Csenge Győrbiró Portfolio 2022 by csenge_gyorbiro

CSENGE GYŐRBÍRÓ

PORTFOLIO

2017 - 2022

Introduction

CURRENT GRAPHIC PROJECTS

Visual Identity Design Somareality

Brand Identity Maroon Design

Social Media Content Wisefolio

100% Banana

Hungarian Circus Brand Identity

KNITWEAR DESIGN

Run

Extendo

Qr eye

Love symbols and the dramatic plays in hungarian folk art 74 INSTALLATIONS 76 Place specific textile installation 80 “Fluid Thoughts” mixed media installation

“Uptighis” textile installation

EXHIBITED WORKS 89 Budapest Design Week_ New Standards Exhibition 90 “Hungarian Design 10+1 Experiments Exhibition Contacts

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CONTENTS

DIPLOMA PROJECT 73

PORTFOLIO

CSENGE GYŐRBÍRÓ

INTRODUCTION

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Csenge Győrbíró Curriculum vitae 2017-2021

Experience

OF BUDAPEST In this short Gallery festival as a guide I had to give guided tours in the centre of Budapest, to introduce visitors, artist, and interested by passers the contemporary galleries with new exhibitions.

2021.10..-current. GRAPHIC DESIGNER at Wisefolio Gmbh Working on the applaunch of Beatvest.

2017-2019 ART MANAGEMENT, ART MARKET BUDAPEST In the international contemporary Art Fair of Budapest my task was to present the galleries from the guest country, to give a guided tour in English and Hungarian, and to coordinate the programs in the Inside Art Hall.

2021.01.10.-2021.08.01. DESIGNER, ORGANOID TECHNOLOGIES GMBH Designing several ongoing projects with sustainable surfaces in Tirol, Austria. Reviewing and editing the visual quality of outgoing content on Social Media platforms. Working alongside with the video content for YouTube channel, and professional partners in the highest possible standard.

Achivements 2020.09.30-2020.10.31. FUTURE BEGINS NOW Sinuosity project exhibited in the Brussels Design September Brussels, Belgium

2020.06.-2020.10.05. DESIGNER INTERN at Peace Paper Project Studio Hamburg, Germany. Design papermaking, and Creative project developement.

„QR Eye” Experimental knitwear project MONSTER” Group Exhibition Skinnarland-samlinga Art Museum, Rauland, Norway

2020.01.9.-2020.12.19. SOCIAL MEDIA MANAGER, DAIGE Fashion brand based in Budapest. Management of all Social Media Platforms in the highest possible standard. (Instagram, Facebook, Pinterest, LinkedIn)

2020.01.24-2020.02.29. „Fluid toughts” and „Uptights” Textile installation- collaboration with Lili Labus ARTLOCATOR Art Magazin Négyszoba Gallery Budapest, Hungary

2020.02.10-2020.05.30. WORKSHOP COORDINATOR Greenwerk Design Studio Budapest, Hungary

2019.10.24-2020.01.05. Exhibited Carpet Design “Pattern and decoration “exhibition Ludwig Museum-Contemporary Art Museum Budapest, Hungary

2017– 2018 GALLERY ASSISTANT, VILTIN GALLERY My duties as an assistant included administrative tasks, emailing, providing professional service to the collectors, artists, and visitors, coordinate events and the opening ceremony of the new exhibitions.

2019.10.04-2019.10.19. Exhibited carpet designs “Szálak Vonzásában “ Textile Competition and Exhibition about the reinterpretation of Bauhaus Carpets with the organization of the SZETT

2017-2018 ART GUIDE, OFFICIAL GALLERY WEEKEND

2019.10.05-2019.10.31.

2019.05.31- 2019.06.11. ECO ART Festival Exhibition-during the european sustinability week 2019.01.22-2019.02.26. „Sushi” Experimental paper works- Group exhibition -Wladislaw Sterminski KOBRO Gallery Lódz, Poland 2018.10.06-2018.10.14 . Exhibited Bag Design -Lódz Young Fashion Days Design, exhibition Lódz, Poland 2018.06.11-2018.06.30. Solo Textile installation- „Summer Kitchen”-group exhibition „Intimate Zone” at Cered International Art Colony ,Cered, Hungary

INTRODUC TION

2021.10..-current JUNIOR MARKETING MANAGER at SOMAREALITY GMBH Vienna, Austria

Exhibited Artworks in 3rd RUG ART FEST, Official program of the Budapest Design Week

2018.02.06-2018.02.26. Exhibited Project piece in “Child-friendly City” Design competition, „Approximations - design research + concepts forurban situations” exhibition. Project Gallery of Budapest

Language skills

2016. 09.14- 2016.09.26. Third Price -”The modern Thonet chair” -Design competition- CODE Studio Budapest, Hungary

Hungarian (mother tounge) English C1 Italian B2 German B1

Education

Skills

2017-2020 Textile Design (Bsc), Moholy-Nagy University of Art and Design Budapest, Hungary

Adobe Photoshop Adobe Illustrator Adobe Indesign Marvel Design Prototyping Adobe Premiere Pro Microsoft Office Figma

2018-2019 Product Design and Innovation-Erasmus Scolarship, Wladislaw Streminski Academy of Art Lódz, Poland 2016-2017 Decorator and Interior Design, Jashik Álmos Art School Budapest, Hungary

PORTFOLIO

CSENGE GYŐRBÍRÓ

CURRENT GRAPHIC PROJECTS

BRAND IDENTITY & PACKAGING DESIGN CORPORATE IDENTITY FOR GROW HAIR PRODUCTS

‘The Nature Lover Concept’ Wisefolio Gmbh Munich 2022

Logo Concept

Brand Identity

I have experimented how the specific elements inspired by the the cosatline of Croatia, where the product itself is produced is harmonizing with the G letter form. The ‚G’ recalls the company name GROW componated in a square to give a visual frame to the ‚G’ itself.

I designed a visual identity and packaging to communicate the all-natural and contemporary nature of GROW’s products. Minimalistic and sleek logotype is combined with dark and muted tones from the harsh CROATIAN environment. A dash of colour was added through a transparent layer ofwarm autumn shades was inspired by the natural ingredients of the product. The minimalistic packaging is supported by artistic imagery with nature-inspired sculptures adding ingredients used in the products. Each image has its own character, reflecting different parts of the country: forests of the east, the archipelago & plains of the west and the see. The Brand Identity is inspired by the special i ingeredients of the shampoo.

About Grow GROW is a premium SHAMPOO brand based in GERMANY, founded bY Julia Kruslin and Sophie Turner. The high-performing, 100% natural premium HAIR products with unique active ingredients are manufactured in croatia, one of the most wonderful country in the world.

Because of the wide range of the target audience I created a minimalistic, humble but recognizable visual identity. The visual system contains a line structure and logo concept of the G letter. New visual content can be created easily within this system.

BRAND IDENTITY & WEBDESIGN REBRANDING THE COMPANY AND NEW WEBSITE CREATION

‘The capsule Concept’ Somareality Gmbh Vienna 2021

Logo Concept

Because of the wide range of the target audience I created a minimalistic, humble but recognizable visual identity. The visual system contains a line structure and logo concept. New visual content can be created easily within this system.

I have experimented how the specific elements inspired by the novel by Huxley called Brave New World had connection with the virtual reality oriented company called Somareality. The ‚S’ recalls the company name Somareality componated in a square to give a visual frame to the ‚S’ itself. Brave New World is a dystopian Somareality is a VR/AR agency social science fiction novel by English author Aldous Huxley, writ- creating custom solutions in the fields of research, development, ten in 1931 and published in 1932. and education. At SOMA they use the latest VR and AR tools and technologies available. This allows them to solve existing The visual experience problems for their clients in theThe first glimpse – reaclles the best possible ways.It is important drug called „soma”. These capsule to themthat the projects they forms are part of the visual system realize have a positive impact on as background forms and additithe world while simultaneously onal elements of the website and pushing the boundaries of what’s pitchdeck. technologically possible.

About Somareality

Image Treatment

Brand Identity The Brand Identity is based on the special image treatment of the 360 Degree images, as duotone of Turtle green and Wineberry shades of color which is inspired by the original 3D colors of cian blue and permanent red as base color combination.

BRAND IDENTITY & SOCIAL MEDIA PLANNING FOR BEATVEST NEW BRAND IDENTITY FOR BEATVEST

‘Investing is sexy’ Wisefolio Gmbh Munich 2021

Beatvest

Because of the wide range of the target audience I created a loveable, simple and user friendly but recognizable visual identity. The main message is that it’s worth to start investing even if we are not the most competent in the topic of financials.

‚Personalized as your heartbeat’ Beatvest is a new application available for first time investors, focusing on the german speaking part of Europe. The key fetures of the app are the community section, the educational possibilities and the personalized portfolio chices. About the beatvest idea and concept,-’we want to enable you to invest as personalised as your own heartbeat. Because investing is now one of the only ways to preserve and, above all, significantly increase the value of your money. And because investing can seem complicated at first glance, we’ve sat down and made it easy. So you don’t have to trust anyone blindly when it comes to investing, because you can acquire the necessary knowledge yourself in no time.’ The wide range of the target audience I created a clean, simple and user friendly app starting page and the social media app launching visuals. The logo itself is the lowcaption ‚b’ of the brandname, highlighting the simplicity and userfriendly caracteristics of the product.

APPSTORE SCREENSHOTS & APP PROMO VIDEOS

BRAND IDENTITY FOR MAROON DESIGN STUDIO Visual Identity and Branding Tyrol, Austria 2021

VISUAL DNA

I have experimented how the specific elements inspired by the Brand’s name Maroon first letter I extracted the keywords representhe Caps Lock ‚M’ and the created ting the personality of the brand, negative spaces of the main letter. and by the keywords as a unique look and feel were specifical�ly visualized. As part of the visual Because of the Art and Design DNA. I created sublevels for visuorientation of the target audience alization of the main keywords:I created a harmonious, specific CONFDENT, ATTRACTIVE, HONEST humble but recognizable visual The words like Crisp, Vibrant, Soidentity. The main message is that lid, Balanced contributed to the it’s worth to reflect very specifibrad’s primary and secondary colcally for the brand’s identity keyor palette’s creation as well. words and visualize the unique projects according to the demad of each client the studio works with.

PRIMARY COLOR PALETTE

LOGO DESIGN

I designed a minimal graphic system for subkeywords of the Brand The design of the MAROON Logo Values-this collection gives the is created with consideration of base of the Primary Color Palette. favicon and social media platThe color variations can be creaform picture requirements and the ted easily within this system. main typography were inspired by the ‚Maroni’ forms and color The transparency: The pale Mawhich we find in nature. The nega- roon red gives a clear and reftive space of the main letter ‚M’ is reshing feel. formed in a way that the studio’s values-so the integrity, confident, Solidity: Bold and Bright Maroon and attractive, keaywords appear with high attention. as forms combined all together to build the ‚M’ of the Maroon name. Balance: Balanced Grid Composition.

VISUAL IDENTITY FOR SOCIAL MEDIA NEW COLLECTION DESIGN FOR ORGANOID TECHNOLOGIES

‘New Stock Collection’ Organoid Technologies Gmbh Tyrol 2021

Because of the wide range of the target audience I created a loveable, humble but recognizable visual identity. The main message is that it’s worth to interact with nature The visual experience and having a sort of natural The first glimpse – we SEE the scent in interiors. The design of Natural Surface and recognize the Stock Collection is optimalithe raw material, e.g. lavender. zed for Pinterest and Instagram Memories appear – grandmot- picture requirements and the her‘s garden, holidays in the main typography were inspired countryside.Thanks to a gentle by the hay pieces of the natural production process, the natural products. I designed a minimal features of scent, color and graphic system for the surfaces feelare preserved. to fit in with the background Nature lovers will recognize the nature illustrations. New visual processed raw material at first content can be created easily sight. Curiosity is stirred and within this system. we move our hands and fingers across a tactile surface to feel its nuances and the individual parts of plants – leaf, stem, bud & husk. Organoid surfaces are delivered without any sealings. So the natural fibres still can be sensed. For higher resistance further sealing treatments are possible. Perfect for product or packaging designers and book binding specialists, the range of organoid products

GRAPHIC PROJEC TS

I have experimented how the specific elements inspired by nature and the created natural surfaces harmonize within a visual identity.

VISUAL IDENTOTY DESIGN

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BRAND IDENTITY DESIGN ‘ART OF CIRCUS’ -

NATIONAL CIRCUS OF HUNGARY BRAND AND VISUAL IDENTITY DESIGN Budapest 2020

BRAND IDENTITY DESIGN FOR THE CAPITAL CIRCUS OF HUNGARY

GRAPHIC PROJEC TS

Starting form the research of the Capital Circus. The creation of the Metropolitan Grand Circus was actually due to the zoo, which opened its doors in 1866, but the initial great interest in animals soon waned. Visitors expected a sensation and attraction for the entrance fee, and there were many rival circuses and entertainment venues in the City Park. The management of the zoo therefore employed stuntmen and comedians, organized a raffle, and finally commissioned the then Dutch circus director, Ede Wulff, to build a permanent circus building. Wulff Ede brought with him a disassembled and reassembled structure from the Brussels World’s Fair. The walls were covered with corrugated sheets, and the structure of the building, the pedestals of the seats, and the changing rooms beneath

The new building met the requirements of the age in all respects: comfortable changing rooms suitable for 150 performers, also operating as a hotel, combined bathrooms, a spacious lounge and a buffet awaited the artists. The “citadel of Hungarian art” was equipped with the most modern sound and lighting equipment of the time. Because of the wide range of the target audience I created a loveable, variable but recognizable visual identity. The main message is that it’s worth visiting Capital Circus the whole year. The shape of the logo and the main typography were inspired by the clows’s face and accessories. I designed a graphic system from the shape of the typography that serves as a base for patterns and illustrations. New visual content can be created easily within this system.

GRAPHIC ROJEC TS

BRAND IDENTITY

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COFFEWEAR CARACTER ILLUSTRATIONS COFFEWEAR DESIGN, BUDAPEST CARACTERS OF THE BRAND INSTAGRAM POST AND STORY CAMPAING Illustrations for Typeform Survery

The Illustrations:

saving the Earth and our beautiful nature from plastic pollution. The ready to wear products are wallets, bags, beauty-bags, cases, backpacks. All the products are designed for ‘urban nomads’ young fashionistas to fit everithing in one place and carry a piece of a youthful flavor of Budapest.

The six illustration was created as a visual sipplement of the Customer Questionnarie for the socialmedia channels of Coffewear Design. The Customer Questionnarie was created with the aim of enhancing the communication with the customers, and reach higher engagement within the Social Media plat-

There are creative and craft workshops organized by the Coffewear group on a regular bases, and also during the summer in festivals in Hungary and abroad as well. These events are perfect for the contemporary design and craftmanship lovers.

forms.

About the brand: Coffewear is a Budapest based progressive slow fashion brand, working with upcycled coffee-packaging and other reused materials. The founder of the Coffewear brand, is Csenge a young Textile designer, who started the small brand in 2018. Coffewear is working with wasted single-use packages and other reused materials collected in the busy Speciality Cafés in Budapestas contribution to

GRAPHIC PROJEC TS

BRAND IDENTIT Y

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PORTFOLIO

DESIGN PROJECTS

100% BANANA UPCYCLED BAGDESIGN Accessory design “New material research ” Supervisor: Sobón Magdalena Foto: Gábor Szabó Lódz 2019

DESIGN PROJEC TS

Slow fashion may be considered a revolt or action against the fast fashion movement. Developing an accessory or garment with a cultural or emotional connection is also the purpose of it, utilizing materials that are already made, and reuse it, using natural resources and sustainable design. In consideration of this philosophy, I created the 100% BANANA bag collection which is based on material innovation. During a four month period by experiencing different ways of working with banana fibre I was searching for the result, which offers me the ready to use material. The organic banana fibre is produced from the „PSEUDO STEM ‚’, the most optional part of the trunk for reuse. In most of the cases, this part is burned after one year, because banana trees produce fruit only once a year, leaving abundant waste or by-product. Recycling the fibre from this by-product into new compositions, helps to prevent

the forests becoming polluted by waste, and also creates a natural material for creative use. The developed material is strong, waterproof and natural. From the ready and operational banana material, I designed a tree piece bag collection. The collection is not only focusing on the usage of this new composition, but for a functional form, which enhances the quality of the collection. I am convinced that there is a big opportunity about any kind of new and sustainable materials. On one hand it gives us a new sustainable medium, on the other hand as a natural material contributes to human and ecological health. Banana fibre properties Highly strong fiber, mixes well with other fibers to form composites, lightweight, biodegradable, rapidly renewable, water-resistant, flame-resistant.

DESIGN PROJEC TS

100% BANANA

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OVERTURNED

FASHION ACCESSORY DESIGN “The reinterpretation of a sport sock ” Supervisor: Judit Bráda, Réka Vágó Instructors: Éva Czalek,Tibor Grőber, István Szilágyi Foto: Noel Lászlók Budapest 2019

DESIGN PROJEC TS

After the research period, I decided to include the knitted structure in the design process of the shoe and bag collection, and I followed this principle until the end of the creative process. The first material and technological experiments were followed by formal experiments. For the research related to the forms, I analyzed works of fine art, touching on different media. They were inspired by the ceramic and plexiglass sculptures of contemporary Danish designer Marete Rasmussen, ceramic sculptures by Japanese artists Chiyoko Tanaka and Yasuhisa Kohyama, and sculptures by a contemporary Japanese artist, Mariko Isozaki.

The soft but accurate curves, the sudden change of direction of the material, the discovery of exaggerated waviness, the movements and gestures recorded for the moment, brought me to the sport. Sport-related dynamics, tension, and energy appear in color choices, generating a new relationship system with elegant, streamlined shapes. The sock twisted around itself and moved, turning from the inside of the shoe to the outside. The knitted fabric that is organically attached to the open shoe runs up to the foot, twists as a strap, and secures the foot. The protruding straps contribute to the overall shape.

During the design process of the experimental object collection, I researched the method of determining the space with the physical material, which is a soft-bonded knitted structure. The different position where the given shape understands its position. In the form experiments I searched, simplified and recorded the dynamic details. Focusing the negative space, concave and convex deflections, precise turns, and material congestion delimited by the bound

DESIGN PROJEC TS

OVERTURNED

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DESIGN PROJEC TS

OVERTURNED

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PORTFOLIO

CSENGE GYŐRBÍRÓ

KNITWEAR DESIGN

RUN DRAWING AND PAINTING “Inner landscape” Supervisor: Pál Józsa artist Foto: Noel Lászlók Budapest 2019

KNIT PROJEC TS

A preliminary study of the final knitted structure experiments is a 12 piece watercolor painting series. In addition to the visualization of Montenegrin summer memories, the planes represent the composition of didactic, repetitive, often infantile-roughened fixed structure sets of forms. These decomposing, dissolving forms formed the basis for the finished knitted sheets. The finished pieces function as a series, as the dissolution of the bonded system connects them chronologically and places the sheets next to each other. The running of the eyes appears on larger and larger surfaces. The compositions of plane works transplanted into the material gradually move from the closed structures to the girl, loose surfaces. These soft yarn parts make the fabric turn around, move in space. The third piece of the series, which also consists of the softest surfaces, turns and twists in space, transforming from sheet to cylinder, taking on the properties of bodies of rotation. The round textile piece, which acts as an experimental textile sculpture,based on a strict-system, but dissolving it at the same time, so the work is based on opposites, where organic forms meet with space .

KNIT PROJEC TS

RUN

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KNIT PROJEC TS

RUN

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FAIR ISLE BUBBLE KNITWEAR DESIGN -

“Fair isle pattern interpretation ” Supervisor: Ildikó Kele Insturctors: Márta Pataki, Andrea Kass Foto: Noel Lászlók Budapest 2019

KNIT PROJEC TS

After researching the traditions, modalities, and colors of the Fair Isle pattern, I decided to change the geometrical shapes of the shapes and counterparts of the pattern.The strict editing, tiny pattern elements, and color variations characteristic of the Fair Isle pattern, which we learned in the first phase of the research, provided the initial inspiration. The pattern is also called, “multiple colour” pattern because of the intricate play of colors, however, a knitted line is limited to two colors. I retained this editing principle within the sample collection. Traditionally, the pattern elements are made by the eye-opening method, however, this technique cannot be applied effectively on two needle-bed flat knitting machines, so I simplified, rotated, and then geometricized the pattern elements. In the experimental knitted structures, I varied the rhythm, location, size and color of the geometric pattern elements formed by the needle selection method. The five final compositions were selected from structures experimented with different yarn qualities, tightness and knitting-needle changes. The two small patterned structure compositions, the three magnifi-

ed pairs of contrasts, are a giant pattern created with a new knitting mode, the special feature of which is that the pattern elements exit the strip rhythm in stages and move diagonally. The “transparent pattern” with contrasting needle bed and yarn shifts also carries the richness of color of the Fair Isle pattern in its rhythmically popping spots within the bound eyes.

KNIT PROJEC TS

FAIR ISLE BUBBLE

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EXTENDO KNITWEAR DESIGN -

“The reinterpretation of a knitted cardigan ” Supervisor: Ildikó Kele Instructors: Márta Pataki, Andrea Kass Foto: Noel Lászlók

KNIT PROJEC TS

After analyzing the shape, structure and processing methods of the classic ready-made cardigan shapes, I designed a garment called Extendo using zero-waste tailoring method. In the first stage of the experiment, and tested the area ratios of different bonding modes, creating as much change as possible within a flat bonded sheet. For the desired widening, I searched for the perfect ratio of knitting modes, yarn densities, and tightness. The proportionally widening bell shapes were followed by an analysis of the open and closed shapes embracing the body. The closed forms were pre-experiments for the sweater and the open ones for the cardigan.

sweater. The opening form can be closed with straps, which also extend from the upper part itself, like endless, re-wrapped arms. Thanks to the asymmetrical circular straps, arms can also fit in these tubes. The tight knitted structure prevents the shape from slipping away on the body.

I achieved the open forms with the widening and expanding held-up knit. For the reinterpreted cardigan, I further developed the “bubble” pattern previously designed on the hand-held knitting machine. The final design is a fully openable garment. The construction, which symbolizes excessive opening and freedom, is the opposite pair of a closed, safety

QR EYE

KNITWEAR DESIGN “The reinterpretation of a knitted pullover ” Supervisor: Ildikó Kele Instructors: Márta Pataki, Andrea Kass Foto: Noel Lászlók Budapest 2019

KNIT PROJEC TS

After analyzing the shape, structure and processing methods of the classic pullover, I decided to reinterpret the formal design of the traditional shape.Moving away from the classic readymade shapes, I created pieces that offered a whole new direction for the limbs. In the first stage of the experiment, I tested the area ratios of different knitting modes, creating the greatest possible change within a flat bonded sheet. I was looking for the perfect ratio of knitting modes, yarn densities and tightness for the desired widening. Proportionally widening bell shapes were followed by analysis of open and closed shapes embracing the body. The designed shape covers the body and hides the shape of the wearer, referring to its proportions only subtly with the gaps formed for the arms and the head. The purpose of the shape is to design without tailoring. The non-tailored shape is built around the pocket. The pocket, as a central element, is a separate form made of the sweater’s own material, as well as an integral internal element.

The matched pocket expands and then stretches over the shoulders. The pocket between the dress and the body is almost a part of the body. At the pocket, the outside and inside are separated. One can reach into a pocket that is himself. His hand penetrates from the outside into the inside and turns it over. The pocket is shared by function, offering an option. The inherent things move from the visual world to the tactile world and lose their greatness. The hand remains free. My goal was to design a consciously edited knit garment that creates a sense of security, which carries with it variability, with a gap left free at the back.

KNIT PROJEC TS

QR EYE

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KNIT PROJEC TS

QR EYE

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PORTFOLIO

CSENGE GYŐRBÍRÓ

DIPLOMA PROJECT 3D DESIGN

LOVE SYMBOLS IN THE HUNGARIAN FOLK ART // 3D DESIGN 3D ACCESSORY DESIGN -

“My homeland” Supervisor: Judit Bráda, Anett Hajdú Concept : Love symbol masks nd body accessories Budapest 2020

DIPLOMA

The formulation of the diploma concept, presents the historical recording of sexuality, the strictly moral peasant world, and reinforced medium-term desires and materialization in defined forms, as well as metaphorical review and further development. In connection with the encounter of desires and rite, I was dealing with the folk performances, during the carnival period. The only summary of the end-of-carnival habitual games of thought, fertility, transmission of life, mating, marriage. If its specific performers are the brides, grooms, or a periodistic imitation of a wedding. In order to increase sensitivity in relation to the formation of individual desire, the strategy, to facilitate processing, and alo to connect metaphorical communication and perform separation. This is a communication bridge for the wedding itself. The pseudo-wedding is chosen from the folk theater games, and the themes of the reburial are thus brought together. In winter death and lifelessness, the flag is that this birth is a new stage of production, growth and development.

The original function of the game was an ancient social tension, and it was a preparation for life rounds. As usual, the roles of a man and a woman played swearing alternately, while a priest kept tempting him with lyrics on the shield, a wedding crowd. This powerful theatrical play, its costumes, props, thoughtfulness, is inspired by a corporeality, images of men dressed as brides emphasizing grotesque elements, an overview into an individual vision. This rework shows a bridal look that is more of a kyborg, pseudo-bride emphasizing masculine traits. Masculinity, men, cannot be sought by suggestive stereotypical elements, but we are habituated to recognise gender visually. This is how I came to the questions of the body hairs, which are still considered a taboo subject. The carnival vision presents an option where gender boundaries-maybe under the hair-can blur just for the wish of playing.

DIPLOMA

LOVE SYMBOLS AND THE DRAMATIC PLAYS IN HUNGARIAN FOLK ART

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DIPLOMA

LOVE SYMBOLS AND THE DRAMATIC PLAYS IN HUNGARIAN FOLK ART

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PORTFOLIO

CSENGE GYŐRBÍRÓ

INSTALLATIONS

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FLUID THOUGHTS MIXED MEDIA INSTALLATION

“Our twenties” Sponsor: Art Locator Magazin Foto: Réka Hegyháti Budapest, Négy szoba gallery 2020

INSTALLATIONS

The “Fluid thoughts” mixed media installation is a space installation built around the keyword- “mindfuck,” which includes a ceramic hand floating in a pink ether, a buried Iphone in the ground, an object reminiscent of a constantly flashing space station, or an airport runway, and a huge silver hashtag from aluminium. The work is located between fixed definitions, playing with the terminology of installation, environment, and assemblage,works as an installation because it is a mixed media work exhibited for a certain period of time, in which the recipient can walk in, so we move on to the environment, which is complemented by assembled objects. The elongated silver elements that divide and at the same time fill the space, the movement of lights and thus shadows, the more “complicated” passage in the given space, together influences the perceptual process and induce the player’s inclusion and interactive presence. “We must search for new shelters and find new axioms from the chaos of the world. In the spirit of a fresh start, Artlocator is also renewed.

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At our year starting event, Artlocator presented Our Twenties entitled pop-up exhibition featuring space installations made for the occasion in the Four Rooms Gallery created by Anikó Süttő, Lili Labus, and Csenge Győrbíró. In connection with the event, we printed a limited edition special poster with several surprising details created by Csenge Katinka Szabó with various analogue techniques.”

INSTALLATIONS

FLUID THOUGHTS

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“UPTIGHTS” TEXTILE INSTALLATION -

“Our twenties” Sponsor: Art Locator Magazin Foto: Réka Hegyháti Budapest, Négy szoba gallery 2020

INSTALLATIONS

The textile installation “Up Tights” reflects the theme of Afrofuturism, the irrelevant duality of being African-American, and the absurd, tense atmosphere of the oppressed situation of African women. The instability-sensing support rods, which symbolize tension and insecurity, are held together by elongated textile units that hold “fruity” emotions stretched at extreme points as capsules. The name of the installation follows the exclamation of Up tights! and getting uptight i.e. nervous, english pun. “We must search for new shelters and find new axioms from the chaos of the world. In the spirit of a fresh start, Artlocator is also renewed. At our year starting event, Artlocator presented Our Twenties entitled pop-up exhibition featuring space installations made for the occasion in the Four Rooms

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Gallery created by Anikó Süttő, Lili Labus, and Csenge Győrbíró. In connection with the event, we printed a limited edition special poster with several surprising details created by Csenge Katinka Szabó with various analogue techniques.” ART LOCATOR MAGAZIN https://artlocatormagazine.hu/huszas-eveink-%E2%9C%96-our-twenties/

INSTALLATIONS

UPTIGHTS TEXTILE INSTALLATION

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EXHIBITED WORKS

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EXHIBITED WORKS _ ACHIVEMENTS 2020.01.24-2020.0229 NÉGYSZOBA GALLERY „Fluid toughts” „Uptights” Textile installation- collaboration with Lililabus fro the ARTLOCATOR Négyszoba Gallery Budapest,Hungary

2021.11.02-2021.12.05. FESZEK GALLERY MAGYAR DESIGN 10+1 Experiment -Group Exhibition 2021.10.08-2021.11.30. BUDAPEST DESIGN WEEK „PRIVATE BOTANICAL GARDEN” Plant based artworks OnlineExhibition Societé Gallery, Budapest, Hungary

LUDWIG MUSEUM Exhibited Carpet Design “Pattern and decoration “exhibition atLudwig Museum -Contemporary ArtMuseum Budapest, Hungary

2021.10.08-2021.11.30. BUDAPEST DESIGN WEEK Official program of the NewStandards Exhibition Budapest, Hungary

2019.10.04-2019.10.19 Exhibited carpet designs “SzálakVonzásában “ Textile Competition and Exhibition a Budapest, Hungary

2021.07.08-2021.07.30. ASK ART Exhibition „PRIVATE BOTANICAL GARDEN” Plant based artworks exhibited London, United Kingdom

2019.10.05-2019.10.31 RUG ART FESTIVAL Exhibited Artworks in 3rd RUG ARTFEST, Official program of theBudapest Design Week

2020.09.08-2020.10.22. BRUSSELS DESIGN SEPTEMBER ‚SINUOSITY” textil project exhibitedat Brüssels Design Week Brussels, Belgium

2019.01.22-2019.02.26 KOBRO GALLERY „Sushi” Experimental paper worksGroup exhibition -WladislawSterminski KOBRO GalleryLódz, Poland

2020. 02.13-2020.03.12. SKINNARLAND-SAMLINGA ARTMUSEUM „QR Eye” projekt exhibited, Rauland,Norway

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EXHIBITED WORKS

BUDAPEST DESIGN WEEK 2021 ‘NEW STANDARDS EXHIBITION’-SELEC TED DESIGNS

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HUNGARIAN DESIGN—10+1 EXPERIMENTS | Hungarian design then and now 2021.10.27-2022.01.06 FESZEK GALLERY, Budapest Hungary

Within the framework of a university course, students of MOME undertook to translate the theme and questions of the “Magyar design – 10+1 kísérlet” (Hungarian design—10+1 experiments) exhibition initiated as a problem identification by Mihály Pohárnok in 1972, into the present day.

The exhibition, launched in the 1970s, focused on functionalism, systematic design, manufacturability, and social needs and was followed by months of professional press debate. Fifty years after the original exhibition, Hungarian design is back at the Fészek Gallery under the title Magyar design – 10+1 kísérlet. Eszter Földi, art historian and adjunct professor at the Institute for Theoretical Studies of the Moholy-Nagy University of Art and Design, will welcome the guests and the exhibition will be opened by Mihály Pohárnok, graphic designer, design manager, and Piroska Novák, design and art theorist.

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CSENGE GYŐRBÍRÓ 2022

Csenge Győrbiró Portfolio 2022

Articles inside

BRAND IDENTITY FOR MAROON DESIGN STUDIO

Fair isle bubble

Introduction

Run

Levitation

100% Banana

Overturned

Visual Identity Design

Fractures