«Մենք մեր մասին» ամսագիր: "We about ourselves" magazine.

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Ø Çàðåãåñòðèðîâàíî 04.02.09ã. öåíòðàëüíûì îðãàíîì ãîñóäàðñòâåííîãî ðåãèñòðà þðèäè÷åñêèõ ëèö ÐÀ Registered by the central body of the RA Legal Persons State Register on 04.02.09 ìϳ۳ϳÝÇ Ñ³Ù³ñ` 03 ² 084095, ·ñ³ÝóÙ³Ý Ñ³Ù³ñ` 273.110.05118 Ø Íîìåð ñåðòåôèêàòà-03-084095, íîìåð ðåãèñòðàöèè-273.110.05118 Ø License No 03-084095, registration No 273.110.05118 §Ø»Ýù Ù»ñ Ù³ëÇݦ ³Ùë³·ñáõÙ ïå³·ñí³Í ÝÛáõûñÇ û·ï³·áñÍáõÙÝ ³é³Ýó ïÝûñÇÝáõÃÛ³Ý ·ñ³íáñ ÃáõÛÉïíáõÃÛ³Ý ¢ ÑÕÙ³Ý ³Ùë³·ñÇÝ` ³ñ·»ÉíáõÙ ¿: Çàïðåùàåòñÿ èñïîëüçîâàòü ìàòåðèàëû, îïóáëèêîâàííûå â æóðíàëå “Ìû î íàñ” áåç ïèñüìåííîãî ðàçðåøåíèÿ äèðåêòîðà è áåç ññûëêè íà æóðíàë. No publication of “Menq Mer Masin” Magazine may be used in any way without prior written permission of the management and without referral to the Magazine. îå³·ñí³Í ÝÛáõûñÁ Ñ»ï ã»Ý í»ñ³¹³ñÓíáõÙ: ¶áí³½¹³ÛÇÝ ÝÛáõûñÇ µáí³Ý¹³ÏáõÃÛ³Ý Ñ³Ù³ñ ËÙµ³·ñáõÃÛáõÝÁ å³ï³ë˳ݳïíáõÃÛáõÝ ãÇ ÏñáõÙ: Ø Íàïå÷àòàííûå ìàòåðèàëû íå âîçâðàùàþòñÿ íàçàä. Çà ñîäåðæàíèå ðåêëàìíûõ ìàòåðèàëîâ ðåäàêöèÿ íå íåñåò îòâåòñòâåííîñòè. Ø Published materials are not returned. The editorial office bears no responsibility for the advertised materials. îå³·ñíáõÙ ¿ §îÇ·ñ³Ý ػͦ Ññ³ï³ñ³ÏãáõÃÛáõÝ ö´À-áõÙ: Ø Ïå÷àòàåòñÿ â èçäàòåëüñòâå ÇÀÎ “Òèãðàí Ìåö” Ø Printed by “Tigran Mets” Publisher LLC 0028, ù. ºñ¢³Ý, ²ñß³ÏáõÝÛ³ó 2 Ø 0028 ã. Åðåâàí, Àðøàêóíÿöà 2 Ø 2 Arshakunyats, Yerevan, 0028 гÝÓÝí»É ¿ ïå³·ñáõÃÛ³Ý` 28.10.2009Ã., ³Ùë³·ñáõÙ Áݹ·ñÏí³Í ¿ 124 ¿ç, Ø Äàíî íà ïå÷àòàíèå 28.10.2009ã., â æóðíàë âêëþ÷åíû 124 ñòðàíèö Handed for printing 28.10.2009, the magazine involves 124 pages îïå³ù³Ý³ÏÁ` 500 ûñÇݳÏ, ²Ùë³·ñÇ ³ñÅ»ùÁ г۳ëï³ÝáõÙ ` 500 ¹ñ³Ù, Ø Íàïå÷àòàííîå êîëè÷åñòâî-500 ýêçåìïëÿðîâ , ñòîèìîñòü îäíîãî æóðíàëà â Àðìåíèè-500 äðàìîâ Circulation: 500 copies; price in Armenia: 500 AMD Æñ³í³µ³Ý³Ï³Ý ѳëó»` ù. ºñ¢³Ý, ºñí³Ý¹ øáã³ñÇ ÷., 3 ß., µÝ. 95, Ø Þðèäè÷åñêèé àäðåñ: ã. Åðåâàí, óë. Åðâàíäà Êî÷àðà, äîì 3, êâ. 95 Ø Legal address: 3 Yervand Kochar st. apt. 95, Yerevan ÊÙµ³·ñáõÃÛ³Ý Ñ³ëó»` ù. ºñ¢³Ý, ºñí³Ý¹ øáã³ñÇ ÷., 3 ß., µÝ. 95, Ø Àäðåñ ðåäàêöèè- ã. Åðåâàí, óë. 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-гÛï­ÝÇ ¿, áñ ÏÝÇù­Ý»ñÝ áõ­Ý»­ó»É »Ý ï³ñ­ µ»ñ Ïñ»­É³Ó¢»ñ. ÇÝã­åÇ­ëDZݭ¿ÇÝ ¹ñ³Ýù: -Ø»ñ­Ó³­íáñ ²ñ¢»É­ùáõÙ ÏÝÇù­Ý»­ñÁ ï³ñ­ µ»ñ »­Õ³­Ý³Ï­Ý»­ñáí »Ý Ïñ»É. ¹ñ³Ýù ϳ­ ñáÕ ¿ÇÝ ÉÇ­Ý»É í½Çó ϳ˭í³Í, ѳ­·áõë­ïÇ íñ³ ³Ù­ñ³ó­í³Í, Ù³­ï³­Ýáõ ï»ë­ùáí: ²Û¹ ³­Ù»­ÝÁ ϳ˭í³Í ¿ñ Ýñ³­ÝÇó, û ÇÝã Ó­¢áí ¿ñ ÏÝÇ­ùÁ û·­ï³­·áñÍ­íáõÙ. û­ñǭݳÏ, »­Ã» ÏÝÇ­ùÁ ·³­É³­ñ³¹­ñáßÙ ¿ñ, ³­å³ ÑÇÙ­ ݳ­Ï³­ÝáõÙ ÏñáõÙ ¿ÇÝ í½ÇÝ, ÇëÏ »ñ­µ»ÙÝ Ý³¢` Ù³­ï³­Ýáõ íñ³: гۭϳ­Ï³Ý É»é­Ý³ß­Ë³ñ­ÑáõÙ ÑÇ٭ݳ­Ï³­ ÝáõÙ û·­ï³­·áñÍ­í»É »Ý ¹ñáßÙ ÏÝÇù­Ý»­ñÁ, 볭ϳÛÝ »­Õ»É »Ý ݳ¢ Ïá­Ý³Ó¢ ¢ ³ÛÉ ÏÝÇù­ Ý»ñ: ØÇ ¹»åù áõ­Ý»Ýù гۭϳ­Ï³Ý É»é­Ý³ß­ ˳ñ­ÑáõÙ (Ù.Ã.³ 13-ñ¹ ­¹³ñ), »ñµ ÏÝÇ­ùÁ ³Ù­ñ³ó­í³Í ¿ »­Õ»É ïÕ³­Ù³ñ­¹áõ ßù³­ë»­ÕÇ íñ³: ²Û¹ ßù³­ë»­Õáí ¿É Ñ³­í³­Ý³­µ³ñ ³Ù­ñ³ó­ñ»É »Ý ÃÇÏ­Ýá­óÁ. ¹³ ·É³­Ý³Ó¢ ÏÝÇù ¿ñ: л­ï³­·³­ÛáõÙ ¢ ÙÇÝã ûñë ¿É ÑÇ٭ݳ­Ï³­ ÝáõÙ ÏÇ­ñ³é­íáõÙ ¿ÇÝ ¹ñáßÙ ÏÝÇù­Ý»­ñÁ: -àñ¢¿ µ³­Ýáí ï³ñ­µ»ñ­íá±õÙ­ »Ý гۭϳ­ Ï³Ý É»é­Ý³ß­Ë³ñ­ÑÇ ÏÝÇù­Ý»­ñÁ ÐÇÝ ²ñ¢»É­ ùÇ ³ÛÉ »ñÏñ­Ý»­ñÇ ÏÝÇù­Ý»­ñÇó: -²­Ûá, ï³ñ­µ»­ñáõíÛáõÝ Ï³. ¹³ í»­ñ³­µ»­ ñáõÙ ¿ ì³­ÝÇ Ã³­·³­íá­ñáõÃ­Û³Ý ßñç³­ÝÇÝ: ²Û¹ ßñç³­ÝáõÙ áõ­ñ³ñ­ï³­Ï³Ý ïÇ­ñ³­Ï³É­ Ý»­ñÁ ϳ­ñá­Õ³­ó³Ý Ýá­ñ³­Ùáõ­ÍáõíÛáõÝ ÙïóÝ»É ÏÝÇ­ù³­·áñ­ÍáõÃ­Û³Ý Ù»ç: Üñ³Ýù ë»­å³­·Çñ ï»ùëï ï»­Õ³¹­ñ»­óÇÝ ÇÝã­å»ë ÏÝÇ­ùÇ í»ñ¢áõÙ, ³ÛÝ­å»ë ¿É` ëïá­ñÇÝ Ù³­

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ëáõÙ: àõë­ïÇ å»ïù ¿ »Ý­Ã³¹­ñ»É, áñ ¹³ ì³­ÝÇ Ã³­·³­íá­ñáõÃ­Û³Ý Ýá­ñ³­Ùáõ­Íáõí ÛáõÝÝ ¿ñ ÏÝÇù³­·áñ­ÍáõÃ­Û³Ý ³ë­å³­ñ»­ ½áõÙ: -гۭϳ­Ï³Ý ÏÝÇù­Ý»­ñÇó ÇÝã­åÇ­ëDZ ÝÙáõß­ Ý»ñ »Ý ѳ­ë»É Ù»ñ û­ñ»­ñÁ ¢ áñ­ï»±Õ­ »Ý å³Ñ­å³Ý­íáõÙ ¹ñ³Ýù: -ÎÝÇù­Ý»­ñÇ ÑÇ٭ݳ­Ï³Ý Ù³­ëÁ, á­ñáÝù ѳÛï­Ý³­µ»ñ­í»É »Ý гۭϳ­Ï³Ý É»é­Ý³ß­ ˳ñ­ÑáõÙ, å³Ñ­íáõÙ »Ý г­Û³ë­ï³­ÝÇ ä³ï­ÙáõÃ­Û³Ý Ã³Ý­·³­ñ³­ÝáõÙ ¢ ¾­ñ»­ µáõ­ÝÇ Ã³Ý­·³­ñ³­ÝáõÙ: ´³­í³­Ï³Ý Ù»Í

áõ Éáõñç ѳ­í³­ù³­Íáõ áõ­ÝÇ êÇ­ñdz­ÛÇ Ð³Û Ï³­Ãá­ÕÇ­Ï» »­Ï»­Õ»­óáõ ëå³­ë³­íáñ­Ý»­ñÇó Ù»­ÏÁ, áí, ѳ­í³­Ý³­µ³ñ, ³Û¹ ÏÝÇù­Ý»­ñÁ ÏÝíÇ­ñÇ Ð³­Û³ë­ï³­ÝÇÝ. åÇ­ïÇ ³­ë»Ù, áñ á­ñáß ÏÝÇù­Ý»ñ ³ñ­¹»Ý ÝíÇ­ñ»É ¿: à­ñá­ß³­ ÏÇ ù³­Ý³­ÏáõíÛáõÝ ¿É å³Ñ­íáõÙ ¿ »í­ñá­ å³­Ï³Ý Ã³Ý­·³­ñ³Ý­Ý»­ñáõÙ, á­ñáÝù 峭ﳭѳ­Ï³Ý ·ï³­Íá­Ý»ñ »Ý гۭϳ­ Ï³Ý É»é­Ý³ß­Ë³ñ­ÑÇó ¢ ·³Ý­Ó³­ËáõÛ½­ Ý»­ñÇ Ó»é­ùáí ѳÛïÝ­í»É »Ý ´»é­ÉÇ­ÝÇ, ÈáÝ­¹á­ÝÇ, ØÛáõÝ­Ë»­ÝÇ, ´»é­ÝÇ ¢ ö³­ñÇ­ ½Ç óݭ·³­ñ³Ý­Ý»­ñáõÙ:

¸ñ³Ýù ÑÇ٭ݳ­Ï³­ÝáõÙ Ññ³­ï³­ñ³Ï­í³Í »Ý, µ³Ûó Ï³Ý ÝÙáõß­Ý»ñ, á­ñáÝù ³Û­ëûñ ¿É Ññ³­ï³­ñ³Ï­Ù³Ý ϳ­ñÇù áõ­Ý»Ý: 2007-2008 Ãí³­Ï³Ý­Ý»­ñÇÝ ßñç³­·³­ ÛáõÙ ¿Ç ²ñ¢ÙïÛ³Ý Ð³­Û³ë­ï³­ÝáõÙ` Ñáõ­ ß³ñ­Ó³Ý­Ý»­ñÇÝ Í³­Ýá­Ã³­Ý³­Éáõ Ýå³­ï³­ Ïáí: гۭϳ­Ï³Ý É»é­Ý³ß­Ë³ñ­ÑÇ µ³­½áõÙ ÏÝÇù­Ý»ñ ï»­ë³Ýù Øáõ­ßÇ, ¸Ç³ñ­µ»­ùÇ­ñÇ, ì³­ÝÇ, ²­¹³­Ý³­ÛÇ ¢ ²­Û³­ëÇ Ã³Ý­·³­ñ³Ý­ Ý»­ñáõÙ: ²Ûëûñ ³Û¹ µá­ÉáñÝ áõ­ëáõ٭ݳ­ ëÇ­ñ»­Éáõ, Ï»Ýï­ñá­Ý³ó­Ý»­Éáõ, Ùß³­Ï»­Éáõ ¢ Ññ³­ï³­ñ³­Ï»­Éáõ ϳ­ñÇù ϳ:

3 (19) 2009

§Ø ºÜø Ø ºð Ø ²êÆܦ ²Ø 겶Æð

11


ABOUT US

SOME FAST FACTS ABOUT ARMENIA AND THE ARMENIANS by Movses Demerchyan

Do you know the following facts?

T

here are between eight and ten million Armenians in the world. There are between 500,000 and one million Armenians in the United States, with between 30,000 and 50,000 in the metropolitan Detroit area. The city of Yerevan (originally called Erebuni, now the capital of the Republic of Armenia) has been continuously inhabited for over 2,700 years. Only a few cities, which include Jerusalem and Damascus (the oldest such city), are older. Armenian was the eighth language in which the Bible, either in full or in part was written (following Hebrew, Aramaic, Greek, Syriac, Coptic, Gothic, and Latin). The Armenian translation, a complete one finished in A.D. 433, is considered to be the “Queen of Translations�. Armenians are the first people (other than the Hereros) to suffer genocide in the 20th century. Armenians built churches in a gothic style of architecture a century before it first appeared in Europe.

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"MENQ MER MASIN" MAGAZINE

3 (19) 2009

Chess champion Garry Kasparov, gambling mogul and partChrysler owner Kirk Kerkorian, retired pathologist Jack Kevorkian, singers Charles Aznavour, and Cher are all Armenians. The best man at the wedding of Richard the Lionhearted on Cyprus during the Third Crusade was an Armenian (Levon/Leon Rubenid). Armenian was the eleventh language to be printed on the moveable type press (in 1511 or 1512, following Latin, German, Greek, Czech, Hebrew, French, Arabic, Dutch, English, and Italian). The first-ever textbook of arithmetic problems The first-ever textbook of arithmetic problems was made by the Armenian scientist, the mathematician of the VI century David Und. A copy of this book is in Yerevan now, in Matenadaran (storehouse of ancient manuscripts). The longest street of Yerevan At all times the prospectus of Ordzhonikidze was the longest


ABOUT US

street in Yerevan. After the independence of Armenia the street has been renamed into the prospectus of Arshakunjats. It begins with the Yerevan State Circus and reaches village Noragavit. The length of the street is about 7 km. The shortest street in Yerevan The shortest street in Yerevan is Melik-Adamyan Street. Its length does not exceed 150 meters. Melik-Adamyan Street is in the vicinities of the area of Republic. The smallest sculpture The smallest sculpture in Yerevan is called “Cold water of Yerevan”, or “the Boy selling water”. It was erected in 1970 by sculptor N.Bedzhanyan and architect M.Kntegtsyan. The size of the sculpture corresponds to the size of 12-14 years old young men. Now, as well as always, it is at an input in Komajgi. The highest monument The height of the monument “Mother-Armenia” equals to 56 meters, 34 meters of that is the height of the monumental towerpedestal made of dark grey Yerevan tufa, and 22 meters is the figure of the woman putting a sword into the sheath. The author

of the sculpture established in 1967 is A.Arutjunyan. The monument is surveyed from all ends of the city and perfectly well read against the sky by an accurate, expressive contour. The figure of “Mother-Armenia” symbolizes greatness and force of the revived Armenian earth. The highest area The highest area of Yerevan is Old Nork. It is at height of 1200м above sea level. Earlier Old Nork was called Cholmakchi. After it became an administrative centre, in 1851 Old Nork became one of city districts. Canaker which was a separate village, concedes the Nork a little. The most popular building stone The most popular building stone in Armenia is the tufa - a stone of a volcanic origin. It easily gives in to processing, easy, porous, has more than forty shades from black to the white. But the most practical is pink; therefore Yerevan is called “a pink city”. Tufa stocks are almost inexhaustible. The monuments, which have reached us of the old Armenian architecture erected from a tufa, testify about its physical-mechanical properties, durability and frost resistance. It is easily processed manually. The tufa is also a good thermo-insulator.

3 (19) 2009

"MENQ MER MASIN" MAGAZINE

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²ì²Ü¸àôÚÂÀ Þ²ðàôܲκÈàì.

ì²Ð²¶Ü ÖºÜîºðºÖÚ²Ü ÜÛáõÃÁ` ²ÝÇ ¶ñÇ·áñÛ³ÝÇ

Èáõë³ÝϳñáõÙ` ì³Ñ³·Ý Ö»Ýï»ñ»×Û³Ý Èáõë³ÝϳñÇã` ²ñï³ß»ë سñïÇñáëÛ³Ý

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§ØºÜø Ø ºð Ø ²êÆܦ ²Ø 겶Æð

3 (19) 2009


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ÅÐÅÂÀÍ: ÂÎÏËÎØÅÍÈÅ ÃÅÐÎÈ×ÅÑÊÎÃÎ ÌÈÔÀ Ìà­ò å­ð èàë ïîäãîòîâèë Ìîâ­ñ å­ñ Äå­ì èð­÷ ÿ­í Ôîòî: Ãðàéð Áàçå

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ÆÓÐÍÀË "ÌÅÍÊ ÌÅÐ ÌÀÑÈÍ"

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ÍÀØ ÃÎÐÎÄ

Ëóðüå Ñâåòëàíà Âëàäèìèðîâíà Ðîäèëàñü 8 ÿíâàðÿ 1961 ãîäà â Ëåíèíãðàäå. Çàêîí÷èëà ôàêóëüòåò æóðíàëèñòèêè Ëåíèíãðàäñêîãî Ãîñóäàðñòâåííîãî Óíèâåðñèòåòà.  1990 ã. âûñòóïàëà ñ äîêëàäîì íà XII Âñåìèðíîì Ñîöèîëîãè÷åñêîì êîíãðåññå â Ìàäðèäå. Ñ 1990 ãîäà ÿâëÿåòñÿ ÷ëåíîì Ìåæäóíàðîäíîé Ñîöèîëîãè÷åñêîé Àññîöèàöèè.  1994 ã. ñòàëà ëàóðåàòîì Ãîñóäàðñòâåííîé ñòèïåíäèè äëÿ âûäàþùèõñÿ ó÷åíûõ Ðîññèè. Ñ 1997 ãîäà ïåðèîäè÷åñêè ÷èòàëà êóðñû ëåêöèé â Åâðîïåéñêîì óíèâåðñèòåòå â Ñàíêò-Ïåòåðáóðãå è Åðåâàíñêîì Ãîñóäàðñòâåííîì Óíèâåðñèòåòå (Àðìåíèÿ). Îïóáëèêîâàëà ñëåäóþùèå ìîíîãðàôèè: "Ìåòàìîðôîçû òðàäèöèîííîãî ñîçíàíèÿ" (ÑÏá., 1994), "Èñòîðè÷åñêàÿ ýòíîëîãèÿ" (Ì., Àñïåêò ïðåññ, 1997 è ïåðåðàáîòàííîå è äîïîëíåííîå èçäàíèå Ì., Àêàäåìè÷åñêèé ïðîåêò, 2003), " Ïñèõîëîãè÷åñêàÿ àíòðîïîëîãèÿ: èñòîðèÿ, ñîâðåìåííîå ñîñòîÿíèå, ïåðñïåêòèâû " Ì., Àêàäåìè÷åñêèé ïðîåêò, 2003. Åùå 2 ìîíîãðàôèè â ïå÷àòè: "Èìïåðèÿ êàê ñóäüáà" è "Åðåâàíñêàÿ öèâèëèçàöèÿ".

3 (19) 2009

ÆÓÐÍÀË "ÌÅÍÊ ÌÅÐ ÌÀÑÈÍ"

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ÍÀØ ÃÎÐÎÄ

Ôå­íî­ìåí Åðå­âà­íà Ôå­íî­ìåí Åðå­âà­íà íà­÷è­íàåò­ñÿ óæå ñ òî­ ãî, ÷òî ñâîåîá­ðàç­íîå ñó­ùåñò­âî­âà­íèå ýòî­ãî ãî­ðî­äà íå ïðèâ­ëå­êà­ëî äî ñèõ ïîð âíè­ìà­íèÿ íè ñ ÷üåé ñòî­ðî­íû. Âïðî­÷åì, ýòî è íåó­äè­âè­òåëü­íî. Óíè­êàëü­íîñòü Åðå­ âà­íà âðÿä ëè ìî­æåò áûòü ïå­ðå­äà­íà ñ ïî­ ìîùüþ ñòàí­äàðò­íûõ ïî­êà­çà­òå­ëåé, êî­òî­ ðû­ìè ïîëü­çóþò­ñÿ ñïå­öèà­ëèñòû ïî óð­áà­ íèñòè­êå, óñòà­íàâ­ëè­âàÿ òè­ïî­ëî­ãè­÷åñ­êîå ñõîäñò­âî è ðàç­ëè­÷èå ðàç­íûõ ãî­ðî­äîâ. Îäèí èç êðóï­íûõ ïðî­ìûø­ëåí­íûõ öåíò­ ðîâ, âû­ðîñ­øèõ â ïîñ­ëåä­íèå äå­ñÿ­òè­ëå­òèÿ, îä­íà èç ñòî­ëèö áûâ­øå­ãî Ñîþ­çà... Ðàç­âå ÷òî áðî­ñàåò­ñÿ â ãëà­çà ìî­íîýò­íè÷­íîñòü ìèë­ëèîí­íî­ãî ãî­ðî­äà, ìî­íîýò­íè÷­íîñòü, ðàç­áè­âàþ­ùàÿ âñå ïîñò­ðîå­íèÿ ñî­öèî­ëî­ ãîâ, áå­çóñ­ëîâ­íî ñâÿ­çû­âàþ­ùèõ óð­áà­íè­çà­ öèþ è ïî­ëèýò­íè÷­íîñòü êðóï­íûõ ãî­ðî­äîâ êàê åå îáÿ­çà­òåëü­íîå ñîï­ðî­âîæ­äå­íèå. Íî ÷åì äàëü­øå ðàç­âè­âàë­ñÿ, ðàñ­øè­ðÿë ñâîè ãðà­íè­öû Åðå­âàí, òåì îä­íî­ðîä­íåé îêà­çû­ âà­ëàñü åãî ñðå­äà.  ýòîì ãî­ðî­äå æè­âóò ïî÷­òè îä­íè òîëü­êî àð­ìÿ­íå. Àð­ìÿ­íå Åðå­âà­íà êà­æóò­ñÿ ïî­òîìñò­âåí­íû­ ìè ãî­ðî­æà­íà­ìè, íà­ðî­äîì óð­áà­íèñòñ­êèì, äàâ­íî ïðè­âûê­øèì ê ãî­ðîäñ­êîé öè­âè­ëè­ çà­öèè. À Åðå­âàí êà­æåò­ñÿ ãî­ðî­äîì î÷åíü öåëü­íûì, îð­ãà­íè÷­íûì, ñî ñâîèì ñòè­ëåì îò­íî­øå­íèé, ñâîåé î÷åíü ïëîò­íîé ñðå­äîé, òðà­äè­öèîí­íîé è êîí­ñåð­âà­òèâ­íîé. Ýòî êàê áû ñòà­ðûé ãî­ðîä, â êî­òî­ðîì åùå íå ðàç­ðó­øå­íû òðà­äè­öèè: ñëîâ­íî áû â äðó­ãèõ ãî­ðî­äàõ ïðî­öåññ ðàñ­ïà­äà òðà­äè­öèîí­íûõ îò­íî­øå­íèé øåë áûñò­ðåå, à â Åðå­âà­íå ìåä­ëåí­íî, íî ñêî­ðî î÷å­ðåäü äîé­äåò è äî íå­ãî. Íî íåò. Åðå­âàí - ãî­ðîä ñîâ­ñåì íî­âûé, ñîâ­ñåì ìî­ëî­äîé, íåñ­ìîò­ðÿ íà ãî­ëî­âîê­ ðó­æè­òåëü­íûé âîç­ðàñò Åðå­âà­íà-èñòî­ðèè, Åðå­âà­íà-ëå­ãåí­äû. Òî­ìó Åðå­âà­íó, êî­òî­ ðûé ìû çíàåì, âñå­ãî ëåò òðèä­öàòü. Ïîñ­ ëåä­íèå ñòî­ëå­òèÿ íà åãî ìåñòå áûë òè­ïè÷­ íûé ïðî­âèí­öèàëü­íûé âîñòî÷­íûé ãî­ðîä - àä­ìè­íèñò­ðà­òèâ­íûé öåíòð ñíà­÷à­ëà Ýðè­ âàíñ­êî­ãî õàíñò­âà, óï­ðàâ­ëÿå­ìî­ãî ïåð­ñà­ ìè, çà­òåì Ýðè­âàíñ­êîé ãó­áåð­íèè, ïîä­÷è­ íåí­íîé ðóññ­êîé àä­ìè­íèñò­ðà­öèè. Åðå­âàí áûë îòñòà­ëûì, îáûê­íî­âåí­íûì àçèàòñ­êèì ãî­ðî­äîì ñ óç­êè­ìè óëè­öà­ìè, ïî ñòî­ðî­íàì ñòîÿ­ëè ïîñò­ðîåí­íûå èç êèð­ïè­÷à è ìåë­êèõ êðóã­ëûõ êàì­íåé, çà­÷àñòóþ ãëè­íî­áèò­íûå äî­ìà. Ãî­ðîä ðàñ­êè­íóë­ñÿ íà îã­ðîì­íîé òåð­ðè­òî­ðèè, íî áûë ìà­ëî­ëþä­íûì. Äà­æå ê íà­÷à­ëó XX âå­êà íà­ñå­ëå­íèå ãî­ðî­äà òàê è

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ÆÓÐÍÀË "ÌÅÍÊ ÌÅÐ ÌÀÑÈÍ"

3 (19) 2009

íå äîñòèã­ëî 30-è òû­ñÿ÷ ÷å­ëî­âåê. Òà­êî­âà èñ­õîä­íàÿ òî÷­êà. Íû­íåø­íèé Åðå­âàí íå èìåë àíà­ëî­ãîâ â èñòî­ðèè àð­ìÿí.  ðàç­íûå âå­êà ñó­ùåñò­ âî­âà­ëî íåñ­êîëü­êî âå­ëè­êèõ àð­ìÿíñ­êèõ ãî­ðî­äîâ, òà­êèõ êàê Äâèí, Àíè, Êàðñ... Íî îíè ôóíê­öèî­íàëü­íî áû­ëè ñîâ­ñåì èíû­ìè. Îíè áû­ëè ñòî­ëè­öà­ìè çå­ìåëü, ïî­ðîé äî­ âîëü­íî îá­øèð­íûõ. Áû­ëè èõ óê­ðà­øå­íèåì, èõ ñëà­âîé, èõ ãîð­äîñòüþ. Íî îíè áû­ëè èìåí­íî öåíò­ðà­ìè çå­ìåëü, íà­ñå­ëåí­íûõ àð­ìÿ­íà­ìè, à âîâ­ñå íå ãëàâ­íûì ñðå­äî­òî­ ÷èåì æèç­íè àð­ìÿí. Íè­êà­êèå öåíò­ðîñò­ ðå­ìè­òåëü­íûå ñè­ëû íå ñî­áè­ðà­ëè â íèõ àð­ìÿí âñå­ãî ìè­ðà. Ïî­òîì àð­ìÿ­íå ïî­òå­ðÿ­ ëè ñâîè çåì­ëè, è òå, êòî îñòàë­ñÿ æèòü â ãî­ðî­äàõ - æè­ëè â ÷ó­æèõ ãî­ðî­äàõ, â ÷ó­æèõ ñòî­ëè­öàõ, âî ìíî­ãèõ ñòî­ëè­öàõ ìè­ðà. Äå­ ìîíñò­ðè­ðóÿ ñâîþ ôå­íî­ìå­íàëü­íóþ æè­âó­ ÷åñòü, ïî÷­òè íå ñìå­øè­âàÿñü ñ ìåñò­íûì íà­ñå­ëå­íèåì, îíè âïîë­íå îð­ãà­íè÷­íî âïè­ ñû­âà­ëèñü â æèçíü ÷ó­æî­ãî ãî­ðî­äà, îñ­âàè­ âà­ëèñü òàì, ïðèñ­ïî­ñàá­ëè­âàÿ, åñ­ëè áû­ëà âîç­ìîæ­íîñòü, ÷ó­æîé ãî­ðîä ê ñå­áå. Îíè ïðè­âûê­ëè ê ÷ó­æèì ñòî­ëè­öàì, äàâ­íî óæå íå èìåÿ ñâîåé. Ïðèç­íàí­íû­ìè âå­äó­ùè­ ìè öåíò­ðà­ìè àð­ìÿíñ­êèõ òâîð­÷åñ­êèõ ñèë ÿâ­ëÿ­ëèñü Êîíñòàí­òè­íî­ïîëü è Òèô­ëèñ, ãäå áûë ñîñ­ðå­äî­òî­÷åí àð­ìÿíñ­êèé òîð­ ãî­âî-ïðî­ìûø­ëåí­íûé êà­ïè­òàë. Çäåñü æå íà­õî­äè­ëàñü áîëü­øàÿ ÷àñòü èí­òåë­ëå­ãåí­ öèè... Âû­äå­ëÿ­ëàñü àð­ìÿíñ­êàÿ êî­ëî­íèÿ Êàëü­êóò­òû... Êðóï­íûì öåíò­ðîì çà­ïàä­íûõ àð­ìÿí ÿâ­ëÿ­ëàñü Ñìèð­íà (Èç­ìèð). Òà­êèì öåíò­ðîì äëÿ êàâ­êàç­êèõ àð­ìÿí ñòà­íî­âèò­ ñÿ ñ êîí­öà XIX âå­êà Áà­êó. Êðóï­íûå àð­ ìÿíñ­êèå êî­ëî­íèè íà­õî­äè­ëèñü â Ìîñê­âå, Àñò­ðà­õà­íè, Ïå­òåð­áóð­ãå, Êðû­ìó, Ïà­ðè­æå, Æå­íå­âå, Âå­íå, Êàè­ðå... Äà­æå áóð­íûé ïðî­öåññ íà­öèî­íàëü­íî­ãî âîç­ðîæ­äå­íèÿ, íà­÷àâ­øèé­ñÿ ó àð­ìÿí ñî âòî­ðîé ïî­ëî­âè­íû ÕIÕ âå­êà, êàê-òî ïî÷­òè íå ñâÿ­çû­âàåò­ñÿ ñ òåð­ðè­òî­ðèåé Âîñòî÷­ íîé Àð­ìå­íèè, ïî êðàé­íåé ìå­ðå, íå ïðè­ âî­äèò ê ñêîëü­êî-íè­áóäü çà­ìåò­íîé ðå­ïàò­ ðèà­öèè. Îä­íèì èç öåíò­ðîâ íà­öèî­íàëü­íî­ ãî âîç­ðîæ­äå­íèÿ àð­ìÿí îêà­çû­âàåò­ñÿ Òèô­ ëèñ. Åñ­ëè â ñå­ðå­äè­íå âå­êà áîëü­øèíñò­âî ïðî­æè­âàþ­ùèõ â Òèô­ëè­ñå àð­ìÿí íå ãî­âî­ ðè­ëè íà ñâîåì ðîä­íîì ÿçû­êå, òî ê êîí­öó âå­êà îíè âñå ïî÷­òè áåç èñê­ëþ­÷å­íèÿ ñòà­ ëè ãî­âî­ðèòü ïî-àð­ìÿíñ­êè, ÷è­òàòü àð­ìÿíñ­ êèå ãà­çå­òû, ñëå­äèòü çà ïî­ëè­òè­êîé. Çäåñü îòê­ðû­âà­ëèñü àð­ìÿíñ­êèå ó÷åá­íûå çà­âå­äå­

íèÿ, ñîç­äà­âà­ëèñü íà­öèî­íàëü­íûå êëó­áû, èç­äà­âà­ëèñü àð­ìÿíñ­êèå ãà­çå­òû. À Ýðè­âàíü, à Àëåê­ñàíä­ðî­ïîëü, à Ãî­ðèñ, à Íîð-Áàÿ­çåò, à Øó­øà? Âîñòî÷­íàÿ Àð­ìå­íèÿ îñòà­âà­ëàñü ñëà­áî­ ðàç­âè­òîé â ïðî­ìûø­ëåí­íîì îò­íî­øå­íèè, àã­ðàð­íîé. Ñà­ìûé êðóï­íûé àð­ìÿíñ­êèé ãî­ðîä Øó­øà, ïðåê­ðàñ­íûé, áëà­ãîóñò­ðîåí­ íûé ãî­ðîä, íà­ñå­ëåí­íûé ãëàâ­íûì îá­ðà­ çîì áî­ãà­òû­ìè àð­ìÿ­íà­ìè, áûë ãî­ðî­äîì «äëÿ îò­äû­õà è ðàçâ­ëå­÷å­íèé». Ýíåð­ãè÷­ íûå ïðî­ìûø­ëåí­íè­êè è êîì­ìåð­ñàí­òû äà­ æå è íå ïî­çà­áî­òè­ëèñü î ïðîê­ëàä­êå ñþ­äà æå­ëåç­íîé äî­ðî­ãè. Øó­øà - ýòà äðåâ­íÿÿ ñòî­ëè­öà Àð­öà­õà (Íà­ãîð­íî­ãî Êà­ðà­áà­õà) ïóñòå­ëà. Åðå­âàí êàê îã­ðîì­íûé ìèë­ëèîí­íûé ãî­ðîä íà­÷àë ôîð­ìè­ðî­âàòü­ñÿ óæå íà íà­øèõ ãëà­ çàõ... Îñ­íîâ­íîé ïðè­ðîñò åãî íà­ñå­ëå­íèÿ ïðè­õî­äèò­ñÿ íà 50-70-å ãî­äû. Ýòî ãî­äû, êîã­äà ñòîëü æå áûñò­ðî ðàñòóò è äðó­ãèå ãî­ðî­äà ÑÑÑÐ, âáè­ðàÿ â ñå­áÿ áûâ­øèõ êðåñòüÿí, æè­òå­ëåé ìà­ëûõ ãî­ðî­äîâ, ñà­ìûõ ðàç­íîîá­ðàç­íûõ ìèã­ðàí­òîâ. Ýòî âðå­ìÿ êàê áû âå­ëè­êî­ãî ïå­ðå­ñå­ëå­íèÿ íà­ðî­äîâ, âå­ëè­êî­ãî ñìå­øå­íèÿ íà­ðî­äîâ, ñîç­äà­íèÿ îã­ðîì­íûõ èí­òåð­íà­öèî­íàëü­íûõ öåíò­ðîâ ïî âñåé òåð­ðè­òî­ðèè ñòðà­íû...  Åðå­âàí òî­æå åäóò ñî âñå­ãî Ñîþ­çà, íî åäóò àð­ìÿ­íå, ïî÷­òè òîëü­êî àð­ìÿ­íå. ×àñòü íà­ñå­ëå­íèÿ Åðå­âà­íà - âû­õîä­öû èç àð­ìÿíñ­ êîé äå­ðåâ­íè, äðó­ãàÿ (áîëü­øàÿ ïî ÷èñ­ëåí­ íîñòè) - ìèã­ðàí­òû èç êðóï­íûõ ãî­ðî­äîâ è ñòî­ëèö äðó­ãèõ ñîþç­íûõ ðåñ­ïóá­ëèê, ïðåæ­ äå âñå­ãî Ãðó­çèè è Àçåð­áàéä­æà­íà. Êðî­ìå òî­ãî òû­ñÿ­÷è àð­ìÿí èç çà­ðó­áåæ­íûõ ñòðàí. Ñòîëü ðàç­íûå ïî­òî­êè: êðåñòüÿ­íå èç ãëó­ õèõ ãîð­íûõ ñå­ëå­íèé, òèô­ëèñ­öû, ïà­ðè­æà­ íå. Ïëþñ «ñòà­ðûå åðå­âàí­öû». Íà íà­øèõ ãëà­çàõ ñïîí­òàí­íî ñîç­äàåò­ñÿ íå÷­òî ñî­âåð­ øåí­íî íî­âîå, áåñï­ðå­öå­äåíò­íîå - ãðî­ìàä­ íûé íà­öèî­íàëü­íûé öåíòð, íå­çàï­ëà­íè­ðî­ âàí­íî­ãî è ïðàê­òè­÷åñ­êè íå­ðå­ãó­ëè­ðóå­ìî­ãî ñî­áè­ðà­íèÿ ýò­íî­ñà â îáù­íîñòü, îð­ãà­íè÷­ íóþ è åñòåñò­âåí­íóþ. Åñ­ëè ïðè­íÿòü âî âíè­ìà­íèå êðî­øå÷­íûå ðàç­ìå­ðû òåð­ðè­òî­ ðèè ñîâ­ðå­ìåí­íîé Àð­ìå­íèè, ïðàê­òè­÷åñ­êè âû­ðîñ íà­öèî­íàëü­íûé ãî­ðîä-ãî­ñó­äàðñò­âî. À åñ­ëè òàê, òî íåèç­áåæ­íî âñòàþò âîï­ ðî­ñû: ïî­÷å­ìó àð­ìÿ­íå âñå­ãî ìè­ðà åõà­ëè â Åðå­âàí? Ïî­÷å­ìó â íå­ãî åõà­ëè òîëü­êî àð­ìÿ­íå? ×òî ïðåäñòàâ­ëÿåò ñî­áîé Åðå­âàí êàê ïñè­õî­ëî­ãè­÷åñ­êàÿ îáù­íîñòü? Ïðî­äîë­æå­íèå ñëå­äóåò.



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§+º­ñ³Åß­ï³­Ï³Ý ·áñ­ÍÇù­Ý»ñÝ áõ­Ý»Ý Ç­ñ»Ýó Ñá­·ÇÝ, Ý»­ñ³ß­Ë³ñ­ÑÁ, áõ ϳ­ï³­ñá­ÕÇ Ó»é­ ù»­ñáõÙ ³­ë»ë ϻݭ¹³­Ý³­ÝáõÙ »Ý áõ ëÏëáõ٠ϳ٠ϳ­ï³­Ï»É, ϳ٠¿É ³ñ­ï³ë­í»É: ²Û¹­åÇ­ ëÇÝ ¿ ѳۭϳ­Ï³Ý ÍÇ­ñ³­Ý³­÷á­ÕÁ` ¹áõ­¹áõ­ÏÁ, á­ñÇ ç»ñÙ, óíß­Û³ áõ ËáñÑñ­¹³­íáñ Ó³Û­ ÝÁ Éë»­ÉÇë §ÇÝù­Ý³­µ»­ñ³­µ³ñ ³ñ­óáõÝù­Ý»ñ¹ ·Éáñ­íáõÙ »Ý¦: ²­ñ³Ù ʳ­ã³­ïáõñ­Û³Ý 24

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3 (19) 2009


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ëá­íá­ñáõÛíݻ­ñáí »Ù Ù»­Í³­ó»É: سÛñë ýñ³Ý­ëdz­óÇ ¿ñ: ²Ý­ßáõßï ýñ³Ý­ëdz­Ï³Ý Ùß³­ÏáõÛ­ÃÇ Ñ»ï ¿É »Ù ß÷í»É, Ù³­Ý³­í³Ý¹ ¹åñá­ó³­Ï³Ý ï³­ñÇ­Ý»­ñÇÝ, »ñµ ¹åñáó ¿Ç ·ÝáõÙ, ³Û­Ýá­õ³­Ù»­Ý³Û­ÝÇí ã»Ù ϳ­ñáÕ ³­ë»É, áñ ýñ³Ý­ëdz­óÇ »Ù: ²­í»­ÉÇÝ, ϳ­ñáÕ »Ù µ³ñ­Ó³­Ó³Û­Ý»É` Ð²Ú »Ù: üñ³Ý­ëÇ³Ý ëÇ­ñáõÙ »Ù, ýñ³Ý­ëdz­óÇ ß³ï ÁÝ­Ï»ñ­Ý»ñ áõ­Ý»Ù, ýñ³Ý­ëdz­Ï³Ý Ùß³­

ÏáõÛ­ÃÇ Ñ»ï ë»ñ­ïá­ñ»Ý ß÷í»É »Ù, µ³Ûó.... ¿¹­å»ë ¿É ýñ³Ý­ëdz­óÇ ã¹³ñ­Ó³: ºñ­·Çë É»­½áõÝ Ñ³­Û»­ñ»ÝÝ ¿... âݳ­Û³Í ýñ³Ý­ëdz­Ï³Ý É»½­íÇ ·»­Õ»ó­ Ïáõí۳ÝÝ áõ »ñ­·»­óÇ­Ïáõí۳­ÝÁ, ã»Ù ëÇ­ñáõÙ ýñ³Ý­ë»­ñ»Ý »ñ­·»É: ºñ­·»­óÇ ÙÇ ù³­ÝÇ »ñ·, Ñ»­ïá ѳë­Ï³­ó³, áñ ³Û¹­ù³Ý ¿É Ç­ÙÁ ã¿: üñ³Ý­ëdz­Ï³Ý »­ñ³Åß­ïáõíÛáõÝ ß³ï ëÇ­

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Ü޲ܲìàð вںð ñáõÙ »Ù, ѳÛñë ¿É ýñ³Ý­ë»­ñ»Ý ¿ »ñ­·áõÙ, ß³ï ɳí ýñ³Ý­ëdz­óÇ »ñ­·Çã­Ý»ñ ¿É ϳÝ, µ³Ûó ÇÝùë ϳ­ï³­ñ»É ã»Ù ëÇ­ñáõÙ: ÆÙ ï³­ñ»ñ­ùÁ ѳۭϳ­Ï³Ý »­ñ³Åß­ïáõí ÛáõÝÝ ¿: êÇ­ñáõÙ »Ù ѳۭϳ­Ï³Ý »ñ­·Á` ѳï­Ï³­å»ë ³­í³Ý­¹³­Ï³Ý, ³½­·³­ÛÇÝ, ³½­·³·­ñ³­Ï³Ý »ñ­·»­ñÁ: ê³­Û³Ã-Üá­í³­ÛÇ, Îá­ÙÇ­ï³­ëÇ »ñ­·»ñÝ »Ù ß³ï ëÇ­ñáõÙ. ã·Ç­ï»Ù` Ùá­·³­Ï³Ý áõŠϳ Ýñ³Ýó Ù»ç, ¢° ­Ï³­ï³­ñ»­ÉÇë, ¢° É­ë»­ÉÇë ³Ý­µ³­ó³ï­ñ»­ÉÇ ³å­ñáõÙ­Ý»ñ »Ù áõ­Ý»­ÝáõÙ: ²Ûë í»ñ­çÇÝ ßñç³­ÝÇ Ñ³Û­Ï³­Ï³Ý »ñ­·»­ ñÁ ß³ï ã»Ù ëÇ­ñáõÙ. µ³é ãϳ, ë»ñ ãϳ, Ç­Ù³ëï ãϳ, Ñá­·Ç ãϳ, ³Ý­Ï»Õ­ÍáõíÛáõÝ ãϳ... ºñµ µ³­é»­ñÁ Ç­Ù³ëï »Ý áõ­Ý»­ÝáõÙ, ³Û¹

ñ»Ý »ñ­·»­ñáíë: ܳ¢ ӳۭݳë­Ï³­í³­é³Ï áõ­Ý»Ù Ãá­Õ³ñ­Ï³Í ³Û¹ »ñ­·»­ñáí: г­ÛáõíÛáõÝë Ñ»ï µ»­ñ»­óÇ Ñ³Û­Ï³­Ï³Ý »ñ­·»­ñáí... ºñ·Ý ÇÝÓ áõÕÏ­ó»É ¿ ÙÇßï: Ðáñë ÍÝáÕ­Ý»­ ñÁ »ñ­ÏáõëÝ ¿É ³ñ­ïÇëï­Ý»ñ ¿ÇÝ: ¶Ç­ß»ñ­í³ ų­ÙÁ »ñ­Ïáõ­ëÇÝ Ù»Í Ñ³Ûñë ·³­ÉÇë ¿ñ Çñ ÁÝ­Ï»ñ­Ý»­ñÇ Ñ»ï, Ù»½ ³ñíݳó­ÝáõÙ, ¢ µá­Éáñë ëÏëáõÙ ¿ÇÝù »ñ­·»É: ²Ûë­åÇ­ëÇ ÙÇ­ ç³­í³Û­ñáõÙ ¿ ³Ý­ó»É Ù»ñ ٳݭÏáõíÛáõ­ÝÁ. ³Ù­µáÕç ÁÝ­ï³­ÝÇ­ùÁ ³ñ­ïÇëï ¿ñ: ê³­Û³ÃÜá­í³­ÛÇ »ñ­·»­ñÁ Ù»ñ ï³­ÝÁ ÙÇßï ÑÝã»É »Ý áõ ß³ï »Ýù ëÇ­ñ»É: ºë ¿É ÇÝÓ ³ñ­ïÇëï »Ù Ñ³­Ù³­ñáõÙ »ñ·­ ãáõ­ÑÇ ÉÇ­Ý»­Éáõó µ³­óÇ, 㿱 áñ Ñáñë ³Õ­çÇÏÝ

ï³­ñ»­Ï³Ý ¿Ç: ²Û¹ ų­Ù³­Ý³Ï ï»­ë³, áñ ß³ï ³Õ­ù³ï ¿ñ Åá­Õá­íáõñ­¹Á, µ³Ûó Ýá­ñ»Ý ë»ñë ãÙ³­ñ»ó: ºí »­Ï³ 40 ï³­ñÇ Ñ»­ïá. ³Ýó­Û³É ï³­ñÇ ïÕ³­ÛÇë ³­Ùáõë­Ý³ó­ñ»­óÇ Ð³­Û³ë­ï³­ÝáõÙ: Þ³ï Ù»Í ÷á­÷á­ËáõíÛáõÝ­Ý»ñ ï»­ë³, »í­ñá­å³­Ï³Ý ù³­Õ³ù­Ý»­ñÇ ßáõÝ­ãÁ ϳ ÑÇ­ Ù³ г­Û³ë­ï³­ÝáõÙ: гۭϳ­Ï³Ý ³ñ­Ù³ï­Ý»ñ, ѳñë­Ý³­óáõ` г­ Û³ë­ï³­ÝÇó... îÕ³ë Ù»­Í³­ó»É ¿ üñ»½­Ýá­ÛáõÙ, áñ­ï»Õ ß³ï ѳ­Û»ñ ϳÝ:γ­ñáÕ »Ù ³­ë»É` ѳۭϳ­ Ï³Ý ßÝãáí ¿ Ù»­Í³­ó»É: ÖÇßï ¿, ß³ï Ñ³Û ÁÝ­Ï»ñ­Ý»ñ áõ­ÝÇ, µ³Ûó ѳ­Û»­ñ»Ý ãÇ Ëá­ëáõÙ: Ð³Û ÏÇÝ ÁÝï­ñ»ÉÝ ÇÝÓ Ñ³­Ù³ñ ³­Ý³ÏݭϳÉ

ҳۭݳë­Ï³­í³­é³­ÏÇ Ãá­Õ³ñ­Ïáõ­ÙÇó Ñ»­ïá Ýá­ñ»Ý í»­ñ³­¹³ñ­Ó³ å³­åÇë ³­ÏáõÝù­Ý»­ñÇÝ: Þ³ï »Ù ëÇ­ñáõ٠ѳۭϳ­Ï³Ý ßáõÝ­ãÁ: ʻݭ ó­ÝáõÙ »Ù ѳۭϳ­Ï³Ý »ñ­·»­ñÇ Ñ³­Ù³ñ: »ñ­·»­ñÁ ã»Ý Í»­ñ³­ÝáõÙ: ÀÝ­¹³­Ù»­ÝÁ Ù»Ï ¹á­õ»ï áõ­Ý»Ù ѳۭñÇ­ÏÇë

Ñ»ï, ù³­ÝÇ áñ ѳÛñë ѳ­Û»­ñ»Ý ãÇ »ñ­·áõÙ: ºë »Ù Ç­ñ»Ý ß³ï §Ë»Ý­Ã³ó­ÝáõÙ¦ ѳ­Û»­

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»Ù. å³­å³­ÛÇë å»ë ù³­ÝDZ Ù³ñ¹ ϳ... Ù»Ï Ñ³ï... øáõÛñë ¿É ß³ï É³í »ñ­·áõÙ ¿ñ ѳۭñÇ­ÏÇë Ñ»ï, µ³Ûó Ñ»­ïá Ù»­Ý³Ï ãáõ­½»ó »ñ­·»É, ù³­ÝÇ áñ Ñá­ñÇóë Ñ»­ïá ß³ï ¹Åí³ñ ¿ ·Ý³É ³Û¹ ׳­Ý³­å³ñ­Ñáí. å³­ï³ë­Ë³­ ݳï­íáõíÛáõ­ÝÁ ß³ï Ù»Í ¿: ÜáõÛÝ ×³­Ý³­ å³ñ­ÑÁ ã»Ýù ϳ­ñáÕ ³Ýó­Ý»É: Æ٠׳­Ý³­å³ñ­ÑÁ ѳñíí»ó, »ñµ ѳۭϳ­ Ï³Ý »ñ­·»­ñÇ Ó³Û­Ý³ë­Ï³­í³­é³Ï Ãá­Õ³ñ­ Ï»­óÇ: ¸ñ³­Ýáí ϳñ­Í»ë û ѳ­ÛáõíÛáõÝë Ñ»ï µ»­ñ»­óÇ, á­ñÁ ÙÇ å³Ñ Ïáñó­ñ»É ¿Ç: 17-20 ï³­ñ»­Ï³­ÝáõÙ ÙÇ ùÇã §³­åáõߦ »ë ÉÇ­ÝáõÙ, áõ­½áõÙ »ë ³­Ù»Ý µ³Ý ³­Ý»É áõ­ñÇß ³½­·»­ñÇÝ ÝÙ³Ý­í»­Éáõ ¢ ÇÝ­ï»·ñ­í»­Éáõ ѳ­ Ù³ñ: â»ë áõ­½áõÙ ÑÇ­ß»É Ñ³Û Éǭݻɹ, áõ­½áõÙ »ë Ùá­é³­Ý³É ³Û¹ ÷³ë­ïÇ Ù³­ëÇÝ: 10 ï³­ ñÇ §Ñ³Û ã¿Ç¦: ҳۭݳë­Ï³­í³­é³­ÏÇ Ãá­Õ³ñ­Ïáõ­ÙÇó Ñ»­ïá Ýá­ñ»Ý í»­ñ³­¹³ñ­Ó³ å³­åÇë ³­ÏáõÝù­Ý»­ ñÇÝ: Þ³ï »Ù ëÇ­ñáõ٠ѳۭϳ­Ï³Ý ßáõÝ­ãÁ: ʻݭó­ÝáõÙ »Ù ѳۭϳ­Ï³Ý »ñ­·»­ñÇ Ñ³­ Ù³ñ: ì³­Õáõó »Ù ׳­Ý³­ãáõ٠г­Û³ë­ï³­ÝÁ... г­Û³ë­ï³­ÝÁ ß³ï í³­Õáõó »Ù ׳­Ý³­ã»É. Ù»Í Ù³Ûñë ѳ­×³Ë ¿ñ ·ÝáõÙ, »ë ¿É` Ýñ³ Ñ»ï: 8-9 ï³­ñ»­Ï³­ÝÇó ׳­Ý³­ãáõÙ »Ù г­ Û³ë­ï³­ÝÁ: سݭÏáõí۳Ýó ï³­ñÇ­Ý»­ñÇÝ ß³ï ëÇ­ñ»­óÇ Ð³­Û³ë­ï³­ÝÁ, á­ñáí­Ñ»ï¢ µ³­Ïáõ٠˳­ÕáõÙ ¿Ç. µ³­ó³­éÇÏ Ñ»­ï³ùñ­ ùÇñ »ñ¢áõÛà ¿ñ ¹³ ÇÝÓ Ñ³­Ù³ñ: ºñÏ­ñáñ¹ ³Ý­·³Ù, »ñµ ýñ³Ý­ëdz­óÇ ÁÝ­ Ï»­ñáõ­Ñáõë Ñ»ï »­Ï³ г­Û³ë­ï³Ý, 18

ã¿ñ: âݳ­Û³Í »ë »ñ­µ»ù Çñ ³éç¢ ËݹÇñ ã»Ù ¹ñ»É, áñ ѳ­ÛÇ Ñ»ï åÇ­ïÇ ³­Ùáõë­Ý³­Ý³, µ³Ûó ·Ç­ï»Ç, áñ ѳۭϳ­Ï³Ý ÁÝ­ï³­ÝÇù Ïëï»Õ­ÍÇ... ²ñ­ïÇëï ÉÇ­Ý»­Éáõó ³­é³ç ѳÛñ ¿... г­Û³ë­ï³­Ýáõ٠ϳ­Û³­ó³Í Ù»ñ ѳ­Ù»ñ­ ·Á` Èǽ ê³ñ­Û³­ÝÇ Ñ»ï ß³ï É³í ³Ý­ó³í, ãݳ­Û³Í, áñ ß³ï ÑÇ­í³Ý¹ ¿Ç ³Û¹ û­ñÁ, µ³Ûó Ñáõ­ë³Ù, áñ Ù³ñ­¹ÇÏ ×Çßï ѳë­Ï³­ ó³Ý: ºñµ áñ ѳ­Ù»ñ­·Çó Ñ»­ïá ÇÝÓ Ñ³ñó­ ñ»­óÇÝ, û ÇÝã­å»ë ¿Çñ ½·áõÙ ù»½ ѳۭñÇ­ Ïǹ ³éç¢ »ñ­·»­Éáõó, å³­ï³ë­Ë³­Ý»­óÇ, áñ å³­å³­ÛÇ ³éç¢ »ñ­·»­ÉÁ ¹Åí³ñ ã¿, ù³­ÝÇ áñ ³ñ­ïÇëï ÉÇ­Ý»­Éáõó ³­é³ç ѳÛñ ¿, µ³Ûó ·Ç­ï»Ù, áñ ÇÝ­ùÁ ß³ï ɳñ­í³Í ¿ñ, á­ñáí­ Ñ»ï¢ í³­Ë»­ÝáõÙ ¿ñ, áñ ÑÇ­í³Ý­¹áõí۳Ýë å³ï­×³­éáí åÇ­ïÇ ãϳ­ñá­Õ³­Ý³Ù »ñ­·»É: Èǽ ê³ñ­Û³­ÝÇ Ñ»ï ³ß­Ë³­ï»­ÉÁ ß³ï ëÇ­ ñ»­óÇ, Ñáõ­ëáí »Ù, áñ ѳݭñáõíÛáõÝÝ ¿É ëÇ­ ñ»ó »ñ­Ïáõ­ëÇë: ÐÇÝ »ñ­·»­ñÁ í»ñó­ñ»­óÇÝù, Ùdzó­ñ»­óÇÝù Ç­ñ³ñ ¢ ß³ï Ñ»­ï³ùñ­ùÇñ ݳ­Ë³­·ÇÍ »­Õ³í ϳñ­ÍáõÙ »Ù: Æ­ñ³ñ Ñ»ï åÇ­ïÇ í»­ñ³­¹³é­Ý³Ýù г­Û³ë­ï³Ý áõ ÏñÏÇÝ ³Ý­·³Ù Ù»Í ëÇ­ñáí »ñ­·»Ýù Ñ³Û Ñ³Ý­¹Çë­ï³»­ëÇ Ñ³­Ù³ñ: ê³ ß³ï ᷢ᭠ñáÕ ÷³ëï ¿ ÇÝÓ Ñ³­Ù³ñ: Âá­Õ³ñÏ­í»­ÉÇù ӳۭݳë­Ï³­í³­é³­ÏÇ Ù»ç ¿É åÇ­ïÇ Ý»­ñ³­ é»Ù ³Ý­å³Û­Ù³Ý Ù»ñ ϳ­ï³­ñáõÙ­Ý»­ñÇó: ºñµ г­Û³ë­ï³­ÝáõÙ µ³­ó»Ý Þ³éÉ ²½­Ý³­ íáõ­ñÇ Ã³Ý­·³­ñ³­ÝÁ, åÇ­ïÇ ·³Ù áõ »ñ­·»Ù ³Ý­å³Û­Ù³Ý:



ÀÐÌßÍÑÊÀß ÊÓÕÍß

ÑÅÊÐÅÒ ÀÐÈÑ Û Òåêñò: Êðèñòèíà Ïîãîñÿí Ôîòî: Åãèÿ Íåðñèñÿí

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à­âåð­íî ìà­ëî êòî, çíàþ­ùèé Àð­ìå­ íèþ, íå çíà­êîì ñî çíà­ìå­íè­òîé àð­ìÿíñ­êîé êóõ­íåé, àð­ìÿíñ­êè­ìè áëþ­äà­ìè è ñëà­äîñòÿ­ìè, òà­êè­ìè êàê òîë­ ìà, õàø, ñïàñ, àð­ìÿíñ­êèé øàø­ëûê, ïàõ­ ëà­âà, ãà­òà. Íî, äó­ìàþ, îò­äåëü­íî­ãî âíè­ ìà­íèÿ ñðå­äè íèõ çàñ­ëó­æè­âàåò îä­íî äî­ âîëü­íî èç­âåñò­íîå, ìîæ­íî ñêà­çàòü, äà­æå èñòî­ðè­÷åñ­êîå áëþ­äî, íàç­âà­íèå êî­òî­ðî­ãî íà ðóññ­êîì çâó­÷èò êàê Àðè­ñà (Õà­ðè­ñà). Âñå ìû, àð­ìÿ­íå, ïðè­âûê­ëè ñ÷è­òàòü àðè­ñó àð­ìÿíñ­êèì òðà­äè­öèîí­íûì, íà­öèî­íàëü­ íûì áëþ­äîì. Îä­íà­êî ìíî­ãèå èñòî÷­íè­êè óò­âåðæ­äàþò, ÷òî àðè­ñà íà ñà­ìîì äå­ëå – àçåð­áàéä­æàíñ­êîå áëþ­äî, î íåé òàê­ æå óïî­ìè­íàåò­ñÿ â àðàáñ­êèõ êó­ëè­íàð­íûõ èñòî÷­íè­êàõ, à íå­êî­òî­ðûå ñ÷è­òàþò, ÷òî «êîð­íè» Àðè­ñû óõî­äÿò ãëó­áî­êî â äðåâ­ íþþ àñ­ñè­ðèéñ­êóþ èñòî­ðèþ. Áî­ëåå òî­ ãî, åñòü ïðåä­ïî­ëî­æå­íèå, ÷òî àð­ìÿíñ­êîé êóõ­íè êàê òàêî­âîé íå ñó­ùåñò­âóåò âîîá­

ùå, è âñå òðà­äè­öèîí­íûå áëþ­äà, êî­òî­ðûå ñ÷è­òàþò­ñÿ àð­ìÿíñ­êè­ìè, íà ñà­ìîì äå­ëå áû­ëè çàèìñò­âî­âà­íû ó äðó­ãèõ íà­ðî­äîâ, â ÷àñò­íîñòè ó íà­øèõ ñî­ñå­äåé. Èòàê, ïîï­ ðî­áóåì ðà­çîá­ðàòü­ñÿ âî âñåì ýòîì áî­ëåå äå­òàëü­íî. Íà­âåð­íî, ñòîèò íà­÷àòü ñ òî­ãî, ÷òî àð­ ìÿíñ­êàÿ êóõ­íÿ, íà ñà­ìîì äå­ëå, ñ÷è­òàåò­ñÿ îä­íîé èç äðåâ­íåé­øèõ â Àçèè, è ñ äðåâ­íèõ âðå­ìåí àð­ìÿ­íå äå­ëè­ëèñü ñî ñâîè­ìè ñî­ ñå­äÿ­ìè ñåê­ðå­òà­ìè êó­ëè­íà­ðèè è ñâîè­ìè òðà­äè­öèîí­íû­ìè, äî­âîëü­íî-òà­êè ñëîæ­íû­ ìè ñïî­ñî­áà­ìè ïðè­ãî­òîâ­ëå­íèÿ, êî­òî­ðûå íàñ­÷è­òû­âàþò áî­ëåå 2000 ëåò. ×òî åùå èí­òå­ðåñ­íåå, èç­âåñò­íûé ðîñ­ñèéñ­êèé ó÷å­ íûé, èñòî­ðèê, ïè­ñà­òåëü Âèëüÿì Âà­ñèëüå­ âè÷ Ïîõ­ëåá­êèí â ñâîåé êíè­ãå «Íà­öèî­ íàëü­íûå êóõ­íè íà­øèõ íà­ðî­äîâ» (1978) â îò­äåëü­íîé ãëà­âå, ïîñ­âÿ­ùåí­íîé àð­ìÿíñ­ êîé êóõ­íå, ïîä­ðîá­íî ðàçúÿñ­íÿåò è äî­êà­ çû­âàåò, ÷òî îñ­íîâ­íîé êóõ­íåé ðå­ãèî­íà, è

äà­æå âñå­ãî Ñðåä­íå­ãî Âîñòî­êà, ÿâ­ëÿåò­ñÿ èìåí­íî àð­ìÿíñ­êàÿ. Âîò ÷òî ïè­øåò Ïîõ­ ëåá­êèí â ñâîåé êíè­ãå: «Àð­ìÿíñ­êàÿ êóõ­íÿ – îä­íà èç äðåâ­íåé­øèõ êó­õîíü â Àçèè è ñà­ ìàÿ äðåâ­íÿÿ â Çà­êàâ­êàçüå. Åå õà­ðàê­òåð­ íûå ÷åð­òû ñëî­æè­ëèñü åùå, ïî êðàé­íåé ìå­ðå, çà òû­ñÿ­÷å­ëå­òèå äî íà­øåé ýðû â ïå­ ðèîä ôîð­ìè­ðî­âà­íèÿ àð­ìÿíñ­êî­ãî íà­ðî­äà è ñîõ­ðà­íÿþò­ñÿ âî ìíî­ãîì íà ïðî­òÿ­æå­íèè áî­ëåå òðåõ òû­ñÿ­÷å­ëå­òèé äî íà­øèõ äíåé».  ñâîåé ðà­áî­òå àâ­òîð ïå­ðå­÷èñ­ëÿåò îñî­ áåí­íîñòè íà­öèî­íàëü­íîé àð­ìÿíñ­êîé êóõ­ íè, ïè­øåò î òðà­äè­öèÿõ, ñòà­ðèí­íîé êó­õîí­ íîé òåõ­íè­êå è ñëîæ­íûõ òåõ­íî­ëî­ãèÿõ ïðè­ ãî­òîâ­ëå­íèÿ áëþä, êî­òî­ðûå, ïî åãî ñëî­âàì, ïå­ðåø­ëè è ê ñî­ñå­äÿì àð­ìÿí – ãðó­çè­íàì è àçåð­áàéä­æàí­öàì, áî­ëåå òî­ãî, àð­ìÿíñ­êàÿ êóõ­íÿ ðàñï­ðîñò­ðà­íè­ëàñü ïî âñå­ìó ìè­ðó ïîñ­ðåäñò­âîì ïå­ðå­ñå­ëå­íèÿ àð­ìÿí â ðàç­ íûå êîí­öû çåì­íî­ãî øà­ðà. Âîçâ­ðà­ùàÿñü ê àðè­ñå, êî­òî­ðàÿ â îñ­íîâ­

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ÀÐÌßÍÑÊÀß ÊÓÕÍß íîì ãî­òî­âèò­ñÿ èç êðó­ïû, ìîæ­íî îò­ìå­òèòü, ÷òî ñïî­ñîá ïðè­ãî­òîâ­ëå­íèÿ äàí­íî­ãî áëþ­ äà è èíã­ðå­äèåí­òû, òðå­áóþ­ùèå ïðåä­âà­ðè­ òåëü­íîé ïîä­ãî­òîâ­êè, ïðÿ­ìî óêà­çû­âàþò íà ñâîþ ïðè­íàä­ëåæ­íîñòü ê äðåâ­íåé àð­ìÿíñ­ êîé êó­ëè­íàð­íîé êóëü­òó­ðå. Ñà­ìîå êðóï­íîå è çíà­÷è­ìîå óïî­ìè­íà­íèå àðè­ñû, ïðè­äàþ­ùåå åé èñòî­ðè­÷åñ­êèé îò­ òå­íîê, áå­çóñ­ëîâ­íî ñâÿ­çà­íî ñ ãå­ðîè­÷åñ­êè­ ìè ñî­áû­òèÿ­ìè 1915 ãî­äà íà ãî­ðå Ìó­ñà, ðàñ­ïî­ëî­æåí­íîé íà áå­ðå­ãó Ñðå­äè­çåì­íî­ãî ìî­ðÿ – íà òåð­ðè­òî­ðèè Èñòî­ðè­÷åñ­êîé Àð­ ìå­íèè (íà ãðà­íè­öå ñå­ãîä­íÿø­íåé Òóð­öèè è Ñè­ðèè). Âî âðå­ìÿ Ãå­íî­öè­äà æè­òå­ëè íåñ­ êîëü­êèõ àð­ìÿíñ­êèõ ñåë, ðàñ­ïî­ëî­æåí­íûõ âîê­ðóã ãî­ðû Ìó­ñà, îêà­çàâ­øèñü â îê­ðó­æå­ íèè, ïîä­íÿ­ëèñü íà íåå è â òå­÷å­íèå 53-õ äíåé îáî­ðî­íÿ­ëèñü îò òó­ðåö­êîé àð­ìèè, íàì­íî­ãî ïðå­âîñ­õî­äÿ­ùåé èõ ïî ñè­ëå è êî­ ëè­÷åñò­âó. Âî âðå­ìÿ îáî­ðî­íû ó æè­òå­ëåé íå áû­ëî áîëü­øî­ãî ðàç­íîîá­ðà­çèÿ ïðî­äóê­òîâ ïè­òà­íèÿ, êî­òî­ðûå â îñ­íîâ­íîì ñâî­äè­ëèñü ê ìÿ­ñó è ïøå­íè­öå, – òàê ÷òî ïðè­õî­äè­ëîñü ãî­òî­âèòü áëþ­äà òîëü­êî èç ýòèõ èíã­ðå­ äèåí­òîâ, è àðè­ñà â ýòîì ïëà­íå ïîä­õî­äè­ ëà èäåàëü­íî: è äîñòóï­íî, è ñûò­íî. Íî÷üþ ìó­ñà­ëåðñ­êèå ìóæ­÷è­íû âà­ðè­ëè àðè­ñó, à äíåì çà­ùè­ùà­ëè íà­ðîä îò âðà­ãà. Ýòè ãå­ ðîè­÷åñ­êèå ñî­áû­òèÿ ïðåê­ðàñ­íûì îá­ðà­çîì ïðåäñòàâ­ëå­íû âî âñå­ìèð­íî èç­âåñò­íîì ëè­ òå­ðà­òóð­íîì ïðîèç­âå­äå­íèè íà òå­ìó Ãå­íî­ öè­äà àð­ìÿí àâñò­ðèéñ­êî­ãî ïîý­òà Ôðàí­öà Âåð­ôå­ëÿ «Ñî­ðîê äíåé Ìó­ñà-äà­ãà» (1933), ãäå àðè­ñå ïîñ­âÿ­ùå­íà îò­äåëü­íàÿ è î÷åíü ëþ­áî­ïûò­íàÿ ÷àñòü, êî­òî­ðóþ õî­òå­ëîñü áû ïðåäñòà­âèòü áåç êîì­ìåí­òà­ðèåâ. «...Êîã­äà ýòè òðóä­íûå âîï­ðî­ñû áû­ëè ìà­ ëî-ìàëüñ­êè ðàç­ðå­øå­íû, âàð­äà­ïåò ïî­ ÷óâñò­âî­âàë íåîá­õî­äè­ìîñòü îá­ðà­òèòü­ñÿ ê æè­òå­ëÿì ëà­ãå­ðÿ, äà­áû ïîä­äåð­æàòü äó­øè óã­íå­òåí­íûõ è ðàñòå­ðÿâ­øèõ­ñÿ. Ïðè ýòîì îí íå òîëü­êî ïîî­áå­ùàë ñêî­ðîå ñîç­äà­íèå áîëü­øî­ãî ÷èñ­ëà òîí­äû­ðîâ, íî è óïîò­ðå­áèë â ñâîåé ïðî­ïî­âå­äè ñëî­âî «õà­ðè­ñà», êà­êî­ âîå è íå çà­ìåä­ëè­ëî îêà­çàòü ñâîå óñ­ïî­ êîè­òåëü­íîå äåéñò­âèå. Õà­ðè­ñà – òðà­äè­öèîí­íîå àð­ìÿíñ­êîå áëþ­ äî. Êàê è âñå äðåâ­íåå, óøåä­øåå èç ïà­ìÿ­òè ïî­êî­ëå­íèé, òàê è ýòî êó­øàíüå è åãî ïðè­ ãî­òîâ­ëå­íèå îâåÿ­íû äó­õîì òîð­æåñò­âåí­íûì è ðå­ëè­ãèîç­íûì. Îä­íî óïî­ìè­íà­íèå ïðàçä­ íè­êà õà­ðè­ñû çàñòà­âè­ëî ïîì­ðà÷­íåâ­øèé íà­ðîä âîñï­ðÿ­íóòü äó­õîì. À êó­øàíüå ýòî, êàê âñå, ÷òî èñ­õî­äèò èç íà­ðîä­íîé êóõ­íè, ñîñòîèò âñå­ãî èç íåñ­êîëü­êèõ ïðîñòåé­øèõ ÷àñòåé: êóñ­êîâ áà­ðà­íè­íû, æè­ðà, ðóá­ëå­íûõ õðÿ­ùè­êîâ è îá­äèð­íîé ïøå­íè­öû. Îä­íà­êî ýòè èñ­õîä­íûå ïðî­äóê­òû ñîâ­ñåì íå ãëàâ­

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3 (19) 2009

íîå â õà­ðè­ñå – âñÿ ïðå­ëåñòü â òîì, ÷òî ýòî âåäü ïðàçä­íè÷­íîå êó­øàíüå, êàæ­äûé ãîä óê­ðà­øàþ­ùåå íå­äå­ëþ ñáî­ðà óðî­æàÿ îò Ãà­ ëà – ïðàçä­íè­êà ìî­ëîòü­áû, äî Âàð­äà­âà­ðà – ïðàçä­íè­êà ñáî­ðà âè­íîã­ðà­äà. Òåð-Àé­êà­çóí çà­áî­òèë­ñÿ, ñòà­ëî áûòü, î òîì, ÷òî­áû â áåãñò­âå è â èçã­íà­íèè åãî íà­ ðîä íà Äàì­ëàäæ­êå íå áûë ëè­øåí õî­òÿ áû îä­íîé èç íåì­íî­ãèõ ðà­äîñòåé, îñòàâ­øèõ­ñÿ åìó. Âïðî­÷åì, ðà­äîñòü ïðàçä­íè­êà õà­ðè­ ñû çàê­ëþ­÷à­ëàñü âîâ­ñå íå â ïîã­ëî­ùå­íèè ïè­ùè, à ãî­ðàç­äî áîëü­øå – â äëè­òåëü­íîé öå­ðå­ìî­íèè åå ïðè­ãî­òîâ­ëå­íèÿ: âñþ íî÷ü â òîí­äû­ðå ïîä­äåð­æè­âàë­ñÿ íå­áîëü­øîé îãîíü, íà êî­òî­ðîì è âà­ðè­ëàñü ñìåñü. È òîëü­êî ê óò­ðó, êîã­äà âî­äà èñ­ïà­ðÿ­ëàñü è â êîò­ëàõ çàñòû­âà­ëà ãóñòàÿ ìàñ­ñà, íà­÷è­ íà­ëîñü ïîä­ëèí­íîå âå­ñåëüå. Çà­äîë­ãî äî îáû÷­íî­ãî âñòà­âà­ëè ïàð­íè è äå­âóø­êè è òîë­êóø­êîé, êî­òî­ðóþ âìåñòå ñ äðó­ãîé êó­ õîí­íîé óò­âàðüþ ìîæ­íî óâè­äåòü â êàæ­äîì äî­ìå, ïðè­íè­ìà­ëèñü áèòü, òî­ëî÷ü, ìÿòü õà­ ðè­ñó - ñãóñòèâ­øóþ­ñÿ ìàñ­ñó íóæ­íî áû­ëî îò­êî­ëî­òèòü äî íóæ­íîé êîí­äè­öèè, êàê ýòî äå­ëàþò â äðó­ãèõ ñòðà­íàõ ñ âÿ­ëå­íîé òðåñ­ êîé...». (Êíè­ãà âòî­ðàÿ. Áèò­âû ñëà­áûõ. Ïå­ ðå­âîä Âñ.Ðî­çà­íî­âà). È äà­æå â íàøè äíè, êàæ­äûé ãîä - âî âòî­ ðîé âîñê­ðåñ­íûé äåíü ñåí­òÿá­ðÿ - ïî­òîì­êè ìó­ñà­ëåð­öåâ, ïðî­æè­âàþ­ùèõ â Àð­ìå­íèè è â äà­ëå­êèõ ñòðà­íàõ, ñî­áè­ðàþò­ñÿ â àð­ìÿíñ­ êîì ñå­ëå Ìó­ñà Ëåð, ðÿ­äîì ñ Ìå­ìî­ðèà­ëîì è ìó­çååì, ïîñ­âÿ­ùåí­íû­ìè âû­øåó­ïî­ìÿ­íó­ òûì ñî­áû­òèÿì, ïðå­ïîä­íî­ñÿò äàíü óâà­æå­ íèÿ ïà­ìÿ­òè ïî­ãèá­øèõ è îò­ìå­÷àþò ãå­ðîè­ ÷åñ­êóþ ïî­áå­äó ïðåä­êîâ. Èìåí­íî â ýòîò äåíü â áî­ëåå ÷åì ñîðîêà êîò­ëàõ âà­ðèò­ñÿ àðè­ñà èç ìÿ­ñà çà­ðà­íåå áëà­ãîñ­ëîâ­ëåí­íî­ ãî ñâÿ­ùåí­íè­êîì æåðò­âåí­íî­ãî ÿã­íåí­êà. Ïîñ­ëå ïðàçä­íè÷­íîé Ëè­òóð­ãèè íà­÷è­íàåò­ñÿ âå­ñåëüå, è ïî­êà âñþ íî÷ü âà­ðèò­ñÿ àðè­ñà, ëþ­äè òàí­öóþò è ïîþò ïåñ­íè äðåâ­íèõ æè­ òå­ëåé Ìó­ñà äà­ãè. Ñî âðå­ìå­íåì êî­ëè­÷åñò­ âî êîò­ëîâ âîç­ðîñ­ëî, êàæ­äûé ãîä îíî ðàâ­ íÿ­ëîñü ãî­äîâ­ùè­íå ñî­áû­òèé, îä­íà­êî ïîñ­ëå 80-ûõ íà êîñòåð ñòà­âÿò óæå áî­ëåå 100 êîò­ëîâ ñ àðè­ñîé. Íî èñòî­ðèÿ àðè­ñû íà­÷à­ëàñü åùå çà­äîë­ãî äî ñî­áû­òèé íà Ìó­ñà äà­ãå. ×òî­áû ïî­ëó­÷èòü áîëü­øå èí­ôîð­ìà­öèè, ïðèï­ðàâ­ëåí­íîé êîíê­ðåò­íû­ìè ïîä­ðîá­íîñòÿ­ìè, ÿ ðå­øè­ ëà îá­ðà­òèòü­ñÿ çà ïî­ìîùüþ ê èñòèí­íî­ìó çíà­òî­êó àð­ìÿíñ­êîé êóõ­íè è êó­ëè­íà­ðèè â öå­ëîì, ïî­âà­ðó ñ 30-ëåò­íèì ñòà­æåì, øåôïî­âà­ðó ðåñòî­ðà­íà «Àðà­ðàò õîë» è ïðå­çè­ äåí­òó ÎÎ «Ïî ðàç­âè­òèþ è ñîõ­ðà­íå­íèþ òðà­äè­öèé àð­ìÿíñ­êîé êó­ëè­íà­ðèè» Ñåä­ðà­ êó Ìà­ìó­ëÿ­íó: «Êî­íå÷­íî, ãî­âî­ðÿ îá àðè­ñå,

ìû âñïî­ìè­íàåì ñî­áû­òèÿ íà ãî­ðå Ìó­ñà, íî ðîæ­äå­íèå àðè­ñû óõî­äèò êîð­íÿ­ìè áî­ëåå ãëó­áî­êî â àð­ìÿíñ­êóþ èñòî­ðèþ. Ñó­ùåñò­ âóþò äâå âåð­ñèè ïðîèñ­õîæ­äå­íèÿ àðè­ñû. Ïî ïåð­âîé âåð­ñèè, íàç­âà­íèå ýòî­ãî áëþ­äà ïðîèñ­õî­äèò îò ñëî­âà «àðåë» (harel), ÷òî â ïå­ðå­âî­äå ñ àð­ìÿíñ­êî­ãî îç­íà­÷àåò «ìå­ øàòü», «ðàç­ìå­øè­âàòü». Ýòî îáúÿñ­íå­íèå óïî­ìè­íàåò­ñÿ äà­æå â Ëèíã­âèñòè­÷åñ­êîì ñëî­âà­ðå Ã.À÷à­ðÿ­íà. Ñîã­ëàñ­íî âòî­ðîé æå ãè­ïî­òå­çå, â îñ­íî­âå íàç­âà­íèÿ ëå­æèò ïåð­ ñèäñ­êîå ñëî­âî «õåð» (her), ïå­ðå­âî­äÿ­ ùåå­ñÿ êàê «ïðè­ñîå­äè­íÿòü». Ýòî èñòèí­íî àð­ìÿíñ­êîå áëþ­äî, è íóæ­íî îò­ìå­òèòü, ÷òî ñ äðåâ­íèõ âðå­ìåí â àð­ìÿíñ­êîé êóõ­íå ñó­ ùåñò­âóþò íåñ­êîëü­êî âè­äîâ àðè­ñû: «êàø­ êà», «êîð­êîò» è åùå îäèí âèä – êà­øà èç ðè­ñà. Oñíî­âà òåõ­íî­ëî­ãèè ïðåä­âà­ðè­òåëü­ íîé îá­ðà­áîò­êè ïøå­íè­öû ÿâ­ëÿåò­ñÿ èñ­êîí­ íî àð­ìÿíñ­êîé: òîëü­êî àð­ìÿ­íå â äðåâ­íèå âðå­ìå­íà ïîä­âåð­ãà­ëè îá­ðà­áîò­êå êðó­ïó, â ðå­çóëü­òà­òå ÷å­ãî ïî­ëó­÷à­ëè ïøå­íè÷­íûå êðó­ïû, òà­êèå êàê äçà­âàð (êðó­ïà èç ñëåã­ êà îò­âà­ðåí­íî­ãî, à çà­òåì âû­ñó­øåí­íî­ãî çåð­íà, îñ­âî­áîæ­äåí­íî­ãî ïîñ­ëå ýòî­ãî îò øå­ëó­õè – èç íåå â îñ­íîâ­íîì è ãî­òî­âèò­ñÿ àðè­ñà) è êîð­êîò (êðóïa èç ÷óòü ïîä­ìî­÷åí­ íî­ãî çåð­íà, çà­òåì îò­øå­ëó­øåí­íî­ãî è âû­ ñó­øåí­íî­ãî). À òà­êàÿ îá­ðà­áîò­êà ïîä­ðà­çó­ ìå­âàåò ñè­äÿ­÷èé îá­ðàç æèç­íè, êà­êîé âå­ëè àð­ìÿ­íå. È âîîá­ùå, ñïî­ñîá ïðè­ãî­òîâ­ëå­íèÿ àðè­ñû ñàì ïî ñå­áå äî­âîëü­íî ñëî­æåí. Íàï­ðè­ìåð «êàø­êà» ãî­òî­âèò­ñÿ ñëå­äóþ­ùèì îá­ðà­çîì: â òî­íè­ðå âå­øàþò ìÿ­ñî ÿã­íåí­ êà èëè êîç­ëåí­êà, à íà äíî êëà­äóò äçà­âàð â ê÷ó­÷å (ñïå­öèàëü­íûé ãîð­øîê èç ãëè­íû). Æèð ìÿ­ñà êà­ïàåò íà êðó­ïó èëè ðèñ, è òàê áëþ­äî âà­ðèò­ñÿ âñþ íî÷ü. Ïðè­ìåð­íî òåì æå ñïî­ñî­áîì ãî­òî­âèë­ñÿ è «êîð­êîò», ñ èñ­ ïîëü­çî­âà­íèåì óæå îä­íîè­ìåí­íî­ãî îò­ðà­áî­ òàí­íî­ãî âè­äà êðó­ïû-êîð­êî­òà. Ýòîò ñïî­ ñîá ïðè­ãî­òîâ­ëå­íèÿ îò­íî­ñèò­ñÿ ê äðåâ­íèì âðå­ìå­íàì, êîã­äà èñ­ïîëü­çî­âà­ëè ãëè­íÿ­íóþ ïî­ñó­äó, à áî­ëåå ïðîñòîé ñïî­ñîá ïðè­ãî­ òîâ­ëå­íèÿ àðè­ñû, ñâÿ­çàí­íûé ñ ïå­ðå­ìå­ øè­âà­íèåì, ïîÿ­âèë­ñÿ âî âðå­ìå­íà èñ­ïîëü­ çî­âà­íèÿ ìåä­íûõ êîò­ëîâ. Èìåí­íî òà­êîé äðåâ­íåé ÿâ­ëÿåò­ñÿ èñòî­ðèÿ àðè­ñû, è ýòî, íå­ñîì­íåí­íî, àð­ìÿíñ­êîå áëþ­äî, õî­òÿ ñïî­ ðèòü íà ýòó òå­ìó, äó­ìàþ, íå ñòîèò. Ýòî è òàê î÷å­âèä­íî». Âîò òà­êîé èí­òå­ðåñ­íîé è ñëîæ­íîé îêà­çà­ ëàñü èñòî­ðèÿ ýòî­ãî âêóñ­íî­ãî áëþ­äà. È êà­ êèì áû íå ñ÷è­òà­ëè ïðîèñ­õîæ­äå­íèå àðè­ ñû, êàê áû ýòî íå äî­êà­çû­âà­ëè, äëÿ ìå­íÿ îíî âñåã­äà áó­äåò óê­ðà­øå­íèåì àð­ìÿíñ­êî­ãî ñòî­ëà, íà­öèî­íàëü­íîé ãîð­äîñòüþ è ñèì­âî­ ëîì ãå­ðîèç­ìà ìîèõ ïðåä­êîâ ñ Ìó­ñà Äà­ãà.



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3 (19) 2009

§´³Û­ù»ñ¦ »ñ¢áõÛ­ÃÁ ÍÝáõݹ ¿ ³­é»É 1930³­Ï³Ý­Ý»­ñÇÝ ²ØÜ-áõÙ, ³Û­Ýáõ­Ñ»ï¢ ï³­ ñ³Í­í»É ºí­ñá­å³­ÛáõÙ ¢ èáõ­ë³ë­ï³­ÝáõÙ: г­Û³ë­ï³­ÝáõÙ µ³Û­ù»­ñ³­Ï³Ý Ùï³­Í»­ ɳ­Ï»ñ­åÁ Ó­¢³­íáñ­í»É ¿ 90-³­Ï³Ý­Ý»­ñÇÝ, û¢ §Ùá­ïá­óÇÏ­É»­ï³­ÛÇÝ íǭ׳Ϧ »­Õ»É ¿ ¹»é 80-³­Ï³Ý­Ý»­ñÇó ëÏë³Í: г­Û³ë­ ï³­ÝáõÙ ³­é³­çÇÝ µ³Û­ù»­ñ³­Ï³Ý ³­ÏáõÙ­ µÁ, áñÝ áõ­ÝÇ Çñ ³Ý­¹³Ù­Ý»­ñÁ, ѳ­í³­ ù³­ï»­ÕÇÝ ¢ ϳ­ÝáÝ­Ý»­ñÁ, ëï»ÕÍ­í»É ¿ 1997Ãí³­Ï³­ÝÇÝ` Üá­ñ³Ûñ سñ­ïÇ­ñáë­

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ñ³ ¿­ç»­ñáõÙ ë÷éí³Í ¿ ³Ý­ëá­íáñÝ áõ ½³ñ­Ñáõ­ñ»­ÉÇÝ, 볭ϳÛÝ á°ã Ýñ³ á­×áõÙ, á­ñÁ ÙÇßï å³Ñ­å³­ÝáõÙ ¿ ó­÷³Ý­ óÇ­ÏáõíÛáõ­ÝÁ¦,- ³Ûë­å»ë ¿ ·ñáõÙ È.­´áñ­ Ë»­ëÁ ²­Ïáõ­ï³­·³­í³­ÛÇÝ ÝíÇñ­í³Í Çñ ¿ë­ë»áõÙ: îÇÏ­Ýǭϳ­ÛÇÝ Ã³ï­ñá­ÝÇ µ»­ÙáõÙ Ñ³Û Ñ³Ý­¹Ç­ë³­ï»­ëÁ Ñݳ­ñ³­íá­ñáõíÛáõÝ áõ­Ý»­ó³í ï»ë­Ý»É ׳­åá­Ý³­óÇ Ñ³Ûï­ÝÇ ·ñáÕ è­.²­Ïáõ­ï³­·³­í³­ÛÇ ·ÉáõË­·áñ­Íáó­ Ý»­ñÇó Ù»­ÏÇ` §Â³­íáõ­ïáõÙ¦ å³ïÙ­í³Í­ ùÇ µ»­Ù³¹­ñáõíÛáõ­ÝÁ: ²­í»­ÉÇÝ` ³­é³­çÇÝ ³Ý­·³ÙÝ ¿ñ г­Û³ë­ï³­ÝáõÙ Ý»ñ­Ï³­Û³ó­ íáõ٠׳­åá­Ý³­Ï³Ý Ùß³­ÏáõÛ­ÃÁ: гï­Ï³Ý­ß³­Ï³ÝÝ ³ÛÝ ¿, áñ ݳ­Ë³­¹»­åÁ ãáõ­Ý»­óáÕ ³Ûë Ç­ñ³­¹³ñ­ÓáõÃ­Û³Ý Ñ»ï¢áõ٠ϳݷ­Ý³Í »Ý »­ñÇ­ï³­ë³ñ¹­Ý»ñ: è»­ÅÇ­ëá­ ñÁ ºÂέäÆ é»­ÅÇ­ëá­ñ³­Ï³Ý µ³Å­ÝÇ áõ­ë³­ ÝáÕ ¶áõŠ³¹¢áë­Û³ÝÝ ¿: äñá¹­Ûáõ­ë»ñÝ áõ ¹»­ñ³­ë³­Ý³­Ï³Ý ϳ½­ÙáõÙ ÝáõÛÝ­å»ë ºÂέäÆ áõ­ë³­ÝáÕ­Ý»ñ »Ý: §§Â³­íáõ­ïáõÙ¦ ëï»Õ­Í³­·áñ­ÍáõíÛáõÝÝ Çñ Ù»ç å³­ñáõ­Ý³­ÏáõÙ ¿ Éáõñç ·»­Õ³ñ­í»ë­ ï³­Ï³Ý ³ñ­Å»ù, áñ­ï»Õ µ³ñÓ­ñ³ó­íáõÙ ¿ ×ßÙ³ñ­ïáõÃ­Û³Ý Ñ³ñ­óÁ: Àëï Çë, ³Û­ëûñ ë³ ß³ï ³ñ­¹Ç³­Ï³Ý ËݹÇñ ¿, á­ñáí­Ñ»ï¢ ³­Ù»Ý áù, Áëï Ç­ñ³¹­ñáõí۳Ý, ÷áñ­ÓáõÙ ¿ ×ßÙ³ñ­ïáõíÛáõ­ÝÁ Ý»ñ­Ï³­Û³ó­Ý»É Çñ ß³­ÑÇ ï»­ë³ÝÏ­Ûáõ­ÝÇó: 곭ϳÛÝ ³Ûë­ï»Õ ÝáõÛÝ­ å»ë å³ñ½ ãÇ ¹³é­ÝáõÙ ×ßÙ³ñ­ïáõíÛáõ­ÝÁ: ²Ûë ëï»Õ­Í³­·áñ­ÍáõíÛáõ­ÝÁ ÙÛáõë­Ý»­ñÇó ï³ñ­µ»ñ­íáõÙ ¿ Ýñ³­Ýáí, áñ í»ñ­ç³­µ³Ý ãáõ­ÝÇ: ²­Ïáõ­ï³­·³­í³Ý ³Ûë­åÇ­ëÇ Ùá­ï»ó­ ٳٵ ÃáõÛÉ ¿ ïí»É, áñ­å»ë­½Ç Áݭûñ­óáÕÝ

ÇÝùÝ Çñ á­ñáß­Ù³­ÝÁ ·³: ²Ûë­ï»Õ ×ßÙ³ñ­ ïáõíÛáõÝÝ ³­Õ³­í³Õ­íáõÙ ¿ ¢ Ù³ñ¹­Ï³­ÛÇÝ ÷á˭ѳ­ñ³­µ»­ñáõíÛáõÝ­Ý»­ñáõÙ ³½Ý­íáõí Û³Ý Ñ³ñó ¿ ³­é³­ç³­ÝáõÙ¦,- ³­ëáõÙ ¿ é»­ ÅÇ­ëáñ ¶áõŠ³¹¢áë­Û³­ÝÁ: è»­ÅÇ­ëáñÝ ÇÝùÝ ¿É ¿ ÷áñ­Ó»É ³­í³ñ­ïÇ ï»­ë³­ñ³­ÝÁ ³Ý­Ï³Ë ÃáÕ­Ý»É` ÇÝã­å»ë Ñ»­ Õǭݳ­ÏÁ, û¢ µ»­Ù³¹­ñáõíÛáõ­ÝÁ ¢° ëϽ­ µáõÝ­ùáí, ¢° ­é»­ÅÇ­ëá­ñ³­Ï³Ý Ùá­ï»­óٳٵ ³­é³Ýӭݳ­ÝáõÙ ¿ Çñ Ûáõ­ñû­ñÇ­Ý³Ï Ù»Ï­Ý³­ µ³­Ýáõí۳ٵ: Ö³­åá­Ý³­Ï³Ý Ùß³­ÏáõÛ­ÃÁ ÙÇßï ¿É »­Õ»É ¿ ¶áõŠ³¹¢áë­Û³­ÝÇ Ñ»­ï³ùñù­ñáõí۳Ý, ëï»Õ­Í³­·áñ­Í³­Ï³Ý á­ñá­ÝáõÙ­Ý»­ñÇ áõ áõ­ ëáõ٭ݳ­ëÇ­ñáõíÛáõÝ­Ý»­ñÇ ¿­åÇ­Ï»Ýï­ñá­ ÝáõÙ: §â³­÷³­½³Ýó Ñ»­ï³ùñ­ùÇñ ¿ Ýñ³Ýó ¹ñ³­Ù³­ïáõñ­·Ç³Ý, ÷Ç­ÉÇ­ëá­÷³­ÛáõíÛáõ­ÝÁ, åɳë­ïǭϳÝ, ËáñÑñ­¹³­ÝÇß­Ý»­ñÁ ¢ ³é­Ñ³­ë³­ñ³Ï ³­Ù»Ý ÇÝã: ºë í³­Õáõó ¿Ç ÷³Û­÷³­Ûáõ٠׳­åá­Ý³­Ï³Ý Ý»ñ­Ï³­Û³­óáõÙ µ»­ Ù³¹­ñ»­Éáõ ÙÇï­ùÁ: ²Ûë ³­Ù»­ÝÇ Ýϳï­Ù³Ùµ Ñ»­ï³ùñù­ñáõíÛáõÝë ³­í»­ÉÇ Ù»­Í³­ó³í, »ñµ áõ­ëáõ٭ݳ­ëÇ­ñáõÙ ¿ÇÝù ³ÛÝ ³­Ù»ÝÝ, ÇÝã ϳå­í³Í ¿ñ Ý»ñ­Ï³­Û³ó­Ù³Ý áõ ׳­å᭠ݳ­Ï³Ý Ùß³­ÏáõÛ­ÃÇ Ñ»ï: ú­ñǭݳÏ, »ñµ áõ­ëáõ٭ݳ­ëÇ­ñáõÙ ¿ÇÝù ׳­åá­Ý³­Ï³Ý ½·»ëï­Ý»­ñÁ, å³ñ½ ¹³ñ­Ó³í, áñ Ýñ³Ý­ óáõÙ ³­Ù»Ý ÙÇ ¹»­ï³É, ³­Ù»Ý ÙÇ Ýϳñ­ã³­ Ï³Ý Ù³ë­ÝÇÏ Çñ Ýß³­Ý³­ÏáõíÛáõÝÝ áõ­ÝÇ, ·ñ³­íÇã ¿ ݳ¢ Ýñ³Ýó ·áõ­Ý³­ÛÇÝ ÑÛáõ­Ã»­ ÕáõíÛáõ­ÝÁ, Ýñ³Ýó` µÝáõÃ­Û³Ý Ñ»ï ³Û¹ ã³÷ Ý»ñ­¹³ß­Ý³Ï ÉÇ­Ý»­ÉÁ¦,- å³ïÙáõÙ ¿

¶áõŠ³¹¢áëÛ³ÝÁ: Ö³­åá­Ý³­Ï³Ý Ùß³­ÏáõÛ­ÃÇ Ñ³Ý­¹»å é»­ÅÇ­ ëá­ñÇ Ù»Í ë»­ñÁ 㻽­ñ³­÷³Ï­í»ó Ý»ñ­Ï³­ Û³ó­Ù³Ý µ»­Ù³¹­ñáõí۳ٵ: Ü»ñ­Ï³­Û³ó­Ù³Ý åñ»­ÙÇ»­ñ³­ÛÇÝ Ñ³­çáñ­¹»­óÇÝ óáõ­ó³­Ñ³Ý­ ¹»ëÝ áõ ׳­åá­Ý³­Ï³Ý ùݳ­ñ»ñ­·áõÃ­Û³Ý »­ñ»­ÏáÝ: §Ðá­í³­Ý³­íáñ §²Ý­ï³­ñ»ë Ù»­¹Ç³ ÑáÉ­ ¹ÇÝ·¦-Ç ³­é³­ç³ñ­ÏÇ ßÝáñ­ÑÇí áõ­Ý»­ó³Ýù ݳ¢ ²­Ïáõ­ï³­·³­í³­ÛÇ §Â³­íáõ­ïáõÙ¦ å³ïÙ­í³Í­ùÇ ³­é³­çÇÝ Ñ³­Û»­ñ»Ý óñ·­ Ù³­ÝáõíÛáõ­ÝÁ: ¶ñùáõÙ Ï³Ý Ý³¢ Éáõ­ë³Ý­ ϳñ­Ý»ñ Ù»ñ Ý»ñ­Ï³­Û³­óáõ­ÙÇó: ¶áõ­ó» ³ÛÝ, ÇÝã Ù»Ýù Ý»ñ­Ï³­Û³ó­ñÇÝù ³Û¹ 2 û­ñ»­ñÇ Áݭóó­ùáõ٠׳­åá­Ý³­Ï³Ý Ùß³­ÏáõÛ­ÃÇ ÙÇ ãÝãÇÝ Ù³ëÝ ¿ñ, µ³Ûó ÷áñ­Ó»É ¿ÇÝù ³­Ý»É ³­é³­í»­É³­·áõÛ­ÝÁ, ÇÝã Ñݳ­ñ³­íáñ ¿ñ: ܳ­ ˳­·ÇÍÝ Ç­ñ³­Ï³­Ý³ó­Ý»­ÉÁ ¹Åí³ñ ¿ñ, ë³­ ϳÛÝ ÐÐØ­ß³­ÏáõÛ­ÃÇ Ý³­Ë³­ñ³­ñáõÃ­Û³Ý ¢ ÙÛáõë ·áñ­ÍÁÝ­Ï»ñ­Ý»­ñÇ ³­ç³Ï­óáõí۳ݵ µá­Éáñ ¹Åí³­ñáõíÛáõÝ­Ý»­ñÁ ѻ߭ïáõí۳ٵ ϳ­ñá­Õ³­ó³Ýù ѳխó­Ñ³­ñ»É¦: ܳ­Ë³­·Ç­ÍÁ Ñ»­ï³ùñù­ñáõíÛáõÝ ¿ñ ³­é³­ ç³ó­ñ»É ݳ¢ ׳­åá­Ý³­óÇ­Ý»­ñÇ Ùáï. §Â³­ íáõ­ïáõÙ¦ å³ïÙ­í³Í­ùÇ Ñ³Û é»­ÅÇ­ëá­ñÇ µ»­Ù³¹­ñáõíÛáõ­ÝÁ Ñݳ­ñ³­íá­ñáõíÛáõÝ Ïáõ­ Ý»­Ý³Ý ï»ë­Ý»É ݳ¢ èáõ­ë³ë­ï³­ÝáõÙ ¢ Ö³­åá­Ýdz­ÛáõÙ: ²Ûë ³­Ù»­ÝÁ ѳ­í³ë­ïáõÙ ¿ ³ÛÝ Ù³­ëÇÝ, áñ ݳ­Ë³­·Ç­ÍÁ ß³­ñáõ­Ý³­Ï³­Ï³Ý ¿ ÉÇ­Ý»­Éáõ: г­í³­Ý³­µ³ñ ³Ûë »ñ¢áõÛ­ÃÁ Ϲ³é­Ý³ Ù»ñ Ùß³­Ïáõ­Ã³­ÛÇÝ µ³­ñ»­Ï³­ÙáõÃ­Û³Ý ·»­Õ»­óÇÏ ³­í³Ý­¹áõÛíݻ­ñÇó Ù»­ÏÁ:

3 (19) 2009

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ARMENIAN GAMES

The 21 Century against Folk Games st

I

n this era of globalization it is extremely difficult for a nation to keep its identity, i.e. a complex of characteristics peculiar only to that nation. Almost every day mass media report about anti-globalist mass demonstrations which appeal to the Great Powers to keep the cultures of the world’s nations pure. Folklore, which comprises folk dances, folk music, folk games, etc., is of course an integral part of any nation’s culture. We - as a nation with 4000-year history - can really boast of having numerous folk games. Yet what do we know about Armenian folk games? Nowadays in Yerevan or in any other town of Armenia one can hardly find children playing ‘holl’, ‘banka plav’ or ‘7 qar’. These are all names of top-popular games only some decades ago, but recently they have yielded allowing video games, soap operas or I-don’t-know-what ‘to educate and entertain children’. At the first sight all this stuff seems even preferable. Your child sits in his/her room quietly without running, shouting, jumping and sweating. Yet a little thinking about the consequences of such an immobile life will perhaps change many parents’ opinion. On the one hand, the absence of games requiring dexterity, agility and ability to communicate with other children of the same age can cause great harm to the child’s health and further intellectual development. On the other hand, in some hundred years coming generations won’t have a slightest idea about Armenian folk games. To prevent that we should begin today by telling our children about this or that game and playing it with them. Not only parents can help the young generation, but grandparents as well since they probably have more experience concerning folk games. Moreover, a parent playing with his/her child can serve as an excellent example for other parents. So, entire streets, districts and towns will turn into huge playgrounds. Factually, folk games have both theoretical and practical value. From theoretical point of view they are very important for ethnographers and historians because every phenomenon connected with folklore reflects the nations’ history. The practical value of a game, be it

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by Parandzem Avagyan

folk or not, is evident. They help to improve the player’s health, caution, and communicative abilities. Being aware of the importance and necessity of folk games our ancestors practiced various kinds of games to temper the bodies and souls of young Armenians. These games were to prepare future soldiers for the Armenian army as many of games were strength-involving exercises. According to the Armenian legends, due to such games Torq Angegh (Torq the Ugly) had ‘the strength of 20 elephants’ and could easily throw rocks on the enemy ships. Another wonderful example of strength, heroism, and patriotism is David of Sassoon, one more legendary Armenian hero who was brought up playing different games, which surely contributed to his physical development. It might seem amazing but back in the 12th century Mkhitar Gosh gives 5 definite laws concerning players in his priceless work ‘Datastanagirq’ (‘Code of Law’). The main idea of all the laws is that the parents of the guilty child or teenager are to take up the medical expenses if during the game their child has hurt any other player. The Code of Law by Smbat the Constable involves 7 laws for players. The peculiarity of these laws is that the author makes differentiation of the age of the defendants, i.e. children under 12 are found half-guilty and older children are treated like adults and can even get death sentence. Unfortunately, the great attention to folk games, which once used to exist, can hardly be felt now. As a result, most Armenian folk games have become part of history. Nonetheless, we do believe that wonderful Armenian games can be revived; they only need ‘a well-structured PR’. Out of approximately 1000 folk games several ones can be found almost in all the regions of Armenia due to their popularity, for example, Payt Qashotsik (Pulling of the Stick) which was played in Sassoon and Taron. The players choose one of them as a grandpa, with the others being numbered. The grandpa signals to 2 players to sit in front of each other, the soles pressed to each other. After the grandpa gives them a wooden stick the players take it with both hands and begin pulling each other until one is


ARMENIAN GAMES

lifted from his place. The winner stays in his place and waits for the next number. The last winner wins the whole game. Another quite an interesting game is Pesayi Qar (the Stone of the Bridegroom) played chiefly in Taron before wedding ceremonies. A round heavy stone is put in the middle of the village and all the young men who wish can try to lift the huge stone. If the participator succeeds, the adults say that it is time for him to get married. Otherwise he is reproached very badly. In fact, this is not only a game but an old tradition as well. On the first visit to the house of his beloved the future fiancé lifts and puts away the heavy stone placed there beforehand by the father of the girl. In such a way he proves his maturity and strength. It is not surprising that Armenian wrestlers almost always return from World, Europe Championships or Olympic Games with medals. We have such old games as Gyulash & Kokh which seem to be ‘brothers’ of wrestling. In these games the player who makes his rival touch the ground with his back wins. Some decades ago following the tradition during the wedding ceremonies the parents of the bridegroom held a kind of Kokh before the young couple. At present some remnants of this extraordinary custom can be found in the villages of Kotayq, Ashtarak, Ararat, etc. Among the Armenian young Lakhtakhagh (Mace Game) was of great popularity. 2-20 young men gathered in a field and drew a broad circle and got divided in two groups. One of the groups - called insiders - stepped inside the circle and the other group - called outsiders - stood around the circle. Each of the insiders had a lakht near his feet and was to protect it by all means. The outsiders used all the possible means to snatch the lakht. Blows, pushes and mockery were normal during this game. To tell the truth, it has never occurred to me that Qsanmek (Twenty-one) is an old Armenian game. Fortunately, this is one of the few folk games which are still played almost everywhere in Armenia, though with certain modifications. According to the number of the players, several equal groups are formed. The members of the first group throw up the ball with the out side of their foot for 21, then 51, and at last 101 times. Meanwhile the foot with which the player throws up the ball should not touch the ground. Every section of the game is called palan. The player should touch the ball

exactly 21, or 51, or 101 times, otherwise the points are ‘burnt’. Probably, besides Qsanmek there are three other survivors of Armenian games which are widely spread especially in villages Banka Plav (The Can Crumbled), 7 Qar (7 Stones), and Holl. It may seem that Banka Plav has something in common with cuisine, but of course this is not so. For this game the players need a can put on the ground. Then a straight line is drawn 10 m. away from the can. One of the players stands near the can, while the others stay out of the line and throw their lepuks (flat stones) at the can trying to ‘ruin’ it. The aim of the insider is not to let the outsiders take away their lepuks and always keep the can upright. The insider can trace the outsiders up to the line, as it is his territory. In case of catching an outsider the latter substitutes the insider. Like Banka Plav, 7 Qar is also played both by girls and boys. Two groups play against each other: one group attacks trying to ruin 7 stones put one on the other and hitting the rivals with a ball, while the other group makes an attempt to put the heap of the stones on its place and count up to seven. In that case the latter group wins a palan, i.e. a round. If the attacking group grasps the ball, without it touching the ground, that group wins a palan. Actually, most Armenian games are not individual. Holl is one of those games which can be practiced both by one player and entire groups. For this game the child needs a holl, i.e. a wooden cone-shaped object, with a nail in it, and a rope. The player winds the rope around the holl and throws the holl on the ground. The latter begins to rotate. The aim of the game is to throw the holl in such a way that it hits another holl while rotating. Certainly this is only a little part of our Armenian folk games, yet even these 7-8 games demonstrate the variety of games that we have and the variety, as we know, is the mother of enjoyment. Nowadays it is extremely essential to pay more attention to intellectual and physical education of our younger generation. In this process we can make the best of our folk games. Such a return to the roots will be healthy not only for children but for our culture as well. Armenian folk games are the part of our culture which can never be substituted by video games, TV, movies, etc. Preserving folk games we preserve ourselves.

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3 (19) 2009

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rmenian land is famous with its khachkars, churches. In every corner where an Armenian has lived and has delivered his prayers to God, he has built his chapel – the pledge of his belief and existence. Today many of the churches we have do not function and the bells of many churches beyond Armenia are silent. And please God, they don’t sleep too long. Among these churches is Khoranashat (meaning “having many vestries”) Monastery situated on the slope covered with forests near Chinary village. The Monastery was founded by Monk Vardapet in the XII century. Famous historians Kirakos Gandzaketsy, Vardan Areveltsy, Maghakia, Stepanos

Aghtamartsy were his pupils. Khoranashat Monastery was also a center of rewriting old manuscripts. Today the Monastery has appeared on the border – the positions of Turks are situated only a few meters away. People are afraid to go to the Monastery: it is rather dangerous. Thus the village folk are deprived of both the church and church ceremonies. Khoranashat is currently deserted, damaged from bombings. Instead a “wonderful” idea has occurred: to build a new church in Chinary, right in the village. The villagers of Chinary don’t hope that the church will become safe in near future: no monk would be willing to endanger his life and serve in Khoranashat Monastery. Consequently, the Monastery will not function.

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Ø»Ýù ÷áùñ Åá­Õá­íáõñ¹ »Ýù: ºí ³Û­ëáõ­Ñ»ï Ù³­Ý³­í³Ý¹ ³ñ­¹Ç ѳ­é³­ç³­¹Ç­Ùáõí۳Ý, ù³­Õ³­ù³Ïñ­ÃáõÃ­Û³Ý ½³ñ­·³ó­Ù³Ý ׳­Ý³­ å³ñ­ÑÇÝ íñ³, ÷áùñ Åá­Õá­íáõñ¹­Ý»­ñáõ ѳ­Ù³ñ ¹Åí³ñ åÇ­ïÇ Áɭɳ Ç­ñ»Ýó Ç­Ù³­ó³­Ï³Ý, Ñá­·»­Ï³Ý ³Ý­Ï³­ËáõíÛáõ­ÝÁ å³­Ñ»­ÉÁ: ¸Ûáõ­ñÇÝ ·áñÍ ã¿, å»ïù ¿ ÙñóÇÉ Ù»­Í»­ñáõ Ñ»ï ¢ Ñ»ï ãÙݳÉ: ²­Ûá, Ù³­Ý³­ í³Ý¹ Ùß³­ÏáõÛÃí åÇ­ïÇ Áɭɳ Ù»ñ ϳñ­ÍÇ­ùáí: Ø»ñ Åá­Õá­íáõñ­¹Á, »­Ã» ³­å³­·³ ÙÁ áõ­ÝÇ ¢ åÇ­ïÇ Ï³­ñ»­Ý³ áõ­Ý»­Ý³É, Ç­ñ»Ý ï»Õ ÙÁ ³­å³­Ñá­í»­Éáí ³Ûë ³ñ¢ÇÝ ï³Ï, ³Û¹ ϳ­ñ»­ÉÇ åÇ­ïÇ Áɭɳ Ç­ñ³­ ·áñ­ÍÇÉ ßÝáñ­ÑÇí Çñ ÑÇÝ áõ Ýáñ Ùß³­Ïáõ­Ã³­ÛÇÝ ³ñ­Å»ù­Ý»­ñáõÝ: ì³½­·»Ý ² гۭñ³­å»ï г­Ûáó, ·Çñù ´, ¿ç 186-187 ²ëï­í³Í ÙÇ ³­ñ³ë­ó», áñ ûñ ÙÁ Ó»ñ ­Ù³­ëÇÝ Áë­íÇ, û §Í³­·áõ­Ùáí Ñ³Û ¿ñ¦: à°ã, ¹áõù ³Ù­µáÕ­ç³­Ï³Ý ¢ Édzñ­Å»ù Ñ³Û å»ïù ¿ Áɭɳù, áã ÙdzÛÝ Ó»ñ ͳ­·áõ­Ùáí: Üϳ­ñ³­·Çñ ¢ ³ñ­Å³­Ý³­å³ï­íáõíÛáõÝ áõ­Ý»­óáÕ Ù³ñ­¹Á, ³½­ÝÇí Ñå³ñ­ïáõíÛáõÝ áõ­Ý»­óáÕ Ù³ñ­¹Á ãÇ Ññ³­ ų­ñÇñ Çñ ³½­·áõ­Ãáõ­Ý»Ý: ²­Ñ³ ³Ûë­å»ë ³ß­Ë³­ï»­ó»ù ϳ­ï³ñ­Û³É ѳ­Û»ñ ÙݳÉ, Ï۳ݭùÇÝ Ù»ç áõ­Ý»­Ý³É ·»­ñ³­·áõÛÝ Ýå³­ï³Ï` µ³­Ýáí ÙÁ û·­ï³­Ï³ñ Áɭɳ­Éáõ Ó»ñ ³½­·ÇÝ, Ñ³Û Åá­Õá­íáõñ­¹ÇÝ ¢ ³­Ù»­Ý³ÛÝ Ñ³­Ûáó ѳ­íǭﻭݳ­Ï³Ý г­Û³ë­ï³­ÝÇÝ: гï­í³Í ì³½­·»Ý ² гۭñ³­å»­ïÇ ì»­Ý»­ïÇ­ÏáõÙ ³ñ­ï³­ë³­Ý³Í áÕ­çáõÛ­ÝÇ Ëáë­ùÇó º­Ã» Ù»½­Ù» Ëáñ­Ñáõñ¹ ÙÁ Ïáõ­½»Çù, áõÕÕ­Û³É ë÷Ûáõé­ùÇ Ñ³Û ³ñ­í»ë­ï³­·»ï­Ý»­ñáõÝ, Ù»ñ Ëáñ­Ñáõñ­¹Á åÇ­ïÇ Áɭɳ, áñ ³­ÝáÝù Ç­ñ»Ýó Ñá·­íá ѳ­Û³óù­Ý»­ñÁ áõÕ­Õ»ÇÝ ¹»­åÇ ²­ñ³­ñ³ï, ¹»­åÇ ÉáõÛë ºñ¢³Ý, ¹»­åÇ Ù»ñ ³å­ñáÕ áõ ßÝãáÕ áõ í»­ñ³­ßÇÝ­íáÕ Ñ³Û­ñ»­ÝÇ­ùÁ, ¹»­åÇ ³­Ù»­Ý³ÛÝ Ñ³­Ûáó ÉáõÛë ³­å³­·³Ý Ï»ñ­ïáÕ Ñ³­Û³ë­ï³Ý­óÇ Åá­ Õá­íáõñ­¹Á: ...àã Ù»Ï ë÷Ûáõé­ù³­Ñ³Û ³ñ­í»ë­ïÇ Ù³ñ¹, ³­é³­í»É ¢ë ­áã Ù»Ï Ñ³Û Ñá·¢á­ñ³­Ï³Ý å»ïù ã¿ ÃáõÛÉ ï³ Ç­ñ»Ý ù³­Õ³­ù³­Ï³Ý í»­ñ³­µ»ñ­ ÙáõÝù ×ßï»­Éáõ ³ñ­¹Ç г­Û³ë­ï³­ÝÇ ·ñ³­Ï³Ý- ·»­Õ³ñ­í»ë­ï³­Ï³Ý ëï»Õ­Í³­·áñ­ÍáõíÛáõÝ­Ý»­ñáõ Ýϳï­Ù³Ùµ ¢ ³­é³­í»É ¢ë ­Ñ³Û Åá­ Õáíñ­¹Ç Ñá·¢áñ Ï»Ýï­ñáÝ ë. ¾ç­ÙdzͭÝÇ Ýϳï­Ù³Ùµ: гï­í³Í ì³½­·»Ý ² гۭñ³­å»­ïÇ ÜÛáõ- Úáñ­ùáõÙ ³­Ù»­ñǭϳ­Ñ³Û Ùï³­íá­ñ³­Ï³Ý­Ý»­ñÇÝ áõÕ­Õ³Í ×³­éÇó ä³ï­ÙáõíÛáõ­ÝÁ Ù»­½Ç Ïëáñ­í»ó­Ý», û ³ÛÝ ·³­Õáõíݻ­ñÁ, á­ñáÝù ¹³­í³­Ý³­÷áË »­Õ³Ý ¢ Ù³Ûñ »ñÏ­ñÇ áõ ë. ¾ç­ÙdzͭÝÇ Ñ»ï Ç­ñ»Ýó ϳ­åÁ Ïïñ»­óÇÝ, ³­ÝáÝù ßáõ­ïáí ï³ñ­ñ³­ÉáõÍ­í»­ó³Ý áõ Ïá­ñ³Ý, ¢ ǵñ Ñ»ïù` ó³Ý­ó³é ÑÇ­ß³­ï³Ï­Ý»ñ Ó·»­óÇÝ ÙdzÛÝ å³ï­ÙáõÃ­Û³Ý Ù»ç: ´áõ­Ë³­ñ»ëï, 1945Ã.

Àݹ­Ñ³Ý­ñ³­å»ë Ù»Ýù Ùß³­ÏáõÛ­ÃÇÝ Ïѳ­í³­ï³Ýù: Ø»Ýù Ïϳñ­ Í»Ýù, áñ »­Ã» Çë­Ï³­å»ë Ù³ñ¹ »Ýù, ã»Ýù Ïñݳñ Ùß³­ÏáõÛ­ÃÇÝ ãѳ­í³­ï³É, á­ñáí­Ñ»ï¢ Ù³ñ­¹áõ ·³­Õ³­÷³­ñÁ ³­é³­í»­É³­å»ë ¢ ¿³­å»ë µÝá­ñá­ßá­ÕÁ Ùß³­ÏáõÛÃÝ ¿` Çñ ³­Ù»­Ý³­É³ÛÝ Ç­Ù³ë­ïáí, ÏñáÝùÝ ³É Ù»­çÁ ³éÝ­í³Í:

3 (19) 2009

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ÄÅÒÈ ÑÎËÍÖÀ

ÄÅÒÈ - ÏÎ ÑËÅÄÀÌ ÑÎËÍÖÀ

www.fpwc.org

Êè­íîèñ­êóññò­âî íå ìî­æåò óíè÷­òî­æèòü âñå ýêî­ëî­ãè­÷åñ­êèå ïðîá­ëå­ìû è ñäå­ëàòü ìèð ëó÷­øå, íî ìî­æåò çàñòà­âèòü ëþ­äåé îã­ëÿ­íóòü­ñÿ âîê­ðóã è çà­äó­ìàòü­ñÿ. Àð­ìÿíñ­êèå “äå­òè ñîëí­öà” ÷å­ðåç îáüåê­òè­âû êà­ìåð ðàñ­ïîç­íà­ëè ýêî­ëî­ãè­ ÷åñ­êèå ïðîá­ëå­ìû, ÷òî è ïîä­òîëê­íó­ëî èõ îñ­âî­áî­äèòü­ñÿ îò ïîò­ðå­áè­òåëüñ­êîé ïî­çè­öèè ïî îò­íî­øå­íèþ ê ïðè­ðî­äå, óêî­ðå­íåí­íîé â íèõ ñ äåòñò­âà, çà­áî­òèòü­ñÿ î ïðè­ðî­äå, îáå­ðå­ãàòü è îõ­ðà­íÿòü åå äåíü çà äíåì.

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ÅÒÈ - ÏÎ ÑËÅÄÀÌ ÑÎËÍÖÀ Êèíîèñêóññòâî íå ìîæåò ðåøèòü âñå ýêîëîãè÷åñêèå ïðîáëåìû è ñäåëàòü ìèð ëó÷øå, íî ìîæåò çàñòàâèòü ëþäåé îãëÿíóòüñÿ âîêðóã è çàäóìàòüñÿ. Àðìÿíñêèå “äåòè ñîëíöà” ÷åðåç îáúåêòèâû êàìåð îòêðûëè äëÿ ñåáÿ ýêîëîãè÷åñêèå ïðîáëåìû,

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ÆÓÐÍÀË "ÌÅÍÊ ÌÅÐ ÌÀÑÈÍ"

3 (19) 2009

÷òî è ïîäòîëêíóëî èõ îñâîáîäèòüñÿ îò óêîðåíåííîé â íèõ ñ äåòñòâà ïîòðåáèòåëüñêîé ïîçèöèè ïî îòíîøåíèþ ê ïðèðîäå, çàáîòèòüñÿ î íåé, îáåðåãàòü è îõðàíÿòü åå äåíü çà äíåì. ÁÎÐÜÁÀ ÇÀ ÏÐÈÐÎÄÓ Ñ ÏÎÌÎÙÜÞ ÊÈÍÎÊÀÌÅÐÛ “Êîãäà ÿ áûë ìàëåíüêèì, äåäóøêà áðàë

ìåíÿ ñ ñîáîé íà îõîòó, è ÿ êàæäûé ðàç ñ ðàäîñòüþ õîäèë ñ íèì, íî êàæäûé ðàç êðåïêî çàæìóðèâàë ãëàçà, êîãäà îí íàöåëèâàë ðóæüå íà áåççàùèòíîå æèâîòíîå. Ïîòîì ÿ ïåðåñòàë õîäèòü íà îõîòó, íî ìíå âñåãäà ñòàíîâèëîñü íå ïî ñåáå, êîãäà îõîòíèêè âîçâðàùàëèñü äîìîé – ãîðäûå è äîâîëüíûå ñâîåé


ÄÅÒÈ ÑÎËÍÖÀ

äîáû÷åé. Ìíå ñòàíîâèëîñü ãðóñòíî, íî ÿ íè÷åãî íå ìîã ïîäåëàòü”, - ïîäåëèëñÿ øêîëüíèê Àéê ñâîèìè ïåðåæèâàíèÿìè ñ íàìè. Ýòî íåïðèÿòíûå äëÿ Àéêà âîñïîìèíàíèÿ èç äåòñòâà. Åãî è ñåé÷àñ çàáîòèò ñóäüáà æèâîòíûõ, íî îí áîëüøå íå ãðóñòèò: “Ñåé÷àñ ÿ ìîãó ãîâîðèòü î âîëíóþùèõ ìåíÿ ïðîáëåìàõ, ìîãó

ïîêàçàòü ëþäÿì, ÷åãî íåëüçÿ äåëàòü íåëüçÿ óíè÷òîæàòü æèâîòíûõ, íåëüçÿ ðóáèòü äåðåâüÿ, íåëüçÿ çàãðÿçíÿòü îêðóæàþùóþ ñðåäó, íåëüçÿ åùå ìíîãîìíîãî âåùåé. Ñâîå “íåëüçÿ” ÿ ïðåâðàùàþ â ôèëüì, ïîêàçûâàþ â ôèëüìå âñå, è áîëüøå íå ãðóùó,” - ãîâîðèò Àéê, è åãî ãëàçà áëåñòÿò: íàâåðíî, ãîðäèòñÿ òåì, ÷òî ìîæåò ïîìî÷ü æèâîòíûì ñ ïîìîùüþ ñâîèõ ôèëüìîâ. Ãîä íàçàä Àéê è ñîòíè ïîõîæèõ íà íåãî äåòåé íå âëàäåëè àçáóêîé êèíåìàòîãðàôà è íå èìåëè íèêàêîãî îïûòà ðàáîòû ñ êàìåðîé. Ñåãîäíÿ îíè ðàçãîâàðèâàþò ñ ëþäüìè î ÷óäåñàõ æèâîé ïðèðîäû íà ÿçûêå êèíî. “Ìû ñíÿëè ôèëüì î òîì, êàê ëþäè ëîâÿò æèâîòíûõ, ëèøàþò èõ ñâîáîäû è, êîãäà íàñòàåò ìîìåíò, êîãäà óñëîâèÿ íå ïîçâîëÿþò ñîäåðæàòü ýòèõ çâåðåé, îòïóñêàþò èõ íà âîëþ. À ýòî åùå õóæå, ÷åì ëèøàòü æèâîòíûõ ñâîáîäû, ïîòîìó ÷òî, ïðîâåäÿ ñòîëüêî ëåò â êëåòêå, æèâîòíîå óæå íå ìîæåò æèòü íà ñâîáîäå - îíî ïðîñòî ïîãèáíåò”, - òàê ðàññêàçûâàåò î ñâîåì ôèëüìå îäíîêëàññíèê Àéêà Àðòóð Ãàðèáÿí. ÄÈÒß ÑÎËÍÖÀ È Àéê, è Àðòóð æèâóò â Óðöàäçîðå. Óðöàäçîð - îäíà èç ìàëåíüêèõ äåðåâóøåê Àðìåíèè, âäàëè îò ãîðîäñêîé ñóåòû è äâèæåíèÿ. Ìíîãèå èç äåòåé Óðöàäçîðà, âñåãäà æèâøèå â ãàðìîíèè ñ êàìíÿìè è ïðèðîäîé, òîëüêî ñåé÷àñ îòêðûâàþò äëÿ ñåáÿ êðàñîòû ðîäíîãî êðàÿ. À îáû÷íî ëþäè ñòàíîâÿòñÿ âíèìàòåëüíûìè òîãäà, êîãäà ïîÿâëÿåòñÿ ñòðàõ ëèøèòüñÿ îêðóæàþùèõ õîðîøèõ è äîáðûõ ÿâëåíèé. Äåòè ïðèçíàþòñÿ, ÷òî ñåé÷àñ ìîãóò âèäåòü âåùè, êîòîðûõ è íå çàìå÷àëè ðàíüøå. À çàìå÷àòü ýòè âåùè èõ íàó÷èë Ôîíä îõðàíû äèêîé ïðèðîäû è êóëüòóðíîãî íàñëåäèÿ â Àðìåíèè (FPWC) â ñîòðóäíè÷åñòâå ñ îïåðàòîðîì ìîáèëüíîé ñâÿçè VivaCell-MTS. Àðìÿíñêèå “äåòè ñîëíöà” ÷åðåç îáúåêòèâû êàìåð îòêðûëè äëÿ ñåáÿ ýêîëîãè÷åñêèå ïðîáëåìû, ÷òî è ïîäòîëêíóëî èõ îñâîáîäèòüñÿ îò óêîðåíåííîé â íèõ ñ äåòñòâà ïîòðåáèòåëüñêîé ïîçèöèè ïî îòíîøåíèþ ê ïðèðîäå, çàáîòèòüñÿ î íåé, îáåðåãàòü è îõðàíÿòü åå äåíü çà äíåì. ÝÊÎ-ÊËÓÁÛ – ÈÑÒÎÊÈ ÝÊÎËÎÃÈ×ÅÑÊÎÃÎ ÂÎÑÏÈÒÀÍÈß “Ïðèðîäà - ýòî íàøà æèçíü: áåç íåå æèçíü

íåâîçìîæíà. Ìû äîëæíû îáåðåãàòü ïðèðîäó íå òîëüêî äëÿ ñàìèõ ñåáÿ, íî è äëÿ áóäóùèõ ïîêîëåíèé. Ïîýòîìó ìû äîëæíû ñòàâèòü àêöåíò íà ýêîëîãè÷åñêîì âîñïèòàíèè äåòåé, ïðèâèâàòü èì ëþáîâü ê îêðóæàþùåé ñðåäå è ó÷èòü çàáîòèòüñÿ î íåé”,- îòìå÷àåò äèðåêòîð ôîíäà Ðóáåí Õà÷àòðÿí. Ñ 2006 ã. Ôîíä íà÷àë îñóùåñòâëåíèå ýêîëîãè÷åñêîãî îáðàçîâàòåëüíîãî ïðîåêòà â ðàçíûõ ðåãèîíàõ Àðìåíèè.  ðàìêàõ ýêî-îáðàçîâàòåëüíîé ïðîãðàììû “Ïî ñëåäàì ñîëíöà” â 6-è ðåãèîíàõ Àðìåíèè áûëè îñíîâàíû ýêî-êëóáû. Ó÷àñòíèêè ýêî-êëóáîâ ñ ïîìîùüþ ñïåöèàëèñòîâ çíàêîìèëèñü ñ ïðîáëåìàìè îêðóæàþùåé ñðåäû, ó÷èëèñü ñíèìàòü ïðèðîäó íà ôîòî- è âèäåîêàìåðó. “Ìû ïðåäëàãàåì äåòÿì àëüòåðíàòèâíóþ îáðàçîâàòåëüíóþ ïðîãðàììó, âíóøàåì èì óâåðåííîñòü â ñâîèõ ñèëàõ, â òîì, ÷òî îíè ìîãóò çàìå÷àòü âñå ïðîÿâëåíèÿ íåñïðàâåäëèâîñòè ïî îòíîøåíèþ ê ïðèðîäå, êðèòèêîâàòü è ãîâîðèòü î ïðîáëåìàõ â ñâîèõ ôèëüìàõ”, ïîä÷åðêíóë äèðåêòîð ôîíäà. Óäà÷íîå è ýôôåêòèâíîå îñóùåñòâëåíèå ýòîãî ïðîåêòà, ïîëîæèòåëüíûå ðåçóëüòàòû ñòàëè äëÿ îðãàíèçàòîðîâ ñòèìóëîì äëÿ òîãî, ÷òîáû ðàñøèðèòü êðóã ñâîèõ äîñòèæåíèé è ðàçâèòü ýêî-îáðàçîâàòåëüíûé ïðîåêò ïî âñåé òåðèòîðèè Àðìåíèè, âêëþ÷àÿ òàêæå Íàãîðíûé Êàðàáàõ. Ñåãîäíÿ êîëè÷åñòâî ðåáÿò, ïîñåùàþùèõ ýêî-êëóáû, äîñòèãëî òðåõñîò. Îíè ñîñòàâëÿþò àðìèþ Äåòåé Ñîëíöà, êîòîðûå â ñèëàõ ñîçäàòü ìîùíîå ýêîëîãè÷åñêîå äâèæåíèå è ñäåëàòü íàø ìèð ëó÷øå. Ñåé÷àñ ìîæíî ñ óâåðåííîñòüþ ñêàçàòü, ÷òî çàíÿòèÿ, ïðîâåäåííûå â ýêî-êëóáàõ, ïîëíîñòüþ îïðàâäàëè ñåáÿ. Ìîëîäûå ó÷àñòíèêè íå òîëüêî óçíàëè î ñóùåñòâóþùèõ â èõ ðåãèîíàõ ýêîëîãè÷åñêèõ ïðîáëåìàõ, íî òàêæå ñîçäàëè àâòîðñêèå ôèëüìû, êîòîðûå âûçâàëè áîëüøîé èíòåðåñ è ïîëó÷èëè ïðèãëàøåíèÿ ó÷àñòâîâàòü â ìåæäóíàðîäíûõ ýêî-ôåñòèâàëÿõ. Ôèëüìû, ñîçäàííûå â ýòîì ãîäó, ìîæíî áóäåò ïîñìîòðåòü â ðàìêàõ âòîðîãî ìåæäóíàðîäíîãî ýêîëîãè÷åñêîãî êèíîôåñòèâàëÿ «Äèòÿ Ñîëíöà» 2009, êîòîðûé ñîñòîèòñÿ ñ 25-ãî äî 29-ãî îêòÿáðÿ.

3 (19) 2009

ÆÓÐÍÀË "ÌÅÍÊ ÌÅÐ ÌÀÑÈÍ"

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¶ºàð¶Æ Ú²ÎàôÈàìÀ

¶»Õ³ÝϳñÇãÁ, µ»Ù³ÝϳñÇãÁ, Ó¢³íáñáÕÁ, ݳ˳·ÍáÕÁ, ³ñí»ëï³µ³ÝÁ, Ýáñ³ñ³ñÁ, ³½Ýí³Ï³ÝÁ, ѳÛÁ лÕÇݳÏ` ²Ýáõß ´³µ³Û³Ý

ɳ¹­ñ³Ýù ¿ áõ ³ñ­Ñ»ëï, ¢ ³­Ý³ñ­Å³Ý ¿ ³ñ­í»ëï ѳ­Ù³ñ­í»­Éáõ¦: Î۳ݭùáõÙ ¢ ·áñ­Íáõ٠ݳ ³ÛÝåÇ­ëÇ Ï»ñ­å³ñ ¿ñ, áõÙ ßáõñçÝ ¿ÇÝ Ñ³­í³ù­íáõÙ ï³ëÝ­Û³Ï Ù»­Í³­ï³­Õ³Ý¹ ³Ý­Ñ³­ï³­Ï³­ÝáõíÛáõÝ­Ý»ñ` º­ë»­ÝÇ­ÝÁ, س­Û³­ Ïáíë­ÏÇÝ, äñá­Ïáý¢Ý­ áõ ¸Û³­·ÇÉ¢Á, ³ǭ ñáíÝ áõ Ø»­Û»ñ­ËáÉ­¹Á, êá­Éá­·áõµÝ áõ Èáõ­Ý³­ ã³ñë­ÏÇÝ, ê³ñ­Û³­ÝÁ ¢ ³ÛÉù: Ú³­Ïáõ­ÉáíÝ ³ñ­¹»Ý Ï۳ݭùÇ û­ñáù ѳ­Ù³ß­ ˳ñ­Ñ³­ÛÇÝ Ñéã³Ï ¿ñ í³­Û»­ÉáõÙ. Ýñ³ ëï»Õ­ ͳ­·áñ­ÍáõíÛáõÝ­Ý»­ñÁ óáõ­ó³¹ñ­íáõÙ ¿ÇÝ ³­Ù»­Ý³­Ñ»­Õǭݳ­Ï³­íáñ å³ï­Ï»­ñ³ë­ñ³Ñ­ Ý»­ñáõÙ, Ýñ³ ³ñ­í»ë­ïÁ 20-ñ¹ ­¹³­ñÇ 20³­Ï³Ý ÃÃ. ·»­Õ³ñ­í»ë­ï³­Ï³Ý µá­Éáñ ³ã­ùÇ ÁÝÏ­ÝáÕ Ùdz­íá­ñáõÙ­Ý»­ñÇ áõ Ñá­ë³Ýù­Ý»­ñÇ áõ­ß³¹­ñáõÃ­Û³Ý Ï»Ýï­ñá­ÝáõÙ ¿ñ, ݳ ѳݭ ¹Ç­åáõÙ ¿ñ ³ñ¢ÙïÛ³Ý Ï»ñ­å³ñ­í»ë­ïÇ Ñ³Ý­×³­ñ»Õ Ý»ñ­Ï³­Û³­óáõ­óÇã­Ý»­ñÇ ÙÇ áÕç ³ëï­Õ³­µáõÛ­ÉÇ Ñ»ï, ¢ áã Ù»­ÏÇ ³­é³ç »ñ­µ»ù ã¿ñ Ëá­Ý³ñÑ­íáõÙ: ´á­Ñ»­Ù³­Ï³Ý ³Û¹ Ï۳ݭ ùÁ, ³­ÝÁݹ­Ñ³ï ³Ý­óáõ­¹³ñ­ÓÁ, ëï»Õ­Í³­ ·áñ­Í³­Ï³Ý ﳭų­Ý³­ÏÇñ ³ß­Ë³­ï³Ý­ùÝ áõ Ùï³­íáñ ɳ­ñáõ­ÙÁ, 볭ϳÛÝ, Ýñ³Ý Ñ»ßï ã¿ÇÝ ïñíáõÙ. éáõë-׳­åá­Ý³­Ï³Ý å³­ï»­ ñ³½­ÙÇ Å³­Ù³­Ý³Ï íÇ­ñ³­íáñ­í»­Éáí` ¹»é¢ë­ »­ñÇ­ï³­ë³ñ¹ ï³­ñÇ­Ý»­ñÇó ï³­é³­åáõÙ ¿ñ Ãá­ù»­ñÇ ÑÇ­í³Ý­¹áõí۳ٵ, ÇÝãÝ ¿É Ýñ³ ٳѭ í³Ý å³ï­×³­éÁ ¹³ñ­Ó³í1928-ÇÝ, ºñ¢³­ ÝáõÙ: ܳ ³å­ñ»ó ÁÝ­¹³­Ù»­ÝÁ 44 ï³­ñÇ:

¸Ç­Ù³Ý­Ï³­ñÇ ¿ë­ùǽ áñÅ Ðñ³­ß³­ÉÇ. ³Ûë Ù³­Ï³­Ýáõ­Ýáí ¿ÇÝ Ýñ³Ý §ÏÝù»É¦ ų­Ù³­ ݳ­ÏÇ Ëá­ßá­ñ³­·áõÛÝ ³ñ­í»ë­ï³­·»ï­Ý»­ñÁ, Ùï³­íá­ñ³­Ï³Ý­ Ý»ñÝ áõ ·áñ­ÍÇã­Ý»­ñÁ, áí­ù»ñ Ùßï³­Ï³Ý ÑÛáõñ ¿ÇÝ Ýñ³ ³ñ­í»ë­ï³­Ýá­óáõÙ: ¾ùëï­ñ³­í³­·³Ýï, ³ñ­ïÇë­ïÇÏ Ë³éÝ­í³Í­ùáí áõ ³ñ­ï³­ùÇ­Ýáí, ³ñ¢»É­Û³­ÝÇ áõ »í­ñá­å³­Ï³­ÝÇ Ûáõ­ñû­ñÇ­Ý³Ï ÙÇ Ë³é­ Ýáõñ¹ ѳݭ¹Ç­ë³­óáÕ ¢ ³Û¹ Ùß³­ÏáõÛíݻ­ñÇ ÷³Û­ÉÁ ÏñáÕ ³Ûë ѳÛÝ ÇÝù­ÝÇÝ ÙÇ í³é Ï»ñ­å³ñ ¿ñ, ÇÝã­å»ë Çñ Áݭϳ­É³Í Çë­Ï³­Ï³Ý ³ñ­í»ë­ïÁ. §ØdzÛÝ Î»ñ­å³ñÝ ¿ Çë­Ï³­Ï³Ý ³ñ­í»ëï, Ùݳó­Û³­ÉÁ û­

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3 (19) 2009

²½­·áõíÛáõ­ÝÁ` ѳÛ, Ïá­ãáõ­ÙÁ` Ýϳ­ñÇã 1844-ÇÝ ÃÇý­ÉÇ­ë³­Ñ³Û ÷³ë­ï³­µ³­ÝÇ ÁÝ­ ï³­ÝÇ­ùáõÙ ÍÝí»ó ¶»áñ­·Ç Ú³­Ïáõ­Éá­íÁ` ³­å³­·³ Ù»Í Ýϳ­ñÇ­ãÁ: Üñ³ í³Õ ³Û­ñdz­ ó³Í Ù³Û­ñÁ áñ­¹Ç­Ý»­ñÇ Ñ»ï ØáëÏ­í³ ï»­Õ³­ ÷áË­í»ó 1893-ÇÝ, »ñµ ¶»áñ­·ÇÝ (Äáñ­ÅÁ) 9 ï³­ñ»­Ï³Ý ¿ñ: ܳ ëÏë»ó ëá­íá­ñ»É ȳ­½³ñ­ Û³Ý ×»­Ù³­ñ³­ÝáõÙ, ÇëÏ 17 ï³­ñ»­Ï³­ÝáõÙ ³ñ­¹»Ý ·Ç­ï»ñ, áñ Ï۳ݭùÁ ÝíÇ­ñ»­Éáõ ¿ Ï»ñ­ å³ñ­í»ë­ïÇÝ: γñ× Å³­Ù³­Ý³Ï ëá­íá­ñ»­Éáí Ùáë­Ïáí­Û³Ý Ï»ñ­å³ñ­ í»ë­ïÇ áõ­ëáõ٭ݳ­ñ³­ÝáõÙ` Ú³­Ïáõ­ÉáíÝ ³­Ý³­í³ñï Ãá­Õ»ó áõ­ëáõ­ÙÁ. ½á­ñ³­Ïáã­í»ó µ³­Ý³Ï, ͳ­é³­Û»ó Îáí­Ï³­ëáõÙ, ³­å³ Ù³ë­Ý³Ï­ó»ó éáõë-׳­åá­Ý³­Ï³Ý å³­ï»­ñ³½­ÙÇÝ: л­ïá í»­ñ³­¹³ñ­Ó³í ØáëÏ­í³, áñ­ï»Õ ¿É ³Ù­µáÕ­çá­íÇÝ ïñí»ó ëï»Õ­Í³­·áñ­Í³­Ï³Ý Ï۳ݭùÇÝ: ²ñ­í»ë­ï³­·»­ïÇ Çñ §»ë¦-Ý­ áõ Ó»­é³­·Ç­ñÁ ÷Ýïñ»­ÉÇë` Ú³­Ïáõ­Éá­ íÁ Ùdz­ÝáõÙ ¿ñ Ùá­¹»é­ÝÇë­ï³­Ï³Ý ³­Ù»­Ý³­ï³ñ­µ»ñ ËÙµ³Ï­Ý»­ñÇ, ËÙµ³­íá­ñáõÙ­Ý»­ñÇ ¢ áõÕ­ÕáõíÛáõÝ­Ý»­ñÇ, ³­å³` ³Ý­ç³ï­íáõÙ ³Û¹


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Ùáõ­ñ³ó­Ï³Ý­Ý»­ñÁ¦ ¢ ¶.­êáõÝ­¹áõÏ­Û³­ÝÇ §ä»­åáݦ: Î۳ݭùÇ í»ñ­çÇÝ ßñç³­ÝáõÙ Ú³­Ïáõ­Éá­íÁ å³ñ­µ»­ñ³­µ³ñ ³Û­ó»­ÉáõÙ ¿ñ г­Û³ë­ï³Ý, Ù³Û­ñ³­ù³­Õ³­ùáõ٠ѳݭ¹»ë ·³­ÉÇë ų­Ù³­Ý³­Ï³­ÏÇó ³ñ­í»ë­ïÇÝ ÝíÇñ­ í³Í ½»­Ïáõ­óáõÙ­Ý»­ñáí, Ññ³­å³­ñ³­ÏáõÙ Ñá¹­í³Í­Ý»ñ: ¶. êáõÝ­¹áõÏ­Û³­ÝÇ ³Ý­í³Ý å»­ï³­Ï³Ý ³­Ï³­¹»­Ùdz­Ï³Ý óï­ñá­ÝáõÙ 1926-27-ÇÝ Ý»ñ­Ï³­Û³ó­í»­óÇÝ Þ»ùë­åÇ­ñÇ §ì»­Ý»­ïÇ­ÏÇ í³­×³­é³­Ï³­ÝÁ¦ ¢ ÞÇñ­í³Ý­ ½³­¹»Ç §Øáñ­·³­ÝÇ Ëݳ­ÙÇݦ åÇ»ë­Ý»­ñÁ, á­ñáÝó µ»­Ù³Ý­Ï³­ñÇ­ãÁ ¢ë ­Ú³­Ïáõ­ÉáíÝ ¿ñ: ²Û¹ Ý»ñ­Ï³­Û³­óáõÙ­Ý»ñÝ Çë­Ï³­Ï³Ý ó­ ï»­ñ³­Ï³Ý ïáÝ ¹³ñ­Ó³Ý Ñ³Û Ñ³Ý­¹Ç­ë³­ ï»­ëÇ Ñ³­Ù³ñ: ²­í»­ÉÇ áõß, ³ñ­¹»Ý Ýϳñ­ãÇ Ù³Ñ­í³­ÝÇó Ñ»­ïá, 1959-ÇÝ, 1967-ÇÝ áõ 1975-ÇÝ ºñ¢³­ÝáõÙ µ³ó­í»­óÇÝ Ýñ³ ³Ý­Ñ³­ï³­Ï³Ý óáõ­ó³­Ñ³Ý­¹»ë­Ý»­ñÁ: Ú³­Ïáõ­ Éá­íÇ ÙÇ ß³ñù ³ß­Ë³­ï³Ýù­Ý»ñ ³ÛÅÙ ¿É óáõ­ó³¹­ñí³Í »Ý г­Û³ë­ï³­ÝÇ ³½­·³­ÛÇÝ å³ï­Ï»­ñ³ë­ñ³­ÑáõÙ:

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3 (19) 2009

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OUR CULTURE

THE H OUSE WHERE A FAIRY TALE IS BO RN David Mirimanov and Maria Mirzoyan

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OUR CULTURE

M

her (Frunze) Mkrtchyan arrived in his beloved Tbilisi in the beginning of 90s of the XX century – years of severe hardships for independent Armenia and Georgia. One day he visited Tbilisi State Armenian Drama Theatre after Peter Adamyan (of 1858) in Avlabar. “Where is Gary? Gary, are you here? Has anybody seen Gary Davtyan? I told him, he should come so that you will get acquainted with him. He is an amazing person indeed. The city is a mess, people are starving, fire at each other… and, he plays with puppets as if nothing wrong is going on,” Frunze addressed the audience. In the meantime he, whom the words concerned, was placidly sitting in the parterre smiling and stroking his thick beard... Premiere of “Kach Nazar” (Cowardly the Brave) by Hovhannes Toumanyan staged by Artistic Director Armen Bayandur was an unprecedented performance in the history of the theatre because instead of actors, marionettes emerged before the audience. The renowned puppet master

Gary Davtyan through endurance and heartache revealed the creatures into the world in the days when dejection and despair reigned in Georgia. Gary began to “play with puppets” long before hard sledding in Tbilisi. His first marionette Grisha is 30 years-old now. The artist usually called his pieces of work “characters” rather than “puppets” or “marionettes”. Indeed, one won’t dare to call for instance Grisha a “puppet” as he can feel hurt. He is too susceptible although keeps it behind affected flippancy. Grisha is an easygoing, waddling old fellow, and Khago – he is a different fruit. The inner might in him bears resemblance with biblical Moses. It was Frunze Mkrtchyan who became the prototype of Khago. Once Frunze offered that Gary made a puppet bearing resemblance to him and said he would voice him. But, it never happened as Frunze soon passed away. Hence, the puppet-master resolved to make emphasis on inward affinity rather than outward resemblance. In result, a unique, vigorous being with sad eyes and

big nose appeared. “Frunze’s nose was the most famous one in the USSR”, says his Tbilisi friend Buba Kikabidze. Nevertheless, everything is good in its season… Gary Davtyan began setting up his theatre in early 1992, when, mildly speaking, people didn’t care about art. He worked on “Kach Nazar” over a year. His family: wife Zhanna, children Anna and George, assisted the Master. Neighbors, relatives, friends and strangers were frequent visitors to the studio where a fairy tale was born. The privation-exhausted people found a shelter in the Tbilisi Papa Carlo’s closet which became a hearth of supreme spirituality amidst the general devastation of those days. At first “Kach Nazar” was staged in Armenian. Later, the characters spoke different languages, especially French – paying tribute to the brilliant mummer Pierre Richard. In 1990s, starring in Nana Djordjadze’s “Les 1001 Recettes du Cuisinier Amoureux” he was in Tbilisi and happened to see Gary Davtyan’s place.

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He was astonished at the sight. When, Yerevan TV delegation arrived to make an item about the renowned French actor’s stay in Tbilisi, Richard, hearing they are from Armenia, exclaimed: “Why are you filming me? There is a prominent Armenian artist in Tbilisi, and what he makes that is the real art. It is he who should be praised.” Thanks God, the journalists followed Richard’s advice and made a film about Gary Davtyan. By that time, the theatre’s repertoire was enriched by a second play. Heroes of “Kach Nazar” proved over-expected talented, so the Master designed a series of joint shows to reveal the utmost potential of his small friends. And he was right doing so. Today we can watch Ustian (Nazar’s wife) timing to jazz syncope and simultaneously singing Ella Fitzgerald’s part, while innocent lazybone Kach Nazar breaks into a dance with his donkey and the sly lay-brother neighbor. Later, Gary created Ryzha, Kyrsha, and Boklom for his fabulous plays. They marvelously play the duduk and equally well perform old city melodies, classical pieces, and hits. There is a nice imp Gnusik, who from time to time is peeping out of the huge pomegranate where also the show-off master of ceremonies

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Anchap lives. The latter is a hero of all times and occasions – he sings, tapdances, and is good to have a heart-toheart talk with. So, when parting, one feels Anchap is his best friend for ever. The exalted blue-eyed Shakespeare in an elegant jacket lives nearby and is not at all confused about the bizarre neighborhood. And, the wise and kind Master reins the magic splendor. He created his self-portrait not long before he passed away, it must have been a presentiment… “There is part of me in every single puppet, but I am more in this one,” Gary once said. He used to say that puppets cannot be an unkind. The Artist departed in 2002. He was 55. The world created by Gary finds itself in a small apartment in one of “Italian patios” in Avlabar. The historic centre of the city is also called Old Tbilisi. In Gary’s house everything is hand-made; every object bears the imprint of his talent. The characters dwelling in Gary Davtyan’s House warmly welcome the guests. They have seen a great many of them, from ordinary people to world celebrities. And for all of them, the characters have equally demonstrated their gifts. No one can remain indifferent watching the creatures. Gary’s granddaughter

Alexandra is now 11 and she already masterly leads the puppets together with grandma, daddy and aunty. “It is doubtless that Davtyan’s Theatre is one of the brightest phenomena of Tbilisi urban culture. Armenians of the city have always had an outstanding contribution to this culture. It would cease to exist without Armenian component. Definitely, we are challenged to preserve it,” said Georgian Art Critic Marina Medzmiariashvili. Meanwhile, the Theatre is threatened. Large-scale construction projects in Avlabar as well as in other spots of Old Tbilisi supplant distinctive ethnic houses by modern blocks of flats. The theater is situated in the semibasement of a ramshackle house. Some neighbors would like to improve housing conditions so they negotiate with the construction company on housebreaking terms. Zhanna Davtyan commented on the developments: “Nothing has been decided yet. But it is a matter of time. Sooner or later the house will be demolished. And it will be done by law – nothing to complain about. However, apprehending that Gary’s artistic lifework may be wiped from the face of the earth is unbearable.”


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3 (19) 2009

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THE SECTRET OF NATION’S SURVIVAL PRESERVING ITS IDENTITY Interview by Satenik Gharabaghtsyan Photo – Ralph Yirikian Photo by Artashes Martirosyan

Èááõ­ñ³Ýë ²­ñ³­µ³­óÇÝ ³­ë»É ¿. §º­Ã» ѳ­Û»­ñÇÝ ÃéÇã­ùÇ Ñݳ­ ñ³­íá­ñáõíÛáõÝ ïñíÇ` Ýñ³Ýù Ï·ñ³­í»Ý áÕç ³ß­Ë³ñ­ÑÁ...¦: ²Ûë ³Ý­·³Ù §Ø»Ýù Ù»ñ Ù³­ëÇݦ ³Ù­ë³·­ñÇ ÑÛáõñÝ ¿ §ìÇ­í³­ ê»É-Øîê¦ ÁÝ­Ï»­ñáõÃ­Û³Ý ·É˳­íáñ ïÝû­ñ»Ý è³Éý ÚÇ­ñÇÏ­Û³­ ÝÁ, áõÙ Ñ»ï ¿É ½ñáõ­ó»­óÇÝù г­ÛÇ ³Ýó­Û³­ÉÇ, Ý»ñ­Ï³­ÛÇ, ³­å³­·³­ ÛÇ Ù³­ëÇÝ áõ ÷áñ­Ó»­óÇÝù í»ñ­Ñ³­Ý»É ³ÛÝ µá­Éáñ å³ï­×³é­Ý»­ñÁ, á­ñáÝù ˳ݭ·³­ñáõÙ »Ý ѳ­ÛÇ ÃéÇã­ùÇÝ:

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3 (19) 2009

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Ç­ñ³­íǭ׳­ÏÁ. ë³ ß³ï ëË³É áõ íï³Ý­ ·³­íáñ ¿: ºë ³Ý­Ó³Ùµ ¹³ ³å­ñ»É áõ ³å­ñáõÙ »Ý: â»Ý ½·áõÙ, ã»Ý ·Ç­ï³Ï­óáõÙ, û ÇÝã­å»ë »Ý ѳ­ñ³­µ»ñ­íáõÙ ÙÇÙ­Û³Ýó Ñ»ï: ²ñ¹­Ûáù ë³± »Ýù­ áõ­½áõÙ ÷á­Ë³Ý­ó»É ë»­ ñáõݹ­Ý»­ñÇÝ, ³ñ¹­Ûáù ³±Ûë ­ï³ñ­µ»­ñ³­Ïáí »Ýù µéÝ»É Ñ½á­ñ³ó­Ù³Ý áõ­ÕÇÝ: ²ñ­Å»ù­Ý»ñ áõ­Ý»Ýù ¢° ê÷­Ûáõé­ùáõÙ, ¢° ­Ð³Û­ ñ»­ÝÇ­ùáõÙ: äÇ­ïÇ Ù»Ï­ï»­Õ»Ýù Ù»ñ áõ­Ý»­ ó³­ÍÁ, ѳխó­Ñ³­ñ»Ýù ³­Ù»Ý ³ñ­·»Éù áõ ¹³ñÓ­Ý»Ýù Ù»ñ ѳñë­ïáõíÛáõ­ÝÁ: -ÆëÏ á±ñÝ­ ¿ §ºë¦-Á §Ø»Ýù¦ ¹³ñÓ­Ý»­Éáõ áõ­ÕÇÝ: -²­é³­çÇÝ Ñ»ñ­ÃÇÝ Ùï³­Í»­É³­Ï»ñ­åÇ ÷á­÷áË­Ù³Ý ËݹÇñÝ ¿: ê³, Ç­ÙÇ­çdzۭÉáó, ÙdzÛÝ Ñ³­Û»­ñÇ ËݹǭñÁ ã¿. ³­Ù»­Ýáõñ ϳ §»ë¦-Ç áõ §Ù»Ý­ù¦-Ç Ñ³ñ­óÁ: ´³Ûó ³ñ­¹»Ý å³ñ­ï³­íáñ »Ýù ·Ç­ï³Ï­ó»É` í³­Õáõó ų­ Ù³­Ý³ÏÝ ¿ §»ë¦-Á §Ù»Ýù¦ ¹³ñÓ­Ý»­Éáõ, áõ ³­Ù»Ý Ù»Ïë åÇ­ïÇ ³ß­Ë³­ï³Ýù ï³­Ý»Ýù ³Ûë áõÕ­Õáõí۳ٵ: ØÇ ÏáÕÙ ÃáÕ­Ý»Ýù Ë»Ã-˻à ³ã­ùáí ÙÇÙ­Û³Ýó ݳ­Û»­ÉÁ` Ø»Ýù, Üñ³Ýù, ºë, ¸áõ... Ø»Ýù Ð³Û »Ýù, ÉÇ­Ý»Ýù Ùdzë­Ý³­Ï³Ý` Ù»Ï ëñïáí, Ù»Ï Ñá­·áí, Ù»Ï Ùïùáí, ѳ­ Ù³ËÙµ­í»Ýù Ûáõ­ñ³­ù³Ýã­Ûáõñ ѳ­Û³Ý­å³ëï ѳñ­óÇ ßáõñç, áñ ϳ­ñá­Õ³­Ý³Ýù Éáõ­ÍáõÙ ·ïÝ»É Ûáõ­ñ³­ù³Ýã­Ûáõñ ѳñ­óÇ áõ ë»­ñáõݹ­ Ý»­ñÇÝ ÷á­Ë³Ý­ó»­Éáõ µ³Ý áõ­Ý»­Ý³Ýù: -ê÷Ûáõé­ùáõÙ Ù»­Í³­ó³Í Ù³ñ­¹áõ ѳ­Ù³ñ ÇÝãåÇ­ëÇ±Ý ¿ñ ѳۭñ»­ÝÇ­ùÁ ÙÇÝã ³ÛÝ ï»ë­ Ý»­ÉÁ, ¢ ÇÝãåÇ­ëÇ±Ý ¿ ï»ë­Ý»­Éáõó Ñ»­ïá: -ØÇÝ㢠·³­ÉÁ µá­Éá­ñá­íÇÝ áõ­ñÇß ³ß­Ë³ñÑ ¿: ºë ³å­ñáõÙ ¿Ç Ñ»­ùdz­Ã³­ÛÇÝ ³ß­Ë³ñ­ ÑáõÙ` ÑÇÙÝ­í»­Éáí ³ÛÝ ³­Ù»­ÝÇ íñ³ ÇÝã Ù»½ ëá­íá­ñ»ó­ÝáõÙ ¿ÇÝ Ñ³­Ûáó å³ï­Ùáõí۳Ý, Ù»ñ Ùß³­ÏáõÛ­ÃÇ, ³Ýó­Û³­ÉÇ, ²ñ­ó³­ËÇ, г­ Û³ë­ï³­ÝÇ Ù³­ëÇÝ: ÆëÏ »ñµ ·³­ÉÇë, ѳë­ÝáõÙ »ë ѳۭñ»­ÝÇù` ÇÙ ë»­÷³­Ï³Ý ÷áñ­ÓÇó »É­Ý»­Éáí ϳñáÕ »Ù ³­ë»É, ÙÇ ù³­ÝÇ ûñ ³å­ñáõÙ »ë ³Ý­µ³­ ó³ï­ñ»­ÉÇ ½·³­óá­ÕáõíÛáõÝ­Ý»ñ. ³ã­ùÁ ï»ë­ ÝáõÙ ¿ ÙÇ µ³Ý, ÙÇï­ùÁ` û­É³¹­ñáõÙ Ù»Ï ³ÛÉ µ³Ý, áõ ëÏëíáõÙ ¿ å³Û­ù³­ñÁ: ´³Ûó »­Ã» Çë­Ï³­Ï³Ý Ñ³Û ¿` Ïѳ­Ù³­Ï»ñå­íÇ, ÏÙ³ñ­ëÇ, ÏÁÝ­¹áõ­ÝÇ, Ñ»­ùdz­Ã³­ÛÇÝ Ù³­ëÁ Ïå³­ÑÇ Çñ áõ­Õ»­ÕÇ ÙÇ ³ÝÏ­Ûáõ­ÝáõÙ` ǵñ¢ ѳ­×»­ÉÇ Ñáõß, ÏëÏëÇ Ç­ñ³­Ï³­ÝáõÃ­Û³Ý Ñ»ï ß÷í»É áõ ëá­íá­ñ»É: ÆëÏ Ù»Ýù Ç­ñ³­Ï³­ÝáõÙ Ç­ñ³­ñÇó ß³ï µ³Ý áõ­Ý»Ýù ëá­íá­ñ»­Éáõ: ºñµ »ñ­Ïáõ ï³ñ­µ»ñ Ùï³­Íá­ÕáõíÛáõÝ­Ý»ñ Ùdz­ ÝáõÙ »Ý, ѳñë­ïáõíÛáõÝ ¿ ëï»ÕÍ­íáõÙ: - ƱÝã­¿ Ýß³­Ý³­ÏáõÙ ÉÇ­Ý»É É³í Õ»­Ï³­í³ñ: -ÈÇ­Ý»É å³ñ½, ѳ­ë³­ñ³Ï, ó­÷³Ý­óÇÏ ³ß­Ë³­ïáÕ­Ý»­ñÇ Ñ»ï, ͳ­é³­Û»É û­ñǭݳ­Ïáí, ³­Ù»Ý ÙÇ û­ñ»Ýù Ý³Ë ÏÇ­ñ³­é»É, Ñ»­ïá` 峭ѳݭç»É, áñ­å»ë­½Ç ³ß­Ë³­ï³­ÏÇó­Ý»­ñÁ ѳ­í³­ï³Ý Õ»­Ï³­í³­ñÇÝ: ê³ ¿É ÏÉÇ­ÝÇ Õ»­

ϳ­í³­ñÇ Ñ³­çá­ÕáõÃ­Û³Ý ·ñ³­í³­Ï³­ÝÁ: -ƱÝã­ »ù ϳñ­ÍáõÙ, Ù³ñ­¹Á µ³­ñ»­·áñÍ ¹³é­Ýá±õÙ­¿, û± ÍÝíáõÙ : -´³­ñ»­·áñÍ µ³­éÇÝ, ×ÇßïÝ ³­ë³Í, ã»Ù ѳ­í³­ïáõÙ: سñ­¹³­ë»ñ ÉÇ­Ý»ÉÝ ³ÛÉ µ³Ý ¿: §´³­ñ»­·áñͦ »ñ¢áõÛ­ÃÁ ϳñ ÙÇÝ­ãÁ 20ñ¹ ­¹³­ñÇ Ï»­ë»­ñÁ, ÑÇ­Ù³ ÙÇ ï»­ë³Ï ³ñ­¹Ç³­Ï³Ý ãÇ ³Ûë µ³­éÁ: ÐÇ­Ù³ ³ÛÉ Ùï³Íá­ÕáõíÛáõÝ áõ­Ý»Ýù, ¢ åÇ­ ïÇ í³ñÅ­í»Ýù ³ÛÝ »ñ¢áõÛ­ÃÇÝ, á­ñÁ Ïáã­ íáõÙ ¿ §Ïáñ­åá­ñ³­ïÇí Ùï³­Íá­ÕáõíÛáõݦ: г­ë³­ñ³­ÏáõíÛáõ­ÝÁ µ³Õ­Ï³­ó³Í ¿ ѳ­ë³­ ñ³Ï ¢ Ïáñ­åá­ñ³­ïÇí ù³­Õ³­ù³­óÇ­Ý»­ñÇó: Úáõ­ñ³­ù³Ýã­Ûáõñ ÁÝ­Ï»­ñáõíÛáõÝ, µ³­óÇ ÁÝ­Ï»­ñáõÃ­Û³Ý ßñ糭ݳ­éáõíÛáõ­ÝÁ, »­Ï³­ Ùáõï­Ý»ñÁ ³­å³­Ñá­í»­Éáõó, á­ñÁ ëï³­ÝáõÙ ¿ ѳ­ë³­ñ³Ï ù³­Õ³­ù³­óÇ­Ý»­ñÇ ·ñå³­ÝÇó, å³ñ­ï³­íáñ ¿ Ïáñ­åá­ñ³­ïÇí ù³­Õ³­ù³­ ϳ­ÝáõíÛáõÝ Ç­ñ³­Ï³­ó³­Ý»É ѳ­ë³­ñ³Ï ù³­ Õ³­ù³­óáõ ѳݭ¹»å, á­ñÇ ßÝáñ­ÑÇí ¿É Ï³­Û³­ ÝáõÙ áõ ½³ñ­·³­ÝáõÙ ¿ Çñ ÁÝ­Ï»­ñáõíÛáõ­ÝÁ: àõ­ñ»ÙÝ å³ñ­ï³­íáñ ¿ ß³­ÑáõÛ­ÃÇ ÙÇ Ù³­ëÁ í»­ñ³­¹³ñÓ­ÝÇ Ñ³­ë³­ñ³­Ïáõí۳­ÝÁ` áã û ·áõ­Ù³­ñÇ, ³ÛÉ Íñ³·­ñ»­ñÇ, ÙÇ­çá­ó³­éáõÙ­Ý»­ ñÇ ï»ë­ùáí: ºí »ñµ ³Ûë Ïáñ­åá­ñ³­ïÇí ù³­Õ³­ù³­óÇ­ Ý»­ñÁ ѳ­Ù³ËÙµ­í»Ý, Ç­ñ³­Ï³­Ý³ó­Ý»Ý ³Ûë­ åÇ­ëÇ ³ß­Ë³­ï³Ýù­Ý»ñ, Ù»Ýù ǵñ¢ ³½­·áõíÛáõÝ Ïϳ­ñá­Õ³­Ý³Ýù ³­ñ³· áõ Ù»Í ù³Û­É»­ñáí ·Ý³É µ³­ñ»Ï»­óáõí۳Ý, ¢ Ñ»Ýó ³Û¹ ų­Ù³­Ý³Ï Ïï»ë­Ý»Ýù ó³­Ù³­ùÁ ³Û¹ Ñ»­éáõ Ñá­ñÇ­½á­ÝáõÙ, áõ Ù»ñ ÇÝù­ÝáõíÛáõ­ÝÁ Ïí»ñ·ïÝ»Ýù: -²Ý¹­ñ³­¹³é­Ý³Ýù ݳ¢ §²ñ¢áñ­¹Ç¦ ÷³­é³­ïá­ÝÇÝ, á­ñÇ ·É˳­íáñ Ñá­í³­Ý³­ íáñÝ ¿ §ìÇ­í³­ê»É Øîê¦ ÁÝ­Ï»­ñáõíÛáõ­ÝÁ: -Úáõ­ñ³­ù³Ýã­Ûáõñ Íñ³·­ñáõÙ, á­ñÁ áõÕÕ­í³Í ¿ »­ñ»­Ë³­Ý»­ñÇ Ùï³­Ñá­ñÇ­½á­ÝÁ Áݹ­ ɳۭݻ­Éáõ, ÙÇï­ùÁ ½³ñ­·³ó­Ý»­Éáõ, Ïñû­Éáõ, ¹³ë­ïdz­ñ³­Ï»­Éáõ, Ù»½ Ï·ïÝ»ù ³ÛÝ­ï»Õ: Ø»Ýù áõ­½áõÙ »Ýù å³Ñ­å³­Ý»É Ù»ñ ÙÇ­ç³­ í³Û­ñÁ, µÝáõíÛáõ­ÝÁ: - ºí í»ñ­çáõÙ, å³­ñáÝ ÚÇ­ñÇÏ­Û³Ý, Ò»ñ Ëáë­ùÁ §Ø»Ý­ùǦ Áݭûñ­óá­ÕÇÝ` гۭñ»­ÝÇ­ ùáõÙ ¢ ê÷Ûáõé­ùáõÙ: -ì»ñ­çÇÝ Å³­Ù³ÝÏ­Ý»­ñÁ ß³ï »Ý Ëá­ë³Ï­ óáõíÛáõÝ­Ý»­ñÁ Ù»ñ ÇÝù­ÝáõÃ­Û³Ý Ù³­ëÇÝ, Ù»ñ ³½­·³­ÛÇÝ å³ï­Ï³­Ý»­ÉáõÃ­Û³Ý Ù³­ëÇÝ: ä»ïù ¿ ѳ­í³­ï³Ýù, ɳ­í³­ï»ë ÉÇ­Ý»Ýù, ѳ­Ùá½­í³Í ÉÇ­Ý»Ýù Ù»ñ Ó»é­Ý³ñ­Ï³Í ³­Ù»Ý ù³Û­ÉáõÙ, íëï³Ñ ÉÇ­Ý»Ýù. áñ áõ­½áõÙ »Ýù å³Ñ­å³­Ý»É Ù»ñ ÇÝù­ÝáõíÛáõ­ÝÁ ¢ ù³­ñá­½»Ýù ѳ­Ù³ËÙµ­í³­ÍáõíÛáõÝ: ÆÝù­ ݳíë­ï³Ñ ÉÇ­Ý»Ýù, ³­Ù»Ý µ³Ý ³­Ý»Ýù Ç û­·áõï Ñ³Û Ñ³­ë³­ñ³­Ïáõí۳Ý, ѳë­Ý»Ýù µ³­ñ»­Ï»­óáõí۳Ý, ¢ ³­Ù»Ý Ù»Ïë Ù»ñ Ý»ñ¹­ñ³Í Éáõ­Ù³­Ûáí Ýå³ë­ï»Ýù ѽáñ »ñÏ­ñÇ Ï»ñï­Ù³­ÝÁ:

3 (19) 2009

§Ø ºÜø Ø ºð Ø ²êÆܦ ²Ø 겶Æð

71


ISSUE GUEST

“M

r., Yirikiian, which is the secret

concerning the Diaspora? Are we using it

Armenian he will reconcile, will digest, and will

of the survival of the nation:

correctly or are we “overusing” it?”

accept; he will keep the fairy part in a corner

is culture or is ideology the

“If I look from a layperson’s position I will have

of his brain as reminiscence and will start to

clinging chain?”

to blame the Armenian living both in Armenia

interact with the reality and to learn. When

“We haven’t lost our culture yet, however,

and in the Diaspora for the Motherland-

two different ways of thinking unite, treasures

if go on like this we will. I believe we should

Diaspora relations.

are created.”

open our eyes wider to see what is going on.

A representative of the Diaspora is born in

“What does being a good leader mean?”

We must return to our roots, we have gone

another environment, is shaped by another

“It means to be simple, transparent with

too far… that return, I think, will become the

value system and it seems to him/her there is

employees; to set an example; to exercise

precondition of the survival. The Armenian’s

no one to understand everything better than

each law and only then to demand so that

identity is not merely the culture; it is the

he/she can. This person comes to Armenia

the employees trust the leader. This is the

knowledge of the Armenian language; it means

and begins underestimating, criticizing and

safeguard of success for a leader.”

not to forget and not to reject one’s identity;

blaming the Armenian living in Armenia

“Do you think one becomes a benevolent or

it is preserving the culture, developing it and

instead of investing the knowledge, ideas

is born like that?”

making it accessible not only for the inner but

he has in the process of development of the

“To tell the truth I don’t believe the word

also outer world. This is to create the mighty

Motherland. And in Motherland everybody

benevolent. Being a humanist is something

image of an Armenian and to become the

begins to point at the Diaspora and put

quite

foundation for the people, the nation, and the

forward the matter of “We” and “You”.

“benevolent” used to exist until mid twentieth

state to be forever.”

Naturally, an artificial barrier making the

century, it doesn’t seem to be relevant now.

“Who do you think the Armenian is and where

situation more complicated is created. This

Currently we have another way of thinking and

is he going?”

is wrong and rather dangerous. Personally

must get used to what is called “corporate

“It is rather hard to answer these days who the

I have gone through that. One doesn’t feel,

thinking”. The society consists of common and

Armenian is. I think the Armenian person is a

doesn’t realize how he is interacting with

corporate citizens. Every company, besides

bit embarrassed today, is trying to copy some

others. Is this what we want to transmit to our

providing the circulation, revenuerevenue of

elements from other cultures and to forget

generations? Is this the way that will lead us

the company that it gains from the “pockets”

his centuries-long past, history, culture… his

to development and power?

of common citizens, has to carry out the

roots that make a part of his identity, whether

We have values both in the Diaspora and

policy of corporate responsibility toward the

he wants that or not.

in Motherland. We must unite whatever we

common citizen thanks to whom the company

Today’s Armenian is a little bit at a loss among

have, overcome all obstacles and make them

exists and develops. Thus the company must

various characters, various ways of thinking

our wealth.”

return part of its revenuerevenue to the

and is unable to resolve which way to take

“And which is the way to turn “I” into “We”?”

society in the form of other projects, events.

and where to go…

“It is, first of all, a matter of amending the

And when these corporate citizens unite, hold

The Armenian can’t see the land beyond the

way of thinking. This, by the way, is not only

such work, only then we – as a nation – will

horizon where he is to land as he doesn’t

the problem of Armenians. The problem of “I”

be able to go to welfare with fast and large

follow his inner voice, ignores whatever

and “We” exists everywhere. But we must be

steps. And that is when we will see the land

values he has.

conscious: it is high time to turn “I” into “We”

in that far away horizon, and will re-find our

These days we can witness that some people

and each of us must work in that direction.

identity.”

speak about belonging to the nation but they

We must stop looking at each other gravely:

“Let us reflect also upon “Arevordi” (Sunchild)

take no steps to prove they do have the spirit

We, They, I, You…

Festival where “VivaCell-MTS” Company is

of an Armenian…”

We are Armenians, let us be united – with one

the generalgeneral partnerpartner andand

“The younger generation is not only the

heart, one spirit, one idea; let us unite around

coco-organizer-organizer.”

present of the country but also its future.

any issue favorable for the Armenians so that

“You can find us in any project aimed

What is your vision of the future of our

we are able to find a solution to any question,

at broadening the minds of children, at

country?”

and so that we have something to pass on to

developing them, at their education and

“When I look at today’s youth, I must say that

our generations.”

upbringing. We are eager to preserve our

there is still much for the elder generation

“What was Motherland like before seeing it

environment, nature.”

to do. We can’t put all the burden and

and what is it like after seeing for somebody

“And finally, Mr. Yirikiian, your word to our

responsibility on the shoulders of the young,

who was brought up in the Diaspora?”

reader both in Armenia and in the Diaspora.”

we must realize that the elder generation

“It is quite a different world before coming. I

“Recently there has been much talk about

serves as an example for the younger one

used to live in a fairy land based on what we

our identity, our national belonging. We

and I believe the elder generation is to do its

were taught about the Armenian history, our

must believe, we must be optimistic, be sure

best. This is a kind of direct or indirect appeal

culture, our past, Artsakh, Armenia.

of each of our undertakings; we must be

to the elder generation: do not ignore the

But when one arrives in Motherland, I can tell

sure we want to preserve our identity and

young, count on them. Today’s young man

from my own personal experience, one lives

propagate unanimity. Let us be self-assured;

has a different way of thinking, world-vision,

a couple of days with inexplicable feelings:

do everything for the good of the Armenian

but you should try to transmit to them all the

you can see something but the mind dictates

society and achieve prosperity; and through

national, cultural values inside you.”

something quite different and the battle

the input by each of us we will contribute to

“And how do you estimate the policy

begins. Nevertheless, if one is a genuine

the creation of a powerful country.”

72

"MENQ MER MASIN" MAGAZINE

3 (19) 2009

different.

The

phenomenon

of


Æñ³Ï³Ý µ³ÝϳÛÇÝ Ñ³ïí³Í

Real bank sector info@banker.am

Ðåàëüíûé áàíêîâñêèé ñåêòîð


вزðÆ ÐÚàôðÀ

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NATURE CREATES CULTURE

Interview by Satenik Gharabaghtsyan Photo – Ruben Khachatryan Photo by Artashes Martirosyan

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74

§ØºÜø Ø ºð Ø ²êÆܦ ²Ø 겶Æð

3 (19) 2009

ÙÁ ϳ½­Ù³­Ï»ñ­åáõÙ ¿ ݳ¢ §²ñ¢áñ­¹Ç¦ ³­Ýáõ­ÝÁ ÏñáÕ ÷³­é³­ïá­ÝÁ ¢ ó³Ý­ÏáõíÛáõÝ áõ­ÝÇ Ï³­éáõ­ó»É ï³­ñ³­Í³ßñ­ç³­Ý³­ÛÇÝ µÝ³­ å³Ñ­å³­Ý³­Ï³Ý-Ùß³­Ïáõ­Ã³­ÛÇÝ Ï³­ÛáõÝ µ»­ Ù³­Ñ³ñ­Ã³Ï: - èáõ­µ»Ý, Ò»ñ ·áñ­Íáõ­Ý»áõíÛáõ­ÝÁ ëÏë»­Éáõó ³­é³ç, ѳ­í³­ïáõÙ ¿±Çù, áñ Ïѳ­çá­Õ»ù: - Úáõ­ñ³­ù³Ýã­Ûáõñ ·áñÍ ëÏë»­Éáõó ³­é³ç ß³ñ­ÅÇã áõ­ÅÁ ѳ­í³ïÝ ¿: Øï³­Ñá­·áõí ÛáõÝë ³ÛÝ ¿ñ, áñ Ù»½ ѳ­ë³Í û° ³½­·³­

ÛÇÝ, û° Ùß³­Ïáõ­Ã³­ÛÇÝ ³ñ­Å»ù­Ý»­ñÁ ÏáñóÁ­ ÝáõÙ »Ýù: ´ÝáõíÛáõ­ÝÝ, ÇÝã Ëáëù, ݳ¢ Ùß³­ÏáõÛà ¿ Ï»ñ­ïáõÙ; ¶áñ­Íáõ­Ý»áõí۳Ýë ëϽµáõÙ Ýϳ­ñ³­Ñ³­ÝáõÙ ¿Ç ýÇÉ­Ù»ñ, á­ñáÝó ÙÇ­çá­óáí áõ­½áõÙ ¿Ç óáõÛó ï³É ѳݭñáõí۳­ ÝÁ, û ÇÝã ³ñ­Å»ù­Ý»ñ áõ­Ý»Ýù, á­ñáÝù åÇ­ ïÇ å³Ñ­å³­Ý»Ýù: л­ïá ó³­íáí å³ñ­½»­ óÇ, áñ µÝáõÃ­Û³Ý Ýϳï­Ù³Ùµ ³Ý­ï³ñ­µ»­ ñáõíÛáõ­ÝÝ ³­í»­ÉÇ ³­é³ç ¿ ÁݭϳÍ, ù³Ý ÇÙ` ÇÝ­ýáñ­Ù³­óÇ³Ý ï»Õ ѳëó­Ý»­ÉÁ; ²Û¹ ÝáõÛÝ


вزðÆ ÐÚàôðÀ ³Ý­ï³ñ­µ»­ñáõíÛáõÝÝ ³Û­ëûñ Ù»½ ϳݷݻó­ ñ»É ¿ µÝáõÃ­Û³Ý áãÝ­ã³ó­Ù³Ý ÷³ë­ïÇ ³­é³ç: гë­Ï³­ó³, áñ ³­í»­ÉÇ ÑÇÙ­ù³­ÛÇÝ ³ß­Ë³­ ï³Ýù ¿ å»ïù, ³ß­Ë³­ï³Ýù, áñÁ ë»­ñáõݹ Ϲ³ë­ïdz­ñ³­ÏÇ, ÑÇÙù Ïëï»Õ­ÍÇ Ñ»­ï³­·³ ÷á­÷á­ËáõíÛáõÝ­Ý»­ñÇ Ñ³­Ù³ñ: êÏë»­óÇÝù ¿­Ïá ³­ÏáõÙµ­Ý»­ñÇ ëï»ÕÍáõÙÇó. ²ñ¢áñ­¹áõ Ï»ñ­å³­ñÁ ëï»Õ­Í»­óÇÝù, áñ ß³ï ѳ­ñ³­ ½³ï ¿ ѳ­ÛÇ Ñá­·áõÝ: ²Ý­å³Û­Ù³Ý ã¿ ¹³ Ñ»­Ã³­Ýá­ëáõÃ­Û³Ý Ñ»ï ϳ­å»É, ³ÛÝ ³ñ­ï³­ ѳۭïáõÙ ¿ ³­ñÇáõíÛáõÝÝ áõ ³ÛÝ ³é­Ý³­Ï³­ ÝáõíÛáõÝÁ, áñÝ áõ­Ý»Ýù ǵñ¢ ³½·: º­ñ»­Ë³­ Ý»­ñÇ Ñ³­Ù³ñ ѳ­ïáõÏ Ïñó­Ï³Ý Íñ³­·Çñ Ùß³­Ï»­óÇÝù, á­ñÁ Ý»­ñ³­éáõÙ ¿ ¿­Ïá­É᭷dz­ÛÇ áõ å³ï­ÙáõÃ­Û³Ý ¹³­ëÁݭóó­Ý»ñ: ¾Ïá³ÏáõٵݻñÁ ½ÇÝ»óÇÝù ï»­ë³Ë­óÇÏ­Ý»ñáí áõ ýá­ïáË­óÇÏ­Ý»ñáí, á­ñáÝù »­ñ»­Ë³­Ý»­ñÇÝ ëá­íá­ñ»ó­ÝáõÙ »Ý ï»ë­Ý»É, Ýϳ­ï»É ³ÛÝ, ÇÝ­ ãÝ ³Ý­ï³ñ­µ»­ñáõÃ­Û³Ý ¿ Ù³ïÝ­í³Í. Ñ»Ýó ³Ûë ·áñ­ÍÇù­Ý»­ñÁ »­ñ»­Ë³­Ý»­ñÇÝ µ»­ñ»­óÇÝ Ù»ñ` Ç­ñ³­Ï³Ý ³ß­Ë³ñÑ: º­ñ»­Ë³­Ý»­ñÁ ëï»Õ­ÍáõÙ »Ý Ç­ñ»Ýó ýÇÉ­Ù»­ñÁ, ýá­ïá­Ý»­ñÁ, á­ñáÝù Ñ»­ïá óáõ­ó³¹ñ­íáõÙ »Ý §²ñ¢áñ­¹Ç¦ ÷³­é³­ïá­ÝÇ ßñ糭ݳϭݻ­ñáõÙ: ö³­é³­ïá­ ÝÁ ݳ¢ Ñݳ­ñ³­íá­ñáõíÛáõÝ ¿ ï³­ÉÇë ³ß­Ë³ñ­ÑÇ áõ­ß³¹­ñáõíÛáõ­ÝÁ µ­¢»­é»É г­Û³ë­ ï³­ÝÇ íñ³, óáõÛó ï³É ³ÛÝ ³ñ­Å»ù­Ý»­ñÁ, ѳñë­ïáõíÛáõ­ÝÁ, ÇÝ­ãÇ Ñ³­Ù³ñ å³Û­ù³­ñáõÙ »Ýù. ¹ñ³Ýù áã ÙdzÛÝ ³½­·³­ÛÇÝ, ³ÛÉ Ñ³­ Ù³­Ù³ñ¹­Ï³­ÛÇÝ ³ñ­Å»ù­Ý»ñ »Ý: - ÆëÏ ÇÝã­å»±ë­ »Ý »­ñ»­Ë³­Ý»­ñÁ ¹³é­ÝáõÙ ¿­Ïá- ³­ÏáõÙ­µÇ ³Ý­¹³Ù­Ý»ñ ¢ á±ñ ­ï³­ñÇ­ ùáõÙ: - êϽµáõÙ ³Û­ó»­ÉáõÙ ¿ÇÝù ¹åñáó­Ý»ñ, ·ñ»­Ã» ³Ý­Ñ³ï³­Ï³Ý ³ß­Ë³­ï³Ýù ¿ÇÝù ï³­ÝáõÙ Ýñ³Ýó Ñ»ï: ºñ­ç³­ÝÇÏ »Ýù, áñ Ù»½ ѳ­í³­ï³ó ¢ ýǭݳݭ볭å»ë ³­ç³Ï­ ó»ó ÙÇ Ï³½­Ù³­Ï»ñ­åáõíÛáõÝ, á­ñÇ ³­Ýáõ­ÝÁ ëÇ­ñáí å»ïù ¿ Ýß»Ù. ¹³ ìÇ­í³­ë»ÉÉ Øîê ÁÝ­Ï»­ñáõíÛáõÝÝ ¿` ѳݭÓÇÝë è³Éý ÚÇ­ ñÇÏ­Û³­ÝÇ: л­ï³­·³­Ûáõ٠ϳ­ñá­Õ³­ó³Ýù ³ÛÉ ·áñ­ÍÁÝ­Ï»ñ­Ý»ñ ¿É Ó»éù µ»­ñ»É: ²Û­ëûñ ³ñ­¹»Ý ßÝáñÑÇí Ù»ñ ·áñÍÁÝÏ»ñáç ³­Ù»Ý Ù³ñ­½áõÙ áõ­Ý»Ýù Ï»Ýï­ñáÝ­Ý»ñ, ·ñ³­ë»Ý­ ۳ϭݻñ` ѳ­·»­ó³Í ï»Ë­Ýǭϳ­Ûáí, ÏáÙå­ Ûáõ­ï»ñ­Ý»­ñáí, ÇÝ­ï»ñ­Ý»­ï³­ÛÇÝ Ï³­åáí: ºñ¢³­ÝÇó ³­Ù»Ý ß³­µ³Ã Ù³ë­Ý³­·»ï­Ý»ñ »Ý áõ­Õ³ñÏ­íáõÙ Ù³ñ­½»ñ: àñ­ù³Ý ÷áùñ ï³­ñÇ­ùÇó »Ýù ³ß­Ë³­ïáõÙ »­ñ»­Ë³­Ý»­ñÇ Ñ»ï, ³ÛÝ­ù³Ý ³­í»­ÉÇ ßáõï »Ýù ϳ­ñá­Õ³­ Ýáõ٠ѳëó­Ý»É ÙÇï­ùÁ:

µÝáõÃ­Û³Ý Ï³ñ¢á­ñáõíÛáõ­ÝÁ, ³ÝÑ­ñ³­Å»ß­ ïáõíÛáõ­ÝÁ ¢ Ó­¢³­íáñ­íáõÙ ¿ Ûáõ­ñ³­Ñ³­ïáõÏ ³ñ­Å»­ù³­ÛÇÝ Ñ³­Ù³­Ï³ñ·: º­ñ»­Ë³Ý å»ïù ¿ ׳­Ý³­ãÇ áõ ëÇ­ñÇ Çñ »ñ­ÏÇ­ñÁ, ³Û¹ ų­Ù³­ Ý³Ï ÙdzÛÝ µÝáõíÛáõ­ÝÁ ÇÝ­ùÝÁë­ïÇÝù­Û³Ý ÙïÝáõÙ ¿ Ýñ³ ëï»Õ­Í³Í ³ñ­Å»­ù³­ÛÇÝ Ñ³­ Ù³­Ï³ñ­·Ç Ù»ç: Þ³ï ϳñ¢áñ ¿ µÝáõÃ­Û³Ý Ñ»ï ϳ­åÁ ¹Ç­ï»É áã û áñ­å»ë ³­é³Ý­ÓÇÝ ÙÇ ¿­É»­Ù»Ýï, ³ÛÉ ³ÛÝ ¹³ñÓ­Ý»É ³­éûñ­Û³­ÛÇ, ϻݭó³­ÕÇ ÙÇ Ù³ë­ÝÇ­ÏÁ: ØdzÛÝ ³ÛÝ Å³­Ù³­ ݳÏ, »ñµ ³­é³ç­Ý³­ÛÇÝ ¿ ¹³é­Ýáõ٠ѳۭ ñ»­ÝÇ­ùÁ ½·³­Éáõ, ëÇ­ñ»­Éáõ ·³­Õ³­÷³­ñÁ ¢ ³­é³­ç³­ÝáõÙ ¿ §ºë »Ù ѳۭñ»­ÝÇ­ùÇ ï»­ñÁ¦ ÙÇï­ùÁ, »ñµ ïÇ­ñáç ½·³­óá­ÕáõíÛáõ­Ýáí ¿ »­ñ»­Ë³Ý ëÏëáõÙ Ùá­ï»­Ý³É ËݹñÇÝ, Ñ³ë­ Ï³­ÝáõÙ ¿, û ÇÝ­ãÇ Ñ³­Ù³ñ ¿ å»ïù å³Û­ ù³­ñ»É, ÇÝãÝ ¿ å»ïù å³ßï­å³­Ý»É: ²Û¹ ų­Ù³­Ý³Ï, íëﳭѳ­µ³ñ, ϳ­ñáÕ »Ýù ³­ë»É, áñ ݳ­Ë³­·Ç­ÍÁ ѳ­çáÕ­í»É ¿: ²Ûëûñ »­ñ»­Ë³­Ý»­ñÇ Ù»ç, Çë­Ï³­å»ë, ï»ë­ÝáõÙ »Ù áõ­ÅÁ, ѳ­í³ïÝ áõ ë»­ñÁ ³é ѳۭñ»­ÝÇù: - ø³­ÝDZ »­ñ»­Ë³ ¿ Ù³ë­Ý³Ï­óáõÙ Ò»ñ Íñ³·­ ñ»­ñÇÝ: - ²é­Ñ³­ë³­ñ³Ï 500-600 »­ñ»­Ë³ ¿ ѳ­×³­ ËáõÙ Ù»ñ ³­ÏáõÙµ, µ³Ûó ÙÇ­çá­ó³­éáõÙ­Ý»­ ñÇÝ Ýñ³Ýó ÃÇ­íÁ ѳë­ÝáõÙ ¿1500-2000-Ç: ²­ÝÁݹ­Ñ³ï ³­×»­Éáõ ÙÇ­ïáõÙ áõ­ÝÇ ÃÇ­íÁ, ÇëÏ Íñ³·­ñ»ñÝ ¿É ϳ­ï³­ñ»­É³­·áñÍ­íáõÙ, í»­ñ³Ó¢³­íáñ­íáõÙ »Ý, ¢ å»ïù ¿ ÷áñ­ Ó»Ýù, áñ ³ÛÝ ÙïÝÇ Ý³¢ ¹åñá­ó³­Ï³Ý Ïñó­Ï³Ý Íñ³·­ñÇ Ù»ç: - Ʊ Ýã­ »ù ϳñ­ÍáõÙ, Ùß³­ÏáõÛà ëï»Õ­Í»­ÉÁ ³ñ¹­Ûá±ù ­í³­í»­ñ³­Ï³Ý ³½· ÉÇ­Ý»­Éáõ »­ñ³ß­ ËÇù ϳ­ñ»­ÉÇ ¿ ѳ­Ù³­ñ»É: - ØdzÛÝ Ùß³­ÏáõÛà ëï»Õ­Í»­ÉÁ í³­í»­ñ³­Ï³Ý ³½· ÉÇ­Ý»­Éáõ »­ñ³ß­ËÇù ãÇ Ï³­ñáÕ ÉÇ­Ý»É: Î۳ݭùÁ ¹Ç­Ý³­ÙÇÏ ¿; Øß³­ÏáõÛà áõ­Ý»­Ý³­ÉÁ ¹»é ãÇ Ýß³­Ý³­ÏáõÙ, áñ ¹áõ ³Ý­Ë³Ëï ëÛáõ­ ݳ­ù³ñ »ë, áñ ã»ë í»­ñ³­Ý³­Éáõ ǵñ¢ ³½·: Øß³­ÏáõÛÃ­Ý ÇÝÓ Ñ³­Ù³ñ ÑÇÙùÝ ¿, ÙÇ­çá­óÁ` ѳë­Ï³­Ý³­Éáõ, û áñ­ï»­ÕÇó »ë ·³­ÉÇë, ÇëÏ Ã» áõñ »ë ·ÝáõÙ, ¹³ Ñ»Ýó ³Û¹ ¹³­ñÇ ë»ñÝ­ ¹Ç á­ñá­ß»­Éáõ ËݹÇñÝ ¿: ²­Ù»Ý ë»­ñáõݹ Çñ ³½­·Ç ³­å³­·³­ÛÇ Ñ³­Ù³ñ Ýáñ Ï»ñ­å³ñ ¿ ëï»Õ­ÍáõÙ áõ Ùݳ­ÛáõÝ ¿ ³ÛÝ ë»­ñáõÝ­¹Á, á­ñÇ ëï»Õ­Í³Í Ï»ñ­å³­ñÁ ѳ­Ù³­å³ïë­Ë³­ÝáõÙ ¿ Ç­ñ³­Ï³Ý ѳ­ÛÇ Ï»ñ­å³­ñÇÝ:ê³ ß³­ñáõ­Ý³­ ϳ­Ï³Ý å³Û­ù³ñ ¿, ³Ý­¹³­¹³ñ Áݭóóù; Øß³­ÏáõÛ­ÃÁ ß³ï ѽáñ ¿ áñ­å»ë ѳ­Ù³ß­ ˳ñ­Ñ³­ÛÇÝ »ñ­¢áõÛÃ, áõÕ­Õ³­ÏÇ å»ïù ¿ Ñ»­ï³­·Ç­ÍÁ ѳë­Ï³­Ý³É: - Ø»ñ ë»­ñáõÝ­¹Á,

- ´ÝáõíÛáõ­ÝÁ µ³­ñdzó­ÝáõÙ, í»­Ñ³ó­ÝáõÙ ¿ Ù³ñ­¹áõÝ... - ´ÝáõíÛáõ­ÝÁ å³Ñ­å³­Ý»­Éáõ ѳ­Ù³ñ Ù³ñ­ ¹Á ÙÇ ß³ñù ³ñ­Å»ù­Ý»ñ å»ïù ¿ áñ­¹»·­ñÇ: à­ãÇÝã ãå»ïù ¿ å³ñ­ï³¹ñ­í³Í ÉÇ­ÝÇ: ê³ Ñá­·»­íÇ­×³Ï ¿, ·Ç­ï³Ï­óáõíÛáõÝ, áõ »ñµ Ù³ñ­¹Á ѳë­ÝáõÙ ¿ ¹ñ³Ý, ѳë­Ï³­ÝáõÙ ¿

Áëï Ò»½, ݳ­Ëáñ¹ ë»­ñáõÝ­¹Çó ÇÝã ¿ í»ñó­ ñ»É ¢ áõñ ¿ ·ÝáõÙ: - î³ñ­µ»ñ ׳­Ý³­å³ñÑ­Ý»ñ Ï³Ý ·Ý³­Éáõ: ì»ñ­çÇÝ ùë³Ý ï³­ñÇ­Ý»­ñÇ Áݭóó­ùáõÙ ß³ï ã³­÷³­ÝÇß­Ý»ñ ÷áË­í»­óÇÝ, ß³ï »ñ¢áõÛí Ý»ñ ëË³É Áݭóóù áõ­Ý»­ó³Ý: γñ­ÍáõÙ »Ù, áñ Ù»ñ ë»ñÝ­¹Ç ·»ñËÝ­¹Ç­ñÁ ëï³­ó³Í

ų­é³Ý­·áõíÛáõ­ÝÁ í»­ñ³ñÅ¢á­ñ»ÉÝ áõ ×Çßï áõÕ­Õáñ­¹»ÉÝ ¿: ê³ »ñ­Ï³­ñ³ï¢ ·áñ­ÍÁÝ­ Ã³ó ¿ áõ ѳ­çá­Õ»­Éáõ ѳ­Ù³ñ ³ß­Ë³­ï³Ý­ ùÁ å»ïù ¿ ëÏë»Ýù áã û Ù»­Í»­ñÇ, ³ÛÉ ÷áù­ñ»­ñÇ Ñ»ï: - ػݭùÇ ·³­Õ³­÷³­ñÇ µ³­ó³­Ï³­ÛáõíÛáõ­ÝÁ ³é­Ï³ ¿ ÙÇßï: ºë-Ç ·³­Õ³­÷³­ñÁ Ø»Ýù ¹³ñÓ­Ý»­Éáõ áõ­ÕÇÝ á±ñÝ­¿... - γñ­ÍáõÙ »Ù, áñ ³Ûë ѳñ­óáõÙ Ù»Ýù` ѳ­ Û»ñë å»ïù ¿ û­ñÇ­Ý³Ï í»ñó­Ý»Ýù Ññ»³­Ý»­ ñÇó: Üñ³Ýù Çë­Ï³­å»ë Ù»Ýù »Ý: ػݭùÁ, ǵñ¢ ³½­·³­ÛÇÝ ·³­Õ³­÷³­ñ³­Ëá­ëáõíÛáõÝ, ó³­íáù, µ³­ó³­Ï³­ÛáõÙ ¿ Ù»½ Ùáï: ²Ûë ѳñ­ óáõÙ ³ñ¹­ÛáõÝ­ùÇ Ñ³ë­Ý»­Éáõ ѳ­Ù³ñ ¢ë­ ³ß­Ë³­ï³Ý­ùÁ å»ïù ¿ ëÏë»Ýù »­ñ»­Ë³­Ý»­ñÇó: Æ­¹»³Ý, ÙÇï­ùÁ ï»Õ ѳëó­Ý»­Éáõ ѳ­Ù³ñ Ñëï³Ï Íñ³­·Çñ, Ù߳ϭí³Í Ù»­Ë³­Ýǽ٠¿ å»ïù: - ê»­ñáõݹ­Ý»­ñÇ »ñÏ­Ëá­ëáõí۳±Ý, û± Ýñ³Ýó ÙÇç¢ Ãßݳ­Ù³­Ï³Ý å³Û­ù³­ñÇ ³­Ï³­Ý³­ ï»ëÝ »Ýù ³Û­ëûñ: - ÆÙ ¢ ³Û­ëûñ­í³ ³­í³· ë»ñÝ­¹Ç »ñÏ­Ëá­ ëáõíÛáõ­ÝÁ ÙÇ ùÇã ¹Åí³­ñ³­ÝáõÙ »Ù å³ï­ Ï»­ñ³ó­Ý»É: º­ÏáÕ ë»ñÝ­¹Ç Ýϳï­Ù³Ùµ ³Ýíë­ï³­ÑáõíÛáõ­ÝÁ ÙÇßï ¿É Ï³: ²­Ù»Ý ¹»å­ùáõÙ, Ýáñ ë»ñÝ­¹ÇÝ å»ïù ¿ ×Çßï áõÕ­ Õáñ­¹»É: ²­å³­·³­ÛáõÙ ï»ë­ÝáõÙ »Ù »ñÏ­Ëá­ ëáõíÛáõÝ, áã û å³Û­ù³ñ... - г­ÛÇ µÝ³­íá­ñáõÃ­Û³Ý á±ñ ·Í»ñÝ »ù ëÇ­ ñáõÙ: - г­ÛÇÝ ·Ý³­Ñ³­ï»­Éáõ ã³­÷³­ÝÇ­ßÁ ÇÝùë ÇÝÓ Ñ³­Ù³ñ ¿É ¹»é ã»Ù Ùß³­Ï»É, µ³Ûó ÇÝÓ ß³ï ¹áõñ ¿ ·³­ÉÇë ³ÛÝ, áñ ѳ­ÛÁ ³Ý­Ï³Ý­Ë³­ï»­ ë»­ÉÇ ¿: ػݭùÇ µ³­ó³­Ï³­ÛáõíÛáõ­ÝÁ ãݳ­Û³Í ϳ, µ³Ûó ³ÝÑ­ñ³­Å»ß­ïáõÃ­Û³Ý ¹»å­ùáõÙ ³Û¹ ·»­ÝÁ ½³ñíÝáõÙ ¿, ¹³é­ÝáõÙ ¿ ѽáñ, áõ­Å»Õ: ØdzÛÝ í»ñ­ç»ñë, ó³­íáù, Ýϳ­ïáõÙ »Ù Ñdzë­Ã³­÷áõÃ­Û³Ý ½·³­óáõ٠ѳ­ÛÇ Ù»ç` Éù»­Éáõ, ³­å³­·³ ãï»ë­Ý»­Éáõ, ã·Ý³­Ñ³­ï»­Éáõ á­ñ³Ï­Ý»­ñÁ ·»­ñ³Ïß­éáõÙ »Ý: ij­Ù³­Ý³­ÏÁ ß³ï ϳñ× ¿ áõ Ýñ³Ý ѳë­Ý»­Éáõ ѳ­Ù³ñ ³­Ù»Ý µ³Ý å»ïù ¿ ß³ï ×Çßï áõ ³­ñ³· ϳ½­Ù³­Ï»ñ­å»É: ²ß­Ë³ñ­ÑÁ ãÇ ëå³­ë»­Éáõ, áñ Ù»Ýù ѳë­Ý»Ýù Ýñ³Ý, å»ïù ¿ å³ï­ ñ³ëï ÉÇ­Ý»Ýù ·Éá­µ³É ÇÝ­ï»·ñ­Ù³Ý: - àñ­å»ë »­ñÇ­ï³­ë³ñ¹, DZÝãÁ Ï÷á­Ë»Çù Ù»ñ å»­ï³­Ï³Ý Ñ³­Ù³­Ï³ñ­·áõÙ: - ÖÇßïÝ ³­ë³Í ³ñ­¹»Ý áõ­Ý»Ù åɳ­Ý³­íá­ ñ³Í á­ñáß µ³­Ý»ñ. Ý³Ë Ù»ñ ³Ù­µáÕç ³Ûë ³ß­Ë³­ï³Ý­ùÁ, ·³­Õ³­÷³­ñ³­Ëá­ëáõíÛáõ­ ÝÁ ³­í»­ÉÇ Éáõñç ÑÇÙ­ù»­ñÇ íñ³ ϹݻÇ, á­ñÁ »Ý­Ã³¹­ñáõÙ ¿ Ïñó­Ï³Ý ѽáñ ϳ­éáõÛ­óÇ ëï»Õ­ÍáõÙ: Üáñ ë»­ñáõÝ­¹Á å»ïù ¿ ɳí ÏñÃáõíÛáõÝ ëﳭݳ áõ ³­å³­·³Ý ï»ë­ÝÇ Ù»ñ »ñÏ­ñáõÙ: - Ò»ñ ÑÕáõ­ÙÁ »­ñÇ­ï³­ë³ñ¹­Ý»­ñÇÝ: -àõ­Ý»­Ý³É ëϽµáõÝù­Ý»ñ áõ ѳ­í³­ï³É áõ­ Å»­ñÇÝ...³Ûݭų٠³­Ù»Ý µ³Ý ɳí ÏÉÇ­ÝÇ:

3 (19) 2009

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ISSUE GUEST

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001 was the year when the Fund for Preservation of Wild Nature and Cultural Values was established. Its aim is to collaborate with specialists in the spheres of environment, tourism, community development and other, with journalists and film directors and to conduct various projects for the sake of protection of the environment. The Fund also holds "Arevordi" (Godson) festival and is willing to build a stable stage for regional environmental culture. "Ruben, did you believe you would succeed before you began your activities?" "Belief is the moving force of beginning any activity. My concern was that we were losing the national and cultural values we had inherited. Nature, no doubt, creates also culture. At the start of my activities I used to shoot films through which I wanted to show the public what values we had that we had to preserve. Then I was sorry to realize that apathy towards nature is more important than my wish to spread information. That very indifference has brought us to the point of destructing nature. I realized that more fundamental work is needed, work that would teach a whole generation, that would create bases for further changes. We began with ecoclubs. We created the figure of Arevordi that is so dear to the soul of any Armenian. It should not necessarily be connected with paganism; it expresses the courage and the virility that we possess as a nation. We developed a special educational program for children that included courses on ecology and history. We equipped eco-clubs with video cameras and cameras, which teach children to see, to notice what has been neglected. These very instruments brought the children to our real world. The children make their own films, photos that are later demonstrated within the frameworks of "Arevordi" festival. The festival also gives an opportunity to draw global attention to Armenia, to show the values, the wealth for which we are fighting. These are not simply national values, but global ones." "How can children become members of an eco-club and at what age?" "Initially we used to attend schools; we used to conduct almost individual work with them. We are happy that we were trusted and financially supported by an organization that, I am glad to say, is VivaCell MTS in the in person of Mr. Ralph Yirikyan. Later we were able to get some other partners as

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well. Thanks to our partner today in each marz (district) we already have centers, offices equipped with devices, computers, internet connection. Every week specialists visit marzes. The younger the children with whom we work are, the easier it is to get to the point." "Nature makes one kinder, nobler." "One must adopt several values to preserve nature. Nothing should be compulsory. This is a state of mind, consciousness. And when one gets to this, he realizes the importance, necessity of nature and a specific value system is formed. Any child should know and love his/her land; only then nature becomes a part of his/her value system. It is rather important to view contact with nature not as an individual element, but to make it a part of everyday life. Only when the idea to feel, to love one째s motherland becomes primary and the idea "I am the owner of my motherland" occurs, when the child views the problem from the position of an owner, then he can understand what he should struggle for; what should be protected. Then we can be certain the project has succeeded. I am enthusiastic about the project because I can actually see the strength, the faith and love for their motherland in the children." "How many children are currently taking part in your project?" "Usually 500-600 children attend our club but their number increases to 1500200 during the events. The number is increasingly growing, and the projects are being improved, reshaped and we must try to make it involved in school curriculums." "Do you think creating culture can be considered a guarantee of a nation?" "Just creating culture cannot be a guarantee of an actually existing nation. Life is dynamic. Having culture does not that mean you are an indestructible cornerstone, that you won째t cease to exist as a nation. Culture is the foundation, the means for me to understand where you come from. And where you are heading for must be resolved by the generation of the century. Every generation creates a new image for the future of its nation and the generation, whose created image corresponds to the actual image of the Armenian, will survive. This is a permanent struggle, an everlasting process. Culture is really very powerful as global phenomenon. One should simply understand the trajectory." "What do you think our generation has

acquired from the previous one and where is it heading for?" "There are different ways to take. Several criteria have changed during the last twenty years; several processes went in the wrong direction. I believe the super-issue of our generation is to reevaluate whatever we have inherited and to lead it in the right direction. This is a long-lasting process and to succeed, we must start work not with the older people but with the younger people." "The idea of "we" is always lacking. Which is the way to turn the idea of "I" into that of "we"?" "I believe we - Armenians - must follow the example of the Jews. They are really "we". Unfortunately, we lack "we" as an ideology. To achieve success in this matter also work must begin with younger people. To make the idea, the though clear a definite program, a worked mechanism is needed." "Can we now witness a dialogue between generations or animosity between them?" "It is a bit difficult for me to imagine the dialogue between me and today째s elder generation. The distrust towards the coming generation has always existed. In any case, the new generation must always be led. In the future I can see a dialogue, not struggle..." "What characteristic features of the Armenians are you fond of?" "I myself haven째t worked out a criterion to estimate the Armenians yet, although I like that an Armenian is always unforeseeable. Although there is a lack of "we", in a necessity the gene awakes, becomes mighty, strong. Unfortunately, I can notice certain disappointment among Armenians: the feelings of deserting, seeing no future, not evaluating are becoming predominant. Time is too short and to keep up with it one must organize everything very precisely and quickly. The world is not going to wait for us to catch up with it. We must be ready for global integration." "As a young man, what would you change in our state system?" "To tell the truth I have already planned several things. I would first of all put our complete work, the ideology on more serious foundations, which supposes creation of a strong educational system. The new generation must be well educated and must see its future in our country." "Your word to the young." "Have principles and believe in yourselves. Then everything will be fine."



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۳ݭùÁ Ññ³ßù ¿, áñ ëï»ÕÍ­í»É ¿ Ùáï 4 ÙÉñ¹ ­ï³­ñÇ ³­é³ç: Ø»Ýù` Ù³ñ­¹ÇÏë, »ñÏ­ñÇ íñ³ ³å­ñáõÙ »Ýù ÁÝ­¹³­Ù»­ÝÁ 200.000 ï³­ñÇ áõ ³Û¹ Áݭóó­ùáõ٠ѳëó­ñ»É »Ýù ˳˭ï»É ¿­Ïá­ É᭷dz­Ï³Ý ѳ­í³­ë³­ñ³Ïß­éáõíÛáõ­ÝÁ, ³­é³Ýó á­ñÇ »ñÏ­ñÇ íñ³ ·á­Û³ï¢»ÉÝ ³ÝÑ­ ݳñ ¿: ´³Ûó ³Û­ëûñ ¹»é áõß ã¿ í»­ñ³­Ï³Ý·­ Ý»É ³ÛÝ: г­Û³ë­ï³­ÝáõÙ, ÇÝã­å»ë ݳ¢ ѳñ¢³Ý »ñÏñ­Ý»­ñáõÙ, Ù³ñ¹­Ï³Ýó Ù»­Í³­Ù³ë­Ýáõí

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Ûáõ­ÝÁ ãÇ ·Ç­ï³Ï­óáõÙ µÝ³­å³Ñ­å³­Ý³­ Ï³Ý §×·Ý³­Å³­ÙǦ ϳñ¢á­ñáõíÛáõ­ÝÁ, ï³­ñ³­Í³ßñ­ç³­ÝÇ µÝ³­Ï³Ý ų­é³Ý­·áõí Û³Ý µ³­ó³­éÇÏ ³ñ­Å»ù­Ý»­ñÁ, ÙÇÝã­¹»é ÙÇ­ç³½­·³­ÛÇÝ Ï³½­Ù³­Ï»ñ­åáõíÛáõÝ­Ý»­ñÁ ¹³­ë³­Ï³ñ­·áõÙ »Ý áÕç г­ñ³­í³­ÛÇÝ Îáí­ Ï³­ëÁ áñ­å»ë ϻݭ볭µ³½­Ù³­½³­ÝáõÃ­Û³Ý Ã»­Å³­Ï»ï: г­Û³ë­ï³­ÝÁ ·ïÝíáõÙ ¿ ³Ûë û­Å³­Ï»­ïÇ Ñ»Ýó Ï»Ýï­ñá­ÝáõÙ: ºí Ñ»Ýó ³Ûë­ï»Õ ¿É 2007Ã. ÐÐ ­í³Û­ñÇ µÝáõÃ­Û³Ý ¢ Ùß³­Ïáõ­Ã³­ÛÇÝ ³ñ­Å»ù­Ý»­ñÇ å³Ñ­å³Ý­

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µÝáõí۳­ÝÁ ÝíÇñ­í³Í ýÇÉ­Ù»­ñÇ Íñ³­·Ç­ ñÁ ï³­ñ³µ­ÝáõÛà ³ÛÉ ÙÇ­çá­ó³­éáõÙ­Ý»­ñÇ Ñ»ï: î»­ÕÇ Ïáõ­Ý³Ý ë»­Ùǭݳñ­Ý»ñ, óáõ­ ó³­Ñ³Ý­¹»ë­Ý»ñ, ¾­Ïá EXPO, éáù ѳ­Ù»ñ· ¢ µÝ³­å³Ñ­å³­Ý³­Ï³Ý ³ÛÉ ³Ï­ódz­Ý»ñ: ì»ñç­Ý³Ý­å³­ï³­ÏÁ` ë»­Ùǭݳñ­Ý»­ñÇ, µ³ó ùÝݳñ­ÏáõÙ­Ý»­ñÇ, ѳ­Ù³­Åá­Õáí­Ý»­ñÇ ¢ Ãñ»Û­ÝÇÝ·­Ý»­ñÇ ³Ýó­Ï³ó­Ù³Ý ѳ­Ù³ñ µ³ó ýá­ñáõ­ÙÇ ëï»Õ­ÍáõÙÝ ¿: ö³­é³­ïá­ ÝÇÝ ÏÙ³ë­Ý³Ï­ó»Ý ³Ù­µáÕç ³ß­Ë³ñ­ÑÇó ³­í»­ÉÇ ù³Ý 60 ÑÛáõ­ñ»ñ` é»­ÅÇ­ëáñ­Ý»ñ, ³ñ­í»ë­ï³­·»ï­Ý»ñ, ÙÇ­ç³½­·³­ÛÇÝ Ï³½­ Ù³­Ï»ñ­åáõíÛáõÝ­Ý»­ñÇ Ý»ñ­Ï³­Û³­óáõ­óÇã­ Ý»ñ ¢ ׳­Ý³ã­í³Í µÝ³­å³Ñ­å³Ý­Ý»ñ: λݭ¹³­ÝÇ­Ý»­ñÇ ¹Ç­Ù³­Ï³­Ñ³Ý­¹»ë ö³­é³­ïá­ÝÁ Ïٻϭݳñ­ÏÇ Ù»Í ¹Ç­Ù³­Ï³­ ѳݭ¹»ë »ñ­Ãáí: ¶áõÛݽ­·áõÛÝ Ï»Ý­¹³­ ݳ­Ï»ñå ½·»ëï­Ý»­ñáí ¢ ¹Ç­Ù³Ï­Ý»­ñáí 500-Çó ³­í»­ÉÇ å³­ï³­ÝÇ­Ý»ñ ÏËñ³­Ëáõ­ ë»Ý ³Ý­óáñ¹­Ý»­ñÇÝ Ùdz­Ý³É ³­é³­çǭϳ û­ñ»­ñÇÝ Í³­í³É­í»­ÉÇù µ³½­Ù³µ­ÝáõÛà µÝ³­å³Ñ­å³­Ý³­Ï³Ý ÙÇ­çá­ó³­éáõÙ­Ý»­ñÇÝ: ø³Û­É»ñ­ÃÇÝ Ù³ë­Ý³Ï­óáÕ »­ñ»­Ë³­Ý»­ñÇÝ Ïáõ­Õ»Ï­ó»Ý µ»é­Ý³­ï³ñ ³í­ïá­Ù»­ù»­ ݳ­Ý»­ñÇ Ù»ç ¹ñí³Í ó­÷á­Ý³ñ­í»ë­ ïÇ ÝÙáõß­Ý»ñ` åá­ÉÇ¿­ÃÇ­É»­Ý³­ÛÇÝ ³Õ­µÇó å³ï­ñ³ëï­í³Í г­Û³ë­ï³­ÝÇ ¿Ý­¹»­ÙÇÏ áãÝ­ã³­óáÕ Ï»Ý­¹³­Ý³­ï»­ë³Ï­Ý»­ñÇ ù³Ý­ ¹³Ï­Ý»ñ: ²Ûë ÙÇ­çá­ó³é­Ù³Ý Ýå³­ï³ÏÝ ¿ µ³ñÓ­ ñ³­Ó³Û­Ý»É ϻݭ¹³­ÝÇ­Ý»­ñÇ Ç­ñ³­íáõÝù­Ý»­ñÇ å³ßï­å³­ÝáõÃ­Û³Ý Ù³­ëÇÝ, ÑÇ­ß»ó­Ý»É ѳ­ ë³­ñ³­Ïáõí۳­ÝÁ ³ÛÝ å³­ï³ë­Ë³­Ý³ï­ íáõÃ­Û³Ý Ù³­ëÇÝ, á­ñáÝù Ù³ñ­¹ÇÏ ÏñáõÙ »Ý Ç­ñ»Ýó ßñç³­å³­ïáÕ ³ß­Ë³ñ­ÑÇ Ñ³­ Ù³ñ: ø³Û­É»ñÃ-¹Ç­Ù³­Ï³­Ñ³Ý­¹»­ëÇ Ù³ë­ Ý³­ÏÇó­Ý»­ñÇ Áݹ­Ñ³­Ýáõñ ù³­Ý³­ÏÁ Ïϳ½­ ÙÇ ßáõñç 1500 Ñá­·Ç:

3 (19) 2009

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Øà¼ðàìÆ ø²ð²ÜÒ²ìÆ êî²È²ÎîÆîܺðÆ ÐºøƲÂÀ Èáõë³ÝϳñÝ»ñÁ` ºÕÛ³ Ü»ñëÇëÛ³ÝÇ

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ϳ ³­í»­ÉÇ Ù»Í Ýϳ­ñÇã, ù³Ý­¹³­Ï³­·áñÍ, ù³Ý ÇÝ­ùÁ` µÝáõíÛáõÝÝ ¿:гۭϳ­Ï³Ý É»é­Ý³ß­Ë³ñ­ÑÇ ³­Ù»Ý ÙÇ ³ÝÏ­Ûáõ­ÝÁ Ù»½ Ý»ñ­Ï³­Û³­ÝáõÙ ¿ Çñ ·»­Õ³­ï»­ëÇÉ í³Û­ñ»­ñáí, ³Ý­Ó»­é³­Ï»ñï Ññ³­ß³­ÉÇù­ Ý»­ñáí: ÜÙ³Ý ³­¹³­Ù³Ý¹­Ý»­ñÇó ¿ Øá½­ñá­íÇ ù³­ñ³Ý­Ó³­íÁ: Øá½­ñá­íÇ ù³­ñ³Ý­Ó³­íÁ ·ïÝíáõÙ ¿ º­Õ»·­Ý³­Óá­ñÇ ßñ糭ϳۭùáõÙ` ·ñ»Ã» ë³­ñÇ ·ÉËÇÝ: Øá½­ñá­íÇ ù³­ ñ³Ý­Ó³­íÁ Ù»ÏÝ ¿ г­Û³ë­ï³­ÝáõÙ ·ïÝíáÕ »­ñ»ù Ëá­ßáñ ù³­ñ³Ý­Ó³í­Ý»­ñÇó` ²ñ­ç»ñ, س­·ÇÉ, Øá½­ñáí: ²Ûë ù³­ñ³Ý­Ó³­íÁ ѳÛï­Ý³­µ»ñ­í»É ¿ å³ÛíÛáõ­ÝÇ Å³­Ù³­Ý³Ï, »ñµ ßǭݳ­ñ³ñ­Ý»­ñÁ ׳­Ý³­å³ñÑ ¿ÇÝ Ï³­ éáõ­óáõÙ: ²Ýݭϳ­ñ³·­ñ»­ÉÇ ·»­Õ»ó­ÏáõíÛáõÝ áõ­ÝÇ ù³­ñ³Ý­Ó³­íÁ: ²ÛÝ áõ­ÝÇ 500-700 Ù»ïñ Ëá­ñáõíÛáõÝ: Øá½­ñá­íÁ ѳ­Ù³ñ­íáõÙ ¿ Ù»­é³Í ù³­ñ³Ý­Ó³í, ù³­ÝÇ áñ ³ÛÉ¢ë ­ã»Ý ³­×áõÙ ëﳭɳϭïÇÏ­Ý»­ñÁ: ²Û­ëûñ ÷³­Ï»É »Ý ù³­ñ³Ý­Ó³­íÁ ³Û­ó»­Éáõ­Ý»­ñÇ ³éç¢, á­ñáí­Ñ»ï¢, áñ­ù³Ý ¿É ó³­í³­ÉÇ ¿ Ñ»Ýó Ù»Ýù ѳ­Û»ñë, í»­ñ³ó­ÝáõÙ áõ ÷ã³ó­ÝáõÙ »Ýù Ù»ñ ѳñë­ïáõíÛáõ­ÝÁ: Æ ¹»å, ÈÇ­µ³­Ý³áõÙ ·ïÝíáÕ Ä»Û­Ã³­ÛÇ ù³­ñ³Û­ñÁ, á­ñÁ ß³ï ÝÙ³Ý ¿ Øá½­ñá­íÇ ù³­ñ³Ý­Ó³­íÇÝ, ³Û­ëûñ Ý»ñ­Ï³­Û³ó­í»É ¿ ³ß­Ë³ñ­ÑÇ 7 Ññ³­ß³­ÉÇù­Ý»­ñÇ Ù»ç Ý»­ñ³é­í»­Éáõ ѳ­Ù³ñ, ÇëÏ Ù»Ýù Ù»ñ ³ñ­Å»ù­Ý»­ñÁ ׳­Ý³­ã»­Éáõ, å³Ñ­å³­Ý»­Éáõ ÷á­Ë³­ñ»Ý ³Ý˭ݳ í»­ñ³ó­ÝáõÙ »Ýù ¹ñ³Ýù: ØÇÝ㢠»±ñµ...

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THE FAIRY TALE OF TALACTITES OF MOZROV CAVE T

here is no greater painter, sculptor than nature itself. Every corner of Armenian highlands presents itself with some unique sights, with non-manmade wonders. Mozrov Cave is one of these diamonds. Mozrov Cave is nearby Yeghegnadzor, almost on top of a mountain. Mozrov is one of the three largest caves in Armenia - Arjer, Magil, Mozrov. This cave was discovered after an explosion, when constructors were building a road. The cave has unspeakable beauty. It is 500-700 meters deep. Mozrov is considered to be a dead cave as stalactites grow no longer. Today the Cave has been closed for visitors because, oddly to say, it is we Armenians who destroy and spoil our wealth. By the way, Jeytay Cave in Lebanon, which is quite similar to Mozrov Cave, has been presented to be included among the Seven Wonders of the World, whereas we, instead of realizing, preserving our values, destroy them mercilessly. How long...?

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FPWC

CSR- Seminar in the frame of SunChild Festival: A better business for a better Armenia

www.sunchild.org

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FPWC

T

he “Foundation for Preservation of Wildlife and Cultural Assets” (FPWC) has been working since 2001 to protect Armenia’s unique natural and cultural heritage for future generations. But one of the most striking experiences of the organizers during the recent years is that it will be impossible to achieve an improvement of the environmental situation in Armenia without a serious contribution of the private sector in this field. Currently the country faces severe environmental challenges due to lack of public awareness for environmental issues and the government’s inability to enforce an efficient legislation in this field. Natural resources like water, air and soil are not managed sustainably and protected against pollution by companies or other contaminators. Massive problems are also caused by the currently ongoing deforestation. Illegal logging as well as timber industry and legalized logging of mining corporations have resulted in a nearly total destruction of Armenia’s natural forests. This exploitive attitude towards nature and environment not only damages biodiversity and natural resources but also harms human health and even dramatically decreases economic chances of the coming generations. The organizers of the seminar are convinced that the strategic key to motivate local business stakeholders to contribute to the improvement of the environmental situation and a “better Armenia” is “Corporate Social Responsibility” (CSR). Through CSR companies integrate social and environmental concerns in their business operations on a voluntary basis. It is up to enterprises to decide to go beyond the minimum legal requirements and obligations stemming from collective agreements in order to address societal

needs. With CSR strategies, companies usually not only aim to take part in the positive shaping of the society but they also pursue their economic interests. Market studies clearly prove that companies, which strategically incorporate environmental and social concerns into the framework of responsible business practices, receive tangible business benefits through greater efficiency and overall competitiveness. Unfortunately in newly emerging countries, like the Republic Armenia, CSR practices and strategies are not yet very widespread in the private sector. This surely is, on the one hand, the result of a lack of practical knowledge in this field. But on the other hand, many business leaders in emerging markets either think that a CSR strategy is a kind of “luxury” which can only be applied consistently in western countries or they fear that the costs for implementing CSR will be higher than the economic benefits. They often argue that CSR will actually diminish their local competitiveness. Of course companies have to care for bottom line results but merely looking for profits without taking into account the long-term impacts of business practices results in total destruction of the very surrounding where business can also flourish in future. Currently only a few companies in Armenia - among them FPWC’s general partner VivaCell-MTS - realize clearly the importance of CSR for the country’s future development. In a joint effort FPWC, VivaCell-MTS, Global Compact Armenia and GTZ (German Technical Cooperation) have decided to invite three highly profiled specialists in the sphere of CSR who can underline this context and highlight it through specific examples. The participants of the seminar will not only

get an insight into practical case studies but also into the global importance of CSR policies and the relation between financial performance and CSR strategies. The introductory lecture for example will be delivered by Prof. Teun W. Hardjono from the School of Management and Accounting at Erasmus University/ Rotterdam. Prof. Hardjono is not only a renowned scientist doing basic research in CSR but works also as a consultant for multinational companies and the Dutch government. The organizers of the CSR seminar in the framework of SunChild Festival are deeply convinced that Armenia has reached a crucial point in its development. If we do not succeed in convincing the leaders of local companies to take up serious actions for the sake of protection of the country’s scarce natural resources like water, air, soil and forests, future generations will definitely lose their chance to drink the pure water of Lake Sevan, to breathe the clean mountain air and enjoy the incomparable taste of naturally produced apricots and pomegranates. Unfortunately the current state of Armenia’s environment is alarming and it seems that we are just on the road which leads to the total loss of our precious natural heritage. Only if the stakeholders of the business community in Armenia understand their vital responsibility - but also vital economic interest - for the protection of the country’s natural resources the sell-out of our children’s future can be stopped. With the CSR Seminar in the framework of “SunChild International Environmental Festival” the organizers aim to clarify this context and to motivate local business stakeholders to take up the challenge to implement consistent CSR strategies into their day-to-day practice pursuing a better business for a better Armenia.

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¢ áõÕÕáñ¹»É ¿ ³ñ³µÝ»ñÇ 1916-1918 Ã.Ã. ³åëï³ÙµáõÃÛáõÝÁ Ãáõñù»ñÇ ¹»Ù (³½·áõÃÛ³Ùµ Ññ»³ ¿): (ѳïí³ÍÝ»ñ Èááõñ»Ýë ²ñ³µ³óáõ Ñ»ï` ÈÇÝÏáÉÝ êûýÝëÇ Ñ³ñó³½ñáõÛóÇó) §¼·áõß³ó»ù Ï»ÕÍ µ³ñ»Ï³ÙÝ»ñÇó (Ù³ëáݳ-ëÇáݳ-Ññ»³-Ãáõñù ѳϳѳÛÏ³Ï³Ý ù³é³ÝÏÛáõÝÇÝ)¦ Ññ³ï³ñ³ÏáõÃÛáõÝÁ` ä³ïÙ³Ï³Ý ·ÇïáõÃÛáõÝÝ»ñÇ Ã»ÏݳÍáõ ¶¢áñ· Ú³½Á×Û³ÝÇ

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غð زêÆÜ ß³ï ¿Ç Ã»ù­í»É ·áñͭݳ­Ï³­ÝáõÃ­Û³Ý ÏáÕ­ ÙÁ: ÐÇ­ß»­óÇ, û ÇÝã­å»ë ¿ñ ݳ ѳۭñ»­ñÇÝ Ïßï³Ù­µáõÙ ¹ñ³ ѳ­Ù³ñ: àõë­ïÇ ¹³ñÓ Ï³­ï³­ñ»­óÇ: ²­í»­ÉÇ ·³­Õ³­÷³­ñ³­å³ß­ ïá­ñ»Ý ¢, Ñáõ­ëáí »Ù, ѳۭñ»­Ý³­ëÇ­ñ³­µ³ñ Ëá­ë»­óÇ ÏñÏÇÝ. - º­Ã» ³­Ù»­ñǭϳ­óÇ­Ý»ñë ѳÝÓÝ ³é­Ý»Ýù ѳ­Û»­ñÇ Ýϳïٳٵ Ñá·³ï³ñáõÃÛáõÝÁ,ѳۭﳭñ³­ñ»­óÇ, - Ýñ³Ýó ÇëÏ û·­ïÇ Ñ³­ Ù³ñ ϳ­Ý»Ýù ³Û¹ µ³­ÝÁ: Üñ³Ýó Ïϳ­ é³­í³­ñ»Ýù ÙÇßï ¿É ³ÛÝ ·³­Õ³­÷³­ñáí, áñ Ýñ³Ýó ÁÝ­¹áõ­Ý³Ï ¹³ñÓ­Ý»Ýù Ç­ñ»Ýù Ç­ñ»Ýó ϳ­é³­í³­ñ»­Éáõ: - ²­Ûá°, ³­Ûá°, Ù»Ýù ѳë­Ï³­ÝáõÙ »Ýù ³Û¹ µá­Éá­ñÁ, - ³­ë³ó ݳ: ´³Ûó ½·³­óÇ, áñ ãÇ Ñ³ë­Ï³­ÝáõÙ, áõë­ïÇ áõÕ­Õ³­ÏÇ ß³­ñáõ­Ý³­ Ï»­óÇ ÇÙ ëÇÉ­É᭷ǽ­ÙÁ: - ȳí áõ­ñ»ÙÝ, - ³­ë³­óÇ å³ï­ß³­×á­ñ»Ý, å»ïù ¿ ¹ñ³­ÝáõÙ ï»ë­Ý»ù ݳ¢ Ñ»Ýó ³Û¹ Ýå³­ï³­ÏÁ. áñ­å»ë­½Ç ѳ­Û»­ñÇÝ ÁÝ­¹áõÝ³Ï ¹³ñÓ­Ý»Ýù Ç­ñ»Ýù Ç­ñ»Ýó ϳ­é³­í³­ñ»­Éáõ, å»ïù ¿ ³ß­Ë³­ï»ó­Ý»Ýù Ýñ³Ýó: à°ã û ѳñë­ïáõíÛáõÝ­Ý»­ñÁ Ïáñ­½»É Ýñ³Ý­óÇó, ³ÛÉ û·­ï³­·áñ­Í»É áñ­å»ë áõ­ëáõ٭ݳ­¹³ßï, áõñ Åá­Õáíñ­¹ÇÝ ëá­íá­ñ»ó­ÝáõÙ »Ý ³ß­Ë³­ï³­ ëÇ­ñáõíÛáõÝ, Ëݳ­Û³­ëÇ­ñáõíÛáõÝ ¢ µá­Éáñ ³ÛÝ ùñÇë­ïá­Ý»³­Ï³Ý ³­é³­ùÇ­ÝáõíÛáõÝ­Ý»­ ñÁ, á­ñáÝù ͳ­é³­ÛáõÙ »Ý ɳí Ù³ñ­¹ÇÏ ¢ ɳí ù³­Õ³­ù³­óÇ­Ý»ñ ¹³ë­ïdz­ñ³­Ï»­Éáõ: Þ÷á­Ã³­Ñ³ñ, áõ­é³Í ï»ëù ¿ñ ÁÝ­¹áõ­Ý»É ݳ: â·Ç­ï»Ç` ÇÝã ¿ å³­ï³­Ñ»É Ýñ³Ý, ÙÇÝ㢠áñ í»ñ­ç³­å»ë á­ñá­ß»ó ³ñ­ï³­ ѳÛï­í»É: - Êݳ­Û³­ëÇ­ñáõíÛáõ­ÝÁ ãÇ å³­Ï³­ëáõ٠ѳ­ Û»­ñÇÝ, - ³­ë³ó ݳ ãáñ, - ¢ ³Ý­ßáõßï ·Ç­ï»ù, ùñÇë­ïáÝ­Û³­Ý»ñ »Ý Ýñ³Ýù, »ñ¹í­ Û³É ùñÇë­ïáÝ­Û³­Ý»ñ: ƭѳñ­Ï» ·Ç­ï»Ç: ä³ñ­½³­å»ë á·¢á­ñáõí Û³Ýë Ù»ç, ÙÇ å³Ñ Ùá­é³­ó»É ¿Ç ³Û¹ µ³­ÝÁ: г­Ù»­Ý³ÛÝ­¹»åë ݳ ÇÝÓ µéÝ»É ¿ñ ³Û¹ Ï»­ ïáõÙ, áõë­ïÇ í»­ñ³­¹³ñ­Ó³ ³ß­Ë³­ï³Ý­ùÇ Ñ³ñ­óÇÝ ¢ åݹ»­óÇ, áõ åݹáõÙ »Ù, ³Û¹ ѳñ­óÁ: - ´³Ûó, - ³­ë³­óÇ, - ѳ­Û»­ñÁ å»ïù ¿ ³ß­Ë³­ï»Ý: ¸³ ¿ ѳ­çá­ÕáõÃ­Û³Ý ·³Õï­ÝÇ­ ùÁ, ÉÇ­ÝÇ ³Ý­Ñ³­ïÇ, ÉÇ­ÝÇ ³½­·Ç ѳ­Ù³ñ` ³ß­Ë³­ï³Ýù, ѳ­Ù³é, »­é³Ý­¹áõÝ ³ß­Ë³­ï³Ýù: ºí ѳ­Û»­ñÁ å»ïù ¿ áõ­Ý»­Ý³Ý г­Û³ë­ï³­ÝÁ` ¹ñ³ íñ³ ³ß­Ë³­ï»­Éáõ ѳ­ Ù³ñ: - г­Û»­ñÁ ã»Ý ³ß­Ë³­ï»­Éáõ, - ³­ë³ó ݳ, -

¹³ ¿ ó³­íáï Ï»­ïÁ Ó»ñ Íñ³·­ñáõÙ, ¹³ ¿ ѳ­Û»­ñÇ ¿É ó³­íáï Ï»­ïÁ: ÖÇßïÝ ³­ë³Í, ¹³ ¿ ó³­íáï Ï»­ïÁ µá­Éáñ ³Ûë ÑÇÝ ó»­ Õ»­ñÇ, á­ñáÝù »­Õ»É »Ý ù³­Õ³­ù³­ÏÇñà ¢, ÙÇ Å³­Ù³­Ý³Ï ïÇ­ñ³Í ¢ ³ß­Ë³­ï»ó­ñ³Í ÉÇ­Ý»­Éáí ³ß­Ë³ñ­ÑÇÝ, Ïáñó­ñ»É »Ý Ç߭˳­ ÝáõíÛáõ­ÝÁ, »ï »Ý Ùݳ­ó»É, ÇÝã­å»ë ¹áõù ³­ëáõÙ »ù, ϳ٠¿É, ÇÝã­å»ë »ë »Ù ³­ëáõÙ, ß³­ñáõ­Ý³­Ï»É »Ý, ³­é³ç »Ý ·Ý³­ó»É ïñ³­ Ù³­µ³­Ý³­Ï³­Ýá­ñ»Ý, Ñá­·»­µ³­Ýá­ñ»Ý, µÝ³­ Ëá­ë³­Ï³­Ýá­ñ»Ý: Üñ³Ýù ã»Ý ëÇ­ñáõ٠ѳ­ Ù³é, »­é³Ý­¹áõÝ ³ß­Ë³­ï»É: ¸³ ¿, áñ Ýñ³Ýó ï³ñ­µ»­ñáõÙ ¿ ³ÛÝ »­ñ»­Ë³­Û³Ý­Ù³Ý, Çë­Ï³­å»ë Ñ»­ï³Ù­Ý³ó, Åá­Õá­íáõñ¹­Ý»­ñÇó, á­ñáÝó Ñ»ï ·áñÍ »ù áõ­Ý»­ó»É ³­Ù»­ñǭϳ­ óÇ­Ý»ñ¹: ܳ˭ݳ­Ï³Ý Åá­Õá­íáõñ¹­Ý»­ñÁ å³ñ­½³­å»ë ÍáõÛÉ »Ý: Üñ³Ýó ϳ­ñ»­ÉÇ ¿ ëïÇ­å»É ³­é³ç ·Ý³É, ³ß­Ë³­ï»ó­Ý»É, ½³ñ­·³ó­Ý»É, ß³­Ñ³­·áñ­Í»É, »­Ã» áõ­½áõÙ »ù: ...Üñ³Ýù ½µ³Õ­í³Í »Ý ·Ý»É-ͳ­Ë»­Éáí, áõ ë»ñ­í³Í ÉÇ­Ý»­Éáí ·ÝáÕ-ͳ­ËáÕ­Ý»­ñÇó, ³é¢ïñ³­Ï³Ý Ùñó³Ï­óáõÃ­Û³Ý µ³­½áõÙ ë»­ñáõݹ­Ý»­ñÇ ÙÇ­çáí ÁÝï­ñ³­ë»ñ­í³Í, Ýñ³Ýù É³í ·ÝáÕ-ͳ­ËáÕ­Ý»ñ »Ý: γ­ñáÕ »Ý ·Ý³É ³ß­Ë³ñ­ÑáõÙ áñ¢¿ ï»Õ ³é¢ïáõñ ³­Ý»­Éáõ, áã û ϳ½­Ù³­Ï»ñ­å»­Éáõ, ϳ­éáõ­ ó»­Éáõ, Íñ³·­ñ»­Éáõ ¢ ³ß­Ë³­ï»­Éáõ: ...­ ÆÙ ³Ûë ÑÇÝ Åá­Õá­íáõñ¹­Ý»­ñÁ, - ³­ë³ó,Ï·Ý³Ý áñ¢¿ ï»Õ, áõñ ³ß­Ë³­ï³­íáñ­Ý»ñ ϳ ³ß­Ë³­ï³ó­Ý»­Éáõ, Ëá­ñ³­Ù³Ý­Ïá­ñ»Ý ÏËÇ­½³­Ë»Ý` Ñ»­½á­ñ»Ý ï³­é³­å»­Éáí, ¹ñ³Ù Ëݳ­Û»­Éáí, ·áñÍ ³­Ý»­Éáí: ²­Ûá°, Ýñ³Ýù ·áñÍ »Ý ³­ÝáõÙ: ²ÛÝ­å»ë »Ý ·áñÍ ³­ÝáõÙ, ÇÝã­å»ë ·áñ­Í³­ñ³­ñÁ ÙdzÛÝ Ï³­ ÝÇ` ѳ­ñ³ï¢á­ñ»Ý, ѳ­Ù³­éá­ñ»Ý, Ùݳ­ Éáí Ñ»Ýó ÙdzÛÝ ß³­ÑÇ Ý»Õ Éáõ­ë³Ýó­ùáõÙ: ´³Ûó, - ߻߭ï»ó ݳ, - ã»Ý ³ß­Ë³­ïÇ Ýñ³Ýù: â»Ý ϳ­ñáÕ: â»Ý ϳ­ñáÕ Ñ³ë­Ï³­ Ý³É §³ß­Ë³­ï³­í³ñ­ÓÇ Ñ³­Ù³ñ ³ß­Ë³­ ï»­Éá­õ¦ ¹ñáõÛ­ÃÁ: ¸³ µÝ³½¹ ¿ Ýñ³Ýó Ù»ç, ÙÇ ·ÇÍ, ÙÇ áõ­ßÇ­ÙáõíÛáõÝ, áñ ½³ñ­·³­ó»É ¿ ѳ­çáÕ­í³Í ÁÝï­ñ³­ë»­ñáõ­Ùáí, ÇÝã­å»ë áñ­ëáñ­¹áõÃ­Û³Ý áõ­ñáõÛÝ ·Í»ñ »Ýù ½³ñ­·³ó­ÝáõÙ áñë­Ï³Ý ßÝ»­ñÇ ³Ûë ϳ٠³ÛÝ ó»­ÕÇ Ù»ç: Üñ³Ýù Ç­ñ»Ýó ³ñ­Û³Ý Ù»ç ÇëÏ ·Ç­ï»Ý, áñ ³ß­Ë³­ï³­í³ñ­Óáí` ÝáõÛ­ÝÇëÏ µ³ñÓñ ³ß­Ë³­ï³­í³ñ­Óáí, ³ß­Ë³­ï»ÉÝ ³­Ýû­·áõï ¿, »­Ã» áõ­½áõÙ »ë ѳ­çá­ÕáõÃ­Û³Ý Ñ³ë­Ý»É áõ ѳñë­ï³­Ý³É: ...ÆëÏ ¹áõñë ·³É áõ ׳­Ï³­ïÇ ùñïÇÝ­ùáí ³ñ¹­Ûáõ­Ý³­Ñ³­Ý»É »ñÏ­ñÇ ÑáõÙ­ùÁ ¢ Ùß³­Ï»­ Éáí í»­ñ³­Í»É ßáõ­Ï³­Û³­Ï³Ý ³å­ñ³Ýù­Ý»­ñÇ`

áã: ÐÇÝ Åá­Õá­íáõñ¹­Ý»­ñÁ ã»Ý ѳݭ¹áõñ­ÅáõÙ ³­Ý»É ³Û¹ µ³­ÝÁ, ÇëÏ ÇÝã í»­ñ³­µ»­ñáõÙ ¿ Ó»ñ ѳ­Û»­ñÇÝ` Ýñ³Ýù å³ñ­½³­å»ë ã»Ý ³­ÝÇ: Èé»ó ÙÇ å³Ñ` ¹Ç­ï»­Éáí ÇÝÓ... - г­Û»­ñÁ, - ³­ë³ó, - ³­Ù»­Ý³­Ë»­É³­óÇ, ³­Ù»­ ݳ­Ï³­ï³ñ­Û³É ÁÝï­ñ³­ë»ñ­í³Í, ³­Ù»­Ý³­ µ³ñÓñ ½³ñ­·³­ó³Í ó»ÕÝ »Ý ³ß­Ë³ñ­ÑáõÙ` ù³­Õ³­ù³ÏñÃ­í³­ÍáõÃ­Û³Ý ï»­ë³­Ï»­ïÇó: ºë ÏñÏÇÝ ïí»óÇ Ç٠ûϭݳ­Íá­õÇ ³­Ýáõ­ ÝÁ: Ðñ»³­Ý»±­ñÁ, - ³ñ­Ó³­·³Ý­ù»ó: - ²­é³ç ¿É ³­ë³­óÇù Ýñ³Ýó Ù³­ëÇÝ, »ë ·áÑ ½·³­óÇ: ¸³ óáõÛó ïí»ó, áñ ·»Ã ÙÇ ÝßáõÛÉ Áݭϳ­ ÉáõÙ »ù ÑÇÝ ó»­Õ»­ñÇ Ù³­ëÇÝ ÇÙ ³­ë»É áõ­ ½³­ÍÇó: øÇã ׳٭÷³­Ý»ñ ³Ý­ó³Í Ù³ñ­¹áõ ѳ­Ù³ñ Ññ»³­Ý»ñÝ ³­Ù»­Ý³­Í³­Ýáà û­ñÇ­ ݳÏÝ »Ý ÑÇÝ, Ëá­ñ³­Ã³­÷³Ýó, Ë»­É³­óÇ Åá­Õáíñ­¹Ç, ¢ ³­Ûá` Ýñ³Ýù µÝ³½­¹á­ñ»Ý ß³­ ѳ­·áñ­ÍáÕ­Ý»ñ »Ý: Üñ³Ýù ³ãù »Ý ¹ÝáõÙ ·áñ­Í³Í­í³Í ѳñë­ïáõÃ­Û³Ý íñ³: ´³Ûó ϳ߭˳­ï»Ý Ýñ³Ýù: â»Ý ѳݭ¹áõñ­ÅáõÙ, µ³Ûó ϳ­ñ»­ÉÇ ¿ Ýñ³Ýó ³ß­Ë³­ï»ó­Ý»É: ºí ³­í»­ÉÇ í³ï, áñ Ýñ³Ýù ëï»Õ­Í³­·áñ­ÍáÕ ¿É »Ý, Ñݳ­ñ³­ÙÇï, áõ ½·³ó­ÙáõÝ­ù³­ÛÇÝ (ë»Ý­ïǭٻݭï³É): Üñ³Ýó Ù»ç ¹»é Ï³Ý ³ñ­í»ë­ï³­·»ï­Ý»ñ, ÷Ç­ÉÇ­ëá­÷³­Ý»ñ, Ù³ñ­ ·³­ñ»­Ý»ñ: ²Ý­Ï³­ï³ñ »Ý Ýñ³Ýù: ø³­Õ³­ ù³Ïñ­ÃáõÃ­Û³Ý ³­Ý³­í³ñï ÙÇ ³ñ¹­ÛáõÝù »Ý, ÏÇ­ë³ï Ùݳ­ó³Í: ...´³Ûó ³Ý­Ñ»­Ã»Ã ¿ Ýñ³Ýó ÝáõÛÝ á­·áí ¹³­ë»É ³ÛÝ ÑÇÝ Åá­Õáíáõñ¹­Ý»­ñÇ Ñ»ï, á­ñáÝó Ù³­ëÇÝ Ëá­ëáõÙ »Ý: ⿱ áñ ÇÙ ÑÇÝ ó»­Õ»ñÝ Ç­ñ»Ýó »ñÏ­ñÇó ¹áõñë »Ý ùß»É Ó»ñ ³Û¹ Ññ»³­Ý»­ñÇÝ Ï³Ù ã»Ý Ãá­Õ»É, áñ ·áñÍ ³­Ý»Ý Ç­ñ»Ýó Ùáï: ...Ø»ñ ßáï­É³Ý­¹³­óÇ­ Ý»­ñÁ áÕç-áÕç ù»ñ­ÃáõÙ »Ý Ýñ³Ýó: ²Û¹­ å»ë »Ý ³­ÝáõÙ ³­ñ³µ­Ý»ñÝ ¿É, Ãáõñ­ù»­ñÁ, ÑáõÛ­Ý»­ñÁ, ÇëÏ ÇÝã í»­ñ³­µ»ñ­íáõÙ ¿ ѳ­Û»­ ñÇÝ... ÞáõÝã ù³­ß»­Éáí ß³­ñáõ­Ý³­Ï»ó. - Ðñ»³­Ý»ñÝ Ç­ñ»Ýù ³ÛÝ­å»ë »Ý ½·áõ٠ѳ­ Û»­ñÇ Ñ³Ý­¹»å, ÇÝã­å»ë ѳ­Ï³­ë»­Ù³­Ï³Ý »í­ñá­å³­óÇ­Ý»­ñÁ Ññ»³­Ý»­ñÇ Ñ³Ý­¹»å »Ý ½·áõÙ: ²Û¹­å»ë ½·áõÙ »Ý ÑáõÛ­Ý»­ñÁ, Ãáõñ­ ù»­ñÁ, µá­Éáñ ³ÛÝ ÙÛáõë ó»­Õ»­ñÁ, á­ñáÝó ·ÉËÇÝ »Ý »­Õ»É ѳ­Û»ñÝ »ñµ¢Ç­ó»: ¼·áõÙ »Ý, áñ ѳ­Û»­ñÁ µá­Éá­ñÇÝ ¿É ³ß­Ë³­ï³Ý­ùÇ ÏÉÍ»Ý: àõ ÏÉÍ»Ý: г­Û»ñÝ áõ­Ý»Ý Ññ»³­Ý»­ ñÇ µá­Éáñ ѳï­Ï³­ÝÇß­Ý»­ñÁ, ³­é³­í»É` µá­ Éáñ ÙÛáõë ó»­Õ»­ñÇ ¿É µá­Éáñ ѳï­Ï³­ÝÇß­Ý»­ ñÁ, ¢ µ³­óÇ ³Û¹` ùñÇë­ïá­ÝÛ³­Ý»ñ »Ý:

*Âá­Ù³ë سɭÃáõë (1766-1834Ã.Ã.).- ³Ý·­Édz­óÇ ïÝï»­ë³­·»ï, Çñ ³­Ýáõ­Ýáí Ïáã­í³Í Ù³ñ­¹³ï­Û³ó ïÝï»­ë³­·Ç­ï³­Ï³Ý ï»­ëáõÃ­Û³Ý ÑÇ٭ݳ­¹ÇñÝ áõ ·³­Õ³­÷³­ñ³­Ëá­ëÁ: Àëï ٳɭ Ãáõ­ë³­Ï³Ý­Ý»­ñÇ` ºñÏ­ñ³·Ý­¹Ç µÝ³Ï­ãáõíÛáõÝÝ ³­×áõÙ ¿ »ñÏ­ñ³­ã³­÷³­Ï³Ý, ÇëÏ ·á­Û³­ÙÇ­çáó­Ý»­ñÁ Ãí³­µ³­Ý³­Ï³Ý åñá·­ñ»­ëdz­Ûáí: ²Ûë ³Ý­Ñ³­Ù³­å³­ï³ë­Ë³­ÝáõíÛáõÝÝ ³­é³­ç³ó­ÝáõÙ ¿ «³­í»­Éáñ¹ µÝ³Ï­ãáõíÛáõ­Ý», á­ñÇó ѳñ­Ï³­íáñ ¿ ³­½³ï­í»É. Ýñ³Ýù ϳ°Ù å»ïù ¿ ãÍÝí»Ý, ϳ°Ù å»ïù ¿ áãÝ­ã³ó­í»Ý å³­ï»­ñ³½Ù­Ý»­ñÇ, ëá­íÇ ¢ ѳ­Ù³­×³­ñ³Ï­Ý»­ñÇ ÙÇ­çá­óáí: Üáñ­Ù³É­Ãáõ­ 볭ϳ­ÝáõÃ­Û³Ý ÑÇ٭ݳ­Ï³Ý ·³­Õ³­÷³­ñÁ ѳÛï­ÝÇ ¿ «áë­Ï» ÙÇ­Édzñ­¹Ç ï»­ëáõíÛáõ­Ý» ³­Ýáõ­Ýáí, Áëï á­ñÇ ºñÏ­ñ³·Ý­¹Ç å³­ß³ñ­Ý»­ñÁ µ³­í³­ñ³ñ »Ý ³ñ­Å³­Ý³­í³­Û»É Ï۳ݭùáí ³­å³­Ñá­í»­Éáõ ÙdzÛÝ Ù»Ï ÙÇ­Édzñ¹ Ù³ñ­¹áõ (³Ûë­å»ë Ïáã­í³Í ½³ñ­·³­ó³Í »ñÏñ­Ý»­ñÇ µÝ³­ÏÇã­Ý»­ñÇÝ). Ùݳó­Û³É­Ý»ñÝ ³­í»­Éáñ¹ »Ý:

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62ÃÃ.-Á γé­Éá û­å»­ñ³­ïÇí ͳͭϳ­ Ýáõ­Ýáí ѳݭ¹»ë ¿ñ ·³­ÉÇë ËáñÑñ­¹³­ÛÇÝ Ñ»­ï³­Ëáõ­½áõÃ­Û³Ý Ï³ñ¢áñ ¹»Ù­ù»­ñÇó Ù»­ÏÁ` ¶áõñ­·»Ý ê»Ù­Ûá­Ýá­íÇã ²­Õ³­Û³­ÝÁ: ²Û­ ëûñ, »ñµ Ñ»­ï³­Ëáõ­½³­Ï³Ý ³ß­Ë³­ï³Ý­ùÇ

¶áõñ­·»Ý ²­Õ³­Û³­ÝÁ ÍÝí»É ¿ 1916-Ç ³å­ñÇ­ ÉÇ 27-ÇÝ /ǭﳭɳ­Ï³Ý Ñ»­ï³­Ëáõ­½áõÃ­Û³Ý ïí۳ɭݻ­ñáí` 1915-Ç ³å­ñÇ­ÉÇ 28-ÇÝ/ º­ÉÇ­ ½³­í»ï­åá­ÉáõÙ: 8 ï³­ñ»­Ï³­ÝáõÙ ½ñÏí»­Éáí Ñá­ñÇó` ÙáñÝ û·­Ý»É ¿ Ñá· ï³­Ý»É µ³½­Ù³­ ½³­í³Ï áõ ³­Ý³­å³­Ñáí ÁÝ­ï³­ÝÇ­ùÇÝ: Üñ³ áõ­ëáõ٭ݳ­éáõíÛáõÝÝ Áݹ·ñ­ÏáõÙ ¿ Ûá­Ã³Ù­Û³ ÙÇç­Ý³­Ï³ñ· ¹åñáó, ٳݭϳ­í³ñ­Å³­Ï³Ý ï»Ë­ÝÇ­ÏáõÙ, á­ñÇó Ñ»­ïá ÃíáõÙ ¿` ¶áõñ­·»­ ÝÇÝ Ù³Ý­Ï³­í³ñ­ÅÇ Ï³­ñÇ»­ñ³ ¿ñ íǭ׳ϭí³Í.


ÐàôÚÄ ¶²ÔîÜÆ Ý³ ·áñ­ÍáõÕ­í»ó ¶»­ï³­ß»Ý` áñ­å»ë ѳ­Ûáó ¢ éáõ­ë³ó É»­½áõ­Ý»­ñÇ áõ ·ñ³­Ï³­ÝáõÃ­Û³Ý áõ­ëáõ­óÇã: 1938-ÇÝ Áݹ­Ñ³ï­í»ó Ê. ²­µáí­Û³­ÝÇ ³Ý­í³Ý ٳݭϳ­í³ñ­Å³­ Ï³Ý ÇÝë­ïÇ­ïáõ­ïÇ áõ­ë³­Ýá­ÕÇ ÏñÃáõíÛáõ­ÝÁ, ¢ ݳ ëá­íá­ñ»­Éáõ ·áñ­ÍáõÕ­í»ó µǭÉÇ­ëÇ: л­ïá ¹³ñ­Ó³í ÊêÐØ Ü¶ÄÎ-Ç å»­ï³Ýí­ï³Ý­·áõÃ­Û³Ý ·É˳­íáñ í³ñ­ãáõÃ­Û³Ý ¹åñá­óÇ Ïáõñ­ë³Ýï: ê³ í×éá­ñáß µ»­ ÏáõÙ ¿ñ ²­Õ³­Û³­ÝÇ Ï۳ݭùáõÙ: ì³ñ­ãáõÃ­Û³Ý ¹åñáóÝ ³­í³ñ­ï»­Éáõó Ñ»­ïá Ý³Ë ³ß­Ë³­ï»ó È»­Ýǭݳ­Ï³Ý, ÎÇ­ñá­í³­Ï³Ý, ºñ¢³Ý ù³­ Õ³ù­Ý»­ñáõÙ: ÆÝã­å»ë Ù»ñ µá­Éáñ Ù»Í Ñ»­ï³­ËáõÛ½­Ý»­ ñÁ, ²­Õ³­Û³­ÝÁ ¢ë í­ñ³ ѳ­ë³Í ºñÏ­ñáñ¹ ³ß­Ë³ñ­Ñ³­ Ù³ñ­ïÇ ï³­ñÇ­Ý»­ñÇÝ Çñ Ù³ë­Ý³­·Ç­ï³­Ï³Ý ÑÙïáõí ÛáõÝ­Ý»­ñÁ ÏÇ­ñ³­é»ó µ³­éÇ µáõÝ Ç­Ù³ë­ïáí Ù³ñ­ïÇ ¹³ß­ïáõÙ: §Îáí­Ï³­ëÇ å³ßï­å³­ÝáõÃ­Û³Ý Ñ³­Ù³ñ¦ ëï³­ó³Í Ù³ñ­ï³­Ï³Ý Ù»­¹³­ÉÁ Ýñ³ Ù»Í í³ë­ï³­ÏÇ Ñ³­Ù»ëï ·Ý³­Ñ³­ï³­Ï³ÝÝ ¿ñ. å³­ï»­ñ³½­ÙÇ ï³­ñÇ­ Ý»­ñÇÝ ²­Õ³­Û³­ÝÁ ÑÇ٭ݳ­Ï³­ÝáõÙ ²¹ñ­µ»­ç³­ÝáõÙ å³Û­ ù³­ñáõÙ ¿ñ ·»ñ­Ù³­Ý³­Ï³Ý û­¹³­ÛÇÝ ¹»­ë³Ýï­Ý»­ñÇ ¢ ï»­ÕÇ ³­í³­½³­Ï³­ÛÇÝ Ï³½­Ù³­íá­ñáõÙ­Ý»­ñÇ ¹»Ù: 1944-Çó Ãßݳ­Ùáõ Éñï»ë­Ý»­ñÇ ¹»Ù ²­Õ³­Û³­ÝÁ å³Û­ ù³­ñáõÙ ¿ñ ³ñ­¹»Ý àõÏ­ñ³Ç­Ý³­ÛáõÙ: ²Û¹ å³Û­ù³ñÝ ¿É ·Ý³­Ñ³ï­í»ó ³Ý­í³­Ý³­Ï³Ý Ù³ñ­ï³­Ï³Ý ½»Ý­ùáí` §¼³á­õ»ñ¦ ѳ­Ù³­Ï³ñ­·Ç ³ïñ­×³­Ý³­Ïáí: ÐÇ­Ù³ ³Û¹ ½»Ý­ùÁ óáõ­ó³¹ñ­íáõÙ ¿ èáõ­ë³ë­ï³­ÝÇ ³ñ­ï³­ùÇÝ Ñ»­ï³­Ëáõ­½áõÃ­Û³Ý å³ï­ÙáõÃ­Û³Ý Ï³­µÇ­Ý»­ïáõÙ: 1945-Á, ÇÝã­å»ë ³Ù­µáÕç Ù³ñ¹­Ïáõí۳Ý, ³ÛÝ­å»ë ¿É Ñ»­ï³­ËáõÛ½ ¶áõñ­·»Ý ²­Õ³­Û³­ÝÇ Ï۳ݭùáõÙ Ýáñ ÷áõÉ Ýß³­Ý³­íá­ñ»ó` Ýñ³ ¹»å­ùáõÙ Áݹ·ñ­Ï»­Éáí Ùáï 35 ï³­ñÇ ¢ ɳÛÝ ³ß­Ë³ñ­Ñ³·­ñáõíÛáõÝ: ܳ Ù»Í Ñ³­çá­ Õáõí۳ٵ ·áñ­Í»É ¿ ݳ¢ Æ­ñ³­ÝáõÙ ¢ ²íëï­ñdz­ÛáõÙ, 볭ϳÛÝ Í³­é³­Ûá­Õ³­Ï³Ý ϻݭ볷­ñáõÃ­Û³Ý ³­Ù»­Ý³­ ϳñ¢áñ ¿­ç»­ñÁ ϳå­í³Í »Ý Æ­ï³­Édz­ÛÇ Ñ»ï: ²Ûë­ ï»Õ, 1946-52-Á ·áñ­Í»É ¿ ì»­Ý»­ïÇ­ÏáõÙ ¢19581963ÃÃ.-Ý­ áõ 1966-1971ÃÃ.` Ðéá­ÙáõÙ: ²­Õ³­Û³­ÝÇ û­å»­ñ³­ïÇí ͳͭϳ­Ýáõ­ÝÁ 50-³­Ï³Ý­Ý»­ñÇ Ï»­ëÇó 60-³­Ï³Ý­Ý»­ñÇ ëÏǽ­µÁ γé­Éá ¿ñ: îÇ­ñ³­å»­ï»É ¿ ÙÇ ù³­ÝÇ û­ï³ñ É»­½áõ­Ý»­ñÇ, 볭ϳÛÝ Ç­ï³­É»­ñ»Ý, ų­ Ù³­Ý³­Ï³­ÏÇó­Ý»­ñÇ ¢ Ñ»Ýó ǭﳭɳ­óÇ­Ý»­ñÇ íϳ­Ûáõí Û³Ùµ, Ç­Ù³­ó»É ¿ ³Ý­·³Ù Ç­ñ»Ý­óÇó ɳí: Æ­ï³­Édz­ÛáõÙ Çñ ·áñ­Íáõ­Ý»áõÃ­Û³Ý Áݭóó­ùáõÙ, ËáñÑñ­¹³­ÛÇÝ Ñ»­ï³­Ëáõ­½áõÃ­Û³Ý å³­Ñ³Ýç­Ý»­ñÇÝ Ñ³­Ù³­å³­ï³ë­Ë³Ý, ²­Õ³­Û³­ÝÁ ó­÷³Ý­ó»É ¿ Ç­ï³­ ɳ­Ï³Ý Ù³­ýdz ¢ ³½­¹»É ì³­ïǭϳ­ÝÇ ù³­Õ³­ù³­Ï³­ ÝáõÃ­Û³Ý íñ³, ÙÇ­ç³Ù­ï»É å»­ï³­Ï³Ý Ñ»­Õ³ßñç­Ù³­ÝÁ /áñ ݳ­Ë³­ï»­ëáõÙ ¿ÇÝ Ç­ï³­É³­Ï³Ý ¢ ³­Ù»­ñÇÏ­Û³Ý Ñ»­ï³­Ëáõ­½³­Ï³Ý ͳ­é³­ÛáõíÛáõÝ­Ý»­ñÁ/ ¢ Ýå³ë­ï»É, áñ ǭﳭɳ­Ï³Ý üƲ ٻ­ù»­Ý³­ßǭݳ­Ï³Ý ÏáÝ­ó»é­ÝÇ Ñ»ï ÊêÐØ­-áõÙ Ñëϳ ³í­ïá­·áñ­Í³­ñ³­ÝÇ Ï³­éáõó­ Ù³Ý Ñ³­Ù³­Ó³Û­Ý³­·Ç­ñÁ ÉÇ­ÝÇ ³ÛÝ­åÇ­ëÇÝ, ÇÝã­åÇ­ëÇÝ å»ïù ¿ñ Ù»­ñáÝó: §¸³­ñÇ ·áñ­Í³ñù¦ ³Ý­í³Ý­í³Í ³Û¹ ѳ­Ù³­Ó³Û­ÝáõíÛáõ­ÝÁ Ó»éù µ»ñ­í»ó Ñ»­ï³­Ëáõ­ ½áõÃ­Û³Ý ÙÇ­ç³Ù­ïáõí۳ٵ ¢ ³ÛÝ­å»ë, áñ ÊáñÑñ­¹³­ ÛÇÝ ÙÇáõíÛáõ­ÝÁ ÙÇ ù³­ÝÇ ï³ëÝ­Û³Ï ÙÇ­ÉÇáÝ ¹á­É³ñ Ëݳ­Û»ó: ö³­é³­íáñ Ñ»­ï³­Ëáõ­½³­Ï³Ý áõ­ÕÇ ³Ýó­Ý»­Éáõó Ñ»­ ïá` ²­Õ³­Û³­ÝÁ1979-ÇÝ å³ß­ïá­Ý³­ÃáÕ »­Õ³í ï³­ñÇ­ ùÇ å³ï­×³­éáí ¢ ÏñÏÇÝ ³Ý­ó³í ¹³­ë³­Ëá­ë³­Ï³Ý

Èáõë³ÝϳñáõÙ` ¶áõñ·»Ý ²Õ³Û³Ý

·áñ­Íáõ­Ý»áõí۳­ÝÁ, 볭ϳÛÝ ³ñ­¹»Ý ä²Î-Ç Ñ»­ï³­Ëáõ­½³­Ï³Ý ϳ¹­ñ»ñ å³ï­ ñ³ë­ïáÕ ¹åñá­óáõÙ/³ÛÅÙ` л­ï³­Ëáõ­½áõÃ­Û³Ý ³­Ï³­¹»­Ùdz/: ¼áõ­·³­Ñ»­é³­µ³ñ, Çñ ѳ­ñáõëï Ñ»­ï³­Ëáõ­½³­Ï³Ý ÷áñ­ÓÁ ß³­ñ³¹­ñ»É ¿ ݳ¢ ·Ç­ï³­Ï³Ý ³ß­Ë³­ ïáõíÛáõÝ­Ý»­ñáõÙ ¢ áõ­ëáõ٭ݳ­Ï³Ý Ó»é­Ý³ñÏ­Ý»­ñáõÙ: ²­Õ³­Û³­ÝÁ Ñ»­ï³ùñùñ­í»É ¿ ³ñ­í»ë­ïáí, ѳ­Ù³ñ­í»É ·»­Õ³Ý­Ï³ñ­ãáõÃ­Û³Ý ·Ç­ï³Ï: àõë­ïÇ å³­ï³­Ñ³­Ï³Ý ã¿ Ýñ³ Ùï»ñ­ÙáõíÛáõ­ÝÁ ß³ï ³ñ­í»ë­ï³­·»ï­Ý»­ñÇ Ñ»ï: ¶»­Ý»­ñ³É-Ù³­Ûáñ ¶áõñ­·»Ý ²­Õ³­Û³­ÝÁ Ù³­Ñ³­ó»É ¿ 1997-Ç ³å­ñÇ­ÉÇ 19-ÇÝ ØáëÏ­ í³­ÛáõÙ, óխí³Í ¿ îñá­Û»­Ïáõ­ñáí­Û³Ý ·»­ñ»½­Ù³­Ý³­ï³­ÝÁ:

²Õ³Û³ÝÁ ÈÛáõµáí úéÉáí³ÛÇ Ñ»ï

3 (19) 2009

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HEIFER IN ARMENIA

The ten year watercourse of love and devotion...

Prepared by Lusine Hayrapetyan and Marina Harutyunyan

Heifer Project International unites thousands of organizations and people who are eager and committed to humanitarian endowments and who, in their joint efforts of eradicating poverty in the various parts of the world, create opportunities for vulnerable population to earn for their minimum needs by dignified work. The organization has programs running in 125 countries, investments backed up by a network of allies, embracing individuals and organizations. Realizing the importance of peace and stability in the Caucasus region, Heifer embarked on its sole road of change in Armenia, Azerbaijan and Georgia in 1999, providing support for 5979 households to start their own family farming plans.

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HEIFER IN ARMENIA light, it would have been hard not to single out Heifer Project International, eminent since 1944, and which for over 10 years now is standing by an Armenian farmer as a support and “shelter” on his road to peace and stability.

T

he means and methods for combating poverty in a country that witnessed conflicts, economic collapse and crisis are visualized not only on state but also on the level of social structures. Each one of the latter introduces its own problem-solving venture, strategy and tactics. The results are visible when the time comes to “reap the harvest”. Along with numerous outstanding problems, the poverty issue is still on the Armenian agenda, yet the number of people concerned by that is limited. In this

Heifer in Armenia Henrik Sahakyan is a Heifer Armenia beneficiary. He lives in Pokr Sariar village. He could talk about village problems and issues for hours, yet he prefers to substitute “Wiseman’s talk” to actions. This “forgotten” village is hungry for love and warmth of its few residents. The unsolved village issues and hardships drove many male residents out of their homes to seek jobs outside the village and the country. This truth could be applied to almost every borderline village in Armenia. Heifer’s humanitarian projects have been embracing the “border-keeping” residents of the borderline villages for over 10 years. The organization supports the desperate, assists the youth and the elders, and helps the schoolchildren and their families. Heifer Armenia country director Dr Anahit Ghazanchyan is convinced, “Heifer believes in the potential of the ordinary people who are enthused and eager to earn their own living. As I see it, the first and foremost is that we give opportunity to earn for a sustainable livelihood with dignity”. There are many supporters of such an approach, making it popular and demanded among the regular village dwellers and farmers who have zest and motivation to invest their skills, knowledge and abilities in building their future. The number of the families (4943 in Armenia only) speaks for itself and testifies to the success of such an appeal. Heifer benevolence fostered many farms, households, lives and destinies. “Heifer donates cows, beehives, potato, biohumus, heifers, wheat seeds, goats and trees to a villager. The beneficiary families agree to pass on the first generation or its equivalent to another deprived family, therefore launching a whole new chain of donations, which positively touches the lives of thousands of people”, shares Dr Ghazanchyan. This is why this project became the baseline and genesis of a new life, change and development. Henrik Sahakyan from Sariar is one of the many that got convinced in that. “I often remember the

past; the pain fades away gradually. Now I don’t have to think how to earn our daily bread. Today with pride and contentment I can declare that I passed on the gift in 2008 and aided another family in need. Now I think only about the future. I plan to expand my little farm, have children, and become a caring father”. Hundreds of families from remote areas are the beholders of the success of the numerous projects that Heifer Armenia gave life to. Lernik Dilbaryan, a resident of Berkaber village of Tavush marz, together with his school age sons Tsolak and Narek, is actively involved in Heifer project. This borderline village could be a “heaven on earth” if it wasn’t for the frequent firings by Azeri soldiers, breaking its peaceful flow. This Berkaberian family, unlike many of the co-villagers, did not leave home, though they carry bitter and painful memories from war, clashes and hatred. In 1997 the only source for feeding the family was a horse and 3 cows. The animals got frequently lost and trapped in the rival’s territory. There were no means to bring back the loss and the only thing left was to accommodate pain and despair in their hearts. Heifer projects brought unique incentives for Lernik’s family. Reality is different today for Dilbarians - they received a cow, leaving behind the bitter memories. They are energized and enthused to become the architects of their own future. “Instead of giving the fish, better grant the fishing net, teach them to fish and secure the income,” explains Dr Ghazanchyan. “In those simple words of Heifer founder Dan West our work philosophy is embedded. Deprived families receive agricultural inputs, technical support and training from our organization. Henceforth, they are making a long-term commitment to pass on a similar agricultural input to another family in need, therefore breathing life and setting continuity to Heifer main mission of collaboration with communities for joint efforts in poverty eradication in Armenia.” Heifer projects are not only for grown ups; they involve students too. “When Heifer announced “Bee-keeping for education” project, it immediately occurred to me how I could ease the family burden and earn for my own tuition. Now I keep 5 beehives”, shared Vache Mkrtchyan, an Agarakadzor village resident. Getting

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HEIFER IN ARMENIA

education is no more a distant dream, but only an outcome of personal hard work and dedication. Passing on a gift is one of Heifer vital cornerstones, and if converted to numbers it shows the valuable investment for our small country. Grown-up vision for the little ones A Wiseman once said that even the best violin plays nothing in the hands of an unskilled player; it is the fingers of a talented musician that can truly unleash and reveal the true capabilities of the instrument. Heifer Armenia country director Anahit Ghazanchyan invests her creativity and imagination in the work she is devoted to and believes in just from the very beginning. Possessing full understanding of Heifer humanitarian mission, Anahit has the leverage to maneuver and bring change and development wherever Heifer Armenia sets foot on. “Amazingly enough I was able to find in Heifer cornerstones the principles and truths that have been guiding my whole life. They were familiar and tangible for me, in the meantime, so

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vital for a nowadays human being. Heifer cornerstones touch upon important values such as passing on the gift and generosity, spirituality, improved animal management and improving the environment which can guide and polish the path towards prosperous life. There are almost no dead-end situations in life; the important thing is to have accountability for the work and desire to advance.” While analyzing the concerns of the grownups regarding agricultural, ecological and health issues Heifer Armenia made a perceptive observation that the incentives to boost intellectual growth of children in rural area are not diverse. School is the only source of information, the sole initiator of the learning process. Therefore, since 2003 Heifer and its partner “Development Principles” NGO made possible development of new programs for the school age children. “YES!” youth clubs were established with 6 directions, those being agriculture, health, ecology, civic education, logical

thinking and journalism. Such an approach expands children’s zone of interests and enhances their vision for future and also gives solid hope for better life in their own communities. “YES!” youth clubs brought children together and made them feel fullfledged members of their communities by trusting them to raise calves, handle seeds and seedlings. Today YES! youth clubs have 2000 children attending its various directions. The clubs, along with teaching them skills that a successful farmer would need, also teach them life skills and how to put them in use in remote borderline villages. Children created their own pool of knowledge and skills, yet they also have the luxury to put in practice their imagination and carve the type of training and education that they themselves would like to receive. To solve ecological issues in their communities in 2008 Heifer-youth from various regions of Armenia launched tree planting and recycling actions, preliminary drawing an ecological map of the area. “Since I became the


HEIFER IN ARMENIA

member of the club, I seem to see the world in a whole new different way. I am concerned about global issues and I feel greater responsibility for what is going on around me,” confesses little Gohar from Lernagog. “Karakert has its own BBC broadcast,” Margarita jokes, “where the three “B” letters in Armenian stand for “Youth that improves ecology”. We are concerned with the Karakert’s “lungs”, thus we have initiated planting and cleaning actions in the environment where we live and work. Each one of these young people is committed to enlarge the oxygen supply in their village, believing that they benefit not only the current residents but also the generations to come. They draw posters, create logos with so much pleasure and also enjoy each other’s company sharing new ideas for future events. In each of 20 communities in Armenia where YES! Clubs are functioning the youth club has its own newsletter, logical thinkers group, legislators and parliaments. These children grow up

having the opportunity to share their achievements, hopes and plans with others. They also grow up with the belief that even if they make a small contribution - it does make a change. New ideas… Today Heifer Armenia is in the phase of shaping its new projects. Dr Anahit Ghazanchyan has thousands of ideas and vision for the rural communities in Armenia. People that work with her and Heifer Armenia know that out of that thousand one vision will definitely become a life-changer for many of the villagers in the borderline areas of Armenia. The people in those remote areas know that they have something to hope for – a new idea, scheme or suggestions that are destined to transform lives and future. The villagers know that Anahit Ghazanchyan is not that different from them. She has passed her own bitter path, suffering from unemployment, dark and cold years of 1991-92 collapse in Armenia. Back then, Anahit, like many of those villagers

believed in change and allowed herself to dream for a better future. She stayed and fought, believed in her own country, and now more than ever she is entitled to bring honest promise to the ones in need as an eye-witness of hardships and challenges. She learnt the formula of turning challenges into work, problems into solutions, despair into hope. “God bless all humanitarian efforts. I do believe in God and its mission which each one of us can breathe life into. With Heifer I could bring to existence those dreams and hopes that were born during those darks years of hardship and pain.” Today Heifer Project International is the safeguard of the borderline village residents, their devoted friend and assistant. Heifer Armenia is celebrating its 10th anniversary. The light of the 10 birthday candles on the cake stands for a new era – an era of change, commitment, compassion, love and devotion. Prepared by Lusine Hayrapetyan and Marina Harutyunyan

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INTERVIEW

ARMENIA AND GREECE ARE BOUND TOGETHER BY THE LINKS OF FATE Mr Spyros Lambridis, Ambassador, Deputy Permanent Representative of Greece to NATO The interview was prepared within the project “NATO: Far and Close” supported by NATO Public Departament Division. “Armedia” Information, Analytical Agency

N

ATO’s first enlargement occurred in 1952 when Greece also became a member. Which are the main preconditions that made entrance of Greece possible?

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First of all let me thank you for this opportunity to exchange a few ideas, views about Armenia, Greece, NATO. Now, about your question. I am very grateful you start from the historic perspective,

1952 is more than half a century away. At that time the conditions were totally different than the ones we live through today, so the criteria and the conditions were totally different than the ones that


INTERVIEW

countries, like Armenia for instance, face today in their process in approaching NATO. In 1952 Greece was coming out first of all of the World War, where we had a horrible history, as you may know, we were occupied by the Germans and the Italians and the Bulgarians at a time, but after that we were foolish enough to have a Civil war in Greece. There were the Royalists and the Communists; the war was very bloody, lasting more than three years and it ended with the total defeat of the Communist side. Now, having that experience for so many years, the government that came out of this crisis, realized that the main enemy and the main target of the Greek policy at that time was to safeguard itself from its Northern border and the Northern neighbors, which at the time were of course part of the Eastern bloc. Therefore the criterion for us was to be able to boost up our defense against a possible communist race. This was, of course, endorsed by NATO, therefore the moment we expected the basic principles of the charter, we were admitted at the same time with Turkey. Turkey joined NATO together with Greece. What was the reaction of the Greek society under the circumstances of, to put it mildly, not friendly relations with Turkey? Again, the historic perspective plays a crucial role at this point. One should see the face of its own history at the specific moment. At that particular moment the relations between Greece and Turkey, oddly enough, were not at a bad point. I will remind you, what it happened, was that a few decades ago, right after the First World War, there was a clash between Greece and Turkey which ended up with a tragedy, which at that point linked our two peoples - Armenians and Greeks even closer together, because in the hands of the Ottoman Empire we had a similar fate. The war was lost in 1922, the Greek army collapsed in Asia Minor, but then from 1923 to 1955, which is three decades, there was a loss in animosity between the two countries and on the contrary, since we had the Lausanne Treaty and two great politicians one from each side Ataturk and Venizelos, the two countries reached the point, where I cannot say they had friendly relations, but certainly not bad

relations. During the war, for instance, several times Greece was helped by ships bringing food from Turkey, a lot of Greeks escaped to Turkey to escape from Germans. Therefore the relations in 1952, I would say, were neutral and also both countries had the same goal of protecting themselves from again the Eastern threat, as it was perceived at that moment. There was no reaction from the Turkish society and also from the government against Greek side and this was conceived as a step coinciding for both countries: one helping the other towards the common enemy. As we see it’s ironic, but history sometimes changes the conditions. Let us reflect upon relations with Armenia. How would you estimate relations between Armenia and Greece within the framework of NATO? There are two levels. You put already the framework within NATO, but there is also the level of bilateral relations and historic relations, and this extends far beyond NATO. These are two nations which are bound together by, probably, the links of fate. As I said before, within the Ottoman Empire we had similar stories, unfortunate and sad stories that we need to remember and not to forget, because it doesn’t help anyone to ignore the history, not even the ones who committed the acts of that period either against Armenians or against Greeks. But apart from the history now and looking to the future there are a lot of things in common between our two countries. Let us talk about the very schemes that we are cooperating together within NATO. In Kosovo, for instance, there was an Armenian platoon, which integrated itself in the Greek arrangement. Now the platoon has increased to a company and all of it again is integrated within the Greek forces. And so far for the last two years they are working hand in hand in perfect harmony. There are Armenian cadets not only in the Greek military schools, but also in the Military Academy for doctors and ordinary specialties where more than ten Armenians are studying. Apart from them, there are schools for languages and etc., in all these schools Armenians are always present and they are excelling in their work. Plus, if I am not mistaken, Greece supported Armenia within the PARP

program and the IPAP with a specific project having to do with managing the civilian personnel within the armed forces. I think both the Greek instructors and the Armenians who received the benefits of the project were satisfied. So there are a lot of things going on and there is more to come in the future. What are the specific areas where the experience of Greece could be most favorable for Armenia in the matter of cooperating with NATO? First of all I think that the most advantageous aspect of our cooperation is a sentimental one, which is such a good will for both sides, that we both know whatever happens in cooperating between our countries in NATO or outside NATO has nothing apart from the good will for both sides, it’s based on that. Apart from that, the fact that we are in NATO for more than half a century gives us a great experience in institutional aspects of NATO, in operational aspects of NATO and of course in partnership affairs. And as you know, the more NATO is extended in its activities because of the international situation, the more it is responding to out of area operations, the more this experience will be valuable. And of course we are eager to export and give gladly this experience to Armenia. NATO has a motto “Security through science”, in your opinion is it possible to be secured through science? In our world today everything is based on science and technology, including of course defense and security, you can not have a proper security and a proper improvement of the institutional aspect of the modern society, including the defense aspect, without being based on science. Science does not only come from technology, it comes from education as well. And particular abilities are developed in the framework of NATO programs or bilateral programs, therefore science is essential for NATO., we are constantly being amazed from the various new technological aspects that NATO is incorporating in its actions, whether it is operational, or telecommunication one or educational. So I think science is a basic aspect of increasing the technological capabilities of NATO and any country that is in NATO or a partner like Armenia.

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"MENQ MER MASIN" MAGAZINE

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вÚÎ²Î²Ü ´Ü²ÞʲðÐÆ ¶ºÔ²îºêÆÈ ÈÖºðÀ Èáõë³ÝϳñÝ»ñÇ ß³ñùÁ Ý»ñϳ۳óÝáõÙ ¿ ºÕÛ³ Ü»ñëÇëÛ³ÝÁ Æèâîïèñíûå îçåðà Àðìåíèè Ôîòîãðàô- Åõèà Íåðñèñÿí The picturesque lakes of Armenia Photos by Eghia Nersisyan

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§²Å¹³Ñ³Ï¦ÉÇ× ¶»Õ³ñùáõÝÇùÇ Ù³ñ½, ¶³í³é ù³Õ³ùÇó 25 ÏÙ Ññí-³ñÙ Îçåðî «Àæäààê» Îáëàñòü Ãåõàðêóíèê, íà 25 êì ê þãî-çàïàäó îò ãîðîäà Ãàâàð Lake “Ajdahak” The region of Gegharquniq, on the 25th km to the southwest from Gavar town

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§Î³åáõï³Ý¦ ÉÇ× / ¶á·Ç ÉÇ×/ êÛáõÝÇùÇ Ù³ñ½, ø³ç³ñ³Ý ·»ïÇ ³ÏáõÝùÝ»ñáõÙ, ø³ç³ñ³Ý ù³Õ³ùÇó Ùáï 5-6 ÏÙ Ññí-³ñÙ, 3202 Ù µ³ñÓñáõÃÛ³Ý íñ³ Îçåðî «Êàïóòàí» /Îçåðî Ãîã/ Îáëàñòü Ñþíèê, â èñòîêàõ ðåêè Êàäæàðàí, íà 5-6 êì ê þãî-çàïàäó îò ãîðîäà Êàäæàðàí Íà âûñîòå 3 202 ì. Lake “Kaputan” /Lake Gog/ The region of Syuniq, in the springs of the river Qadjaran, on the 5-6th km to the south-west from Qadjaran town On the height of 3 202 m.

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Lake “Hayeli” /Mirror/ The region of Vayotz Dzor, on the 2nd km to the east from Artavan village, 2100 m. above sea

Îçåðî «Àéåëè» Îáëàñòü Âàéîö Äçîð, íà 2 êì ê âîñòîêó îò äåðåâíè Àðòàâàí Íà 2 100 êì íàä óðîâíåì ìîðÿ

§Ð³Û»ÉǦ ÉÇ× ì³Ûáó ÓáñÇ Ù³ñ½, ²ñï³í³Ý ·ÛáõÕÇó 2 ÏÙ ³ñÉ, ÍáíÇ Ù³Ï³ñ¹³ÏÇó 2100 Ù µ³ñÓñáõÃÛ³Ý íñ³

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Lake “Akna” The region of Gegharquniq, on the 10th km to the west from Zakhqashen village On the slope of Aknasar

Îçåðî «Àêíà» Îáëàñòü Ãåõàðêóíèê, íà 10 êì ê çàïàäó îò äåðåâíè Öàõêàøåí Íà ñêëîíå ãîðû Àêíàñàð

§²Ïݳ¦ ÉÇ× ¶»Õ³ñùáõÝÇùÇ Ù³ñ½, ̳ÕÏ³ß»Ý ·ÛáõÕÇó 10 ÏÙ ³ñ¨Ùáõïù, ²Ïݳë³ñ É»é³Ý ɳÝçÇÝ

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Lake “Lessing” The region of Aragatzotn, on the 11th km to the north-west from Zakhqashen village On the north-eastern slope of Aragatz

Îçåðî «Ëåñèíãà» Îáëàñòü Àðàãàöîòí, íà 11 êì. ê ñåâåðî-çàïàäó îò äåðåâíè Öàõêàøåí Íà ñåâåðî-âîñòî÷íîì ñêëîíå ãîðû Àðàãàö

§È»ëÇݷǦ ÉÇ× ²ñ³·³ÍáïÝÇ Ù³ñ½, ̳ÕÏ³ß»Ý ·ÛáõÕÇó Ùáï 11 ÏÙ Ñë-³ñÙ, ²ñ³·³Í É»éݳ½³Ý·í³ÍÇ Ñë-³ñÉ É³ÝçÇÝ

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Îçåðî «Ìàðòèðîñ» «Îçåðî Âåðèí» Îáëàñòü Âàéîö Äçîð, íà 1,5 êì ê âîñòîêó îò äåðåâíè Ìàðòèðîñ Íà âûñîòå 2 145 ì. Lake “Martiros” /Lake Verin / /The Upper lake/ The region of Vayotz Dzor, on the 1,5th km to the east from Martiros village On the height of 2 145 m.

§Ø³ñïÇñáë¦ ÉÇ× / ì»ñÇÝ ÉÇ×/ ì³Ûáó ÓáñÇ Ù³ñ½, سñïÇñáë ·ÛáõÕÇó 1,5 ÏÙ ³ñ¨»Éù, 2145Ù µ³ñÓñáõÃÛ³Ý íñ³

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The best of British at bmi’s international lounge - Number One Heathrow

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ne of the world’s best loved cities, London is a vibrant and exciting capital where business and pleasure can and do mix. The major international gateway to this unforgettable city, and indeed the whole

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of the UK, is Heathrow Airport - a major hub for those travelling across Europe and beyond with bmi and the Star Alliance. Business and holiday visitors travelling to – or through - London can now experience the very best of British, courtesy of bmi’s new international lounge - bmi Number One Heathrow.

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bmi, the number one airline out of Heathrow’s Terminal 1, conceived Number One Heathrow with customer comfort in mind, and this exceptional facility provides a stylish environment in which to work, relax, dine and refresh. Open to bmi Business Class, Diamond Club (Gold and Silver) and Star Alliance Gold


customers travelling to bmi international destinations, bmi Number One Heathrow is located above Gate 5 in Terminal 1. Guests are welcomed inside by members of the Lounge Team and the space is divided into informal zones that cater to the varying needs of the international traveller – the emphasis is on providing

a sense of comfort and familiarity. The Study offers a work oriented environment with desk seating as well as a boardroomstyle table and free Wi-Fi. bmi has worked with a number of renowned names to make Number One Heathrow the perfect stop for bmi customers connecting to any of the airline’s

international destinations. Mark Hix, the award-winning champion of British food, came onboard to ensure the very best in dining; innovative UK designer Tom Dixon created the chairs, and original art works by Phil Shaw adorn the walls. bmi also collaborated with British perfumer Miller Harris, whose distinct and iconic range of products adds to the sophisticated and quintessentially British environment of the lounge and offers a touch of luxury for customers to refresh before or between flights. The Cafe offers a range of delicious food around the clock, while bmi also offers a new dining-on-the-ground service for their evening flights where customers can choose to enjoy a tasty evening meal in Number One Heathrow, enabling them to relax and sleep once on board. Customers can also unwind in an informal, but sophisticated British pub environment at The Local. The new international lounge is the latest in a series of innovations from bmi. The airline recently launched its new Chauffeur Drive and Premium Checkin area at London Heathrow’s Terminal 1 to provide a fast and hassle free check-in service for Business Class and Premium Economy customers as well as bmi Diamond Club Gold and Silver card holders. bmi is also the only airline at London Heathrow to offer Business Class customers a 30 minute check-in promise, enabling them to arrive at check-in as little as 30 minutes before their flight departs with the guarantee that they will make their flight. Premium leisure customers can also experience a more personal service when using the Premium Checkin area, with bmi staff collecting luggage and travel documents from customers on arrival so that they can complete the check in formalities while the travellers sit back and relax. All bmi flights operate from London Heathrow Terminal 1 – the home of bmi. In addition to benefits including online check-in, travellers will also be able to take advantage of Diamond Club, the UK’s most generous frequent flyer programme. Diamond Club destinations miles can be spent on flights with Star Alliance member airlines and hotel accommodation.

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