Photographic Lighting Essential Skills

Page 133

essential skills: photographic lighting

Fill flash Fill flash can be a very useful way of lowering the brightness range. Often the photographer is unable to reposition the primary subject and the addition of fill light from the camera’s position is essential to the image’s success. The aim of fill flash is to reveal detail in the dark shadows created by a harsh directional light source. The aim is not to overpower the existing ambient light and remove the shadows completely. If the power of the flash is too high the light will create its own shadows, creating an unnatural effect. Mount the flash unit on the camera’s hot shoe and direct the flash towards the subject. To retain the effect of the primary (ambient) light source the flash is most commonly fired at half or quarter power. The ratio of ambient to flash light is therefore 2:1 or 4:1.

Manual - Select a smaller aperture on the camera from the one that is indicated by the flash unit or flash meter, e.g. if the meter or unit indicates f5.6 select f8 or f11 on the camera. Compensate for the reduced aperture by selecting a slower shutter speed on the camera so that the ambient light exposure is still appropriate for your subject. This action will lead to correctly exposing the ambient light and underexposing the light from the flash unit. Automatic - Many automatic flash units have the facility to fire at 1/2 or 1/4 power, making fill flash a relatively simple procedure. If this facility is unavailable set the ISO on the flash unit to double or quadruple the actual speed of the ISO set in the camera to lower the output. Dedicated - Many sophisticated cameras and dedicated flash units have a fill flash option. This should be regarded as a starting point only and further adjustments are usually required to perfect the technique. Power often needs to be further lowered for a more subtle fill-in technique. The photographer may also wish to select a ‘slow-sync’ option on the camera, if available, to avoid underexposing the ambient light in some situations.

Activity 5 Create an image using the fill flash technique. Lower the lighting contrast of a portrait lit with harsh sunlight. Experiment to see if you can lower the flash output on your unit to half or quarter power. Discuss the light quality of the resulting image and the fill/ambient lighting ratio.

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Introduction

25min
pages 197-214

Changing the weather in post-production

4min
pages 187-189

Composite lighting

3min
pages 190-196

Creative post-production

2min
pages 185-186

Illusion of movement

1min
page 184

Lighting ratios

8min
pages 170-173

Introduction

3min
pages 181-183

On location

4min
pages 174-180

Working with studio lights

7min
pages 166-169

Mixed light sources

1min
page 165

Light sources

4min
pages 162-164

Health and safety

1min
page 161

Studio lighting

1min
page 160

A black and white digital workfl ow

5min
pages 154-158

Perfecting the system

1min
page 153

Calibration tests

1min
pages 151-152

Introduction

1min
page 159

Operating the system

5min
pages 148-150

The zones

2min
pages 146-147

Contrast control

1min
page 145

Zone placement

2min
page 144

Double exposures

1min
page 137

High dynamic range

5min
pages 138-142

Slow-sync fl ash

1min
page 136

Introduction

1min
page 143

Fill fl ash

2min
page 133

Flash as a key light

2min
pages 134-135

Diffusion and bounce

1min
page 132

Flash as the primary light source

2min
page 131

Fill

1min
page 124

Refl ectors

1min
page 125

Flash

1min
page 126

Filter factors

3min
pages 117-122

Guide numbers

3min
pages 129-130

Introduction

1min
page 123

Filters for lenses

9min
pages 111-116

Color accuracy in camera

4min
pages 106-110

Color accuracy on screen

1min
page 104

Introduction

2min
page 103

Cross-processing effect

1min
page 99

Color profi les

1min
page 105

Latitude

1min
page 97

Pushing and pulling fi lm

1min
page 98

Limitations of fi lm capture

2min
page 96

Noise

2min
pages 94-95

Image characteristics

2min
page 93

Introduction

3min
pages 89-90

Choosing a capture medium

2min
page 91

Summary of exposure compensation

2min
pages 85-88

Raw format exposure considerations

13min
pages 64-74

Contrast

6min
pages 75-79

Exposure compensation

6min
pages 80-84

Interpreting the meter reading

8min
pages 59-63

Intensity and duration

6min
pages 49-52

Color

16min
pages 34-46

Hand-held light meters

2min
page 53

Taking a hand-held meter reading

5min
pages 54-56

Introduction

3min
pages 47-48

TTL light meters

3min
pages 57-58

Contrast

2min
pages 32-33

Direction

1min
page 31

Quality

2min
pages 29-30

Research and resources

1min
page 17

Introduction

2min
pages 23-24

Independent learning

2min
page 16

Visual Diary

0
page 18

Source

3min
pages 25-26

Intensity

2min
pages 27-28

Research, presentation and storage

1min
pages 20-22

Process and progress

1min
page 15
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