Key Words, MAR Reading Group 2020-2021

Page 56

Reading Day 2

The right to opacityEJR #essay, #dialogue, #queerness, #experience

We just moved into our new place. Boxes scattered around the rooms. They contain our life. Kitchen, living room, bathroom, bedroom. We lay down on the mattress that is lying on the floor. For lack of better, we drink wine out of coffee cups. I’m tired. You are tired. We will unpack tomorrow, for now we will talk. My head resting on your belly, I hear your heartbeat, I hear you breathe. I hear your voice deepen and resonate in your chest. N: Opacity is a noun. It means the quality of lacking transparency or translucence. L: That would mean that synonyms are opaqueness, non-transparency or lack of transparency, maybe even cloudiness, filminess, haziness, and mistiness. N: Yes. But also blur or blurred-ness, dirty-ness, dinginess, muddiness, griminess, and smeariness. Opacity could also be seen as the quality of being obscure in meaning; I mean in the meaning of being unclear, impenetrable, unintelligible or incomprehensible. L: All the things that Esther Brown so longed to be. To be seen, to be taken seriously in her choices of how to live her life, to live free. To not be translucent. One of the countless and countless young black womxn who didn’t go down in herstory. That were forgotten.

N: I immediately had to think of an experience that a dear friend of ours shared: The feeling she experiences every time she goes out for drinks, goes into public spaces or even just enters a room, as a tall black womxn. The minute she walks into the room there are eyes on her. She explained how this always sparked, even though she’s very confident, a feeling of discomfort. This often happens in mostly white, cis dominated spaces. It just made me think of Esther Brown. Even though they might live in very different times, they are both put under a magnifying glass. Esther Brown cannot go out and do as she pleases, as a young womxn who wants to have fun and make her choices. Because, if she does she will be picked up from the streets and put into prison or a reformatory. All eyes are on her, and yet she is not seen as a human being. She is translucent. The translucency is in the singular way she is seen, as a black womxn. If she would have the right to opacity she would be seen as an intersectional being. How do you feel, well I know but for argument’s sake, when you enter a public space, room, etcetera?

N: Yes but that is exactly what Hartman did, right? She will go down in history now.

L: When I enter a room, as a trans person, I personally feel completely invisible sometimes. This might be my own doing, but I do experience it as not being seen; in that way being seen through. Unnoticed. When people do notice me it feels, hmmm… it uhh feels more like an attack than it feels like sympathy. But you know, this is merely personal, it sounds super dramatic but that is my personal feeling at times.

L: The opaque black womxn. The opaque womxn.

N: But you have told me once, that you also quite enjoy the fact of being invisible or,

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CITED REFERENCES

5min
pages 256-259

BIBLIOGRAPHY ~ FILMOGRAPHY

1min
page 255

Film review: Hito Steyerl, November, 25'

5min
pages 250-254

Sitting

3min
pages 244-245

Twinkling

2min
pages 248-249

Ninism

1min
pages 242-243

Sleep

3min
pages 246-247

The neutral

1min
pages 240-241

Love

5min
pages 236-239

The adjective

3min
pages 234-235

Library

6min
pages 230-233

Fragment

5min
pages 228-229

The Androgyne: an ode to myself, my friends and my recent ex

11min
pages 218-223

Artistic Research Case II: How Roland Barthes would teach a course

0
pages 216-217

Conflict

6min
pages 224-227

Matteo, 60'

7min
pages 212-215

Queer kinship: a perversion

2min
pages 210-211

Willfulness

4min
pages 208-209

Squatting

7min
pages 192-195

Family

4min
pages 190-191

Queer

3min
pages 188-189

The courage to love

8min
pages 202-207

Repair

9min
pages 184-187

Recycle

3min
pages 196-197

Drafts to a confessional letter from a killjoy to a fellow killjoy

12min
pages 198-201

Artistic Research Case I: Queer Values

1min
pages 182-183

Film review: Godfrey Reggio, Koyaanisqatsi, 90'

4min
pages 178-181

The first time

3min
pages 170-171

Modernity مُدِرنیته

3min
pages 168-169

Intensity

2min
pages 176-177

Morality

5min
pages 172-175

Measure - How do we measure up?

3min
pages 166-167

Bourgeois

2min
pages 164-165

Intensity: an ethical ideal?

0
pages 162-163

Film review: Astra Taylor, Examined Life, 90'

3min
pages 160-161

A Brief Biography - and many reasons for the waywardness - of Stanley Brouwn

6min
pages 154-159

A brief biography of Thoreau

12min
pages 144-149

A flash of understanding

6min
pages 140-143

Glancing

2min
pages 152-153

Freetime vs. production

2min
pages 150-151

Outside

2min
pages 138-139

Objects, according to Virginia Woolf

4min
pages 136-137

Flâneur

3min
pages 134-135

Wandering research

1min
pages 132-133

Battle

10min
pages 128-131

Study according to Moten and Harney

6min
pages 126-127

Fugivity

3min
pages 124-125

Undercommons

11min
pages 120-123

Aberrant movements

5min
pages 110-117

Immanence

1min
pages 118-119

Deleuze

1min
pages 108-109

Deterritorialization

3min
pages 106-107

Logics, according to Deleuze and Rajchman

3min
pages 104-105

Film review: The Otolith Group, Medium Earth & Anathema, ±100'

1min
pages 98-99

Wayward Movement: Aberrance and Fugitivity

3min
pages 100-103

Reading

4min
pages 96-97

Skeptic!sm

7min
pages 92-95

Signifier and signified

7min
pages 88-91

Endings

1min
pages 78-79

How to taunt the enemy? A guide to a wayward life

2min
pages 84-87

Citation - Constructing citations on the streets of Ajaccio

8min
pages 74-77

Fortune

3min
pages 80-81

History

3min
pages 82-83

Chiasmus

2min
pages 72-73

Allegory - Drawing the line

5min
pages 68-71

Chantal Akerman, 67'

1min
pages 64-65

Geometries of attention

1min
pages 62-63

The poss!ble

8min
pages 58-61

Utopia and catastrophe

2min
pages 54-55

The right to opacity

5min
pages 56-57

Vagrancy

3min
pages 52-53

Composition: Ocean resurface

6min
pages 48-51

Insurrection

4min
pages 44-45

Clinamen

4min
pages 46-47

Beauty

1min
pages 42-43

The postmodern

6min
pages 30-33

Foundations II: What is the relationship between waywardness and speculation?

1min
pages 40-41

Technique

4min
pages 34-35

Film review: Jem Cohen, Museum Hours, 90'

7min
pages 36-39

The modern

4min
pages 28-29

Intentionality

4min
pages 24-25

Learning

3min
pages 26-27

Waywardness and Artistic Research: Speculation, Skepticism, Difference

2min
pages 10-11

Foundations I: What is Artistic Research? And what could be wayward about it?

0
pages 12-13

Historical collection

2min
pages 22-23

Aesthetic education

4min
pages 14-15

Every Commonality is a Wave form

15min
pages 16-21

About Keywords

2min
pages 2-3, 9
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