Key Words, MAR Reading Group 2020-2021

Page 168

Reading Day 6

Modernity ‫هتینرِدُم‬OK #fiction, #capitalism, #pain, #existence

they cut you wide open, with a knife, exactly on your belly, draw the line first, that is how they do it, no medicine, no nothing, they cut you when your eyes are open, you see all the faces around, you hear the doc asking for the knife, that is how it works, you understand that it is coming, you hear the pain, you feel the coldness of the sharp edge of the knife on your skin, you see the reflection of the sun on the smooth polished surface of the knife, oh the knife, such a beautiful creature, a true lover, and there is blood, red comes out, a lot of it, and they cannot even stop it, blood and blood and blood, give me a sponge or something, the doc asks, and they try to slow down the flow, no one has ever stopped the flow he says, give me the scissors, why do I hear everything, the right arm goes inside, the doc is inside me, till his elbow at least, oh it is not enough, two arms would do, you hear the doc breathing rapidly in your face, I want to go, I want to go, I don’t want this, you start crying, pushing, pulling, swearing at their serious faces, no one hears you though, you only think you can go, you masturbate over your freedom, but by now you should have felt the scissors, you should have heard it of course, one of these good japanese scissors, stainless steel is cutting you, cutting your belly, cutting your intestine, cutting your veins, cutting you wide open, cut me daddy, you remember, him, your dad, he takes you to the barber, you remember the barber cutting your ear by mistake, one move, only one small movement of two fingers in the air, at least two fingers, click, click, and two metal lips kiss each other, a bloody romance, X of scissors becomes I, and then I becomes X, and the red comes out, a lot of it, and they cannot even stop it, blood and blood and blood, give me a sponge or something, the barber asks, and they try to slow down the flow, no one has ever stopped the flow he says, look at the mirror at least, smile, you have less of an ear now, pay at the desk, please, I came to cut my hair, where is my dad, the memory of my dad can pay the bill, I have less of an ear, more of hair, my dad takes me to the school, bring out your scissors, we cut papers today, stupid shapes we want to make, draw the lines first, and cut them, cut them, cut them, the whole class is cutting, the whole class is bleeding, go wash, the whole class is washing, time to pray, wash before pray, pray for your pain, Allah will heal the pain, the pain which is real now, take my pain away, my memories hurt, the past hurts, it hurts, the change hurts, the change is what you are afraid of, the change is what it hurts, what it bleeds, and red comes out, a lot of it, and they cannot ever stop it, I hurt, I pain, you should be happy he says, the teacher, the barber, the imam, the father, the doctor, at

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CITED REFERENCES

5min
pages 256-259

BIBLIOGRAPHY ~ FILMOGRAPHY

1min
page 255

Film review: Hito Steyerl, November, 25'

5min
pages 250-254

Sitting

3min
pages 244-245

Twinkling

2min
pages 248-249

Ninism

1min
pages 242-243

Sleep

3min
pages 246-247

The neutral

1min
pages 240-241

Love

5min
pages 236-239

The adjective

3min
pages 234-235

Library

6min
pages 230-233

Fragment

5min
pages 228-229

The Androgyne: an ode to myself, my friends and my recent ex

11min
pages 218-223

Artistic Research Case II: How Roland Barthes would teach a course

1min
pages 216-217

Conflict

6min
pages 224-227

Matteo, 60'

7min
pages 212-215

Queer kinship: a perversion

2min
pages 210-211

Willfulness

4min
pages 208-209

Squatting

7min
pages 192-195

Family

4min
pages 190-191

Queer

3min
pages 188-189

The courage to love

8min
pages 202-207

Repair

9min
pages 184-187

Recycle

3min
pages 196-197

Drafts to a confessional letter from a killjoy to a fellow killjoy

12min
pages 198-201

Artistic Research Case I: Queer Values

1min
pages 182-183

Film review: Godfrey Reggio, Koyaanisqatsi, 90'

4min
pages 178-181

The first time

3min
pages 170-171

Modernity مُدِرنیته

3min
pages 168-169

Intensity

2min
pages 176-177

Morality

5min
pages 172-175

Measure - How do we measure up?

3min
pages 166-167

Bourgeois

2min
pages 164-165

Intensity: an ethical ideal?

1min
pages 162-163

Film review: Astra Taylor, Examined Life, 90'

3min
pages 160-161

A Brief Biography - and many reasons for the waywardness - of Stanley Brouwn

6min
pages 154-159

A brief biography of Thoreau

12min
pages 144-149

A flash of understanding

6min
pages 140-143

Glancing

2min
pages 152-153

Freetime vs. production

2min
pages 150-151

Outside

2min
pages 138-139

Objects, according to Virginia Woolf

4min
pages 136-137

Flâneur

3min
pages 134-135

Wandering research

1min
pages 132-133

Battle

10min
pages 128-131

Study according to Moten and Harney

6min
pages 126-127

Fugivity

3min
pages 124-125

Undercommons

11min
pages 120-123

Aberrant movements

5min
pages 110-117

Immanence

1min
pages 118-119

Deleuze

1min
pages 108-109

Deterritorialization

3min
pages 106-107

Logics, according to Deleuze and Rajchman

3min
pages 104-105

Film review: The Otolith Group, Medium Earth & Anathema, ±100'

1min
pages 98-99

Wayward Movement: Aberrance and Fugitivity

3min
pages 100-103

Reading

4min
pages 96-97

Skeptic!sm

7min
pages 92-95

Signifier and signified

7min
pages 88-91

Endings

1min
pages 78-79

How to taunt the enemy? A guide to a wayward life

2min
pages 84-87

Citation - Constructing citations on the streets of Ajaccio

8min
pages 74-77

Fortune

3min
pages 80-81

History

3min
pages 82-83

Chiasmus

2min
pages 72-73

Allegory - Drawing the line

5min
pages 68-71

Chantal Akerman, 67'

1min
pages 64-65

Geometries of attention

1min
pages 62-63

The poss!ble

8min
pages 58-61

Utopia and catastrophe

2min
pages 54-55

The right to opacity

5min
pages 56-57

Vagrancy

3min
pages 52-53

Composition: Ocean resurface

6min
pages 48-51

Insurrection

4min
pages 44-45

Clinamen

4min
pages 46-47

Beauty

1min
pages 42-43

The postmodern

6min
pages 30-33

Foundations II: What is the relationship between waywardness and speculation?

1min
pages 40-41

Technique

4min
pages 34-35

Film review: Jem Cohen, Museum Hours, 90'

7min
pages 36-39

The modern

4min
pages 28-29

Intentionality

4min
pages 24-25

Learning

3min
pages 26-27

Waywardness and Artistic Research: Speculation, Skepticism, Difference

2min
pages 10-11

Foundations I: What is Artistic Research? And what could be wayward about it?

1min
pages 12-13

Historical collection

2min
pages 22-23

Aesthetic education

4min
pages 14-15

Every Commonality is a Wave form

15min
pages 16-21

About Keywords

2min
pages 2-3, 9
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