Programmheft »Cavalleria Rusticana | Pagliacci«

Page 11

Pagliacci

SYNOPSIS PROLOGUE Tonio, an actor who plays the part of Taddeo in the comedy, outlines the play in the prologue speaking, as it were, for the playwright: for once, the author would like to be a painter whose subject is real life even if he is using actors to do so. However, we should not dwell on the dancing actors, but rather submerge ourselves into the souls of the people.

ACT 1 The story is set on the feast of the Assumption of the Virgin Mary into heaven, August 15. Canio’s troupe of actors enters, warmly welcomed by the villagers. In addition to Nedda, the wife of the manager (in the play she is Colombina), Beppe (in the play Arlecchino) and Tonio are members of the theater group. Canio (Pagliaccio in the play) announces a performance for tonight. When Tonio tries to help Nedda out of the wagon, Canio pushes him alway jealously. The actors are invited to have a drink. Someone jokes that Tonio is only too happy to stay behind so that he can have a rendezvous with Nedda. Canio reacts violently: in plays he may take the part of a clumsy, betrayed husband, but in real life he would never accept infidelity. Bells summon the villagers to evening church services. Nedda is upset by Canio’s thinly disguised threats. She feels confined by this jealousy and would like to escape her invisible cage so that she could be as free as a bird. Tonio eavesdropped on her. He wants to force his love on Nedda; he is, however, scornfully rejected. Silvio, a young farmer, appears. Nedda has fallen in love with him. He entreats her to leave Canio and run away with him tonight. At first she hesitates, but then agrees without suspecting that Tonio has heard the two of them talking and hastily summoned Canio out of the nearby tavern. Just as Nedda is saying goodbye to her lover, Canio bursts on the scene raging mad with jealousy. Silvio manages to get away without being recognized. Now Canio’s rage is turned against Nedda. PAGLI ACCI – SY NOPSIS

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Impressum

1min
pages 99-100

ILLUSION UND REALITÄT Anmerkungen zu Pagliacci

1min
pages 95-96

ZWEI MINUTEN VOKALES SEELENPANORAMA

4min
pages 91-94

A VENTITRÈ ORE!

1min
page 90

MARGINALIEN ZUR TRINKSZENE DER »CAVALLERIA RUSTICANA«

8min
pages 83-89

RITUALE BEDEUTUNG

2min
pages 81-82

VERSCHOLLENE VERWANDTE Santuzzen und Turiddus

3min
pages 78-80

ERWARTUNGEN, VON DER REALITÄT ÜBERTROFFEN

4min
pages 73-76

DIE KLEINEN KATASTROPHEN DES HERRN GIOVANNI V.

5min
pages 69-72

CAVALLERIA RUSTICANA

8min
pages 62-68

VON ECHTEN UND FALSCHEN PREMIEREN

5min
pages 55-62

MIT SPIELERISCHER FREUDE

3min
pages 51-55

DER TOD IM VERISMO KOMMT SCHNELL

8min
pages 41-50

MASCAGNI & LEONCAVALLO Image

3min
pages 38-40

VERISMO UND DIE »SPALTUNG« DES ICHS

3min
pages 33-36

AUFSTIEG UND FALL DES VERISMO Versuch einer Ehrenrettung

7min
pages 25-30

Giovanni Verga

3min
pages 21-24

Brigantenunwesen

1min
page 20

Die ferne große Zeit

3min
pages 18-19

DIE KUNST DER UNGESCHMINKTEN WAHRHEIT

1min
pages 16-17

ÜBER DIESES PROGRAMMBUCH

1min
pages 13-15

SYNOPSIS

2min
pages 11-12

DIE HANDLUNG

2min
pages 9-10

Cavalleria rusticana SYNOPSIS

1min
page 8

DIE HANDLUNG

1min
page 7
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