Photographic Lighting Essential Skills

Page 94

sensitivity and image capture

Noise Sensors in the small pocket-sized digicams and fixed lens digital cameras are very small, whilst in DSLRs the sensor size is comparatively much larger (more than double the dimensions and quadruple the surface area in the case of 35mm DSLRs and 16 times the surface area in the case of medium-format digital sensors). The use of small sensors in prosumer digicams usually leads to increased levels of noise when compared to the images captured with a DSLR camera at the same ISO - especially when comparisons are made at higher ISO settings. Larger sensor sites typically lead to less problems with noise. Noise can be almost non-existent in images captured with medium-format digital cameras or professional 35mm DSLRs shooting at a very low ISO. In the consumer range of of DSLRs, cameras with a CMOS sensor rather than a CCD sensor tend to perform better at ISO settings over 400.

A small sensor pushes its luck at 400 ISO - image magnified to 300% (see inset)

If we examine the detail (zooming in to 200 or 300% on screen) from an image captured at ISO 400 on the Fuji fixed lens digicam (perhaps one of the better small sensors at high ISO speeeds) we will discover posterization and lumpy tones and smudged or blurry detail. These are evident as a result of in-camera processing in an attempt to suppress the noise that is inherent in files captured with the small sensors found in prosumer digicams. These degradation of image quality is also replicated when excessive noise reduction is used in post-production imageediting software. This image processing makes the image look as if we are viewing the file through distorted glass. Quality is starting to be compromised. If we view a Raw file from a file that has been captured at 400 ISO without noise suppression then the smudged detail is replaced with luminance and color noise that is reminiscent of images captured with high-speed color film. Note > Although the image artifacts that are starting to appear at 400 ISO, they are barely noticeable in a 4 x 6 inch print or small screen preview of the entire image.

81


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Articles inside

Introduction

25min
pages 197-214

Changing the weather in post-production

4min
pages 187-189

Composite lighting

3min
pages 190-196

Creative post-production

2min
pages 185-186

Illusion of movement

1min
page 184

Lighting ratios

8min
pages 170-173

Introduction

3min
pages 181-183

On location

4min
pages 174-180

Working with studio lights

7min
pages 166-169

Mixed light sources

1min
page 165

Light sources

4min
pages 162-164

Health and safety

1min
page 161

Studio lighting

1min
page 160

A black and white digital workfl ow

5min
pages 154-158

Perfecting the system

1min
page 153

Calibration tests

1min
pages 151-152

Introduction

1min
page 159

Operating the system

5min
pages 148-150

The zones

2min
pages 146-147

Contrast control

1min
page 145

Zone placement

2min
page 144

Double exposures

1min
page 137

High dynamic range

5min
pages 138-142

Slow-sync fl ash

1min
page 136

Introduction

1min
page 143

Fill fl ash

2min
page 133

Flash as a key light

2min
pages 134-135

Diffusion and bounce

1min
page 132

Flash as the primary light source

2min
page 131

Fill

1min
page 124

Refl ectors

1min
page 125

Flash

1min
page 126

Filter factors

3min
pages 117-122

Guide numbers

3min
pages 129-130

Introduction

1min
page 123

Filters for lenses

9min
pages 111-116

Color accuracy in camera

4min
pages 106-110

Color accuracy on screen

1min
page 104

Introduction

2min
page 103

Cross-processing effect

1min
page 99

Color profi les

1min
page 105

Latitude

1min
page 97

Pushing and pulling fi lm

1min
page 98

Limitations of fi lm capture

2min
page 96

Noise

2min
pages 94-95

Image characteristics

2min
page 93

Introduction

3min
pages 89-90

Choosing a capture medium

2min
page 91

Summary of exposure compensation

2min
pages 85-88

Raw format exposure considerations

13min
pages 64-74

Contrast

6min
pages 75-79

Exposure compensation

6min
pages 80-84

Interpreting the meter reading

8min
pages 59-63

Intensity and duration

6min
pages 49-52

Color

16min
pages 34-46

Hand-held light meters

2min
page 53

Taking a hand-held meter reading

5min
pages 54-56

Introduction

3min
pages 47-48

TTL light meters

3min
pages 57-58

Contrast

2min
pages 32-33

Direction

1min
page 31

Quality

2min
pages 29-30

Research and resources

1min
page 17

Introduction

2min
pages 23-24

Independent learning

2min
page 16

Visual Diary

0
page 18

Source

3min
pages 25-26

Intensity

2min
pages 27-28

Research, presentation and storage

1min
pages 20-22

Process and progress

1min
page 15
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