Key Words, MAR Reading Group 2020-2021

Page 46

Reading Day 2

ClinamenSF #essay, #clinamen, #contemporary

Clinamen, derived from clīnāre, to incline, is the Latin name that Lucretius gave to the unpredictable swerve of atoms, to defend the atomistic doctrine of Epicurus (Wikipedia). Epicurus Epicurus was a Greek philosopher who was born and lived between 341 and 270 BC. Lucretius Carus was a poet and philosopher who was born and lived between 99 and 55 BC. Lucretius can sometimes be seen as the successor of Epicurus since he wrote a book based on Epicureanism: De Rerum Natura Libri Sex. In Rerum Natura, Lucretius addressed clinamen as a change of motion, when bodies, due to uncertainties, swerve from their course. (Retallack 2) Here, Lucretius tried to explain clinamen as a change of motion. The action or process of moving or being moved (Oxford Languages). This way Lucretius addresses the natural part of the significance of clinamen. The idea of not being forced into one direction. So, this way clinamen can enforce the natural capacity to have a will of its own. Lucretius In the third century B.C.E. the Greek philosopher Epicurus posited the swerve (a.k.a. clinamen) to explain how change could occur in what early atomists had argued was a deterministic universe that he saw as composed of the elemental body moving in unalterable paths. (Retallack 2)

Uncertainly, from this I can deduce that clinamen was the name for research on atoms. An atom is the smallest part of an object and is used to explain the most dominant changes in every single move in the atmosphere that happened until now on planet earth. In this way, clinamen can also be explained by the big bang theory. The Big Bang Theory is a cosmological model of the observable universe from the earliest known periods through its subsequent large-scale evolution (Silk 208). In the text The Poethical Wager, Retallack adds a significant component to the concept of climanem. She stated that Cage’s idea of chance operation, or composed clinamen, highlights a productive sense of contingency. She refers to this later when she defines writing as nothing more and nothing less than living and composing one contemporariness. (Retallack 16-17). In this way, the idea of “composed clinamen’’ manipulates one’s ideas by, for example, writing. I see writing as well as reading as a way to manipulate one’s thoughts. This has to do with the fact that writing, when it’s read, can lead to a change in the way of thinking, or can leave something hanging that triggers a reaction later on. Furthermore, you can force movements, and in this case it’s the movement of neurons. So, these movements are convenient since we can access information and react to it, which will sum up in more movements. On the other hand, “composed clinamen” can be negative, or can suggest negativity. An example of this is the pollution humans

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CITED REFERENCES

5min
pages 256-259

BIBLIOGRAPHY ~ FILMOGRAPHY

1min
page 255

Film review: Hito Steyerl, November, 25'

5min
pages 250-254

Sitting

3min
pages 244-245

Twinkling

2min
pages 248-249

Ninism

1min
pages 242-243

Sleep

3min
pages 246-247

The neutral

1min
pages 240-241

Love

5min
pages 236-239

The adjective

3min
pages 234-235

Library

6min
pages 230-233

Fragment

5min
pages 228-229

The Androgyne: an ode to myself, my friends and my recent ex

11min
pages 218-223

Artistic Research Case II: How Roland Barthes would teach a course

0
pages 216-217

Conflict

6min
pages 224-227

Matteo, 60'

7min
pages 212-215

Queer kinship: a perversion

2min
pages 210-211

Willfulness

4min
pages 208-209

Squatting

7min
pages 192-195

Family

4min
pages 190-191

Queer

3min
pages 188-189

The courage to love

8min
pages 202-207

Repair

9min
pages 184-187

Recycle

3min
pages 196-197

Drafts to a confessional letter from a killjoy to a fellow killjoy

12min
pages 198-201

Artistic Research Case I: Queer Values

1min
pages 182-183

Film review: Godfrey Reggio, Koyaanisqatsi, 90'

4min
pages 178-181

The first time

3min
pages 170-171

Modernity مُدِرنیته

3min
pages 168-169

Intensity

2min
pages 176-177

Morality

5min
pages 172-175

Measure - How do we measure up?

3min
pages 166-167

Bourgeois

2min
pages 164-165

Intensity: an ethical ideal?

0
pages 162-163

Film review: Astra Taylor, Examined Life, 90'

3min
pages 160-161

A Brief Biography - and many reasons for the waywardness - of Stanley Brouwn

6min
pages 154-159

A brief biography of Thoreau

12min
pages 144-149

A flash of understanding

6min
pages 140-143

Glancing

2min
pages 152-153

Freetime vs. production

2min
pages 150-151

Outside

2min
pages 138-139

Objects, according to Virginia Woolf

4min
pages 136-137

Flâneur

3min
pages 134-135

Wandering research

1min
pages 132-133

Battle

10min
pages 128-131

Study according to Moten and Harney

6min
pages 126-127

Fugivity

3min
pages 124-125

Undercommons

11min
pages 120-123

Aberrant movements

5min
pages 110-117

Immanence

1min
pages 118-119

Deleuze

1min
pages 108-109

Deterritorialization

3min
pages 106-107

Logics, according to Deleuze and Rajchman

3min
pages 104-105

Film review: The Otolith Group, Medium Earth & Anathema, ±100'

1min
pages 98-99

Wayward Movement: Aberrance and Fugitivity

3min
pages 100-103

Reading

4min
pages 96-97

Skeptic!sm

7min
pages 92-95

Signifier and signified

7min
pages 88-91

Endings

1min
pages 78-79

How to taunt the enemy? A guide to a wayward life

2min
pages 84-87

Citation - Constructing citations on the streets of Ajaccio

8min
pages 74-77

Fortune

3min
pages 80-81

History

3min
pages 82-83

Chiasmus

2min
pages 72-73

Allegory - Drawing the line

5min
pages 68-71

Chantal Akerman, 67'

1min
pages 64-65

Geometries of attention

1min
pages 62-63

The poss!ble

8min
pages 58-61

Utopia and catastrophe

2min
pages 54-55

The right to opacity

5min
pages 56-57

Vagrancy

3min
pages 52-53

Composition: Ocean resurface

6min
pages 48-51

Insurrection

4min
pages 44-45

Clinamen

4min
pages 46-47

Beauty

1min
pages 42-43

The postmodern

6min
pages 30-33

Foundations II: What is the relationship between waywardness and speculation?

1min
pages 40-41

Technique

4min
pages 34-35

Film review: Jem Cohen, Museum Hours, 90'

7min
pages 36-39

The modern

4min
pages 28-29

Intentionality

4min
pages 24-25

Learning

3min
pages 26-27

Waywardness and Artistic Research: Speculation, Skepticism, Difference

2min
pages 10-11

Foundations I: What is Artistic Research? And what could be wayward about it?

0
pages 12-13

Historical collection

2min
pages 22-23

Aesthetic education

4min
pages 14-15

Every Commonality is a Wave form

15min
pages 16-21

About Keywords

2min
pages 2-3, 9
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