu Miu. Resin and gold necklace, Ejing Zhang.”
Willow “Leather jacket and cotton shirt, Gucci.”
Jaychelle “Dress, Moncler 8 Richard Quinn. Pearl necklace and enamel earrings, Roxanne Assoulin.”
Baba “Jacket and sweater, Saint Laurent.”
Fisher “Ruffled cotton dress shirt, Prada.”
Faith “Viscose dress, Longchamp. Resin hair clip and earrings, Ejing Zhang. Enamel necklace, Roxanne Assoulin.”
Minnie “Wool jacket and onyx cabochon earrings, Saint Laurent.�
Caroline “Wool vest and cotton shirt, Prada. Pearl necklace and enamel hair clips, Roxanne Assoulin.”
Fall’s
S W A G
Oversized silhouettes, bohemian touches, and punchy colours are calling PHOTOGRAPHY & STYLING BRIANA GREENIDGE HAIR CASSANDRA NORMIL MAKEUP VERONICA GAONA PHOTOGRAPHY ASSISTANT MUSA JOHNSON MODEL RAHA EUROP / NEW ICON MODELS
Jacket, dress, earrings and boots, Celine Jewellery, Bulgari
Head scarf, blouse and dress, Reem Acra Jewellery, Bulgari
Suit and cap, Dolce & Gabbana Jewellery, Bulgari
Dress and shoes, Givenchy Earrings, Celine
Top, jeans, belt and shoes, Salvatore Ferragamo Earrings, Celine
Life’s a Beach Breeze along with the lighter side of Fall/Winter 2020 PHOTOGRAPHY AARON LIPPMAN STYLING LAUREN BENSKY HAIR CLARA LEONARD / THE WALL GROUP MAKEUP KUMA MODEL ALISSA SUGAWARA / THE SOCIETY
Dress, Salvatore Ferragamo Bikini top, Jade
Silk bra, knickers, socks and shoes, Marc Jacobs
On both pages: Knit, Fendi Skirt, Louis Vuitton Shoes, Carel
Blazer, bra and shoes, Saint Laurent Pants, Vaquera
Dress, Sacai
On both pages: Knit and skirt, Dior. Suede Mary Janes, Mari Giudicelli
Dress, Chloé
On both pages: Dress, Eckhaus Latta
Dress, JW Anderson
Dress and underpinnings, Miu Miu Shoes, Celine
DOWN TO THE LAST Detail Tassels, a ruffled collar or a splash of graphic pattern on black – all the little ways you can stand out now PHOTOGRAPHY CHRIS SCHEURICH STYLING ALI MCNALLY MODEL ANNABELLE LANDRY / NEXT MODELS CANADA
Top and earrings, Dior
Dress, hat, and shoes, Celine
Coat, Max Mara
On both pages: Latex dress, Saint Laurent
Dress, Bottega Veneta
Dress and boots, Longchamp
LIVING L’OFFICIEL
Worth the Salt Add a dash of Sicilian flavour to your culinary endeavours with the kitchen collectibles from Dolce & Gabbana and SMEG WORDS ABIGAIL LEONG
It’s said that the kitchen is the heart of a home, and with more people embarking on culinary adventures whilst staying in due to the ongoing pandemic, the old adage has really taken on new meaning in recent months. Which is why it’s never been a better time to liven up the hub of your humble abode with some colour, character, and cheer – we strongly suggest the kitchen collectibles in the Sicily is my Love line by Dolce & Gabbana in partnership with SMEG. As its moniker implies, the collection is an expression of the love affair that the luxury house has long courted with the island (and the homeland of co-founder Domenico Dolce), bringing together Sicilian iconography and state-of-theart technology in a highly covetable series of gastronomic
gadgets, including toasters, stand mixers, blenders, kettles, slow juicers, and of course, espresso machines. Packing an even weightier visual punch are domestic appliances such as refrigerators, ovens, and range cookers and hoods. Awash in ebullient hues, the ’50s-style designs teem with flamboyant decorations drawn from Sicilian culture and folklore, from cherries and prickly pears to carretti (traditional carts) and crocchi (triangular motifs) to Mount Etna and the Valley of the Temples in Agrigento. Each more-is-more pattern is based on a hand-painted prototype created expressly for the collaboration by master craftsmen from the region – works of art you can not only admire, but put to use too.
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L’OFFICIEL LIVING
Fine Dining in a Post Pandemic World Following its much-anticipated reopening, we speak to Chef Kirk Westaway of JAAN on how lockdown fueled his creativity, and his hopes for F&B in Singapore WORDS KIMBERLY ONG
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LIVING L’OFFICIEL
Certainly no stranger to the fine dining scene (it is a regular on Asia’s 50 Best Restaurants, with a most recent 21st Best Restaurants ranking), the reopening of JAAN sees Chef Kirk Westaway focusing on seasonality and a modern reinvention of British cuisine. What does JAAN look like now? “Given JAAN’s intimate setting and layout, our tables were already fairly far apart, and we removed an additional table to comply fully with safety measures,” says Westaway. This includes maintaining a comfortable distance of at least 1.5m surrounding the back of each guest’s chair. Before JAAN’s reopening, you kept busy with A Casual British Summer pop-up at Anti:Dote, which offers a casual, more accessible platform to savour your food. How was the reception and can we expect more of such events? A Casual British Summer was a seasonal pop-up that we felt was a good creative activation to get a feel of the market’s response, and of course, a chance for many of our regular customers who missed JAAN’s food during the temporary closure, to return to some familiar tastes. It is a more casual concept focusing on British food done properly with the best ingredients and is fairly
priced. As for the reception, it has been amazing! We had VIPs from JAAN come in five to six times. We may continue the pop-up for a bit longer, and consider the possibility of a more permanent fixture. You took some time off during the temporary closure of your restaurant this year. How did that extra time help you refocus or develop your creativity? Half of the menu for A Casual British Summer was created during the lockdown – our aptly named Lockdown Apple Pie was a huge hit. A lot of the items on the menu were created at home while I was experimenting; cooking for my fiancée and friends, and doing what I could to keep the fire within alive. Away from food, I also took up distance running, which has been very relaxing. Any guilty pleasures in terms of food? I’m not a sweet tooth kind of a guy. One guilty pleasure is actually just bread and butter. I’ve always enjoyed making bread from a young age and I have a ready variety of French, Australian, and New Zealand butters at home. It’s simple but so satisfying and tasty. At JAAN, we use Devon butter, and we’ve developed quite a reputation for the quality of the bread and butter we serve.
It has been a challenging time for the dining scene in Singapore. Have you found any silver linings? With the reopening of JAAN and other restaurants, it has been great to see people who are eager to dine out and support local businesses. A few of my friends tell me they could do a staycation, but would rather support local restaurants. It’s an opportunity for everyone to fill their seats and gain back their momentum and following. The lockdown was also good for chefs to take a break, read some books and refresh their minds – there’s hardly ever an opportunity to do this in the career of a chef, but during this forced time of “rest”, we were all given this rare window to make the best of. What are your hopes for the food industry in Singapore moving forward? The continuation of people dining out and supporting each other. Additionally, the world is becoming more knowledgeable about traceability, quality and sustainability. This is the direction a lot of chefs are going towards, and I hope the trend of using organic food and small producers continues.
JAAN by Kirk Westaway is located at Level 70 Swissotel the Stamford, 2 Stamford Road, Singapore 178882. For reservations, contact jaan.bookings@swissotel.com or +65 6837 3322.
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Dress in Black, Live in Colour Tunku Khalsom embraces “life, love and change” in her art – down to every bump and odd shade WORDS JULIA ROXAN
A self-taught abstract artist and interior architecture graduate of Malaysian and British descent, Tunku Khalsom has become known for her work of fluidity and stunning colour. Embracing the concepts of “life, love and change”, Khalsom incorporates bright and bold colours that evoke different emotions. With works displayed in the homes of private collectors across Asia, the U.S., and Greece, Khalsom has also exhibited her work at the Affordable Art Fair Singapore and the Asian Art Platform Gallery. You were born in Malaysia, studied in the UK, and now live in Singapore. Where do you call home? Probably one of the most difficult questions I get asked. I was born in Johor, Malaysia, to a Malay father and a British mother, and grew up in KL with my three brothers. Our holidays were spent in our family resort on Pulau Rawa, an amazing island on the South East of Malaysia. It’s a special place that has been in my family for a few generations. l moved to the UK when I was 17 and spent eight years living in London and then Brighton, where I went to University. Then after a couple of years back in KL, I moved to Singapore in 2010. I have so many homes. All of these places hold a special place in my heart, and I don’t feel like I belong to just one of them. How would you describe your style? Quite chaotic, there is a lot of texture and movement in my pieces. The textures I use are rough and gritty. They have cracks and crevices, textures that may be considered ugly, combined with lots of colour. I’m obsessed with colour – how one bleeds into the other, how contrasting colours go well together, how random combinations can surprise you. I love to see what happens when you layer, and you are never completely sure what you’re going to get. For me, the brighter and more colourful, the better, but I am learning to balance that out with darker and neutral colours. In my art, I’m looking for beauty in the chaos, and beauty in imperfection. What’s your fascination with skulls and butterflies, which are recurring motifs in your creations? Butterflies have been following me around since I was 16 and got my first tattoo. I’ve always found them to be so effortlessly beautiful. Since then, I have discovered that they have a dark side – I’m not going to go into it because it’s actually pretty gross, but you can look it up. I like the idea of being a surprise, and being unexpected. Butterflies are a symbol of change, of metamorphosis, and combined with the skull, you’ve got life, death, change and love – all the things that we experience in life. Also I just think that they look cool together. Five words that describe best your art… Bright, bold, chaotic, captivating, colourful.
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