MODE Iconic BoA 88 True Colours 108 Dark Arts 122 The Word on the Street… 134 Black Swan 144 Dangerous Woman 156 STYLE Come in Handy 27 Sign of the Times 28 Urban Respite 32 Hit the Streets 36 Family Affair 38 Easy Touch 40 No Place Like Home 48
64
58
80
BIJOUX Anatomy of Harry Winston’s Premier Majestic Art Deco Automatic 36mm 57 Royal Treatment 58 Girl’s Best Friend 60 Chasing Time 62 Wild & Freja 64 Night & Day 66 Full Circle 68
36 40 28
88
BEAUTY What Goes Around Comes Around 74 Don’t Let Your Hair Down 80
174 156
LIVING Plate Up 173 The Future of Singapore’s Nightlife 174 Canvas of Our Every Emotion 178 RENDEZVOUS Edito 24 Style News 44 Finale 190
no 133 – september 2020 EDITORIAL EDITOR-IN-CHIEF IAN LEE
SALES & MARKETING VP, SALES & MARKETING AILEEN SOH
FASHION & DIGITAL WRITER ABIGAIL LEONG
SENIOR MANAGER, SALES & MARKETING CHOO YEW MENG
DIGITAL WRITER KIMBERLY ONG
SENIOR EXECUTIVE, SALES & MARKETING YIZHONG AW
ART ART DESIGNER LESLIE WONG
EVENTS MARKETING & EVENTS MANAGER JASPER SIM FINANCE & ADMINISTRATION
CHIEF FINANCIAL OFFICER ELLIN ZHAO MANAGEMENT
CEO/PUBLISHER OLIVIER BURLOT EXECUTIVE DIRECTORS JULIAN PEH GAËL BURLOT
C
M
Y
WWW.LOFFICIELSINGAPORE.COM instagram: @lofficielsingapore facebook: www.facebook.com/LOfficielSingapore youtube: lofficielsingapore email: info@heart-media.com
CM
MY
CY
CMY
K
A MEMBER OF:
The Singapore word trademark L’OFFICIEL DE LA COUTURE ET DE LA MODE DE PARIS is registred in the Territory, in classes 16, 35, 38, 41, under the number T0719058F, from September 21th, 2007 on. All rights reserved. The edition in Singapore of “L’Officiel de la Couture et la Mode de Paris” is published under an exclusive license granted by Les Editions Jalou. All texts reproduced from the French edition of “L’Officiel de la Couture et la Mode de Paris” and included in the Singapore edition have been translated under the exclusive liability of the company HEART MEDIA GROUP. “L’Officiel de la Couture et la Mode de Paris” is a registered trademark of Les Editions Jalou. The rights for reproduction, including reproduction on electronic media, of editorial and publication material appearing in the present edition and initially published in the French edition of “L’Officiel de la Couture et la Mode de Paris” are exclusively owned by Les Editions Jalou. Total or partial reproduction, on any media, in any language, without prior written consent of Les Editions Jalou is strictly forbidden. Les Editions Jalou are a limited liability company, with a share capital of 606,000 Euro, organized and existing under the laws of France, whose registered office is located at 5, rue Bachaumont, 75002 Paris, registered at the trade registry of Paris, under number 331 532 176 and represented by Marie-José Jalou acting as manager. Printed By Times Printers Pte Ltd All Rights Reserved.
no 133 – september 2020 DIRECTION Global Co-Chairmen and Members of executive and administrative boards Marie-José Susskind-Jalou Maxime Jalou
INTERNATIONAL AND MARKETING Director International Licenses, Business Development & Brand Marketing Flavia Benda Global Head of Digital Product Giuseppe De Martino
Global Chief Executive Officer, Director of Executive and Administrative Boards Benjamin Eymère
Global Digital Project Manager Babila Cremascoli
Global Deputy Chief Executive Officer, Member of Executive and Administrative Boards Maria Cecilia Andretta
Global Media & Marketing Strategist Louis du Sartel
Global Chief Creative Officer Stefano Tonchi
Global Head of Content and Event Experience L’Officiel Allegra Benini
Global Artistic and Casting Director Jennifer Eymère
Global Editorial Content and Archives Giulia Bettinelli
Executive Assistants Céline Donker Van Heel c.donkervanheel@editionsjalou.com Giulia Bettinelli g.bettinelli@lofficielitalia.com
ADVERTISING Global Chief Revenue Officer Erica Bartman Chief Revenue Officer France and Switzerland Jean-Philippe Amos Media Director Italian Market Carlotta Tomasoni Global Digital Ad Ops and Media Planning Ilaria Previtali
GET IT ON
POWERED BY:
LES EDITIONS JALOU INTERNATIONAL EDITIONS L’Officiel de la Mode, L’Officiel Hommes Paris, L’Officiel Voyage, L’Officiel ART International, Jalouse, La Revue des Montres, The International Watch Review, L’Officiel Island, L’Officiel Peak, L’Officiel Jewels, L’Officiel Arabia, L’Officiel Hommes Arabia, L’Officiel ART Arabia, L’Officiel Argentina, L’Officiel Austria, L’Officiel Baltics, L’Officiel Belgique, L’Officiel Hommes Belgique, L’Officiel ART Belgique, L’Officiel Brasil, L’Officiel Hommes Brasil, L’Officiel China, L’Officiel Hommes China, Jalouse China, L’Officiel India, L’Officiel Indonesia, L’Officiel Italia, L’Officiel Hommes Italia, L’Officiel Korea, L’Officiel Hommes Korea, La Revue des Montres Korea, L’Officiel Latvia, L’Officiel Lithuania, L’Officiel Hommes Lithuania, L’Officiel Malaysia, L’Officiel Mexico, L’Officiel Maroc, L’Officiel Hommes Maroc, L’Officiel NL, L’Officiel Hommes NL, L’Officiel Poland, L’Officiel Hommes Poland, L’Officiel Russia, L’Officiel Singapore, L’Officiel Hommes Singapore, L’Officiel St Barth, L’Officiel Switzerland, L’Officiel Hommes Switzerland, L’Officiel Thailand, L’Officiel Hommes Thailand, L’Officiel Turkey, L’Officiel Hommes Turkey, L’Officiel Ukraine, L’Officiel Hommes Ukraine, L’Officiel USA, L’Officiel Hommes USA, L’Officiel Vietnam. www.lofficiel.com | 128, quai de Jemmapes 75010 Paris.
L’OFFICIEL LIVING
Édito
This issue, the question is: Who or what is iconic? Several emblematic creatives we spoke to for the issue weighed in. Symbolic of K-pop, our cover girl, BoA, deems Michael Jackson a true hero of pop music. “Queen of cool” and Tiffany & Co. campaign model, Freja Beha Erichsen, says Frida Kahlo and Danish author Karen Blixen are her idols. For streetwear maestro, Yoon Ambush, and rising R&B superstar-sisters, Chloe X Halle, icons come in the form of Bulgari’s Serpenti Forever bag and Fendi’s Peekaboo, respectively. The former goes as far as to associate the aforementioned style, which she worked on this season, with “mystery”, “wisdom” and “magic”. Speaking of such established fashion offerings, to help you decide what’s really worthy of investment in times like these, for The Icons Issue, we present all the most widely admired pieces across fashion, watches and jewellery (made fresh again with the requisite Fall/Winter 2020 reimagining, of course). Cue updates on fashion’s most beloved insignia (read: Louis Vuitton and Gucci), a 50-year-old sneaker style made new again by Prada, and various classics-with-twists as worn by (and aptly paired with) Singapore’s top models, Fiona Fussi and Vivien Ong. And for bijoux: think the latest iteration of Cartier’s Pasha timepiece, Chanel’s 20th anniversary J12, Harry Winston’s new Premier watch, TAG Heuer’s 160th anniversary Carrera, and more. We even have an iconic film, the decade-old Black Swan, and Singapore’s nightlife landmark, Zouk, covered – and we hope you’ll enjoy getting to know your fashion, beauty, bijoux and lifestyle favourites all over again.
IAN LEE EDITOR-IN-CHIEF IAN@HEART-MEDIA.COM BoA wears Louis Vuitton EDITOR-IN-CHIEF IAN LEE PHOTOGRAPHY JIDO STYLING SAEBOM KWAK HAIR ILJUNG LEE MAKEUP SUMIN JO DIGITAL OPERATOR JAEHYUNG KIM PHOTOGRAPHY ASSISTANTS DONGHOON PARK, JUNSEOK PARK, JAEHEE LEE, AND SEOKHYUN JANG STYLING ASSISTANTS SOYOUNG YANG AND GIO CHOI HAIR ASSISTANT SEUNGHYEON LEE RETOUCHER JINSOL KWON
24
#BRAUNBUFFELSS2020 braunbuffel.com
a b c de f g h i j k l m n o pq rs t uv w xyz a b c de f g h i j k l m n o pq rs t uv w xyz a b c de f g h i j k l m n o pq
STYLE L’OFFICIEL
Come In Handy Saint Laurent’s latest icon-in-the-making, the Solferino satchel, makes its debut for Fall/Winter 2020 in leather, suede, and exotic skins WORDS ABIGAIL LEONG
Recent research has demonstrated that luxury handbags can literally be worth their weight in gold, surpassing stocks, art, and bullion in terms of value potential – not that you need to justify your, ahem, investments. And the good news is, should you be on the hunt for another venture, Saint Laurent has just introduced its latest must-have accessory for 2020 and beyond, the impossibly chic, instantly classic Solferino satchel. Named after the Rue de Solferino on Paris’ famed Rive Gauche (or “left bank”), a short distance from the Maison’s design studio, this new style features a slightly retro, boxy silhouette, softened around the edges and outlined by a border of padded piping. The signature Cassandre-designed logo graces its front in gold-tone hardware, serving not only as a discreet embellishment, but also as a “secret” lock mechanism that pivots open with a gentle push of the letter “L”. Thoughtfully constructed with a triple gusset and several layers of handapplied edge painting to ensure its shape is preserved, the Solferino is finished with a deliberately shortened shoulder strap for easy access to its contents. Choose from two compact sizes and either smooth box leather, supple suede or exotic skins in black, ivory, cinnamon brown, and red.
27
L’OFFICIEL STYLE
Sign Of The Times Logos are a language of fashion, expressing the story and heritage of a brand in succinct symbols. These new takes on icons at Louis Vuitton, Gucci and Kate Spade are saying all the right things WORDS ABIGAIL LEONG
Gucci Men’s Fall/Winter 2020
28
STYLE L’OFFICIEL
Spade Flower Jacquard Market Tote
Kate Spade New York Fall/Winter 2020
Spade Flower Jacquard Everything Cherry Stripe Tote
Spade Flower Jacquard Drum Crossbody
ACE OF SPADES Kate Spade New York may not have as many digits in its age as some other heritage labels, but its homonymous symbol is no less recognisable than the “double” logos (e.g. double F and double C). At once ubiquitous and exclusive, the spade encapsulates the brand’s joyful and youthful spirit; small wonder creative director Nicola Glass has chosen to play up and with the emblem since claiming the helm two years ago. Case in point: the spade flower, fashioned from suits joined together in a quatrefoil pattern. Introduced during Glass’ debut Spring 2019 show, the efflorescent device returns this season with a fresh look – in custom jacquard instead of embossed leather. Vivified with particoloured stripes and cherries, the spade flower positively pops against practical but stylish silhouettes, such as a shopping tote, drum crossbody, shoulder bag and vanity top-handle.
Spade Flower Jacquard Mystery Stripe Shoulder Bag
Spade Flower Jacquard Everything Stripe Tote
29
L’OFFICIEL STYLE
LV Crafty NéoNoé MM LV Crafty Neverfull MM
LV Crafty Alma PM
LV Crafty Twist MM
ARTS & CRAFTS First streetwear, now street art. Louis Vuitton recently dropped the LV Crafty capsule, a can’tmiss line of graphic, gallery-worthy accessories that paints its insignia in a bold new light. Taking cues from ’80s-era graffitism and neoexpressionism, the Maison adorns its Monogram Giant motif with freeform brush strokes in two vibrant colour schemes – red on white and cream on caramel, with the house initials and flowers in contrasting black. This arresting print is daubed artfully over a number of Louis Vuitton classics, including the NéoNoé bucket bag, the Neverfull tote and the Speedy Bandoulière, along with an array of sneakers, pochettes, hats and scarves. Monogram Empreinte leather also gets a Crafty makeover with pop art-esque detachable charms and detailing around the chapes, as seen on the Alma, Twist and Onthego bags.
LV Crafty Reversible Bucket Hat
LV Crafty Boite Chapeau Souple
30
LV Crafty Time Out Sneaker
STYLE L’OFFICIEL
Jackie 1961 Mini Hobo in GG Supreme
Jackie 1961 Small Hobo in GG Supreme
Gucci Fall/Winter 2020
SUPREME IMPULSE The genesis of Gucci’s GG canvas is by now fashion legend: with leather in short supply due to WWII sanctions against Italy, founder Guccio Gucci began experimenting with alternative textiles for his wares, and so the diamondpatterned, tonal brown canvas we know and love was born (the GG logo at the corner of each angle was added in the ’60s). Revisited multiple times over the years, it’s known today as the GG Supreme, a contemporary variant made from eco-conscious coated canvas in shades of beige and ebony, which reigns, well, supreme across a host of Gucci creations. This Fall, the GG Supreme lends its panache to another treasure from the archive, the Jackie 1961. Initially dubbed the Constance, the hobo bag was later renamed after Jacqueline Kennedy Onassis, who had a penchant for carrying this sleek and chic design. Decidedly gender-neutral with its half-moon shape, retro leather trim, clever piston closure and distinctive Web stripe, the GG Supreme Jackie 1961 comes in three sizes and infinite style possibilities.
Jackie 1961 Medium Hobo in GG Supreme
31
URBAN RESPITE City slicker and celebrity model Fiona Fussi cosies up to Longchamp’s refreshed Roseau line – with new box cube silhouettes, as well as mini crossbody and top handle shapes PHOTOGRAPHY JOEL LOW STYLING IAN LEE ALL CLOTHING, SHOES, AND ROSEAU BAGS FROM LONGCHAMP FALL/WINTER 2020
Roseau top handle bag
Roseau box mini crossbody bag
Roseau top handle bag
Roseau box cube bag
HAIR & MAKEUP GREGO OH PHOTOGRAPHY ASSISTANT ALFIE PAN MODEL FIONA FUSSI / BASIC MODELS SPECIAL THANKS TO SOFITEL SINGAPORE CITY CENTRE
L’OFFICIEL STYLE
Hit the Streets Bulgari’s iconic Serpenti Forever bag gets its latest update courtesy of sought-after Tokyo-based fashion designer, Yoon Ambush WORDS IAN LEE
36
STYLE L’OFFICIEL
How did this collaboration come about? Bulgari reached out to me last year to speak about this project after I received a Bulgari Avrora Award in Japan. How was working on an iconic bag similar to or different from designing jewellery and ready-to-wear? I haven’t designed that many bags before, so it was a new experience for me. [The idea of] concept meeting functionality is quite similar to the jewellery designing process. Visiting Bulgari’s factory, where they produce the bags, was mindblowing too. Seeing so many artisans working so closely and precisely for each part of the bag was really inspiring. Since the collab is called “Serpenti Through the Eyes of...”, what five words come to mind when you think of Bulgari’s Serpenti Forever? Beauty, mystery, rebirth, wisdom, and magic. How would Yoon wear the bag? I love the waist bag we worked on. It’s a three-way bag so you can wear it as a waist bag, take out the belt and attach the strap as a shoulder bag, or just use it as a clutch. I would put on an amazing pair of trousers, and a nice fitted top with the waist bag, and pair with Nike shoes to match the colours.
reading. During that quiet time, I feel most creative because my head is so clear. Then, I head to the office around 8am to start prepping for the day. I’m pretty much in the studio until 7 or 8pm, before I eat dinner, and try to sleep by 11pm. Due to the travel ban, I’m in Tokyo at this moment, because I can’t travel. I kind of like this routine, which I haven’t experienced in the past few years – so I’m enjoying every moment of it. How has your creative process changed during these times? There is a good side, and also a not so good side to not being able to travel so much. I’m one of those people who can think more in action, so moving around helps me to be more stimulated and think clearly. Being stuck in a few places has been a bit of a challenge for me, but I’m trying to make the most of it by picking up new hobbies like photography, and studying new subjects through YouTube and online courses. Making the best of the situation is keeping me creative during this time. As your list of collaborators stretch, what do you look for in partnerships? Collaboration is fun when you work with people you respect and who are different from you. The best collaborators are those who are flexible, curious, and generous in giving lots of space for creativity. They want to find an answer to the more significant questions, and are here to connect the dots with me.
What’s your first memory of Bulgari? I actually got to know Bulgari better when a friend gave me a copy of the Bulgari: 125 Years of Italian Magnificence book around the time we were just starting AMBUSH collections, around 2012. I remember reading it for days and being obsessed with all the jewellery featured.
Critics say you’re “the woman in streetwear”, and one of the game-changers in luxury fashion… I’d like to say that it’s very kind of them to say so, but I have far more to go.
You balance collaborations on top of your different designer and director roles. What’s a typical day or week like for you? I’m a morning person, so I love waking up early at 4:30 or 5am, and spend time thinking, researching, learning and
What’s next for Yoon? Yes! We have so many fun things lined up from September! The Fall/Winter 2020 collection is now in stores; and a few big collaborations will be revealed in the year!
37
L’OFFICIEL STYLE
Family Affair American R&B duo and rising superstar-sisters Chloe X Halle are the new faces of the Fendi #MeAndMyPeekaboo video series – and in a Fendi first, the sisters were given full creative freedom in terms of styling and production. The duo tells us more… WORDS IAN LEE PHOTOGRAPHY JULIAN DAKDOUK
The latest iteration of the iconic bag, the Peekaboo ISeeU, has an updated accordion-frame shape and detachable inside pockets. In smooth leather or precious skins, it can also be personalised with one’s initials.
38
STYLE L’OFFICIEL
How did this project come about? Since we can remember, we have always been huge fans of Fendi – the perfect mixture of classy and sexy, and we are more than happy to be a part of this project. What was the inspiration for the video shoot? This video was inspired by a song off of our new album called Busy Boy. With the playful lyrics, we wanted to mix dreamy scenery to complement the song and the playfulness of the Peekaboo bag. Filming content during quarantine is so much fun because it allows us to be extra creative, and in this case we got to shoot every scene at home in our backyard. As sisters, what is it like to work together? Working side by side as sisters is truly a blessing. Constantly having someone by your side, who is going through the same journey as you, is comforting and so very important. Especially when you’re in the limelight and sharing your life with so many people. Having someone there to hold your hand along the way is refreshing.
What is your favourite way to wear the Peekaboo? Honestly, there isn’t just one way for us to style our Peekaboo. What we love about the Peekaboo is how universal it is, we can wear it with anything. It looks absolutely amazing with a beautiful dress, and it could also look great with a denim look. What advice would you give to your fans on navigating these times? Definitely try to remain hopeful and positive. With everything going on in the world, it’s so easy to feel down and give in to the uncertainty of the future. But this year is not over yet, and through the darkest times, come the most beautiful sunrises. Don’t be afraid to continue speaking up for justice, and for what’s right. Let’s make the future generations proud of us. What can we expect to see from you in the coming months? In the next few months, you can expect exciting new performances, new visuals for songs from our new album Ungodly Hour, and so much more. We can’t wait for the future.
Do you have similar or very different styles? Even though in some ways we are similar, we are mostly opposites of each other. We have a very different everyday style. We think our differences really complement one another, and we contrast perfectly when it comes to our art and creativity.
39
Easy Touch Softness, lightness and subtle ’70s power are the name of Anthony Vaccarello’s Fall 2020 game at Saint Laurent
PHOTOGRAPHY JOEL LOW STYLING IAN LEE ALL CLOTHING AND ACCESSORIES FROM SAINT LAURENT
HAIR & MAKEUP GREGO OH PHOTOGRAPHY ASSISTANT ALFIE PAN MODEL VIVIEN ONG / MANNEQUIN
L’OFFICIEL NEWS
Sunnies Side Up Honestly, you can never have too many pairs of sunglasses, especially if you live in a tropical country like ours and need year-round UV shielding. So thank goodness for Givenchy, whose shades both protect and pack a punch. This season, the Maison proffers two standout frames: the GV Ray, an oversized aviator type, and the retro-influenced, cat-eye GV Anima. Shaped from enamelled metal, the GV Ray arrives in gold, pink, khaki or yellow with gradient lenses in warm desert hues and the double G emblem engraved on its tips. The ’80s-style GV Anima, on the other hand, showcases an unusual faceted structure in red, white, black and tortoiseshell acetate, which is finished with a hidden house logo on the inner temples.
Life And Sole Matching your shoes to your bag might be an old-school concept, but Longchamp makes it work with the latest interpretation of its Le Pliage sneaker, which premieres for the Fall/Winter 2020 season. Nodding to the design codes of the universally loved Le Pliage tote, this off-the-court tennis shoe is casual yet chic. Featuring a classic silhouette in smooth white leather or cloud blue, mahogany and black suede, the sneaker is enlivened by a heel tab in Russian leather as well as a metallic snap button that reprises the foldover clasp of its namesake handbag.
Moncler’s Genius initiative is arguably the last word in collaboration, as evinced by its stellar tie-ups with designers such as Rick Owens, Simone Rocha and Jonathan Anderson. Now in its third year, the project drops its latest instalment this month – a capsule of high-end luggage created in partnership with RIMOWA, christened “Reflection”. Based on the German brand’s Original Cabin model, the limited edition suitcase boasts a lightweight aluminium shell polished to a near-mirror finish, recalling the lacquered effect of Moncler’s puffers. Matte black handles offset the gleaming exterior, while riveted corners, a nylon packing cube set, and a bespoke luggage belt enhance functionality. A novel alternative displays an LED screen across the front that can be customised with your preferred text.
44
WORDS ABIGAIL LEONG
Serious Baggage
NEWS L’OFFICIEL
Work It It seems probable that working remotely will be the norm in a post-pandemic world, so now might be a good time to switch up your home office. Enter the new Versace Home collection, which, for the first time ever, incorporates a selection of furniture dedicated to the work space, The Medusa. In keeping with the Italian house’s glamorous aesthetic, the WFH series comprises a drawered desk and chairs with clean lines and monochrome tones, constructed from cinder wood and supple leather, and scattered liberally with aureate accents and gold Gorgon heads. Nothing like a bit of luxury to ease the nine to five grind, we think.
Road Runner The history of Onitsuka Tiger is inextricably linked with that of the Olympics, and while the Games have been pushed back a year, the Japanese label continues to delight with designs that merge sports and style, heritage and innovation. Like the OHBORI™ EX runner, inspired by a marathon shoe of the same name donned by Olympic gold medallists in the ’70s. The distinctive sharp toe of the original remains, along with the undulating multi-layer outsole, but the new sneaker is equipped with a fuzeGEL™ midsole for better cushioning, and is meant to be worn both on and off the track. Find it in three colourways: black/white, tiger yellow/black and mako blue/tiger yellow.
Up Close And Personal Longchamp’s Le Pliage needs no introduction. Known and loved for its chic, minimalist and functional design, this enduring classic is so popular that 10 totes are sold every minute. The bag’s ubiquity does not preclude its exclusivity, either, as Longchamp offers a bespoke service, called My Pliage, that gives you the freedom to customise your own version of three signature styles: Le Pliage, Le Pliage Cuir and Le Pliage Club. Time-honoured codes such as the trapezoidal shape, dual handles, and foldover flap remain, and you now have a choice of five silhouettes (shoulder, top-handle, crossbody, backpack and travel); up to 20 colours for the body, leather trim and snap button (bilberry, coral, peony, gunmetal and more); and several motifs and fonts that can be hot-stamped, embroidered or printed on the bag. Better still, Longchamp has reimagined Le Pliage in 100 per cent recycled polyester, an eco-friendly textile made from upcycled plastic, while specified characters are emblazoned on the front using a water-free transfer printing process. Special, sustainable and stylish all in one.
45
L’OFFICIEL NEWS
Love Story Money can’t buy love, they say, but it can buy you a Prada bag, which is a surely a close second (we kid, kind of). In commemoration of 2020’s Qixi Festival (aka Chinese Valentine’s Day), the luxury house has launched a collection of women’s and men’s accessories, centred on its famed Re-Edition line, alongside a short film portraying a modern retelling of the mythical starcrossed lovers – dressed in head-to-toe Prada, naturally. The capsule unveils an updated Re-Edition model in astrale blue, giada green or primula pink nylon and Saffiano leather, here with detachable ribbon and chain shoulder straps, in addition to messenger and belt bags and bucket hats in coordinating colourways.
One, Two, Buckle My Shoe What do Catherine Deneuve, Marion Cotillard, and Inès de la Fressange have in common? Besides possessing an innate, effortless elegance, these well-heeled women share a fondness for Roger Vivier’s creations. Specifically, the Belle Vivier. Characterised by subtle curves and a geometric, chrome-plated buckle at the throat, the ladylike shoe was inaugurated in the ’60s, and has not lost its appeal in the decades since (it just turned 55). Fall/Winter 2020 sees creative director Gherardo Felloni propose new slingback and mule variations of the Belle Vivier; the former features colour blocks in contrasting pink, yellow, blue, black and white, while the latter appears in a mix of neutral and metallic shades. Each pair is skilfully handcrafted in soft or patent leather by the Maison’s artisans.
Givenchy’s Antigona has graced the arms of countless fashion aficionados (including Kate Moss and Beyoncé) since debuting in Fall/Winter 2010, and the handbag’s winning streak isn’t slowing down just yet, if the success of its younger sibling, the Antigona Soft, is any indication. Echoing the insouciant sophistication of the readyto-wear segment, this supple and slouchy style is defined by its masculine-feminine duality, ample proportions, and easy versatility that allows it to move freely from work to weekend. Find the Antigona Soft in two sizes and myriad finishes spanning crocodile-embossed calfskin, houndstooth, and smooth leather in turquoise, fuchsia, pearl grey, and more.
46
WORDS ABIGAIL LEONG
Soft Power
NEWS L’OFFICIEL
Fingers Crossed There’s no denying Bottega Veneta’s Daniel Lee has the Midas touch, particularly with regard to accessories – whatever the creative director dreams up turns into gold, whether that’s in rave reviews, prestigious awards or actual dollars (or all of the above). Joining the label’s lengthy list of It bags this Fall (think the Pouch, Cassette, Twist, and Arco) is the newly-minted Crisscross, an extra large clutch that shows off Bottega Veneta’s iconic intrecciato weave to great effect. With a contorted silhouette resembling an infinity symbol, save for its sharply angled edges, the Crisscross is founded on an understated palette of black, chocolate brown, deep green and “porridge” beige leather, and comes with or without a dramatic, floor-dusting fringe. Either way, it’s guaranteed to be all over your social media feeds in the coming months.
47
No Place Like Home
Get all cuddly and comfy with this Louisiana love story starring young creatives Daisya and Oji PHOTOGRAPHY CHRIS SCHEURICH STYLING ALI MCNALLY MODELS DAISYA COLLINS / FT45 AND OJI ARMAND LOCATION BAKER, LOUISIANA
All clothes, Moschino
Dress, Christian Cowan
All clothes and accessories, Salvatore Ferragamo
On Oji: T-shirt, Tom Ford On Daisya: Top, Rag & Bone Overalls, Moschino
Dress and shoes, Tory Burch
All clothes, Moschino
Dress, Christian Cowan
a b c de f g h i j k l m n o pq rs t uv w xyz a b c de f g h i j k l m n o pq rs t uv w xyz a b c de f g h i j k l m n o pq
BIJOUX L’OFFICIEL
Anatomy of Harry Winston’s Premier Majestic Art Deco Automatic 36mm The bold black-and-white timepiece pays tribute to Arts Décoratifs through the dramatic arrangement of black jade, mother-of-pearl and diamonds WORDS IAN LEE
white gold case
emerald-cut black jade on the dial. White mother-of-pearl and black jade form a geometric sunray design, and grey and white mother-of-pearl cabochons sit between brilliant-cut diamonds.
brilliant-cut diamonds on the bezel with truncated diamonds in the crown and tips of the lugs
brilliant-cut diamonds set on a white gold ardillon buckle
The year in which Harry Winston’s Premier Collection debuted, serving as the jeweller’s designated series to showcase the highest artistic forms
57
L’OFFICIEL BIJOUX
Royal Treatment A true ’80s cult classic, the Pasha de Cartier makes its comeback this year in a series of revamped models for men and women, ranging from time-only to skeletonised to gem-encrusted iterations WORDS ABIGAIL LEONG
58
BIJOUX L’OFFICIEL
Eighties trends may come and go, but it seems the Pasha de Cartier is a forever classic. More than three decades after its debut, the distinctive and design-forward timepiece is set to return this month in a contemporary incarnation, highlighting two new case sizes of 41mm and 35mm in an array of unisex models that span time-only, skeleton tourbillon, and high jewellery variations. Created by the “Picasso of watches” Gérald Genta and launched in 1985, the Pasha de Cartier found favour among men and women alike as a powerful status symbol possessing both style and substance. Legend has it the design is based on a bespoke wristwatch commissioned by the Pasha of Marrakech, Thami El Glaoui, nearly a century ago to keep up with his active lifestyle (“pasha” was a title granted to high-ranking officials in the Ottoman Empire), although such a tale has thus far proved unfounded. What cannot be denied, however, is that the Pasha is worthy of royalty. The coveted chronograph is instantly recognisable for its square-in-a-circle composition, wherein a quadrate railroad minute track sits at the centre of a generously proportioned round dial, with Arabic numerals in Art Deco font at the quarters, Vendome lugs (patented by Louis Cartier) edged with pyramidal Clous de Paris, a date window between 4 and 5 o’clock, and interestingly enough, a screw-down crown cover attached to the case by a petite chain link. Faithful to the original, the 2020 Pasha (re)edition retains these signature elements, while also introducing several refinements to this iconic horologe. For example, the timepiece now includes the Maison’s innovative QuickSwitch mechanism, which enables one strap or bracelet to be easily swapped for another with a single push, in addition to the SmartLink system, which allows the strap length to be adjusted without fuss or tools. The neoteric iteration also features a silvered dial patterned with undulating guilloché waves, a fluted crown embellished with a synthetic spinel or sapphire cabochon, blued steel sword-shaped hands, and the option to engrave the owner’s initials on a small recess hidden by the tactile crown cover.
Water resistant to an impressive 10 bars (approximately 100 metres), the refreshed Pasha de Cartier comes in stainless steel and yellow gold for the 41mm model, and steel and rose gold for the 35mm, some bedecked in brilliant-cut diamonds, and most finished with a metal bracelet or an alligator leather strap in grey, black, taupe, violet, and fuchsia. A sapphire crystal caseback, meanwhile, offers a glimpse of the exceptional 1847 MC manufacture movement, which beats at 4Hz with a power reserve of 40 hours, and incorporates nickel-phosphorus alloys in its chronometry-critical components to provide effective resistance against magnetic fields. To fête the arrival of the upcoming generation, Cartier has assembled a diverse cast of accomplished talents as the ambassadors for its new and improved collection: awardwinning actor Rami Malek, Game of Thrones star Maisie Williams, K-pop idol Jackson Wang, Hollywood scion Willow Smith, and singer-songwriter Troye Sivan. Each of the five artists fearlessly forges his or her own creative path, and so epitomises the independent and nonconformist spirit characteristic of the Pasha. The quintet front the Maison’s latest campaign, which encompasses a movie and a series of short films where they discuss creativity and success, as well as images lensed by fashion photographer Craig McDean. “You always have to bite off more than you can chew to evolve as a person and especially as an artist, and to prove to yourself that you can do this and that you can expand,” declares multi-hyphenate singer, actress, and activist Willow Smith, who constantly fights against being pigeonholed in an increasingly competitive industry. Jackson Wang, a triple threat whose career straddles different worlds, echoes Smith’s sentiments, saying “There’s no final destination in life, but every step towards your goal, every chapter in your history, is a big time… Just trust yourself and write your own history.”
59
L’OFFICIEL BIJOUX
Girl’s Best Friend
Inspired by Jacqueline Kennedy’s wedding present from Aristotle Onassis, Van Cleef & Arpels introduces the Tendresse Étincelante earrings as part of its new high jewellery collection WORDS ABIGAIL LEONG
60
BIJOUX L’OFFICIEL
After a delay of five months due to the ongoing crisis, the latest exhibition from Van Cleef & Arpels in partnership with the Museum of Natural History in Paris, titled “Pierres Précieuses” or “Precious Stones”, is finally set to open this month in the French capital. Spotlighting the intersection between earth science, mineralogy and bijoux (mother nature has long held a fascination for Van Cleef & Arpels), the showcase will display over 300 treasures from the luxury house’s extensive archive, a number of which also serve as the afflatus behind the Maison’s brand new haute joaillerie series, simply dubbed “Homage to High Jewellery in Place Vendôme”. The small but significant collection harks back several decades in Van Cleef & Arpels’ illustrious history, breathing fresh life into a trio of prized heritage pieces once owned by three very influential (and very stylish) women. To wit, Marlene Dietrich’s ruby Jarretière cuff bracelet, immortalised on screen in Alfred Hitchcock’s Stage Fright; Princess Faiza of Egypt’s extravagant emerald and platinum collaret; and the floral diamond and ruby cabochon earrings bestowed upon Jacqueline Kennedy by shipping magnate Aristotle Onassis on the occasion of their wedding in 1968.
The former First Lady of the United States much cherished this glittering gift from her second husband (curiously, her engagement ring from John F. Kennedy was also a Van Cleef & Arpels creation), donning the jewels multiple times throughout the rest of her life – the pair was eventually auctioned off for approximately SGD421,500 in 2015. Now, the Maison reinterprets the efflorescent design for a 21st-century audience with the Tendresse Étincelante earrings, which aptly translates as “Sparkling Tenderness”. Rendered in white gold and gemstones, blossoming corollas unfurl gently around pear-shaped diamonds, each sculptural petal traced with delicate veins in relief and enriched by brilliant-cut diamonds. These exquisite flowers are adorned with detachable teardrop pendants comprising two magnificent DFL Type IIa diamonds, cut from the same rough, that weigh in at 20.21 carats. Attesting to Van Cleef & Arpels’ singular savoir-faire, the Tendresse Étincelante is as elegant and captivating as the woman who inspired it.
61
L’OFFICIEL BIJOUX
Chasing Time In celebration of its milestone 160th birthday, TAG Heuer debuts a series of commemorative chronographs, starting with the Carrera 160 Years Silver Limited Edition and the Carrera 160 Years Montreal Limited Edition WORDS ABIGAIL LEONG
Heuer Montreal Reference 110503W and TAG Heuer Carrera 160 Years Montreal Limited Edition
TAG Heuer Carrera 160 Years Silver Limited Edition
TAG Heuer Carrera 160 Years Silver Limited Edition
TAG Heuer Carrera 160 Years Silver Limited Edition
Fresh off festivities for the half-century milestone of its revolutionary Monaco, this year TAG Heuer is commemorating yet another major jubilee: its 160th birthday. No mean feat in an age of increasingly fickle consumers. Founded in Saint-Imier in the mid-1800s by a young Edouard Heuer (the TAG in its moniker was only introduced in 1985 when Heuer was bought over by the Techniques d’Avant Garde group), in the years since the Swiss marque has carved a place for itself in the history of watchmaking with its maverick vision and position at the cutting edge of industry innovation.
TAG Heuer Carrera 160 Years Montreal Limited Edition
62
Beloved by race car drivers, aviators, soldiers, athletes, and enthusiasts alike, the luxury house has enjoyed a longstanding association with the world of competitive sports, its legacy strewn with numerous high-profile sponsorships with, at one point or another, the Ferrari Formula One team, Manchester United, Aston Martin Red Bull Racing and more. Wherefore it should come as no surprise that the storied brand has decided to fête this landmark anniversary in classic TAG Heuer fashion, but with a sporting touch – namely, a series of special edition models that at once celebrates and updates the iconic, racingstyle Carrera.
BIJOUX L’OFFICIEL
Moreover, and perhaps most significantly, the chronograph (fittingly limited to 1,860 examples) is equipped with the automatic Heuer 02 manufacture movement as opposed to the original, manual winding Valjoux 72. Incorporating 168 components, including a column wheel and a vertical clutch for enhanced precision and stability, the Heuer 02 calibre operates at 4Hz and carries a reserve of 80 hours, almost double the industry norm. Meanwhile, an openworked oscillating weight engraved with “160 Years Of Avant-Garde” confirms the timepiece as an anniversary edition. Understated yet unmistakable, the Carrera 160 Years Silver Limited Edition assuredly ticks all the right boxes.
Heuer Montreal Reference 110503W
The brainchild of scion Jack Heuer, the great-grandson of Edouard and a relentless innovator, the chronograph draws on the thrilling and treacherous Carrera Panamericana, a border-to-border road rally across Mexico reputed to be the world’s deadliest at the time (it was called off after five years due to safety concerns). Jack Heuer learnt of the hair-raising contest in 1962 from F1 drivers and brothers Pedro and Ricardo Rodriguez, and was so enthralled by their tales that he dedicated a watch to the race. A year later, the first Heuer Carreras left the factory. Sleek, unfussy, and devoid of all extraneous elements, the Carrera was designed with legibility in mind – ideal for drivers who need to discern the time at a glance during races – although its enduring appeal extends far beyond the realm of autosports. One of the earliest variants, Reference 2447S, serves as the inspiration behind today’s Carrera 160 Years Silver Limited Edition, albeit with a few modern tweaks. Features such as the sunray-brushed silver dial, polished case, dual pushers, and three azurage counters remain, plus the vintage TAG-less Heuer emblem, but the latest interpretation in stainless steel offers a diameter of 39mm, a domed sapphire crystal, and faceted hands coated in SuperLuminova®, while the permanent second indicator is now located at 6 o’clock instead of 9 o’clock, and a black alligator strap replaces the perforated band of its predecessor.
And that’s just the beginning. A big birthday calls for an even bigger celebration, and TAG Heuer doesn’t disappoint. Set to release not one, not two, but a whole lineup of commemorative watches in 2020, the horological heavyweight recently unveiled the sophomore instalment in its anniversary series, and it’s a knockout. Available in a limited run of 1,000 pieces, the Carrera 160 Years Montreal Limited Edition fuses the DNA of two TAG Heuer greats to create an eye-catching, extroverted edition that will easily turn heads. This new timepiece takes its design cues from a string of ’70s automatic racing chronographs called “Montreal”, renowned for its polychromatic palette and cushion-shaped 42mm case, while also tapping on the contemporary Carrera collection in terms of shape, movement, and overall feel. Here, the familiar 39mm Carrera steel case is employed, along with its signature triplet of snailed subdials, glassbox sapphire crystal, bevelled lugs, and unilateral crown and pushers, but the dial is recognisably and heavily inspired by the 1972 Heuer Montreal Reference 110503W. A matte white opaline dial is enlivened by bursts of deep blue on the registers and along the rim, and bright yellow SuperLuminova® accents on the counter at 3 o’clock, hour and minute hands, and tips of the applied baton indices. A further pop of cheerful colour is added via a red lacquered central seconds hand, as well as a two-toned track circling the white flange that is, curiously, hued in blue for the first 15 minutes and red for the next 45. The Carrera 160 Years Montreal Limited Edition is similarly powered by the in-house Heuer 02 calibre, which can be admired through the sapphire crystal caseback, and comes matched with a blue alligator leather strap secured by a polished steel folding clasp. Its bold appearance might not be for the faint of heart, but it is definitely worth the risk.
63
L’OFFICIEL BIJOUX
64
BIJOUX L’OFFICIEL
What do you like most about the new T1 range of jewellery? It’s elegant and simple, which I appreciate very much. That’s something I look for in jewellery. I would wear the bracelet and a ring, and that’s enough. I like to keep the pieces simple, and let them speak. Are you more of a rose, yellow or white gold person? I like all of the above (laughs). I used to wear white gold, and I wear yellow gold a lot now. I’m not at the pink gold stage just yet. I think it also depends on what you’re wearing, and if you’ve got a nice tan. What’s your take when it comes to diamonds? For me, diamonds are a very personal thing – something given to me, or something significant for myself. Diamonds are associated with love and a person’s gesture or gift of love and appreciation. What are some words starting with the letter “T” that you think best describe yourself? Tall, tender, and talkative in the morning, which is terrible to some!
During more “normal” times, travelling the world is such a natural part of work for you. How have you been coping with staying in much more? Not travelling is… interesting. I live in New York, and when the pandemic happened, I knew where I wanted to be, which is near my loved ones. So I went home to Denmark for a couple of weeks. I’m so used to travelling, so at first, it was a little strange. But I really appreciate it in the end. I feel more relaxed, and I think this is the most relaxed I have been since I was a child. I’ve found peace in not wanting to move around. This issue is about celebrating icons, which is fitting, as both yourself and T1 are iconic. Who is your personal icon? I think all women who have helped push for equality and being free. There’s Danish author Karen Blixen, also known as Isak Dinesen, and Frida Kahlo – strong women who’ve lived the life they wanted. It’s been 15 years since you burst onto the scene. What would you say is the secret to your longevity? I don’t really know (laughs). Over the years, from being a teenager to an adult, I think there has definitely been a progression.
65
L’OFFICIEL BIJOUX
Night And Day The duality of black and white is a Chanel hallmark, and the Maison takes the concept to another level with the launch of its J12 Paradoxe, which flaunts a never-before-seen fusion of monochrome ceramic to mark the 20th anniversary of this disruptive timepiece WORDS ABIGAIL LEONG
Chanel J12 Paradoxe
Chanel J12 Ref. H5697
Chanel J12 Ref. H5697
Chanel J12 Paradoxe Diamond
66
BIJOUX L’OFFICIEL
Chanel may be known best for its little black dresses, tweed suits, quilted bags, and distinctive perfumes, but that in no way means you should discount its horological innovations. Upholding the same renegade spirit that led Gabrielle Chanel to popularise trousers for women and jersey in couture, the luxury house has sought to push the boundaries of tradition in timekeeping, and the results are nothing less than extraordinary. The Maison’s epochal J12 proves as much. Launched back in 2000, the timepiece not only jump-started the boom in demand for ceramic models, it also shook up the hidebound world of watchmaking with its radical choice of hue (matte monochrome) and material (the aforesaid ceramic). Then-artistic director Jacques Helleu was prompted by his passion for automobiles and sailing to imagine a sporty and functional yet timelessly chic design that could see its wearer from day to night (Helleu named it after the 12-metre J-class racing yachts, which were experiencing a renaissance at the time). Seven years in the making, the original J12 came in a round case of 38mm or 33mm with masculine proportions, and in what the brand calls “high-tech ceramic”, similar to that used on the heat shields of space shuttles. Based on the rare-earth metal yttrium instead of mineral, the Maison’s custom blend of ceramic is glossy, lightweight, scratchproof, fade resistant, hypoallergenic, and six times harder than steel. An ambitious move, but one that has certainly paid off. Initially available in jet black, followed closely by clean white, the timepiece was widely well-received, and quickly joined the exalted ranks of Chanel icons. Two decades and many iterations later, the J12 has lost neither its allure nor its audacious personality. It recently underwent a subtle nip and tuck instigated by Arnaud Chastaingt, the current director of the label’s Studio de Création Horlogerie. Chastaingt chose evolution over revolution: the bi-material case with its steel bottom was replaced by one-piece ceramic; the bezel was refined for a more feminine feel and the notches along its perimeter increased to 40; indicators were added to the central railway track for clarity; and letterings and numerals were revamped in Chanel’s signature typeface. Importantly, the ETA 2892 movement was replaced with the new COSCcertified, automatic Calibre 12.1, visible through the sapphire crystal on the reverse and produced by the Swiss manufacture Kenissi, of which the Maison owns a stake.
As the J12 celebrates its 20th anniversary this year, Chanel once again demonstrates its creative ingenuity and artistic flair with a series of commemorative special editions in cutting-edge combinations of pigments and precious stones. The stunning J12 X-Ray, for instance, is made almost entirely from transparent sapphire crystal in a world-first, while the J12.20 is ornamented with whimsical champlevé enamel motifs depicting house symbols such as the 2.55 handbag, camellia flower, and cap-toe sling-backs. The playful Mademoiselle variation is topped off with an adorable caricature charm of Coco Chanel herself, and a regal haute joaillerie novelty is bedizened in upwards of 12 carats of pink sapphires and 33 carats of baguette-cut diamonds. Not to forget the avant-garde J12 Paradoxe, which puts a fresh twist on the dual-tone concept in watchmaking with a neverbefore-seen marriage of white and black ceramic in a single 38mm case. A technical triumph, this striking device is cleverly constructed by casting a pair of complete cases in each colour, then carefully cutting the white version into a proportion of two-thirds and the black into one-third, and thereafter fusing both parts seamlessly together via an inner steel brace. The dial mirrors this graphic two-tone approach with tinted lacquer, as does the fixed bezel, although the latter employs tampography to achieve the pleasantly distorted effect. Hour indices are applied in black ceramic, except for the 3 o’clock that appears in inverse white, while the baton-style minute and hour hands and arrow-tipped direct drive are treated with lume, and a date window peeks out between 4 and 5 o’clock. Minimalist finishings include snailing around the outer ring, mirrorpolished bevels, and an openworked oscillating weight bearing the brand’s trademark circular cutouts. Taking things up another notch (no pun intended), the French house is also rolling out an alternate, more opulent interpretation of the Paradoxe – the Paradoxe Diamond. Crafted in black ceramic and white gold, and embellished with a total of 88 brilliant- and baguette-cut diamonds, this sumptuous timepiece is limited to just 20 editions worldwide. Sublimely irreverent and irreproachably sophisticated, Chanel’s J12 is truly one for the ages.
67
L’OFFICIEL BIJOUX
Patek Philippe's new production building in Plan-les-Ouates in the outskirts of Geneva
68
BIJOUX L’OFFICIEL
Full Circle Patek Philippe breaks its watchmaking pause with the launch of Ref. 6007A-001 to commemorate its new headquarters in Geneva WORDS TAN SIOK HOON
Back in October 2015, after a modest groundbreaking ceremony, construction commenced on Patek Philippe’s new production building located in Plan-les-Ouates on the outskirts of Geneva city. And fast forward to early 2020, production activities in the newly completed, sleek and modern facilities have officially begun where once again all of the manufacture’s Genevan ateliers have come under one roof. The raison d’être behind this significant move and concerted effort to unite all of Patek’s individual activities scattered over a dozen sites throughout the city into a single venue was to ensure the continued independence of the watchmaking concern. The pioneering idea of this concept of centralisation, especially for the watchmaking industry, was mooted much earlier, in fact in 1996, at the lead of then-president Philippe Stern for a new manufacture of unparalleled proportions in Plan-les-Ouates, or rather “Plan-lesWatches” as it is now commonly referred to after Patek became the first brand to establish a presence in this Genevan suburb. To its fortuity, Patek’s engine of growth soon overwhelmed the production capacity of its already amply sized facilities at the time. So much so that in 2003, its exterior operations (production of watch cases and bracelets) were shifted to the neighbouring Perly community. To accommodate its booming activities, Patek was obliged to purchase additional land to extend its Plan-les-Ouates plot, while it also converted an existing office block into an atelier complex to produce all its movement components. Driving the expansion plans in 2009, incumbent manufacture president since 2009 Thierry Stern, Philippe’s son, had two primary goals in mind in consideration of the present and future: the relocation of the ateliers from Perly to Plan-les-Ouates, and the provision of additional space, especially for the growing production and training activities for the next two to three
decades. It was not what one would assume for the aim of bumping up its annual production beyond the almost 62,000 pieces, a number that is naturally derived and limited by the extremely strict quality directives of the Patek Philippe Seal. Accounting for nearly half of Patek’s current collection today are complicated watches such as the patented Annual Calendar, Weekly Calendar, Travel Time Two-Zone display and World Time, which saw rapid growth over the last 25 years. Hence, the required number of special mechanisms has also monumentally increased, and along with the watchmaker’s customer-centric development philosophy, the average number of components per watch continues to rise. With a product palette of over 160 models – consisting of simple watches, useful complications, grand complications, casually elegant watches, ladies’ watches, and jewellery watches – crafted in series from a dozen to several hundred pieces, along with the need for a broad selection of in-house calibres and increased demand for rare handcrafts watches, the need to tremendously bolster production space became an issue of great importance. Designed by Frisk de Marignac Pidoux (building concept) and Frei & Stefani SA (interior architecture), Patek’s new expanded building complex comprises 10 floors – six above ground and four basement levels – covering floor space of approximately 133,650 sqm and costing CHF 600 million. Its modern architecture is characterised by large-format glazing, white concrete passageways along the entire façade and intermittent bronze-coloured fire escapes in the New York style that brings to mind an ocean liner with a defined silhouette. In line with the Patek language of subtlety and refinement are the slight horizontal curvature of the passageways (think of the gently rounded octagon of the Nautilus case) and the balustrades of the fire escape ladders that resemble the leaf-shaped hands.
69
L’OFFICIEL BIJOUX
The Ref. 6007A-001 commemorative limited edition
70
BIJOUX L’OFFICIEL
Recalling the Patek Philippe Watch Art Grand Exhibition last year with its 10 themed rooms covering 1,800 sqm, we can only imagine this new Patek manufacture as a colossal version of it. The ground floor and the first floor are reserved for production and manual finissage of movement parts (plates, bridges, wheels, form parts, etc.) while the second floor focuses on machining, manual polishing, and the assembly of exterior parts (cases and bracelets), and gem-setting. Crafting spare parts also takes place here, aside from producing the current collection and restoring antique timepieces. The third floor accommodates further production-related departments such as Research & Development, an haute horlogerie department, and a new unit for prototyping operations. The fourth floor is where the rare handcrafts skills (manual engraving, enamelling, guilloching, wood micromarquetry etc.) are carried out, besides housing an auditorium that can seat 299 persons and training rooms. A penthouse restaurant for 880 guests crowns the building on the fifth floor, along with four VIP lounges with a panoramic view. The first basement provides wardrobes located along a large “boulevard” where staff members can circulate freely before heading to their work stations above. The four basement floors contain all building technology installations as well as a parking facility for a total of 635 vehicles. In line with the drive towards sustainability in our modern age, the new Patek Philippe building is in compliance with the “Haute Performance Energétique (HPE)” standards pursuant to the energy laws of the canton of Geneva, with a pending application for the Minergie-P label, the highest energy efficiency classification. COMMEMORATE AND CELEBRATE It has always been Patek’s tradition to issue limited-edition commemorative models to accompany key events in its corporate history, such as the incredible collection we witnessed at the Watch Art Grand Exhibition. A definitive moment in its momentous chronology has now come to pass, and an exclusively created Calatrava in stainless steel with a unique design and a 1,000-piece limited edition has been launched to pay tribute to the commissioning of the new PP6 flagship and production building for the creation, development, and production of Patek Philippe watches.
A rarity for Patek, especially for the Calatrava where precious metals is the norm, the Ref. 6007A-001 flaunts a steel case, which it has in common with Ref. 5212A Calatrava Weekly Calendar, the only other Calatrava to be encased in steel in Patek’s current collection. At first look, the Ref. 6007A-001 captivates with its vibrant and dynamic look that comes from the broad cambered bezel in polished steel and an inimitable face defined by the railway track scale of the hour circle with triangular markers, together with the baton hands for the hours and minutes. The integration of the self-winding calibre 324 S C movement with an aperture date at 3 o’clock and the applied Arabic numerals also do their part to complement the dial’s striking and graphic architecture and personality. Other factors that imbue the Ref. 6007A-001 with its spirited vibe comes courtesy of a grey-blue hue; a discreet circular satin finish that strikes a sharp contrast with the white dial imprints as well as the applied numerals and the white-lacquered hands in white gold with luminescent coating; and most of all, a “carbon”-style texture in the centre of the dial that catches the light at different angles and reverberates with a high-tech sensibility. To complete the timepiece, the calfskin strap with white decorative seams, the prong buckle, and a delicately embossed pattern reminiscent of textile fabrics coordinate well in colour and structure, as well as with the other details of the watch. The fusion of tradition and innovation is emphasised with great refinement on this Calatrava. This is a theme that also weaves through the new Patek production building that sees the Genevan watchmaker corral its entire activities back to Plan- les-Ouates once again after a quarter of a century. Epitomised by its illustrious Genevan roots and unmistakably forward-looking stance, the future of Patek’s watchmaking artistry looks very bright indeed.
71
a b c de f g h i rs t uv w xyz j k l m n o pq a b c de f g h i rs t uv w xyz j k l m n o pq a b c de f g h i
j k l m n o pq a b c de f g h i rs t uv w xyz j k l m n o pq a b c de f g h i rs t uv w xyz j k l m n o pq
Moschino
Miu Miu
Prabal Gurung
L’OFFICIEL BEAUTY
What Goes Around Comes Around We break down some of our favourite key Fall/Winter 2020
beauty trends, which riff on iconic makeup looks from the past. They will not only evoke a strong sense of nostalgia, but also leave you feeling confident and liberated
Adeam
WORDS JOYCE FAN
74
BEAUTY L’OFFICIEL
WALK LIKE AN EGYPTIAN Ancient Egypt is easily one of the most interesting historical periods, and this is partly due to the unusual beauty practice that saw both men and women routinely wearing makeup liberally regardless of their social classes. The use of cosmetics was not just to enhance appearances, but originated from ritual functions whereby an unadorned eye was believed to be vulnerable to the Evil Eye, and the practice of wearing black kohl was to ward off infections and provide sun protection.
Then there was the decadent Egyptian beauty tradition that involved decorating the face with precious gold to illuminate complexion as well as heal the skin. In the present day, this is emulated via eyes swathed in hefty layers of rich shimmering gold. Case in point: Tom Ford and Christian Cowan went for a copper-gold eyeshadow look. Nicole Miller and Adeam, on the other hand, opted for adhering tiny specks of gold leaf around the lid for extra impact.
Tom Ford
Christian Cowan
Nicole Miller
Richard Quinn
Little did they know, the classic flick that accentuated the gaze of mighty queen Cleopatra would turn into a timeless look favoured by many on the runways throughout the years. Fall/Winter 2020 is no different with shows like Miu Miu, Moschino, Prabal Gurung and Richard Quinn creating their own contemporary interpretations of the bold cat eye expressed through thick, distinctive black lines in a nod to the fearless leader’s signature jet-black eyeliner look.
75
Prada
76 Chromat
Matty Bovan
Self-Portrait
L’OFFICIEL BEAUTY
BEAUTY L’OFFICIEL
IT’S AN ’80S PARTY An era that was about more is more. A period defined by self-expression through experimental, impactful looks with beauty queens like Madonna and Cyndi Lauper setting a precedent for embracing maximalist makeup. If you haven’t had the chance to experience those ten gnarly years of ’80s unabashed glamour, you now have a reason to get your glow on as the use of bold, daring colours is making its way back onto the runways.
Altuzarra
If punchy eyes are too high-voltage for your liking, modern makeup artists have found a way to bring the intensity down a notch, without trading off that maximalist essence. Introducing jewel-toned eyes, the more mature version of the intensely vivid look. Models at Altuzarra and Anna Sui were given dreamy ombré eyes, while Prada’s metallic rectangles and Charlotte Knowles’ clashing hues were surprisingly subtle yet striking.
Anna Sui
Charlotte Knowles
Ashish
We couldn’t help but reminisce about bright, neon eyelids as a number of designer names are countering the chilly season with pops of optimistic hues. Self-Portrait and Matty Bovan, for one, sported swipes of traffic-cone orange and heavy circles of bubblegum pink respectively. Feeling a little more adventurous? Then employ Ashish’s and Chromat’s attention-grabbing method of artfully executing various graphic, multi-coloured creases in trios of vivid highlighter shadows.
77
Rodarte
78 R13
Marc Jacobs
Max Mara
L’OFFICIEL BEAUTY
BEAUTY L’OFFICIEL
SMELLS LIKE TEEN SPIRIT On the other end of the spectrum, individuality was celebrated by embracing the daring personas of rebels from the ’90s. The era’s chicks showed no desire to conform to the status quo and adopted an anti-mainstream style involving the heavy use of kohl pencil and dark lipstick for goth-punk makeup looks that were edgy and seemingly effortless.
Dries Van Noten
Also unleashing their inner Nirvana were Chocheng, Dries Van Noten, Emilio Pucci and Rodarte. They cranked up the drama by giving us the most wearable interpretation of grunge: vampy pouts. All that is needed is a swipe of lipstick in striking shades like plum, maroon, oxblood or burgundy while keeping the rest of the face bare.
Emilio Pucci
Chocheng
Toga
This season, the grunge movement is making a comeback in the form of smokey eyes – this time involving a little more technique. For instance, black eyeshadow was blended and smudged on the lids at Marc Jacobs and Max Mara to create a more polished take on punk. Things took a darker turn at R13 and Toga when models rocked warrior-like looks with a wash of black pigment on the crease of the eye.
79
Complement those fierce Fall ensembles with coils, kiss curls or a bold bowl ’do – face bijoux optional PHOTOGRAPHY OLGA RUBIO DALMAU MAKEUP & NAILS AGO BENDA USING M.A.C. HAIR ALVARO SANCHEZ USING KIN COSMETICS MODEL MISHA KAPUSTKINA / TREND MODELS RETOUCHING LYDIA TZIRKOVA
Earring, Regina Castillo
a b c de f g h i rs t uv w xyz j k l m n o pq a b c de f g h i rs t uv w xyz j k l m n o pq a b c de f g h i
j k l m n o pq a b c de f g h i rs t uv w xyz j k l m n o pq a b c de f g h i rs t uv w xyz j k l m n o pq
Reigning as the Queen of K-pop for 20 years is no mean feat. The original K-icon, who was the first to achieve international success and has almost 20 albums under her belt, celebrates the milestone with L’Officiel Singapore. In an exclusive interview, she speaks about a retrospective project that involves Red Velvet and EXO
EDITOR IAN LEE PHOTOGRAPHY JIDO STYLING SAEBOM KWAK
Coat, suit, top, and Volt earrings and necklaces, Louis Vuitton
Leather dress, Valentino
Congratulations on 20 years since your debut! How you will be celebrating the milestone? Thank you for the kind words. Various artistes – such as Baekhyun of EXO, BOL4, Gallant, and Red Velvet – are singing my past songs again for a (retrospective) project named Our Beloved BoA by SM STATION, so I’m very touched. I’m also planning to celebrate my 20th anniversary with my fans in various ways. Stay tuned! What are some of your favourite memories over these 20 years? For me, all of the time I’ve spent with my fans, every stage I’ve been on, and the hundreds of songs that will last forever in our hearts – these are the most meaningful and rewarding parts. I am very thankful for my fans’ loyal support. Most definitely, my fans are the biggest reason I carry on, and they also drive me to keep working hard towards good music and performances.
Top, skirt and leather accessories, Gucci
Dress, and Volt earrings and ring, Louis Vuitton
Dress, Saint Laurent
You were part of South Korea’s edition of The Voice recently. What was it like for you as a veteran artiste interacting with new talents? I really enjoyed seeing the contestants being passionate, and performing positively each time. Their positive energy inspired me a lot. Listening to different singing styles was also great fun. The whole process – from supporting the contestants in preparing their performances to receiving applause from the audience – was a memorable and meaningful experience. During this period where people face challenges because of the pandemic, what role do you think music has to play? I believe music is a powerful medium that can heal and give us energy in our lives. At this time of crisis, I think the role of music is more important than ever.
Top, dress and bag, Louis Vuitton
Dress, and Volt earrings and ring, Louis Vuitton
In terms of fashion, could you tell us what some of your style essentials are at the moment? I usually prefer wearing comfortable styles, and I especially love denim! As an artiste who needs to pull off different styles, I try to exercise regularly and take good care of myself, so that I can try on any outfits that fit the concept for my performances on stage. Our September issue is all about icons. Who is your personal icon? Since I was little, I’ve been a huge fan of Michael Jackson. I have learned so much from his great energy and stage performances, and he is still my inspiration. I believe Michael Jackson is one of the cultural icons that transcends time and generations. These days, K-pop is so influential globally. As one of the stars who first landed international success, what are your hopes for the industry in the years to come? It’s a great pleasure to see K-pop being loved and recognised by fans and audiences worldwide. I believe K-pop artistes need to show the world even greater music and performances, to return the love and support we have received.
Dress and Volt earrings, Louis Vuitton
Sequinned top, leather skirt and Volt earrings, Louis Vuitton
Top, skirt and leather accessories, Gucci
Dress and boots, Alexander McQueen
Dress and Volt earrings, Louis Vuitton
Leather dress, Valentino
Jacket, skirt, earrings, hair accessory and stockings, Chanel
HAIR ILJUNG LEE MAKEUP SUMIN JO DIGITAL OPERATOR JAEHYUNG KIM PHOTOGRAPHY ASSISTANTS DONGHOON PARK, JUNSEOK PARK, JAEHEE LEE, AND SEOKHYUN JANG STYLING ASSISTANTS SOYOUNG YANG AND GIO CHOI HAIR ASSISTANT SEUNGHYEON LEE RETOUCHER JINSOL KWON LOCATION HANA FINANCIAL GROUP - PLACE 1
Top, dress, bag and Volt necklace, Louis Vuitton
Tr ue Co lo urs Fall is certainly no sombre affair with these intense, vivid hues and intermingling rich textures PHOTOGRAPHY JVDAS BERRA STYLING SEBASTIAN MAGUNACELAYA
Top, pants, bag and boots, Gucci
L’OFFICIEL HAPPENINGS
Dress, Irasema Romagnoli Bag, Blumera Shoes, ANT Jewellery, Regina Castillo
110
Dress, Irasema Romagnoli Bag, Blumera
Leather suit, bralette, eyewear and shoes, Gucci
Leather suit, bralette and eyewear, Gucci
Bralette, Irasema Romagnoli Pants, Ary Villa Gloves, Hector Serna Jewellery, Azure
Top, Gucci Pants, Sophia Lerner Hat, Pasionarte Earrings, Thalatha Belt, Blumera Shoes, Salvatore Ferragamo
Leather shirt, skirt and boots, Salvatore Ferragamo
Leather shirt, skirt and boots, Salvatore Ferragamo
Top, pants, bag and boots, Gucci
Dress, Juan Worley Boots, De la Gala Sweater, Blanco Abrajan Bag, Blumera Jewellery, Regina Castillo Ring, Happy Mode
HAIR CARA CABRERO MAKEUP SARA PERZ NAILS NARA CASTILLO PHOTOGRAPHY ASSISTANT DANIEL GRANDE FASHION COORDINATOR MANUEL DELGADO MODEL ZAIRA MAYARI / GH MANAGEMENT LOCATION CASA PUEBLA AT RDLP ARQUITECTOS
Cast a spell this Fall in these iconic black, white and red looks PHOTOGRAPHY CHRIS SCHEURICH STYLING ALI MCNALLY MODEL MADELINE ZERBE / NEXT MODELS CANADA
Coat and dress, 4 Moncler Simone Rocha
L’OFFICIEL HAPPENINGS
Bodysuit, Saint Laurent Shoes, Max Mara
124
Bodysuit, Saint Laurent
Dress and shoes, Givenchy
Coat, Coach
Dress and boots, Tory Burch
Dress and cuffs, Chanel
Jacket, dress and shoes, Louis Vuitton
Top, pants, and shoes, Prada
Coat, Salvatore Ferragamo
Dress, harness, earrings, and ring, Alexander McQueen
Top, skirt, socks and boots, Dior
The Word on the Street… … is that feminine details and boxy tailoring are here to stay for Fall/Winter 2020 PHOTOGRAPHY SINA ÖSTLUND STYLING SARAH SHARON KARSTEN HAIR & MAKEUP NATALIA VERMEER MODEL ELISABETH SCHUPP
Blazer and skirt, David Koma
Makeup, Dior
Dress and shoes, Bottega Veneta
Romper and shoes, Fendi
Oversized blazer and bodysuit, David Koma Beret, Our Legacy Boots, Bottega Veneta
Oversized blazer and bodysuit, David Koma Beret, Our Legacy
Blazer and skirt, David Koma
Jacket, top and pants, Louis Vuitton
Romper, Fendi
Care to dance? A decade on, few modern day films inspire fashion’s creatives as the iconic psychological horror flick PHOTOGRAPHY CHRISTOPHER QUYEN STYLING AMELIA LEE
HAIR JESSE WAKENSHAW MAKEUP CHERRY CHEUNG LIGHTING ASSISTANT MYLES KALUS RETOUCHING SOLSTICE RETOUCH MODEL CARLA MARTINEZ
Dress, Jacinta James Bodysuit, Saturday the Label Earrings and necklace, Reliquia
L’OFFICIEL HAPPENINGS
Dress, Toni Maticevski
146
Top, Aje Pants, Michael Lo Sordo Necklace, Miu Miu
Dress, Toni Maticevski
Jacket, skirt and belt, Prada
Bodysuit and necklace, Miu Miu Top, Meshki
Necklace, Van Cleef & Arpels Earrings, Sener Besim
Dress, Michael Lo Sordo Necklace, Van Cleef & Arpels
Bustier top, Toni Maticevski Dress, Auteur Earrings and choker, Sener Besim Brooch, Van Cleef & Arpels
She’s locked and loaded with Fall/Winter 2020’s sharp tailoring and feminine yet dramatic details PHOTOGRAPHY JEREMY CHOH STYLING CHERYL TAN HAIR JOEL FORMAN MAKEUP TENEILLE SORGIOVANNI PHOTOGRAPHY ASSISTANT ALEX LV STYLING ASSISTANT KAITLYN RODRIGUEZ MODEL BECK HUME / IMG MODELS
Jacket, shirt, tie and skirt, Dior
L’OFFICIEL HAPPENINGS
Top, pants and shoes, Givenchy
158
Top and coat, Miu Miu
Dress, Saint Laurent
Shirt, tie, knit, skirt and shoes, Prada
Suit, Burberry
Dress and gloves, Valentino
Dress, sleeves and belt, Chanel
Jacket, belt and tassel skirt, Prada
Suit, shirt and boots, Celine
Jumpsuit, Bottega Veneta
a b c de f g h i j k l m n o pq rs t uv w xyz a b c de f g h i j k l m n o pq rs t uv w xyz a b c de f g h i j k l m n o pq
LIVING L’OFFICIEL
Plate Up Versace and Rosenthal come together once again to launch a capsule of porcelain plates, centred on the Italian house’s Medusa head emblem WORDS ABIGAIL LEONG
You won’t need to travel anywhere to dine at this year’s hottest restaurant, because it’s right in your own home. Virtual dinner parties (or tea parties, depending on your taste) have been trending since social distancing guidelines were issued, and although we can now patronise our favourite haunts again, it seems online get-togethers are here to stay. So dust off your finest porcelain, or go a step further and get yourself a whole new service. Because one thing quarantine has taught us is to appreciate the small things in life, like a good meal with those near and dear, whether in person or over the internet. And Versace has exactly what you need to make that party an extra special one – the Medusa Colours dining collection. Born out of the longstanding partnership between the fashion house and interiors expert Rosenthal, the new range of porcelain ware promises to transform a simple meal into a feast for the senses. As its name might suggest, the capsule revolves around Versace’s emblematic Medusa head motif. Representing power, seduction, and dangerous attraction, the Gorgon’s beguiling visage graces the centre of each porcelain plate, encircled by haloes of intricate Barocco curlicues. Upping the eye-catching factor even further, the pieces are dipped in a striking palette of delicate rose, celeste blue, marine purple, and juniper green, with aureate accents to boot. If you’re looking for homeware that screams “life of the party”, this is the collection for you.
173
L’OFFICIEL LIVING
The Future of Singapore’s Nightlife We speak to Andrew Li, CEO of Zouk Group, on what’s in the pipeline for Zouk, his biggest challenges to date, and some of his favourite memories at the iconic nightclub over the years WORDS KIMBERLY ONG
C
M
Y
CM
MY
CY
CMY
We’re finally at the third quarter of 2020. And with Singapore’s birthday having just passed us, what better way to commemorate than to look back at an iconic landmark of the nation. Namely, the pinnacle of Singapore nightlife, Zouk, which has very much shaped the scene for Singapore in the past two decades. But with nightlife remaining a near-distant past given the pandemic, it appears there may be trouble on the horizon for the local nightlife industry. Indeed, a recent survey conducted by the Singapore Nightlife Business Association showed that four out of 10 pubs, bars and clubs have stated the intention of shutting down permanently. Even so, Zouk has other plans. They have pivoted to a new strategy – transforming their lounge space into a new dining concept, Capital Kitchen, introducing items such as their own canned cocktails, and focusing their efforts on Zouk Digital livestreams. “If anything, the pandemic has propelled us into a global lifestyle brand,” says Andrew Li, the CEO of Zouk Group.
174
Ahead, we speak to Andrew Li on the future of nightlife in Singapore, how he has been coping during such challenging times, and of course, some of his favourite memories at Zouk over the years. What has Zouk done to suit the current climate? During this period, we found alternative ways to utilise the large space we have. We diversified our business model by transforming our clubbing space into a new dining concept – Capital Kitchen. We have also introduced new initiatives and partnerships. For example, we have conducted livestreams on Zouk Digital featuring guest DJs, and virtual events such as Zouk Phuturescapes, in collaboration with the Singapore Tourism Board (STB). Drawing on these successes, we are now offering Zoom parties and event management packages for corporate partners and private clients. These include services such as audio-visual
and technical set-up and support, livestreaming to multiple platforms such as Zoom, Facebook, YouTube and Twitch. To provide users with even more entertainment options and choices, they can also opt to engage our DJs to provide music programming and emcee services. Additional on-screen entertainment in the form of dancers, performers, or guest acts is also available. What are some of your personal recommendations off your menu at Capital Kitchen, and why? We have some fantastic specials, and they change every week. Right now, we have the Full-Blooded Wagyu Steak from Australia built on the famous Tajima bloodline. It has a marble score of seven and literally melts in your mouth. I’m also very excited to have debuted my Spicy Prawn Aglio Olio. So if you want to try my home cooking, and can handle spice, that would be the dish to try!
K
LIVING L’OFFICIEL
175
L’OFFICIEL LIVING
Prior to the pandemic, Zouk had plans to expand into a global lifestyle brand. How much of your plans have changed since then? If anything, the pandemic has accelerated the process and propelled us into a global lifestyle brand. We have already added many new initiatives and concepts. For example, the circuit breaker pushed us into the digital sphere in a strong way, especially with our digital programming. We have also launched our bottles and, very soon, our canned cocktails – these will further complement our existing outlets and add online F&B options to our online merchandise portal on the Zouk Shop. What has been the biggest challenge? For myself, as a leader, it was very humbling to accept that I am not in control of a situation. I felt that I had multiple outcomes for the future planned, but the way the virus disrupted all our lives was unprecedented and is nothing like I had faced in my professional career, to the point I felt I was always trying to catch up with its effects. To this day, we still do not know how this pandemic will play out, and it is always a challenge when there are so many unknowns. Such was the effect on our business and we have had to make difficult decisions to restructure the business and to make staffing decisions. This was a challenging time for me to get through. The team we have, in many ways, make up the brand and they are like family.
176
What have you been doing to cope or to treat yourself when you have the time? I have quite a strict morning routine – I run, bike or swim for an hour and then meditate for around 20 minutes, and this has helped my mindset and mentality. I find joy in the simple pleasures in life – for instance, at the end of a long day, coming home and playing with my nine-month-old puppy, Toro, is a treat. When it comes to guilty pleasures, I’m currently addicted to soft and chewy cookies, complete with a glass of milk. You’ll know it’s been a stressful day when I’m having this in the evening! How do you see this pandemic shaping the future of nightlife? Until there is a vaccine, it will be challenging for the nightlife industry to resume operations, especially with social distancing measures in place. I also don’t foresee big groups of people congregating and dancing on the dance floor at this stage. However, I do anticipate the return of the lounge concept, with more tables set up in a space and guests partying within their groups. I certainly don’t believe that this spells the end of nightlife and the dance floor. The Zouk brand is close to three decades old, and it’s a testament to how we will come back even stronger.
What are some of your favourite memories at Zouk? Standing on the beach at 6am and seeing the first light during our annual Zoukout music festival, with 20,000 smiling faces dancing together. Last year, we also launched “Total Recall” – a night where we play throwback ’90s and ’00s music. I love singing and dancing to Backstreet Boys and Westlife – so whenever those nights are on, I’m in my element! What are you looking forward to the most when all this tides over? I’m looking forward to seeing my family in Hong Kong. This period is probably the longest that I haven’t seen my mum, dad and younger brother. So the first thing I would do is to get on a plane and visit them. Could you share some other exciting things that you have in the pipeline for Zouk? For Capital Kitchen, we are working with rotating guest chefs and partners to come up with new specials. We will also start adding more theme nights monthly – so make sure you stay tuned to our socials! We are also looking to open our second Five Guys outlet towards the end of this year. We are very close to making a significant announcement on our biggest project to date, which will put not just Zouk, but also Singapore on the global map. Finally, I am working on some other deals, which if we manage to push through, will be sure to make waves.
C
M
Y
CM
MY
CY
CMY
K
LIVING L’OFFICIEL
177
L’OFFICIEL LIVING
Canvas of Our Every Emotion Hong Kong-based artist, Kos Cos’ work goes well beyond the conventional – he adds movement and energy through vivid colours and bold brushstrokes WORDS JULIA ROXAN
Mind-bending Benedict Cumberbatch teaching English to Tibetan monks in Himalayas Oil on Canvas, 100x100cm
Kos Cos
In the golden age of hand-drawn signage, Hong Kong-based artist, Kos Cos turned his father’s agency workshop into a personal playground, studying and practising his brush skills after school. Renowned for portraits that are distinctive through their use of vivid colours and bold brushstrokes, Kos adds movement and energy to create dynamic pieces of work. You were born in 1974 in Sri Lanka and belonged to an artistic family. What memories do you have of that time? I consider myself lucky to have been born to my parents. I had a normal childhood growing up in the suburbs of Colombo, Sri Lanka during the late ’70s to mid ’80s. Life was slow-paced and simple – with lots of greenery and nature. In my mid-teens, we moved to Mount Lavinia, which is a coastal town: that’s where I developed my relationship with the sea. I still love the sea and I’m currently living close to the sea! I had a bunch of great friends while growing up: playing cricket was our favourite pastime.
178
Girl playing with a spinning top Oil on Canvas, 90x90cm
My parents wanted me to be an engineer so they pushed me into related studies. So I never studied art formally, although later on, my father sent me to one of his friends – an artist – to learn political cartooning. My mother used to make patchwork using textiles in her free time. All this was done at this table with lots of colourful textiles next to her sewing machine. I watched her combining colourful pieces of textiles to create fantastic wall hangings – I feel this influenced me. My father had his own outdoor advertising agency. I have vivid memories of this from when I was seven-years-old. I remember going to my father’s workshop after school to see artists working on outdoor advertising billboards. Here, I had the first-hand opportunity to see painters creating advertisements on giant billboards. There were also many art materials available to me, which I used to paint and make crafts. Sadly, though, that was the last two or three decades of handpainted outdoor billboards: everything went digital after that. I believe I am very fortunate to have had that exposure. Looking back, those outdoor billboards were a heavy influence on my early portrait works.
179
L’OFFICIEL LIVING You moved to Hong Kong in 1999, working in the advertising and creative field. How did Hong Kong inspire you? It was an opportunity that came out of the blue. One day, I received a call from one of my best friends, who used to work at the same advertising agency as me in Sri Lanka. He asked if I wanted to work in Hong Kong. I said yes and told my parents that I was going away for two years. And here I am, in Hong Kong after 21 years! Hong Kong was at the peak of advertising at that time, with agencies producing award-winning creatives. Working with top creative directors inspired me to come up with out-of-the-box ideas. Even at that time, Hong Kong was Asia’s top art hub with many international and local galleries, artists and exhibitions. This was a lot of exposure for a young artist and I feel it greatly influenced my work. It was a great opportunity to learn, experiment and grow. Coming to Hong Kong straight from Sri Lanka was like entering a futuristic city with super tall glass and concrete buildings, colourful neon signs and infinite energy. It was definitely a sensory overload! Even food was an alien experience. With the spread of digital and social media, I felt that creativity was starting to fade away from the advertising industry. In fact, I sensed this change many years ago. It was at that time that I decided to return to my canvases to express myself without any boundaries. Around eight years ago, I was fortunate to have my work recognised by a gallery in Hong Kong. After that, I started to show my work regularly across Hong Kong and the United Kingdom. Last year, I finally decided to fully focus on art as my career and opened another studio in Belgium with my creative partner.
180
Tell us about your fascination with human faces in all their diversity. I’ve always been drawn more towards portraits than any other type of painting. Our face is our identity. The human face is complex and constantly changes with emotions and moods. Of all the things in the world, humans are most susceptible – physiologically and biologically – to take an interest in another human face. This is because it displays a great deal of information about that person. When we meet someone, we look at their face to read their emotions and understand their personality. I think portraiture has become a dying art with the development of photography. I know of many artists who were put off by portraiture as it gradually became out of fashion. So as an artist, I like to challenge myself – this is why I started with portraits. Further, I like to leave portraits artfully unfinished compared to traditional portraits. Not only does this bring a modern touch, the viewer can also engage more with the piece.
Are the thick, vivid paint colours your signature as an artist? With my early works, I loved to apply thick layers of paint on canvas, as in the “Life goes on within you without you” series. Carefully selected vibrant colours are poured on the canvas and left until a dried outer-layer forms. The entire portrait is painted over this crusty layer. I then make incisions using a palette knife. This releases the dynamic inner layers of still liquefied paint, which make their own unique impression along the portrait. All these were my experiments in the recent past, so I wouldn’t call it my signature as an artist. However, I feel my latest collection resonates more as a unique signature – I have a very positive feeling towards this. In fact, I’m also planning to make sculptures based on this series.
What story does your latest collection tell? Many artists like to express their thoughts through paintings. However, I thought in the opposite direction for my “Shape of a thought” collection. For me, the shape of a thought is a very abstract idea to play with. Subjectively, our thoughts come from nowhere: they just pop into our heads; no one really knows what they look like or where they originate from. Objectively, we can say that thoughts emerge from neural processes. Thoughts are the result of interrelationships between forms and colours – they create an aesthetic experience, which engages sights and emotions. The thoughts we allow into our brain shape our lives and impact our future. They contribute to our behaviours, decisions and therefore our actions, personality and character. We become what we think, our thoughts are as unique as our individual profiles. Therefore, I created thoughts as the shape of a human profile in a cylindrical or spherical way, almost looking like a spinning top or a UFO. Colours also play a major role in this collection as I believe thoughts come in shapes and colours. These colours change according to each particular thought. To create this phenomenon, I chose different colour combinations very carefully to convey your thoughts to those scenes. Colours are the tools to imagine what a scene might look like so those combinations offer alternative and subjective interpretations to the viewer. It’s an idea based on a story of a thought. For instance, “Riding a purple unicorn in a lavender field at dawn”, “Paul Smith searching for his lucky rabbits while travelling to Nottingham”, or “Kos walking through a bluebell forest in Belgium” (that by the way, is my firstever self-portrait).
181
L’OFFICIEL LIVING
Coco Moments Await For reservations and special rates, please visit www.cococollection.com or contact reservations at
reservations@cococollection.com and quote DERES
182
LIVING L’OFFICIEL
For Reservations & Enquiries - ETC@Destinations-E.com www.Destinations-E.com “the finest, together”
For contact - info@Destinations-E.com To become a Friend of E – www.Destinations-E.com/Friends-of-E.com 183
L’OFFICIEL LIVING
Coco Moments Await For reservations and special rates, please visit www.cococollection.com or contact reservations at
reservations@cococollection.com and quote DERES
184
LIVING L’OFFICIEL
www.Destinations-E.com “the finest, together” For Reservations & Enquiries - ETC@Destinations-E.com For contact - info@Destinations-E.com To become a Friend of E – www.Destinations-E.com/Friends-of-E.com 185
Creating Memories
from Dreams to Reinvention E-Experiences travels are designed to encompass the emotive – celebrations, connection, indulgence, romance or replenishment. E-Experiences travellers have unique sensibilities of how, when and where to discover what and why. Travellers may celebrate a milestone birthday with their own private camp and DJ on a glacier in Iceland, indulge in a gastronomic tour of the Japan, or connect with each other better through the power of storytelling in the Australian bush.
E-EXPERIENCES YOUR MEMORIES – YOUR BELONGING.
https://destinations-e.com/e-experiences/
For Reservations & Enquiries – ETC@Destinations-E.com For contact – info@Destinations-E.com To become a Friend of E – http://destinations-e.com/friends-of-e/ Visit us – http://destinations-e.com
EDITOR-IN-CHIEF IAN LEE PHOTOGRAPHY JOEL LOW STYLING EVON CHNG HAIR DAVID GAN / PASSION HAIR SALON MAKEUP MELISSA YEO USING CHANEL PHOTOGRAPHY ASSISTANT ALFIE PAN STYLING ASSISTANT KARIN TAN SPECIAL THANKS TO HAY DAIRIES ALL JEWELLERY, TIFFANY & CO.
KIM LIM wears TIFFANY & CO. jewellery, and BOTTEGA VENETA dress
ASIA’S FASTEST RISING MEDIA STAR
InterconnectIons! From asIa to the world
Pablo Reinoso · Helen CammoCk · sCHiele & basquiat · Judy CHiCago · JaCqueline HumPHRies · auRélien CHauvaud 00_AR21 COVER_final.indd 2
SINGAPORE
SINGAPORE
MALAYSIA
SINGAPORE
INDONESIA
MALAYSIA
18/1/19 2:32 PM
SINGAPORE
SINGAPORE’S PREMIER WATCH PERIODICAL
Twenty~4 Hour Party Celebrating fan-favourite Patek Philippe ladies collection
• Public exhibitions from Patek Philippe and Tiffany & Co to Cartier and Van Cleef & Arpels • Latest metiers d’art watches
Jewels to keep you warm
PHILIPPINES
SINGAPORE
VIETNAM
+PLUS
Gifts of time for you and your partner
STONE COLD
TIS THE SEASON
SINGAPORE
THAILAND
MALAYSIA
POWERED BY:
MIDDLE EAST
INDONESIA
HONG KONG
L’OFFICIEL FINALE
Ghetto Superstar #Pradaforadidas runs away to another place once again with the second drop of the Prada Superstar WORDS IAN LEE
Back in 1969, the Adidas Originals Superstar was born. Forty six years later, in 2015, the endearing style was one of the year’s top-selling sneakers, shifting 15 million pairs worldwide. Fast-forward once more to 2019, and the streamlined and widely considered timeless sneaker had its Trefoil logo stamped alongside none other than Prada’s – in a much talked about tie-up involving an all-white piece, which came in a collector’s set that included a matching bowling bag. Good news for those who didn’t manage to snap up one of the limited edition kits last year: the second #Pradaforadidas drop is finally arriving.
190
This time, the Prada Superstar comes in three colourways (all-black, chrome silver and white, and white and black), minus the bowling bag. Everything you know and love about the Superstar – the triplestripe, Trefoil, and rubber shell toe – is still there, with the beloved style differentiated with not just the Prada logo, but also a discreet “Made in Italy” hot stamp. Just the comfortable, understated, and wearwith-anything pair of kicks that 2020 called for, if you ask us.
LIVING L’OFFICIEL
191
Created to be shared
Christofle Singapore Hilton Boutique 581, Orchard road, Hilton Shopping Gallery, Singapore 238883 | pavillonhilton.singapore@christofle.com | +65 6733 7257 Christofle Singapore Takashimaya 391, Orchard road, B1 Branded Tableware zone, Singapore 238872 | sea.takashimaya@christofle.com | +65 6737 8710