Mil bestias que rugen. Olga Fernández López

Page 40

Emma Wolukau-Wanambwa

Margaret Trowell School of Art [Escuela de arte Margaret Trowell], 2013

Margaret Trowell School of Art pertenece a un corpus de trabajo mayor, denominado Uganda in Black and White, que Emma Wolukau-Wanambwa ha desarrollado desde 2010 en torno a las relaciones entre el colonialismo, la memoria y la representación en los últimos años del Protectorado de Uganda. Esta obra forma parte de un conjunto de piezas donde WolukauWanambwa investiga sobre los orígenes y efectos de la primera escuela profesional de arte del África anglófona. La escuela de Margaret Trowell comenzó en 1937 como una serie de clases ofrecidas para voluntarios del Makerere College School for Boys y el Mulago Hospital por parte de esta pintora educada en la Slade School of Art y el Institute of Education (University of London) en la década de los 20. Tras una etapa de progresivo reconocimiento de su trabajo educativo, las clases fueron incorporadas al curriculum del Makerere College y finalmente se constituyó como departamento universitario de bellas artes en 1949. Además de esta labor, Trowell fue la primera conservadora del Museo de Uganda y escribió libros sobre educación artística y sobre las artes tradicionales del África del Este. A través de la serie Margaret Trowell School of Art Wolukau-Wanambwa invita a una reflexión sobre el modo en el que la educación artística se convirtió en un 38

Margaret Trowell School of Art is part of a larger body of work called Uganda in Black and White that Emma Wolukau-Wanambwa has been developing since 2010, exploring the links between colonialism, memory and representation in the final years of the Uganda Protectorate. This work belongs to a series of pieces in which WolukauWanambwa investigates the origins and repercussions of the first professional art school in English-speaking Africa. Margaret Trowell’s school began in 1937 as a series of classes offers to volunteers from the Makerere College School for Boys and Mulago Hospital by this British painter, who studied at the Slade School of Art and the Institute of Education (University of London) in the 1920s. She soon gained recognition for her educational work, and her classes were added to the curriculum at Makerere College and eventually led to the creation of a university-level fine arts department in 1949. Trowell was also the first curator of the Uganda Museum and authored books on art education and the traditional arts of East Africa. In Margaret Trowell School of Art, Wolukau-Wanambwa invites us to reflect on how art education became an agent of subjectivity for the colonized, riddled with complex forms of identification and disidentification with European culture.

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Articles inside

Cristina Garrido

19min
pages 120-133

Sara Sejin Chang (Sara van der Heide

4min
pages 112-115

Walid Raad

4min
pages 116-119

Oriol Vilanova

3min
pages 108-111

Mabe Bethônico

3min
pages 104-107

Falke Pisano

3min
pages 102-103

Mel Bochner

3min
pages 100-101

La copia expuesta / The Copy on Display

9min
pages 96-99

Lucas Simões

3min
pages 94-95

Ursula Mayer

3min
pages 90-93

Tacita Dean

4min
pages 82-85

Marcel van Eeden

4min
pages 86-89

Simon Wachsmuth

20min
pages 52-65

Hans Haacke

4min
pages 66-69

Vladislav Shapovalov

8min
pages 70-77

Isaías Griñolo

4min
pages 78-81

Mathieu Kleyebe Abonnenc

4min
pages 48-51

Sandra Gamarra

4min
pages 36-39

Emma Wolukau-Wanambwa

4min
pages 40-43

Lothar Baumgarten

4min
pages 18-21

Yto Barrada

4min
pages 44-47

Vanguardia, coleccionismo y exposiciones de arte no occidental

7min
pages 22-27

Amie Siegel

4min
pages 28-31

Ed Atkins

4min
pages 32-35

Mil bestias que rugen. Dispositivos de exposición para una modernidad crítica A Thousand Roaring Beasts: Display Devices for a Critical Modernity Olga Fernández López

24min
pages 6-17
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