Photographic Lighting Essential Skills

Page 96

sensitivity and image capture

3PTP[H[PVUZ VM ÄST JHW[\YL Expiry date

At the time of manufacture all film products have an expiry date printed on their packaging. Do not use film once this date expires. The manufacturer will not guarantee correct rendition of color and reliable results cannot be predicted. Store unexposed film at a constant temperature, preferably in a refrigerator, but do not freeze.

Color temperature and white balance It is not important to fully understand the theory of color temperature other than to know that capturing color images requires the correct match between capture medium and light source to avoid excessive color casts. Black and white film is relatively unaffected by color temperature although a small increase in exposure (as indicated by the MIE reading) is often required when using tungsten lights. Tungsten film is rated at 3200K and used with tungsten lighting. Daylight film is rated at 5500K and used with flash and daylight. To render correct color, the use of a ‘white balance’ or filtration can be used to balance any image sensor or film to any lighting situation. The filtration required for film is listed in the manufacturer’s specifications packaged with the film.

Reciprocity Reciprocity, more correctly referred to as reciprocity failure, is a measure of the film’s ability or inability to handle extreme exposure times. Reciprocity, in general terms, takes effect when shutter speeds are greater than 1 second when using daylight color film, greater than 30 seconds when using tungsten color film and 1 second when using black and white. All manufacturers issue a technical information sheet with their professional film packaging stating the reciprocity values relevant to that batch (manufacturing identification) of film. This should be followed closely. Without going into the causes of reciprocity the remedy is to reduce shutter speed (time) and compensate by increasing aperture (intensity). Increasing exposure by increasing time will only compound the problem. The results of not compensating for reciprocity is an underexposed image, varying shifts in color rendition and unpredictable results.

Activity 1 Photograph a subject of average contrast using the capture medium of your choosing. Adjust shutter speed and the intensity of light so exposure times start at 1 second with the aperture at f2.8 or f4. In one stop increments increase exposure time to 64 seconds. Label the results for reference, comparison and discussion. At what exposure time did the images suffer reciprocity failure or excessive levels of noise?

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Articles inside

Introduction

25min
pages 197-214

Changing the weather in post-production

4min
pages 187-189

Composite lighting

3min
pages 190-196

Creative post-production

2min
pages 185-186

Illusion of movement

1min
page 184

Lighting ratios

8min
pages 170-173

Introduction

3min
pages 181-183

On location

4min
pages 174-180

Working with studio lights

7min
pages 166-169

Mixed light sources

1min
page 165

Light sources

4min
pages 162-164

Health and safety

1min
page 161

Studio lighting

1min
page 160

A black and white digital workfl ow

5min
pages 154-158

Perfecting the system

1min
page 153

Calibration tests

1min
pages 151-152

Introduction

1min
page 159

Operating the system

5min
pages 148-150

The zones

2min
pages 146-147

Contrast control

1min
page 145

Zone placement

2min
page 144

Double exposures

1min
page 137

High dynamic range

5min
pages 138-142

Slow-sync fl ash

1min
page 136

Introduction

1min
page 143

Fill fl ash

2min
page 133

Flash as a key light

2min
pages 134-135

Diffusion and bounce

1min
page 132

Flash as the primary light source

2min
page 131

Fill

1min
page 124

Refl ectors

1min
page 125

Flash

1min
page 126

Filter factors

3min
pages 117-122

Guide numbers

3min
pages 129-130

Introduction

1min
page 123

Filters for lenses

9min
pages 111-116

Color accuracy in camera

4min
pages 106-110

Color accuracy on screen

1min
page 104

Introduction

2min
page 103

Cross-processing effect

1min
page 99

Color profi les

1min
page 105

Latitude

1min
page 97

Pushing and pulling fi lm

1min
page 98

Limitations of fi lm capture

2min
page 96

Noise

2min
pages 94-95

Image characteristics

2min
page 93

Introduction

3min
pages 89-90

Choosing a capture medium

2min
page 91

Summary of exposure compensation

2min
pages 85-88

Raw format exposure considerations

13min
pages 64-74

Contrast

6min
pages 75-79

Exposure compensation

6min
pages 80-84

Interpreting the meter reading

8min
pages 59-63

Intensity and duration

6min
pages 49-52

Color

16min
pages 34-46

Hand-held light meters

2min
page 53

Taking a hand-held meter reading

5min
pages 54-56

Introduction

3min
pages 47-48

TTL light meters

3min
pages 57-58

Contrast

2min
pages 32-33

Direction

1min
page 31

Quality

2min
pages 29-30

Research and resources

1min
page 17

Introduction

2min
pages 23-24

Independent learning

2min
page 16

Visual Diary

0
page 18

Source

3min
pages 25-26

Intensity

2min
pages 27-28

Research, presentation and storage

1min
pages 20-22

Process and progress

1min
page 15
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