Jazz in the Cultural District The BNY Mellon Presents JazzLive series has enabled the Pittsburgh Cultural Trust to showcase hundreds of regional performers in the heart of the Cultural District since 2004. JazzLive is a year-round free live jazz series, which takes place in Agnes R. Katz Plaza during warm-weather months, traditionally inside of the Backstage Bar at the Greer Cabaret Theater during winter months, but currently inside of Liberty Magic during renovations to the Greer Cabaret Theater. Free and open to the public, this popular Pittsburgh Cultural Trust music series showcases some of the region’s finest jazz musicians every Tuesday from 5 – 8 p.m. Bob Studebaker has been the resident MC since the series inception. The most recent Spring Series announcement covers shows slated between March 7-May 30, 2023. Seating is limited—first come, first served.
JazzLive Series Thomas Wendt The Bottom Line: The Pittsburgh Jazz Bass Legacy Tue, Apr 25, 2023 Liberty Magic Pittsburgh Cultural Trust Free Live Music Mark Strickland Trio Tue, May 2, 2023 Liberty Magic Pittsburgh Cultural Trust Free Live Music
Jared Sims Tue, May 9, 2023 Liberty Magic Pittsburgh Cultural Trust Free Live Music
Theron Brown Tue, May 23, 2023 Liberty Magic Pittsburgh Cultural Trust Free Live Music
Anton DeFade Tue, May 16, 2023 Liberty Magic Pittsburgh Cultural Trust Free Live Music
David Throckmorton Tue, May 30, 2023 Liberty Magic Pittsburgh Cultural Trust Free Live Music
37th Annual EQT Children’s Theater Festival The Pittsburgh Cultural Trust is excited to announce the featured line-up for the 2023 EQT Children’s Theater Festival taking place in the Cultural District May 19 - 21. Now in its 37th year, the EQT Children’s Theater Festival, a production of the Pittsburgh Cultural Trust, continues to foster imagination through high-quality professional theater performances from around the world. This year’s featured arts groups and performers hail from Australia, Canada, France, Madagascar, Japan, United Kingdom, and the United States.
Photo by: Emily O’Donnell
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