essential skills: photographic lighting
Direction In the studio The direction of light determines where shadows fall and their source can be described by their relative position to the subject. Shadows create texture, shape, form and perspective. Without shadows photographs can appear flat and visually dull. A subject lit from one side or behind will not only separate the subject from its background but also give it dimension. A front lit subject may disappear into the background and lack form or texture. In nature the most interesting and dramatic lighting occurs early and late in the day. Observing and adapting these situations is a starting point to studio lighting.
Mark Galer
On location Many location photographs look flat and uninteresting. Photographers arriving at a location when the sun is high find a flat, even illumination to the environment. The colors can look washed out and there is little or no light and shade to create modelling and texture. The mood and atmosphere of a location can be greatly enhanced by the realization that most successful location images are taken when the sun is low, dawn or dusk, or as it breaks through cloud cover to give uneven and directional illumination. When the sun is high or diffused by cloud cover the mood and the subject contrast usually remain constant. When the sun is low the photographer can often choose a variety of moods by controlling the quantity, quality and position of shadows within the image. Colors are often rich and intense and morning mists can increase the mood dramatically.
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